roseberys modern art 4 october 2014 catalogue

MODERN & CONTEMPORARY PRINTS

Saturday 4 October 2014

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74-76 Knights HillWest NorwoodLondon SE27 0JD

Tel: 020 8761 2522Fax: 020 8761 [email protected]

www.roseberys.co.uk

Lot 241

74-76 Knights Hill London SE27 0JD

Tel: 020 8761 [email protected]

@roseberysltd

Online bidding available at:

MODERN & CONTEMPORARY

PRINTSSaturday 4 October 2014

Starting at 10am

VIEWINGThursday 2 October: 1pm-5pm

Friday 3 October: 9.30am-5.30pmSaturday 4 October: 9am-9.45am

Contact: Nicola Allan

Please note the conditions of sale at the back of this catalogue.

Buyers Premium 20% + VATArtists’ Resale Rights: where any lot is affected by this legislation

a surcharge of 4% will apply to the hammer price. In effect the premium will be 24% + VAT.

Condition of items: a catalogue description does not state the condition of an item.

Front cover: Lot 30 Inside front cover: Lot 177

Back cover: Lot 156

Catalogue Price: £10

2 www.roseberys.co.uk

BUYING AT ROSEBERYSThe following is intended to serve as a useful quick reference to buying at Roseberys. Prior to bidding please familiarise yourself with our full conditions of sale which are applicable when bidding at one of our auctions. Our staff are available to assist you with any questions you may have.

Viewing

Catalogues are available from reception and all lots are listed and illustrated at www.roseberys.co.uk

Condition is not stated in the catalogue description and buyers are encouraged to view lots in person prior to bidding to satisfy themselves as to the accuracy of the description and condition of lots.

New Bidders

New buyers are required to register before bidding. This can be done in person at reception, via email to [email protected] or by fax to 020 8761 2524. Photographic identification, full contact details and proof of address are required. Roseberys cannot accept bids from unregistered buyers. Once registered you will be provided with a paddle which states your bidding number for the auction.

New International Bidders

In addition to providing proof of identity, new international bidders must leave a £500 deposit the first time they register and before bidding. Successful bidders will be refunded their deposit once they have paid for their lots. Unsuccessful bidders will automatically be refunded within a week of the auction.

Methods of Bidding

• In person: at the auction room.

• Commission bid: If you are unable to attend the auction commission bids may be left indicating the maximum amount to be bid excluding the buyer’s premium. All bids must be received at reception at least one hour before the start of the auction.

•Online bidding: You can follow the auction live online and bid via the internet at www.the-saleroom.com and www.liveauctioneers.com Bidders must register by 9am on the morning of the auction to be able to buy online. Successful online bidders are charged an additional premium of 3% by the internet platform.

• Telephone bidding: A limited number of phone lines for lots in the auction are available for bidders subject to a minimum threshold. A member of staff will telephone you during the auction and bid live on your behalf. Please contact reception if you would like to enquire about booking a phone line. The number of lines is limited so we would urge serious telephone bidding only and ask that you be prepared to bid over the top estimate.

Buyer’s Premium

Each lot is subject to a 20% buyer’s premium plus VAT at the standard rate.

VAT

VAT is not charged on the hammer price unless there is either an asterisk (*) or it is stated that there is ‘VAT charged on hammer price’. Buyer’s premium is subject to VAT.

Artist’s Resale Rights/Droit de Suite

Some lots as indicated in the catalogue may be subject to Artist’s Resale Rights/Droit de Suite.

This was introduced by a European Directive in 2006 to ensure that artists receive a royalty when their work is resold by an auction house or gallery. This Right applies to living artists and to those who have died within the last 70 years who are from applicable countries. This royalty is paid by the purchaser on top of the hammer price if the sale price reaches or exceeds €1000. The amount payable is on a sliding scale e.g. up to €50,000, the royalty rate is 4% of the sale price. The maximum royalty a work can earn is capped at €12,500.

Payment

Payment is required immediately after the auction and can be made in the following ways:

•Cash: up to the sterling equivalent of €15,000 on the day of the transaction

•Debit cards: Switch, Delta, Visa

•Credit cards: subject to a 2% surcharge

•Non UK debit and credit cards: subject to a 2% surcharge

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•Bank transfer: payment is accepted via bank transfer to the following account. (International bank transfers are subject to a £25 administration fee.)

Natwest Bank plc, Bloomsbury Parr’s branch, Sort Code 60-30-06, Account number 36952613, Swift code NWBKGB2L, Iban GB80NWBK60300636952613.

•Online: payment can be made at www.roseberys.co.uk

Clearance of Goods

All lots must be collected by 5pm on Friday 10 October. After this time storage charges of £2 per day per lot plus VAT will be applied.

Delivery

Roseberys is unable to pack and ship items but can suggest the following companies:

London/Surrey • CapitalFineArtMove:07957209523 • BernardThornton:07970118762

Nationwide/International • MailBoxesEtc:02086499777

Specialist Packing • PackandSend:08454650564

In order for us to release to a third party carrier you must inform Roseberys in writing of the lot number and carrier name. Please email [email protected]

Export of Goods

Buyers intending to export goods should ascertain whether an export licence is required before bidding. Export licences are issued by Arts Council England (ACE) and application forms can be obtained from its Export Licensing Unit. Details can be found on the ACE website www.artscouncil.org.uk or by phoning ACE on 020 7973 5188. The need for import licences varies from country to country and you should acquaint yourself with all relevant local requirements and provisions before bidding.The refusal of any such licences shall not permit the cancelling of any sale nor allow any delay in making full payment for the lot.

4 www.roseberys.co.ukLot 145

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1Sir Terry Frost RA British 1915-2003

Colour Rhythm Newlyn, 1997(Kemp 158), publ. by Flowers Graphics, London, printed Alan Cox Zinc Editions, London; lithograph on Arches with deckle edges, signed and numbered 9/40 in pencil, 54.5x55cm, (unframed) (may be subject to Droit de Suite)

£500-700

2John Hoyland RA British 1934-2011

Untitled abstract composition from the Rothko Portfolio, publ. by Mark Rothko Memorial Trust lithograph printed in colours, signed, numbered 62/75 and dated ’73 in pencil, 58x78cm (unframed) (may be subject to Droit de Suite)

£250-350

3Alan Davie CBE RA HRSW Scottish 1920-2014

Bull’s Moon Variation IVscreenprint in colours, signed, dated 2000 and numbered 29/30 in pencil, 74x86cm (unframed) (may be subject to Droit de Suite)

£200-300

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4William Walcot RE Hon RIBA British 1874-1943

A Greek Ladydrypoint and aquatint, with etching and rockerwork, signed in pencil over the plate edge, 20.5x12.5cm (unframed)

Note: Walcot originally produced this print in 1913 and reworked the plate in 1919 and further impressions were printed though the number is not recorded. An impression was included in the Fine Art Society 1914 one-man exhibition of Walcot’s etchings with the title A Greek Lady - BC 400 though in more recent exhibitions it has been called Greek Lady of the 6th century BC. It was also included in the James Connell 1918 one-man exhibition of Walcot. It is based on one of the archaic female figures in the Acropolis Museum, Athens.

£200-300

5Romain de Tirtoff (Erté) Russian 1892-1990

Letter Rfrom the Alphabet Series, 1977; screenprint in colours, signed and inscribed AP in pencil, 65x49cm (unframed)

£200-300

6Romain de Tirtoff (Erté) Russian 1892-1990

Letter Lfrom the Alphabet Series, 1977; screenprint in colours, signed and inscribed AP in pencil, 65x49cm (unframed)

£200-300

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7Sir Howard Hodgkin CH CBE British b.1932-

Here we are in Croydonpubl. by Petersburg Press, New York, 1979, printed and hand-coloured by John Hutcheson and Jim Welty; lithograph printed in black with hand-colouring in brown watercolour and red gouache, on Moulin d’Auvergne hand-made paper, signed, dated and inscribed ‘AP’ in blue crayon, 55.5x75cm (may be subject to Droit de Suite)

Note: This is an artist’s proof aside from the numbered edition of 100. This print was made after a trip to Tulsa, Oklahoma in the United States

See Tate, London, museum number: P77048, for example of the same

£1000-1500

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9Joe Tilson RA British b.1928-

The 1/2 Zigguratscreenprint in colours, signed, titled, numbered 17/70 and dated 1965 in pencil, 68.5x99.5cm (unframed) (may be subject to Droit de Suite)

£300-400


Names and Voiceslithograph with screenprint in colours, signed, dated ’96 and numbered 31/300 in pencil, bears blind stamp for Advanced Graphics, London, 46.5x35.5cm, (may be subject to Droit de Suite)

Note: This print was commissioned by Martin Krajewski - Director of Joslin Rowe Associates to celebrate Christmas 1996

£200-300


T-Slot/Dart/Ziggurat 3/Ziggurat 4/Freeway 2/Trioscreenprints in colours, six on a shared sheet, ea. signed, titled, dated and numbered 54/70 in pencil, 68x99.5cm (unframed) (may be subject to Droit de Suite)

£300-400

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11Heidi König German b.1964-

Volubilisetching with aquatint printed in colours, signed, titled and numbered AP XI/XV in pencil, 54.5x69cm: together with a further etching with aquatint printed in colours by the same hand entitled “Cadence”, signed, titled and numbered AP IV/XV in pencil, 49x49cm, (2) (may be subject to Droit de Suite)

£300-400

12Henry Moore OM CH FBA RBS British 1898-1986

Mother and Child III, 1983(Cramer 673), from the Mother and Child Portfolio, etching with aquatint printed in colours, signed, numbered 36/65 and inscribed ‘PL III’ in pencil, 22.5x17.5cm (may be subject to Droit de Suite)

£1200-1800

13Tracey Emin CBE RA British b.1963-

When I think about Sexlithograph, from the edition of 1000, signed and dated 05 in pencil, in a perspex mounted wooden frame, 59x84cm (may be subject to Droit de Suite)

£300-400

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14Dame Elisabeth Frink RA British 1930-1993

The Cormorant(Wiseman 89), from the Seabirds Series, published by Christie’s Contemporary Art, London, 1974, lithograph printed in colours, signed and numbered 62/150 in pencil, bears publishers blindstamp, 68x49.5cm (may be subject to Droit de Suite)

Note: see Tate, London, museum number: P06203, for example of the same

£800-1000

15Henryk Berlewi Polish 1894-1967

Mechano-Fakturascreenprint in black and red, signed, titled, inscribed and dated 1924-1961 in black pen, 61x50cm (may be subject to Droit de Suite)

£200-300

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Tiger etching, signed within the plate, signed and numbered 9/50 in pencil, 12x9.5cm (may be subject to Droit de Suite)

£300-400

17Dame Barbara Hepworth DBE British 1903-1975

Moon Landscapefrom the Penwith portfolio, printed by Curwen Studio, published by Penwith Galleries Ltd, 1973; lithograph printed in colours, signed and numbered 76/90 in pencil, 57.2 x 77.5cm (unframed) (may be subject to Droit de Suite)

Note: see Tate, London, museum number: P01416 for example of the same

£1500-1800

18Bruce Mclean Scottish b.1944-

Another Bad Night Out On Sausage Streetscreenprint in colours, signed, titled and numbered 76/250 in pencil, 78x60cm (may be subject to Droit de Suite)

Provenance: with Hardware Gallery, London, according to label attached to the reverse

£200-250

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19Keith Vaughan British 1912-1977

Finisterepubl. by the Redfern Gallery, London, 1952; lithograph printed in colours, signed in pencil, 37x46cm (may be subject to Droit de Suite)

£1000-1500

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20William Scott RA British 1913-1989

Barra from the series of seven lithographs inspired by the Scottish islands, publ. Curwen Prints, London, 1962; lithograph printed in colours, signed, dated ’62 and numbered 22/75 in pencil, 53x62cm (maybe subject to Droit de Suite)

Note: see Tate, London, museum number; P06555 for example of the same

£1000-1500

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21Karen Usborne British b.1941-

Nudeaquatint printed in colours with shaped plates, signed, dated ’75 and numbered 2/30 in pencil, 85x70cm (sheet): together with a further aquatint printed in colours with shaped plates by the same hand entitled “Two”, signed, dated ’75 and numbered 16/30 in pencil, 85x70cm, (sheet), (2) (may be subject to Droit de Suite)

£300-400

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22Friedrich Meckseper German b.1936-

Haus, 1972 (Cramer 141), etching with aquatint printed in colours, signed, dated ‘72 and numbered 4/100 in pencil, 49x59cm: together with two further etchings with aquatints printed in colours by the same hand entitled “Drei Kilometersteine” 1972 (Cramer 140) and “Fabrik” 1971 (Cramer 133), ea. signed, dated 72 and 71 and numbered IX/XXV and 5/100 in pencil, 47x58.5cm and 56x47cm, (3) (may be subject to Droit de Suite)

Note: Two exhibition posters from Galerie Gérald Cramer, 13, Rue De Chantepoulet, Genéve, and Galerie Niepel Düsseldorf, Graben Strasse 11, for exhibitions entitled “Meckseper, Gravures Originales 1956-1973”, May-September, 1973 and “Oelbilder + Graphik Meckseper”, 13 October-15 November, 1964, accompany this lot.

