Jazz at Lincoln Center’sThe Allen RoomFrederick P. Rose Halljalc.org

Please make certain your cellular phone,pager, or watch alarm is switched off.

Friday and Saturday Evening, February 7–8, 2014, at 7:00 and 9:30

Wynton Marsalis, Managing and Artistic DirectorGreg Scholl, Executive Director

Joshua Redman QuartetJOSHUA REDMAN, SaxophonesAARON GOLDBERG, PianoREUBEN ROGERS, BassGREGORY HUTCHINSON, Drums

There will be no intermission during this performance.

Please turn off your cell phones and other electronic devices.

Jazz at Lincoln Center thanks its season sponsors: Bloomberg, Brooks Brothers, The Coca-Cola Company, Con Edison, Entergy, HSBC Bank, MasterCard®, The Shops at Columbus Circle at Time Warner Center, and SiriusXM.

Jazz at Lincoln Center

Notes on the Programby Ted Panken

“The sound of the tenor saxophone drewme to it more than anything else. It’s verypowerful and authoritative, yet incrediblypoignant, beautiful, sympathetic. But it tookme a long time before I realized that I neededto work on my sound. As a young musician,you want to play hip ideas and work out yourchops, and you forget that none of it meansnothing without a soul, without a voice.”

—Joshua Redman, 1994

“A certain eclecticism is fundamental to mymusical nature. The love and desire to play alot of different styles of music is part of whoI am, and I feel no need to get rid of that.”

—Joshua Redman, 1995

“When I got to New York in 1991, a majortopic of discussion was this faux contro-versy of a conflict between tradition andinnovation—either you are embracing thelineage, legacy, and history of acoustic jazz,or you’re doing something radical, revolu-tionary, and new. Some musicians acceptedthat view and chose a side. Others resistedit and chose not to choose. They tried towork within a variety of languages, toimmerse themselves in a variety of vocabu-laries, and to express themselves in a nat-ural, organic way. They hoped that overtime those would get synthesized, anddidn’t consciously try to wear the mantle ofinnovation, but certainly also not to be back-ward-looking. As you might suspect, I con-sider myself one of those musicians.”

—Joshua Redman, 2009

Over four sets this weekend at The AllenRoom, his first-ever Jazz at Lincoln Centerappearance with his own ensemble, JoshuaRedman presents the group that performedon Beyond and Passage of Time. Recordedin 1999 and 2001, respectively, these datescapped a decade of increasingly accom-plished saxophone and rhythm sectionrecordings, beginning with Redman’s epony-mous 1992 debut, and followed sequentially

by, among others, Moodswing, FreedomIn The Groove, and Timeless Tales (ForChanging Times).

In 2002 Redman began to document amore open-ended sonic canvas, plugging inon Elastic and Momentum with keyboardistSam Yahel and drummer Brian Blade, andthen exploring the open spaces of the sax-ophone-bass-drums trio on Back East andexpanding to double-trio on Compass.These formations coalesced on last year’sWalking Shadows, an 11-tune ballad recitalthat framed him in duo, trio, and quartetcontexts with a 16-instrument stringorchestra. Although the proceedings werecompletely spontaneous and transpiredwith barely a rehearsal, each of Redman’simprovised declamations was patient andrelaxed, with an aura of inevitability.

When Walking Shadows came out lastspring Redman decided to reconvene andtour with Aaron Goldberg, Reuben Rogers,and Gregory Hutchinson, his working bandfrom 1998 through 2001. “We’re playingsome ballads from the new record and neworiginals I wrote for this band, as well asolder originals and standards,” he says. “Wealways had a great connection, and we’ve allgrown so much since we disbanded. It’s likewe’re picking up from where we left off, buteveryone has matured. They’re all creativevirtuosos, and they come to play everynight, with no agenda.”

In point of fact, coming to play every night,regardless of the setting, is a constant tropeof Redman’s distinguished two decades as aprofessional improviser. “I play my bestwhen I trust my instincts,” he states,describing his ongoing modus operandi.“Now, having played without piano for tenyears has helped me grow as a saxophonist.I think my ideas have more clarity andweight; I know more about harmony andhave more melodic freedom. But playingquartet seems like the most natural instru-mentation for me. If I had to play in only onegroup setting for the rest of my musical life,it would certainly be the quartet.”

