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1 Romantic Memory? Forgetting, Remembering and Feeling in the Chartist Pantheon of Heroes, c.1790–1840 Matthew Roberts ABSTRACT This paper explores the politics of remembrance through a case study of Chartism, the British mass movement for democratic and social rights in the 1830s and 1840s. It focuses on the ‘paper pantheon’ of radical greats constructed by the Chartists from the perspectives of Romanticism, the powerful cultural and literary effects of which were still being felt in the 1840s. The paper highlights two linked aspects of romantic memory in Chartist heritage politics. First, the question, not of remembering, but forgetting and erasure; that is, which individuals and episodes in the radical tradition were either forgotten or consciously excluded by the Chartists. Second, particular attention is paid to recent scholarship in Romantic Studies which has explored the relationship between memory and posthumous reputation, and in doing so explores the posthumous potential of John Thelwall, Thomas Paine and William Cobbett. While the impact of Romanticism can be hardly denied and was part of the cultural inheritance of the Chartists, including the intense outpouring of feeling for heroes in the pantheon, it is important not to exaggerate its impact. Some Chartists rejected the unchecked appeals to the passions and introspection associated with Romanticism. Chartist aversion to this pull was a legacy in part of the enduring impact of radical Enlightenment and its associated affective politics. The final section explores some of the tensions between Romanticism and Enlightenment in Chartist heritage politics via a case-study of the French revolutionary C.F. Volney, and draws on recent work on the history of emotions to sketch out the affective

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RomanticMemory?Forgetting,RememberingandFeelingintheChartist

PantheonofHeroes,c.1790–1840

MatthewRoberts

ABSTRACTThispaperexploresthepoliticsofremembrancethroughacasestudyof

Chartism,theBritishmassmovementfordemocraticandsocialrightsinthe1830sand

1840s.Itfocusesonthe‘paperpantheon’ofradicalgreatsconstructedbytheChartists

fromtheperspectivesofRomanticism,thepowerfulculturalandliteraryeffectsofwhich

werestillbeingfeltinthe1840s.Thepaperhighlightstwolinkedaspectsofromantic

memoryinChartistheritagepolitics.First,thequestion,notofremembering,but

forgettinganderasure;thatis,whichindividualsandepisodesintheradicaltradition

wereeitherforgottenorconsciouslyexcludedbytheChartists.Second,particular

attentionispaidtorecentscholarshipinRomanticStudieswhichhasexploredthe

relationshipbetweenmemoryandposthumousreputation,andindoingsoexploresthe

posthumouspotentialofJohnThelwall,ThomasPaineandWilliamCobbett.Whilethe

impactofRomanticismcanbehardlydeniedandwaspartoftheculturalinheritanceof

theChartists,includingtheintenseoutpouringoffeelingforheroesinthepantheon,itis

importantnottoexaggerateitsimpact.SomeChartistsrejectedtheuncheckedappealsto

thepassionsandintrospectionassociatedwithRomanticism.Chartistaversiontothispull

wasalegacyinpartoftheenduringimpactofradicalEnlightenmentanditsassociated

affectivepolitics.ThefinalsectionexploressomeofthetensionsbetweenRomanticismand

EnlightenmentinChartistheritagepoliticsviaacase-studyoftheFrenchrevolutionary

C.F.Volney,anddrawsonrecentworkonthehistoryofemotionstosketchouttheaffective

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politicsofChartistmemory,andindoingsosuggeststhatpoliticalhistorianspaymore

attentiontothepoliticsofthepassions.

Chartism,theBritishmassmovementfordemocraticandsocialrightsinthe1830sand

1840s,wasprofoundlyshapedbytheradicaltraditionfromwhichitemerged.Whilethe

constituentpartsofthattraditionwereinherited–theFrenchRevolution,Thomas

Paine,WilliamCobbett,forexample–theprocessesbywhichtheseweretransformed

intoaradicaltraditionwereatthehandsoftheChartiststhemselves.Theyeagerly

appropriatedandsubvertedmanyoftheritualizedformsofcommemorationusedby

elites,includingtheconstructionofanimaginedpantheonofheroes,thoughforreasons

ofcostandaccesstothepublicspheretheChartistheritageprojecttendedtobeapaper

pantheonratherthanonesetinstone.Thepaperpantheonandthisbroaderheritage

projectwasconstitutedandreconstitutedthrough‘mnemonicpractices’andthe

performanceofculturalremembrance:commemorativedinnersandsoireeswhich

revolvedaroundarollcalloftoaststothememoryofradicalgreats,pre-eminentlyPaine

andCobbettbutsupportedbyamuchwidercastofotherfigures,mostofwhomhad

diedinthefiftyyearsprecedingChartism;portraiture;publishingandreadingpractices;

thenamingofChartistchildrenafterradicalgreats;theregularquotingofwordsfrom

theradicalcanoninspeeches,extractsintheChartistpressandonbanners–indeedthe

re-useofbannersfromearlierradicalcampaigns.1Farfrombeinganostalgiccultureof

1GordonPentlandcoinedtheconceptof‘paperpantheon’in‘ThePosthumousLivesofThomasMuir’,inLiberty,PropertyandPopularPolitics:EnglandandScotland,1688–1815,ed.GordonPentlandandMichaelT.Davis(Edinburgh:EdinburghUniversityPress,2016),211.Forloyalist,toryandwhigcults,seeJ.J.Sack,‘TheMemoryofBurkeandtheMemoryofPitt:EnglishConservatismConfrontsitsPast,1806-1829’,HistoricalJournal,30(1987),623-40;AlisonYarrington,TheCommemorationoftheHero1800-1864:MonumentstotheBritishVictorsoftheNapoleonicWars(NewYork:Garland,1988);BelindaBeaton,‘MaterializingtheDuke’,JournalofVictorianCulture,10(2005),100-107;T.E.Orme,‘ToastingFox:TheFoxDinnersinEdinburghandGlasgow,1801-25’,History,99(2014),588-606;EmilyJones,EdmundBurkeandtheInventionofModernConservatism,1830–1914(Oxford:OxfordUniversityPress,2017).Ontheshiftawayfromstaticsitesofmemorytotheperformanceofamoredynamicconceptofmemory,seeAnnRigney,‘TheDynamicsofRemembrance:TextsBetweenMonumentalityandMorphing’,inCultural

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consolation,radicalgroupssuchasChartistsdrewstrength,legitimacyandtenacity

fromthetraditionsandheritagepoliticsthattheypracticed.Theamountoftimeand

resourcesthatChartistsdevotedtotheirheritageistestamenttotheimportanceof

memoryinpoliticalandsocialmovements.

ThischapterfocusesontwolinkedaspectsoftheChartistheritageprojectfrom

theperspectivesofRomanticism,theliteraryandculturalforceofwhichwasstillbeing

feltatmid-century,withpopularpoliticsnoexception.2First,itshowshowtheformand

compositionoftheChartistpantheonwasshapedbyaromanticaestheticbyexploring

thequestion,notofremembering,butforgettinganderasure;thatis,whichindividuals

andepisodesintheradicaltraditionwereeitherforgottenorconsciouslyexcluded?As

GuyBeinerhasrecentlyobserved,‘Whileitiscommonlyacknowledgedthatmemory

involvesbothrememberingandforgetting,studiesofsocialandculturalmemoryhave

mostlyfocusedonrememberingandoverlookedforgetting’.3Thisthemeofforgetting–

orwhatmightbemoreaccuratelydescribedasexcluding–isexploredherethrougha

case-studyofthe‘radicalRomantic’JohnThelwall(1764–1834),ahugelypopular

radicalassociatedwiththeLondonCorrespondingSociety(LCS)inthe1790s.4A

numberofscholarshaveattributedtoThelwallanenduringlegacybequeathedto

MemoryStudies:AnInternationalandInterdisciplinaryHandbook,ed.AstridErllandAnsgarNünning(Berlin:DeGruyter,2008),345–53. 2MilesTaylor,ErnestJones,ChartismandtheRomanceofPolitics,1819–1869(Oxford:OxfordUniversityPress,2003),10.SeealsoG.S.R.KitsonClark,‘TheRomanticElement–1830to1850’,inStudiesinSocialHistory:ATributetoG.M.Trevelyan,ed.J.H.Plumb(London,1955),209–39;RohanMcWilliam,‘SweeneyToddandtheChartistGothic:PoliticsandPrintCultureinEarlyVictorianBritain’,inEdwardLloydandHisWorld:PopularFiction,PoliticsandthePressinVictorianBritain,ed.SarahSusanLillandRohanMcWilliam(Abingdon:Routledge,2019),198–215.3GuyBeiner,ForgetfulRemembrance:SocialForgettingandVernacularHistoriographyofaRebellioninUlster(Oxford:OxfordUniversityPress,2018),17.4AnumberofrecentworkshavepositionedThelwallasaRomanticradical,e.g.,JudithThompson,‘CitizenJuanThelwall:IntheFootstepsofaFree-RangeRadical’,StudiesinRomanticism,48(2009):67–100;RomanticRadicalandAcquittedFelon,ed.StevePoole(London:Pickering&Chatto,2009);JohnThelwall:CriticalReassessments,ed.YasminSolomonescu(Romantic-Circles,2011);‘JohnThelwallSpecialIssue’,Romanticism,16:2(2010).

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subsequentradicalmovements,includingChartismandsocialism.5Andyetthefact

remainsthathewasnotaprominentfigureintheChartistpantheon.Itmayseem

slightlystrangetodevotepartofanessaytoaradicalwhohardlyfeaturedinChartist

heritage,butforgettingandexcludingcanbejustasrevealingasrememberingand

including.Thus,acase-studyofThelwallisusedtoexplorewhatmightbetermed

posthumouspotentialinculturesofremembrance.6Inthe1790sThelwallwasseenby

thegovernmentasoneofthemostdangerousradicalsinthecountry.Inthelastdecade

orso,hishistoricalandliteraryreputationhasbeentransformed:frombeinga

relativelyobscureradicalandpoetknownonlytospecialists,hehasbeenrestoredto

hisrightfulplaceasamajorradicalandliteraryfigureinthe1790sandbeyond.7An

explorationofwhyThelwallwaslargelyforgottenbytheChartistsshedsnewlighton

thebroaderquestionofwhyhewasaneglectedfigureforsolong,and,broaderstill,

whyfamedoesnotalwaysoutlastthelifeofthefamous.

BuildingonthethemeofThelwall’sradicalRomanticism,thesecondareaof

focusisthecontestedlegacyandmemoryofRomanticism.Bymakinguseofarangeof

neglectedmanuscriptmaterialandChartistnewspapers/periodicals,thissectiondraws

onrecentscholarshipinRomanticStudieswhichhasexploredtheproblematic

relationshipbetweenmemoryandposthumousreputationbyshowinghowcoteries,

conviviality,publishingcirclesandprintculturemadeauthorsandradicalgreatsserve

5GwynA.Williams,ArtisansandSans-Culottes:PopularMovementsinFranceandBritain(London:Libris,1989),66;JudithThompson,‘Introduction’,inThePeripatetic,ed.JudithThompson(Detroit,MI:WayneStateUniversityPress,2001),15,18.6InarecentessayStevePoolehastakenmetotaskforprovidinganinsufficientexplanationforThelwall’sabsenceintheChartistpantheon,whichIlargelyattributedtoChartistpreferenceforgentlemanleadersinthepastaswellasthepresent,andThelwall’sambiguoussocialstatusdidnotqualifyhimforadmissiontothepantheon.WhileImaintainthattheChartistpantheonwasmostlypopulatedbygentlemanradicals,IacceptPoole’scriticismthattherewasmoretoThelwall’sabsencethanhisclassstatus.StevePoole,‘ThePoliticsof“ProtestHeritage”,1790–1850’,inRememberingProtestinBritainsince1500,ed.CarlJ.GriffinandBrionyMcDonagh(Basingstoke:Palgrave,2018),187–213.7OntherediscoveryofThelwall,seeNicholasRoe,‘TheLivesofJohnThelwall:AnotherViewofthe“JacobinFox”’,inJohnThelwall:RomanticRadical,13–24.