£400-600

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23Richard Bawden RWS NEAC RE British b.1936-

Blue Catlinocut, signed, titled and numbered 27/85 in pencil, 37x41.5cm (may be subject to Droit de Suite)

Note: This lot is being sold on behalf of Paintings in Hospitals

£250-300

24Dame Elizabeth Blackadder, OBE RA RSA RSW RGI DLitt Scottish b.1931-

Irises(Allan 47), lithograph printed in colours, signed and numbered 32/60 in pencil, bears blind stamp for The Printmakers Workshop Limited, 58.5x44cm (may be subject to Droit de Suite)

£300-40024

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25Patrick Caulfield CBE RA British 1936-2005

Lamp and Lung Ch’uan Warefrom White Ware suite; screenprint in grey and black, signed and numbered 6/45 in pencil, 107x80cm (may be subject to Droit de Suite)

£500-700

26Max Beckmann German 1884-1950

Portrait of Dr. Heinrich Simon(Glaser 198, Gallwitz 193, Hofmaier 224) publ. J. B. Neumann, Berlin, 1922; lithograph, signed in pencil, 60x43cm (may be subject to Droit de Suite)

Note: This print is an edition of 50; plus 4 known trial proofs. See The Museum of Modern Art, New York, MoMA Number:2422.1967, for example of the same

£800-1200

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27Pierre Soulages French b.1919-

Serigraphie No.15serigraph printed in brown, signed and numbered 47/250 in pencil, 105x72.5cm (unframed) (rolled) (may be subject to Droit de Suite)

£1000-1500


Nausicaafrom The Odyssey, publ. Folio Society, London, 1974; lithograph printed in colours, in a glazed wooden moulding frame with silver finish 23.5x14.5cm: together with five further lithographs printed in colours by the same hand from The Odyssey entitled “Debate in Ithaca”, “Odysseus Meets his Son”, “The Battle in the Hall”, “The Great Bow” and “Cyclops”, in matching glazed wooden moulding frames with silver finish, ea. 23.5x14.5cm, (6) (may be subject to Droit de Suite)

Provenance: acquired by Willowhurst Gallery, Cambridge, from the artist during a studio visit in 1986 according to label attached to the reverse

£100-150

29Philip Pearlstein American b.1924-

Nude on Couch, Arms Outstretchedetching with aquatint, signed, titled and numbered 22/50 in pencil, 55x44.7cm (unframed)

£150-200

30Max Beckmann German 1884-1950

Portrait of Naila Leaning on her Arms, with Glass(Glaser 236, Gallwitz 230, Hofmaier 265, B B.Rifkind 147) from the unsigned edition of 1500, published by Verlag R. Piper & Co., Munich 1924; drypoint etching, 21x15.7cm (may be subject to Droit de Suite)

Note: see MoMA New York, Moma number: 545.1953, for example of the same. There is also a signed edition of 180 of this print

£800-1200

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31Hughie O’Donoghue RA British b.1953-

Noah Falls IIfrom The Drunkenness of Noah, 2004; monotype printed in colours, signed, titled and dated 2004 in pencil, 37.2x54.5cm (may be subject to Droit de Suite)

Provenance: with Purdy Hicks Gallery, London, according to label attached to the reverse

£300-500

32Paul Cézanne French 1839-1906

Guillaumin au Pendu, 1873(Leymarie/Melot 2), etching on laid, 15.5x11.5cm (unframed)

£200-300

33Norval Morrisseau (Copper Thunderbird) RCA Canadian 1931-2007

Great Earth Motherscreenprint in colours, signed within the plate, 74x58cm

Note: Raised on the Sand Point Reserve near Lake Nipigon in Northern Ontario, Norval Morrissueau is a Member of the Order of Canada. He was acknowledged as Grand Shaman of the Ojibwa in 1986 and, in 1995, the Assembly of First Nations bestowed on him their highest honour, the presentation of an eagle feather. In 1989, Morrisseau, whom the French press dubbed “Picasso of the North,” was the only painter from Canada invited to exhibit at the Centre Georges Pompidou in Paris as part of the French Revolution Bicentennial celebrations. In addition, Norval Morrisseau is one of the first artists to be inducted into the Royal Society of Canada, the Academies of Arts, Humanities and Sciences of Canada.

£150-200

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34Victor Pasmore RA British 1908-1998

The World in Space and Time Ietching with aquatint printed in colours, signed with monogram, dated 92 and numbered 90/90 in pencil, 48x143cm (may be subject to Droit de Suite)

£800-1200

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35Victor Pasmore RA British 1908-1998

The World in Space and Time IIetching with aquatint printed in colours, signed with monogram, dated 92 and numbered 90/90 in pencil, 48x143cm (may be subject to Droit de Suite)

£800-1200

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36Cressida Campbell Australian b.1960-

Alisonwoodblock printed in colours, signed, titled, dated ’86 and inscribed ‘A.P’ in pencil, 49.5x65.5cm (unframed)

Note: there are two artists proofs in the edition of 20

Provenance: from the estate of the late poet Christopher Logue CBE, who was associated with the British Poetry Revival and a pacifist. A letter from the artist to Christopher Logue accompanies this lot.

£300-500

37Sir Peter Blake RA British b.1932-

Vichy- The Butterfly Man in Venice: Homage to Damien Hirst, 2011giclee on canvas with glazes by the artist, signed, titled ‘Venice’ and numbered 8/10 in black pen, 115x137cm (may be subject to Droit de Suite)

Provenance: acquired by the current owner from Art Republic, Brighton

£5000-6000


A Convention of Comic Book Characters, 2011giclee on canvas with glazes by the artist, signed, titled and numbered 4/10 in black pen, 132x135.5cm (may be subject to Droit de Suite)

Provenance: acquired by the current owner from Art Republic, Brighton

£6000-8000

39John Copley RBA British 1875-1950

The Tavern, 1909lithograph printed in colours, bears inscription ‘specimen’ in pencil, 51x19cm (may be subject to Droit de Suite)

Note: a trial proof before the edition of 25 impressions.

Provenance: The original invoice from H J Gerrish, Penrhos accompanies this lot.

£120-180

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40After Derek Boshier British b.1937

Christopher Logue British b.1926-

Sex War Sex Cars Sexoffset lithograph printed in colours, signed within the plate, 57x43cm

£150-200

41Edward Bawden RA British 1903-1989

The Queen’s Gardenlithograph, signed, titled and numbered 137/160 in pencil, 63x77cm (unframed) (may be subject to Droit de Suite)

£400-600

42Mary Fedden RA British 1915-2012

Picnic 1999lithograph, signed, titled, dated 99 and inscribed ‘pp3’ in pencil, 75x56cm (unframed) (may be subject to Droit de Suite)

£300-400

43Subhaprasanna Bhattacharjee Indian b.1947-

Avesetching with aquatint printed in colours, signed, titled, dated ’93 and numbered 2/10 in pencil, 50x33cm (unframed)

£150-250

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48Bernard Meadows British 1915-2005

Sculpture study, 1976etching with aquatint printed in colours, signed, dated ’76 and numbered 3/16 in pencil, 8x10.5cm: together with one further sculpture study etching by the same hand, signed and dated ’76 in pencil, 14.5x9cm, (2) (may be subject to Droit de Suite)

£200-300

49John Talbert McLean Scottish b.1939

Nonesuchetching with chine collé, signed and numbered 19.3x19.3cm (may be subject to Droit de Suite)

£150-200

46Bernard Howell Leach CH CBE British 1887-1979

Deer Plate, 1974lithograph printed in colours, signed and numbered 24/200 in pencil, in a white box style frame, each 53x46cm (may be subject to Droit de Suite)

£150-200

47Anthony Currell British b.1942-

Two Minersetching with aquatint, signed and numbered 2/20 in pencil, 49.5x44.5cm (may be subject to Droit de Suite)

£80-120

44Willem de Kooning Dutch/American 1904-1997

The Susan Smith Blackburn Prizeoffset lithograph printed in colours, signed and numbered 77/200 in pencil, 66x45.7cm (may be subject to Droit de Suite)

Note: At the inception of the Susan Smith Blackburn Prize, Willem de Kooning, a friend and admirer of Susan’s, created and signed a limited edition of prints for winners, judges, directors and major contributors.

£100-150

45Kasimir Malevich Russian 1878-1935

Suprematism n.56after the original painting in State Russian Museum, publ. by Mourlot, Paris; lithograph printed in colours, numbered 495/1400 in pencil, bearing blindstamps for Mourlot, The State Russian Museum and Gallerie Gerald Pillzer, 93.5x67.5: together with two further lithographs printed in colours by the same hand entitled “Portrait of a Woman” and “Peasant in a Field”, ea. after the original painting in State Russian Museum, publ. by Mourlot Paris, numbered 1507/2000 and 1519/2000 in pencil, ea. with blind stamp from Mourlot, State Russian Museum and Gallerie Gerald Pillzer, ea. 76x54cm, (3) (unframed)

£180-220

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An Alphabet (A-Z portfolio set)publ. Sir Peter Blake, Coriander Studio and Paul Stolper Gallery, 2007; screenprints in colours on 300 GSM Velin Arches paper, twenty-six, ea. signed and numbered 45/60 in pencil, contained in original buckram covered conservation box portfolio of the same title with frontispiece and justification, justification numbered 45/60 in pencil, 52x37.7cm (sheet), (folio) (may be subject to Droit de Suite)

Note: Each image is printed in an edition of 60 copies with 5 proofs and 5 copies hors commerce. 55 sets are presented in a buckram covered conservation box, with the remaining copies available as individual prints

£12000-14000

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51Bryan Ingham British 1936-1997

Stilleben- Kreuzberg, Berlin, 1986lithograph, signed, titled, dated Feb.1986 and inscribed ‘AP 4/4’ in pencil, 26.5x24cm (may be subject to Droit de Suite)

£200-300


Flowers & Patchworkaquatint printed in colours, signed, titled and numbered 59/150 in pencil, bears blindstamp for Christie’s Contemporary Art, 50x40.2cm (may be subject to Droit de Suite)

£100-150

53David Remfry MBE RA British b.1942-

Nude reclined on a chaiselithograph printed in colours, signed and numbered 29/90 in pencil, 54x80cm: together with a further lithograph by the same hand depicting dancers, signed, dated 1988 and numbered 32/100 in pencil, 87x65cm, (2) (may be subject to Droit de Suite)

£200-300

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58John Davies British b.1946-

Head Imonoprint in colours, signed and numbered 1985 in pencil, 42x34cm (may be subject to Droit de Suite)

Provenance: with Marlborough Graphics Ltd, London, according to label attached to the reverse

