romantic memory? forgetting, remembering and feeling in the … · 2021/1/19 · 2 politics of...
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RomanticMemory?Forgetting,RememberingandFeelingintheChartist
PantheonofHeroes,c.1790–1840
MatthewRoberts
ABSTRACTThispaperexploresthepoliticsofremembrancethroughacasestudyof
Chartism,theBritishmassmovementfordemocraticandsocialrightsinthe1830sand
1840s.Itfocusesonthe‘paperpantheon’ofradicalgreatsconstructedbytheChartists
fromtheperspectivesofRomanticism,thepowerfulculturalandliteraryeffectsofwhich
werestillbeingfeltinthe1840s.Thepaperhighlightstwolinkedaspectsofromantic
memoryinChartistheritagepolitics.First,thequestion,notofremembering,but
forgettinganderasure;thatis,whichindividualsandepisodesintheradicaltradition
wereeitherforgottenorconsciouslyexcludedbytheChartists.Second,particular
attentionispaidtorecentscholarshipinRomanticStudieswhichhasexploredthe
relationshipbetweenmemoryandposthumousreputation,andindoingsoexploresthe
posthumouspotentialofJohnThelwall,ThomasPaineandWilliamCobbett.Whilethe
impactofRomanticismcanbehardlydeniedandwaspartoftheculturalinheritanceof
theChartists,includingtheintenseoutpouringoffeelingforheroesinthepantheon,itis
importantnottoexaggerateitsimpact.SomeChartistsrejectedtheuncheckedappealsto
thepassionsandintrospectionassociatedwithRomanticism.Chartistaversiontothispull
wasalegacyinpartoftheenduringimpactofradicalEnlightenmentanditsassociated
affectivepolitics.ThefinalsectionexploressomeofthetensionsbetweenRomanticismand
EnlightenmentinChartistheritagepoliticsviaacase-studyoftheFrenchrevolutionary
C.F.Volney,anddrawsonrecentworkonthehistoryofemotionstosketchouttheaffective
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politicsofChartistmemory,andindoingsosuggeststhatpoliticalhistorianspaymore
attentiontothepoliticsofthepassions.
Chartism,theBritishmassmovementfordemocraticandsocialrightsinthe1830sand
1840s,wasprofoundlyshapedbytheradicaltraditionfromwhichitemerged.Whilethe
constituentpartsofthattraditionwereinherited–theFrenchRevolution,Thomas
Paine,WilliamCobbett,forexample–theprocessesbywhichtheseweretransformed
intoaradicaltraditionwereatthehandsoftheChartiststhemselves.Theyeagerly
appropriatedandsubvertedmanyoftheritualizedformsofcommemorationusedby
elites,includingtheconstructionofanimaginedpantheonofheroes,thoughforreasons
ofcostandaccesstothepublicspheretheChartistheritageprojecttendedtobeapaper
pantheonratherthanonesetinstone.Thepaperpantheonandthisbroaderheritage
projectwasconstitutedandreconstitutedthrough‘mnemonicpractices’andthe
performanceofculturalremembrance:commemorativedinnersandsoireeswhich
revolvedaroundarollcalloftoaststothememoryofradicalgreats,pre-eminentlyPaine
andCobbettbutsupportedbyamuchwidercastofotherfigures,mostofwhomhad
diedinthefiftyyearsprecedingChartism;portraiture;publishingandreadingpractices;
thenamingofChartistchildrenafterradicalgreats;theregularquotingofwordsfrom
theradicalcanoninspeeches,extractsintheChartistpressandonbanners–indeedthe
re-useofbannersfromearlierradicalcampaigns.1Farfrombeinganostalgiccultureof
1GordonPentlandcoinedtheconceptof‘paperpantheon’in‘ThePosthumousLivesofThomasMuir’,inLiberty,PropertyandPopularPolitics:EnglandandScotland,1688–1815,ed.GordonPentlandandMichaelT.Davis(Edinburgh:EdinburghUniversityPress,2016),211.Forloyalist,toryandwhigcults,seeJ.J.Sack,‘TheMemoryofBurkeandtheMemoryofPitt:EnglishConservatismConfrontsitsPast,1806-1829’,HistoricalJournal,30(1987),623-40;AlisonYarrington,TheCommemorationoftheHero1800-1864:MonumentstotheBritishVictorsoftheNapoleonicWars(NewYork:Garland,1988);BelindaBeaton,‘MaterializingtheDuke’,JournalofVictorianCulture,10(2005),100-107;T.E.Orme,‘ToastingFox:TheFoxDinnersinEdinburghandGlasgow,1801-25’,History,99(2014),588-606;EmilyJones,EdmundBurkeandtheInventionofModernConservatism,1830–1914(Oxford:OxfordUniversityPress,2017).Ontheshiftawayfromstaticsitesofmemorytotheperformanceofamoredynamicconceptofmemory,seeAnnRigney,‘TheDynamicsofRemembrance:TextsBetweenMonumentalityandMorphing’,inCultural
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consolation,radicalgroupssuchasChartistsdrewstrength,legitimacyandtenacity
fromthetraditionsandheritagepoliticsthattheypracticed.Theamountoftimeand
resourcesthatChartistsdevotedtotheirheritageistestamenttotheimportanceof
memoryinpoliticalandsocialmovements.
ThischapterfocusesontwolinkedaspectsoftheChartistheritageprojectfrom
theperspectivesofRomanticism,theliteraryandculturalforceofwhichwasstillbeing
feltatmid-century,withpopularpoliticsnoexception.2First,itshowshowtheformand
compositionoftheChartistpantheonwasshapedbyaromanticaestheticbyexploring
thequestion,notofremembering,butforgettinganderasure;thatis,whichindividuals
andepisodesintheradicaltraditionwereeitherforgottenorconsciouslyexcluded?As
GuyBeinerhasrecentlyobserved,‘Whileitiscommonlyacknowledgedthatmemory
involvesbothrememberingandforgetting,studiesofsocialandculturalmemoryhave
mostlyfocusedonrememberingandoverlookedforgetting’.3Thisthemeofforgetting–
orwhatmightbemoreaccuratelydescribedasexcluding–isexploredherethrougha
case-studyofthe‘radicalRomantic’JohnThelwall(1764–1834),ahugelypopular
radicalassociatedwiththeLondonCorrespondingSociety(LCS)inthe1790s.4A
numberofscholarshaveattributedtoThelwallanenduringlegacybequeathedto
MemoryStudies:AnInternationalandInterdisciplinaryHandbook,ed.AstridErllandAnsgarNünning(Berlin:DeGruyter,2008),345–53. 2MilesTaylor,ErnestJones,ChartismandtheRomanceofPolitics,1819–1869(Oxford:OxfordUniversityPress,2003),10.SeealsoG.S.R.KitsonClark,‘TheRomanticElement–1830to1850’,inStudiesinSocialHistory:ATributetoG.M.Trevelyan,ed.J.H.Plumb(London,1955),209–39;RohanMcWilliam,‘SweeneyToddandtheChartistGothic:PoliticsandPrintCultureinEarlyVictorianBritain’,inEdwardLloydandHisWorld:PopularFiction,PoliticsandthePressinVictorianBritain,ed.SarahSusanLillandRohanMcWilliam(Abingdon:Routledge,2019),198–215.3GuyBeiner,ForgetfulRemembrance:SocialForgettingandVernacularHistoriographyofaRebellioninUlster(Oxford:OxfordUniversityPress,2018),17.4AnumberofrecentworkshavepositionedThelwallasaRomanticradical,e.g.,JudithThompson,‘CitizenJuanThelwall:IntheFootstepsofaFree-RangeRadical’,StudiesinRomanticism,48(2009):67–100;RomanticRadicalandAcquittedFelon,ed.StevePoole(London:Pickering&Chatto,2009);JohnThelwall:CriticalReassessments,ed.YasminSolomonescu(Romantic-Circles,2011);‘JohnThelwallSpecialIssue’,Romanticism,16:2(2010).
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subsequentradicalmovements,includingChartismandsocialism.5Andyetthefact
remainsthathewasnotaprominentfigureintheChartistpantheon.Itmayseem
slightlystrangetodevotepartofanessaytoaradicalwhohardlyfeaturedinChartist
heritage,butforgettingandexcludingcanbejustasrevealingasrememberingand
including.Thus,acase-studyofThelwallisusedtoexplorewhatmightbetermed
posthumouspotentialinculturesofremembrance.6Inthe1790sThelwallwasseenby
thegovernmentasoneofthemostdangerousradicalsinthecountry.Inthelastdecade
orso,hishistoricalandliteraryreputationhasbeentransformed:frombeinga
relativelyobscureradicalandpoetknownonlytospecialists,hehasbeenrestoredto
hisrightfulplaceasamajorradicalandliteraryfigureinthe1790sandbeyond.7An
explorationofwhyThelwallwaslargelyforgottenbytheChartistsshedsnewlighton
thebroaderquestionofwhyhewasaneglectedfigureforsolong,and,broaderstill,
whyfamedoesnotalwaysoutlastthelifeofthefamous.
BuildingonthethemeofThelwall’sradicalRomanticism,thesecondareaof
focusisthecontestedlegacyandmemoryofRomanticism.Bymakinguseofarangeof
neglectedmanuscriptmaterialandChartistnewspapers/periodicals,thissectiondraws
onrecentscholarshipinRomanticStudieswhichhasexploredtheproblematic
relationshipbetweenmemoryandposthumousreputationbyshowinghowcoteries,
conviviality,publishingcirclesandprintculturemadeauthorsandradicalgreatsserve
5GwynA.Williams,ArtisansandSans-Culottes:PopularMovementsinFranceandBritain(London:Libris,1989),66;JudithThompson,‘Introduction’,inThePeripatetic,ed.JudithThompson(Detroit,MI:WayneStateUniversityPress,2001),15,18.6InarecentessayStevePoolehastakenmetotaskforprovidinganinsufficientexplanationforThelwall’sabsenceintheChartistpantheon,whichIlargelyattributedtoChartistpreferenceforgentlemanleadersinthepastaswellasthepresent,andThelwall’sambiguoussocialstatusdidnotqualifyhimforadmissiontothepantheon.WhileImaintainthattheChartistpantheonwasmostlypopulatedbygentlemanradicals,IacceptPoole’scriticismthattherewasmoretoThelwall’sabsencethanhisclassstatus.StevePoole,‘ThePoliticsof“ProtestHeritage”,1790–1850’,inRememberingProtestinBritainsince1500,ed.CarlJ.GriffinandBrionyMcDonagh(Basingstoke:Palgrave,2018),187–213.7OntherediscoveryofThelwall,seeNicholasRoe,‘TheLivesofJohnThelwall:AnotherViewofthe“JacobinFox”’,inJohnThelwall:RomanticRadical,13–24.
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theradicalcauseofthepeoplebeyondtheirownlifetimes.8Whiletheimpactof
Romanticismcanbehardlydeniedandwaspartoftheculturalinheritanceofthe
Chartists,itisimportantnottoexaggerateitsimpact:notallChartistswerekeento
dresstheirheroesinromanticclothing.SomeChartistsrejectedtheuncheckedappeals
tothepassionsandintroversionassociatedwithRomanticism.Romanticliterature,it
hasbeenargued,was‘themostpowerfulregisteroftheperiod’sgravitationalpull
towardfeeling’.9Chartistaversiontothispullwasalegacy,inpart,oftheenduring
impactoftheradicalEnlightenment,whichsuggeststhatthe‘emotionalcultureof
EnlightenmentBritain’didnottotallycollapseinthe1790sbutendured.10Thecluster
ofideas,attitudesandassumptionsassociatedwiththeradicalwingofthe
EnlightenmentwasalsopartofChartism’sintellectualandculturalheritage:someofthe
individualsintheChartistpantheonwereprominentfiguresoftheEnlightenment.11
ThefinalsectionexploressomeofthetensionsbetweenRomanticismand
EnlightenmentinChartistheritagepolitics,takingasacase-studytheFrench
philosopherandrevolutionaryConstantinFrancoisVolney(1757–1820),whofeatured
regularlyintheChartistpantheon.Itdrawsonrecentworkonthehistoryofemotions–
inparticular,therecastingoftheEnlightenmentasanaffectiveconstruction–tosketch
outthepoliticsoffeelinginChartistmemory.