Jazz at Lincoln Center

Meet the Artists

Joshua Redman (Saxophones) was born inBerkeley, California, and is the son of leg-endary saxophonist Dewey Redman anddancer Renee Shedroff. At an early age hewas influenced by his father, John Coltrane,Ornette Coleman, and Cannonball Adderley.In 1991 Redman graduated from Harvardsumma cum laude with a B.A. in socialstudies and as a member of Phi Beta Kappa.After moving to New York City andimmersing himself in the jazz scene,Redman was signed by Warner Bros.Records. He released his first self-titledalbum in 1993 which subsequently earnedhim his first GRAMMY® nomination.Redman’s second acclaimed quartet—fea-turing pianist Aaron Goldberg, bassistReuben Rogers, and drummer GregoryHutchinson—was formed in 1998 and madeits recorded debut with Beyond in 2000.Soon after, Nonesuch released Redman’sfirst piano-less trio record, Back East, fea-turing three bass and drum rhythm sections.He released Compass (Nonesuch) in 2009and continued to explore the expansivedouble-trio formats. In addition to his ownprojects, Redman has recorded and per-formed with musicians such as DaveBrubeck, Chick Corea, The Dave MatthewsBand, Herbie Hancock, Roy Hargrove,Quincy Jones, B.B. King, the Jazz at LincolnCenter Orchestra, Joe Lovano, BranfordMarsalis, Brad Mehldau, Marcus Miller,MeShell Ndegeocello, Dianne Reeves, TheRolling Stones, The Roots, Clark Terry, TootsThielemans, The Trondheim Jazz Orchestra,Mark Turner, McCoy Tyner, and StevieWonder. Joshua Redman has been nominatedfor two GRAMMY® Awards and has gar-nered top honors in critics and readers pollsin DownBeat, Jazz Times, and Rolling Stone.

Aaron GoldbergAaron Goldberg (Piano) is a pianist per-forming at the vanguard of jazz music. Hismost recent albums are YES! (2012), a co-led celebration with Omer Avital and AliJackson; Bienestan (2011), with composerGuillermo Klein; and Home (2010) andWorlds (2006), both featuring his own triowith Reuben Rogers and Eric Harland.Goldberg has spent many of the last 15years touring with the most brilliant voices injazz, including Joshua Redman, WyntonMarsalis, Betty Carter, Freddie Hubbard, AlFoster, Kurt Rosenwinkel, and the Jazz atLincoln Center Orchestra. Raised in Boston,Goldberg spent a year at The New Schoolbefore graduating from Harvard College. In2010 he received a master’s degree in phi-losophy from Tufts, and is the producer ofJazz for Obama and Jazz for Obama 2012.

Reuben RogersBorn November 15, 1974, and raised in theVirgin Islands, Reuben Rogers (Bass) wasexposed to varieties of music that includedcalypso, reggae, gospel, and jazz. At theage of 14 he found his passion in the bass,and this passion found its focus in jazzthrough workshops conducted by fellowVirgin Islanders Ron Blake and DionParson. Numerous awards, grants, andscholarships opened the door for Rogers’summer studies at Interlochen Arts Campin Michigan and in Boston at BerkleeCollege of Music, from which he earned hisbachelor of music degree in 1997. Rogers’command of electric and acoustic bass hasaided his adaptability to multiple genres,and this versatility has led him to be one ofthe most sought after bassists of his gen-eration. He has enjoyed musical relation-ships with world-renowned artists such asWynton Marsalis, Roy Hargrove, JoshuaRedman, Marcus Roberts, NicholasPayton, Mulgrew Miller, Jackie McLean,Charles Lloyd, and Dianne Reeves. He hastoured extensively across the globe andhas recorded on more than 70 CDs. He per-forms in 21st Century with Ron Blake andDion Parson.

Joshua Redman

JAY BLAKESBERG

Jazz at Lincoln Center

Gregory HutchinsonDescribed by Jazz magazine as “thedrummer of his generation,” GregoryHutchinson (Drums) is a musician’sdrummer, soundly rooted in the jazz tradi-tion and able to approach all musical styleswith supreme accuracy and imagination. Inhigh school he was mentored by JustinDiCioccio, whose former students includeOmar Hakim, Kenny Washington, MarcusMiller, and Steve Jordon. Hutchinson’sprofessional career began right out of highschool when he was introduced to RedRodney, and in his early twenties he wasperforming with the likes of Rodney, BettyCarter, and Ray Brown. He has sinceworked with a virtual who’s who of thejazz world, including Dianne Reeves,Wynton Marsalis, John Scofield, RoyHargrove, Charles Lloyd, Diana Krall, HarryConnick Jr., Joshua Redman, ChristianMcBride, and Maria Schneider. His timesignatures and beat compositions havewon him praise from the hip hop commu-nity as well, leading him to work withCommon, producer Kareem Riggins, andQuestlove of The Roots.