£150-200

57Chris Orr RA British b.1943-

Convictions in the Kitchenetching with aquatint printed in colours, signed, dated 1982 and numbered 44/50 in brown pencil, 13.3x36.5cm: together with two further etchings with aquatints printed in colours by the same hand entitled “Chris Orr’s John Ruskin” and “Was That John?” ea. from the Ruskin Portfolio, one with two plates on shared page, ea. signed, dated 1972, one numbered 38/50 and the other inscribed ‘state proof’ in pencil, ea. plate 12.5x17.2cm and 26.5x41.5cm respectively, (3) (unframed) (may be subject to Droit de Suite)

£150-200

54Paul Henry Irish 1877-1958

Mount Errigal, Co Donegal LMS Ireland for Holidayspubl. for the London Midland and Scottish Railway Company, c1920s, lithograph printed in colours, signed within the plate, trimmed from the original travel poster, 55x55cm (may be subject to Droit de Suite)

£100-150

55Orlando Greenwood RBA British 1892-1989

Vistahand coloured aquatint, signed, titled, dated ’76 and numbered 41/90 in pencil, 38x46.5cm (may be subject to Droit de Suite)

£150-200

56Tracey Emin RA British b.1963

Hades Hades Hadespubl. Counter Editions, London, 2009; screenprint on cotton, hand stitched onto floral fabric, signed, dated ’09 and numbered 124/200 in ball point pen, 41x52cm (may be subject to Droit de Suite)

£400-600

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Horse and Rider, 1976lithograph printed in colours, signed in pencil, 58.5x42.5cm (may be subject to Droit de Suite)

£400-600

60Stanley William Hayter CBE British 1901-1988

Clairevoieaquatint printed in colours, signed, titled, dated ’76 and numbered 25/75 in pencil, 48.5x59cm (may be subject to Droit de Suite)

£200-300

61Josef Herman RA Polish/British 1911-2000

Cockle Gathererslithograph printed in colours, signed and numbered 117/150 in pencil, 56.5x77cm (may be subject to Droit de Suite)

£200-300

62Graham Clarke British b.1941-

Tour de Franceetching and aquatint with hand-colouring, signed and numbered 44/300 in pencil, 16.5x13.5cm (may be subject to Droit de Suite)

£120-180

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Studio Tackboard, 1971screenprint in colours, signed with black pen, 96x136cm (may be subject to Droit de Suite)

Provenance: purchased by the current owner from No 1 Columbia Road Gallery, London. Peter Blake purportedly came to the gallery to sign it for the gallery owner who was a friend.

£800-1200

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64After Andy Warhol American 1928-1987

Marilynpublished by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting Marilyn Monroe in various colour combinations, ea. stamped in blue to the reverse, ea. 91.5x91.5cm, (10) (unframed)

Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning for the suite of ten prints and individual certificates of authenticity for each print

£1000-1500

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Soup Canspublished by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting ten Campbell soup cans in different flavours, ea. stamped in blue to the reverse, ea. 89x58.5cm, (10) (unframed)


£800-1200

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Maopublished by Sunday B Morning; screenprints on museum board paper, suite of five images depicting Mao in various colour combinations, ea. stamped in blue to the reverse, ea. 85x75cm, (5) (unframed)

Note: this lot is accompanied by a certificate of authenticity from the publisher Sunday B Morning for the suite of five prints and individual certificates of authenticity for each print

£500-700

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Golden Marilynpublished by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting Marilyn Monroe in various colour combinations, ea. numbered 164/2000 in pencil and stamped in blue to the reverse, ea. 91.5x91.5cm, (10) (unframed)


£1000-1500

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Flowers published by Sunday B Morning; screenprints on museum board paper, suite of ten images depicting Flowers in various colour combinations, ea. stamped in blue to the reverse, ea. 91.5x91.5cm, (10) (unframed)


£800-1200

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69Robert Walker Macbeth RA RI RPE RWS British 1848-1910

Young woman walking two dogs in the winter etching, signed in pencil, signed with monogram and dated 1875 within the plate, 28x21cm: together with approximately twenty-two etchings by the same hand, examples to include “Lady Bovntifvl”, “Sisters”, “Our First Tiff”, “Overcôte Ferry”, “A Young Woman Reading a Newspaper”, “Two Women on a Quay”, ea. signed in pencil, ea. signed with monogram within the plate, most dated within the plate, (approx. 23) (unframed)

£300-500

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70Claes Oldenburg American b.1929-

Baked Potato with Butterlithograph in colours, signed, dated ’72 and numbered 67/100 in pencil, 76x101.5cm

£400-600

71Asger Jorn Danish 1914-1973

De Vitaliteit in de Kunsta proof for the exhibition poster De Vitaliteit in de Kunst, February 6, 1960- March 13, 1960, Louisiana Museum of Modern Art, Humlebaek; lithograph printed in colours, signed and dated 1959 within the plate, 100x70cm (may be subject to Droit de Suite)

Provenance: with Molton Gallery, London, according to label attached to the reverse

Note: see Stedelijk Museum, Amsterdam, object number: 1959_44, for example of the same

£300-500

72Charles William Cain British 1893-1962

An Indian Silversmithetching, signed with monogram within the plate, signed and inscribed ’31. 75.’ in pen, 22.5x27.5cm (may be subject to Droit de Suite)

Note: Cain was a student of Camberwell School of Art and then an illustrator cartoonist for the Johannesburg Star until WWI when he joined the Border Regiment in India and Mesopotamia until Armistice, and entered the Royal College of Art under Frank Short 1920-1.

£80-120

71

73Norman Ackroyd CBE RA British b.1938

The Dovecote at Chateau Palmeretching with aquatint, signed, titled, dated ’86 and numbered 71/150 in pencil, 51x35cm (may be subject to Droit de Suite)

£150-200

40

74James Abbott McNeill Whistler PRBA RP HRSA RSW American 1834-1903

Billingsgate(Kennedy 47), etching, the eighth final state, signed and dated 1859 within the plate, 15x22.5cm

£600-800


Crag Path, Aldeburghlinocut printed in colours, signed, titled and numbered 6/85 in pencil, 22x34.8cm (may be subject to Droit de Suite)

£100-150

76Pierre Bonnard French 1867-1947

Portrait of Renoir(Bouvet 84), etching, signed within the plate, bears pencil inscription on the reverse, 25.7x19.5cm (may be subject to Droit de Suite)

£120-180

74


77Pierre-Auguste Renoir French 1841-1919

Baigneuse debout à mi-jambes(Delteil & Stella 23); etching on laid, bears pencil inscription on the reverse, 16.6x11.1cm

£400-600

77

42

78Valerie Thornton RE British 1931-1991

Eton College Chapelaquatint printed in colours, signed, titled and numbered 57/100 in pencil, 38x52cm: together with three further aquatints printed in colours by the same hand entitled “Winchester College Chapel”, “Montacute House” and “Clare”, ea. signed, titled and numbered 11/100, 57/75 and 11/70 respectively in pencil, 37.2x48.2cm, 28.5x52cm and 39.3x62.2cm respectively, (4) (may be subject to Droit de Suite)

£300-400


Cleyaquatint with etching printed in colours, signed, titled, dated ’75 and numbered 61/70 in pencil, 39.5x61.5cm: together with four further aquatints printed in colours entitled “Ely, Interior”, “Waterfront, Kings Lynn”, “St Margaret’s, Cley” 1973, “Cley-next-to-the-Sea” 1973, ea. signed, titled and numbered 34/50, 12/70, 3/70, and 23/50 in pencil, two dated 1973 in pencil, 40.7x26cm, 39.7x62.2cm, 39.5x52cm and 39x60cm respectively, (5) (may be subject to Droit de Suite)

£400-600

78



Vézelay, Interioretching with aquatint printed in colours, signed, titled, dated ’74 and numbered 50/70 in pencil, 62x39.5cm: together with three further etchings with aquatint printed in colours by the same hand entitled, “Corme-Royal” 1974, “Saint Amand de Coly” 1972 and “Segovia” 1978, ea. signed, titled, dated and numbered 18/75, 10/50 and 10/70 respectively, 52.2x44.1cm, 61.5x39.5cm and 17.7x12cm respectively, (4) (may be subject to Droit de Suite)

£200-300

79

80

44


Egyptian Potsaquatint with etching printed in colours, signed, titled, dated ’68 and numbered 11/50 in pencil, 52x40cm: together with three further etchings with aquatint printed in colours entitled “Ancient Glass”, “Red Glass” and “Tear Bottles” ea. signed, titled, dated 1972 and inscribed 45/50, 32/50 and artists proof respectively in pencil, 19.7x26cm, 12.2x20.3cm and 12x21cm respectively, (4) (part unframed) (may be subject to Droit de Suite)

£300-400


Cityetching with aquatint printed in colours, signed, titled, dated 1956 and inscribed in pencil, 19.5x29.7cm (may be subject to Droit de Suite)

£150-200

83Salvador Dali Spanish 1904-1989

Le Cosmonaute (The Astronaut) from Hippies(M&L 380b), 1969/70, publ. Pierre Argillet, printed by Robbe; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed and numbered LXIIX/C in pencil, 39.5x31.5cm (may be subject to Droit de Suite)

£700-900

83

81



Sator from Faust (La Nuit de Walpurgis), Faust (Walpurgis Night) (M&L 304k), 1968/1969, publ Graphik Europa Anstalt, printed by Robbe; hand-coloured drypoint etching with roulette on Japanese paper, signed and numbered 16/145 in pencil, with blindstamp, 31.5x23.8cm (may be subject to Droit de Suite)

£250-350


La Tête (The Head) from “Vénus aux Fourrures”(M&L 369f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 26/145 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)

Note: Included in the book of the same title with texts by Leopold von Sacher-Masoch (1836-1895)

£600-800

86

8584


Vieux Faust (Old Faust) from Faust (La Nuit de Walpurgis), Faust (Walpurgis Night) (M&L 303k), 1968/1969, publ. Graphik Europa Anstalt, printed by Robbe; hand-coloured drypoint etching with roulette on Japanese paper, signed and numbered 16/145 in pencil, with blindstamp, 31.5x23.8cm (may be subject to Droit de Suite)

£250-350

46


Le Torse (Torso) from “Vénus aux Fourrures”(M&L 362f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 82/145 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)


£350-450


Femme à la Chaussure (Woman with Shoe) from “Vénus aux Fourrures”(M&L 360f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 26/145 in pencil, 31.7x23.7cm, (may be subject to Droit de Suite)


£600-800


Les Négresses (Negresses) from Vénus aux Fourrures (M&L 363f), 1969, publ Graphik Europa Anstalt; hand-coloured drypoint etching on Japanese paper, with blindstamp, signed in pencil and numbered 45/145 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)


£250-350

8887

89



La Fée (The Fairy) from Les Amours de Cassandre(M&L 257g), 1968, publ. Pierre Argillet; hand- coloured dry-point etching, on Japanese paper, with blindstamp, signed and numbered 89/95 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)

Note: included in the book of the same title with texts by Pierre de Ronsard (1524-1585)

£400-600


La Saule Pleureur (Weeping Willow) from Les Amours de Cassandre(M&L 253g), 1968, publ Pierre Argillet; hand- coloured dry-point etching, on Japanese paper, with blindstamp, signed and numbered 89/95 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)


£300-400

9190


Portrait de Ronsard from Les Amours de Cassandre (M&L 248g), 1968, publ Pierre Argillet; hand- coloured dry-point etching, on Japanese paper, with blindstamp, signed and numbered 89/95 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)


£600-800

92

48


Bicéphale (Bicephalous) from Les Amours de Cassandre (M&L 255g), 1968, publ Pierre Argillet; hand- coloured dry-point etching, on Japanese paper, with blindstamp, signed and numbered 89/95 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)


£300-400

94


La Fille au Flambeau (Girl with a Torch) from Les Amours de Cassandre (M&L 252g), 1968, publ Pierre Argillet; hand- coloured dry-point etching, on Japanese paper, with blindstamp, signed and numbered 89/95 in pencil, 31.7x23.7cm (may be subject to Droit de Suite)


£300-400

9493


La Guerre de '14-'18, (The 1914-1918 War) from Poèmes Secrets by Apollinaire, (M&L 193), 1967, publ. Pierre Argillet, printed by Robbe; hand-coloured etching on Japanese paper, signed and numbered 66/145 in pencil, with blindstamp, 31.2x23.7cm (may be subject to Droit de Suite)

£500-700

95



Les Tranchées (The Trenches) from Poèmes Secrets by Apollinaire(M&L 192), 1967, publ. Pierre Argillet, printed by Robbe; hand-coloured etching on Japanese paper, signed and numbered 107/195 in pencil, with blindstamp, 31.2x23.7cm (may be subject to Droit de Suite)

£400-600


Femme au Perroquet (Woman with Parrot) from Poèmes Secrets by Apollinaire(M&L 196), 1967, publ. Pierre Argillet, printed by Robbe; hand-coloured etching on Japanese paper, signed and inscribed ‘E.A.’ in pencil, with blindstamp, 31.2x23.7cm (may be subject to Droit de Suite)

£300-500

96

97

50


Le Piano sous la Neige’(Piano under Snow) from Tauromachie Surréaliste(M&L 156a), 1966/7, publ. Pierre Argillet, printed by Maeght; hand-coloured heliogravures with stencil and reworked in drypoint on Arches teinté, with blindstamp, signed, dated 66 and numbered 82/150 in pencil, 31.5x41.5cm (may be subject to Droit de Suite)

Note: Tauromachie Surréaliste were executed after designs based on Picasso’s ‘La Tauromachie’, 1957

£400-600


La Giraffe en Feu (Burning Giraffe) from Tauromachie Surréaliste(M&L 159b), 1966/7, publ. Pierre Argillet, printed by Maeght; hand-coloured heliogravures with stencil and reworked in drypoint on Japanese paper, with blindstamp, signed, dated 66 and numbered XXIV/C in pencil, 31.5x41.5cm (may be subject to Droit de Suite)

Note: Tauromachie Surréaliste were executed after designs based on Picasso’s ‘La Tauromachie’, 1957

£600-800


Cavalier Casqué aux Papillons (Knight with Helmet and Butterflies) from Calderón: La Vie est un Songe(M&L 520), 1971, publ. EDITEUROPA Anstalt/Berggruen, printed by Ateliers Rigal; etching with aquatint printed in colours, signed in pencil, inscribed ‘Epreuve d’artiste’ in pencil, 31.5x24.5cm (may be subject to Droit de Suite)

Note: Included in the portfolio of the same name with text by Pedro Calderón de la Barca (1600-1681)

£200-300

98

99



Circe(M&L 718a), publ. Pierre Argillet, 1969; dry-point etching on Arches, hand coloured, signed, dated 69 and numbered 37/150 in pencil, bears publishers blind stamp within the plate and within the margin, 29.8x39.5cm (unframed), (may be subject to Droit de Suite)

£250-300

102Armando Baldinelli Italian/South African 1908-2003

Il Bella e il Cavalierewood engraving, signed, titled and inscribed in pencil, signed within the plate, 19.7x14.7cm: together with two further wood engravings by the same hand entitled "Invocazione" and "La Bella e il Cavaliere", ea. signed, titled and inscribed in pencil, ea. signed within the plate, one dated 1934 within the plate, 29.2x20.9cm and 30x22cm respectively, (3) (may be subject to Droit de Suite)

Provenance: “Il Bella e il Cavaliere” exhibited in the international exhibition, Brussels, 1933, according to pencil inscription on the recto. "Invocazione" and "La Bella e il Cavaliere" were both exhibited at the Venice Biennale, 1934, according to pencil inscription on both rectos

£150-200

103David Hockney OM CH RA British b.1937-

A Bounce for BradfordFebruary 24, 1987, publ. Bradford Telegraph and Argus, 3 March, 1987; lithograph printed in colours on newspaper, with centrefold 42x60cm (unframed) (may be subject to Droit de Suite)

Note: Created as a donation by David Hockney to Bradford’s Bounce Back Campaign.

£100-150

104Marc Chagall Russian/French 1887-1985

The Blue Cowfor XXe Siécle no 29, publ. Mourlot, Paris, 1967; lithograph printed in colours, 30x24cm (unframed) (may be subject to Droit de Suite)

£100-150

101

100

52

105Rafa Nasiri Iraqi 1940-2013

Untitled etching with aquatint printed in colours, signed, dated 81 and inscribed ‘A/P’ in pencil, with irregular plate shape, 76x56cm (sheet): together four further aquatints printed in colours by the same hand, two entitled “Beyond the Horizon”, ea. signed, two numbered 24/30, one inscribed ‘A/P 3/5’, one inscribed ‘A/P’ and ea. dated 81 in pencil, three with irregular plate shape, ea. with labels attached to the reverse, 76x56cm max (sheet), (5)

Note: Born in Tikrit, Iraq in 1940, Nasiri studied painting and printmaking in Baghdad, Beijing and Lisbon. Nasiri was awarded the First Prize at the Baghdad International Festival of Art in 1986; the Honors Prize at the 4th International Graphics Biennale, Fredrickstad, Norway in 1978; the Jury Prize at the International Painting Exhibition, Cagnes-sur-Mer, France in 1977; and the Honors Prize at the International Summer Academy, Salzburg, Austria in 1974. Nasiri published two books, in Arabic: Contemporary Graphic Art (1997) and Horizons and Mirrors: Essays on Plastic Art (2005). In 2010, a book about the artist entitled, Rafa al-Nasiri: His Life & Art, co-authored by Sabah Al Nassiri and May Muzafar, appeared in Amman.

£400-600

105


106Jean Cocteau French 1889-1963

Sun and Couple, 1961from the Innamorati series, lithograph printed in colours, signed within the plate, numbered 29/300, 71.5x53.8cm: together with a further lithograph printed in colours by the same hand and from the same series depicting a couple, signed and dated 1961, within the plate, numbered 9/300, 71.5x53.8cm, (2) (unframed) (may be subject to Droit de Suite)

£250-350

107Eileen Cooper RA British b.1953-

Private Viewetching with aquatint printed in pink, signed, titled, dated ’05 and numbered 25/100 in pencil, 19.7x12.3cm (may be subject to Droit de Suite)

Note: This lot is being sold on behalf of Paintings in Hospitals

£100-150

106

54

108Saud Al-Attar Iraqi b.1942-

Paradise in Green and Paradise in Green 2aquatints printed in colours, two, both signed, titled, dated 1983 and numbered 13/30 and 29/30 respectively in pencil, ea. 34.5x44cm, (2) (unframed)

£300-500


Twin Peaks, 1992screenprint in colours, signed, numbered 32/50 and dated 92 in pencil, 55.5x57cm (unframed) (may be subject to Droit de Suite)

£250-350

110Richard Smith British b.1931-

Folded Paper Clip II, 1975lithographs printed in colours on papers and 4 metal paperclips, signed, titled, dated 75 and numbered 32/42 in pencil, 70x71.5cm (unframed) (may be subject to Droit de Suite)

Note: See Tate, London, reference: P01302, for example of the same

£200-250

111Antoni Tàpies Spanish 1923-2012

Tàpies Maeght-Zurich Marz-April 71publ. by Galerie Maeght, Zurich, 1971, text by Felix Andreas Baumann, to include six loose double sheets with two double-page lithographs printed in colours and further illustrations in off-set, with wraps, 32x23.2cm, (sheet) (catalogue) (may be subject to Droit de Suite)

£150-200110

109

108


113Pablo Picasso Spanish 1881-1973

Faunes et Flore d’Antibespubl by Au Pont des Arts, 6 Rue Bonaparte, Paris, 1960, one of the eleven plates, from the edition of 125; lithograph printed in colours, the full sheet on cream wove, 65x50cm (unframed) (may be subject to Droit de Suite)

£250-350


Fish, Antibespubl. by Au Pont Des Arts, 6 Rue Bonoparte, Paris, 1946, printed by Daniel Jacomet; lithograph printed in colours, the full sheet on cream Arches wove, 50x65cm (unframed) (may be subject to Droit de Suite)

£350-450

113

112

114

112Paul Cézanne French 1839-1906

Tête de Jeune Fille, 1873(Cherpin 4), etching printed in sepia on laid paper, 13x10.5cm (unframed)

Note: The plate for Tête de Jeune fIlle was worked at the house of the keen amateur etcher Dr. Paul Gachet, more famously the subject of van Gogh’s portrait and etching. A friend of long standing of both the Cezanne and Pissarro families, he was one of the great early collectors of Impressionist and Post Impressionist painting.

£700-1000

56

115Joan Miró Spanish 1893-1983

Ram in Bloom, 1971(Mourlot 739), lithograph printed in colours, 38x55.3cm: together with a pochoir in colours by the same hand depicting an abstract omposition, issued in 1958 for the hard-Siecle No.10, publ by San Lazzaro for Jacomet, Paris, signed within the plate, 31.3x24cm., (2) (unframed) (may be subject to Droit de Suite)

£350-500


Personnages et Animaux(Mourlot 97), lithograph printed in colours the full sheet, signed, numbered and dated 1950 in pencil, 75.5x56cm (unframed) (may be subject to Droit de Suite)

£2500-3500

115

116



Female nude and putti with maskoriginal Heliogravure for “Picasso Comédie Humaine” printed by Draeger Freres Paris, 1954, dated 5/1/1954 within the plate, signed in pencil, 36x27cm (mounted and unframed) (may be subject to Droit de Suite)

Note: Presumably from the 1st Edition Suite de one hundred and eighty Dessins de Picasso, publ 28 Novembre 1953 au 3 Fevrier 1954. French 1st Edition. Limited to subscribers believed to number only circa sixty, one of one hundred and eighty designs by the artist for the special double edition “Picasso & The Human Comedy”

£300-500

118Max Klinger German 1857-1920

Otto Greiner German 1869-1916

Fünf Federzeichnungen von Max Klinger und Otto Greiner(pen and ink drawings, Max Klinger & Otto Greiner), publ Leipzig, 1909, text by Georg Hirzel, eight pages, to include five lithographs on japon paper, 20x34cm (sheet) (booklet)

£150-250

119Adolph Gottlieb American 1903-1974

Flying Lines, 1967screenprint on wove paper, the full sheet, signed, dated and numbered 7/75 in white chalk, 76x56cm (unframed)

£400-600119

117

58

120


120Henri de Toulouse-Lautrec French 1864-1901

La Passagère du 54 ou Promenade en Yacht, 1895(Deltteil 366; Wittrock P 20 I; Adriani 145 I); lithograph in colours, first state, signed in black crayon, with the artist’s red monogram stamp (Lugt 1338), unnumbered, possibly a proof from the edition of 50, on imitation Japan paper, mounted in a glazed 18th century carved giltwood frame, 62x44cm

Note: “As the story is told (Lautrec), Guibert and their friends set off in early August 1895 in high spirits with a case of wine and champagne, on a cargo liner called the Chili, to cruise down the coast from Le Havre to Lisbon... Aboard the ship, they saw a lovely young woman travelling with

her daughter and their poodle, on their way, it was said, to join her husband, a colonial civil servant in Dakar. Henry was enchanted by her beauty, and a...marvellous lithographic poster...survives to document his infatuation. According to Joyant, Henry was so taken with her that Guibert had a hard time getting him to leave the ship at Lisbon. He wanted to follow her to Dakar. It is not known whether he ever actually spoke to his perhaps unwitting model. The title of the work implies that he did not know her name, and his lithograph shows her from a viewpoint which suggests she may not ever have realised she was being observed...Joyant later called Henry’s litho ‘an exquisite thing, in its tone, its elegance, in its mood of indolence, in the way it conveys the delight of being alive, with eyes idly wandering, on a fine day.” Julia Frey, Toulouse-Lautrec, A Life, Weidenfeld and Nicolson, London, 1994, pp. 413-4.

