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    Exploring post-Marxist theory: a reading of Jean Baudrillard

    Richard G Smith

    Department of Geography

    Leicester University

    Leicester

    LE1 7RH

    England

    Email: [email protected]

    A full version of this paper (with a response from Marcus Doel) is forthcoming as

    "Baudrillard unwound: the duplicity of post-Marxism and deconstruction" in

    Environment and Planning D: Society & Space (pages 1 - 44)

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    Abstract

    The polarization of debate between Marxism, postmodernism, andpoststructuralism is ill judged and unproductive. In contrast to this stand-off

    the case is made for a transgenic or transversal post-Marxism that opens upnew possibilities and avenues for critical theoretical development. Theargument is developed specifically through a reading of Baudrillard s oeuvre.It is argued that the oft-repeated claims for an epistemological breakbetween an early, Marxian Baudrillard and a later, postmodern Baudrillard isnot bourne out by his texts. Instead, Baudrillard's oeuvre is read to bestructured by a 'double spiral' which involves an antagonism between thesemiotic (or simulacrum) and the symbolic (that which stands to the side ofthe field of value and capitalist exchange). It is argued that Baudrillard's post-Marxism contains many possibilites for the development of critical theorywhen the semiotic logic at the heart of the political economy of the sign is

    freed from the mystique of the unachievable utopia of symbolic exchange. Inparticular the paper points towards the contribution of Baudrillard's work forworking out a general theory of the reproduction of space.

    Key words: post-Marxism, Baudrillard

    Prolegomenon to post-Marxism

    The critique slipped to the side by itself, not out of any decided intention.

    Baudrillard (1995: 17)

    The so-called crisis of Marxism continues and consequently some intellectuals

    of the Left have begun to throw away past certainties, and think differently,

    through the philosophies of postmodernism and poststructuralism. Through

    various critiques of Marxist theory, politics, and practice, the possibility hasemerged of somehow being between Marxism, postmodernism, and

    poststructuralism. Despite the apparent mutual exclusivity of epistemes and the

    risk of being misunderstood, a number of people are working out their own

    combinations of Marxism, postmodernism, and poststructuralism (e.g. Callari and

    Ruccio, 1996; Jameson, 1991; Ryan, 1982; Soja, 1996). Indeed, it is increasingly

    difficult to justify abandoning either Marxism, postmodernism, or poststructuralism.

    Within a non-exclusive logic of both-and that eschews the immutable terms of

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    either/or one is free to experiment. For example, while one may argue that some

    form of Marxist class theory is central to understanding social inequality in late-

    capitalism, that does not prevent one from recognizing that Foucault s historical

    analyses have succeeded in casting a far darker shadow of suspicion over

    liberal society than Althusser s laborious analyses of Marx s Capital (Lilla,

    1994: 13). Indeed, it is clear that many postmodernists and poststructuralists have

    extended or reacted to Marxism in a number of useful and interesting ways which

    do not necessarily mean the jettisoning of a radical left-wing politics.

    Sim (1998) draws a distinction between post-Marxistand post-Marxist positions.On the one hand, post-Marxists graft the critical-theoretical insights of, say,

    deconstruction, feminism, postmodernism, and poststructuralism onto classical or

    neo-Marxism (e.g. Laclau and Mouffe, 1985). This amalgamation of isms

    means Marxism can be made relevant to a new cultural climate that is no longer

    responding to classical Marxist doctrine (Sim, 1998: 2). While sympathetic to

    these endeavours we can read an allegory by Baudrillard (1990: 206) as a critique

    of such an expansive post-Marxist project of nuts-and-bolts reassembly.

    The daughter of the famous Winchester ... heard a prediction that she would

    die when her house was completed just revenge for the thousands of victims

    which the only too famous carbine had created in the West over a century.

    Then, like Penelope, she began to build a house without end, interminably

    adding bedrooms, staircases, annexes. She died in the end, in the 1930s,

    leaving behind a monstrous 150-bedroom house as a memorial to the

    holocaust of the nineteenth century.

