reporting, headlines, and captions. reporting: reporting: how to conduct an effective interview

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REPORTING, HEADLINES, and REPORTING, HEADLINES, and CAPTIONS CAPTIONS

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Page 1: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

REPORTING, HEADLINES, and CAPTIONSREPORTING, HEADLINES, and CAPTIONS

Page 2: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

REPORTING:REPORTING: HOW TO CONDUCT

AN EFFECTIVE INTERVIEW

Page 3: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Reporting

Good reporters

have to be

on the scene

to OBSERVE firsthand.

GOOD REPORTERS LOOK AND LISTEN FOR THEIR READERS.

EVERYONE AT AN ACTIVITY OR EVENT IS A POTENTIAL SOURCE.

SOME SOURCES OFFER BETTER INSIGHTS THAN OTHERS.

INFORMATION GATHERING STARTS WITH THE FIVE W’S AND H.

Page 4: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Reporting

RESEARCH adds depth

and details

to the story.

RESEARCH HELPS REPORTERS UNDERSTAND THEIR STORIES.

PREVIOUSLY PUBLISHED MATERIAL IS A PLACE TO START RESEARCHING A STORY.

PRIMARY SOURCES PROVIDE BACKGROUND AND MATERIAL THAT MAY BECOME PART OF A STORY.

Page 5: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 32 Reporting

Thoughtful

INTERVIEWS works result in

stories with

substance.

THE BETTER THE QUESTION, THE BETTER THE ANSWERS.

ACTIVE LISTENING PRODUCES THE BEST RESULTS.

GOOD NOTES CONTAIN DIRECT QUOTES AND FACTS.

Page 6: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

HEADLINESHEADLINES

Page 7: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

With impact

words and

specific facts,

headlines

contribute to

REPORTING a story.

HEADLINES PROVIDE A MAJOR ENTRY POINT FOR READERS.

COMPONENTS COMBINE FOR STORYTELLING POWER.

PRIMARY AND SECONDARY HEADLINE PATTERNS ADD INTEREST.

Page 8: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

The PRIMARY HEADLINE relies on a SECONDARY HEADLINE to provide specific information.

Page 9: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

KICKER: A short, single line secondary headline is placed above the primary headline.

Page 10: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

WICKET: A detailed secondary headline is placed above the primary headline.

Page 11: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

HAMMER: A detailed secondary headline is placed below the primary headline.

Page 12: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

TRIPOD: The secondary headline is placed beside the primary headline.

Page 13: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

WRITING effective

headlines

requires

creativity, effort

and attention

to details.

A SOLID UNDERSTANDING OF CONTENT RESULTS IN BETTER HEADLINES.

WORD PLAY AND BRAINSTORMING ARE USEFUL STRATEGIES.

GUIDELINES LEAD TO QUALITY AND CONSISTENCY.

Page 14: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

BRAINSTORMING in teams of two or three makes generating a list of key words much easier.

STEP ONE: List 10-15 key words that describe and relate to the story.

• car• drive• keys• money

• gas• cool• style• wheels

• color• wrecks• dates• expensive

• friends• insurance• happy• auto

Page 15: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

STORYTELLING words have significance and relate to the topic of the spread.

STEP TWO: Brainstorm rhymes for words with storytelling potential.

• car: star, far• drive: alive, strive, five• keys: please• money: honey, bunny, funny• gas: pass, mass• cool: school, pool

• wheels: peals, steals, deals• wrecks: decks, pecks• dates: mates, plates• friends: bends, spends• happy: pappy, sappy• auto: lotto, motto

Page 16: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Headlines

More than a cute phrase, headlines employ creative LITERARY TECHNIQUES that relate to the content.

STEP THREE: Craft words and phrases that creatively capture the story.

• car: star, farstar wars = car warsonce upon a star = once upon a carcarpe diem = CARpe diem

• auto: lotto, mottoAUTOmotives

• wheels: peals, steals, dealsthe wheel deal

• keys: pleasepretty please = pretty keys

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1 32 Headlines

Headlines with

strong

VISUAL appeal

communicate

more effectively.

GRAPHIC DETAILS MAKE PRIMARY HEADS POP AND CREATE HEADLINE PACKAGES.

CAPITALIZATION STYLES CREATE A VARIETY OF LOOKS.

Page 18: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 32 Headlines

RHYME: The secondary headline provides specifics to support the catchy primary headline.

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1 32 Headlines

PUN: A creative primary headline establishes the angle for the story. The secondary adds specifics.

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1 32 Headlines

An ACRONYM is given a new meaning. Acronyms add specifics to the secondary headline.

Page 21: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

CAPTIONSCAPTIONS

Page 22: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Captions

A caption’s

CONTENT combines

with a

photograph

to tell a story.

CAPTIONS SHOULD DO MORE THAN STATE THE OBVIOUS.

CAPTIONS ANSWER READERS’ QUESTIONS ABOUT A PHOTO.

CAPTION WRITING REQUIRES REPORTING.

QUOTES FROM INDIVIDUALS IN THE PHOTO ADD DEPTH.

Page 23: REPORTING, HEADLINES, and CAPTIONS. REPORTING: REPORTING: HOW TO CONDUCT AN EFFECTIVE INTERVIEW

1 2 3 Captions

Gather INFORMATION about the photograph, answering the 5 W’s and H.

STEP ONE• who: Junior Travis Wilson, competitive wakeboarder

• what: spent a week practicing for competitions while on a family vacation

• when: vacation, last week of June, competition in July

• why: for fun and to improve on last year’s second place

• how: practice paid off with a first place medal at the Junior X Series Wakeboarding Championship.

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1 2 3 Captions

To write a SUMMARY CAPTION, write a sentence in present tense explaining the photo.

STEP TWODuring an annual family vacation in June at Lake Powell, junior Travis Wilson practices for the upcoming Junior X Series Wakeboarding Championship.

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1 2 3 Captions

For an EXPANDED CAPTION write additional sentences providing relevant information and a quote.

STEP TWODuring an annual family vacation in June at Lake Powell, junior Travis Wilson practices for the upcoming Junior X Series Wakeboarding Championship. His efforts were rewarded with a first place medal. “I live for wakeboarding. It’s an awesome way to push yourself to the limit. My favorite trick is called a tantrum, which is a true back flip.”

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1 2 3 Captions

Brainstorm a list of attention-getting impact words; select the best option for the caption LEAD-IN.

STEP THREE• determination• airborne• in the air• “boardum”• water and air• concentration• up and away• concentration• surf the wake

• flying on water• on the fly• board walk • flip• big air• wakeboarder • air male• splash

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1 2 3 Captions

The

FORMAT of a caption

varies with

its function.

CAPTION FORMATS RANGE FROM IDENTIFICATIONS TO MINI-STORIES.

SPORTS CAPTIONS REQUIRE SPECIFIC DETAILS AND UNDERSTANDING.

ONE TYPE OF CAPTION SHOULD BE AVOIDED.

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1 32 Captions

A caption’s

DESIGN works with

its content

to draw

readers.

A LEAD-IN SERVES AS A MINI-HEADLINE FOR A CAPTION.

THE FIRST SENTENCE INDENTIFIES INDIVIDUALS AND EXPLAINS WHAT IS HAPPENING.

A SECOND SENTENCE ADDS INFORMATION AND INSIGHTS.

WRITING A CAPTION IS LIKE WRITING A POEM; EACH WORD COUNTS.

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1 32 Captions

Use TYPOGRAPHIC TECHNIQUES to emphasize the caption lead-in.