£5000-7000

121Gino Carlo Sensani Italian 1888-1947

Le Danzatori Indianiwoodcut, signed, titled and dated 1915 in pencil, 28x39.8cm: together with two further woodcuts by the same hand entitled “Le Grazie al Fonte” and “La Sorgente”, both signed with initials within the plate, both signed, titled in pencil and dated 1915 and 1918 in pencil respectively, 29.5x39.7cm and 32x30cm., (3) (may be subject to Droit de Suite)

£250-350 121

60

123Maurice de Vlaminck French 1876-1958

Bateaux le Long de la Rivièrelithograph printed in colours, with stamped signature, numbered 13/20 in pencil, 28x33.5cm (unframed) (may be subject to Droit de Suite)

£250-350

125

122

122Hans (Jean) Arp German/French 1886-1966

Configuration Mediterranée, 1949lithograph printed in colours, signed and numbered 23/50 in pencil, 40.5x55.5cm (unframed) (may be subject to Droit de Suite)

£400-600

124Jacques Villon French 1875-1963

Camille Renault, 1945-46(G./P. 494), drypoint etching, 2nd state, signed and inscribed ‘2e etat’ in pencil, 40.5x31.7cm (unframed) (may be subject to Droit de Suite)

Note: There were 35 impressions printed in this state and a further 140 printed after the plate was reworked in 1947.

£150-200

125Gerald Leslie Brockhurst RA RE British 1890-1978

Genevieve, 1922(Fletcher 30), etching, signed in pencil, signed in reverse within the plate, 19.5x14.9cm: together with on a further etching by the same hand entitled “Aglaia” 1926, (Fletcher 54), signed in pencil, signed in reverse within the plate, 12x8.5cm, (2) (may be subject to Droit de Suite)

£300-400


126Abel Pfeffermann Pann Latvian/Israeli 1883-1963

Rider in a winter forest landscapefrom Scènes de la Première Guerre Mondiale, lithograph printed in colours, signed within the plate, signed and numbered 12/50 in pencil, 56.5x37cm (may be subject to Droit de Suite)

£120-180


Tête de Taureau, c.1950slithograph printed in colours, the full sheet on cream laid, signed within the plate, 49.5x40cm (unframed) (may be subject to Droit de Suite)

£350-450

128Maurice Utrillo French 1883-1955

Le Lapin Agile à Montmartrepochoir in colours, signed within the plate, 34x27.5cm (unframed) (may be subject to Droit de Suite)

Note: see P. Pétridès, L’oeuvre complet de Maurice Utrillo, Paris, 1969, vol. III, no. 2226 (illustrated p. 301), for more information

£150-200

129Théophile Alexandre Steinlen Swiss/French 1859-1923

Orphelins de Guerre, (Orphans of War), 1915lithograph on buff wove paper, signed, and dated 1915 within the plate, signed in red crayon and annotated EA in pencil, 55.5x38cm: together with three other lithographs by the same hand, all signed within the plate, one dated 1916 within the plate, two with numbering in pencil, 50x32cm and 27.5x37.5cm, (4) (unframed)

£180-220

130Claude Flight

Lino Cutting and Printingpubl. by B T Batsford Ltd., London, 1934, 1st edition, pictorial front board, 21.5x14cm, (book)

£150-200

131Antoni Tàpies Spanish 1923-2012

Gravier, 1971(Galfetti 272), publ. by Maeght; etching with carborundum, signed and numbered 12/75 in pencil, 63x89.5cm (unframed) (may be subject to Droit de Suite)

£300-500

131127

62

132Abdur Rahman Chughtai Pakistani 1897-1975

Rain Fallsetching with aquatint, signed and titled in pencil, 23.5x27.5cm

Note: Abdur Rahman Chughtai is remembered today as possibly the most distinguished Pakistani artist of the 20th century. His work draws from a shared South Asian cultural heritage, and he was one of the few Pakistani artists to be recognized in India before and after the 1947 partition. Chughtai began his training at the Mayo School of Art in Lahore in 1911, where he was taught by Samarendranath Gupta, himself a pupil of Abanindranath Tagore.

£600-800


Red and Black Linear, 1967(Kemp 38), publ. by Leslie Waddington Prints, London, Printed by Stanley Jones at The Curwen Studio, London; lithograph printed in colours, signed and numbered 45/75 in pencil, 79x58.3cm (may be subject to Droit de Suite)

£500-700

133

132



Newlyn Blue Q, 1995(Kemp 142), publ. by Flowers Graphics, London, printed at Coriander Studio, London; screenprint in colours, signed, titled and numbered 83/125 in pencil, 85x85cm (may be subject to Droit de Suite)

£1000-1500


Green and Black Q, 1997(Kemp 159), publ. Sims Gallery, St Ives, printed at Coriander Studio, London; screenprint in colours, signed and numbered 117/125 in pencil, 74x54cm (may be subject to Droit de Suite)

£600-800

135

134

64


Orange and Blue Q Newlyn, 1997(Kemp 167), publ. by CCA Galleries, Tilford, printed by Coriander Studio, London; screenprint in colours, signed and numbered 14/150 in pencil, 64.8x63.5cm (may be subject to Droit de Suite)

£1000-1500


Development of a Square Within a Square (Blue), 2000(Kemp 201), publ. by CCA Galleries, Tilford, printed by Coriander Studio, London; screenprint in colours, signed and numbered 67/150 in pencil, 58.5x58.5cm (may be subject to Droit de Suite)

£600-800


Swing Blue, 2002(Kemp 240), publ. by CCA Galleries, Tilford, printed at Coriander Studio, London; screenprint in colours, signed and numbered 15/150 in pencil, 79.5x55cm (may be subject to Droit de Suite)

£600-800137

136



Three for Two, 2001(Kemo 219), publ. CCA Galleries, Tilford, printed at Coriander Studio, London; screenprint in colours, signed and numbered 43/150 in pencil, 61.5x45cm (may be subject to Droit de Suite)

Provenance: with Julian Lax, London, according to label attached to the reverse

£600-800


Swing on Blue, 2001(Kemp 218), publ. by CCA Galleries, Tilford, printed by Coriander Studio, London; screenprints in colours, signed and numbered 42/150 in pencil, 61.5x45cm (may be subject to Droit de Suite)

£600-800

140

139138

66


Black Circle, 2002(Kemp 223), publ. by CCA Galleries, Tilford, printed at Coriander Studio, London; screenprint in colours, signed and numbered 88/150 in pencil, 47.5x90cm (may be subject to Droit de Suite)

£600-800

142

141



Vertical Rhythm II, 2002(Kemp 243), publ. by CCA Galleries, Tilford, printed at Coriander Studio, London, signed and numbered 59/85 in pencil, 98.7x94cm (may be subject to Droit de Suite)

£1000-1500

143Leon Underwood British 1890-1975

Bear and Etcetera from Animalia, publ. by Payson & Clarke Ltd, New York, 1926, wood engravings, two, signed and dated 26 in pencil, 16x18cm and 17.7x16cm respectively, (2) (unframed) (may be subject to Droit de Suite)

£300-400

143

144144Clifford Webb RE British 1895-1972

The Poolwood engraving, signed and titled in pencil, 23.5x17.5cm: Clifford Webb RE, British 1895-1972- “Cheetah and Black Buck”; wood engraving, signed and titled in pencil, 15x19cm, (2) (unframed) (may be subject to Droit de Suite)

£300-400

68

145Claire Leighton RE British/American 1900-1989

The Banana Grove wood engraving for Henry Major Tomlinson's The Sea and the Jungle, Publ by Duckworth, London, 1930; wood engraving, signed, titled and numbered 15/30 in pencil, 14.2x9.3cm: together with three further wood engravings by the same hand entitled "Genoa", "The Vegetable Sellers" and "Apple Pickers", 15.3x21.5cm, 16.4x11.8 and 6.4x9.5cm respectively, (4) (unframed) (may be subject to Droit de Suite)

Note: For “The Banana Grove” see Museum of Fine Arts Boston, accession number: 30.1419, for example of the same

£400-600

146Blair Hughes-Stanton British 1902-1981

The Old Man wood-engraved illustration to John Milton’s Comus, publ by Gregynog Press, Newton, 1931; wood engraving, signed, titled, dated 31 and inscribed ‘A/P’ in pencil, 22x11.5cm (unframed) (may be subject to Droit de Suite)

Note: This print has also been titled ‘The Attendant Spirit’ by the artist, see British Museum, London, Museum number: 1932, 0312.31, for example of the same.

£180-220

145


147Douglas Percy Bliss RBA British 1900-1984

Invoking the River God and Rasselaswood engraved illustrations for Rasselas: Prince of Abissinia by Dr Johnson, publ. by J M Dent, London, 1926; wood engravings, two, ea. signed and titled in pencil, 16x10.4cm: ea.

Guy Seymour Warre Malet RBA British 1900-1973

Street scene with girl and Donkey wood engraving, signed and numbered 21/25 in pencil, 12.5x17.5cm, (3) (unframed) (may be subject to Droit de Suite)

£300-350

147

70

148George Buday RE Hungarian/British 1907-1990

The Forestwood engraving, signed, titled, dated 1935 and numbered 36/50 in pencil, 12x10cm

Nora Unwin British 1907-1982

Song Thrush and Snailswood engraving, signed, titled and numbered 2/16 in pencil, 12.3x7.5cm

Reynolds Stone British 1909-1979

Augustwood engraved illustration for A Year of Birds with poems by Iris Murdoch, publ. by Compton Press, London, 1978; wood engraving, signed with initials and numbered 6/HC, 6.7x7cm

Robert Gibbings Irish 1889-1958

View from the Seine from Coming Down the Seine, publ. J M Dent, London, 1953; wood engraving, signed with initials 7.5x9.5cm, (4) (unframed) (may be subject to Droit de Suite)

£300-400

148

149Robert Sargent Austin RE British 1895-1973

Salus Infirmorum (Dodgson 32), etching, signed, titled, dedicated and inscribed ‘final proof’ in pencil 22x18.5cm: together with two further etchings by the same hand depicting a blind beggar holding a cross and a woman milking a goat, ea. signed and dated 1923 and 1925 respectively in pencil, ea. signed within the plate, ea. 11.5x11.5cm, (3) (unframed) (may be subject to Droit de Suite)

£250-350

150149


152Konstantin Chmutin Russian/American b.1953-

Conception VImezzotint, titled and numbered 47/50 in pencil, 10.5x15.3cm (unframed)

Provenance: with Off-Centre Gallery Gallery, Bristol, according to the original invoice which accompanies this lot

Note: Exhibited at the Royal Academy, London, Summer Exhibition, 1991

£100-150

150Enid Constance Butcher British exh 1927-33

Swiss Peasantsengraving, signed and numbered 18/40 in pencil, signed with initials within the plate, 14.5x13.7cm: together with three further engravings by the same hand entitled “Old Woman at the Well”, “The Hill Top” and “A Breton Peasant”, ea. signed and numbered in pencil, ea. signed with initials within the plate, ea. approx. 13.5x10.5cm (4) (unframed)

£200-300

151William Lee-Hankey RE RWS British 1869-1952

Marie of the Fields. 1919(Hardie 168), drypoint etching, signed in pencil, bearing artist’s own blindstamp, signed with monogram within the plate, 19.8x12.4cm (may be subject to Droit de Suite)

£300-500151

72


25.12.71, 1971screenprint in colours, signed and dated 71 in pencil, 157.2x106cm (unframed) (may be subject to Droit de Suite)

£600-800

154Albert Irvin RA British b.1922-

Creekside, 1989screenprint in colours, signed, titled, dated 89 and numbered ‘PP IV/IV’ in pencil, 126x181cm (unframed) (may be subject to Droit de Suite)

£400-600

153

154

Lots 153-175 are from the private collection of Chris Prater OBE, founder of the ground-breaking Kelpra Studio, London.

Kelpra Studio began in 1957 as a commercial silk-screening venture. Set up by Prater and his wife Rose, Kelpra’s name combines Rose’s maiden name - KELly, and Chris’s surname - PRAter.