    On the other hand, post-Marxists are those who, while being perceived to have

    turned their backs on Marxism, remain haunted by Marx (cf. Derrida, 1994; Lyotard,

    1993). This can be said for Baudrillard. For while he is viewed as having broken

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    with Marx, Baudrillard has maintained a certain nostalgia for him. There is a

    continuityto Baudrillard s oeuvre that demonstrates a ceaseless drive towards a

    post-Marxist position.

    In my reading of Baudrillard, however, the either/or distinction carved out by

    Sim does not hold: Baudrillard is both post-Marxist and post-Marxist. This makes

    him an exemplary figure with whom one can explore the space between Marxism,

    postmodernism, and poststructuralism. Furthermore, this demonstates the

    importance of reading for creating new ideas and understandings. For example,

    rather than resorting to a reconstruction of post-Marxism, what happens if oneviews Baudrillard s account of hyperreality as a remarkably elegant description of

    an ideology? What happens if one reads Baudrillard s rendition of simulacra and

    simulation through the lens of his re-theorisation of Marx s account of the

    commodity-form? Reading becomes vital as one cannot see the possibilities if

    one breaks Baudrillard s work into separate Marxist and postmodernist chapters.

    It is to such a reading that I turn.

    Framing Baudrillard

    You push and shove the material into the rigid area getting it into the

    boundary on one side, and it bulges out on another .... until finally almost

    everything sits unstably more or less in there; what doesn t gets heaved far

    away so that it won t be noticed. Nozick (1974: xiii)

    When re-presenting ideas be honest. There s were I started, here s where I

    ended up; the major weakness in my work is that I went from there to here; in

    particular, here are the most noticeable distortions, pushings, shovings, maulings,

    gougings, stretchings, and chippings that I committed during the trip; not to

    mention the things thrown away and ignored, and all those avertings of gaze

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    (Nozick, 1974: xiii). Reading Baudrillard is to push and shove until a specified

    shape is revealed. To read Baudrillard as a post-Marxist is to press, push, shove,

    maul, and stretch, but also to throw away, abandon, clip, chip, and cut his thought

    towards a particular end. Beyond the perimeter there is always that which

    protrudes and remains, that which fails to be reduced to the over-arching narrative

    of a metatheoretical discourse holding to a grand or great referent all the real s

    big numbers (capital, democracy, justice, labour, sovereignty, use-value, utility,

    etc.). All those metanarratives, depth models , Grand Theories, hermeneutics

    of suspicion , specular watchtowers, and ways of reading the world that claim to

    be able to dig-out the truth: essence behind appearance; latent (unconsciousdesire) behind manifest (symptom); authentic behind inauthentic; production

    beneath superstructure; relations of force or power beneath the ideological or

    normative shell; signified behind signifierin short, all realities laid bare by an

    interpretative hermeneutichave a certain perimeter. However, this is not to say

    that the best way to read Baudrillard is not through a close critical reading that

    would reveal the overall structure of his philosophical system, the layers in his

    writing, the themes that span his texts, the debts to previous thinkers, his

    interventions in the politics of place, etc. After all, a critical , symptomatic or

    intensive reading of Baudrillard s oeuvre enables one to pick and choose,

    avoiding any limitations or frivolities.

    The historical and theoretical question of reading Baudrillard's oeuvre can be

    addressed through a denial of an epistemological break in his corpus which

    divides it into Marxist and postmodern chapters. Instead of promoting Baudrillard

    as a Marxist from a reading of his early writings or as a postmodernist through

    a reading of his later writings , I read Baudrillard as a post-Marxist where the

    two-camps are not opposed but reconciled. The bar that is read to divide is

    removed in an effort to encourage cross-theorization and fertilization between

    different epistemes. This cannot be done for all the so-called postmodernists and

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    poststructuralists. Unlike Baudrillard, Derrida did not start out from an explicitly