8ForthischaracterisationoftheevolutionofRomanticStudies,seeJosephRezek,‘RomanticismintheAtlanticWorld’,StudiesinRomanticism,55(2016),313.9SeeJoelFaflakandRichardC.Sha,‘FeelingRomanticism’,inRomanticismandtheEmotions,ed.JoelFaflakandRichardC.Sha(Cambridge:CambridgeUniversityPress,2016),2.TherelationshipbetweenRomanticismandemotionwas,ofcourse,muchmorecomplexthanthis.Aswellastheabovecollection,seethespecialissue‘RomanticismandAffectStudies’,RomanticCirclesPraxisVolume(2018).10Fortheargumentthatthe1790ssawthecollapseof‘theemotionalcultureofEnlightenmentBritain’andwas‘replacedbyanewapproachtofeelinganddesire’,seeRachelHewitt,ARevolutionofFeeling:TheDecadethatForgedtheModernMind(London:Granta,2017),2.11ItisworthnotingthatJonathanIsraelhasarguedthattheradicalEnlightenment–thatwingwhichwascommittedtouniversalrightssuchasmanhoodsuffrage–endureddowntothe1848,atwhichpointitwasdisplacedbysocialism:TheEnlightenmentthatFailed:Ideas,Revolution,andDemocraticDefeat,1748–1830(Oxford:OxfordUniversityPress,2019),28.
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ForgettingJohnThelwall
Oneofthemostimportantaspectsofanyformofcommemorationisinclusionand
exclusion.Whoisremembered,whoisforgotten,whoisabsent,andwhoisexcludedare
notonlygenerativeofthepantheonbutalsokeydynamicsinthepoliticsof
commemoration.Whileabsence,forgettingandexcludingappeartobesimilarinsome
respects,inotherstheyarequitedifferent.Itisnotalwayscleartothehistorian
whetherabsencesdenoteforgettingoraconsciousattempttoexcludewhich,by
definition,entailsaformofremembering,atleastforthosepolicinginclusionand
exclusioninthepantheon.Inarelatedway,andafurtherproblemforthehistorian,
‘silencesusuallybecomevisibleinhistoricalrecordsonlywhentheyarebroken’.12How,
then,doweaccountforThelwall’sabsencefromtheChartistpantheon?HadChartists
simplyforgottenhim?ThisseemsunlikelygiventhataslateasOctober1832,Thelwall
haddeliveredaeulogyatthegravesideofhisLCScolleagueThomasHardy,atwhicha
numberoffutureChartistswerepresent.13Clearly,hisabsencedidnotreflectawider
lackofinterestbyChartistsinthe1790sandinsomeoftheradicalleadersassociated
withthatdecade,theforemostofwhomwasPaine.Butforpreliminarypurposes,itmay
beinstructivetonotesomeoftheotherabsencesorthosewhoseldommadeitintothe
pantheonfromthe1790s.NeitherMaryWollstonecraft,WilliamGodwin,RichardPrice
orJosephPriestleywereaccordedanythingmorethanamarginalplaceinthepantheon,
thoughextractsfromWollstonecraftandGodwindidappearoccasionallyintheChartist
press.Thisappearslesssurprisingwhenwerecallthatnoneoftheseinfluentialradicals
participatedinanysignificantwayinpopular,grassrootspolitics,whetherforreasons
12MatthijsM.Lok,‘“Unoublitotaldupassé”?ThePoliticalandSocialConstructionofSilenceinRestorationEurope(1813–1830)’,HistoryandMemory,26(2014),43.Onthecomplexrelationshipbetweenrememberingandforgetting,seeBeiner,ForgetfulRemembrance,17–30.13TheNationalArchives(TNA),HomeOffice(HO)64/12,Secretservicereports,19Oct.1832,f.157v.
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prudentialorelitist.14ThelwallputthisveryclearlywhenhecomplainedofGodwin’s
aversiontopopularpolitics;thepublicmind,Thelwallsardonicallyretorted,wasnot
goingtobetransformed‘bywritingquartovolumesandconversingwithafew
speculativephilosophersbythefireside’.15
Ironically,theremaybeaclueherewhyThelwallwasnotraisedtotheChartist
pantheon.True,hecertainlywasafigureofgrassrootspopularradicalism,culminating
inhisimpassionedspeechesonthepublicplatformatCopenhagenFieldsin1795.But
theclamp-downonradicalisminthemid-1790s,whichresultedinThelwall’sarrestand
trialfortreason(acquittedthoughhewas)andthenthe‘GaggingActs’forcedhimto
abandonovertJacobinism,thenamegiventotheadvocatesofultra-radicalismin
imitationoftheFrenchJacobins.Evenlecturingundertheguiseofanhistorianof
classicalantiquitytocamouflagehisradicalismdidnotsaveCitizenThelwallfromthe
vigilanteanti-radicalmob.Althoughhisradicalismwaslittledented,therecanbeno
doubtthatThelwall’sabandonmentofplatformpoliticsandhisreinvention,following
hisperipatetictourofthewestcountry,firstasareclusefarmer-poetinruralWalesand
thenasawell-to-doelocutionlecturer,didlittletoensurehisposthumouspotential.16
Noneofthemainradicalnewspapersorperiodicalsmarkedhisdeathin1834,much
14Roberts,Chartism,CommemorationandtheCultoftheRadicalHero(Abingdon:Routledge,2020),21–2.GodwinenjoyedgreaterposthumousfamewiththeOwenitesocialistsonaccount,nodoubt,thathehadbeenamentorofOwenwhilehisphilosophicalanarchismandnecessitarianismlentitselfmuchmorereadilytothecommunitarianethosofOwenism.Thiswasalsoconsistentwiththeanti-politicalthrustofOwenismasGodwin,likeOwen,wasdismissiveofthepotentialofdemocraticpoliticstoredresspopulargrievances.SeeGregoryClaeys,CitizensandSaints:PoliticsandAnti-PoliticsinEarlyBritishSocialism(Cambridge:CambridgeUniversityPress,1989),33–35.15E.P.Thompson,TheRomantics:EnglandinaRevolutionaryAge(Rendlesham:Merlin,1997),99.16PenelopeJ.Corfield,‘Rhetoric,RadicalPoliticsandRainfall:JohnThelwallinBreconshire’,typescriptofanessaypublishedinBrycheiniog,40(2008),http://www.penelopejcorfield.co.uk/PDF%27s/CorfieldPdf14_Thelwall.pdf[accessed16Aug.2019].
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lesscontainedlengthyobituaries.Morerevealing,though,severalfashionabletitlesdid
noteThelwall’spassing.17
Ultimately,Thelwallreinventedhimselftoomanytimesandtoosuccessfullyto
ensureposthumousfame.Althoughhispersonalcommitmenttoradicalismendured–
hencehisre-emergenceasaradicaljournalistinthe1810sand1820s–hedidnotre-
establishhimselfasaleaderofpopularradicalisminthepost-waryears.Rather,hewas
aliteraryradical,akintoHazlittandthebrothersHuntoftheExaminer,buthisliterary
andradicaloutputpaledincomparison.Andjustattheverymomentwhenheappeared
tobereconnectingwithmetropolitanpopularradicalismintheaftermathofPeterloo
andtheCatoStreetConspiracy,athreatenedchargeofconspiracyin1822,alliedtothe
commercialfailureofhisnewspaper,theChampion,sawThelwalldistancehimselfonce
again.18Tooradicalforhismiddle-classreadersandtooremovedfromanypotential
working-classradicalconstituency,hefellbetweenthesetwostools.Thelwallendedhis
careerashehadbegunit:afigureintheworldofletters,withtheepisodeasthe
foremostoratoroftheLondonCorrespondingSocietyappearingpreciselyassuch–an
episode,andanatypicaloneatthat.IncontrasttoThelwall,neitherPainenorCobbett
appearedtohaveabandonedradicalism,despiteimprisonment,whilepersecution,
banishment,andexile–Painein1792,Cobbettin1817–didwondersfortheir
posthumouscareersasradicalheroes.19
17YorkHerald,8Feb.1834;LondonCourier,19Feb.1834;MorningChronicle19Feb.1834.18MichaelScrivener,‘JohnThelwall’sPoliticalAmbivalence:ReformandRevolution’,inRadicalismandRevolutioninBritain,1775–1848,ed.inMichaelT.Davis(Basingstoke:Macmillan,2000),70.19AtthetimeofhisfleeingtotheUSAin1817,CobbettwasaccusedofcowardicebysomeradicalsthoughthischargewaseitherconvenientlyairbrushedoutofCobbett’sposthumouscareerorelseitwasjustifiedasCobbettdidatthetime:hadheremainedinBritainhewouldalmostcertainlyhavebeenimprisoned(ifnotforseditionthenpossiblyinsolvency),afatehehadalreadyenduredin1811forsedition,afatewhichwouldnothaveenabledhimtocontinueservingtheradicalcause.GeorgeSpater,WilliamCobbett:ThePoorMan’sFriendVolume2(Cambridge:CambridgeUniversityPress,1982),357–58.ForanexampleofaChartisthomagetoCobbettwhichexcusedhisfailings,seeWilliamLovett’sappreciationinAdvocate&MerthyrFreePress,1Apr.1841.
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Ironically,whatalsohelpedwithPaineandCobbett’sposthumouscareerwasthe
sustainedvitrioloftheirenemies,duringtheirlivesandevenaftertheyhaddied.Itwas
theloyalistsonbothsidesoftheAtlanticwhodidmorethanmosttokeepmemoriesof
Painealiveinthedecadefollowinghisdeath(1809).20ThelwalllackedPaineand
Cobbett’snotoriety,atleastbythetimehedied:the‘acquittedfelon’labelofthe1790s
hadlongbeenburiedbeneathhisreclusivenessandreinventions.Whatalsoaided
Paine’sposthumouslifewasthepersecutionandthousandsofsymbolicdeathsthathe
hadsufferedinthe1790s:Painediednotonce,butmanytimeswheneffigiesofhim
werefiredinthespateofburningswhichspreadacrossEngland.21Intheyearsafter
Paine’sdeath,anumberofhisdevoteesmounteddefencesofhim–mostnotably
Cobbett,whowentfrombeingoneofPaine’sarch-enemiestohisgreatestdefender–
whichagaindidwondersforPaine’sposthumousreputation.22
AfurtherfactorinThelwall’sabsencefromtheChartistpantheonwasthat,
unlikePaineorCobbett,hewasnotagreatwriter,atleastwhenitcametoradical
pamphleteeringandjournalism.Hispungentandhighlyeffectivestyleontheradical
platform(hewasknowncolloquiallyasJohn‘Tellwell’),which,bydefinition,wasmore
transient,didnottranslateeffectivelyontotheprintedpage.AsHazlittobserved,
possiblywithThelwallinmind,‘ThemostdashingoratorIeverheardistheflattest
writerIeverread’.23Herewebegintoseetherelativeimportanceofprintoverthe
spokenwordinsecuringposthumousfame:PaineandtoamuchlesserextentCobbett
20MatthewRoberts,‘PosthumousPaineintheUnitedKingdom,1809–1832:JacobinorLoyalistCult?’,inTheLegacyofThomasPaineintheTransatlanticWorld,ed.SamEdwardsandMarcusMorris(Abingdon:Routledge,2018),107–132.21FrankO’Gorman,‘ThePaineBurningsof1792–93’,PastandPresent,193(2006):111–55.22CorinnaWagner,‘LoyalistPropagandaandtheScandalousLifeofTomPaine:“HypocriticalMonster!”’,BritishJournalforEighteenth-CenturyStudies,28(2005):97–115.23Thompson,Romantics,158.ForThelwall’slecturingandthedemocraticculturehesoughttocreatethroughit,seeJonMee,Print,Publicity,andPopularRadicalisminthe1790s(Cambridge:CambridgeUniversityPress,2016),ch.6.