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theradicalcauseofthepeoplebeyondtheirownlifetimes.8Whiletheimpactof

Romanticismcanbehardlydeniedandwaspartoftheculturalinheritanceofthe

Chartists,itisimportantnottoexaggerateitsimpact:notallChartistswerekeento

dresstheirheroesinromanticclothing.SomeChartistsrejectedtheuncheckedappeals

tothepassionsandintroversionassociatedwithRomanticism.Romanticliterature,it

hasbeenargued,was‘themostpowerfulregisteroftheperiod’sgravitationalpull

towardfeeling’.9Chartistaversiontothispullwasalegacy,inpart,oftheenduring

impactoftheradicalEnlightenment,whichsuggeststhatthe‘emotionalcultureof

EnlightenmentBritain’didnottotallycollapseinthe1790sbutendured.10Thecluster

ofideas,attitudesandassumptionsassociatedwiththeradicalwingofthe

EnlightenmentwasalsopartofChartism’sintellectualandculturalheritage:someofthe

individualsintheChartistpantheonwereprominentfiguresoftheEnlightenment.11

ThefinalsectionexploressomeofthetensionsbetweenRomanticismand

EnlightenmentinChartistheritagepolitics,takingasacase-studytheFrench

philosopherandrevolutionaryConstantinFrancoisVolney(1757–1820),whofeatured

regularlyintheChartistpantheon.Itdrawsonrecentworkonthehistoryofemotions–

inparticular,therecastingoftheEnlightenmentasanaffectiveconstruction–tosketch

outthepoliticsoffeelinginChartistmemory.

8ForthischaracterisationoftheevolutionofRomanticStudies,seeJosephRezek,‘RomanticismintheAtlanticWorld’,StudiesinRomanticism,55(2016),313.9SeeJoelFaflakandRichardC.Sha,‘FeelingRomanticism’,inRomanticismandtheEmotions,ed.JoelFaflakandRichardC.Sha(Cambridge:CambridgeUniversityPress,2016),2.TherelationshipbetweenRomanticismandemotionwas,ofcourse,muchmorecomplexthanthis.Aswellastheabovecollection,seethespecialissue‘RomanticismandAffectStudies’,RomanticCirclesPraxisVolume(2018).10Fortheargumentthatthe1790ssawthecollapseof‘theemotionalcultureofEnlightenmentBritain’andwas‘replacedbyanewapproachtofeelinganddesire’,seeRachelHewitt,ARevolutionofFeeling:TheDecadethatForgedtheModernMind(London:Granta,2017),2.11ItisworthnotingthatJonathanIsraelhasarguedthattheradicalEnlightenment–thatwingwhichwascommittedtouniversalrightssuchasmanhoodsuffrage–endureddowntothe1848,atwhichpointitwasdisplacedbysocialism:TheEnlightenmentthatFailed:Ideas,Revolution,andDemocraticDefeat,1748–1830(Oxford:OxfordUniversityPress,2019),28.

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ForgettingJohnThelwall

Oneofthemostimportantaspectsofanyformofcommemorationisinclusionand

exclusion.Whoisremembered,whoisforgotten,whoisabsent,andwhoisexcludedare

notonlygenerativeofthepantheonbutalsokeydynamicsinthepoliticsof

commemoration.Whileabsence,forgettingandexcludingappeartobesimilarinsome

respects,inotherstheyarequitedifferent.Itisnotalwayscleartothehistorian

whetherabsencesdenoteforgettingoraconsciousattempttoexcludewhich,by

definition,entailsaformofremembering,atleastforthosepolicinginclusionand

exclusioninthepantheon.Inarelatedway,andafurtherproblemforthehistorian,

‘silencesusuallybecomevisibleinhistoricalrecordsonlywhentheyarebroken’.12How,

then,doweaccountforThelwall’sabsencefromtheChartistpantheon?HadChartists

simplyforgottenhim?ThisseemsunlikelygiventhataslateasOctober1832,Thelwall

haddeliveredaeulogyatthegravesideofhisLCScolleagueThomasHardy,atwhicha

numberoffutureChartistswerepresent.13Clearly,hisabsencedidnotreflectawider

lackofinterestbyChartistsinthe1790sandinsomeoftheradicalleadersassociated

withthatdecade,theforemostofwhomwasPaine.Butforpreliminarypurposes,itmay

beinstructivetonotesomeoftheotherabsencesorthosewhoseldommadeitintothe

pantheonfromthe1790s.NeitherMaryWollstonecraft,WilliamGodwin,RichardPrice

orJosephPriestleywereaccordedanythingmorethanamarginalplaceinthepantheon,

thoughextractsfromWollstonecraftandGodwindidappearoccasionallyintheChartist

press.Thisappearslesssurprisingwhenwerecallthatnoneoftheseinfluentialradicals

participatedinanysignificantwayinpopular,grassrootspolitics,whetherforreasons

12MatthijsM.Lok,‘“Unoublitotaldupassé”?ThePoliticalandSocialConstructionofSilenceinRestorationEurope(1813–1830)’,HistoryandMemory,26(2014),43.Onthecomplexrelationshipbetweenrememberingandforgetting,seeBeiner,ForgetfulRemembrance,17–30.13TheNationalArchives(TNA),HomeOffice(HO)64/12,Secretservicereports,19Oct.1832,f.157v.

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prudentialorelitist.14ThelwallputthisveryclearlywhenhecomplainedofGodwin’s

aversiontopopularpolitics;thepublicmind,Thelwallsardonicallyretorted,wasnot

goingtobetransformed‘bywritingquartovolumesandconversingwithafew

speculativephilosophersbythefireside’.15

Ironically,theremaybeaclueherewhyThelwallwasnotraisedtotheChartist

pantheon.True,hecertainlywasafigureofgrassrootspopularradicalism,culminating

inhisimpassionedspeechesonthepublicplatformatCopenhagenFieldsin1795.But

theclamp-downonradicalisminthemid-1790s,whichresultedinThelwall’sarrestand

trialfortreason(acquittedthoughhewas)andthenthe‘GaggingActs’forcedhimto

abandonovertJacobinism,thenamegiventotheadvocatesofultra-radicalismin

imitationoftheFrenchJacobins.Evenlecturingundertheguiseofanhistorianof

classicalantiquitytocamouflagehisradicalismdidnotsaveCitizenThelwallfromthe

vigilanteanti-radicalmob.Althoughhisradicalismwaslittledented,therecanbeno

doubtthatThelwall’sabandonmentofplatformpoliticsandhisreinvention,following

hisperipatetictourofthewestcountry,firstasareclusefarmer-poetinruralWalesand

thenasawell-to-doelocutionlecturer,didlittletoensurehisposthumouspotential.16

Noneofthemainradicalnewspapersorperiodicalsmarkedhisdeathin1834,much

14Roberts,Chartism,CommemorationandtheCultoftheRadicalHero(Abingdon:Routledge,2020),21–2.GodwinenjoyedgreaterposthumousfamewiththeOwenitesocialistsonaccount,nodoubt,thathehadbeenamentorofOwenwhilehisphilosophicalanarchismandnecessitarianismlentitselfmuchmorereadilytothecommunitarianethosofOwenism.Thiswasalsoconsistentwiththeanti-politicalthrustofOwenismasGodwin,likeOwen,wasdismissiveofthepotentialofdemocraticpoliticstoredresspopulargrievances.SeeGregoryClaeys,CitizensandSaints:PoliticsandAnti-PoliticsinEarlyBritishSocialism(Cambridge:CambridgeUniversityPress,1989),33–35.15E.P.Thompson,TheRomantics:EnglandinaRevolutionaryAge(Rendlesham:Merlin,1997),99.16PenelopeJ.Corfield,‘Rhetoric,RadicalPoliticsandRainfall:JohnThelwallinBreconshire’,typescriptofanessaypublishedinBrycheiniog,40(2008),http://www.penelopejcorfield.co.uk/PDF%27s/CorfieldPdf14_Thelwall.pdf[accessed16Aug.2019].

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lesscontainedlengthyobituaries.Morerevealing,though,severalfashionabletitlesdid

noteThelwall’spassing.17

Ultimately,Thelwallreinventedhimselftoomanytimesandtoosuccessfullyto

ensureposthumousfame.Althoughhispersonalcommitmenttoradicalismendured–

hencehisre-emergenceasaradicaljournalistinthe1810sand1820s–hedidnotre-

establishhimselfasaleaderofpopularradicalisminthepost-waryears.Rather,hewas

aliteraryradical,akintoHazlittandthebrothersHuntoftheExaminer,buthisliterary

andradicaloutputpaledincomparison.Andjustattheverymomentwhenheappeared

tobereconnectingwithmetropolitanpopularradicalismintheaftermathofPeterloo

andtheCatoStreetConspiracy,athreatenedchargeofconspiracyin1822,alliedtothe

commercialfailureofhisnewspaper,theChampion,sawThelwalldistancehimselfonce

again.18Tooradicalforhismiddle-classreadersandtooremovedfromanypotential

working-classradicalconstituency,hefellbetweenthesetwostools.Thelwallendedhis

careerashehadbegunit:afigureintheworldofletters,withtheepisodeasthe

foremostoratoroftheLondonCorrespondingSocietyappearingpreciselyassuch–an

episode,andanatypicaloneatthat.IncontrasttoThelwall,neitherPainenorCobbett

appearedtohaveabandonedradicalism,despiteimprisonment,whilepersecution,

banishment,andexile–Painein1792,Cobbettin1817–didwondersfortheir

posthumouscareersasradicalheroes.19

17YorkHerald,8Feb.1834;LondonCourier,19Feb.1834;MorningChronicle19Feb.1834.18MichaelScrivener,‘JohnThelwall’sPoliticalAmbivalence:ReformandRevolution’,inRadicalismandRevolutioninBritain,1775–1848,ed.inMichaelT.Davis(Basingstoke:Macmillan,2000),70.19AtthetimeofhisfleeingtotheUSAin1817,CobbettwasaccusedofcowardicebysomeradicalsthoughthischargewaseitherconvenientlyairbrushedoutofCobbett’sposthumouscareerorelseitwasjustifiedasCobbettdidatthetime:hadheremainedinBritainhewouldalmostcertainlyhavebeenimprisoned(ifnotforseditionthenpossiblyinsolvency),afatehehadalreadyenduredin1811forsedition,afatewhichwouldnothaveenabledhimtocontinueservingtheradicalcause.GeorgeSpater,WilliamCobbett:ThePoorMan’sFriendVolume2(Cambridge:CambridgeUniversityPress,1982),357–58.ForanexampleofaChartisthomagetoCobbettwhichexcusedhisfailings,seeWilliamLovett’sappreciationinAdvocate&MerthyrFreePress,1Apr.1841.

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Ironically,whatalsohelpedwithPaineandCobbett’sposthumouscareerwasthe

sustainedvitrioloftheirenemies,duringtheirlivesandevenaftertheyhaddied.Itwas

theloyalistsonbothsidesoftheAtlanticwhodidmorethanmosttokeepmemoriesof

Painealiveinthedecadefollowinghisdeath(1809).20ThelwalllackedPaineand

Cobbett’snotoriety,atleastbythetimehedied:the‘acquittedfelon’labelofthe1790s

hadlongbeenburiedbeneathhisreclusivenessandreinventions.Whatalsoaided

Paine’sposthumouslifewasthepersecutionandthousandsofsymbolicdeathsthathe

hadsufferedinthe1790s:Painediednotonce,butmanytimeswheneffigiesofhim

werefiredinthespateofburningswhichspreadacrossEngland.21Intheyearsafter

Paine’sdeath,anumberofhisdevoteesmounteddefencesofhim–mostnotably

Cobbett,whowentfrombeingoneofPaine’sarch-enemiestohisgreatestdefender–

whichagaindidwondersforPaine’sposthumousreputation.22

AfurtherfactorinThelwall’sabsencefromtheChartistpantheonwasthat,

unlikePaineorCobbett,hewasnotagreatwriter,atleastwhenitcametoradical

pamphleteeringandjournalism.Hispungentandhighlyeffectivestyleontheradical

platform(hewasknowncolloquiallyasJohn‘Tellwell’),which,bydefinition,wasmore

transient,didnottranslateeffectivelyontotheprintedpage.AsHazlittobserved,

possiblywithThelwallinmind,‘ThemostdashingoratorIeverheardistheflattest

writerIeverread’.23Herewebegintoseetherelativeimportanceofprintoverthe

spokenwordinsecuringposthumousfame:PaineandtoamuchlesserextentCobbett

20MatthewRoberts,‘PosthumousPaineintheUnitedKingdom,1809–1832:JacobinorLoyalistCult?’,inTheLegacyofThomasPaineintheTransatlanticWorld,ed.SamEdwardsandMarcusMorris(Abingdon:Routledge,2018),107–132.21FrankO’Gorman,‘ThePaineBurningsof1792–93’,PastandPresent,193(2006):111–55.22CorinnaWagner,‘LoyalistPropagandaandtheScandalousLifeofTomPaine:“HypocriticalMonster!”’,BritishJournalforEighteenth-CenturyStudies,28(2005):97–115.23Thompson,Romantics,158.ForThelwall’slecturingandthedemocraticculturehesoughttocreatethroughit,seeJonMee,Print,Publicity,andPopularRadicalisminthe1790s(Cambridge:CambridgeUniversityPress,2016),ch.6.