    Marxist position. Despite being haunted by Marx, Specters of Marx (1994)

    represents Derrida s first major statement on Marx (his earlier publications

    investigated the history and nature of writing). Similarly, Deleuze s initial works,

    while considerations of key figures in the history of philosophy, such as Hume,

    Nietzsche, and Kant, were not on Marx, and his subsequent works were deeply

    indebted to Nietzsche, Leibniz, Bergson, and Spinoza. However, Lyotard was an

    active Marxist in his early academic career. Between 1956 and 1966, he was on

    the editorial committee of the socialist journal Socialisme ou Barbarie and involved

    with the socialist newspaper Pouvoir Ouvrierwhich emerged from the schism ofthe earlier group in 1964. Furthermore, he opposed the French government over

    the war in Algeria, and participated in the events of 1968. However, he is then said

    to have rejected totalitarian thought (a category in which he would include Marxism

    because, like Arendt, Marxism for Lyotard is equated as belonging to the same

    logic that led to the Stalinist death camps) to become perhaps the key non-Marxist

    philosopher of post-modernity in the 1980s. It is proposed that Lyotard started his

    epistemological break in his doctoral thesis Discours, figure (1971) and then

    broke in Libidinal Economy (1993) where he attempted to escape Marx through

    Freud s economy of libidinal energy and the notion of the primary process.

    Lechte (1994: 246) argues that [t]his extreme break with Marxism in Economie

    libidinale becomes much more nuanced in the philosophy of postmodernism. In

    fact, neither Lyotard nor Baudrillard are ex-Marxist ; they are post-Marxist .

    Post-Marxism: exploring the spaces between

    The word exploration is appropriately chosen. One view about how to write

    a philosophy book holds that an author should think through all of the details of

    the view he presents, and its problems, polishing and refining his view to

    present to the world a finished, complete, and elegant whole. This is not my

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    view. At any rate, I believe that there also is a place and a function in our

    ongoing intellectual life for a less complete work, containing unfinished

    presentations, conjectures, open questions and problems, leads, side

    connections, as well as a main line of argument. There is room for words on

    subjects other than last words. Nozick (1974: xii)

    Jameson (1991: 297) observes that people often find the combination of Marxism

    and postmodernism peculiar or paradoxical and somehow intensely unstable, so

    that some are led to conclude that, in my own case, having become a

    postmodernist I must have ceased to be a Marxist in any meaningful (or in otherwords, stereotypical) sense. Similarly, Gregory (1989: 356) observes that

    postmodernism needs to be seen not as a negation of everything that went

    before but rather as a critical commentary upon it. In Geographical Imaginations,

    Gregory (1994: 317-318) confesses that: I should say at once that I find myself

    caught in the middle: still very much interested in the development of historical

    materialism; suspicious of claims that it provides the single master key to unlock

    human history and geography; yet sceptical of some of the assumptions and

    implications of postmodernism . Furthermore, Graham (1988: 63) argues

    postmodernism is more than an anti-Marxist critique levelled at Marxism from

    outside, it is an emerging tradition within Marxism. Marxism is dead. Long live

    Marxisms ; and even Peet (1998: viii) now describes himself as a materialist

    poststructuralist who has been largely persuaded by socialist feminism and

    partly persuaded by poststructuralism, yet remain[s] unconvinced by most of

    postmodernism, except Baudrillard, with whose notions of sign-domination [he]

    basically agree[s] .

    It is not easy to refuse to think in boxes, to refuse to accept that there is one box

    called Marxism and others called postmodernism and poststructuralism .

    You cannot win against the compartmentalization of knowledge, the binary

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    thinking of those who see things clearly as either/or ( GET LEFT OR GET

    RIGHT demands Harvey (1996: 3)), rather than both-and. You are either a

    vulgar Marxist (the criticism from postmodernists and poststructuralists) or a

    turncoat who has abandoned the project of the Left (the criticism from Marxists).

    This is how the Left has caricatured Baudrillard. He was a brilliant Marxist who lost

    his way, seduced by postmodernism; From a radical position on the Left, he

    gradually moved towards a right-wing poststructuralism and postmodernism

    (Sarup, 1993: 163). If only things were that simple!

    One of the main myths about Baudrillard is that there are two profound breaks inhis oeuvre. The prevailing view that Baudrillard broke with Marx in The Mirror of

    Production (1975), as Kellner (1989: 48) argues, is questionable: In Mirror,

    Baudrillard makes a definitive break with Marxism for the first timethough one

    can read his earlier works in retrospect as leading up to this breakand presents

    his own theory as providing superior perspectives on contemporary society .