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werenotgreatoratorslikeThelwall,butthatmatteredlittlefortheirposthumous
careersastheyachievedpoliticalimmortalitythroughtheirpensinawaythatThelwall
wasunable.24Unfortunatelyforthelatter,thedepthsofhisradicalismasexpressedin
hispoetry,andtheheightsofhisliteraryability,didnotmatchthatofByronand
Shelley,bothofwhomwerefirmfavouriteswithmanyChartists.Itmaybetellingthat
theclosestThelwallcametohavingagroupoffollowerswasinruralWaleswhere,if
hostilereportsandlegendaretobebelieved,duringhistimetherehekepttheradical
embersburningbyparticipatinginsecretreadingsofPaineandotherradicalwritersin
themountainsofSouthWales.ReportsfromspiesandinformersallegethatThelwall
hadbeenpresentatMerthyrinSeptember1800,andatHerefordwherehewasa
memberofaJacobingroupwhousedtomeetattheCrownandSceptre.25Thus,itwas
oraltraditionandthememoriesofthesesecretmountaingatherings,whichwereretold
inthenineteenthcenturyandgainedwiththetelling,thatmayhavekeptmemoriesof
ThelwallaliveamongstWelshradicals.26
ItisrevealingthatthosewhowerecommemoratedthemostbyChartiststended
tobegentlemen,broadlydefined.27Theonlynotableexceptionsappeartohavebeen
PaineandCobbett.ChartistssometimesemphasizedthehumbleoriginsofPaineand
Cobbett,butthiswasrare–perhapsbecausetheenemiesofthetwomenhadoften
24Hazlitt,forone,judgedthat‘MrCobbettspeaksalmostaswellashewrites’.WilliamHazlitt,TheCharacterofWilliamCobbett(London,1835),12.25TNA,HO42/51,HomeOfficepapers,disturbancecorrespondence,SamuelHomfreytoHomeOffice,23Sept.1800;HO42/43,EdwardEdwardstoHomeOffice,30Apr.1798.26Williams,ArtisansandSansCulottes,66.27Roberts,Chartism,19,75,171.ManonNouvianhasrecentlychallengedthisargument,butthefactremainsthatmostofthoseinthepantheonweregentlemen,theonlynotableexceptionbeingSamuelHolberrywho,despitetheunderstandableangerandgriefwhichgreetedhisdeath,nevercameclosetorivallingtheplaceofthelongerestablishedgentlemenfiguresinthepantheon.Theotherworking-classfiguresthatManoncitesasmemberoftheChartistpantheonwereonlyadmittedafterthemovementhadlargelyceasedtoexistasamassmovement.ManonNouvian,‘DefiantMourning:PublicFuneralsasFuneralDemonstrationsintheChartistMovement’,JournalofVictorianCulture,24(2019),208–26.
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drawnattentiontotheirplebeianbackgroundsasawayofdiscreditingthem.28Eventhe
pricklyartisanWilliamLovett,whoworkedtirelesslytokeepChartisminthehandsof
hisfellowworkingmen,inaeulogisticarticleonCobbettonlymentionedhishumble
originsinpassing.29ThisisnotthatsurprisingasneitherPainenorCobbettcould,in
truth,bedescribedasworkingclass,certainlynotbythetimeoftheirdeaths.The
working-classclassidentityofthoseinthepantheonwasalsofurtherobscuredbythe
tendencytolabelluminariesas‘noblesofnature’.30ThevisualcultureofChartismalso
reflectsthisobscuring.PortraitsofPaineandCobbettissuedbyChartistsinvariably
depictedtheirsubjectsasgentlemanly,inparttounderlinethemovement’s
respectabilityviaitspatrimony.31Inshort,therewasnothingexplicitlycomparableto
theAmericanposthumouscultofBenjaminFranklinasthe‘workingman’ssymbol’,
tracedbyGordonS.Wood,inwhichartisansandmiddlingsortsreadintohishumble
birthandself-madestatusavalidationofproductivelabourandupwardsocial
mobility.32Franklinhimself,wemightnote,wasinvokedbyChartistsmuchlessoften
thanGeorgeWashington,whoselifelentitselfmuchmorereadilytoRomantic
brushstrokesthanFranklin’sdid.Indeed,itwaspaintedinthesetermsbyandforthe
Chartists:‘thatillustrioussoldieroffreedom,andemancipatorofAmerica’begana
seriesofbiographicalarticlesonWashington,commencedinthefirstissue,noless,of
28See,forexample,thesatiricalLifeofWilliamCobbettbyJamesGillray(1809)whichlampoonedCobbett’shumblebackgroundandhisupstartpretensions.ThewayinwhichtheloyalistpressandsatiristsparodiedPaine’soccupationasastay-makeriswellknown.29EnglishChartistCircular,No.8,1841.30E.g.NorthernStar,5Feb.1842(PainebirthdaycommemorationatMerthyrTydfil),7Feb.1846(PainecommemorationatAshton-under-Lyne),4Jan.1845(Cartwright,HuntandCobbettdescribedas‘noblesofnature’atRotherham).31MalcolmChase,‘BuildingIdentity,BuildingCirculation:EngravedPortraitureandtheNorthernStar’,inPapersforthePeople:AStudyoftheChartistPress,ed.JoanAllenandOwenR.Ashton(London:Merlin,2005),26.32GordonS.Wood,TheAmericanizationofBenjaminFranklin(NewYork:Penguin,2004).
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theEnglishChartistCircular.33Paine,andtoalesserextentCobbett,haddiedas
scourgesoftheestablishment,andtheircareersillustratednotsomuchthetriumphof
theworking-classmanbutthefrustrated,talentedmanwho,despitehavingrisentothe
statusofgentleman,wasstillpersecutedbytheestablishment.BythetimethatThelwall
died,hewasnosuchscourge.Ironically,itwasonlyafterhiscareerasaradicalleader
wasoverthathetrulyachievedgentlemanlystatusasanelocutionlecturer.
TherarityofChartistcelebrationofPaineandCobbett’sworking-classoriginsis
alsoconsistentwiththecompositionandemphaseswithinthewiderpantheon.Inthis
respect,ChartistheritagepoliticswashardlycongruentwiththeRomanticpastoral
rediscoveryofthepeople.Ontheotherhand,itwascongruentinthesensethat
gentlemanradicals,inthepresentaswellasthepast,likelyricpoetsspokeforthe
peopleanddrewattentiontotheirplight.ThiswasmostevidentwithCobbettwhose
sympathyforthepoorwasgroundedinhisknowledgeandpoliticisationofpopular
culture,andinRuralRidesatleastaddressedtoreaderswhowerenotofthepeople.34
EventhoseChartistslikeThomasCooperandErnestJones,whowenttogreatlengthsto
sketchouta‘people’shistory’fortheChartists,whichcertainlyincludedworking-class
groupssuchasmedievalpeasants,stilltendedtoplacemostemphasisongentleman
radicalsandreformers.InanamendedversionofCharlesCole’spoemTheSpiritofWat
Tyler,theCarmarthenChartistleaderHughWilliamssituatedTyler(ablacksmithby
trade)mainlyinthetraditionofgentlemanleaders:ThomasMuirandthe‘Scotch
Martyrs’ofthe1790s,theUnitedIrishmenLordEdwardFitzgeraldandRobertEmmet,
33EnglishChartistCircular,No.1&2.ThemainarticlesonWashingtonwerebyCharlesPhillips,andextractsfromGuizot’slife,translatedbyPaulParnell.Alittleunderayearlater,thisnewspaperbeganamuchfuller,serializedlifeofWashington,whichcommencedinissue48.34IanDyck,WilliamCobbettandRuralPopularCulture(Cambridge:CambridgeUniversityPress,1992).ForthesesortsoftensionsinRomanticism’srelationshiptothepeopleandpopularculture,seePhilipConnellandNigelLeask,‘WhatisthePeople?’,inRomanticismandPopularCultureinBritainandIreland,ed.PhilipConnellandNigelLeask(Cambridge:CambridgeUniversityPress,2009),3–48.
13
whilethelowlyoriginsofTyler,JohnArchamber(oneoftheleadersofaninsurrection
againstHenryVII),JackCadeandRobertKett(eponymousleadersofrebellionsin,
respectively,1450and1549)arementionedeitherinpassingornotatall.35Totake
anotherexample,inhisperiodicalTheMidlandCounties’Illuminator,ThomasCooper
serializedthe‘LivesoftheCommonwealthsmen’JohnHampden,SirJohnElliotandJohn
Pym.36ChartistsrarelyexplicitlyinvokedtheLevellers,thoughnodoubtthishadlessto
dowiththeirsocialcomposition(themostprominentleaderswere,inanycase,
gentlemen)andrathermorewiththedangerouslevellingconnotationsthatthename
couldstillexciteamongsttheupperclasses,reactivatedduringthe1790swhenJacobin
andlevellerweresynonymized.37
TherewerefewtoaststotheplebeianradicalsoftheLCS;indeed,theLCSitself
doesnotfeatureasprominentlyasonemightexpectforthisobviousprogenitorof
Chartism,butthenitsclosestdescendant,theLWMA,forreasonswhichwillbecome
clearerlateron,werereluctantcommemorators.Thelwall,alongwithThomasHardy
andtheotherradicalswhowereacquittedoftreasoninthe1790s,werecommemorated
eachyearbyagroupofgentlemanradicalsintothe1850s(the‘friendsoftrialbyjury’
and‘friendsofparliamentaryreform,ledbytheex-UnitarianradicalW.J.Fox),for
upholdingtheprincipleoftrialbyjury,thereportsofwhichdulyappearedinthe
ChartistNorthernStar.Butthesewerecommemorativeeventsorganizedbygroups
largelyextraneoustoChartism.38ThetrialoftheNewportrebels–theleadersofthe
SouthWalesChartistrisinginNovember1839–fortreasonandthereturnofaguilty
verdictinJanuary1840ledsomeChartiststomakecomparisonswiththetreasontrials
35HughWilliams,NationalSongsandPoeticalPieces(London:HenryHetherington,1839),13–21.36MidlandCountiesIlluminator,20Mar.,3and17Apr.1841.37AsFredDonnellyhasargued,whenradicals–includingThelwall–didinvoketheLevellerstheylockedthem‘carefullywithinaWhiggishviewoftheseventeenthcenturyconflict’.F.K.Donnelly,‘LevellisminEighteenthandEarlyNineteenth-CenturyBritain’,Albion,20(1988),268.38Operative,11Nov.1838;NorthernStar,12Nov.1842,11Nov.1843,8Nov.1851.
14
inthe1790s,butnobiographicaldetailsofThelwallorarediscoveryofhiswritings
ensued.39Indeath,Thelwallwasthepropertyofbourgeoisradicalism,adirectionin
whichhehadbeenmovingsincethe1790sasdemonstratedbyhisconnectionswiththe
anti-warnetworksinthefirstdecadeofthenineteenthcentury.40Thelwallwasnever
thesubjectofaChartisttoast;Hardyonlyonce;andnoextractsfromThelwall’swritings
appearedintheChartistpress.41Farmoreattentionwaspaidtothe‘MartyrsofLiberty’
–thevictimsoftheScottishseditiontrialsof1793and1794–perhapsbecausethey
werefoundguiltyandtransportedratherthanacquitted.Butonceagainnoneofthe
ScottishMartyrs–Muir,Gerald,Skirving,Palmer,MargarotorWatt–couldbedescribed
asworkingclass.42
ThemostpopularfigurefromthisperiodwastheIrishnationalistRobertEmmet
who,inthewordsofChartism’sfirsthistorian,R.G.Gammage,‘wasayounggentleman
withgoodpromiseofsuccessinlife’,until,thatis,hisfailedrebellionof1803ledtohis
executionattheyoungageoftwentyfive.43TheportraitofEmmetissuedbythe
NorthernStarwasbyfarthemostsoughtafterofallitsportraits.44Chartistsseemto
havebeennolessfascinatedbygentlemenleadersinthepastthantheywereinthe
present;fewworking-classheroeswereraisedtothepantheon.EmmetwasaRomantic
radicalparexcellence:young,idealistic,foolhardy(someChartistswerefullyalivetothe
flawsinhisRomanticcharacter)andatragicdeathatthehandsoftheEnglishstateand,
39NorthernLiberator,23Nov.1839(‘InsurrectioninWales’),18Jan.1840(‘MrFrost’).40E.P.Thompson,‘HuntingtheJacobinFox’,Past&Present,142(1994),114–5.41NorthernStar,16Nov.1839(toasttoHardyatAshton).42ThememoirsofThomasHardywere,however,serializedintheEnglishChartistCircular.ForChartistcommemorationoftheScottishMartyrs,seeRoberts,Chartism,12–13;Pentland,‘ThePosthumousLivesofThomasMuir’.43RobertGammage:ReminiscencesofaChartist,ed.W.H.Maehl(Manchester:SocietyfortheStudyofLabourHistory,1983),38.44Chase,‘BuildingIdentity’,38.