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werenotgreatoratorslikeThelwall,butthatmatteredlittlefortheirposthumous

careersastheyachievedpoliticalimmortalitythroughtheirpensinawaythatThelwall

wasunable.24Unfortunatelyforthelatter,thedepthsofhisradicalismasexpressedin

hispoetry,andtheheightsofhisliteraryability,didnotmatchthatofByronand

Shelley,bothofwhomwerefirmfavouriteswithmanyChartists.Itmaybetellingthat

theclosestThelwallcametohavingagroupoffollowerswasinruralWaleswhere,if

hostilereportsandlegendaretobebelieved,duringhistimetherehekepttheradical

embersburningbyparticipatinginsecretreadingsofPaineandotherradicalwritersin

themountainsofSouthWales.ReportsfromspiesandinformersallegethatThelwall

hadbeenpresentatMerthyrinSeptember1800,andatHerefordwherehewasa

memberofaJacobingroupwhousedtomeetattheCrownandSceptre.25Thus,itwas

oraltraditionandthememoriesofthesesecretmountaingatherings,whichwereretold

inthenineteenthcenturyandgainedwiththetelling,thatmayhavekeptmemoriesof

ThelwallaliveamongstWelshradicals.26

ItisrevealingthatthosewhowerecommemoratedthemostbyChartiststended

tobegentlemen,broadlydefined.27Theonlynotableexceptionsappeartohavebeen

PaineandCobbett.ChartistssometimesemphasizedthehumbleoriginsofPaineand

Cobbett,butthiswasrare–perhapsbecausetheenemiesofthetwomenhadoften

24Hazlitt,forone,judgedthat‘MrCobbettspeaksalmostaswellashewrites’.WilliamHazlitt,TheCharacterofWilliamCobbett(London,1835),12.25TNA,HO42/51,HomeOfficepapers,disturbancecorrespondence,SamuelHomfreytoHomeOffice,23Sept.1800;HO42/43,EdwardEdwardstoHomeOffice,30Apr.1798.26Williams,ArtisansandSansCulottes,66.27Roberts,Chartism,19,75,171.ManonNouvianhasrecentlychallengedthisargument,butthefactremainsthatmostofthoseinthepantheonweregentlemen,theonlynotableexceptionbeingSamuelHolberrywho,despitetheunderstandableangerandgriefwhichgreetedhisdeath,nevercameclosetorivallingtheplaceofthelongerestablishedgentlemenfiguresinthepantheon.Theotherworking-classfiguresthatManoncitesasmemberoftheChartistpantheonwereonlyadmittedafterthemovementhadlargelyceasedtoexistasamassmovement.ManonNouvian,‘DefiantMourning:PublicFuneralsasFuneralDemonstrationsintheChartistMovement’,JournalofVictorianCulture,24(2019),208–26.

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drawnattentiontotheirplebeianbackgroundsasawayofdiscreditingthem.28Eventhe

pricklyartisanWilliamLovett,whoworkedtirelesslytokeepChartisminthehandsof

hisfellowworkingmen,inaeulogisticarticleonCobbettonlymentionedhishumble

originsinpassing.29ThisisnotthatsurprisingasneitherPainenorCobbettcould,in

truth,bedescribedasworkingclass,certainlynotbythetimeoftheirdeaths.The

working-classclassidentityofthoseinthepantheonwasalsofurtherobscuredbythe

tendencytolabelluminariesas‘noblesofnature’.30ThevisualcultureofChartismalso

reflectsthisobscuring.PortraitsofPaineandCobbettissuedbyChartistsinvariably

depictedtheirsubjectsasgentlemanly,inparttounderlinethemovement’s

respectabilityviaitspatrimony.31Inshort,therewasnothingexplicitlycomparableto

theAmericanposthumouscultofBenjaminFranklinasthe‘workingman’ssymbol’,

tracedbyGordonS.Wood,inwhichartisansandmiddlingsortsreadintohishumble

birthandself-madestatusavalidationofproductivelabourandupwardsocial

mobility.32Franklinhimself,wemightnote,wasinvokedbyChartistsmuchlessoften

thanGeorgeWashington,whoselifelentitselfmuchmorereadilytoRomantic

brushstrokesthanFranklin’sdid.Indeed,itwaspaintedinthesetermsbyandforthe

Chartists:‘thatillustrioussoldieroffreedom,andemancipatorofAmerica’begana

seriesofbiographicalarticlesonWashington,commencedinthefirstissue,noless,of

28See,forexample,thesatiricalLifeofWilliamCobbettbyJamesGillray(1809)whichlampoonedCobbett’shumblebackgroundandhisupstartpretensions.ThewayinwhichtheloyalistpressandsatiristsparodiedPaine’soccupationasastay-makeriswellknown.29EnglishChartistCircular,No.8,1841.30E.g.NorthernStar,5Feb.1842(PainebirthdaycommemorationatMerthyrTydfil),7Feb.1846(PainecommemorationatAshton-under-Lyne),4Jan.1845(Cartwright,HuntandCobbettdescribedas‘noblesofnature’atRotherham).31MalcolmChase,‘BuildingIdentity,BuildingCirculation:EngravedPortraitureandtheNorthernStar’,inPapersforthePeople:AStudyoftheChartistPress,ed.JoanAllenandOwenR.Ashton(London:Merlin,2005),26.32GordonS.Wood,TheAmericanizationofBenjaminFranklin(NewYork:Penguin,2004).

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theEnglishChartistCircular.33Paine,andtoalesserextentCobbett,haddiedas

scourgesoftheestablishment,andtheircareersillustratednotsomuchthetriumphof

theworking-classmanbutthefrustrated,talentedmanwho,despitehavingrisentothe

statusofgentleman,wasstillpersecutedbytheestablishment.BythetimethatThelwall

died,hewasnosuchscourge.Ironically,itwasonlyafterhiscareerasaradicalleader

wasoverthathetrulyachievedgentlemanlystatusasanelocutionlecturer.

TherarityofChartistcelebrationofPaineandCobbett’sworking-classoriginsis

alsoconsistentwiththecompositionandemphaseswithinthewiderpantheon.Inthis

respect,ChartistheritagepoliticswashardlycongruentwiththeRomanticpastoral

rediscoveryofthepeople.Ontheotherhand,itwascongruentinthesensethat

gentlemanradicals,inthepresentaswellasthepast,likelyricpoetsspokeforthe

peopleanddrewattentiontotheirplight.ThiswasmostevidentwithCobbettwhose

sympathyforthepoorwasgroundedinhisknowledgeandpoliticisationofpopular

culture,andinRuralRidesatleastaddressedtoreaderswhowerenotofthepeople.34

EventhoseChartistslikeThomasCooperandErnestJones,whowenttogreatlengthsto

sketchouta‘people’shistory’fortheChartists,whichcertainlyincludedworking-class

groupssuchasmedievalpeasants,stilltendedtoplacemostemphasisongentleman

radicalsandreformers.InanamendedversionofCharlesCole’spoemTheSpiritofWat

Tyler,theCarmarthenChartistleaderHughWilliamssituatedTyler(ablacksmithby

trade)mainlyinthetraditionofgentlemanleaders:ThomasMuirandthe‘Scotch

Martyrs’ofthe1790s,theUnitedIrishmenLordEdwardFitzgeraldandRobertEmmet,

33EnglishChartistCircular,No.1&2.ThemainarticlesonWashingtonwerebyCharlesPhillips,andextractsfromGuizot’slife,translatedbyPaulParnell.Alittleunderayearlater,thisnewspaperbeganamuchfuller,serializedlifeofWashington,whichcommencedinissue48.34IanDyck,WilliamCobbettandRuralPopularCulture(Cambridge:CambridgeUniversityPress,1992).ForthesesortsoftensionsinRomanticism’srelationshiptothepeopleandpopularculture,seePhilipConnellandNigelLeask,‘WhatisthePeople?’,inRomanticismandPopularCultureinBritainandIreland,ed.PhilipConnellandNigelLeask(Cambridge:CambridgeUniversityPress,2009),3–48.

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whilethelowlyoriginsofTyler,JohnArchamber(oneoftheleadersofaninsurrection

againstHenryVII),JackCadeandRobertKett(eponymousleadersofrebellionsin,

respectively,1450and1549)arementionedeitherinpassingornotatall.35Totake

anotherexample,inhisperiodicalTheMidlandCounties’Illuminator,ThomasCooper

serializedthe‘LivesoftheCommonwealthsmen’JohnHampden,SirJohnElliotandJohn

Pym.36ChartistsrarelyexplicitlyinvokedtheLevellers,thoughnodoubtthishadlessto

dowiththeirsocialcomposition(themostprominentleaderswere,inanycase,

gentlemen)andrathermorewiththedangerouslevellingconnotationsthatthename

couldstillexciteamongsttheupperclasses,reactivatedduringthe1790swhenJacobin

andlevellerweresynonymized.37

TherewerefewtoaststotheplebeianradicalsoftheLCS;indeed,theLCSitself

doesnotfeatureasprominentlyasonemightexpectforthisobviousprogenitorof

Chartism,butthenitsclosestdescendant,theLWMA,forreasonswhichwillbecome

clearerlateron,werereluctantcommemorators.Thelwall,alongwithThomasHardy

andtheotherradicalswhowereacquittedoftreasoninthe1790s,werecommemorated

eachyearbyagroupofgentlemanradicalsintothe1850s(the‘friendsoftrialbyjury’

and‘friendsofparliamentaryreform,ledbytheex-UnitarianradicalW.J.Fox),for

upholdingtheprincipleoftrialbyjury,thereportsofwhichdulyappearedinthe

ChartistNorthernStar.Butthesewerecommemorativeeventsorganizedbygroups

largelyextraneoustoChartism.38ThetrialoftheNewportrebels–theleadersofthe

SouthWalesChartistrisinginNovember1839–fortreasonandthereturnofaguilty

verdictinJanuary1840ledsomeChartiststomakecomparisonswiththetreasontrials

35HughWilliams,NationalSongsandPoeticalPieces(London:HenryHetherington,1839),13–21.36MidlandCountiesIlluminator,20Mar.,3and17Apr.1841.37AsFredDonnellyhasargued,whenradicals–includingThelwall–didinvoketheLevellerstheylockedthem‘carefullywithinaWhiggishviewoftheseventeenthcenturyconflict’.F.K.Donnelly,‘LevellisminEighteenthandEarlyNineteenth-CenturyBritain’,Albion,20(1988),268.38Operative,11Nov.1838;NorthernStar,12Nov.1842,11Nov.1843,8Nov.1851.

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inthe1790s,butnobiographicaldetailsofThelwallorarediscoveryofhiswritings

ensued.39Indeath,Thelwallwasthepropertyofbourgeoisradicalism,adirectionin

whichhehadbeenmovingsincethe1790sasdemonstratedbyhisconnectionswiththe

anti-warnetworksinthefirstdecadeofthenineteenthcentury.40Thelwallwasnever

thesubjectofaChartisttoast;Hardyonlyonce;andnoextractsfromThelwall’swritings

appearedintheChartistpress.41Farmoreattentionwaspaidtothe‘MartyrsofLiberty’

–thevictimsoftheScottishseditiontrialsof1793and1794–perhapsbecausethey

werefoundguiltyandtransportedratherthanacquitted.Butonceagainnoneofthe

ScottishMartyrs–Muir,Gerald,Skirving,Palmer,MargarotorWatt–couldbedescribed

asworkingclass.42

ThemostpopularfigurefromthisperiodwastheIrishnationalistRobertEmmet

who,inthewordsofChartism’sfirsthistorian,R.G.Gammage,‘wasayounggentleman

withgoodpromiseofsuccessinlife’,until,thatis,hisfailedrebellionof1803ledtohis

executionattheyoungageoftwentyfive.43TheportraitofEmmetissuedbythe

NorthernStarwasbyfarthemostsoughtafterofallitsportraits.44Chartistsseemto

havebeennolessfascinatedbygentlemenleadersinthepastthantheywereinthe

present;fewworking-classheroeswereraisedtothepantheon.EmmetwasaRomantic

radicalparexcellence:young,idealistic,foolhardy(someChartistswerefullyalivetothe

flawsinhisRomanticcharacter)andatragicdeathatthehandsoftheEnglishstateand,

39NorthernLiberator,23Nov.1839(‘InsurrectioninWales’),18Jan.1840(‘MrFrost’).40E.P.Thompson,‘HuntingtheJacobinFox’,Past&Present,142(1994),114–5.41NorthernStar,16Nov.1839(toasttoHardyatAshton).42ThememoirsofThomasHardywere,however,serializedintheEnglishChartistCircular.ForChartistcommemorationoftheScottishMartyrs,seeRoberts,Chartism,12–13;Pentland,‘ThePosthumousLivesofThomasMuir’.43RobertGammage:ReminiscencesofaChartist,ed.W.H.Maehl(Manchester:SocietyfortheStudyofLabourHistory,1983),38.44Chase,‘BuildingIdentity’,38.

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asweshallseeinthenextsection,anexemplarofposthumouslife-writing.45AsWilliam

Farish,aScottishChartistweaver,recalledofEmmetinhisautobiography:‘thefervour

ofhisyouthfulpatriotismandthepoeticpassionofhissweetheartMissCurran…throw

ahaloaroundamemorywhichisalwaysattractivetosentimentalandsympathetic

natures’.FarishframedhiscopyoftheNorthernStarengravingofEmmetandhungitin

hisbedroom.46

RomancingthePantheon

TheabsenceofThelwallfromtheChartistpantheonwascertainlynotsymptomaticofa

widerrejectionofRomanticism,atleastnotforsomeChartists.Threekeyaspectsof

Chartistpantheonismclearlyregistereditsenduringculturalimpact.First,buildinga

paperpantheonaroundasetofflawedradicalindividualleaderswhowereaccorded

heroicstatus,amongstwhomnumberedsomeofhistory’smostRomanticheroes,and

werecommemoratedassuchbytheChartists,wasquintessentially,ifrather

stereotypicallyRomantic.Forexample,inadditiontoEmmet,alsointhepantheonwere

theUnitedIrishmanLordEdwardFitzgeraldwhodiedduringthe1798Irishrebellion,

WatTyler,WilliamTellandAndreasHofer,‘TheTelloftheTyrol’.Second,theinvoking,

publishing,andreadingofRomanticauthors,notablyByronandShelley.Theshort-lived

ChartistSheffieldWorkingMan’sAdvocatepublishedextractsfromShelley’sQueenMab,

interestinglyopeningwiththestanzafrombookIII:‘Naturerejectsthemonarch,notthe

man’,whichmayhavereflectedthelessthansubtlerepublicanismoftheperiodical.But

itwasnotjustByronandShelleywhowereinvoked,butalsooccasionallyWilliam

45ForEmmet’sliferetoldasacautionarytaleagainstphysicalforceChartism,seeChartistCircular(Scotland),10Jul.1841.46WilliamFarish,TheAutobiographyofWilliamFarish:TheStrugglesofaHandloomWeaver(London:Caliban,1996[1889]),50.

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Wordsworth,RobertSoutheyandRobertBurns.Occasionally,Chartistsevenpartookof

the‘literarytourism’andpilgramesbyvisitingthebirthplacesortheformerresidences

ofromanticwritersthatwassuchamarkedfeatureofliterarycommemorationinthe

Victorianperiod.47Theneo-Jacobin,ultra-ChartistLondonDemocraticAssociation

placedattheheadofitsconstitutionandrulesnotaquotationfromPaineoraFrench

revolutionary,butanextractfromRobertSouthey’sdramaticplayWatTyler.48When

ThomasCoopertriedtoencouragetheLeicesterChartistWilliamJonestocomposea

longpoem,heentreatedhimto‘Read-think’,andheasked:‘Whatbookshaveyou?-a

Shakespeare,aMilton,aByron,aKeats,aShelley?DoyougetScott’snovelsfromanyof

thecirculatinglibraries?’49

ThethirdregisterofRomanticismwastheliteraryformationandcultural

productionsofanumberofChartistimaginativewriterssuchasErnestJones,Thomas

CooperandG.W.M.Reynolds.50TheculturalstylisticsofseveralChartistleaders,notably

FeargusO’Connor,DrsJohnTaylorandPeterMurrayMcDouallalongwiththeyoung

GeorgeJulianHarney,alsohintedstronglyattheinfluenceofRomanticismwiththeir

47Forliterarytourism,seeCommemoratingWritersinNineteenth-CenturyEurope:Nation-BuildingandCentenaryFever,ed.AnnRigneyandJoepLeerssen(Basingstoke:Palgrave,2014).SheffieldWorkingMan’sAdvocate,3Apr.1841;AdvocateandMerthyrFreePress,Aug.1840;R.J.Richardson,PoliticalAlmanac(London,1840),copyinTNA,HO45/55;Taylor,ErnestJones,79;MikeSanders,ThePoetryofChartism:Aesthetics,Politics,History(Cambridge:CambridgeUniversityPress,2009),8–9,47;RobertLowery:RadicalandChartist,ed.BrianHarrisonandPatriciaHollis(London:Europa,1979),116.ForthecontestedlegaciesandinvokingofBurnsbyChartists,seeChristopherA.Whatley,‘“ItissaidthatBurnswasaRadical”:Contest,ConcessionandthePoliticalLegacyofRobertBurns,ca.1795–1859’,JournalofBritishStudies,50(2011):653–54;AnnRigney,‘EmbodiedCommunities:CommemoratingRobertBurn,1859’,Representations,115(2011),71–101.48TheConstitutionoftheLondonDemocraticAssociation(London,1838),copyinTNA,HO44/52,f.221.49LeicestershireRecordOffice(LRO),DE2964/22,PapersofWilliamJones,ThomasCoopertoWilliamJones,30Sept.1845.SeealsoIanHaywood,‘TheLiteratureofChartism’,inTheOxfordHandbookofVictorianLiteraryCulture,ed.JulietJohn(Oxford,2016),87–8.50AnneJanowitz,LyricandLabourintheRomanticTradition(Cambridge:CambridgeUniversityPress,1998),chs5–6;G.W.M.Reynolds:Nineteenth-CenturyFiction,PoliticsandthePress,ed.AnneHumpherys(Aldershot:Ashgate,2008);Taylor,ErnestJones;SimonRennie,ThePoetryofErnestJones:Myth,Songandthe‘MightyMind’(Oxford:Legenda,2016).

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flareforthemelodramaticorexoticappearancesandeccentricitiesofdressandstyle.51

TheRomanticfacetsofthesenationalleadersiswellknowntohistoriansandliterary

scholars,lesswellknownarethewaysinwhichRomanticismwasregisteredbylocal

figuresinthemovementthroughpoetryandsong,figuressuchasHughWilliamsor

WilliamJones–citedabove,theframeworkknitter-cum-poetandhymnwriterwhose

outputs,whichincludedpastoralandlyricalpoems,werefrequentlypublishedin

Cooper’sChartistperiodicals.OneofJones’s‘Ode’s’wasprintedalongsideShelley’s

defenceofpoetryinanissueoftheChartistPilot,which,interalia,emphasizedthe

importantroleplayedbypoetryinactivatingfeelings–keytosuccessfulpolitical

mobilizationinShelley’sview.52Cooper,unsurprisingly,tooktheviewthatpoetryand

songwerecrucialtothemovement.AsheinformedWilliamJonesin1845:‘Youmay

guessthatIambentonresurrectingChartisminearnest,inLondon,-and,therefore,

intendtointroducesinging.’53Inanearlierletter,Cooperelaboratedalittlemorefully

thathevaluedsongs,andinparticulartheradicalversesthatJoneshadcomposedand

senthim‘asameansofrestoring,ifpossible,thespiritthatseemsnearlytooextinct’

amongstChartism’sfollowers.54Butitwasnotjustamongstthe‘labourlaureates’that

theinfluenceofRomanticismwasregistered.Eventhedown-to-earthSalfordChartist

R.J.Richardsoncomposedamonodytothememoryofhisinfantson,Harry,who

51McDouall’sChartistJournalandTradesAdvocate,7Aug.and4Sept.1841(Byron),28Aug.1841(Shelley),18Sept.1841(Southey);P.PickeringandS.Roberts,‘Pills,PamphletsandPolitics:TheCareerofPeterMurrayMcDouall(1814–54)’,ManchesterRegionHistoryReview,11(1997):35.IexploretheRomanticandGothicfacetsofO’Connor(andthe‘Tory-Radical’RichardOastler)inmybook,DemocraticPassions:ThePoliticsofFeelinginBritishRadicalism,1809–1848(forthcoming,Manchester:ManchesterUniversityPress).ForTaylor,seeW.HamishFraser,DrJohnTaylor,Chartist:AyrshireRevolutionary(Trowbridge:AyrshireArchaeological&NaturalHistorySociety,2006),16,25.52ChartistPilot,22Dec.1843.Jones’poetrydeservesmoreextendedtreatment.Foraselectionofhispoems,seeTheAnthologyofLeicesterChartistSong,Poetry&Verse,ed.NedNewitt(Leicester:LeicesterPioneerPress,2006).53LRO,DE2964/20,PapersofWilliamJones,ThomasCoopertoJones,30Jun.1845.54LRO,DE2964/17,CoopertoJones,4Mar.1845.

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tragicallydiedagedsevenmonthsinJuly1844.55Themonody,apoemwhichlaments

another’sdeath,hadclassicaloriginsbuthadbeenrevivedbytheRomantics,notablyin

Coleridge’smonodyonthedeathofThomasChatterton.56

Theinventionoftraditionandmythsof(re)creation‘werecentraltothe

Romanticimagination’.57Legitimatingappealstothegloriousdemocraticpastofthe

EnglishConstitution,ofbenevolentmonarchslikeAlfredtheGreatandtherecoveryof

SaxonlibertiesfromthefoulimpositionoftheNormanYokewereeachincarnationsof

theRomanticcreationofhistoricalmythsbytheChartists.58Itwouldbeinaccurate,

however,toassumethatChartistheritageproductionsnecessarilyviewedthepast

throughrose-tintedspectacles.Rememberingtraumaticepisodes,oftenreactivatedby

eventsinthepresent,suchasthePeterlooMassacreortheexile,executionandtragic

deathofradicalmartyrscouldbejustasRomantic.59Whennewsarrivedthatthe

SheffieldChartistSamuelHolberryhaddied–oneofthefewworkingmentobe

admittedtotheChartistpantheon–asaresultofthedeplorableconditionshehad

sufferedinprison,theaffectiveresponseofChartistswassimilartothatwhicha

previousgenerationofradicalshadexperiencedintheaftermathofPeterloo:shock,

anger,betrayalandgrief.WritingtohisfriendThomasCooper,theChartistlecturer

55Archives+,ManchesterCentralLibrary,R.J.RichardsonPapers,‘MonodyontheDeathofHarryRichardson’,July1844,f.195.56Thegenericshiftfromsatiretomelodramainpopularradicalimaginativeliterature,tracedbySallyLedgerandMikeSandersinthetransitionfromregencyradicalismtoChartism,wasalso,arguably,indicativeoftheaestheticpurchaseofRomanticism:MikeSanders,‘NoLaughingMatter:ChartismandtheLimitsofSatire’,inNineteenth-CenturyRadicalTraditions,ed.J.BristowandJ.McDonagh(Basingstoke:Palgrave,2016),21–35.57RoyPorterandMikulášTeich,‘Introduction’,inRomanticisminNationalContext,ed.RoyPorterandMikulášTeich(Cambridge:CambridgeUniversityPress,1988),3.58Charter,17Mar.1839.SeealsoChristopherHill,‘TheNormanYoke’,inPuritanismandRevolution(London:Secker&Warburg,1969),119–25;JamesEpstein,RadicalExpression:PoliticalLanguage,RitualandSymbolinEngland,1790–1840(NewYork:OxfordUniversityPress,1994),ch.1;PeterSpence,TheBirthofRomanticRadicalism:War,PopularPoliticsandEnglishRadicalReformism,1800–1815(Aldershot:ScolarPress,1996).59JosephCozens,‘TheMakingofthePeterlooMartyrs,1819tothePresent’,inSecularMartyrdominBritainandIreland:FromPeterlootothePresent,ed.KeithLaybournandQuentinOutram(Basingstoke:Palgrave,2018),31–58.

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Figure 1

‘Murders demands Justice’, broadside, n.d. [1842]

Source: The National Archives, MFQ1/265

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Figure 2

‘Working Men of Barnsley!’, 6 Aug. 1839.

Source: The National Archives, HO 40/51, f. 361.