    Furthermore, the logical corollary of this view is that Baudrillard paved the way for

    an epistemological break in his subsequent text, Symbolic Exchange and

    Death (1993), which led towards a postmodern position (e.g. Gottdiener, 1995;

    Kellner, 1989). This is equally questionable. Just because Baudrillard describes

    the end of modernity this does not mean he is proclaiming its end. For example,

    Kellner (1994: 7) quotes Baudrillard on his ends from Symbolic Exchange and

    Death (1993: 8): The end of labour. The end of production. The end of political

    economy. The end of the signifier/signified dialectic the end of the exchange-

    value/use-value dialectic The end of the linear dimension of discourse. The end

    of the linear dimension of the commodity. The end of the classical era of the sign.

    The end of the era of production. For Kellner, the discourse of the end

    signifies Baudrillard s announcement of a postmodern break or rupture in

    history . However, it is a very strange logic that sees an end as a break .

    An end is just an end ! It is not the case of something existing and then no

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    longer existing, rather these things have surpassed themselves. Baudrillard is

    more Marxist than Marx (who, of course, said he wasn t anyway); post-Marxist.

    In 1995, I suggested that one should not undertake a reading which views

    Marxism, postmodernism, and poststructuralism as separate epistemes. This has

    been argued more recently by Soja (1996), who proposes a Radical

    postmodernism, whose non-exclusive logic would eschew the immutable

    Aristotelian terms of either/or to explore the space between Marxism and

    postmodernism through the logic of both-and. Thus, my reading of Baudrillard will

    mind the gap , as Lyotard would say. It will collapse the bar (/) through,across, and in Baudrillard s writings to bridge the gap between two imaginaries in

    an epistemology which knows the difference: In the consciousness of our failures,

    we risk lapsing into boundless differences and giving up on the confusing task of

    making partial, real connection. Some differences are playful. Some are poles of

    world historical domination. Epistemology is about knowing the difference

    (Haraway, 1985: 79). In this reading the binary separating epistemes is rejected

    and the bar collapsed in an effort to encourage cross-theorization and cross-

    fertilization between the different epistemes which hitherto have been hastily

    polarised and marketed as hermetically-sealed entities. My desire is to inhabit

    the tense and creative spaces between different and dissonant theoretical

    traditions (Barnes and Gregory, 1997: 3).

    Mind the gap

    I do not believe in decisive ruptures, in an unequivocal epistemological

    break .... Breaks are always, and fatally, reinscribed in an old cloth that must

    continually, interminably be undone. ... And this in no way minimizes the

    necessity and relative importance of breaks, of the appearance and definition

    of new structures. Derrida (1981: 24)

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    In For Marx(1979), Althusser noted a clear epistemological break in Marx s

    oeuvre. A young Marx (of the 1844 Manuscripts and The Holy Family), a humanist

    who wrote within an Hegelian-Feuerbachian problematic, and a mature Marx, who

    finally, after a period of theoretical transition (with the Manifesto of the Communist

    Party, the Poverty of Philosophy, and Wages, Price and Profit), developed a

    science of historical materialism after 1857. For Althusser, the humanist and

    utopian imaginary evident in Marx s earlier work could not be traced consistently

    in his later work. Althusser argued that the epistemological break in Marx s

    oeuvre was 1845, with his Theses on Feuerbach and The German Ideology, andsome two years after his Critique of Hegel s Philosophy of Right, which, for

    Althusser, was more akin to a Feuerbachian critique of Hegel.

    The consensus on reading Baudrillard is analogous to Althusser s reading of

    Marx. Gottdiener (1994: 24) writes of a critical disjuncture in Baudrillard s

    oeuvre. He draws a distinction between Baudrillard s early effort to study therelationship between semiotics and the commodification of everyday life, and the

    later effort which abandons that project and replaces it with an impressionistic,

    idealized and jargon-laden discourse . Numerous writers have identified this

    coupure pistmologique in Baudrillard s oeuvre between a young Baudrillard

    (who wrote within a neo-Marxist problematic) and a mature Baudrillard (who writes

    with a postmodern imagination). Symbolic Exchange and Death (1993) is regarded

    as the site of Baudrillard s postmodern turn where, after criticizing Marx in

    The Mirror of Production (1975), he elaborated his emerging position which was to

    become compatible with much postmodern thinking. For example, Kellner (in

    Baudrillard, 1993: book cover) writes that Symbolic Exchange and Death is

    easily Baudrillard s most important work. It is a key intervention in the debates on

    modernity and postmodernity and the site of his postmodern turn . Similarly, Best

