ramirez - misa criolla 1
TRANSCRIPT
MI.SACRIOLLA
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i..iioi'i '.n,u '"dÉi jiu ror#-!?oN THE RHyrI{Ms'j,.-,AND TR.ADIT.IONíj ' '..
. . : . : a : . ' . . . _ , . , :
FOR MIXED CHORUS AND SOLOIST'S WITHPERCUSSION, GUITAR AND PIANO ORI{ARPSICHORD ACCOMPANIMENT.
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SPAMSH AND ENGLISH TEXTS. . . . ' - . :; '
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LAWSON-GOULD MUSIC PUBLISHERS tINC.. .NEwYoRK; G. sCriIRMEn,-rNclsörí l ...SELLING REPRESENTATIVE, NEW YORK.
*Bf,tf,r;i +:
MISACRIOLLA
FOLK MASS BASEDON THE RHYTHMSAND TRADITIONSOF HISPANICAMERICA.
BY,/
ARIEL RAMIRTZFOR MIXE,D CHORUS AND SOLOISTS WITHPERCUSSION, G{JITAR AND PIANO ORHARPSICHORD ACCOMPAN IMENT.
SPANISH AND E,NGLISH TEXTS
LAWSON-GOULD MUSIC PUBLISHERS,INC., NEW YORK; G. SCHIRMER, lNC., SOLE'SELLING RE,PRESE,NTATIVE, NEW YORK.
1L .
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- z . " . ! i sa Cr ioLLa, composed. - -nes i s o f poDU la r and I: , - h Amer i can f o I k mus i c ,' . r gen t i na .
FOREWORD
/Dy A r l e r Hamrne z
í t u r o i c a I s t v I e s .p a r t i c u l a r l y t h e
ín 1963 , ís aI t i s based on
rhy thms and me I od i es
- -= open ing Kyr ie i s ín the rhy thm o f the u idaLa-bagua la . Th i s- - . i c , charac te r i s t íc o f nor thern Argent i na , dep i c t s the fee l i ng
: ' l One l i n eSS One haS l i v i n c ' . ' \ n a d o co r t o r l h i g h p l a t e au . The}- ' -z . ta rhythm,
- ln"
"á"") , " t , i tá , ; . " ; i ]o . i . " ' the same area,
: - - evokes the sense of re joícÍng imp I i cí t in thís par t o f the- : sS . The two sec t íons o f t he GLo r i a a re Sepa ra ted by a r e c i t a t i ve. . : r auí ) wh i ch makes the cadence o f t he ca rnaua l i t o more b r í | | i an t
, , - en Í t r e tu rns w i t h a f u | | r hy thm i c a c companímen t .
-^e ch .a ceTeTa t runca , a f o I k t heme o f cen t r a l A rgen t ína , i s t he
: : s i s oÍ the C redo . l t s obses s i ve rhy thm accen tua te s t he p ro -. : S s i on o f f a í th and the sec t i on ends w i t h t he f i na I wo rds o f: . aye r wh i ch r ea f f i rms the t r i umph o f eve r Ia s t íng I i f e .
' - e o f t he mos t beau t í f u . | and UnuSUaI Bo I i v i an Ío Ik rhy thms ,-^ ,e ca r l naua l cochabanb ino , i s used f o r the Sanc tus . l t has a=* 'bdued bu t marked bea t . The Agnus Deí Ís wr i t t en i n a t ypÍca is ; y l e o f t he pampas ( e s t i l o pa rpeano ) . A s i n t he Ky r i e , a' ee l i ng o f so l i t ude and d i s t ance i s c r ea ted . A s imp l e r e c i t a t i ve:Y9 r e s seS the un i ve r sa l I ong Í ng f o r peace .
-n i s wo rk has won the unp receden ted adm i ra t i on o f t he c r i t i c s
a rd pub l i c o f A rgen t i na and o the r Sou th Amer i can coun t r i e s . l tl r oves t ha t i nd i genous mus i ca l f o rms can commun i ca te t he h i ghes t' , ' a l ues o f l i f e , and tha t t he r e l i g i ous a c t may be conveyed;h rough a popu I a r med i un o f exp res s íon .