Jazz at Lincoln Center Jazz at Lincoln Center is dedicated toinspiring and growing audiences for jazz. Withthe world-renowned Jazz at Lincoln CenterOrchestra and a comprehensive array ofguest artists, Jazz at Lincoln Center advancesa unique vision for the continueddevelopment of the art of jazz by producing ayear-round schedule of performance,education, and broadcast events foraudiences of all ages. These productionsinclude concerts, national and internationaltours, residencies, weekly national radioprograms, television broadcasts, recordings,publications, an annual high school jazz bandcompetition and festival, a band directoracademy, jazz appreciation curriculum forstudents, music publishing, children’sconcerts and classes, lectures, adulteducation courses, student and educatorworkshops, and interactive websites. Underthe leadership of Managing and ArtisticDirector Wynton Marsalis, Chairman RobertJ. Appel, and Executive Director Greg Scholl,Jazz at Lincoln Center produces thousands ofevents each season in its home in New YorkCity, Frederick P. Rose Hall, and around theworld. For more information, visit jalc.org.

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UPCOMING EVENTSJazz at Lincoln Center’sFrederick P. Rose Hall

February 2014ROSE THEATER

Family Concert: Who Is Dave Brubeck?February 8, 1pm & 3pmWhen his sons (also professional musicians) wereyoung, the late great pianist-composer Dave Brubeckused a variety of approaches to instruct them. TheJazz at Lincoln Center Orchestra with WyntonMarsalis brings forth two decades of experience inpresenting interactive, amusing, family-friendlyshows to introduce and illuminate Brubeck’s extraor-dinary life to young and old alike, kicking off a festivalcelebrating Brubeck’s incomparable contributions tojazz, culture, and more.Free pre-concert activities at 12:15pm & 2:15pm

Dianne ReevesFebruary 14–15 at 8pm“Grandeur with refinement,” the New York Timeswrote, describing the impact of Dianne Reeves’February 2012 performance in Rose Theater. On herreturn to Jazz at Lincoln Center for Valentine’s Day,the four-time GRAMMY® Award winner will demon-strate that no singer is better equipped to captivateand seduce you with songs of love and romance. Herastonishing instrument is a given, but even moreimpressive is her refusal to hide behind it–withnuanced restraint and dynamics, she unfailinglyinhabits every story she spins into song. Reeves isjoined by Peter Martin and Raymond Angry on key-boards, Peter Sprague on guitar, Sean Jones ontrumpet, Tia Fuller on saxophone, Reginald Veal onbass, Terreon Gully on drums, and Nadia Washingtonand Brianna Thomas on vocals.

JLCO Hosts: Kenny Garrett & The Music of Mulgrew MillerFebruary 21–22 at 8pmFor the first of two “Jazz at Lincoln Center OrchestraHosts” concerts of the 2013-14 season, JLCO trom-bonists Chris Crenshaw and Vincent Gardner turntheir attention to the music of pianist Mulgrew Millerand 2014 GRAMMY® Award nominee, saxophonistKenny Garrett, whose paths intersected duringtenures with Mercer Ellington, Woody Shaw, and ArtBlakey and the Jazz Messengers. As both mastershave primarily focused on small ensembles in pre-senting their respective voices over the last twodecades (Miller with the Wingspan combo [of whichGarrett was also a member]; Garrett in quartet and

trio contexts after a long run with Miles Davis), it willbe fascinating to hear this music performed with theJazz at Lincoln Center Orchestra with WyntonMarsalis’ unique sound and sensibility. These con-certs will be performed in honor of Mulgrew Miller.Free pre-concert discussion, nightly, 7pm.

Jack DeJohnette, Joe Lovano, Esperanza Spalding, Leo Genovese:The Spring QuartetFebruary 28–March 1 at 8pmJazz at Lincoln Center convenes a cooperative all-starquartet representing three generations, including 2012NEA Jazz Master Jack DeJohnette on drums, serialpoll-winner Joe Lovano on tenor saxophone, 2011“Best New Artist” GRAMMY® Award winnerEsperanza Spalding on bass, and Argentinean pianistLeo Genovese. They will undoubtedly fulfillDeJohnette’s stated dictum of being “open, preparedfor the unexpected, and willing to follow that where ittakes us and coming up with music that’s different andalso makes sense and communicates.” Opening theproceedings is the 24-year-old Mack Avenue recordingartist and 2014 GRAMMY® Award nominee CécileMcLorin Salvant, whose timeless conception of jazzand blues expression spans Bert Williams, BessieSmith, Billie Holiday, Sarah Vaughan, Betty Carter, andAbbey Lincoln — styles she refracts in her own argot.Salvant will perform a 35-minute opening set; the quartet will follow with an approximately 70-minute set.