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JonathanBairstowconveyedhisaffectivestateonlearningofHolberry’sdeath(during

themiddleofalectureatSheffield):‘Iwasstruckdumb,Istaggered,myheadreeledto

andfrolikeadrunkenman’s–Ifeltmad.’60AfuneralhymnforHolberrycomposedby

theLeicesterChartistJ.H.Bramwich,whileexpressingthemovement’ssadness,strucka

moredefiantnote:‘Tho’Freedommournshermurder’dson,/Andweepingfriends

surroundhisbier;/Tho’tearslikemountaintorrentsrun,/Ourcauseiswater’dby

eachtear.’61OneChartistbroadsideimplicitlylinkedHolberry’sdeathwithPeterlooby

exclaiming‘MurderdemandsJustice’,arefrainthatwasrepeatedlyheardinthe

aftermathofPeterloo.Thegenreofthebroadsideisdistinctlymelodramatic(seeFigure

1).Anotherbroadside–addressedto‘WorkingMenofBarnsley!’warnedChartistsnot

toattendamassmeetinglesttheauthoritiesrepeatthe‘DramaofPeterloo’(Figure2).

LikeallRomanticheroes,themembersofthepantheonwereflawedcharacters

andChartistsoccasionallydweltonthisasseenpreviouslywithEmmet,invariably

excusingthelesssavouryaspectsoftheircharactersasproductsofthevilificationand

persecutiontheyenduredortheexceptionalcircumstancesinwhichtheyfound

themselves.62Theidealism–akeyRomanticcharacteristic–thatChartistsreadinto

theirheroeshadlesstodowiththepersonalitiesofindividualfiguresandrathermore

withatranscendenttimelessnessthattheywerepartofanongoingstruggleforliberty

thatwouldneverdie.WilliamJones,whomwehavealreadyencountered,capturedthis

inhishymn‘Immortality’,whichisapaeantotheradicalpatriotsofbygonedays,not

oneofwhomisnamed;allaresubsumedundertheidentityofpatriot,‘spiritsofthe

dead’.JonesalsocapturedhowtheheritagepoliticsofChartismwasnomereexercisein

60TNA,TS11/602,TreasurySolicitor’sPapers,confiscatedlettersofThomasCooper,JonathanBairstowtoThomasCooper,22Jun.1842.61SheffieldLocalStudiesLibrary,MP1216S,J.H.Bramwich,‘FuneralHymn,SamuelHolberry’,Jun.1842.ForthechoreographingofHolberry’sfuneral,seeNovian,‘DefiantMourning’.62W.J.Linton,TheLifeofThomasPaine(London:JamesWatson,1842),43

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consolation,ofturninginwardsandbackwards;akintowhatsomehavereadinto

Romanticism’s‘transmutationofradicalpoliticalidealismintopurelyimaginative

revolutionandredemption’.63Evenindeath,andbyextensionindefeat,Jonessounds

thenoteofeventual,inexorabletriumph:‘Ohhowgloriouslytheyfought,how

triumphantlytheyfell!’Therewardofthefallenpatriotswas‘immortalityoffame’.64

Thus,theradicaltraditioninventedbytheChartistswasempowering:theystoodonthe

shouldersofgiants;werepartofamovementthatwasbiggerthanitsparticipantsand

whichhadhistoryonitsside.SpeakingatajointmeetingofChartistsandIrish

RepealersatManchesterin1848,O’Connorrelayedtothecrowdhowhisuncle,the

UnitedIrishmanArthurO’Connor,hadtoldhimasayoungboynottomournthedeaths

ofLordEdwardFitzgeraldandRobertEmmetfor‘everydropofbloodspilledoftheirs,

tenthousandspatriotswouldarise’.65Farfrombeingindividualizing,theradical

traditioninventedbytheChartistswasacollaborativeandsocialpractice:

commemorativedinners,communalreadingsofradicalgreats,andbyengagingin

criticaldialogueoverthecompositionofthepantheonandwiththeideasofthoseinthe

pantheonwithfellowChartistsinclassesandthroughthemediumofthepress.While

thepantheonmayhavebeenpopulatedwithindividualradicalgreats,theywere

symbolicallymadethecommunalpropertyofthepeople.66

Theroundofdinners,teasandsoireescompletewithrollcallsoftoaststo

departedheroes,whichpunctuatedtheChartistcalendar,couldbeintensely

sentimentalandmelodramaticoccasions,ascouldthepoemsandsongscomposedfor

63AidanDay,Romanticism(London:Routledge,1996),90.64LRO,DE2964/7,PapersofWilliamJones,‘Immortality’,byWilliamJones,n.d.65NorthernStar,25Mar.1848.66IdevelopthesepointsatagreaterlengthinRoberts,Chartism,68–71,207–8.

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theseoccasions.67R.Beith’ssong‘SpiritsoftheMightyDead’(avariationonan

Americansongofthatnamefromthewarof1812)invokedradicalgreatsasprotectors

andtonics:‘Shieldmydevotedhead/Fromtheillsthatwoundme,/Milton,Shelley,

Byron,Burns,/Thewearyheart-delighting…Franklin,WashingtonandPainebanish

woefromeveryland!Yesetallheartsinmotion’.68Expressionsofsorrowandmourning

atthepassingofheroes,whose‘likewillneverbeseenagain’,couldformpartof

Chartistcommemorativerituals,andwereaccompaniedbysongsandpoemssuchas

the‘DeathofHenryHunt’,oftentellinglycalled‘laments’.AdinnerheldatAshton-

under-LyneinNovember1838tocommemoratethebirthdayoftheregencyradical

HenryHuntconcludedwithalinefromThomasMore’spoemaboutRobertEmmet,

recitedbythelocalChartistleaderWilliamAitken:‘Thetearthatweshed,tho’insecret

itrolls,/Shalllongkeephismemorydearinoursouls’.OtherRomanticnotesonthese

occasionscouldalsoincludeenduringfeelingsofangerandoutrageoverthelossoflife

atPeterlooandtheunrepentantauthoritieswhoinflicteddeathandinjuryonthe

defencelesscrowd,feelingsthatwereheightedbythepresenceofPeterlooveteransand

paintingsoftheMassacre.Someofthetoastswere‘drunktoinsolemnsilence’,while

thetoaststhemselvescouldbemelodramatic.69Whenthejuvenilemembersofthe

Ashton-under-LyneNationalCharterAssociationperformedRobertEmmet’strial,the

reportintheNorthernStarobservedthat‘everyoneconcernedacquittedhimselfso

well,thatthehearerscouldnotbutbestruckwiththereflectionsofreality–indeed,

67Ontherelationshipbetweenmelodramaandpopularpolitics,seePatrickJoyce,DemocraticSubjects:TheSelfandtheSocialinNineteenth-CenturyEngland(Cambridge,1994),ch.14;RohanMcWilliam,‘MelodramaandtheHistorians’,RadicalHistoryReview,78(2000),57–84.68ChartistCircular(Scotland),13Mar.1841.FortheoriginalAmericanrendition,seeJenniferClark,TheAmericanIdeaofEngland,1776–1840:TransatlanticWriting(Abingdon:Routledge,2013),107.69NorthernStar,17Nov.1838.

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whilethecharacterofEmmetwasbeingperformed,tearswereseentricklingdown

manycheeks’.70

Theritualizedcommemorationofradicalheroes,themourningattheirpassing

andtherepeatedinvokingoftheirnamesbyChartistshintsatthecollaborative

relationshipbetweenthedeadandthelivingthathasbeenthesubjectofrecentworkin

RomanticStudiesonposthumouslifewriting.SeveralRomanticauthorswereextremely

anxiousabouttheirposthumousreputations.AsMarkSandyhasshown,thisisatheme

thatsomeRomanticauthorsexploredintheirownwriting.71Itishardlysurprisingthat

radicalgreatswhoweremostanxiousintheirownlifetimesaboutimmortalitywere

morelikelytogainadmissiontothefutureChartistpantheon.Fewradicalleaderswere

moreconcernedwiththeirlegacythanPaineandCobbett,afacet,itcouldbeargued,of

theirmoregeneralandwidelyacknowledgedarrogance.InfairnesstobothPaineand

Cobbettitwasthepoweroftheirproseandthewayinwhichtheydirectlyaddressed

posteritythatbegantheirposthumouscareers,aswesawinthecomparisonwith

Thelwall.‘Tisnottheconcernofaday,ayear,oranage;posterityarevirtuallyinvolved

inthecontest’,PainewroteinCommonSense.72EventhoughPainespentthelastdecade

ofhislifelivinginobscurity,sowellhadhelaidthegroundworkforhisposthumouslife,

inpartbytrumpetinghisself-importance,thatthisdidlittletodenthisimmortality.

Cobbettwasjustas,ifnotmore,concernedinhislastyearswithhislegacy,evencalling

someofhisfinalworksLegacies.Asheexplainedinthededication(toSirRobertPeel)

appendedtohisLegaciestoLabourers,whichwasanattackontheNewPoorLaw:

70NorthernStar,31Oct.1840.71MarkSandy,Romanticism,MemoryandMourning(Aldershot:Ashgate,2013).SeealsoH.J.Jackson,ThoseWhoWriteforImmortality:RomanticReputationsandtheDreamofLastingFame(NewHavenandLondon:YaleUniversityPress,2015).72TheThomasPaineReader,ed.MichaelFootandIsaacKramnick(London:Penguin),80.

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IcallitaLEGACY,becauseIamsure,that,notonlylongafterIshallbelaid

undertheturf;butafteryoushallbelaidtherealso,thislittlebookshallbean

inmateofthecottagesofEngland,andwillremindtheworkingpeople,

whenevertheyshallreadit,orseeit,orhearit,thattheyoncehadafriend,

whomneithertheloveofgainontheonehand,northefearoflossonthe

other,couldseducefromhisdutytowardsGod,towardshiscountry,and

towardsthem.73

Thearchetypalposthumousradicalwas,ofcourse,RobertEmmet.Wehave

alreadyseensomethingoftheaffectiveintensitywithwhichChartistsrememberedhim.

ThisintensitywasheightenednotjustbythetragiccircumstancesofEmmet’sdeath,but

alsobythewayhedirectlyengagedposterityinhisdefiantcourt-roomspeech:

Letnomanwritemyepitaph…letnomandaretocalumniateme.Letmy

characterandmymotivesreposeinobscurityandpeace,tillothertimesand

othermencandothemjustice;Thenshallmycharacterbevindicated.Then

maymyepitaphbewritten.74

AsEmmet’shugepopularitywiththeChartistsimplies,thisinjunctionwasnotjust

takenupbysubsequentgenerationsofIrishnationalists,butalsobyBritishradicals.By

contrast,thoseradicalswhowerelesspreoccupiedwiththeirownimmortality–John

73Cobbett’sLegacytoLabourers(London:CharlesGriffin,1870[1835]),31.SeealsoCobbett’sLegacytoParsons(London:CharlesGriffin1870[1835]).74Onthemakingofthe‘EmmetLegend’seeReinterpretingEmmet:EssaysontheLifeandLegacyofRobertEmmet,ed.AnneDolan,PatrickM.Geoghegan,DarrylJones(Dublin:UCDPress,2007).

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Thelwall,atleastinpoliticalterms–werelessassuredofaplaceinthepantheon.

Thelwallclearlywrotepoetrywithposterityinmind.75Butthiswasclearlynotthecase

whenitcametohisroleasaradicalleader.Whenitcomestopantheons,thereisno

roomformodesty.