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Ar i e I Ramírez was bo rn i n San ta Fe , A rgen t ína , i n 1921 . Hehas Spec i a I i z ed i n t he f o I k Io re o f hí s na tÍve coun t r y , and hasmade ex tens i ve s tud i e s o f i t s h i s t o r y and deve l opmen t . I n1950 he wen t t o Eu rope t o s tudy the f o l k l o r e o f Cen t r a l Eu ropea t t he Academy o f V i enna . He r e ceíved a f e | | owshíp t o t heIns t i t u t e o f H i span i c Cu I tu re ín |4ad r i d whe re he s tud i ed theo r i q i n s o f A roen t i ne mus i c .
l . he Span i sh I i t u rg i ca l t e x t oÍ I ' ( i s a Cz , i o LLa i s by A . Ca tena ,A . Mayo l and J . G . Segade ; t he Eng t i sh t ex t by Lou i se Dobbs ;Pad re Je sús Gab r i e I Segade made the cho ra l a r r anqemen t s .
INSTRL]NIEIVTATION
l - l: rn c i r- hn rrJ o r P i ano
Gu i t a r
S t r i na Sas s
Pe r cus s i cn ( l p l=ye r s ) :
)L
2Tenor Druns (Bombo Argent ino)Tom-tons (Tunbadoras )
. /T r i anC Ie ( T r i ángu I o s ). l i no l I . , (C , a s :abe l e s )Sma | | GoncTemp l e V /ooco l o ck s (Cocos )
Sna re D ru rn w i th b rushes (Tambor )
Recor,áed. on the Phi l ips Connotsseur Col lect ion albun PCC 219,
L .G .Co .513ő2
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I
contents
KYRIE . uidala-baguala T
GLORIA carnaual i to. .10
^ n r n AUR.bIXJ ch,zcerer.ct trunca .25
SANC|US carnaual cochabatnbino. .42
AGNUS DEI est i lo pampeano .56
Appror imate durat ion: 76 minutes.
II
i
Kyric
c . 6 I
(Solo parts may be sung by eithermaIe or ÍemaIe voices.)
P
Hum (closed mouth)
P
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Vida la -Bagua la
SopranoA I t o
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So l i
TenorBa s s
Tenor Drums(mu l t l e d l
Tror, ten pie -Lord,- have
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fior, ten pieLord,- have
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Ten, ten p ie -mer - cy, mer -
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ldarcy
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Hum (c losed mouth)
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l 0 Gloria
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2 Tonr.Toms
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AndanteR.H. (L ight ly )
L.H. (Heavy)
Carnava l i t o (Andan te )
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Carnava l i t o -Ya rav iA p iacere
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T.T.
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Dios- a !
Soprano, Alto
Tenor, Bass
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paz z los hom-bres,from ev - ery moun - tain,
a l o s hom-b res , pazfor His ch i l -dren, peace
---\ ------\
- b.res que a-mael Se-' oren there wilt be
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pazand
pzz,peace,
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nor.peace.
Ü.-..C lo - r l a aClo - r iY
nor.peace.
T e a - l a - b a - m o s .r r PrYe wr l l p ra l se ' l nee .
Tla - doW e a -
Te ben - de - c i - mos.And we wi l l b less Thee.
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T g ; r - l a - b a - m o s .we wi l l pra ise Thee.
T e a - d o -W e a -
G l o - r i - f i - c a -We glor- i - fy
mos .Thee .
TeAnd we
d e - c i - m o s .wi l l b less Thee.
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ra - mos.dore Thee.
Te da - mosNow le t us
gra . c ias,thank Thee,
,$lo -.ri - fiYYe glor - I- nps. T.e d.a - mos gra - clas.' lhee. Now let us thank Thee. .fe .da - mos
l\ow let us
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p.or tgln-men-sa glo. - ria.l Ye w l l l s lng your pra l s - es .
Ah-gra - c ias.
thank Thee.
r o -all
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De - norO Lord
Dios,God
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? Dios Pa-dre to -do - oo- deGod , theFa . the rwhocán do
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Heav'n-Iy K ing. D i o s ,A God,
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Yaravi
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Se . íor,Lord Cod,
h i - j o u - n i - c o _our own Je-susChr is!
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Se - fior Dios,O Lord God,
co r -de - r o de D ios ,sweetLamb_ of Cod.
delthe
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_qui- tas los pe - ca-dos del mun - do_Lo rd , Ío r .g i ve thes in s o f you r ch i l . d ren , - -
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b:i" qui - tas los pe - ca - d8sLord, for-g ive the s ins of
del mun - do,your cn i t - Oren-
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t ien.de nues.t ta sú . p l l .cahear your chii-dren pray-ing,Lord
Tű oue re i .nas conLamb bf God, Son of
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Con eI Es -Fa-ther, Son 'íl:iiu'6.il:
s i - mo,sus. Son
s u - c r i s - t o .the Fa - ther. Con el Es -
Fa-ther, Son
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de Dios Pa - . dre.rry Fa -!!sL-G - -e' -e
de DiosCod the
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A - men.A - men .