15
asweshallseeinthenextsection,anexemplarofposthumouslife-writing.45AsWilliam
Farish,aScottishChartistweaver,recalledofEmmetinhisautobiography:‘thefervour
ofhisyouthfulpatriotismandthepoeticpassionofhissweetheartMissCurran…throw
ahaloaroundamemorywhichisalwaysattractivetosentimentalandsympathetic
natures’.FarishframedhiscopyoftheNorthernStarengravingofEmmetandhungitin
hisbedroom.46
RomancingthePantheon
TheabsenceofThelwallfromtheChartistpantheonwascertainlynotsymptomaticofa
widerrejectionofRomanticism,atleastnotforsomeChartists.Threekeyaspectsof
Chartistpantheonismclearlyregistereditsenduringculturalimpact.First,buildinga
paperpantheonaroundasetofflawedradicalindividualleaderswhowereaccorded
heroicstatus,amongstwhomnumberedsomeofhistory’smostRomanticheroes,and
werecommemoratedassuchbytheChartists,wasquintessentially,ifrather
stereotypicallyRomantic.Forexample,inadditiontoEmmet,alsointhepantheonwere
theUnitedIrishmanLordEdwardFitzgeraldwhodiedduringthe1798Irishrebellion,
WatTyler,WilliamTellandAndreasHofer,‘TheTelloftheTyrol’.Second,theinvoking,
publishing,andreadingofRomanticauthors,notablyByronandShelley.Theshort-lived
ChartistSheffieldWorkingMan’sAdvocatepublishedextractsfromShelley’sQueenMab,
interestinglyopeningwiththestanzafrombookIII:‘Naturerejectsthemonarch,notthe
man’,whichmayhavereflectedthelessthansubtlerepublicanismoftheperiodical.But
itwasnotjustByronandShelleywhowereinvoked,butalsooccasionallyWilliam
45ForEmmet’sliferetoldasacautionarytaleagainstphysicalforceChartism,seeChartistCircular(Scotland),10Jul.1841.46WilliamFarish,TheAutobiographyofWilliamFarish:TheStrugglesofaHandloomWeaver(London:Caliban,1996[1889]),50.
16
Wordsworth,RobertSoutheyandRobertBurns.Occasionally,Chartistsevenpartookof
the‘literarytourism’andpilgramesbyvisitingthebirthplacesortheformerresidences
ofromanticwritersthatwassuchamarkedfeatureofliterarycommemorationinthe
Victorianperiod.47Theneo-Jacobin,ultra-ChartistLondonDemocraticAssociation
placedattheheadofitsconstitutionandrulesnotaquotationfromPaineoraFrench
revolutionary,butanextractfromRobertSouthey’sdramaticplayWatTyler.48When
ThomasCoopertriedtoencouragetheLeicesterChartistWilliamJonestocomposea
longpoem,heentreatedhimto‘Read-think’,andheasked:‘Whatbookshaveyou?-a
Shakespeare,aMilton,aByron,aKeats,aShelley?DoyougetScott’snovelsfromanyof
thecirculatinglibraries?’49
ThethirdregisterofRomanticismwastheliteraryformationandcultural
productionsofanumberofChartistimaginativewriterssuchasErnestJones,Thomas
CooperandG.W.M.Reynolds.50TheculturalstylisticsofseveralChartistleaders,notably
FeargusO’Connor,DrsJohnTaylorandPeterMurrayMcDouallalongwiththeyoung
GeorgeJulianHarney,alsohintedstronglyattheinfluenceofRomanticismwiththeir
47Forliterarytourism,seeCommemoratingWritersinNineteenth-CenturyEurope:Nation-BuildingandCentenaryFever,ed.AnnRigneyandJoepLeerssen(Basingstoke:Palgrave,2014).SheffieldWorkingMan’sAdvocate,3Apr.1841;AdvocateandMerthyrFreePress,Aug.1840;R.J.Richardson,PoliticalAlmanac(London,1840),copyinTNA,HO45/55;Taylor,ErnestJones,79;MikeSanders,ThePoetryofChartism:Aesthetics,Politics,History(Cambridge:CambridgeUniversityPress,2009),8–9,47;RobertLowery:RadicalandChartist,ed.BrianHarrisonandPatriciaHollis(London:Europa,1979),116.ForthecontestedlegaciesandinvokingofBurnsbyChartists,seeChristopherA.Whatley,‘“ItissaidthatBurnswasaRadical”:Contest,ConcessionandthePoliticalLegacyofRobertBurns,ca.1795–1859’,JournalofBritishStudies,50(2011):653–54;AnnRigney,‘EmbodiedCommunities:CommemoratingRobertBurn,1859’,Representations,115(2011),71–101.48TheConstitutionoftheLondonDemocraticAssociation(London,1838),copyinTNA,HO44/52,f.221.49LeicestershireRecordOffice(LRO),DE2964/22,PapersofWilliamJones,ThomasCoopertoWilliamJones,30Sept.1845.SeealsoIanHaywood,‘TheLiteratureofChartism’,inTheOxfordHandbookofVictorianLiteraryCulture,ed.JulietJohn(Oxford,2016),87–8.50AnneJanowitz,LyricandLabourintheRomanticTradition(Cambridge:CambridgeUniversityPress,1998),chs5–6;G.W.M.Reynolds:Nineteenth-CenturyFiction,PoliticsandthePress,ed.AnneHumpherys(Aldershot:Ashgate,2008);Taylor,ErnestJones;SimonRennie,ThePoetryofErnestJones:Myth,Songandthe‘MightyMind’(Oxford:Legenda,2016).
17
flareforthemelodramaticorexoticappearancesandeccentricitiesofdressandstyle.51
TheRomanticfacetsofthesenationalleadersiswellknowntohistoriansandliterary
scholars,lesswellknownarethewaysinwhichRomanticismwasregisteredbylocal
figuresinthemovementthroughpoetryandsong,figuressuchasHughWilliamsor
WilliamJones–citedabove,theframeworkknitter-cum-poetandhymnwriterwhose
outputs,whichincludedpastoralandlyricalpoems,werefrequentlypublishedin
Cooper’sChartistperiodicals.OneofJones’s‘Ode’s’wasprintedalongsideShelley’s
defenceofpoetryinanissueoftheChartistPilot,which,interalia,emphasizedthe
importantroleplayedbypoetryinactivatingfeelings–keytosuccessfulpolitical
mobilizationinShelley’sview.52Cooper,unsurprisingly,tooktheviewthatpoetryand
songwerecrucialtothemovement.AsheinformedWilliamJonesin1845:‘Youmay
guessthatIambentonresurrectingChartisminearnest,inLondon,-and,therefore,
intendtointroducesinging.’53Inanearlierletter,Cooperelaboratedalittlemorefully
thathevaluedsongs,andinparticulartheradicalversesthatJoneshadcomposedand
senthim‘asameansofrestoring,ifpossible,thespiritthatseemsnearlytooextinct’
amongstChartism’sfollowers.54Butitwasnotjustamongstthe‘labourlaureates’that
theinfluenceofRomanticismwasregistered.Eventhedown-to-earthSalfordChartist
R.J.Richardsoncomposedamonodytothememoryofhisinfantson,Harry,who
51McDouall’sChartistJournalandTradesAdvocate,7Aug.and4Sept.1841(Byron),28Aug.1841(Shelley),18Sept.1841(Southey);P.PickeringandS.Roberts,‘Pills,PamphletsandPolitics:TheCareerofPeterMurrayMcDouall(1814–54)’,ManchesterRegionHistoryReview,11(1997):35.IexploretheRomanticandGothicfacetsofO’Connor(andthe‘Tory-Radical’RichardOastler)inmybook,DemocraticPassions:ThePoliticsofFeelinginBritishRadicalism,1809–1848(forthcoming,Manchester:ManchesterUniversityPress).ForTaylor,seeW.HamishFraser,DrJohnTaylor,Chartist:AyrshireRevolutionary(Trowbridge:AyrshireArchaeological&NaturalHistorySociety,2006),16,25.52ChartistPilot,22Dec.1843.Jones’poetrydeservesmoreextendedtreatment.Foraselectionofhispoems,seeTheAnthologyofLeicesterChartistSong,Poetry&Verse,ed.NedNewitt(Leicester:LeicesterPioneerPress,2006).53LRO,DE2964/20,PapersofWilliamJones,ThomasCoopertoJones,30Jun.1845.54LRO,DE2964/17,CoopertoJones,4Mar.1845.
18
tragicallydiedagedsevenmonthsinJuly1844.55Themonody,apoemwhichlaments
another’sdeath,hadclassicaloriginsbuthadbeenrevivedbytheRomantics,notablyin
Coleridge’smonodyonthedeathofThomasChatterton.56
Theinventionoftraditionandmythsof(re)creation‘werecentraltothe
Romanticimagination’.57Legitimatingappealstothegloriousdemocraticpastofthe
EnglishConstitution,ofbenevolentmonarchslikeAlfredtheGreatandtherecoveryof
SaxonlibertiesfromthefoulimpositionoftheNormanYokewereeachincarnationsof
theRomanticcreationofhistoricalmythsbytheChartists.58Itwouldbeinaccurate,
however,toassumethatChartistheritageproductionsnecessarilyviewedthepast
throughrose-tintedspectacles.Rememberingtraumaticepisodes,oftenreactivatedby
eventsinthepresent,suchasthePeterlooMassacreortheexile,executionandtragic
deathofradicalmartyrscouldbejustasRomantic.59Whennewsarrivedthatthe
SheffieldChartistSamuelHolberryhaddied–oneofthefewworkingmentobe
admittedtotheChartistpantheon–asaresultofthedeplorableconditionshehad
sufferedinprison,theaffectiveresponseofChartistswassimilartothatwhicha
previousgenerationofradicalshadexperiencedintheaftermathofPeterloo:shock,
anger,betrayalandgrief.WritingtohisfriendThomasCooper,theChartistlecturer
55Archives+,ManchesterCentralLibrary,R.J.RichardsonPapers,‘MonodyontheDeathofHarryRichardson’,July1844,f.195.56Thegenericshiftfromsatiretomelodramainpopularradicalimaginativeliterature,tracedbySallyLedgerandMikeSandersinthetransitionfromregencyradicalismtoChartism,wasalso,arguably,indicativeoftheaestheticpurchaseofRomanticism:MikeSanders,‘NoLaughingMatter:ChartismandtheLimitsofSatire’,inNineteenth-CenturyRadicalTraditions,ed.J.BristowandJ.McDonagh(Basingstoke:Palgrave,2016),21–35.57RoyPorterandMikulášTeich,‘Introduction’,inRomanticisminNationalContext,ed.RoyPorterandMikulášTeich(Cambridge:CambridgeUniversityPress,1988),3.58Charter,17Mar.1839.SeealsoChristopherHill,‘TheNormanYoke’,inPuritanismandRevolution(London:Secker&Warburg,1969),119–25;JamesEpstein,RadicalExpression:PoliticalLanguage,RitualandSymbolinEngland,1790–1840(NewYork:OxfordUniversityPress,1994),ch.1;PeterSpence,TheBirthofRomanticRadicalism:War,PopularPoliticsandEnglishRadicalReformism,1800–1815(Aldershot:ScolarPress,1996).59JosephCozens,‘TheMakingofthePeterlooMartyrs,1819tothePresent’,inSecularMartyrdominBritainandIreland:FromPeterlootothePresent,ed.KeithLaybournandQuentinOutram(Basingstoke:Palgrave,2018),31–58.
Figure 1
‘Murders demands Justice’, broadside, n.d. [1842]
Source: The National Archives, MFQ1/265
Figure 2
‘Working Men of Barnsley!’, 6 Aug. 1839.
Source: The National Archives, HO 40/51, f. 361.
19
JonathanBairstowconveyedhisaffectivestateonlearningofHolberry’sdeath(during
themiddleofalectureatSheffield):‘Iwasstruckdumb,Istaggered,myheadreeledto
andfrolikeadrunkenman’s–Ifeltmad.’60AfuneralhymnforHolberrycomposedby
theLeicesterChartistJ.H.Bramwich,whileexpressingthemovement’ssadness,strucka
moredefiantnote:‘Tho’Freedommournshermurder’dson,/Andweepingfriends
surroundhisbier;/Tho’tearslikemountaintorrentsrun,/Ourcauseiswater’dby
eachtear.’61OneChartistbroadsideimplicitlylinkedHolberry’sdeathwithPeterlooby
exclaiming‘MurderdemandsJustice’,arefrainthatwasrepeatedlyheardinthe
aftermathofPeterloo.Thegenreofthebroadsideisdistinctlymelodramatic(seeFigure
1).Anotherbroadside–addressedto‘WorkingMenofBarnsley!’warnedChartistsnot
toattendamassmeetinglesttheauthoritiesrepeatthe‘DramaofPeterloo’(Figure2).