Posthumouslife-writingoftentakesonacollaborativerelationshipbetweenthe

deadauthorandthoseinthepresentwhoperpetuatethatlifethrougha‘webof

reception’intheformofbiographies,especiallythegenreoflivesandletters,elegies,

epitaphs,tombstones,monuments,andsculptures.76TimChiouhaspersuasivelyshown

inastudyofRomanticposthumouslife-writingthat‘theposthumousenduranceofthe

artistiscontingentnotonhisworksalone,butalsoonalargecommunityoffriends,

family,colleaguesandreaderscommittedtotheethicsofremembrance.’77Thereisan

obviousparallelherewithChartistcommemorativepractices.Arecurringrefrain,and

onethatgoesallthewaybacktotheRomanpoetHorace,isthenotionthatawriter’s

oeuvrerepresentsamonumentinitself,andonefarmorelasting,interactiveand

dynamicthanaflat,inertmonument.Chartistsmadethisverypointwhen

recommendingtheworksofradicalgreats.78Theadvertisementcolumnsbyradical

booksellersintheChartistpressarelitteredwitheditions,oldandnew,ofworksby

radicalgreats(ofteninterspersedwithRomanticproseandpoetry).PaineandCobbett

werefortunatethattheyhaddevotedfollowers,someofwhombecameChartists,who

wenttogreatlengthstokeeptheirnamesbeforethepublic,notleastbyensuringthat

75JonMee,‘TheDungeonandtheCell:ThePrisonVerseofColeridgeandThelwall’,inJohnThelwall:RomanticRadical,107.76For‘websofreceptions’,seeTomMole,WhattheVictoriansMadeofRomanticism:MaterialArtefacts,CulturalPractices,andReceptionHistory(Princeton,2017).77TimYi-ChangChiou,‘RomanticPosthumousLifeWriting:Inter-stitchingGenresandFormsofMourningandCommemoration’,(PhDthesis,UniversityofOxford,2012),14.Chioudefinesposthumouslifewritingas‘anticipatorydeathwritings,worksofmourning,commemorativelifewritings,memorialaids,andbelateddefences’,20.78ThePoliticalWorksofThomasPaine(London:T.M.Wheeler,1846),n.p.,copyheldbytheWorkingClassMovement’sLibrary,Salford.

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theirworkscontinuedtobepublishedwellintothenineteenthcentury.79Cobbettleft

behindaveritablemini-familypublishingbusinessdedicatedtoediting,publishingand

sellinghisworks.Thelwallwaspoorlyservedinrespectofthis‘assistedauthorship’;his

secondwifemanagedtopublishthefirstvolumeofhisbiography,butthesecond

volumedetailinghislifefrom1795neverappeared.80

FeelingforVolney

Astheprecedingdiscussionsuggests,Chartismclearlyregisteredthelongreachof

Romanticism.Butitdidsocritically.Forexample,someofthoseChartistswhoused

Shelley’spoetrydidsowithdiscrimination.CasieLeGettereachessimilarconclusions

byshowinghowradicalpublishersandeditorsintheearlynineteenthcenturyused

extractsfromRomanticeratextsfortheirownpoliticalends,effectivelyremakingthose

textsintheprocess.81TherewerealsosomeChartistswhoweredeeplyuneasy,ifnot

resistant,towhatwewouldnowrecognizeassomeofthekeycharacteristicsof

Romanticism:theuncheckedexpressionoffeeling(orpassionsinthelanguageofthe

period);nostalgiaandaromanticattachmenttothepast;culturalnationalism;andlast,

butbynomeansleast,thecultoftheindividual-hero.82Thisaversionishardly

surprisinggiventhecloseassociationbetweencertainstrandswithinRomanticismand

conservatism,reactionandcounter-revolution.83Thelinkingthreadinmuchofthis

79MalcolmChase,‘Cobbett,hisChildrenandChartism’,inWilliamCobbett,RomanticismandtheEnlightenment,ed.JamesGrandeandJohnStevenson(London:Pickering&Chatto,2015),123–36.80Corfield,‘JohnThelwallinBreconshire’,17.For‘assistedauthorship’,seeJackson,ThoseWhoWriteforImmortality,23.81JenMorgan,‘TheTransmissionandReceptionofP.B.ShelleyinOweniteandChartistNewspapersandPeriodicals’,(PhDthesis,UniversityofSalford,2014);CasieLeGette,RemakingRomanticism:TheRadicalPoliticsoftheExcerpt(Basingstoke:Palgrave,2017),1.82ForChartistresistancetoculturalnationalism,seeMatthewRoberts,‘DanielO’Connell,RepealandChartismintheAgeofAtlanticRevolutions’,JournalofModernHistory,90(2018):9–10.83MarilynButler,Romantics,RebelsandReactionaries:EnglishLiteratureanditsBackground,1760–1830(Oxford:OxfordUniversityPress,1981),180–1.

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anti-Romanticcurrentconcernedthedestructivepotentialofinflamingthepassions.

ThoseChartistswhowereexercisedbythisfollowedthoseEnlightenmentthinkerswho

positedafundamentalseparationbetweenreasonandfeeling,whichledthemtocreate

andpracticewhatmightbetermedanasceticradicalism.Thisasceticradicalismoweda

greatdebttoluminariesoftheradicalEnlightenment,inparticularGodwinand

Wollstonecraft,notwithstandingtheirrelativeabsencefromthepantheon.84

GodwinandWollstonecrafthadbeenparticularlyanxiousaboutthepassionsand

theirdestructivepotentialinthepublicsphere,perhapsbecausebothwereacutely

awareofhowdangerouspassionscouldbefromtheirownprivatelives.85Reacting

againstthesentimentalismofthelateeighteenthcentury,theyhadrejectedthe

deterministicviewthathumanswereentirelyorlargelyhelplessvictimsoftheir

passions;suchaview,theyheld,wasdangerousasitreinforcedpassivity.Therejection

ofobfuscating,effeminateandenervatingsentimentalismhadformedthebasisof

Wollstonecraft’srebuttalofEdmundBurke’sReflectionsinherVindicationoftheRights

ofMen.InWollstonecraft’sview,Burkehadelevatedpassionstoanauseatingand

saccharinelevelinhisattackontherationalismofRichardPrice’seffusivesupportof

theFrenchRevolution.ForWollstonecraftandother‘rational’radicals,thisbaseappeal

tofeelingswasdangerousasitthreatenedtounderminetheradicalcause.Humans

neededtocontroltheirpassionsthroughtheexerciseofindividualrationalwill,which

wouldleadtotheacquisitionofdisciplinedhabits(liketemperance).ForWollstonecraft

84BrianHarrison,‘TeetotalChartism’,inThePeople’sCharter:DemocraticAgitationinEarlyVictorianBritain,ed.StephenRoberts(Merlin,2003),45.85RobBoddice,AHistoryofFeelings(London:Reaktion,2019),118.Godwinwouldlaterrejecttheexcessiverationalismofhispuritaninheritanceandasserttheprimacyoffeelingoverreasonasthemostusefulandproperdeterminantofhumanbehaviour.RowlandWeston,‘Politics,Passionandthe“PuritanTemper”:Godwin’sCritiqueofEnlightenedModernity’,StudiesinRomanticism41(2002),448.

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inparticular,menandwomenhadthesamebasiccapacityforthinkingandfeeling.86

ThereissomeevidencethatChartistswereawareoftheseaspectsofWollstonecraft’s

thinking.TheMidlandCountiesIlluminatorprintedanextractfromtheVindicationofthe

RightsofWomaninwhichWollstonecraftemphasizedthepoliticalevilsandsocial

miserieswhichflowedfrombaserpassions:‘Thedesireofdazzlingbyriches,the

pleasureofcommandingsycophants,andmanyothercomplicatedlowcalculationsof

self-love,haveallcontributedtooverwhelmthemassofmankind’.87Suchevils,

Wollstonecraftinveighed,wereanaffronttoreason.Inanotherextractfromthe

Vindication,reprintedintheScottishChartistCircular,Wollstonecraftcomplainedof

how‘mereGothicgrandeur’exhibitedbyaristocracywith‘stupidpompbeforeagaping

crowd’haddulledreason.88

Allthiswasgristtothemillforself-improving,respectablemoral-forceChartists,

suchasWilliamLovett,whodismissedinPaineitetonestheirrationalityof‘gothic

ignorance’(inLovett’swords),withitsromanticpreoccupationwithhistorical

precedents,baubles,pageantsand‘militaryspirit’which‘tendstoGothicizea

nation…thebaneofallhappiness’.89Inplaceofthisgothicirrationality,moral-force

Chartistssoughttore-establishanageofreason:‘Wefeltanxioustoredeembyreason

whathadbeenlostbymadnessandfolly’,inthewordsoftheAddressoftheNational

Association,setupbyLovettasasuccessororganizationtotheLondonWorkingMen’s

Association(LWMA).90Thisasceticradicalismwasincreasinglyaccentedwithin

Chartismfollowingtheearlysetbacksitsufferedin1838–9,andwasconceivedasan

86JaneRendall,TheOriginsofModernFeminism:WomeninBritain,FranceandtheUnitedStates,1780–1860(Basingstoke:Macmillan,1985),56–7.SeealsoHewitt,ARevolutionofFeeling,41–2,54,63–9.87MidlandCountiesIlluminator,13Feb.1841.88ChartistCircular(Scotland),2Jan.1841.89LondonDispatch,1Oct.1837;ChartistCircular,3Oct.1840.90WilliamLovett,TheLifeandStrugglesofWilliamLovettinhisPursuitofBread,KnowledgeandFreedom(1876;London:KeganPaul,1976),209.

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antidotetotheuncheckedpassionsofthemasses,whippedupbydemagoguessuchas

FeargusO’Connorwhomade‘furiousappealstotheirpassions’and‘spurn[ed]with

Gothicferocityallknowledge,truthofjustice’.91InJanuary1839,theLWMAmoveda

resolutiondeclaringthat‘allappealstothepassionsofthemultitudetendingtoexciteto

violenceanddisordercanonlybeproductiveofevil’.92Themoderatevoicesinthefirst

ChartistConventionsimilarlyrebukedneo-JacobinssuchasHarneyandDrTaylorwho

were,ingloryinginthenamesofMaratandRobespierre,dangerouslyinflamingthe

passionsofthepeople.93TheNationalAssociationGazette,impliedwhattheirmodelof

theidealleaderwasinabiographicalarticleonGeorgeWashington:‘ifhehadstrong

passions,hehadlearnedtosubduethem,andtobemoderateandmild.’94Thisalso

explainswhytemperance,self-improvementandrespectabilitywerecentraltothis

asceticradicalism.Oneoftheguidingprinciplesofthemoral-forceChartismofthe

LWMAwasoftheneedfortheworkingclassestoexerciserestraintandmastertheir

passionstodemonstratetheirfitnessforthefranchise.

Inwhippingupthemassesintofrenziedadvocatesofphysicalforce,demagogues

liketheReverendJosephRaynerStephens,RichardOastlerandO’Connorwereno

friendsoftheworkingclass,atleastintheviewoftheLWMA.Thelatterbodywas

aversetothemovement’srelianceongentlemanleaderslikeO’Connor,whichthey

denigratedasirrationalandimmature‘man-worship’.95Thischargecouldalsoextendto

thepantheon.BronterreO’Brien,Chartism’sgreatesttheoretician,believedthatman-

91LondonDispatch,25Feb.1838;NorthernStar,25Sept.1841.92BritishLibrary,AddMS37,773,WorkingMen’sAssociationMinutes,2Jan.1839,f.135.93NorthernStar,27Apr.1839.94NationalAssociationGazette,16Jul.1842.ForasimilarappreciationofWashington,seethepoemintheScottishPatriot,19Oct.1839.95Ontheproblemsof‘manworship’,seetheseriesofarticlesunderthatnamewhichappearedintheNorthernStar,thefirstofwhichwaspublishedon7Jan.1843.Tellingly,eventheauthorofthisarticlereachedforgreatmen–WashingtonandTell–whenwarningagainstthedangersof‘manworship’.Theseleaderswereacceptablebecausethey‘check[ed]everydispositionofthepeopletoGod[them]’.NorthernStar,21Jan.1843.

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worshipofPainewasabarriertocriticallyengagingwithhisideas,which,inhisview,

wereoutdatedbythe1830s.96ButeventheLWMAstruggledtoriditselfentirelyof

‘man-worship’,thoughtheiridealtypeofradicalleaderwassomewhatdifferent.On

occasion,Lovettdelivered,recited,andpossiblycomposed,poetrywhich

commemoratedradicalgreats.97Inhisautobiography,Lovettrecalledhowhe

‘cherished’thememoryofbothHuntandCobbett‘for,withoutseekingtoextenuatethe

failingsofeither,Iregardthemastwonoblechampionsoftherightsofthemillions

who…stampedthenecessityforreformsodeeplyintotheheartandmindofEngland’.98

O’Brien,ineffect,hadhisownpantheon,thoughinhiscaseitwaspopulatedlargelyby

oneradicalgreat:Robespierre.ToO’Brienatleast,hewasnotengagedina

romanticizedworshipoftheFrenchRevolutionaries;ratherhewastryingtorescue

theirreputationsfromliestoldbytheirenemies,pastandpresent.‘Thedaywillcome’,

O’Brientoldthereadersofhisnewspaper,theOperative,‘whentheinjuredshadesof

MaratandRobespierrewillbeavengedoftheoutragesinflictedontheirmemoriesby

lyingromances,dubbedhistorians’.99Yet,thereisasenseinwhichtheLWMAand

O’Brien,indenigrating‘manworship’werenotgivingChartiststheirdue.Sentimental

theymayhavebeenwhentheoccasiondemanded,butthisdidnotnecessarilyactasa

barriertocriticalengagementwiththeideasofthoseinthepantheon.Forexample,

manyChartistadmirersofPainewerequicktodistancethemselvesfromthelatter’s

viewsonreligion.TherewerealsomanyChartistswhofollowedPaineindismissingthe

irrationalityofRomanticattachmentstothepast.100

96PoorMan’sGuardian,8and15Dec.1832;NorthernStar,27Mar.1841.97LondonDispatch,11Dec.1836.98Lovett,LifeandStruggles,44–5.99Operative,21Apr.1839.100Roberts,Chartism,112–116.