March 2014ROSE THEATER

Tomatito: An Evening of FlamencoMarch 15 at 8pmIn partnership with the New York Flamenco Festival,Jazz at Lincoln Center presents an ensemble led bythe magisterial Andalusian Gitano guitarist and 2013Latin GRAMMY® Award winner Tomatito, whosethrilling performance blends the earthy sound of clas-sical flamenco and the sophisticated harmonic tem-plate of modern jazz. A teenage protégé of thelegendary cantante Camarón de la Isla and the iconicguitarist Paco DeLucia, Tomatito—whose 2010release Sonata Suite earned him his second LatinGRAMMY® Award—is a key figure in coalescing fla-menco vocabulary with North African and Afro-Caribbean idioms, and in extending flamenco’s rangevia consequential collaborations.

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Except where noted, all venues are located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor

Tickets starting at $10To purchase tickets call CenterCharge: 212-721-6500 or visit: jalc.org. The Jazz at Lincoln Center Box Officeis located on Broadway at 60th Street, Ground Floor. Hours: Monday-Saturday, 10am-6pm; Sunday, 12pm-6pm.

For groups of 15 or more: 212-258-9875 or jalc.org/groups.For more information about our education programs, visit jalc.org/learn.

For Swing University and WeBop enrollment: 212-258-9922.Find us on Facebook, Twitter, YouTube, and Foursquare.

UPCOMING EVENTS

Jazz at Lincoln Center’sFrederick P. Rose Hall

In deference to the artists, patrons of Dizzy’s Club Coca-Colaare encouraged to keep conversations to a whisper during the performance.

Artists and schedule subject to change.

Dizzy’s Club Coca-Cola is located in Jazz at Lincoln Center’s Frederick P. Rose Hall, Time Warner Center, 5th floor New York.

Reservations: 212-258-9595 or jalc.org/dizzys; Group Reservations: 212-258-9595 or jalc.org/dizzys/group-sales.Nightly Artist sets at 7:30pm & 9:30pm.

Late Night Session sets Tuesday through Saturday at 11:30 pm.

Cover Charge: $20–40. Special rates for students with valid student ID. Full dinner available at each artist set.

Rose Theater and The Allen Room concert attendees, present your ticket stub to get 50% off the late-night cover charge at Dizzy’s Club Coca-Cola Fridays and Saturdays.

Jazz at Lincoln Center merchandise is now available at the concession stands during performances in Rose Theaterand The Allen Room. Items also available in Dizzy’s Club Coca-Cola during evening operating hours.

Dizzy’s Club Coca-Cola gift cards now available.

Find us on Facebook, Twitter, YouTube, and Foursquare.

February 2014Big Band Tribute to Terry GibbsLed by Gerry Gibbswith special guests Tom Harrell (2/7), NicholasPayton (2/8), and Paquito D’Rivera (2/9), plus Vince Herring, Eric Alexander (2/6), Victor Goines,Mark Gross, Robin Eubanks, Conrad Herwig, Steve Davis, Frank Greene, Lew Soloff, Marvin Stamm, Joe Magnarelli, and Donald VegaFebruary 6–97:30pm & 9:30pm

Ulysses Owenswith Duane Eubanks, Michael Dease, GiladHekselman, Christian Sands, Reuben Rogers (2/10only), and Matthew Rybicki (2/11 only)February 10–117:30pm & 9:30pm

Kenny Rampton Organ Octetwith Bill Sims, Sherman Irby, Donny McCaslin, BrianCharette, Elliot Mason, Dan Stein, and Tony MasonFebruary 127:30pm & 9:30pm

Tierney Sutton Bandwith Christian Jacob, Ray Brinker, and Kevin AxtFebruary 13–167:30pm & 9:30pm

Brianna Thomas CD Releasewith Allyn Johnson, Yasushi Nakamura, Ulysses Owens,Riza Printup, Marcus Printup, and Wycliffe GordonFebruary 177:30pm & 9:30pm

Omer Avitalwith Eli Degibri, Joel Frahm, and Yonathan AvishaiFebruary 187:30pm & 9:30pm

Swinging Tribute to Joe WilderFebruary 197:30pm & 9:30pm

Renee Rosnes Quartetwith Steve Nelson, Peter Washington, and Lewis NashFebruary 20–237:30pm & 9:30pm