    (1989: 36) argues that [t]he difference between Critique of the Political Economy

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    of the Sign and The Mirror of Production was indeed sharp, but the real break in

    Baudrillard s work did not occur until Symbolic Exchange and Death (1993), for it

    is there that he made the transition (conceived on his own terms) from a modern to

    a postmodern theorist . However, one should be suspicious of analytically-

    acclaimed ruptures profondes and I would argue that Baudrillard s most

    popular ideas can only be understood through his earliest writings. So, one can

    both agree and disagree with Vine s (1989: 41) suggestion that fifty consecutive

    pages of Baudrillard are essentially the whole of Baudrillard , because although

    one cannot understand Baudrillard from reading just fifty pages (that would be an

    unprecedented reiteration), it is the case that all of Baudrillard is present in thosepages.

    Not reading Baudrillard through an epistemological break leads to the question

    of how one can read his works to produce a post-Marxism. The answer lies in two

    parts: first, reading symptomatically, which gets at the continuities that weave

    together Baudrillard s oeuvre; and, second, by viewing his oeuvre as a double

    spiral , rather than through the before and after of an epistemological break .

    These led me to the dramatic discovery of the possibilities for new theoretical

    development by reading Baudrillard as one, rather than two. Reading Baudrillard

    without an epistemological break means that one can begin to produce a

    general theory of the reproduction of space. One can see how Baudrillard s

    general theory of the political economy of the sign is the basis of his ideas about

    simulacra, simulations, reproductions, and hyperreality. A post-Marxist theory

    developed from Baudrillard can give us a starting point from which to develop a

    general theory of the reproduction of space in late-capitalist societies. However,

    that is another story and we are getting ahead of ourselves. Let me explain

    symptomatic reading before turning to the double spiral.

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    Surface and symptomatic reading

    The distinction Althusser (1979) draws between surface reading and

    symptomatic reading is useful for reading Baudrillard because it helps us to

    see the continuity of his thought . For example, Baudrillard s America (1988a)

    has an invisible structure that consists of several theses from earlier works.

    This structure has been deliberately overlooked by other commentators who we

    can call (without any offence) surface readers . Gane (1991: 182), reads

    America not symptomatically ... but as a mirror of Baudrillard s own form ofwriting, that is fatally, or poetically, for the text ofAmerica ... does not aim at depth

    or at a dialectical analysis. The problem for the reader is to find, therefore, an

    appropriate superficial form of reading. However, in Cool Memories (1990: 219)

    Baudrillard writes that [f]orAmerica, only one method: given a certain number of

    fragments, notes and stories collected over a given time, there mustbe a solution

    which integrates them all, including the most banal, into a necessary whole,

    without adding or removing any: the very necessity which, beneath the surface,

    presided over their collection . It is therefore necessary to read not only with

    breadth (as the text has a wide extent) but also with depth, to undertake a

    symptomatic reading of America which looks beneath the surface to

    distinguish a word from a concept, to distinguish the existence or non existence

    of a concept behind a word, to discern the existence of a concept by a word's

    function in the theoretical discourse, to define the nature of a concept by its

    function in the problematic, and thus by the location it occupies in the system of

    the theory (Althusser, 1979: 39). This combined reading could be termed an

    extensive-intensive reading which is alert to Tournier s observation that [i]t

    is a strange prejudice which sets a higher value on depth than on breadth, and

    which accepts superficial as meaning not of wide extent but of little

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    depth whereas deep , on the other hand, signifies of great depth , and not

    of small surface (quoted in Deleuze, 1993: 261-262).

    An extensive-intensive reading sees links across the so-called break in

    Baudrillard s oeuvre. However, a transversal or post-Marxist reading of

    Baudrillard is achieved not only by extensive and intensive reading, but also by

    seeing the structure of the double spiral which serves to unite Baudrillard s

    thinking throughout his writings. In this paper I am pushing away and forgetting

    one half of the double spiral for the sake of clarity. Concentrating on the spiral of

    the code throughout his work enables us to see the remarkable contribution thatBaudrillard has made to extending Marx s description of the commodity: by noting

    that it is structurally homologous with the Saussurian sign and by developing all of

    the consequences of this insight.