LikeallRomanticheroes,themembersofthepantheonwereflawedcharacters
andChartistsoccasionallydweltonthisasseenpreviouslywithEmmet,invariably
excusingthelesssavouryaspectsoftheircharactersasproductsofthevilificationand
persecutiontheyenduredortheexceptionalcircumstancesinwhichtheyfound
themselves.62Theidealism–akeyRomanticcharacteristic–thatChartistsreadinto
theirheroeshadlesstodowiththepersonalitiesofindividualfiguresandrathermore
withatranscendenttimelessnessthattheywerepartofanongoingstruggleforliberty
thatwouldneverdie.WilliamJones,whomwehavealreadyencountered,capturedthis
inhishymn‘Immortality’,whichisapaeantotheradicalpatriotsofbygonedays,not
oneofwhomisnamed;allaresubsumedundertheidentityofpatriot,‘spiritsofthe
dead’.JonesalsocapturedhowtheheritagepoliticsofChartismwasnomereexercisein
60TNA,TS11/602,TreasurySolicitor’sPapers,confiscatedlettersofThomasCooper,JonathanBairstowtoThomasCooper,22Jun.1842.61SheffieldLocalStudiesLibrary,MP1216S,J.H.Bramwich,‘FuneralHymn,SamuelHolberry’,Jun.1842.ForthechoreographingofHolberry’sfuneral,seeNovian,‘DefiantMourning’.62W.J.Linton,TheLifeofThomasPaine(London:JamesWatson,1842),43
20
consolation,ofturninginwardsandbackwards;akintowhatsomehavereadinto
Romanticism’s‘transmutationofradicalpoliticalidealismintopurelyimaginative
revolutionandredemption’.63Evenindeath,andbyextensionindefeat,Jonessounds
thenoteofeventual,inexorabletriumph:‘Ohhowgloriouslytheyfought,how
triumphantlytheyfell!’Therewardofthefallenpatriotswas‘immortalityoffame’.64
Thus,theradicaltraditioninventedbytheChartistswasempowering:theystoodonthe
shouldersofgiants;werepartofamovementthatwasbiggerthanitsparticipantsand
whichhadhistoryonitsside.SpeakingatajointmeetingofChartistsandIrish
RepealersatManchesterin1848,O’Connorrelayedtothecrowdhowhisuncle,the
UnitedIrishmanArthurO’Connor,hadtoldhimasayoungboynottomournthedeaths
ofLordEdwardFitzgeraldandRobertEmmetfor‘everydropofbloodspilledoftheirs,
tenthousandspatriotswouldarise’.65Farfrombeingindividualizing,theradical
traditioninventedbytheChartistswasacollaborativeandsocialpractice:
commemorativedinners,communalreadingsofradicalgreats,andbyengagingin
criticaldialogueoverthecompositionofthepantheonandwiththeideasofthoseinthe
pantheonwithfellowChartistsinclassesandthroughthemediumofthepress.While
thepantheonmayhavebeenpopulatedwithindividualradicalgreats,theywere
symbolicallymadethecommunalpropertyofthepeople.66
Theroundofdinners,teasandsoireescompletewithrollcallsoftoaststo
departedheroes,whichpunctuatedtheChartistcalendar,couldbeintensely
sentimentalandmelodramaticoccasions,ascouldthepoemsandsongscomposedfor
63AidanDay,Romanticism(London:Routledge,1996),90.64LRO,DE2964/7,PapersofWilliamJones,‘Immortality’,byWilliamJones,n.d.65NorthernStar,25Mar.1848.66IdevelopthesepointsatagreaterlengthinRoberts,Chartism,68–71,207–8.
21
theseoccasions.67R.Beith’ssong‘SpiritsoftheMightyDead’(avariationonan
Americansongofthatnamefromthewarof1812)invokedradicalgreatsasprotectors
andtonics:‘Shieldmydevotedhead/Fromtheillsthatwoundme,/Milton,Shelley,
Byron,Burns,/Thewearyheart-delighting…Franklin,WashingtonandPainebanish
woefromeveryland!Yesetallheartsinmotion’.68Expressionsofsorrowandmourning
atthepassingofheroes,whose‘likewillneverbeseenagain’,couldformpartof
Chartistcommemorativerituals,andwereaccompaniedbysongsandpoemssuchas
the‘DeathofHenryHunt’,oftentellinglycalled‘laments’.AdinnerheldatAshton-
under-LyneinNovember1838tocommemoratethebirthdayoftheregencyradical
HenryHuntconcludedwithalinefromThomasMore’spoemaboutRobertEmmet,
recitedbythelocalChartistleaderWilliamAitken:‘Thetearthatweshed,tho’insecret
itrolls,/Shalllongkeephismemorydearinoursouls’.OtherRomanticnotesonthese
occasionscouldalsoincludeenduringfeelingsofangerandoutrageoverthelossoflife
atPeterlooandtheunrepentantauthoritieswhoinflicteddeathandinjuryonthe
defencelesscrowd,feelingsthatwereheightedbythepresenceofPeterlooveteransand
paintingsoftheMassacre.Someofthetoastswere‘drunktoinsolemnsilence’,while
thetoaststhemselvescouldbemelodramatic.69Whenthejuvenilemembersofthe
Ashton-under-LyneNationalCharterAssociationperformedRobertEmmet’strial,the
reportintheNorthernStarobservedthat‘everyoneconcernedacquittedhimselfso
well,thatthehearerscouldnotbutbestruckwiththereflectionsofreality–indeed,
67Ontherelationshipbetweenmelodramaandpopularpolitics,seePatrickJoyce,DemocraticSubjects:TheSelfandtheSocialinNineteenth-CenturyEngland(Cambridge,1994),ch.14;RohanMcWilliam,‘MelodramaandtheHistorians’,RadicalHistoryReview,78(2000),57–84.68ChartistCircular(Scotland),13Mar.1841.FortheoriginalAmericanrendition,seeJenniferClark,TheAmericanIdeaofEngland,1776–1840:TransatlanticWriting(Abingdon:Routledge,2013),107.69NorthernStar,17Nov.1838.
22
whilethecharacterofEmmetwasbeingperformed,tearswereseentricklingdown
manycheeks’.70
Theritualizedcommemorationofradicalheroes,themourningattheirpassing
andtherepeatedinvokingoftheirnamesbyChartistshintsatthecollaborative
relationshipbetweenthedeadandthelivingthathasbeenthesubjectofrecentworkin
RomanticStudiesonposthumouslifewriting.SeveralRomanticauthorswereextremely
anxiousabouttheirposthumousreputations.AsMarkSandyhasshown,thisisatheme
thatsomeRomanticauthorsexploredintheirownwriting.71Itishardlysurprisingthat
radicalgreatswhoweremostanxiousintheirownlifetimesaboutimmortalitywere
morelikelytogainadmissiontothefutureChartistpantheon.Fewradicalleaderswere
moreconcernedwiththeirlegacythanPaineandCobbett,afacet,itcouldbeargued,of
theirmoregeneralandwidelyacknowledgedarrogance.InfairnesstobothPaineand
Cobbettitwasthepoweroftheirproseandthewayinwhichtheydirectlyaddressed
posteritythatbegantheirposthumouscareers,aswesawinthecomparisonwith
Thelwall.‘Tisnottheconcernofaday,ayear,oranage;posterityarevirtuallyinvolved
inthecontest’,PainewroteinCommonSense.72EventhoughPainespentthelastdecade
ofhislifelivinginobscurity,sowellhadhelaidthegroundworkforhisposthumouslife,
inpartbytrumpetinghisself-importance,thatthisdidlittletodenthisimmortality.
Cobbettwasjustas,ifnotmore,concernedinhislastyearswithhislegacy,evencalling
someofhisfinalworksLegacies.Asheexplainedinthededication(toSirRobertPeel)
appendedtohisLegaciestoLabourers,whichwasanattackontheNewPoorLaw:
70NorthernStar,31Oct.1840.71MarkSandy,Romanticism,MemoryandMourning(Aldershot:Ashgate,2013).SeealsoH.J.Jackson,ThoseWhoWriteforImmortality:RomanticReputationsandtheDreamofLastingFame(NewHavenandLondon:YaleUniversityPress,2015).72TheThomasPaineReader,ed.MichaelFootandIsaacKramnick(London:Penguin),80.
23
IcallitaLEGACY,becauseIamsure,that,notonlylongafterIshallbelaid
undertheturf;butafteryoushallbelaidtherealso,thislittlebookshallbean
inmateofthecottagesofEngland,andwillremindtheworkingpeople,
whenevertheyshallreadit,orseeit,orhearit,thattheyoncehadafriend,
whomneithertheloveofgainontheonehand,northefearoflossonthe
other,couldseducefromhisdutytowardsGod,towardshiscountry,and
towardsthem.73
Thearchetypalposthumousradicalwas,ofcourse,RobertEmmet.Wehave
alreadyseensomethingoftheaffectiveintensitywithwhichChartistsrememberedhim.
ThisintensitywasheightenednotjustbythetragiccircumstancesofEmmet’sdeath,but
alsobythewayhedirectlyengagedposterityinhisdefiantcourt-roomspeech:
Letnomanwritemyepitaph…letnomandaretocalumniateme.Letmy
characterandmymotivesreposeinobscurityandpeace,tillothertimesand
othermencandothemjustice;Thenshallmycharacterbevindicated.Then
maymyepitaphbewritten.74
AsEmmet’shugepopularitywiththeChartistsimplies,thisinjunctionwasnotjust
takenupbysubsequentgenerationsofIrishnationalists,butalsobyBritishradicals.By
contrast,thoseradicalswhowerelesspreoccupiedwiththeirownimmortality–John
73Cobbett’sLegacytoLabourers(London:CharlesGriffin,1870[1835]),31.SeealsoCobbett’sLegacytoParsons(London:CharlesGriffin1870[1835]).74Onthemakingofthe‘EmmetLegend’seeReinterpretingEmmet:EssaysontheLifeandLegacyofRobertEmmet,ed.AnneDolan,PatrickM.Geoghegan,DarrylJones(Dublin:UCDPress,2007).
24
Thelwall,atleastinpoliticalterms–werelessassuredofaplaceinthepantheon.
Thelwallclearlywrotepoetrywithposterityinmind.75Butthiswasclearlynotthecase
whenitcametohisroleasaradicalleader.Whenitcomestopantheons,thereisno
roomformodesty.
Posthumouslife-writingoftentakesonacollaborativerelationshipbetweenthe
deadauthorandthoseinthepresentwhoperpetuatethatlifethrougha‘webof
reception’intheformofbiographies,especiallythegenreoflivesandletters,elegies,
epitaphs,tombstones,monuments,andsculptures.76TimChiouhaspersuasivelyshown
inastudyofRomanticposthumouslife-writingthat‘theposthumousenduranceofthe
artistiscontingentnotonhisworksalone,butalsoonalargecommunityoffriends,
family,colleaguesandreaderscommittedtotheethicsofremembrance.’77Thereisan
obviousparallelherewithChartistcommemorativepractices.Arecurringrefrain,and
onethatgoesallthewaybacktotheRomanpoetHorace,isthenotionthatawriter’s
oeuvrerepresentsamonumentinitself,andonefarmorelasting,interactiveand
dynamicthanaflat,inertmonument.Chartistsmadethisverypointwhen
recommendingtheworksofradicalgreats.78Theadvertisementcolumnsbyradical
booksellersintheChartistpressarelitteredwitheditions,oldandnew,ofworksby
radicalgreats(ofteninterspersedwithRomanticproseandpoetry).PaineandCobbett
werefortunatethattheyhaddevotedfollowers,someofwhombecameChartists,who
wenttogreatlengthstokeeptheirnamesbeforethepublic,notleastbyensuringthat
75JonMee,‘TheDungeonandtheCell:ThePrisonVerseofColeridgeandThelwall’,inJohnThelwall:RomanticRadical,107.76For‘websofreceptions’,seeTomMole,WhattheVictoriansMadeofRomanticism:MaterialArtefacts,CulturalPractices,andReceptionHistory(Princeton,2017).77TimYi-ChangChiou,‘RomanticPosthumousLifeWriting:Inter-stitchingGenresandFormsofMourningandCommemoration’,(PhDthesis,UniversityofOxford,2012),14.Chioudefinesposthumouslifewritingas‘anticipatorydeathwritings,worksofmourning,commemorativelifewritings,memorialaids,andbelateddefences’,20.78ThePoliticalWorksofThomasPaine(London:T.M.Wheeler,1846),n.p.,copyheldbytheWorkingClassMovement’sLibrary,Salford.