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Therewas,then,ananti-RomanticcurrentwithinChartistheritagepolitics.True,

itwashardlydominant,butitdoessuggestthatthetension,highlightedinRomantic

Studies,betweenEnlightenmentandRomanticism,wasstillbeingplayedoutinthe

1840satthelevelofpopularpolitics.Asrevisionistworkhasunderlined,thesetwo

culturalmovementswereneverfixed,stableandantithetical;rather,theywere

heterogeneousandtosomeextentinterlockingandchronologicallyoverlapping.The

Enlightenmentwasnotaboutunbridledreasonandcoldrationalityattheexpenseof

feeling,justasRomanticismwasnotanexpressionofunbridledfeeling.Ashistoriansof

emotionhaveremindedus,the‘ageofreason’wasitselfanaffectiveconstruction:Paine,

theapostleofthe‘ageofreason’appealedtosentimentsrepeatedlyinhisworks,andhe

‘deniedthattherewasanyconflictbetweentherationalandtheemotional’.101The

notionofafundamentalseparationbetweenreasonandfeelingwasalsoaconstruction

thatconcealedthepassions,andwas,insomerespects,aretrospectiveconstruction

inventedbythoselikeGodwinandWollstonecraftwhowereanxiousaboutthe

sentimentalismoftheirera.102Romanticismwas,ithasbeenargued,bornfromwithin

theEnlightenment,andcanmoreaccuratelybeseenasareactiontoaparticularkindof

Enlightenment–onethatwasassociatedwithanover-refinedNeo-classicalism.Several

RomanticsfusedEnlightenmentthinkingwithwhatwehavecometoidentifyas

Romanticcurrents.103

Theinabilityofthose‘rational’ChartistslikeLovetttofullyliberatethemselves

fromtheromanticmemorythatplayedsuchanimportantgenerativeroleinChartist

101Boddice,HistoryofFeelings,112–3;NicolaEustace,PassionistheGale:Emotion,PowerandtheComingoftheAmericanRevolution(ChapelHill:UniversityofNorthCarolinaPress,2008),445.102WilliamReddy,TheNavigationofFeeling:AFrameworkfortheHistoryofEmotions(Cambridge:CambridgeUniversityPress,2001),142;Hewitt,RevolutionofFeeling,188.103Day,Romanticism,ch.3;AlexanderRegier,FractureandFragmentationinBritishRomanticism(Cambridge:CambridgeUniversityPress,2010);idem,ExorbitantEnlightenment:Blake,HamannandAnglo-GermanConstellations(Oxford:OxfordUniversityPress,2018).

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heritagepoliticscanbeinterpretedasevidenceofthecomplexities,interactionsand

tensionsbetweenEnlightenmentandRomanticism.Thepursuitofreasonitselfcouldbe

anaffectiveexperience:afterall,afundamentalcomponentofasceticismissuffering

andpainashundredsofincarceratedChartists,includingLovett,knewonlytoowell.

Hence,thecoiningoftheconceptofaffectiveasceticismbyhistoriansofemotion.104We

shouldalsobewaryofthebinarypositedbetweenreasonandpassionintheascetic

radicalismofthoselikeLovettwhenmuchthatwaspassedoffasreasoncould,infact,

beseenasdisgust–attheadulationofthemassesforFeargusO’Connor,forexample.

Thishybriditywasalsoreflected,andinpartcreated,byworking-classreading

practices,whichwerefarfromuniform:‘asagroupandasindividualstheyconsumed

theracyandthereligious,thelyricalandthesensational’.105

Wecanobservesomeofthesetensionsandhybridsinthepopularityofthe

FrenchphilosopherandrevolutionaryConstantinFrancoisVolney,asecond-tierfigure

intheChartistpantheon,anotherfigureoftheradicalEnlightenment.ReadingVolney’s

Ruins;oraSurveyofRevolutionsofEmpire(1791)wasaformativeexperiencefora

numberoffutureChartists,especiallythosewhohadtroddenthepathoffreethought

intothemovement.Volneyhadbeen‘noagitatoramongthesansculottes’,106buthis

memoryandhisRuins,unlikeThelwall,hadbeenkeptalivesincethe1790sbyultra-

radicalfreethinkers,aninheritanceclaimedsubsequentlybyChartistswhooccasionally

displayedVolney’sportraitatcommemorativeevents.107Theubiquityofreferencesto

Volney’sRuinsinmetropolitanradicalismintheearly1830s,alongwiththe

104BarbaraH.RosenweinandRiccardoCristiani,WhatistheHistoryofEmotions?(Cambridge:Polity,2018),76.105RobBreton,‘GenreintheChartistPeriodical’,inTheWorking-ClassIntellectualinEighteenthandNineteenthcenturyBritain,ed.ArunaKrishnamurphy(Farnham:Ashgate,2009),112.106Ibid,197.107Epstein,RadicalExpression,195;E.P.Thompson,TheMakingoftheEnglishWorkingClass(NewYork:VintageBooks,1963),98–9;SheffieldIris,22Oct.1839.

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freethinkinglecturesanddiscussionssurroundingit,suggestthathistorianshave

seriouslyunderestimatedthecentralityofaninfidelcurrentinpopularradicalismat

thistime–evenattheheightofReformbillagitations.108Thegovernmentwere

certainlyalivetothiscurrentandsawitasoneofthemanifestationsofdecliningpiety

andvirtue,hencetherecoursetoroyalproclamationfortheencouragementofpietyand

virtuein1830whichincludedtheissuingofatableofpenaltiesforprofanes,sabbath-

breakingandimmorality.109

Intheearly1830s,theFrenchsocialistPierreBaume,thenresidinginLondon,

printedanextractfromtheRuins(chapter15,onwhichmorebelow),aspartofatract

advertisinghis‘FrenchOptimistChapel’inWindmillStreet,Finsbury,aradicalschoolof

freediscussion,whichfounditswayintotheHomeOfficefilesasaseditiouspublication.

BaumealsoappendedanEnglishtranslationoftheFrenchLaMarseillaisehopingno

doubttocapitaliseontherecentFrenchrevolution.110ThomasCooperlaterrecalled

how,asayoungman,‘hefellinlove’withVolney’sRuins.111TheradicalinfidelRichard

CarlileandthemercurialdefrockedRobertTaylorbegantheirSundaylecturesatthe

Rotunda,thepremiervenueofLondonradicalismintheearly1830s,byreciting

chaptersfromVolney’sRuinsmuchasareligiousservicebeganwithreadingsfromthe

Bible.112ThefutureleadersoftheLWMAwereregularattendersandspeakersatthe

RotundaandOptimistChapel,asthesecretservicefilesattest.Volney’sRuinsgained

108Thebesttreatmentofmetropolitanworking-classradicalismintheearly1830sisIorwerthProthero,ArtisansandPoliticsinEarlyNineteenth-CenturyLondon:JohnGastandHisTimes(Folkestone:Dawson,1979),ch.14.109Foracopyoftheproclamationandthetableofpenalties,andevidenceofitscirculation,seeNottinghamArchives,CT12/55/20,AProclamationbytheKing,28June1830,andaccompanyingATableofPenalties.110TNA,HO64/17,Seditiouspublications,1830–31,‘ARevolutioninEngland’,f.77.ExtractsfromVolneywerealsoserialisedintheradicalpress,e.g.Cosmopolite,21Apr.1832.111AddresstotheJurybyThomasCooper(Leicester:T.Warwick,1842),13.HenryVincentalsolistedVolneyasaformativeinfluence:NottinghamReview,9Apr.1841,asdidLinton:W.J.Linton,Memories(London:LawrenceandBullen,1895),26.112TNA,HO64/11,SecretServicereportsofseditiousmeetings,1830,fos147,170.

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renewednotorietyinthemid-1830sasitwasaformativeinfluenceonAlibaud,the

FrenchmanwhohadtriedtoassassinateLouisPhilippein1836,whoseactionswon

plauditsfromsomeChartists.113Volney’sRuins,alongwithhisLecturesonHistory,and

LawofNaturewerefrequentlyadvertisedintheChartistpress.Themetropolitantrioof

JohnCleave,JamesWatsonandHenryHetherington,alongwithAbelHeywoodof

Manchester,weresellingVolney’sRuinsincheapinstalmentsforaslittleas2d.114

WatsonalsoincludedseveralextractsfromVolneyinhisencyclopaedicperiodicalThe

National:ALibraryforthePeople.115

BasedonVolney’stourofOttomanEgyptandGreaterSyriabetween1782and

1785,Ruinswas,inpart,astudyincomparativereligion,whichhighlighted

irreconcilablecontradictionsbetweenbeliefsystems.ToVolneythiswasevidencethat

allreligionswereman-made,theproductofhistoryandculture,andcouldbetraced

backto‘humanneedsornaturalexperiences…objectifiedindeities,thenceabstracted

fromtheiroriginalimpulse,andexploitedasserviceablemysteriesbypriestcraftandby

privilegedorders’.116Thus,revealedreligionwasbogus,divisiveandservednoother

purposethantoenslavemankind.Ruinsisessentiallyapleafordeismandfreethought,

andanattackonpriestcraft,politicalexclusion,unproductivelabour,andpersonal

greed.Further,Ruinscanalsobereadasanextendedessayonthedestructivepotential

ofthepassions.Volneysinglesout‘unbridleddesires’,‘theperpetualplayofpassions’,

‘theinordinatedesireofaccumulation’asevilsresponsibleforthedeclineofempires.

Morespecifically,‘underthenameofaristocracythestatehasbeentormentedbythe

passionsofthewealthyandthegreat’.Monarchyandaristocracysurvivebyappealing

113LondonDispatch,25Dec.1836;Champion,1Jan.1837.114Cleave’sLondonSatiristandGazetteofVariety,9Dec.1837.115TheNational:ALibraryforthePeople,ed.W.J.Linton(London:JamesWatson1839),95,142,157,187,245.116E.P.Thompson,WitnessAgainsttheBeast:WilliamBlakeandtheMoralLaw(Cambridge:CambridgeUniversityPress,1993),199–200.

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tothe‘egotismthatdivide[s]mankind…heflatteredthevanityofone,excitedthe

jealouslyofanother,favouredtheavariceofathird,inflamedtheresentmentofafourth,

irritatedthepassionsofall’.SoimportantwerethepassionsinVolney’sestimationthat

theyfurnishthemotorofhistory:theriseandfallofempires‘havesprungfroman

eternalcircleofpassions’.117

ThepopularityofRuinswithChartistshasbeenattributedtothepersistenceof,

interalia,‘enlightenmentmoralphilosophy’.118Whilethiswasclearlyafactor,another

wasthatRuinswas‘drenchedinthenewRomanticism’.119Someofthisdrenchingmay

havederivedfromtheexuberanceandembellishmentbroughttotheoriginaltextby

theearlyEnglishtranslationsbeforeVolney,seeinghowgarbledthetranslationswere,

superintendedanewtranslation.Butitispossiblethattheoriginaltranslationwasthe

onereadbysomeChartists.120Eitherway,thereisnodenyingthatthereareRomantic

themes.Theprotagonistisalonelyanddepressedwandereramongsttheruinsof

formereasternempireswhose‘heartwasoppressedwithsorrowandindignation’not

justatthedecayhewitnessesbutbytheprospectofhisowncivilizationwithering

which‘broughttearsintomyeyes’.Hewishestheruinscouldspeakandtellofwhy

formergloriousempiresdecayed.Andsoitproves:theprotagonistisconfrontedbyan

apparitionwhoenableshimtotranscendhisearth-boundform,byliterallytransporting

himintoouterspacewhere,rangingbackwardsandforwardsintime,heisversedinthe

eternal,transcendentnaturallawsofthecreator-God.IfthecontentofVolney’sRuins

wasRomantic,so,too,wastheformwithitsruinsmotif,lyricalmode,andhybridgenre

–partphilosophicaltreatise,partpoemandpartnovel.Thisstylisticambivalenceis

117ConstantinFrancoisVolney,TheRuins,oraSurveyoftheRevolutionsofEmpire(Otley:WoodstockBooks,1791[2000]),25,29,34,36–7.118TomScriven,PopularVirtue:ContinuityandChangeinRadicalMoralPolitics,1820–70(Manchester:ManchesterUniversityPress,2017),15–18.119GwynA.Williams,‘RomanticisminWales’,inRomanticisminNationalContext,15.120Foracomparisonofthevarioustranslations,seeRichardCarlile’sLion,25July1828.