    Double Spiral M b ius

    Rather than reading Baudrillard through an epistemological break he could be

    read, as he himself says, through a double spiral :

    The double spiral moves from Le Systme des Objets to the Fatal Strategies:

    a spiral swerving towards a sphere of the sign, the simulacrum and simulation,

    a spiral of the reversibility of all signs in the shadow of seduction and death.

    The two paradigms are diversified in the course of this spiral without altering

    their antagonistic position. On the one hand: political economy, production, the

    code, the system, simulation. On the other hand: potlatch, expenditure,

    sacrifice, death, the feminine, seduction, and in the end, the fatal (Baudrillard,

    1988b: 79).

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    If one reads all of Baudrillard, then one can see that the spiral of the semiotic is

    described by Baudrillard as the code of social standing in 1968, the code in

    1970, the political economy of the sign in 1972, the structural law of value

    in 1976, and as hyperreality , simulation , and simulacra from around

    1981. Similarly, the spiral of the symbolic can also be seen to have evolved during

    this time from the gift and ambivalence to seduction, fatal strategies, evil and

    death. The spiral of the symbolic traces the complete history of Baudrillard s

    opposition to the code as a Pataphysician at twenty situationist at thirty

    utopian at forty transversal at fifty and viral and metaleptic at sixty

    (Baudrillard, 1996a: 83).

    So, Baudrillard provides the means to divide his oeuvre without resorting to an

    Althusserian-style epistemological break between Marxism and

    postmodernism/poststructuralism. The double spiral traces the destruction of

    the symbolic by the semiotic and the ironic eruption of the former in the latter.

    Gane (1993) first highlighted this aspect of Baudrillard s imaginary, and Genosko

    (1994: 164) made a book of it, finishing with the opinion that Baudrillard is

    primarily concerned with struggling against signification in the name of symbolic

    exchange .

    The double spiral is a metaphor for the opposition of the semiotic (the code,

    etc.) to the symbolic (ambivalence, etc.). Let me explain: 1) symbolic exchange; 2)

    the code; and 3) how the code destroys symbolic exchange (although vestiges

    survive):

    1. Symbolic exchange: Baudrillard mobilizes against the hegemonic system of the

    code not class conflict or even consumer resistance but symbolic exchange. He

    thinks of the symbolic, not as an analogical variant of the sign in the classic semio-

    linguistic sense (like allegory, icon, indication or signal), but as an anti-

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    semiological device: signs must burn (Baudrillard, 1981: 163). For Baudrillard,

    the symbolic (a form of exchange that is ambivalent, non-equivalent, and non-

    reductive) is what opposes the authority of the code, resisting integration into the

    capitalist system of exchange and the field of value. Symbolic exchange is for

    Baudrillard a revolutionary project that can transgress and deconstruct the

    hegemonic discourse of the code because it is external to the collapsing of the

    signifier and signified which excludes the possibility of judgement and criticism

    (the code is in this respect analogous to Lefebvre s signal ). For me, however,

    this is at best quixotic and at worst utopian. Baudrillard s anti-semiology is a

    hollow gesture that falls all too easily into a utopia of the peaceful surrender of themeans of (re)production by capitalists. In For a Critique of the Political Economy of

    the Sign (1981), before developing a full-blown theory of symbolic exchange in

    Symbolic Exchange and Death (1993), Baudrillard notes, in my view correctly, that

    the structural relation between commodity-form and sign-form is a system in the

    framework of political economy and so is susceptible to a critique in the same

    way as classical political economy because their form is the same, not their

    content: sign form and commodity form (Baudrillard, 1981: 126). Thus, symbolic

    exchange is a utopia, another possible world, and is not adequate as a critical

    politics and practice. (For more on the origins of the idea of symbolic exchange as

    utopia from Baudrillard s early writings in the journal Utopie, see Smith 1995,

    1997.)