25
theirworkscontinuedtobepublishedwellintothenineteenthcentury.79Cobbettleft
behindaveritablemini-familypublishingbusinessdedicatedtoediting,publishingand
sellinghisworks.Thelwallwaspoorlyservedinrespectofthis‘assistedauthorship’;his
secondwifemanagedtopublishthefirstvolumeofhisbiography,butthesecond
volumedetailinghislifefrom1795neverappeared.80
FeelingforVolney
Astheprecedingdiscussionsuggests,Chartismclearlyregisteredthelongreachof
Romanticism.Butitdidsocritically.Forexample,someofthoseChartistswhoused
Shelley’spoetrydidsowithdiscrimination.CasieLeGettereachessimilarconclusions
byshowinghowradicalpublishersandeditorsintheearlynineteenthcenturyused
extractsfromRomanticeratextsfortheirownpoliticalends,effectivelyremakingthose
textsintheprocess.81TherewerealsosomeChartistswhoweredeeplyuneasy,ifnot
resistant,towhatwewouldnowrecognizeassomeofthekeycharacteristicsof
Romanticism:theuncheckedexpressionoffeeling(orpassionsinthelanguageofthe
period);nostalgiaandaromanticattachmenttothepast;culturalnationalism;andlast,
butbynomeansleast,thecultoftheindividual-hero.82Thisaversionishardly
surprisinggiventhecloseassociationbetweencertainstrandswithinRomanticismand
conservatism,reactionandcounter-revolution.83Thelinkingthreadinmuchofthis
79MalcolmChase,‘Cobbett,hisChildrenandChartism’,inWilliamCobbett,RomanticismandtheEnlightenment,ed.JamesGrandeandJohnStevenson(London:Pickering&Chatto,2015),123–36.80Corfield,‘JohnThelwallinBreconshire’,17.For‘assistedauthorship’,seeJackson,ThoseWhoWriteforImmortality,23.81JenMorgan,‘TheTransmissionandReceptionofP.B.ShelleyinOweniteandChartistNewspapersandPeriodicals’,(PhDthesis,UniversityofSalford,2014);CasieLeGette,RemakingRomanticism:TheRadicalPoliticsoftheExcerpt(Basingstoke:Palgrave,2017),1.82ForChartistresistancetoculturalnationalism,seeMatthewRoberts,‘DanielO’Connell,RepealandChartismintheAgeofAtlanticRevolutions’,JournalofModernHistory,90(2018):9–10.83MarilynButler,Romantics,RebelsandReactionaries:EnglishLiteratureanditsBackground,1760–1830(Oxford:OxfordUniversityPress,1981),180–1.
26
anti-Romanticcurrentconcernedthedestructivepotentialofinflamingthepassions.
ThoseChartistswhowereexercisedbythisfollowedthoseEnlightenmentthinkerswho
positedafundamentalseparationbetweenreasonandfeeling,whichledthemtocreate
andpracticewhatmightbetermedanasceticradicalism.Thisasceticradicalismoweda
greatdebttoluminariesoftheradicalEnlightenment,inparticularGodwinand
Wollstonecraft,notwithstandingtheirrelativeabsencefromthepantheon.84
GodwinandWollstonecrafthadbeenparticularlyanxiousaboutthepassionsand
theirdestructivepotentialinthepublicsphere,perhapsbecausebothwereacutely
awareofhowdangerouspassionscouldbefromtheirownprivatelives.85Reacting
againstthesentimentalismofthelateeighteenthcentury,theyhadrejectedthe
deterministicviewthathumanswereentirelyorlargelyhelplessvictimsoftheir
passions;suchaview,theyheld,wasdangerousasitreinforcedpassivity.Therejection
ofobfuscating,effeminateandenervatingsentimentalismhadformedthebasisof
Wollstonecraft’srebuttalofEdmundBurke’sReflectionsinherVindicationoftheRights
ofMen.InWollstonecraft’sview,Burkehadelevatedpassionstoanauseatingand
saccharinelevelinhisattackontherationalismofRichardPrice’seffusivesupportof
theFrenchRevolution.ForWollstonecraftandother‘rational’radicals,thisbaseappeal
tofeelingswasdangerousasitthreatenedtounderminetheradicalcause.Humans
neededtocontroltheirpassionsthroughtheexerciseofindividualrationalwill,which
wouldleadtotheacquisitionofdisciplinedhabits(liketemperance).ForWollstonecraft
84BrianHarrison,‘TeetotalChartism’,inThePeople’sCharter:DemocraticAgitationinEarlyVictorianBritain,ed.StephenRoberts(Merlin,2003),45.85RobBoddice,AHistoryofFeelings(London:Reaktion,2019),118.Godwinwouldlaterrejecttheexcessiverationalismofhispuritaninheritanceandasserttheprimacyoffeelingoverreasonasthemostusefulandproperdeterminantofhumanbehaviour.RowlandWeston,‘Politics,Passionandthe“PuritanTemper”:Godwin’sCritiqueofEnlightenedModernity’,StudiesinRomanticism41(2002),448.
27
inparticular,menandwomenhadthesamebasiccapacityforthinkingandfeeling.86
ThereissomeevidencethatChartistswereawareoftheseaspectsofWollstonecraft’s
thinking.TheMidlandCountiesIlluminatorprintedanextractfromtheVindicationofthe
RightsofWomaninwhichWollstonecraftemphasizedthepoliticalevilsandsocial
miserieswhichflowedfrombaserpassions:‘Thedesireofdazzlingbyriches,the
pleasureofcommandingsycophants,andmanyothercomplicatedlowcalculationsof
self-love,haveallcontributedtooverwhelmthemassofmankind’.87Suchevils,
Wollstonecraftinveighed,wereanaffronttoreason.Inanotherextractfromthe
Vindication,reprintedintheScottishChartistCircular,Wollstonecraftcomplainedof
how‘mereGothicgrandeur’exhibitedbyaristocracywith‘stupidpompbeforeagaping
crowd’haddulledreason.88
Allthiswasgristtothemillforself-improving,respectablemoral-forceChartists,
suchasWilliamLovett,whodismissedinPaineitetonestheirrationalityof‘gothic
ignorance’(inLovett’swords),withitsromanticpreoccupationwithhistorical
precedents,baubles,pageantsand‘militaryspirit’which‘tendstoGothicizea
nation…thebaneofallhappiness’.89Inplaceofthisgothicirrationality,moral-force
Chartistssoughttore-establishanageofreason:‘Wefeltanxioustoredeembyreason
whathadbeenlostbymadnessandfolly’,inthewordsoftheAddressoftheNational
Association,setupbyLovettasasuccessororganizationtotheLondonWorkingMen’s
Association(LWMA).90Thisasceticradicalismwasincreasinglyaccentedwithin
Chartismfollowingtheearlysetbacksitsufferedin1838–9,andwasconceivedasan
86JaneRendall,TheOriginsofModernFeminism:WomeninBritain,FranceandtheUnitedStates,1780–1860(Basingstoke:Macmillan,1985),56–7.SeealsoHewitt,ARevolutionofFeeling,41–2,54,63–9.87MidlandCountiesIlluminator,13Feb.1841.88ChartistCircular(Scotland),2Jan.1841.89LondonDispatch,1Oct.1837;ChartistCircular,3Oct.1840.90WilliamLovett,TheLifeandStrugglesofWilliamLovettinhisPursuitofBread,KnowledgeandFreedom(1876;London:KeganPaul,1976),209.
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antidotetotheuncheckedpassionsofthemasses,whippedupbydemagoguessuchas
FeargusO’Connorwhomade‘furiousappealstotheirpassions’and‘spurn[ed]with
Gothicferocityallknowledge,truthofjustice’.91InJanuary1839,theLWMAmoveda
resolutiondeclaringthat‘allappealstothepassionsofthemultitudetendingtoexciteto
violenceanddisordercanonlybeproductiveofevil’.92Themoderatevoicesinthefirst
ChartistConventionsimilarlyrebukedneo-JacobinssuchasHarneyandDrTaylorwho
were,ingloryinginthenamesofMaratandRobespierre,dangerouslyinflamingthe
passionsofthepeople.93TheNationalAssociationGazette,impliedwhattheirmodelof
theidealleaderwasinabiographicalarticleonGeorgeWashington:‘ifhehadstrong
passions,hehadlearnedtosubduethem,andtobemoderateandmild.’94Thisalso
explainswhytemperance,self-improvementandrespectabilitywerecentraltothis
asceticradicalism.Oneoftheguidingprinciplesofthemoral-forceChartismofthe
LWMAwasoftheneedfortheworkingclassestoexerciserestraintandmastertheir
passionstodemonstratetheirfitnessforthefranchise.
Inwhippingupthemassesintofrenziedadvocatesofphysicalforce,demagogues
liketheReverendJosephRaynerStephens,RichardOastlerandO’Connorwereno
friendsoftheworkingclass,atleastintheviewoftheLWMA.Thelatterbodywas
aversetothemovement’srelianceongentlemanleaderslikeO’Connor,whichthey
denigratedasirrationalandimmature‘man-worship’.95Thischargecouldalsoextendto
thepantheon.BronterreO’Brien,Chartism’sgreatesttheoretician,believedthatman-
91LondonDispatch,25Feb.1838;NorthernStar,25Sept.1841.92BritishLibrary,AddMS37,773,WorkingMen’sAssociationMinutes,2Jan.1839,f.135.93NorthernStar,27Apr.1839.94NationalAssociationGazette,16Jul.1842.ForasimilarappreciationofWashington,seethepoemintheScottishPatriot,19Oct.1839.95Ontheproblemsof‘manworship’,seetheseriesofarticlesunderthatnamewhichappearedintheNorthernStar,thefirstofwhichwaspublishedon7Jan.1843.Tellingly,eventheauthorofthisarticlereachedforgreatmen–WashingtonandTell–whenwarningagainstthedangersof‘manworship’.Theseleaderswereacceptablebecausethey‘check[ed]everydispositionofthepeopletoGod[them]’.NorthernStar,21Jan.1843.
29
worshipofPainewasabarriertocriticallyengagingwithhisideas,which,inhisview,
wereoutdatedbythe1830s.96ButeventheLWMAstruggledtoriditselfentirelyof
‘man-worship’,thoughtheiridealtypeofradicalleaderwassomewhatdifferent.On
occasion,Lovettdelivered,recited,andpossiblycomposed,poetrywhich
commemoratedradicalgreats.97Inhisautobiography,Lovettrecalledhowhe
‘cherished’thememoryofbothHuntandCobbett‘for,withoutseekingtoextenuatethe
failingsofeither,Iregardthemastwonoblechampionsoftherightsofthemillions
who…stampedthenecessityforreformsodeeplyintotheheartandmindofEngland’.98
O’Brien,ineffect,hadhisownpantheon,thoughinhiscaseitwaspopulatedlargelyby
oneradicalgreat:Robespierre.ToO’Brienatleast,hewasnotengagedina
romanticizedworshipoftheFrenchRevolutionaries;ratherhewastryingtorescue
theirreputationsfromliestoldbytheirenemies,pastandpresent.‘Thedaywillcome’,
O’Brientoldthereadersofhisnewspaper,theOperative,‘whentheinjuredshadesof
MaratandRobespierrewillbeavengedoftheoutragesinflictedontheirmemoriesby
lyingromances,dubbedhistorians’.99Yet,thereisasenseinwhichtheLWMAand
O’Brien,indenigrating‘manworship’werenotgivingChartiststheirdue.Sentimental
theymayhavebeenwhentheoccasiondemanded,butthisdidnotnecessarilyactasa
barriertocriticalengagementwiththeideasofthoseinthepantheon.Forexample,
manyChartistadmirersofPainewerequicktodistancethemselvesfromthelatter’s
viewsonreligion.TherewerealsomanyChartistswhofollowedPaineindismissingthe
irrationalityofRomanticattachmentstothepast.100
96PoorMan’sGuardian,8and15Dec.1832;NorthernStar,27Mar.1841.97LondonDispatch,11Dec.1836.98Lovett,LifeandStruggles,44–5.99Operative,21Apr.1839.100Roberts,Chartism,112–116.