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Tenor Drums(muff led)
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St r ing Bass
L.G. Co. 51362
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Tenor, Bass
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T o - d omight - y ,
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d e - r o - s o ,A l - m i g h t - y ,
Cre - a - dor de c ie - lov t ier-ra:Who made earth and Who mdde heav- en:
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tier - ra;heav - en;
su - crrsin Je
Pa - dre t ier - ra:God Al - heav-en; t_r.n -Je - su-cris-to cr - e
tse - I leve_ in Je - sus Christ,Y e n J e -BE- l ieve
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30
T.D.
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Se - nor:Our Lord:
c o n - c e - b iwas con - cetv
doed
Ill
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Por -- oby the Crace E s . p í - r i . t u
of the Ho - ly
de San - ta MaHo - ly Vir - gin
ffi_4__t
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E s . p íof the Hum
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Des . c en - d i d á t b s fier - nos; Des - r:en "He went down in - to- lt *
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lning
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{+ The next foul measuÍes may be sung by a Íew al tos '
L.G. co. 5l3í)2
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ler - certhat great
la - ra,
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- t otose
AIOn
ter - certhat great
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L.G. Co. 51362
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teroseE,*:
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from
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los cieto heav
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E sHe
t í . i "ns i ts _
t a - d o Aat the
D e s - d e a - l l i h aWho wi l l come to
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deof
losIo
SuHe
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Dios,God,
Pa - dreGod Al-O
To -do- mÍgh t . y ' mi o l r f
p o - d eGod Al
dejudge
v e -the
38
A juz - gar v i - vosWho will come to judge
Des -de a - l l i ha deWho wiif come ro judge
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thein
. A j q ? - g a r v i - v o s yWho will come to judge the
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La co . mu . n ioí de losThe Com-mun-ion of the
SanThe
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Yrei per . dcín deThe for - give-ness
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c a r - n e , Y l arec - t ion. and in
p e r - d u - r a - b l e .ev - e r - l a s t - i ng .
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Sanctus
Carnaval cochabambino
Tom-Toms
Templet!'oodblocks
Snare Drum(with brushes)
Guitar
Piano
String Bass
T.T.
T.B.
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Gr.
L.G. Co. 51362
43
T.B.
S.Dr.
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(Thunb)
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L.c . Co.51362
A A.t 't
, , 5 0 l l
to,l y ,
San - to, SanHo - l y , Ho
San - to,Ho - l y ,
Soprano
San - to,Ho - ly ,
San - to,Ho - ly ,
T.B.
S.Dr.
-C
L .G . co .51362
45
SeLord
norCod,
D i o s d e l U - n i - v e ron - ly King of Heav
San - to, SanHo - ly , Ho
SanHo
SanfIn
to,l y ,
t o ,l y ,
to,1 . ,
T"#=:-__-1_5,
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* The Bass may double th is passage an octave lower.
46
\------l
so l
-:
L.c. Co. 51362
SanHoen!
San - to,Ho - ly ,
San - to,Ho - ly ,
T.B.
S.Dr
47
t,o,ly , Se - nor
Lord God,
San - to.Ho - ly ,
San - to,Ho - ly,
San - to,Ho - ly ,
SanHo
San - to,Ho - ly ,
SanHo
to,ly,
to,Iy,
!
L.G. C-o. 5136:* The Bass may double th is passage an octave lower.
4B
Dios delo n - l y
n l - ve rof Heav
SanHo
* Two voices may be used here, ií des i ted.
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lanf i l l ed
los c iewith glo
los _ry,
.-/ -e
L.G. Co. 51362
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Y l a t i e - r aand the earth is
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defil led
tu Glowith glo
nary.
E /
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51
Lle - nosHeav - en
T.B.
S.Dr.
L.G. Co. 51362
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_---_---------.\
los Y la t ierand the eaLth
rai s
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defil led
Gloglo
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Jo - sa - naenHo. san.ní
IasHo
tue t n
Soprano, Alto
Tenor, Bass
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Pno.
- Í 1
-fL.G. Co. 5i36: