[re]akshnz (2013)

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GLEB KANASEVICH (B. 1989) [re]AKSHNZ (2013) for any amount of voices/instruments with amplification and analog/digital effects

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For any amount of voice/instruments with amplification and digital or analog effects.

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Page 1: [re]AKSHNZ (2013)

                                 

     

                   

GLEB KANASEVICH (B. 1989)

[re]AKSHNZ (2013)

for any amount of voices/instruments with amplification and analog/digital effects

Page 2: [re]AKSHNZ (2013)

                                                           

[mprtnt]+notes This work is a product of linear/angular associative composition, deprived of fluid progression in order to achieve non-conventional musical narrative and dramatic trajectory by newer methods. While the conventional nuances and gradual transformations of sonic material are not present, the piece consists of a perpetual web of interlinear relationships. These relationships, if interpreted by multiple instruments at once, should produce a distant sense of monophony, as changes in tone, color, pitch or dynamic will occur often at the same time or in close proximity to each other. The interpreters may assign any syntactic meaning (pitch, color, extended technique, volume, panning, density, resonance, etc.) to the thickness, length and position (the placement on the page, as well as either their verticality or horizontality) of the lines. The distance between events in time is directly proportional to their placement on the page. Each performer is to start his/her sound at the same side of the page (left, right, top or bottom) and finish similarly on another side of the page. All “tableaux” are to be interpreted in the same direction. Each performer is to take his/her time to slowly unveil the changes in sound to let them either drone or resonate; however, as each interpreter’s sense of timelessness will be slightly varied, the sound does not have to end simultaneously – the players are to stop playing one by one as they complete reading the graphic material. Pages may be performed in any order; however, the sound must stay continuous throughout the work. *Maximum volume yields maximum results* un[KNWN] 1/1/2013  

for Fay[Kueen]Wang

Page 3: [re]AKSHNZ (2013)

               

                     

                     

TABLEAU A

Page 4: [re]AKSHNZ (2013)

                                                         

 

TABLEAU B

Page 5: [re]AKSHNZ (2013)

     

                                                     

TABLEAU C

Page 6: [re]AKSHNZ (2013)

                                                           

TABLEAU D

Page 7: [re]AKSHNZ (2013)

                                                           

TABLEAU E

Page 8: [re]AKSHNZ (2013)

                                                           

TABLEAU F

Page 9: [re]AKSHNZ (2013)

                                                           

TABLEAU G

Page 10: [re]AKSHNZ (2013)

                                       

           

         

TABLEAU H

Page 11: [re]AKSHNZ (2013)

                                                             

TABLEAU I

Page 12: [re]AKSHNZ (2013)

                       

+UNIVERSE+ILLUMINATED+

un[KNWN] SKSVLL, MD

1/1/13