30
Therewas,then,ananti-RomanticcurrentwithinChartistheritagepolitics.True,
itwashardlydominant,butitdoessuggestthatthetension,highlightedinRomantic
Studies,betweenEnlightenmentandRomanticism,wasstillbeingplayedoutinthe
1840satthelevelofpopularpolitics.Asrevisionistworkhasunderlined,thesetwo
culturalmovementswereneverfixed,stableandantithetical;rather,theywere
heterogeneousandtosomeextentinterlockingandchronologicallyoverlapping.The
Enlightenmentwasnotaboutunbridledreasonandcoldrationalityattheexpenseof
feeling,justasRomanticismwasnotanexpressionofunbridledfeeling.Ashistoriansof
emotionhaveremindedus,the‘ageofreason’wasitselfanaffectiveconstruction:Paine,
theapostleofthe‘ageofreason’appealedtosentimentsrepeatedlyinhisworks,andhe
‘deniedthattherewasanyconflictbetweentherationalandtheemotional’.101The
notionofafundamentalseparationbetweenreasonandfeelingwasalsoaconstruction
thatconcealedthepassions,andwas,insomerespects,aretrospectiveconstruction
inventedbythoselikeGodwinandWollstonecraftwhowereanxiousaboutthe
sentimentalismoftheirera.102Romanticismwas,ithasbeenargued,bornfromwithin
theEnlightenment,andcanmoreaccuratelybeseenasareactiontoaparticularkindof
Enlightenment–onethatwasassociatedwithanover-refinedNeo-classicalism.Several
RomanticsfusedEnlightenmentthinkingwithwhatwehavecometoidentifyas
Romanticcurrents.103
Theinabilityofthose‘rational’ChartistslikeLovetttofullyliberatethemselves
fromtheromanticmemorythatplayedsuchanimportantgenerativeroleinChartist
101Boddice,HistoryofFeelings,112–3;NicolaEustace,PassionistheGale:Emotion,PowerandtheComingoftheAmericanRevolution(ChapelHill:UniversityofNorthCarolinaPress,2008),445.102WilliamReddy,TheNavigationofFeeling:AFrameworkfortheHistoryofEmotions(Cambridge:CambridgeUniversityPress,2001),142;Hewitt,RevolutionofFeeling,188.103Day,Romanticism,ch.3;AlexanderRegier,FractureandFragmentationinBritishRomanticism(Cambridge:CambridgeUniversityPress,2010);idem,ExorbitantEnlightenment:Blake,HamannandAnglo-GermanConstellations(Oxford:OxfordUniversityPress,2018).
31
heritagepoliticscanbeinterpretedasevidenceofthecomplexities,interactionsand
tensionsbetweenEnlightenmentandRomanticism.Thepursuitofreasonitselfcouldbe
anaffectiveexperience:afterall,afundamentalcomponentofasceticismissuffering
andpainashundredsofincarceratedChartists,includingLovett,knewonlytoowell.
Hence,thecoiningoftheconceptofaffectiveasceticismbyhistoriansofemotion.104We
shouldalsobewaryofthebinarypositedbetweenreasonandpassionintheascetic
radicalismofthoselikeLovettwhenmuchthatwaspassedoffasreasoncould,infact,
beseenasdisgust–attheadulationofthemassesforFeargusO’Connor,forexample.
Thishybriditywasalsoreflected,andinpartcreated,byworking-classreading
practices,whichwerefarfromuniform:‘asagroupandasindividualstheyconsumed
theracyandthereligious,thelyricalandthesensational’.105
Wecanobservesomeofthesetensionsandhybridsinthepopularityofthe
FrenchphilosopherandrevolutionaryConstantinFrancoisVolney,asecond-tierfigure
intheChartistpantheon,anotherfigureoftheradicalEnlightenment.ReadingVolney’s
Ruins;oraSurveyofRevolutionsofEmpire(1791)wasaformativeexperiencefora
numberoffutureChartists,especiallythosewhohadtroddenthepathoffreethought
intothemovement.Volneyhadbeen‘noagitatoramongthesansculottes’,106buthis
memoryandhisRuins,unlikeThelwall,hadbeenkeptalivesincethe1790sbyultra-
radicalfreethinkers,aninheritanceclaimedsubsequentlybyChartistswhooccasionally
displayedVolney’sportraitatcommemorativeevents.107Theubiquityofreferencesto
Volney’sRuinsinmetropolitanradicalismintheearly1830s,alongwiththe
104BarbaraH.RosenweinandRiccardoCristiani,WhatistheHistoryofEmotions?(Cambridge:Polity,2018),76.105RobBreton,‘GenreintheChartistPeriodical’,inTheWorking-ClassIntellectualinEighteenthandNineteenthcenturyBritain,ed.ArunaKrishnamurphy(Farnham:Ashgate,2009),112.106Ibid,197.107Epstein,RadicalExpression,195;E.P.Thompson,TheMakingoftheEnglishWorkingClass(NewYork:VintageBooks,1963),98–9;SheffieldIris,22Oct.1839.
32
freethinkinglecturesanddiscussionssurroundingit,suggestthathistorianshave
seriouslyunderestimatedthecentralityofaninfidelcurrentinpopularradicalismat
thistime–evenattheheightofReformbillagitations.108Thegovernmentwere
certainlyalivetothiscurrentandsawitasoneofthemanifestationsofdecliningpiety
andvirtue,hencetherecoursetoroyalproclamationfortheencouragementofpietyand
virtuein1830whichincludedtheissuingofatableofpenaltiesforprofanes,sabbath-
breakingandimmorality.109
Intheearly1830s,theFrenchsocialistPierreBaume,thenresidinginLondon,
printedanextractfromtheRuins(chapter15,onwhichmorebelow),aspartofatract
advertisinghis‘FrenchOptimistChapel’inWindmillStreet,Finsbury,aradicalschoolof
freediscussion,whichfounditswayintotheHomeOfficefilesasaseditiouspublication.
BaumealsoappendedanEnglishtranslationoftheFrenchLaMarseillaisehopingno
doubttocapitaliseontherecentFrenchrevolution.110ThomasCooperlaterrecalled
how,asayoungman,‘hefellinlove’withVolney’sRuins.111TheradicalinfidelRichard
CarlileandthemercurialdefrockedRobertTaylorbegantheirSundaylecturesatthe
Rotunda,thepremiervenueofLondonradicalismintheearly1830s,byreciting
chaptersfromVolney’sRuinsmuchasareligiousservicebeganwithreadingsfromthe
Bible.112ThefutureleadersoftheLWMAwereregularattendersandspeakersatthe
RotundaandOptimistChapel,asthesecretservicefilesattest.Volney’sRuinsgained
108Thebesttreatmentofmetropolitanworking-classradicalismintheearly1830sisIorwerthProthero,ArtisansandPoliticsinEarlyNineteenth-CenturyLondon:JohnGastandHisTimes(Folkestone:Dawson,1979),ch.14.109Foracopyoftheproclamationandthetableofpenalties,andevidenceofitscirculation,seeNottinghamArchives,CT12/55/20,AProclamationbytheKing,28June1830,andaccompanyingATableofPenalties.110TNA,HO64/17,Seditiouspublications,1830–31,‘ARevolutioninEngland’,f.77.ExtractsfromVolneywerealsoserialisedintheradicalpress,e.g.Cosmopolite,21Apr.1832.111AddresstotheJurybyThomasCooper(Leicester:T.Warwick,1842),13.HenryVincentalsolistedVolneyasaformativeinfluence:NottinghamReview,9Apr.1841,asdidLinton:W.J.Linton,Memories(London:LawrenceandBullen,1895),26.112TNA,HO64/11,SecretServicereportsofseditiousmeetings,1830,fos147,170.
33
renewednotorietyinthemid-1830sasitwasaformativeinfluenceonAlibaud,the
FrenchmanwhohadtriedtoassassinateLouisPhilippein1836,whoseactionswon
plauditsfromsomeChartists.113Volney’sRuins,alongwithhisLecturesonHistory,and
LawofNaturewerefrequentlyadvertisedintheChartistpress.Themetropolitantrioof
JohnCleave,JamesWatsonandHenryHetherington,alongwithAbelHeywoodof
Manchester,weresellingVolney’sRuinsincheapinstalmentsforaslittleas2d.114
WatsonalsoincludedseveralextractsfromVolneyinhisencyclopaedicperiodicalThe
National:ALibraryforthePeople.115
BasedonVolney’stourofOttomanEgyptandGreaterSyriabetween1782and
1785,Ruinswas,inpart,astudyincomparativereligion,whichhighlighted
irreconcilablecontradictionsbetweenbeliefsystems.ToVolneythiswasevidencethat
allreligionswereman-made,theproductofhistoryandculture,andcouldbetraced
backto‘humanneedsornaturalexperiences…objectifiedindeities,thenceabstracted
fromtheiroriginalimpulse,andexploitedasserviceablemysteriesbypriestcraftandby
privilegedorders’.116Thus,revealedreligionwasbogus,divisiveandservednoother
purposethantoenslavemankind.Ruinsisessentiallyapleafordeismandfreethought,
andanattackonpriestcraft,politicalexclusion,unproductivelabour,andpersonal
greed.Further,Ruinscanalsobereadasanextendedessayonthedestructivepotential
ofthepassions.Volneysinglesout‘unbridleddesires’,‘theperpetualplayofpassions’,
‘theinordinatedesireofaccumulation’asevilsresponsibleforthedeclineofempires.
Morespecifically,‘underthenameofaristocracythestatehasbeentormentedbythe
passionsofthewealthyandthegreat’.Monarchyandaristocracysurvivebyappealing
113LondonDispatch,25Dec.1836;Champion,1Jan.1837.114Cleave’sLondonSatiristandGazetteofVariety,9Dec.1837.115TheNational:ALibraryforthePeople,ed.W.J.Linton(London:JamesWatson1839),95,142,157,187,245.116E.P.Thompson,WitnessAgainsttheBeast:WilliamBlakeandtheMoralLaw(Cambridge:CambridgeUniversityPress,1993),199–200.
34
tothe‘egotismthatdivide[s]mankind…heflatteredthevanityofone,excitedthe
jealouslyofanother,favouredtheavariceofathird,inflamedtheresentmentofafourth,
irritatedthepassionsofall’.SoimportantwerethepassionsinVolney’sestimationthat
theyfurnishthemotorofhistory:theriseandfallofempires‘havesprungfroman
eternalcircleofpassions’.117
ThepopularityofRuinswithChartistshasbeenattributedtothepersistenceof,
interalia,‘enlightenmentmoralphilosophy’.118Whilethiswasclearlyafactor,another
wasthatRuinswas‘drenchedinthenewRomanticism’.119Someofthisdrenchingmay
havederivedfromtheexuberanceandembellishmentbroughttotheoriginaltextby
theearlyEnglishtranslationsbeforeVolney,seeinghowgarbledthetranslationswere,
superintendedanewtranslation.Butitispossiblethattheoriginaltranslationwasthe
onereadbysomeChartists.120Eitherway,thereisnodenyingthatthereareRomantic
themes.Theprotagonistisalonelyanddepressedwandereramongsttheruinsof
formereasternempireswhose‘heartwasoppressedwithsorrowandindignation’not
justatthedecayhewitnessesbutbytheprospectofhisowncivilizationwithering
which‘broughttearsintomyeyes’.Hewishestheruinscouldspeakandtellofwhy
formergloriousempiresdecayed.Andsoitproves:theprotagonistisconfrontedbyan
apparitionwhoenableshimtotranscendhisearth-boundform,byliterallytransporting
himintoouterspacewhere,rangingbackwardsandforwardsintime,heisversedinthe
eternal,transcendentnaturallawsofthecreator-God.IfthecontentofVolney’sRuins
wasRomantic,so,too,wastheformwithitsruinsmotif,lyricalmode,andhybridgenre
–partphilosophicaltreatise,partpoemandpartnovel.Thisstylisticambivalenceis
117ConstantinFrancoisVolney,TheRuins,oraSurveyoftheRevolutionsofEmpire(Otley:WoodstockBooks,1791[2000]),25,29,34,36–7.118TomScriven,PopularVirtue:ContinuityandChangeinRadicalMoralPolitics,1820–70(Manchester:ManchesterUniversityPress,2017),15–18.119GwynA.Williams,‘RomanticisminWales’,inRomanticisminNationalContext,15.120Foracomparisonofthevarioustranslations,seeRichardCarlile’sLion,25July1828.
