robert thomas eng 318 paper 1. an analysis
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in re)eal that the real reason this collection of stories is a Bildungsroman is
!ecause of how %ic" uses his friends and family as pi)otal pieces while he
tries to form some "ind of moral code for himself. He essentially creates a
thatch1wor" sense of self$ and )alues$ !y stealing the ones that seem most
reasona!le from his personal relationships. (ithout the guidance of his
friends$ and a!ility to re/ect his ideals o- of them to see which shined
!rightest$ he would )ery li"ely ha)e ended up forming a much di-erent set
)alues. 2urthermore$ this cycle of emulation and adaption of the )alues of
others creates a self1sustaining system of creating a personal moral system
from pieces of your past$ and !etter conforming to accepta!le societal
mores and norms. Based on this$ we can loo" primarily to two stories
featuring %ic" from “In Our Time”3 “The Three1'ay Blow$” and “4ross
4ountry 5now” to illustrate 6ust how hea)ily other people in/uenced %ic"’s
maturation. By loo"ing at these stories$ what stages in %ic"’s life they
represent$ and how his relationships impacted his choices$ we can !etter
see the full impact that these relationships had on his growth and
psychological de)elopment.2irst loo"ing at “The Three1'ay Blow” we can e*amine the childhood
friendship$ and the way it in/uences the interactions !etween %ic" and Bill.
Throughout this story !oth %ic" and Bill’s actions emulate how they
percei)e adults.7 More importantly$ their dialogue is !eing !ounced !ac"
and forth !etween each other. They use this discourse as a way to see how
someone would percei)e$ or react to their ideas +or how well they are
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emulating adult !eha)iors,. A prime e*ample of this type of e*perimental
discourse is shown !etween pages 89 and 8:. 5tarting with their
con)ersation a!out the whis"ey3 “ ;It’s got a swell$ smo"ey taste$’ %ic" said$
and loo"ed at the &re through the glass. ;That’s the peat$’ Bill said. ;
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%ic" and Bill were trying to show the actions that they thought pro)ed
maturity +mainly !eing a!le to hold li=uor in this speci&c case,$ !ut are also
!oth respectful of each other’s mista"es so as not to em!arrass one
another. The importance of these early e*changes is that they are creating
a mutual safe ha)en where they can practice emulating older &gures in
their li)es$ and recei)e feed!ac" !efore adopting these !eha)iors$ actions$
and ideals into their personal )alue systems. This shows from an early age
how it is not 6ust his personal choices that ma"es %ic" mature$ !ut in large
part he matures !y incorporating ideals from others into his personal
)alues.%e*t loo"ing at “4ross14ountry 5now” we can e*amine how nic" still
leans toward his friend Bill to further con&rm his personal ideals and
)alues. Here he generally has much more comple* feelings$ as his life has
!ecome much more comple*$ !ut he still is using his friend Bill as a
sounding !oard$ still &lling similar roles as they emulated as children
sitting for a drin" +after s"iing,$ and ha)ing general con)ersations$ li"e they
had done while emulating Bill’sC dad during their childhood. They
essentially ha)e now fully incorporated this as a ritual of friendship$ and
how they still percei)e that mature adults act in the world.: They are still
howe)er creating a safe area to further re&ne how they act$ as e)ident after
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recei)ing the wine on page #9:3 “The girl !rought the wine in and they had
trou!le with the cor".” and “ ’Those specs of cor" in it don’t matter$’ said
%ic".” Once again they !oth non)er!ally agree to ignore each other’s
shortcomings$ the fact that neither of them can properly open a wine !ottle
without destroying the cor"$ for the sa"e of "eeping this safe space in their
friendship to re&ne their morals$ !eha)iors$ and ideals. A contrast !etween
how di-erently e)eryone matures !ased on those around them that they can
adopt )alues from is also present in this story3 “The door came open and a
gang of woodcutters from up the road came in$ stamping their !oots and
steaming in the room. The waitress !rought in three liters of new wine for
the gang and they sat at the two ta!les$ smo"ing and =uiteD” +##9, (hile
they may share similarities to %ic" and Bill in that they were here to unwind
and ha)e a drin"$ in contrast to %ic" and Bill they were sitting =uietly
smo"ing. The woodcutters had li"ely pic"ed up smo"ing from those they
saw as role models in their li)es$ and had adopted =uiet contemplation +or
6ust not tal"ing, as their manner of !onding within their circle of immediate
relationships.This !rings us to the 4oup de grEce#9 against the argument that the
Bildungsroman style of de)elopment presented in “In Our Time” results
solely from %ic"’s personal choices and e*perience. Instead we ha)e seen
that %ic"$ from an early age +as we saw in “The Three1'ay Blow”, is
incorporating )alues and mannerisms of those around him into his own
moral standards as he matures$ and molding himself to &t his perception of
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the role of maturity$ from what he has seen. He does this largely through his
interpersonal relationships$ his friendship with Bill !eing the one featured
prominently in the stories +the others mostly implied,$ !y creating a safe
en)ironment where !oth he and his friend can re&ne their ideals of what it
means to !e a mature adult +and get small !its of feed!ac" that are later
incorporated into his mannerisms and )alues,. This continues later into his
life +as we saw in “4ross14ountry 5now”, as well$ as he and Bill !oth are
still wor"ing to re&ne what they percei)e as a mature adult and &t into that
role. They ha)e !uilt upon how they used to drin" and try to act as they
thought adults should act while con)ersing$ into adults that are still trying
to &t that ideal role +who still cannot properly uncor" a wine !ottle,. In
contrast to the wood cutters who site =uietly while drin"ing and smo"e to
&ll the roles that they percei)e as that of an adult. (e are all the products of
what we are e*posed to. Our personal )alues are a patchwor" of what is
present around us. 4onsider if %ic" had spent his life without "nowing Bill.
He may ha)e instead emulated his own father who ne)er dran"$ and !ecome
a completely di-erent person. Fnless raised in a complete )acuum$
e)eryone will pull )alues$ mannerisms$ and ideals from those around them$
and use them to form their own moral )alues and perceptions this is how
people create the ideal role that they stri)e to &ll o)er their lifetime$ e)en as
they ma"e ad6ustments and re&nements to their core !eliefs along the way.
2urthermore$ this is how we all come to &t into our roles in society$ not only
as prede&ned !y others !ut also as we percei)e them to !e de&ned.
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(or"s 4ited
GBildungsroman.G Merriam-Webster . Merriam1(e!ster$ n.d. (e!. 0: an.
09#@.
G4oup 'e rEce.G Merriam-Webster . Merriam1(e!ster$ n.d. (e!. 9# 2e!.
09#@.
GasyBi!3 The 2ree Automatic Bi!liography 4omposer.G EasyBib. %.p.$ n.d.
(e!. 0: an. 09#@.
Hemingway$ rnest. In Our Time. %ew