    2. The code is derived from both the commodity-form described by Marx and the

    sign described by Saussure, and is synonymous with hyperreality , simulacra

    and simulations , and the structural law of value in Baudrillard s oeuvre. In

    this way, Baudrillard s earliest works on the system of objects are related to his

    later writings on virtual reality and cyberspace. Baudrillard first described a code

    of social standing in The System of Objects (1996b), where he postulated that

    consumer society is not defined by the quantity of goods, nor the satisfaction of

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    needs although these are obviously preconditionsbut by the organization of

    consumption as a signifying substance. He argued that the object or commodity

    must become a sign that is never consumed in its materiality, but in its

    difference (Baudrillard, 1968: 277). In his next book, Consumer Society(1998),

    Baudrillard continued to speak of consumption as a code defined by a structural

    and differential logic of signs rather than of human needs and pure commodities.

    Here Baudrillard begins the systematic critique of needs (a phenomenology of

    pleasure) and use-value (both of which belong to the epistemology of political

    economy), enabling him to argue in terms of the domination of the code

    (hyperreality) in late-capitalism without relying on a reduction of society to aputative utilitarian base. He continues to argue that consumption can be

    historically and structurally defined as the exaltation of signs based on the denial

    of the reality of things (Baudrillard, 1970: 148). In a consumer society, where

    needs no longer serve as the defining structural axiomatic, the code is

    substituted for all other would-be referents. In a telling paragraph for anyone who

    has read his later texts, Baudrillard (1970: 195) observes:

    An immense process of simulation has taken place throughout all of everyday

    life .... One fabricates a model by combining characteristics or elements of

    the real; and, by making them act out a future event, structure or situation,

    tactical conclusions can be drawn and applied to reality. It can be used as an

    analytical tool under controlled scientific conditions. In mass communications,

    this procedure assumes the force of reality, abolishing and volatilising the latter

    in favour of that neo-reality of a model materialised by the medium itself.

    As always, Baudrillard recognizes that the most important change occurs at the

    structural level, and not at the quantitative level. This interest in simulation as

    encroaching on society is what Baudrillard becomes renowned for in his later texts

    which explore hyperreality.

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    3. Destruction of symbolic exchange by the code : Harvey (1989: 287) reads

    Baudrillard s For a Critique of the Political Economy of the Sign (1981) as if it

    were arguing that Marx s analysis of commodity production is outdated because

    capitalism is now predominantly concerned with the production of signs, images

    and sign systems rather than with commodities themselves . This is not the case.

    Baudrillard draws our attention to the fact that the logic of the commodity and of

    political economy is at the very heart of the sign while the structure of the sign

    is at the very heart of the commodity form (Baudrillard, 1981: 146). The key

    chapter is For a General Theory , where the logic of the commodity-sign form is

    unfolded. It is this which structures Baudrillard s oeuvre as a double spiralling(and not as an epistemological breaking ) of the semiotic (code) and the

    symbolic. The chapter opens by proposing four logics:

    the functional logic of use-value (UV)

    the economic logic of exchange-value (EcEV)

    the differential logic of sign-value (SgEV)

    the logic of symbolic exchange (SbE)

    These have the respective principles of: utility(satisfaction of needs); equivalence;

    difference (distinction); and ambivalence. From these Baudrillard proposes a

    general anthropology of values based on the permutation and transformation of

    these forms. There are 12 moments:

    (1) UV - EcEV (4) EcEV - UV (7) SgEV - UV (10) SbE - UV

    (2) UV - SgEV (5) EcEV - SgEV (8) SgEV - EcEV (11) SbE - EcEV

    (3) UV - SbE (6) EcEV - SbE (9) SgEV - SbE (12) SbE - SgEV

    This structural schema is an extension of Marx s logic. Moments (1), where

    exchange-value is produced, and (4), where exchange-value is turned into use-

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    value during consumption, are two moments in the classical Marxist cycle of

    political economy. However, to this Baudrillard adds his theory of the political

    economy of the sign. In moments (2) and (5) the commodity gains sign-value, and

    we have the ascension of the commodity form into the sign form, the

    transfiguration of the economic into sign systems and the transmutation of

    economic power into domination and social caste privilege (Baudrillard, 1981:

    124). In short, moments (2) and (5) are the transfiguration of use-value and

    exchange-value into sign-value (the transformation of the object/commodity-form

    into the sign-form), which, as models of social distinction and cultural

    capital , may be converted back into use-value, moment (7), and exchange-value,moment (8).