It soon became one of the most influential printmaking studios in the UK, and a pioneer of the silk-screen medium. From the beginning it attracted acclaimed artists, including Eduardo Paolozzi, who was one of the first to work collaboratively with Kelpra Studio. He came to appreciate the flexibility of silk-screen printing, sometimes changing colours with each printing, meaning no two examples of the edition were the same; a controversial decision, as it went against the perceived definition of limited edition prints where every print is identical.

Over the years Kelpra worked with some of the most influential artists of the late 20th century including Peter Blake, Howard Hodgkin, David Hockney and Richard Hamilton. Hamilton in particular delighted in Kelpra’s innovations in photo-technology which leant itself superbly to the pop art medium.

The outstanding success of Kelpra Studio’s cannot just be attributed to its innate craftsmanship, but Prater’s ability to create a rapport with the artists the studio worked with must also be acknowledged. He actively encouraging them to create prints that opened up new horizons and questioned the very definition of ‘print’.


156Sir Sidney Nolan RA Australian 1917-1992

Kelly, 1964screenprint in colours, signed and dedicated to ‘Chris from Sidney’ in pencil, 68.8x49.6cm: together with a further screenprint in colours by the same hand entitled “Cross” 1966-7, signed in pencil, 63.5x48.7cm, (2) (unframed)

Note: see Tate, London, reference numbers P04644 and P04664 respectively, for examples of the same

Provenance: “Kelly” is dedicated to Chris Prater, founder of Kelpra Press, London.

£400-600

155

156

157Sir Eduardo Paolozzi KBE RA Scottish 1924-2005

Conditional Probability Machine, 1975screenprint in colours, 76x56cm (unframed) (may be subject to Droit de Suite)

£100-150

155Robyn Denny British 1930-2014

Dreams, 1972screenprint in colours, signed, dated 72 and inscribed ‘PP’ in pencil, 101.5x152.3cm: together with a further screenprint in colours by the same hand from the Thomas Suite, 1975, in black, blue, green and yellow, signed and dated 75 in pencil, numbered 45/100, (2) (unframed) (may be subject to Droit de Suite)

£300-400

74


Bunk!(Miles 101-147) the portfolio, 1972, published by Snail Chemicals, printed by Advanced Graphics, London; comprising one screenprint in colours signed in pencil entitled “Bunk!- Folks Always Invite me for the Holidays and 43 unsigned lithographs and screenprints in colours with collage, loose as issued in original green cloth box, with black printed title, overall size 45x32.2cm (folio) (may be subject to Droit de Suite)

Note: This Portfolio was originally issued with 46 screenprints and lithographs this example lacks two plates “Bunk! It’s a Psychological fact Pleasure Helps your Disposition” and “Bunk!- Will Alien Powers Invade the Earth?”. Also lacking title page, text and justification, list of plates and two leaves of introductory text. This example is in a green presentation case which appears to be unusual, other examples are produced in the colour orange.

£800-1200

158

76

159Ivor Abrahams RA British b.1935

Edgar Allen Poethe complete portfolio, 1976, publ. by Bernard Jacobson, London, printed by Advanced Graphics, London; twenty screenprints in colours, each signed, dated 76 and inscribed ‘AP’ in pencil, ea with printers blindstamp, contained in original leather portfolio of the same title with justification numbered ‘AP’, 51.2x38.2cm, (folio) (may be subject to Droit de Suite)

£600-800

160Llewellyn Xavier OBE Saint Lucian b.1945-

Free George Jacksonlithograph printed in colours, signed and dated 71 within the plate, numbered 29/75 in pencil, 75x56cm: together with twenty further lithographs and screenprints with mixed technique by the same hand, ea. signed and dated, nineteen inscribed ‘A/P’, one numbered 15/75 in pencil, ea. 75x56cm, (21) (unframed)

Note: Llewellyn Xavier was born in St Lucia in 1945 and began painting in 1961 when a friend gave him a box of watercolours. He studied at the School of the Museum of Fine Arts, Boston and the Nova Scotia College of Art and Design in Halifax. Xavier’s work has taken him from the Caribbean to the United Kingdom, the United States and Canada where he gained a significant following and where his work has become part of both private and public collections including Smithsonian Institution, Washington DC, Museum of Modern Art, New York and Victoria & Albert Museum, London.

£600-800

159

160


161John Keane British b.1954-

Commodity Collagescreenprint with collage, signed, dated 1988 and numbered 1/5 PP in brown/orange coloured crayon, titled within the plate, 83.5x58cm (unframed) (may be subject to Droit de Suite)

£200-300

162Tom Phillips CBE RA British b.1937-

Memorial to Vincent Van Goghscreenprint in colours, signed and inscribed ‘H.C’, bears publisher’s blind stamp, 81.3x60.7cm: Tom Phillips RA, British b.1937- “A Course in Sussex: I”; screenprint in colours, signed and inscribed ‘H.C’, 59x59.5cm: together with six further screenprints in colours by the same hand entitled “Chevalier: The Steinway of Wines”, “O Lynch Bages. First Cru in Space”, “O Lafite. O Cardinal Ambrosia”, “Chateau Suduiraut: Sweet Du Roy” and “Chateau Haut Brion. O Ho Bryan”, a series of five compositions based on a wine labels, publ. by Advanced Graphics, London, 1986-7; screenprints with etching printed in colours, ea. signed and inscribed ‘P/P’ in pencil, ea. with publisher’s blind stamp, ea. dedicated ‘for Chris with best wishes’ in pencil, ea. 51x63.5cm, (7) (unframed) (may be subject to Droit de Suite)

Note: see British Museum, London, museum number: 2002, 0929.18- 2002, 0929.21 for example of the same

£300-500

161

162

78

163Tom Phillips CBE RA British b.1937-

Dante’s Infernopubl. by Waddington Graphics, London, printed by Advanced Graphics, London; seven screenprints in colours, from the series of ten, each signed, three inscribed ‘printers proof’ in blue coloured crayon, four inscribed ‘final proof’ in pencil, 75.2x54.9cm, (7) (unframed) (may be subject to Droit de Suite)

£300-400

164Patrick Caulfield CBE RA British 1936-2005

Patrick Caulfield, Bodilly Galleries, 11 August until 10 September 1994 (Brown Pot)screenprint poster in colours, 73x50.8cm

David Hockney OM CH RA British b.1937

The Royal Opera, Die Frau ohne Schatten, David Strauss, 1992screenprint in colours, signed with monogram and dated 91, 76x50.5cm

Ian Tyson British b.1933

The 2nd Artists Book Fair, April 22-23, Royal Festival Hall, South Bank Centre, London1994, screenprint in colours, signed, dated 94 and inscribed P/P in pencil, 56x37.5cm: together with one further screenprint “British Abstract Art, Part 1, Painting, Flowers East at London Fields and Flowers East, London, August 5-September 11, 1994, signed, dated 94, numbered 2/25 and dedicated in pencil, 83.5x68.5cm, (4) (unframed) (may be subject to Droit de Suite)

£250-350

163

164


165Brett Whiteley Australian 1939-1992

10 Rillington Place W11(Still from a proposed 16mm film), 1964; screenprint in colours, signed and titled in black ink, 97.5x68.5cm (unframed)

£300-350

166Keith Milow British b.1945-

PR1NT A, PR2NT A, PR3NT A,’PR4NT A, PR5NT‘ and PR6NT Afrom 15 23/55 55/46 66 the full suite of six; screenprints printed in colours, ea. signed and inscribed ‘artists proof’ in pencil, 67.5x100cm: together with an additional edition of “PR2NT A” from the same suite, signed and inscribed ‘artists proof’ in pencil, 67.5x100cm, (7) (unframed) (may be subject to Droit de Suite)

Note: see Tate, London, reference: P07090-P07095, for examples of the same

£250-300

166

165

80

167John Walker British b.1939-

Tank I-Vthe full suite of five; screenprints in colours, signed, titled, dated 73 and inscribed ‘P/P’ in pencil, 134.5x91.5cm, (5) (unframed) (may be subject to Droit de Suite)

£300-500

167



Memory 1, 1989 the full suite of five; woodblock with screenprint in colours, five, ea. signed, dated 1989 and inscribed ‘P/P 2/3’ in pencil, 119x86cm, (5) (unframed) (may be subject to Droit de Suite)

£1000-1500

168

82


Memory IIthe full suite of five; woodblock with screenprint in colours, five, ea. signed, dated 1989 and inscribed ‘P/P 2/3’ in pencil, 119x86cm, (5) (unframed) (may be subject to Droit de Suite)

£1000-1500

169



Pacifica, 1982screenprint in colours on paper, signed, titled, dated 82 and inscribed ‘P/P’ in pencil, 155x119cm: together with three further screenprints in colours by the same hand entitled “Juggernaut”, “Rathgoon” and “Sunnyfield”, ea. signed, titled and inscribed, one dated 74 and two dated 81, one inscribed ‘A/P’ and two inscribed ‘P/P’ in pencil, 103x156cm, 120x79.5cm and 120x79.5cm, (4) (unframed) (may be subject to Droit de Suite)

£300-350


Shade, 1990screenprint in colours, signed, dated 1990 and inscribed ‘1/3 P/P’ in pencil, 22x27cm: together with two further screenprints in colours by the same hand entitled “Rachel” and “Regency”, ea. signed, dated 1990 and inscribed ‘1/3 P/P’ in pencil, 23.7x21 and 18.5x25.8cm, (3) (unframed) (may be subject to Droit de Suite)

£150-200


The Shield of Achilles and Hephaistosscreenprints in colours, two, ea. signed, dated 1990 and ea. inscribed ‘2/3 P/P’ in pencil, ea. 122.5x92.3cm, (2) (unframed) (may be subject to Droit de Suite)

£500-700

170

172

84

173Mick Moon RA British b.1937-

Hybridsthe full suite of six; woodblock with screenprint, ea. signed, dated 91 and inscribed ‘2/3 P/P’ in pencil, ea. 109x84cm: together with one further woodblock with screenprint in colours entitled “Sherman Bam”, signed dated 85 and inscribed ‘P/P’ in pencil, 36x46cm, (7) (unframed) (may be subject to Droit de Suite)

£300-400

173


174William Tillyer British b.1938-

Vase II, II & Vscreenprints in colours, three, ea. signed, titled, dated 75 and inscribed ‘P/P’ in pencil, 122x91.5cm: together with three further screenprints in colours by the same hand entitled “Landscape”, “Opening” and “Transcript”, ea. signed, titled, dated 74 and inscribed ‘P/P’ in pencil, 68.5x90cm, 90x68.5cm and 90.68.5cm, (3) (unframed) (may be subject to Droit de Suite)

£250-350

175Donald Hamilton Fraser RA British 1929-2009

Seascapescreenprint in colours, signed and numbered 53/175 in pencil, 92x72cm (unframed) (may be subject to Droit de Suite)

£150-200

176Leon Kossoff British b.1926-

Fidelma IIIdrypoint etching, signed with initial, titled, dated 84 and numbered 3/100 in pencil, 10.2x6cm (may be subject to Droit de Suite)

£300-400

176

174

86

177Man Ray American 1890-1976

The Rope-Dancer Accompanies Herself with Her Shadows, 1972(Anselmino 26), lithograph printed in colours, signed and numbered 92/99 in pencil, 53.5x73.5cm

£800-1200

178Sir Sidney Nolan RA Australian 1917-1992

Inferno Vfrom Inferno, 1967; screenprint in colours, signed and numbered 12/70 in pencil, 90x67cm

Note: see Tate, London, reference P04671, for example of the same

£100-150

177

179


179Ronald Brooks Kitaj RA American 1932-2007

Mary Annoffset lithograph printed in colours, signed and numbered 77/150 in pencil, signed within the plate, 51x37cm

£250-300

180Michael Heindorff German b.1949-

Affirmations I-X, 1980etchings, ten, each signed and numbered 11/30 in pencil, 46.4x64.5cm, (10) (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£350-450

180

88


Fidelma 1, 1984drypoint etching, signed, titled, dated 84 and numbered 41/100 in pencil, bears blindstamp for Studio Prints, London, 10x13cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-400