35
characteristicoftheRomanticaesthetic.121Aswithotherexponentsofradical
Enlightenment,Volney’sdeploymentofreasonasanantidotetopoliticalcorruption,
religiousauthorityandsocietalatrophywasnotconstructedinoppositiontofeeling.As
AlexanderCookhasargued,Volneytranscendsthedichotomiesofreasonandsentiment
byshowinghowthepursuitof‘reasoncouldteachpeoplethatthepathtovirtuewas
alsothepathtohappiness’.122
TheChartiststhemselvescontributedtothissplicingofEnlightenmentwith
RomanticismbyincludingreadingsofVolney’sRuinsatcommemorativeevents,which
aswehaveseencouldbeverysentimentalaffairs.AdinneratAshton-under-Lyneto
commemorativeHenryHunt’sbirthdayconcludedwithareadingoftheinfamous
chapter15ofRuins,the‘NewAge’,themostpoliticallyradicalchapterofthebookin
whichthepeopleconfronttheprivileged.123ExtractswerereprintedintheChartist
press.HenryVincent’sWesternVindicatorevenincludedaWelshtranslationofchapter
15foritsWelshreaders,apracticecontinuedbytheWelsh-mediumUdgornCymru,
mostlikelyusingtheWelshtranslationundertakeninthe1790s.124Vincenthadalready,
implicitlyatleast,signalledtheimportanceofVolneybyincludinganextractfrom
chapter15asearlyasthesecondissueoftheWesternVindicator.Printedonthefront
page,thisextractswasclearlyno‘filler’ofsparecolumninches;appearingnexttoa
121ForVolney,theRuins,anditspre-ChartistreceptioninBritain,see:AlexanderCook,‘ReadingRevolution:TowardsaHistoryoftheVolneyVogueinEngland’,inAnglo-FrenchAttitudes:ComparisonsandTransfersbetweenEnglishandFrenchSincetheEighteenthCentury,ed.ChritopheCharl,JulienVincentandJayWinter(Manchester:ManchesterUniversityPress,2007),125–46;SanjaPerovik,‘LyristinBritain;EmpiricistinFrance:Volney’sDividedLegacy’,inHistoricalWritinginBritain,1688–1830,ed.BenDewandFionaPrice(Basingstoke:Palgrave,2014),127–44.122Cook,‘ReadingRevolution’,128,130.123NorthernStar,17Nov.1838.ForotherrecitalsofVolney’sRuins,seeNorthernStar,16Oct.1841(CityofLondon),1Jun.1844(BethnalGreen),17Oct.1846(Camberwell).124ChartistCircular(Scotland),28Dec.1839;WesternVindicator,20Apr.1839;UdgornCymru,1Apr.1841,copyinTNA,HO45/54,f.47;LondonDemocrat,13Apr.1839;ChartistPilot,7Dec.1844.TheChartistfreethinkerJamesWatsonappendedchapter15toABriefSketchoftheLifeofC.F.Volney(London:JamesWatson,1840).FortheWelshtranslationinthe1790s,seeGwynA.Williams,‘MorganJohnRhysandVolney’sRuinsofEmpire’,BulletinoftheBoardofCelticStudies,20(1964),58–65.
36
letterfromtheWelshChartistleaderJohnFrost,inwhichthecentralmessagewasan
attackonunproductivelabour.Chapter15notonlyreinforcesthiscritiquebutrecasts
Volney’sworkasapoliticallyradicaltext,ratherthanafreethinkingreligioustext.By
onlyrepublishingorrecitingchapter15,theChartistsconvenientlyerasedthe
geographicalandtemporalspecificitiesofVolney’sRuins,includingwhatsomehave
regardedasitsorientalism.Inaddition,focusingontheRuinsratherthanthelifeof
Volneyalsoconvenientlypreservesthelatter’sradicalcredentials,dentedsomewhatby
hissubsequentassociationwithNapoleonandFrenchimperialism.125
Thepopularityofchapter15isfurtherevidenceofhowChartistheritagepolitics
wasnotmerelybackwardslooking,butalsodirectlyconcernedwithlinkingthepast,
presentandfutureinsymbolicallyempoweringways.Havingthoroughlydepressedthe
protagonistwithvisionsofwhyandhowpreviousempiresendedinruins,heisthen
transportedtothefutureinchapter15wheretheapparitionshowshimthebeginnings
ofthepeoplerisingupagainsttheprivileged,castingthemoutandcreatinganew
societybasedonproductivelabour.Chapter15isdistinctlymillenarianintone,asisthe
thrustofthewholebookwhich‘carriesthereaderforwardonawaveofenthusiasm,not
toapoliticwisdomoftheworld,buttothevisionofa“NewAge”inwhichmenwillshed
theirwarringreligionsandattainbrotherhoodinclear-eyedself-knowledge’.126
TheLondonradicalfreethinkerandpornographerWilliamDugdalepublisheda
completeeditionofVolney’sworks,completewithportrait,andadvertiseditinthe
NorthernStaralongsidesomeofthemostpopularromancesandgothicfictionofthe
daywhichhestockedinhisbookshoponHolywellStreet.Fewotherradicals
125WesternVindicator,2Mar.1839.Forthisapproachtoreprintingexcerpts,seeLeGette,RemakingRomanticism,1–12;MatthewRoberts,‘LabouringintheDigitalArchive’,LabourHistoryReview,78(2013):113–26.ForausefuloverviewandcritiqueofVolney’sorientalism,seeUrsApp,TheBirthofOrientalism(Philadelphia:PennsylvaniaPress,2010),ch.8.126Thompson,WitnessAgainsttheBeast,200.
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personifiedtotheextentDugdaledidofthecontestedlegaciesandblurringof
Enlightenment,Romanticism,philosophyandpornography.127Itisunfortunatethatthe
ChartistsweresilentonVolney’swideroeuvre,particularlyhisLawofNature,included
inDugdale’scompleteedition,asVolneyoutlinedamoralcodeofpersonalconductthat
touchedontheneedtodisciplinethepassionsandappetiteswhichwouldhave
resonatedwithmoral-forceChartists.TheChartistfreethinkerJamesWatsonalso
conjoinedEnlightenmentandRomanticisminhisbookshopandintheadvertisements
heplacedintheChartistpress,inwhichtheworksofVolneyappearednexttoShelley’s
QueenMab.ThiswasfittinggiventhatShelleyreproducedVolney’saccountofhisvisits
toSyriaandEgyptinQueenMab.128Itisquiteconceivablethatitwasformative
encounterswithShelley’sQueenMabthatledChartiststoVolney,orpossiblyviaMary
Shelley’sFrankensteinasVolney’sRuinswasoneofthetextsreadbythecreature:
ChartistswerecertainlyfamiliarwithFrankensteinasitisreferencedinnumerous
speechesandthepress.129Volney’spopularitywiththeChartists,then,wasa
manifestationofthatheadybrewofrationalism,millenarianismandreligious
enthusiasmthatwassuchamarkedfeatureofthe‘ageofrevolution’.130
Conclusion
127NorthernStar,6Apr.1844.ForDugdale,seeIainMcCalman,RadicalUnderworld:Prophets,RevolutionariesandPornographersinLondon,1795–1840(Oxford:OxfordUniversityPress,1993),ch.10.128Cleave’sPennyGazette,7Jul.1838;NorthernStar,9Sept.1843.129E.g.,Charter,27Jan.1839;LondonDispatch,13Jan.1839;NorthernStar,2Jun.1838,17Jul.1841;FeargusO’Connor,ASeriesofLettersfromFeargusO’Connor,Esq.,BarristeratLaw,toDanielO’Connell,Esq.,M.P.containingareviewofMr.O’Connell’sconductduringtheagitationofthequestionofCatholicemancipation,togetherwithananalysisofhismotivesandactions,sincehebecameamemberofParliament(London:HenryHetherington,1836),29,33,43.130McCalman,RadicalUnderworld,viii;JonMee,DangerousEnthusiasm:WilliamBlakeandtheCultureofRadicalisminthe1790s(Oxford:OxfordUniversityPress,1992),3–8,14;PhilipLockley,VisionaryReligionandRadicalisminEarlyIndustrialEngland:FromSouthcotttoSocialism(Oxford:OxfordUniversityPress,2013),166–8.
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AddressingtheHullWorkingMen’sAssociationinSeptember1837,andreachinghis
peroration,thecharismaticChartistlecturerHenryVincentaskedhisaudience:‘For
whomlivedVolney,Voltaire,Mirabaud,Rousseau,Paine,Bentham,Cartwright,Byron,
Shelley,Godwin,Cobbett?’‘[T]heyloved,struggled,anddiedforuniversalman’,Vincent
responded.Vincent’scastandhisstylearefurtherevidenceoftheblendingof
EnlightenmentandRomanticism.Atthesametime,wehaveseenhowtheboundaries
betweenEnlightenmentandRomanticismweremappedontoanaffectivepoliticswhich
pittedreasonagainstfeeling,illustratingtheimportanceoffeelinginpopularpolitics
andtheilluminatingpotentialofthehistoryofemotions.Vincent’sconcluding
injunctiontohisaudiencewasjustasrevealing:‘wewillbuildupupontheirruinsthe
greattempleofdemocraticfreedom,beneathwhosecapaciousarchshallbepromoted
andprotectedtheuniversalhappinessofthegreatfamilyofman’.131
Vincent’spantheon,likethatofthewiderChartistmovement,wasclearlyapaper
one,whichhadcertainadvantagessuchasportabilityandgreatercuratorialownership
andfreedomforindividualstopopulateastheysawfit.Vincenteventookpartofhis
paperpantheonintoprisonintheformofCobbett’sworkswhichhereadintheearly
hoursofeachmorning.132Thestatuesandmonumentsthatweresuchamarkedfeature
ofelitecultureinBritainandelsewhere,wereconspicuousbytheirabsenceinChartism,
andinBritishradicalismmoregenerally.133Inadditiontothesignificantbarriersofcost
andaccesstothepublicsphere,thisabsencemayalsohavereflected,andindeed
reinforced,theshiftingandheterogeneousnatureoftheChartistpaperpantheon.There
wasnoequivalentofan‘authorizedheritagediscourse’operatinginChartism,withthe
131LondonDispatch,17Sept.1837.132People’sHistoryMuseum,Manchester,HenryVincentPapers,VIN1/1/16,HenryVincenttoJohnMinikin,1June1839.133AntonyTaylor,‘Whateverhappenedtoalltheheroes?ThemonumentalfailureofBritishplebeianradicalism,c.1850-1920’(unpublishedessay).
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movement’sleadersandorganizationstryingtodeterminetheformandcontentofits
heritagepolitics.134Asbefitsademocraticmovement,theheritagepoliticsemergedjust
asmuchfrombelowasitdidfromabove.Inclusionsandexclusionsinthepaper
pantheontherecertainlywere,butasthecase-studyofThelwallsuggests,awholeraft
offactors–someofthemcontemporarytothelivesoftheradicalgreats,some
contemporarytothoserememberingandforgetting–accountforpresenceandabsence
inthepantheonofpoliticalandsocialmovements.Bydrawingonrecentworkin
RomanticStudiesonposthumouslife-writing,wehaveseenhowposthumouspotential
wasdependent,inpart,ontheextenttowhichhistoricalfiguresinitiatedadialogue
withposterity,butalsoonadedicatedgroupoffollowerswhoworkcollaborativelyto
furtherposthumouscareers.PaineandCobbett–andevenVolneytosomeextent–had
greatposthumouspotential;Thelwalldidnot.ToreturntoVincentonelasttime.His
metaphoricalallusiontoafuturetempleofdemocraticfreedomisareminderthat
commemoration,theinventionoftraditionandheritagepoliticsareoftenjustas
forward-lookingastheyarebackwards.Inthis,andinsomuchelse,theChartistswere
heirs,custodians,creatorsand,onoccasion,prisoners,ofRomanticmemory.
134Roberts,Chartism,ch.4.