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characteristicoftheRomanticaesthetic.121Aswithotherexponentsofradical

Enlightenment,Volney’sdeploymentofreasonasanantidotetopoliticalcorruption,

religiousauthorityandsocietalatrophywasnotconstructedinoppositiontofeeling.As

AlexanderCookhasargued,Volneytranscendsthedichotomiesofreasonandsentiment

byshowinghowthepursuitof‘reasoncouldteachpeoplethatthepathtovirtuewas

alsothepathtohappiness’.122

TheChartiststhemselvescontributedtothissplicingofEnlightenmentwith

RomanticismbyincludingreadingsofVolney’sRuinsatcommemorativeevents,which

aswehaveseencouldbeverysentimentalaffairs.AdinneratAshton-under-Lyneto

commemorativeHenryHunt’sbirthdayconcludedwithareadingoftheinfamous

chapter15ofRuins,the‘NewAge’,themostpoliticallyradicalchapterofthebookin

whichthepeopleconfronttheprivileged.123ExtractswerereprintedintheChartist

press.HenryVincent’sWesternVindicatorevenincludedaWelshtranslationofchapter

15foritsWelshreaders,apracticecontinuedbytheWelsh-mediumUdgornCymru,

mostlikelyusingtheWelshtranslationundertakeninthe1790s.124Vincenthadalready,

implicitlyatleast,signalledtheimportanceofVolneybyincludinganextractfrom

chapter15asearlyasthesecondissueoftheWesternVindicator.Printedonthefront

page,thisextractswasclearlyno‘filler’ofsparecolumninches;appearingnexttoa

121ForVolney,theRuins,anditspre-ChartistreceptioninBritain,see:AlexanderCook,‘ReadingRevolution:TowardsaHistoryoftheVolneyVogueinEngland’,inAnglo-FrenchAttitudes:ComparisonsandTransfersbetweenEnglishandFrenchSincetheEighteenthCentury,ed.ChritopheCharl,JulienVincentandJayWinter(Manchester:ManchesterUniversityPress,2007),125–46;SanjaPerovik,‘LyristinBritain;EmpiricistinFrance:Volney’sDividedLegacy’,inHistoricalWritinginBritain,1688–1830,ed.BenDewandFionaPrice(Basingstoke:Palgrave,2014),127–44.122Cook,‘ReadingRevolution’,128,130.123NorthernStar,17Nov.1838.ForotherrecitalsofVolney’sRuins,seeNorthernStar,16Oct.1841(CityofLondon),1Jun.1844(BethnalGreen),17Oct.1846(Camberwell).124ChartistCircular(Scotland),28Dec.1839;WesternVindicator,20Apr.1839;UdgornCymru,1Apr.1841,copyinTNA,HO45/54,f.47;LondonDemocrat,13Apr.1839;ChartistPilot,7Dec.1844.TheChartistfreethinkerJamesWatsonappendedchapter15toABriefSketchoftheLifeofC.F.Volney(London:JamesWatson,1840).FortheWelshtranslationinthe1790s,seeGwynA.Williams,‘MorganJohnRhysandVolney’sRuinsofEmpire’,BulletinoftheBoardofCelticStudies,20(1964),58–65.

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letterfromtheWelshChartistleaderJohnFrost,inwhichthecentralmessagewasan

attackonunproductivelabour.Chapter15notonlyreinforcesthiscritiquebutrecasts

Volney’sworkasapoliticallyradicaltext,ratherthanafreethinkingreligioustext.By

onlyrepublishingorrecitingchapter15,theChartistsconvenientlyerasedthe

geographicalandtemporalspecificitiesofVolney’sRuins,includingwhatsomehave

regardedasitsorientalism.Inaddition,focusingontheRuinsratherthanthelifeof

Volneyalsoconvenientlypreservesthelatter’sradicalcredentials,dentedsomewhatby

hissubsequentassociationwithNapoleonandFrenchimperialism.125

Thepopularityofchapter15isfurtherevidenceofhowChartistheritagepolitics

wasnotmerelybackwardslooking,butalsodirectlyconcernedwithlinkingthepast,

presentandfutureinsymbolicallyempoweringways.Havingthoroughlydepressedthe

protagonistwithvisionsofwhyandhowpreviousempiresendedinruins,heisthen

transportedtothefutureinchapter15wheretheapparitionshowshimthebeginnings

ofthepeoplerisingupagainsttheprivileged,castingthemoutandcreatinganew

societybasedonproductivelabour.Chapter15isdistinctlymillenarianintone,asisthe

thrustofthewholebookwhich‘carriesthereaderforwardonawaveofenthusiasm,not

toapoliticwisdomoftheworld,buttothevisionofa“NewAge”inwhichmenwillshed

theirwarringreligionsandattainbrotherhoodinclear-eyedself-knowledge’.126

TheLondonradicalfreethinkerandpornographerWilliamDugdalepublisheda

completeeditionofVolney’sworks,completewithportrait,andadvertiseditinthe

NorthernStaralongsidesomeofthemostpopularromancesandgothicfictionofthe

daywhichhestockedinhisbookshoponHolywellStreet.Fewotherradicals

125WesternVindicator,2Mar.1839.Forthisapproachtoreprintingexcerpts,seeLeGette,RemakingRomanticism,1–12;MatthewRoberts,‘LabouringintheDigitalArchive’,LabourHistoryReview,78(2013):113–26.ForausefuloverviewandcritiqueofVolney’sorientalism,seeUrsApp,TheBirthofOrientalism(Philadelphia:PennsylvaniaPress,2010),ch.8.126Thompson,WitnessAgainsttheBeast,200.

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personifiedtotheextentDugdaledidofthecontestedlegaciesandblurringof

Enlightenment,Romanticism,philosophyandpornography.127Itisunfortunatethatthe

ChartistsweresilentonVolney’swideroeuvre,particularlyhisLawofNature,included

inDugdale’scompleteedition,asVolneyoutlinedamoralcodeofpersonalconductthat

touchedontheneedtodisciplinethepassionsandappetiteswhichwouldhave

resonatedwithmoral-forceChartists.TheChartistfreethinkerJamesWatsonalso

conjoinedEnlightenmentandRomanticisminhisbookshopandintheadvertisements

heplacedintheChartistpress,inwhichtheworksofVolneyappearednexttoShelley’s

QueenMab.ThiswasfittinggiventhatShelleyreproducedVolney’saccountofhisvisits

toSyriaandEgyptinQueenMab.128Itisquiteconceivablethatitwasformative

encounterswithShelley’sQueenMabthatledChartiststoVolney,orpossiblyviaMary

Shelley’sFrankensteinasVolney’sRuinswasoneofthetextsreadbythecreature:

ChartistswerecertainlyfamiliarwithFrankensteinasitisreferencedinnumerous

speechesandthepress.129Volney’spopularitywiththeChartists,then,wasa

manifestationofthatheadybrewofrationalism,millenarianismandreligious

enthusiasmthatwassuchamarkedfeatureofthe‘ageofrevolution’.130

Conclusion

127NorthernStar,6Apr.1844.ForDugdale,seeIainMcCalman,RadicalUnderworld:Prophets,RevolutionariesandPornographersinLondon,1795–1840(Oxford:OxfordUniversityPress,1993),ch.10.128Cleave’sPennyGazette,7Jul.1838;NorthernStar,9Sept.1843.129E.g.,Charter,27Jan.1839;LondonDispatch,13Jan.1839;NorthernStar,2Jun.1838,17Jul.1841;FeargusO’Connor,ASeriesofLettersfromFeargusO’Connor,Esq.,BarristeratLaw,toDanielO’Connell,Esq.,M.P.containingareviewofMr.O’Connell’sconductduringtheagitationofthequestionofCatholicemancipation,togetherwithananalysisofhismotivesandactions,sincehebecameamemberofParliament(London:HenryHetherington,1836),29,33,43.130McCalman,RadicalUnderworld,viii;JonMee,DangerousEnthusiasm:WilliamBlakeandtheCultureofRadicalisminthe1790s(Oxford:OxfordUniversityPress,1992),3–8,14;PhilipLockley,VisionaryReligionandRadicalisminEarlyIndustrialEngland:FromSouthcotttoSocialism(Oxford:OxfordUniversityPress,2013),166–8.

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AddressingtheHullWorkingMen’sAssociationinSeptember1837,andreachinghis

peroration,thecharismaticChartistlecturerHenryVincentaskedhisaudience:‘For

whomlivedVolney,Voltaire,Mirabaud,Rousseau,Paine,Bentham,Cartwright,Byron,

Shelley,Godwin,Cobbett?’‘[T]heyloved,struggled,anddiedforuniversalman’,Vincent

responded.Vincent’scastandhisstylearefurtherevidenceoftheblendingof

EnlightenmentandRomanticism.Atthesametime,wehaveseenhowtheboundaries

betweenEnlightenmentandRomanticismweremappedontoanaffectivepoliticswhich

pittedreasonagainstfeeling,illustratingtheimportanceoffeelinginpopularpolitics

andtheilluminatingpotentialofthehistoryofemotions.Vincent’sconcluding

injunctiontohisaudiencewasjustasrevealing:‘wewillbuildupupontheirruinsthe

greattempleofdemocraticfreedom,beneathwhosecapaciousarchshallbepromoted

andprotectedtheuniversalhappinessofthegreatfamilyofman’.131

Vincent’spantheon,likethatofthewiderChartistmovement,wasclearlyapaper

one,whichhadcertainadvantagessuchasportabilityandgreatercuratorialownership

andfreedomforindividualstopopulateastheysawfit.Vincenteventookpartofhis

paperpantheonintoprisonintheformofCobbett’sworkswhichhereadintheearly

hoursofeachmorning.132Thestatuesandmonumentsthatweresuchamarkedfeature

ofelitecultureinBritainandelsewhere,wereconspicuousbytheirabsenceinChartism,

andinBritishradicalismmoregenerally.133Inadditiontothesignificantbarriersofcost

andaccesstothepublicsphere,thisabsencemayalsohavereflected,andindeed

reinforced,theshiftingandheterogeneousnatureoftheChartistpaperpantheon.There

wasnoequivalentofan‘authorizedheritagediscourse’operatinginChartism,withthe

131LondonDispatch,17Sept.1837.132People’sHistoryMuseum,Manchester,HenryVincentPapers,VIN1/1/16,HenryVincenttoJohnMinikin,1June1839.133AntonyTaylor,‘Whateverhappenedtoalltheheroes?ThemonumentalfailureofBritishplebeianradicalism,c.1850-1920’(unpublishedessay).

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movement’sleadersandorganizationstryingtodeterminetheformandcontentofits

heritagepolitics.134Asbefitsademocraticmovement,theheritagepoliticsemergedjust

asmuchfrombelowasitdidfromabove.Inclusionsandexclusionsinthepaper

pantheontherecertainlywere,butasthecase-studyofThelwallsuggests,awholeraft

offactors–someofthemcontemporarytothelivesoftheradicalgreats,some

contemporarytothoserememberingandforgetting–accountforpresenceandabsence

inthepantheonofpoliticalandsocialmovements.Bydrawingonrecentworkin

RomanticStudiesonposthumouslife-writing,wehaveseenhowposthumouspotential

wasdependent,inpart,ontheextenttowhichhistoricalfiguresinitiatedadialogue

withposterity,butalsoonadedicatedgroupoffollowerswhoworkcollaborativelyto

furtherposthumouscareers.PaineandCobbett–andevenVolneytosomeextent–had

greatposthumouspotential;Thelwalldidnot.ToreturntoVincentonelasttime.His

metaphoricalallusiontoafuturetempleofdemocraticfreedomisareminderthat

commemoration,theinventionoftraditionandheritagepoliticsareoftenjustas

forward-lookingastheyarebackwards.Inthis,andinsomuchelse,theChartistswere

heirs,custodians,creatorsand,onoccasion,prisoners,ofRomanticmemory.

134Roberts,Chartism,ch.4.