Outside Kilburn Underground Station, 1983drypoint etching, signed, titled, dated 82 and numbered 33/40 in pencil, bearing blindstamp for Studio Prints, London, 30.7x40cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-400


Four Heads1984; drypoint etching with aquatint, four plates on a shared sheet, signed, titled and numbered 23/25 in pencil, 32x39.8cm, (sheet) (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-400


The Letter, 1982drypoint etching, signed, titled, dated 82 and numbered 91/100 in pencil, bears blindstamp for Studio Prints, London, 12.5x17.5cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-400

181 182

183



The Booking Hall, 1982drypoint etching, signed, titled, dated 82 and numbered 98/100 in pencil, bears blindstamp for Studio Prints, London, 18.5x18.7cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-500


Father Asleep, 1982drypoint etching, signed, titled, dated 82 and numbered 57/60 in pencil, bears blindstamp for Studio Prints, London, 23.5x19.7cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-400

184 185

186

90


Mother, 1982drypoint etching, signed, titled, dated 82 and numbered 55/60 in pencil, bears blindstamp for Studio Prints, London, 29.5x23.5cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-400


Resting, 1982drypoint etching, signed, titled, dated 82 and numbered 57/60 in pencil, bears blindstamp for Studio Prints, London, 23.5x29.5cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£300-400


The Window,1984drypoint etching with aquatint, signed, titled, dated 84 and numbered 32/40 in pencil, 28x38cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£500-700

187

188

189



Going Home, 1984drypoint etching with aquatint, signed, titled, dated 84 and numbered 51/60 in pencil, bears blindstamp for Studio Prints, London, 40.2x51.2cm (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£600-800

191William Crozier HRHA Irish 1930-2011

The Yellow Roadetching with aquatint printed in colours, signed, titled, dated 1993 and numbered 16/75 in pencil, 45x49.5cm: together with one further aquatint printed in colours by the same hand entitled “West York Road”, signed, titled and numbered 71/75 in pencil, 45.5x39cm, (2) (may be subject to Droit de Suite)

£400-600

190

191

92


“Development of a Square Within a Square (Orange), (Green) and (Blue)” 2000 (Kemp 203, 202 & 201), publ. by CCA Galleries, Tilford, printed at Coriander Studio, London; screenprint in colours, ea. signed, two numbered 32/150 and one numbered 38/150 in pencil, ea. 58.5x58.5cm, (3) (may be subject to Droit de Suite)

£1500-2000

193Leonard Baskin American 1922-2000

Portrait of Peter Breughel (AF&JO469), from Portraits of Ten Artists, publ. by Herman D Schickman, Delphic Arts, New York, 1964, one from the suite of ten, edition of 50; etching, signed, titled and inscribed ‘Artist’s Proof’ in pencil, 45x44cm

£200-300

194Michael Rothenstein RA HRE British 1908-1993

Horse in a landscapewoodcut in colours, signed and inscribed ‘artist’s proof’ in pencil, 68x52cm (unframed) (may be subject to Droit de Suite)

£150-200

192

193



Lemon and Blue, 2002 (Kemp 226), publ. by CCA Galleries, Tilford, printed at Coriander Studio, London; screenprint in colours, signed, and numbered 129/150 in pencil, 54x80cm (unframed) (may be subject to Droit de Suite)

£500-700


Midnight Cowboyscreenprint in colours, signed and numbered 10/30 in pencil, 54x55.5cm (may be subject to Droit de Suite)

£300-400

195

196

94


Snow Birdscreenprint in colours, signed, dated 90 and inscribed ‘3/5 P/P’ in pencil, 82x66cm: together with a further screenprint in colours by the same hand entitled “Twin Peaks”, 1992, signed, numbered 31/50 and dated 92 in pencil, 55.5x57cm, (2) (unframed) (may be subject to Droit de Suite)

£500-700


Space Cowboyscreenprint in colours, signed and numbered 22/30 in pencil, 55.5x57cm (may be subject to Droit de Suite)

£300-400

199Albert Irvin RA British b.1922

Montcada Ipubl.by Advanced Graphics, London, 1993; screenprint in colours, signed, titled, dated and numbered 46/90 in pencil, bears publisher’s blind stamp, 86x70cm: together with one further screenprint in colours by the same hand entitled “Ranelagh” publ. by CC Editions and Curwen Chilford, printed by Kip Gresham, signed, titled, dated 93, and numbered 26/225 in pencil, bears publisher’s blind stamp, 63x76.5cm, (2) (part unframed) (may be subject to Droit de Suite)

£600-800

197

198 199



Star I-IVthe full suite of four, publ. by Advanced Graphics, London; woodblocks with screenprint in colours, four ea. signed, titled, dated 93 and numbered 14/125 in pencil, with publisher’s blindstamp, ea. 74.5x97.5cm, (4) (may be subject to Droit de Suite)

£1500-2000


Trinity I & IIpubl. by Advanced Graphics, London, 1995; woodblock with screenprint in colours, two, ea. signed, titled, dated 95 and numbered 84/125 in pencil, ea. with publisher’s blindstamp, ea. 117.5x148cm, (2) (may be subject to Droit de Suite)

£1000-1500

200

201

96

204

203

202


202Neil Canning British b.1960

Float I & II, 2002 publ. Advanced Graphics, London; woodblocks with screenprint in colours, ea. signed, dated 02 and numbered 12/75 and 2/75 in pencil, ea. 74.5x145cm, (2) (may be subject to Droit de Suite)

£400-600

203Neil Canning British b.1960

Echo and Glowpubl. Advanced Graphics, London, 2002; woodblocks with screenprint in colours, ea. signed, dated 02 and 21/75 in pencil, ea. with publisher’s blindstamp, ea. 74.5x145cm, (2) (may be subject to Droit de Suite)

£400-600

204Mark Andrews Godwin British b.1957

Artemis XIXetching with aquatint printed in colours, signed and titled in pencil, 90x108.5cm (may be subject to Droit de Suite)

£200-300

205Heidi König German b.1964

Blue Stonesetching with aquatints printed in colours, signed and inscribed A/P in pencil, 59x59cm: together with three further aquatints printed in colours by the same hand entitled “Orzola”, “Quavzazale” and “Fabiene”, ea. signed and two numbered in pencil, various sizes, (4) (may be subject to Droit de Suite)

£500-700

206Philip Sutton RA British b.1928

Piccadilly Circuslithograph printed in colours, signed, titled and numbered 38/117 in pencil, 83x70.5cm, (unframed) (may be subject to Droit de Suite)

£150-200

205

98

207Jimmy Pike Australian 1940-2002

Wuntarra Karrajiscreenprint, signed and numbered 44/95 in pencil, 51x67.7cm: together with three further screenprints by the same hand entitled “Two Karnanganyja”, “Jilji and Jumu” and “Para Karparn”, ea. signed and numbered in pencil, two 51x67.7cm and one 48.5x65cm, (4) (unframed)

£200-250

208Jimmy Pike Australian 1940-2002

Jurtiranguscreenprint in colours, signed, and numbered 12/95 in pencil, 67x83cm: together with two further screenprints in colours by the same hand entitled “Kalpurtu Watersnakes” and “Kurntumaru & Parnapa”, ea signed and numbered 80/80 and 67/70 in pencil respectively, 85x67cm and 67x77cm, (3) (unframed)

£300-400

Lots 209-219 are from the archive of Gresham Studio, Cambridge, acquired by Limberhurst Press, London


Cosmic Signals No 1-4screenprints in colours, four, ea. signed, dated 01, inscribed ‘publishers proof’ and two numbered 4/5 in pencil, ea. bearing publishers blind stamp, ea. 65.5x87cm, (4) (unframed) (may be subject to Droit de Suite)

£800-1200

207


208

209

100


To a Celtic Spirit screenprint in colours, signed, dated 2001 and inscribed ‘publishers proof’ in pencil, 75x97.5cm: together with two further screenprints in colours by the same hand entitled “Cueva Negra” and “Sonic Sin”, ea. signed, dated 2001, inscribed ‘publishers proof’, one numbered 5/5 in pencil, ea. bearing publishers blind stamp, 74x88cm and 88.5x74cm respectively, (3) (unframed) (may be subject to Droit de Suite)

£600-800


210

102


Tresor Fone Variation IXscreenprint in colours, signed, dated 2000 and inscribed ‘publishers proof’, bears publisher’s blindstamp, 87.7x72.5cm: together with four further screenprints in colours by the same hand entitled “Free Wheeler Variation IX”, “Ra Drak Variation II”, “Free Wheeler Variation II” and “Earth Spirit Dance”, ea. signed, three dated 2000, one dated 2001 and ea. inscribed ‘publishers proof’ in pencil, ea. bearing publisher’s blind stamp, three 72.5x87.7cm and one 79.5x88cm, (5) (unframed) (may be subject to Droit de Suite)

Provenance: a printer’s proof from the archive of Gresham Studio, Cambridge, acquired by Limberhurst Press, London

£1000-1500


Snake and vasepubl., Gresham Studio, Cambridge, 1970; lithograph printed in colours, signed, dated 70 and numbered 8/15 in pencil, bears publisher’s blindstamp, 49x50.8cm (unframed) (may be subject to Droit de Suite)

£200-300

211

212


215Richard Long RA British b.1945

A Climb Up the Avon Gorge, Bristol 1995screenprint in colours, a printer’s proof, bears publisher’s blind stamp, 67.5x56cm (unframed) (may be subject to Droit de Suite)

Note: a printer’s proof from the edition of 100

£100-150

216Kiki Smith American b.1954

Little Chicks, 1998 etching on grey Ruscombe Mill Grisham paper, a printer’s proof, 37x73cm (unframed)

Note: a printer’s proof from the edition of 100, see Pennsylvania Academy of the Fine Arts, Philadelphia, accession number 2011.1.289f, for example of the same

£150-200

213Dame Paula Rego DBE Portuguese/British b.1935

Mother and Daughter, 1997 lithograph printed in colours, stamped ‘Gresham Studio LTD PROOF’, bears publisher’s blind stamp, 74.3x56.3cm (unframed) (may be subject to Droit de Suite)

Note: a printer’s proof from the edition of 100

£500-700

214Storm Elvin Thorgerson British 1944-2013

‘Atom Heart Mother’printed by Kipp Gresham at Gresham Studios, Cambridge; screenprint in colours, a printer’s proof, bears publishers blind stamp, 83.5x65cm (unframed) (may be subject to Droit de Suite)

Note: this photograph taken by Thorgerson was the album cover for Pink Floyd’s ‘Atom Heart Mother’

£150-200

213

104

217

218

217Wilhelmina Barns-Graham CBE HRSA HRSW Scottish 1912-2004

Blue Light Summerscreenprint in colours, a printer’s proof, 54.5x73.8cm (unframed) (may be subject to Droit de Suite)

£350-450

218Sir Peter Blake RA British b.1932

Homage to Joseph Cornell, 1996 publ. by The Big Art Issue; screenprint in colours, signed and numbered 249/250 in pencil, bears publisher’s blindstamp, 63.2x50.7cm (unframed) (may be subject to Droit de Suite)

£200-300

219Barry Flanagan RA OBE Welsh 1941-2009

Jo the Poetscreenprint in colours, dated ‘Feb 1 ’89’ within the plate, stamped ‘Gresham Sudio LTD PROOF’, 53.5x62.5cm (unframed) (may be subject to Droit de Suite)

Provenance: a printer’s proof from the archive of Gresham Studio, Cambridge, acquired by Limberhurst Press, London

£100-150


222Tracey Emin CBE RA British b.1963

Everybody Needs a Place to Think, 2002 screenprinted in blue on handkerchief, from the edition of 1500, 53.3x52.1cm (may be subject to Droit de Suite)

Note: the original box as issued accompanies this lot

£200-300

223Kim Lim British/Chinese 1936-1997

Line studyetching printed in colours with embossing, signed, dated 1975 and numbered 8/8 in pencil on the paper reverse, 8x12.8cm (may be subject to Droit de Suite)

