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SECOND GRADE Range PiCCOlO=! E The range required for each scale or arpeggio is indicated by a number in brackets e.g. two octaves (2). Scales Arpeggios Chromatic Scale Sustained Notes Sustained Scale Major Scales: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Harmonic Minor Scales: B (1), G (2), E (2) Melodic Minor Scales: E (2), D (2) MM = 60 - two notes to each beat Articulation Patterns: (a), (b) [eight notes per slur - minimum], (d) and (g) Major arpeggios: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Minor arpeggios: B (l), G (2), E (2), D (2) MM = 60 - two notes to each beat Articulation Patterns: (a) and (b) To begin on F (2) and D (2) MM = 60 - two notes to each beat Articulation Patterns: (a) and (b) Any note of G major scale (range: first octave) held for ten seconds duration. To be played at a consistent dynamic level of mezzo-forte. Anyone of the major scales for this grade, one octave (first octave) ascending and descending in minims. MM = 60, breathing every eight beats or every four notes. Articulation: Each note tongued. ,f , , \ ) i ' 0/ " <;,,' ,- 12 AMES AIIans Publishing

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  • SECOND GRADE

    Range PiCCOlO=!Flute~~e-~ E ~O~

    The range required for each scale or arpeggio is indicated by a number in brackets e.g. two octaves (2).

    Scales

    Arpeggios

    Chromatic Scale

    Sustained Notes

    Sustained Scale

    Major Scales: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Harmonic Minor Scales: B (1), G (2), E (2) Melodic Minor Scales: E (2), D (2)

    MM ~ = 60 - two notes to each beat Articulation Patterns: (a), (b) [eight notes per slur - minimum], (d) and (g)

    Major arpeggios: D (2), Bb (1), C (2) [Piccolo (1)], G (2) Minor arpeggios: B (l), G (2), E (2), D (2)

    MM ~ =60 - two notes to each beat Articulation Patterns: (a) and (b)

    To begin on F (2) and D (2)

    MM ~ =60 - two notes to each beat Articulation Patterns: (a) and (b)

    Any note of G major scale (range: first octave) held for ten seconds duration. To be played at a consistent dynamic level of mezzo-forte.

    Anyone of the major scales for this grade, one octave (first octave) ascending and descending in minims.

    MM ~ = 60, breathing every eight beats or every four notes. Articulation: Each note tongued.

    , f

    , , \ ) i '

    0/ "

  • SCALES

    Gm~m ~

    rt~~1 D~m

    ~t~§ Bb major

    Vi~

    Cmajor

    ~i~~

    I Gharmonic

    ¥i~~ Eharmoni

    ri~~1 Emelod~

    ~i~~1 Dmelod~

    ~t~~.

    AIIans Publishing AMES 13

  • ARPEGGIOS

    Gmajor~rt ~ J 1==J~J~ Dmajor~

    ~I~~j~~ Bb major

    ~'I~ I Cmajor

    ~IJg~ailiJJ I Cmajor [Piccolo]

    ~IEtE1 FE g ~

    Bminor

    ~I G minor

    VI_~J~~

    Dminor~2

    ~1~lfJd 14 AMES Allans Publishing

  • CHROMATIC SCALES

    Comme

    ~i~

    Commencing on 0 #

    ~t

    - I

    SUSTAINED NOTES

    SUSTAINED SCALE -Example

    AIIans Publishing AMES 15

  • LIST A No.2

    Pillow Dance from 44 Violin DUOS(I) Bela Bartok

    (1881-1945)

    Allegretto J= 116

    iJ§-~-J~I_ --=====-= f

    ~v_

    20

    "1 §' !~~¥f

    >

    sf

    37

    't~~ ~ sf sf

    ~§.~~~ "1 ~ sf P sf

    (I) This piece is arrangement of a violin duo. The parts have been reversed in some bars.

    AMES All Music Publishing, Melbourne. 4

  • LIST B No.1

    Aria from Kleine Kammermusik, Partita No.2

    Georg Philipp Telemann (1681-1767)

    Presto

    15

    ~

    19

    _A~

    22

    f4 F J 3 J J J j§. :~

    AMEB All Music Publishing, Melbourne. 6

  • LIST C No.1

    Venezuelan Holiday from The Microjazz Flute Collection 1

    Christopher Nc (born l'

    Cheerily J= 152

    r

    5

    ~. ~ r ~ ill r 1£ ~ =

    r ~§S.

    9

    ~dI~I~ , ~ "I sim.

    P "I P "I ~ ,

    13

    ~ "I V "I [Em ~

    F r r -====

    ~ ~ =

    r §.

    21

    ~~.~ ~========= =

    © Copyright Boosey & Hawkes Music Publishers Ltd. Reprinted with permission.

    All Music Publishing, Melbourne. AME:

  • For examination purposes, two pieces to be performed as List A.

    LIST A No.1

    Charlie is my Darling Traditional

    1/ 10 ~

    fF~

    LIST ANo. 2

    Auvergne Polka Traditional

    arr. Howard Harrison Vivace ~ = 144

    mf

    9

    f

    Arrangement © Copyright Boosey & Hawkes. Reproduced by permission of Boosey & Hawkes (Australia).

    2 AMEB Allans Publishing, Melbourne.

  • -----

    Moderato POP

    ¥(iD t~~~=~l~~~H1~~=jf.:~ts If!!,

    -.~±.~.~j~-.=~~- ----==.·.:::.=-.~-~---===---=-F~" --=!=.--:::--~~W-.--.i=~=--:=-.~-;=.-.··:::~:=-::~=-== • ~ p-:.- -.:=-- ~ - t :..:-__ -===-:::::- t= - - -----:::d=::::=-.::_ - -= --::----:.±=:..=-==-= -::::.-=- - - - =::::t:=t:==: --- --,-..--,._._-----~---_ .. _.-.---_._--_ .. -- _.._------_.-'--- -------- --~--- ---- ..---

    t~f±~-;=~--·---+-~~~~~Tr::t=:--~~-fe-·-c=E:~-f=~-E=-

    UE 16042

  • 6

    Andantino . KOHLER

    '" (i) ~J E~¥ ~-f -~~-=t-~E=--~ dolce

    UE 16042

  • 7 Use only rests for breathing. Nor in den Pausen atmen.

    Moderato KOHLER

    @fcn4~CI:::GF· -~"--~~ p -- ===- p

    "

    ~~.--~.-.~~~~~.t.OO~=±E.~-=.-# .=~:J~=~~=I--_~(!.:=--~-~ - -==-~-=-=::----~~=EF~---== -=-- ~::::-' -~-- -~:±:L~---=!=~::±-E=t:==!=_~~-==- - ---- - ~J

    - ====-

    ~~_~c f.

    piena voce

    I , . UE 1.6042

  • 10

    LIST C No.1

    Scottisch Christopher Norton

    I b. 1953Allegro d = ca. 96

    ~_o v~· ..

    ~ f

    27 .. I . I -u

    I T1.t.> I ".

    32 1\ ~~ . I r-•• .

    I • r- • •~ - - .. • • • .... • I I . It.J ~

    37 V~. - - . • r-. ~ ]n/;I• r" - • • • ---• r- • • r- r .... '-' LJ

    I I I It.> -Reproduced with the kind permission of BOOSEY & HAWKES (Australia) Pty. Ltd.

    All rights reserved.

    '--All Music Publishing, Melbourne