Monday Nights with WBGOCatherine Russell CD ReleaseFebruary 247:30pm & 9:30pm

T. Oliver Reid:Drop Me Off In Harlemwith Tedd Firth, Trevor Neumann, Conrad Korsch,and Damien BassmanFebruary 25–267:30pm & 9:30pm

The Music of Dexter Gordon: A CelebrationThe Dexter Gordon Legacy Ensemblewith George Cables, Dezron Douglas, Lewis Nash,Jimmy Greene, Jerry Weldon, Joe Locke, andJimmy Heath (3/2 only)February 27–March 27:30pm & 9:30pm

March 2014Combo Nuvowith Dr. David Schroeder, Lenny Pickett, Billy Drewes,Brad Shepik, Rich Shemaria, Mike Richmond, andJohn HadfieldMarch 37:30pm & 9:30pm

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jack dejohnette, joe lovano, esperanza spalding, leo genovese: the spring quartetFEB 28–MAR 1 8PMWith an opening by Cécile McLorin Salvant

maria schneider orchestraMAR 14–15 7PM, 9:30PMComposer-arranger Maria Schneider and her award-winning 17-member orchestra

tomatito: an evening of flamencoMAR 15 8PMAndalusian Gitano guitarist and 2013 Latin GRAMMY® Award winner Tomatito and Flamenco dancer Paloma Fantova

beyond jobim: new voices of brazilMAR 21–22 7PM, 9:30PMWith vocalists Luísa Maita and Clarice Assad

Box Office Broadway

at 60th, ground floor

jalc.org

jazz at lincoln center

frederick p. rose hall

5th floor

march

Centercharge

212-721-6500

LEAD CORPORATE SUPPORTER OF BEYOND JOBIM: NEW VOICES OF BRAZIL

MAR 14–15 7PM, 9:30PMFive-time GRAMMY® Award-winner, composer-arranger Maria Schneider brings her A-list, 17-member orchestra to present lyrical and intricately woven compositions.

maria schneider orchestra

MASTERCARD, PRICELESS AND THE MASTERCARD BRAND MARK ARE REGISTERED TRADEMARKS OF MASTERCARD INTERNATIONAL INCORPORATED. ©2013 MASTERCARD.

Preferred Card ofJazz at Lincoln Center jalc.org

box o� ce broadway

at 60th, ground fl oor

frederick p. rose hall

5th fl oor

centercharge

212-721-6500

PHOTO BY MARYLENE MEY AND WHIT LANE

MAR 15 8PMAndalusian Gitano guitarist and 2013 Latin GRAMMY® Award-winner Tomatito blends the earthy sound of classical fl amenco with the harmonic template of modern jazz. Flamenco dancer Paloma Fantova joins Tomatito and his sextet.

tomatito: an evening of fl amenco

MASTERCARD, PRICELESS AND THE MASTERCARD BRAND MARK ARE REGISTERED TRADEMARKS OF MASTERCARD INTERNATIONAL INCORPORATED. ©2013 MASTERCARD.

Preferred Card ofJazz at Lincoln Center jalc.org

box o� ce broadway

at 60th, ground fl oor

frederick p. rose hall

5th fl oor

centercharge

212-721-6500

PHOTO BY ANA PALMA

free dave brubeck listening partyAPR 6 6PMwith host Seton Hawkins and special guests

the life & music of dave brubeckAPR 10–12 8PMJazz at Lincoln Center Orchestra with Wynton Marsalis

dave brubeck’s ‘the real ambassadors’APR 11–12 7PM, 9:30PMPeter Martin with vocalist Roberta Gambarini, trumpeter James Zollar, and more

Free live music and tastings in the Atrium, nightly, 6pm

box o�ce broadway

at 60th, ground floor

jalc.org

jazz at lincoln center

frederick p. rose hall

5th floor

dave brubeck festival

centercharge

212-721-6500

ALL CLASSES ARE HELD IN IRENE DIAMOND EDUCATION CENTER. JAZZ AT LINCOLN CENTER GRATEFULLY ACKNOWLEDGES THE IRENE DIAMOND FUND FOR ITS LEADERSHIP SUPPORT OF PROGRAMMING IN THE IRENE DIAMOND EDUCATION CENTER.

Lead Corporate Sponsor

get cool schooled.

ENROLL TODAY jalc.org/swingu212-258-9922

march 19 –

jazz 301with phil schaap

jazz 101with vincent gardner

jazz 201with vincent gardner

the chicagoans: the first garage band

with phil schaap

thelonious monkwith larry ridley

discographywith ed berger

cecil taylorwith ben young