    Outlined above are Baudrillard s code(s) of value (use-value, exchange-value,

    sign-value) which constitute the political economy of the sign. This is one side of

    the double spiral . Moments (3), (6), and (9) mark the transgression of the sign-

    form towards symbolic exchange via the destruction of use-value, exchange-value,

    and sign-value, respectively. This does not produce a sign-value (as in moments

    (2) and (5)) but a transgression of the field of value as such towards symbolic

    exchange in the manner of the gift or festival. By contrast, moments (10), (11), and

    (12) chart the process of breaking and reducing symbolic exchange, and the

    reintroduction of economic and semiotic calculation:

    the objects involved in reciprocal exchange, whose uninterrupted circulation

    establishes social relationships, i.e., social meaning, annihilate themselves in

    this continual exchange without assuming any value of their own (that is any

    appropriable value). Once symbolic exchange is broken, this same material is

    abstracted into utility value, commercial value, statutory value. The symbolic is

    transformed into the instrumental, either commodity or sign. Any one of the

    various codes may be specifically involved, but they are all joined in the single

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    form of political economy which is opposed, as a whole, to symbolic

    exchange (Baudrillard, 1981: 125).

    Such is the erosion of the symbolic by the semiotic which defines and structures

    all of Baudrillard s oeuvre. It is very important to realize that symbolic value

    does not exist. For Baudrillard, symbolic exchange is outside of the field of value,

    since value as such belongs to political economy and the code . Only the

    radical rupture of the field of value can inaugurate symbolic exchange. To

    summarize, consider the following equation:

    EcEV = Sr / SbE

    UV Sd

    where the vertical implication is that exchange-value is to use-value as signifier

    (Sr) is to signified (Sd), while the horizontal implication is that exchange-value is to

    signifier as use-value is to signified. This is the homologous relation of the

    commodity-sign form which describes general political economy. The bar (/) shows

    that the ambivalent logic of symbolic exchange is excluded from the whole field of

    value. Therein lies its revolutionary potential.

    Overall, then, the double spiral is how Baudrillard reconstructs the shape of his

    oeuvre in 1987 (Baudrillard, 1988b). Given that this structure appeared back in

    1972 (Baudrillard, 1981), long before the so-called epistemological break , you

    will understand why my overall reading of Baudrillard is asynchronic.

    The other, by another1

    If I am not mistaken, you were not disinclined to me and you would have

    liked to like some piece of my work. That never happened; but this time you

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    turn the pages and read approvingly a verse here and there perhaps

    because you have recognized your own voice in it, perhaps because deficient

    practice concerns you less than solid theory. Borges (1991: 21)

    Reading Baudrillard in the way outlined above is my prolegomenon to future

    explorations into the space between Marxism, postmodernism, and

    poststructuralism. When one looks at the detail one sees that conceptual blocks

    are not separate blocks at all. We must be innovative and flexible if we are to

    develop fresh insights and move on from the current impasse in contemporary

    geographical thought between Marxists, postmodernists, and poststructuralists.

    In my reading a crime was committed for the purpose of clarity: Baudrillard was

    framed. I heaved far away and abandoned the spiral of symbolic exchange to

    visibly and honestly force a spiral that is always already related to the other spiral

    apart. Ignoring symbolic exchange brings into focus the code as an interesting and

    truly remarkable post-Marxist description (here base does not determine

    superstructure in some teleological dialectic) of both the commodity-form (which

    becomes the commodity-sign) and ideology (of which, through this reading,

    hyperreality is a remarkable description) in late-capitalism. This paves the way for

    other discoveries, such as a general theory of the reproduction of space. Now

    read Baudrillard s books from right to left.

    FLASH

    Quickly, you find an angle from which it looks like an exact fit and take a

    snapshot; at a fast shutter speed before something else bulges out too

    noticeably. Then, back to the darkroom to touch up the rents, rips, and tears in

    the fabric of the perimeter. All that remains is to publish the photograph as a

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    representation of exactly how things are, and to note how nothing fits properly

    into any other shape (Nozick, 1974: xiii).

    Endnote

    1 Baudrillard s L Autre par lui-mme (1987), which Semiotext(e) published as

    The Ecstasy of Communication (1988b), can be translated as The other, by

    himself .

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