reading list for year 1 semester 1

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Reading Essential BAILEY, D. 1993. Improvisation: Its Nature and Practice in Music. Da Capo Press BERGHAUS, G. 2005 Avant-garde Performance: Live Events and Electronic Technologies. Palgrave Macmillan COX, C (ed), WARNER, D (ed). 2004. Audio Culture: Readings in Modern Music Continuum. International Publishing Group GIBBS, T. 2007. The Fundamentals of Sonic Art & Sound Design. AVA Publishing HOPKIN, B. 1996. Musical Instrument Design: Practical Information for Instrument Making. See Sharp Press NYMAN, M. 1999. Experimental Music: Cage and Beyond. Cambridge University Press Indicative ADORNO. 2004. Modernism and Mass Culture: Essays on Critical Theory and Music. Kahn & Averill ALBRIGHT, D. 2000. Untwisting the Serpent: Modernism in Music, Literature and Other Arts. University of Chicago Press BEBBINGTON, R. 1993. Electronic Music Learning Projects. Bernard Babani BERENDT, J. 1987. Nada Brahma - The World is Sound: Music and the Landscape of Consciousness. Inner Traditions Bear and Company BERLE, A. 1998. Improvisation for the Contemporary Musician. Amsco Music BLACKING, J. 1973. How Musical Is Man? University of Washington Press BORGO, D. 2006. Sync or Swarm: Improvising Music in a Complex Age. Continuum BOULEZ P, CAGE J, SAMUELS R (Ed), NATTIEZ J (Ed). 1995. The Boulez-Cage Correspondence. Cambridge University Press CAGE, J. 2001. Anarchy. Wesleyan University Press CAGE, J. 1973. Silence: Lectures and Writings. Wesleyan U.P. CARDEW, C. 1972. Scratch Music. Latimer New Dimensions CARDEW, C. 1974. Stockhausen Serves Imperialism and Other Articles. Latimer New Dimensions

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Page 1: Reading List for Year 1 Semester 1

Reading Essential BAILEY, D. 1993. Improvisation: Its Nature and Practice in Music. Da Capo Press BERGHAUS, G. 2005 Avant-garde Performance: Live Events and Electronic Technologies. Palgrave Macmillan COX, C (ed), WARNER, D (ed). 2004. Audio Culture: Readings in Modern Music Continuum. International Publishing Group GIBBS, T. 2007. The Fundamentals of Sonic Art & Sound Design. AVA Publishing HOPKIN, B. 1996. Musical Instrument Design: Practical Information for Instrument Making. See Sharp Press NYMAN, M. 1999. Experimental Music: Cage and Beyond. Cambridge University Press Indicative ADORNO. 2004. Modernism and Mass Culture: Essays on Critical Theory and Music. Kahn & Averill ALBRIGHT, D. 2000. Untwisting the Serpent: Modernism in Music, Literature and Other Arts. University of Chicago Press BEBBINGTON, R. 1993. Electronic Music Learning Projects. Bernard Babani BERENDT, J. 1987. Nada Brahma - The World is Sound: Music and the Landscape of Consciousness. Inner Traditions Bear and Company BERLE, A. 1998. Improvisation for the Contemporary Musician. Amsco Music BLACKING, J. 1973. How Musical Is Man? University of Washington Press BORGO, D. 2006. Sync or Swarm: Improvising Music in a Complex Age. Continuum BOULEZ P, CAGE J, SAMUELS R (Ed), NATTIEZ J (Ed). 1995. The Boulez-Cage Correspondence. Cambridge University Press CAGE, J. 2001. Anarchy. Wesleyan University Press CAGE, J. 1973. Silence: Lectures and Writings. Wesleyan U.P. CARDEW, C. 1972. Scratch Music. Latimer New Dimensions CARDEW, C. 1974. Stockhausen Serves Imperialism and Other Articles. Latimer New Dimensions

Page 2: Reading List for Year 1 Semester 1

COLLINS, N. 2006 Handmade Electronic Music: The Art of Hardware Hacking. Routledge COPE, D. 1992. New Directions in Music. William C. Brown COWELL, H. 1996. New Musical Resources. Cambridge University Press DAVIES, H. 2002. Sounds Heard. Sound World Publishers DWYER, T. 1971. Composing with Tape Recorders: Musique Concrete for Beginners. Oxford University Press EMMERSON, S. (Ed,) 1986 The Language of Electroacoustic Music. Palgrave Macmillan GHAZALA, R. 2005. Circuit-Bending : Build Your Own Alien Instruments. Wiley Publishing GRIFFITHS, P. 1995. Modern Music and After: Directions Since 1945. Oxford University Press HAWKES, T. (2003). Structuralism and Semiotics Routledge HENDRICKS, G. 2003. Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University, 1958-1972. Rutgers University Press HIGGINS, H. 2002, Fluxus Experience. University of California Press HOLMES T. 2003. Electronic and Experimental Music. Routledge HOPKIN, B. 1995 Making Simple Musical Instruments: A Melodious Collection of String, Winds, Drums and More. Lark Books KAHN, D. 2001. Noise, Water, Meat: A History of Sound in the Arts. MIT Press KAYE, N. 2000. Site Specific Art: Performance, Place and Documentation. Routledge KAYE, N. 2006. Multi-media: Video - Installation – Performance. Routledge JAMES, J. 1995. The Music of the Spheres: Music, Science and the Natural Order of the Universe. Abacus JUDD, F. 1961. Electronic music and musique concrete. Spearman MITHEN, S. 2006. The Singing Neanderthals: The Origins of Music, Language, Mind and Body. Phoenix Press PREVOST, E. 1995. No Sound Is Innocent. Copula REEVE, F. 1992. Concrete Music. Pyncheon House

Page 3: Reading List for Year 1 Semester 1

ROTH M, KATZ, J. 1998. Difference/Indifference: Musings on Postmodernism, Marcel Duchamp and John Cage (Critical Voices in Art, Theory, Culture). Routledge SCHAFER, R. M. 1973. The Music of the Environment. UNESCO SCHAFER, R.M. 1994. The Soundscape: Our Sonic Environment and the Tuning of the World. Destiny Books OLIVEROS, P. 2005. Deep Listening: A Composer’s Sound Practice. iUniverse SAWYER, D. 1977. Vibrations: Making Unorthodox Musical Instruments. Cambridge University Press SHEPARD, M. 2002. Simple Flutes: A Guide to Flute Making and Playing, or How to Make and Play Great Homemade Musical Instruments for Children and All Ages from Bamboo, Wood, Clay, Metal, PVC Plastic, or Anything Else. Shepard Publications STEWART, D. 2000. Inside the Music: The Musician's Guide to Composition, Improvisation and the Mechanics of Music. Backbeat UK TOOP, D. 2001. Ocean of Sound: Aether Talk, Ambient Sound and Imaginary Worlds. Serpent’s Tail TREIB, M. 1997. Space Calculated in Seconds: The Philips Pavilion, Le Corbusier, Edgard Varese. Princeton University Press YOUNG, R (ed). 2002 Undercurrents, The Hidden Wiring of Modern Music. Continuum