£150-200

220Shmuel Shapiro American 1924-1983

Tor des Todes, 1966 the complete suite of ten; lithographs, ten, each signed and dated 1966 in pencil, ea. stamped ‘Curwen Studio Proof’ on papers reverse, ea. 80x57cm, (10) (unframed) (lacking folio)

£150-200

221A collection of approximately one-hundred Curwen Press End Papers examples to include “Curwen Diana Wilbraham Ivory”, “Curwen Enid Marx Ivory”, “Curwen Paul Nash Ivory” and “Curwen T. Lowinsky Ivory”, printed on various coloured paper, printed in various coloured ink, ea. 63x51cm, (approx. 100) (unframed)

£100-150

223 225

224Louise Bourgeois American/French 1911-2010

Je t’aimepubl. Tate, London, 1994; silkscreen with embroidery on cotton pillowcase, from the open edition, signed within the plate, with ‘Je t’aime’ embroidered on the pillows reverse, 47x69cm (may be subject to Droit de Suite)

Note: the original packaging as issued accompanies this lot

£200-300

225Niki de Saint Phalle French 1930-2002

Could we have loved; Sweet sexy Clarice; Last night I had a dream; Lettre d’amour à mon amourscreenprint in colours, signed, numbered 15/75 and 1968 in pencil, 58.5x74cm (may be subject to Droit de Suite)

£400-600

106

226Dame Elizabeth Blackadder DBE RA RSA RSW RGI DLitt Scottish b.1931

Abyssinian Cat and Lilliesprinted by Westerham Press Ltd, 1988; offset lithograph printed in colours, signed and numbered 89/350 in pencil, signed and dated 1988 within the plate, 78x56cm (may be subject to Droit de Suite)

£200-300

227Jean-Michel Folon Belgian 1934-2005

Y&R’s Creative Leadership, 1986 etching with aquatint printed in colours, signed and numbered 75/90 in pencil, 29.3x40.3cm (may be subject to Droit de Suite)

Note: In February 1986 the Creative Directors of the ten largest Y&R offices met in Venice to discuss how Y&R could achieve creative leadership worldwide. To mark this occasion Folon was commissioned to produce this print which was sent to every Y&R office worldwide.

£200-250

227

226


228Tadek Beutlich Polish 1922-2011

Black Flower linocut printed in colours, signed, titled and dated 5/95 in pencil, 49x34cm (may be subject to Droit de Suite)

Note: Tadek Beutlich was an innovative textiles artist and skilled printmaker. In the early 1960s, he made flat-weave tapestries inspired by folk art and continental modernism. He then began to experiment, creating weavings which included charred wood, seed pods and X-ray film. His book ‘The Technique of Woven Tapestry’ is still considered indispensable by weavers worldwide.

£100-150

229Michael Hale British b.1934

Canonscreenprint in colours, signed, titled dated 79 and numbered 39/40 in pencil, 62x43cm: together with two further screenprints in colours by the same hand entitled “Indicato” and “Indicato 3”, ea. signed titled, dated 79 and 80 and numbered 36/40 and 20/40 in pencil respectively, 78.5x63cm and 61.5x48cm respectively, (3) (may be subject to Droit de Suite)

£350-450

230Graham Sutherland OM British 1903-1980

Rams Head IIIlithograph printed in colours, signed and numbered XVII/XXV in pencil, 62.5x62.5cm (may be subject to Droit de Suite)

£300-500

229

230

108

231Karolina Larusdottir Icelandic b.1944

Dinner for one lithograph printed in colours, signed and inscribed ‘Curwen Chilford Archive P/P’ in pencil, 56x75cm: together with one further lithograph by the same hand depicting a group reading, signed and inscribed ‘P/P’ in pencil, 56x75cm, (2) (unframed) (may be subject to Droit de Suite)

£100-150

232Paul Delvaux Belgian 1897-1994

La Chambre, 1969 etching, signed and inscribed ‘EA’ in pencil, 38.5x51cm (may be subject to Droit de Suite)

Note: a proof aside from the numbered edition of 50

£400-600

233Bruce Onobrakpeya Nigerian b.1932

Emoivbo/Beromadeep etching, signed, dated Sept 1983, Lagos, numbered 12/40 and inscribed ‘Grey base’, 67x22.5cm

£200-300

232

233



Marilyn Monroe, Black, 2009 publ. CCA Galleries, Tilford; screenprint in colours with diamond dust, signed and numbered 8/175 in pencil, with publisher’s blind stamp, 84x59.5cm (may be subject to Droit de Suite)

£1700-1900

234

110

235John O’Connor British 1913-2004

Ariel and Mirandathe complete portfolio, publ. by Rocket Press, Blewbury, Oxfordshire, 1992; wood engravings, seven, two with yellow hand-colouring, each mounted on heavy boards, ea. signed and numbered 18/65 in pencil, and one watercolour entitled “Ariel”, signed, titled and dated 92 in pencil, with title page and introductory text, in a yellow cloth covered, solander with printed label, 47x37.2cm, (box) (may be subject to Droit de Suite)

Note: These engravings were inspired by Shakespeare’s ‘The Tempest’.

£300-500


I LOVE LONDONpubl. by Creatively Recycled Empire Ltd, 2010; digital print on tin plate, signed and numbered 22/75 in gold coloured pen, 81.3x62.5cm (unframed) (may be subject to Droit de Suite)

Provenance: a certificate of authenticity accompanies this lot

£800-1200

236

235


237Norman Ackroyd CBE RA British b.1938

Lakeside, Winteraquatint, signed, titled, dated 04 and inscribed ‘artist’s proof’, 25.5x21cm (may be subject to Droit de Suite)

Provenance: with The Railings Gallery, London, according to label attached to the reverse

Note: this lot is being sold on behalf of Paintings in Hospitals

£150-200

238Michael Ayrton British 1921-1975

Fishermanlithograph, signed in pencil, bears blind stamp, 77x49cm (may be subject to Droit de Suite)

£150-200

239Graham Clarke British b.1941-

The Nasty Turn publ. Christie’s Contemporary Art; hand-coloured etching with aquatint, signed, titled and numbered 73/250 in pencil, with certificate of authenticity attached to the frame’s reverse, with irregular shaped plate, 53.5x68cm: together with one further hand-coloured etching with aquatint by the same hand entitled “Crabbers Retreat”, bearing publisher’s blind stamp, with certificate of authenticity attached to the frame’s reverse, with irregular shaped plate 27x34cm, (2) (may be subject to Droit de Suite)

£200-300

239

240Georges Braque French 1882-1963

Le Cygne Volant lithograph printed in colours, signed with initials in the plate, signed with stamped signature, numbered 22/200 in pencil, 34x48.5cm (may be subject to Droit de Suite)

Provenance: with The Redfern Gallery Ltd, London according to label attached to the reverse

£100-150

Lots 241-273 are from the

112


The Unicorn Artist printed by Curwen Press, Chilford; lithograph printed in colours, signed and numbered 23/50 in pencil, bearing blindstamp for Curwen Chilford, 85x61cm (unframed) (may be subject to Droit de Suite)

£500-700

Lots 241-273 are from the archive of the celebrated Curwen Studio. Previously unseen, this collection includes examples from some of the worlds most renowned artists including, Paula Rego, Kyffin Williams, John Bellany, Michael Rothenstein, Prunella Clough, Josef Herman, Edward Bawden, Terry Frost, Eduardo Paolozzi and Patrick Procktor.

Established in 1863, Curwen Studio has a long history of pioneering lithography, and its potential as an artistic medium in popular culture. Encouraging artists to craft their work straight on to lithographic stone and plate, Curwen Studio’s confirmed its reputation as a leading fine art commercial printer during the 1960s when it collaborated with leading artists including Henry Moore, Barbara Hepworth, John Piper and Elisabeth Frink.

Rooted in the values of craftsmanship and quality it has, over the years, enjoyed strong links to the Royal College of Art, and was the subject of an exhibition at the Tate Gallery in 1977 entitled, “Artists at Curwen”, which charted the careers of key figures in Curwen’s history. In 2008, Tate published the book, “Art and Print: The Curwen Story”, to celebrate the 50th anniversary of the Curwen Studio and fully document its history.

Today the Curwen Archive is based at Chilford Hall, Cambridge. Proceeds from this sale will help support the establishment of additional space to house the growing collection. Encompassing text, imagery and historic material, it also includes important work from the Curwen Print Study Centre, an educational fine art printmaking charity established in 1993. Having worked with over 1,600 artists in 2013 the aim of the study centre is to preserve and develop the experience and skills that form a background for the concept of the artist’s original print.

241


242John Bellany CBE HRSA RA Scottish 1942-2013

The Blessed Onelithograph, signed and numbered 31/50 in pencil, bears blindstamp for Curwen, Chilford, 74.2x54.2cm: together with “Celtic Mother and Child”, “The Death Nell Rings Out” and “The Fish Have Gone Away”, ea. signed and numbered in pencil, ea. bearing blindstamp for Curwen, Chilford, ea. 74.2x54.2cm, (4) (part unframed) (may be subject to Droit de Suite)

£300-400

243John Bellany CBE HRSA RA Scottish 1942-2013

Fishing Boatlithograph, signed and numbered 47/50 in pencil, bears blindstamp for Curwen, Chilford, 52x36cm: together with two further lithographs by the same hand entitled “Bearded Man” and “Protect Me”, ea. signed and numbered 29/50 and 41/50 respectively, ea. bearing blindstamp for Curwen Chilford, 46x34cm and 46x37cm respectively, (3) (part unframed) (may be subject to Droit de Suite)

£200-300

243

242

114

246Basil Beattie RA British b.1935

Demonic Stamplithograph printed in colours, signed, titled and numbered 9/30 in pencil, 64.5x87.5cm (unframed) (may be subject to Droit de Suite)

£100-150

247Edward Bawden RA British 1903-1989

Aid to Russia: The rail-head at Khanagin, Iraqposthumously printed by the Curwen Studio, 2008; offset lithograph printed in colours, signed and dated 1944 within the plate, numbered 47/145, 54x64cm (unframed) (may be subject to Droit de Suite)

£100-150

245Paul Hogarth OBE RA RE British 1917-2001

Tower Bridgelithograph printed in colours, signed, titled and inscribed ‘HC’ in pencil, bearing artist’s blindstamp, bearing blindstamp for Curwen, Chilford, 72x54.5cm: together with four further lithographs printed in colours by the same hand entitled “Santa Monica Beach”, “Ponte Vecchio”, “Montmartre” and “Sydney Harbour”, ea. signed and titled, two numbered and two inscribed ‘HC’ in pencil, ea. bearing artist’s blindstamp, ea. bearing blindstamp for Curwen Chilford, three 72x54.5cm and one 54.5x72cm, (5) (unframed) (may be subject to Droit de Suite)

£200-300

244Albert Houthuesen Dutch/British 1903-1979

Pierrotlithograph printed in colours, bears inscription ‘Archive I’, 75x55.8cm: together with thirteen further lithographs, two printed in colours, depicting portraits of Pierrots, ea. bearing inscription ‘Archive’ in pencil, ea. approx. 65.5x50cm, (14) (unframed) (may be subject to Droit de Suite)

£400-600

245244


248Edwina Sandys British b.1938

A game of backgammon lithograph printed in colours, signed and inscribed ‘Artist’s Proof’, stamped ‘Curwen Studio Proof’ on the reverse, 57.5x77.5cm: together with six further lithographs printed in colours by the same hand, ea. signed, three inscribed ‘artists proof’ and three inscribed ‘studio proof’ in pencil, ea. stamped ‘Curwen Studio Proof’ on the reverse, five 57.5x77.5cm and one 77.5x57.5cm, (7) (unframed) (may be subject to Droit de Suite)

£200-250

249Prunella Clough British 1919-1999

The Grammar of Ornament and Bubble Wraplithographs printed in colours, two ea. signed and numbered 23/30 and 15/30 in pencil, one bearing blindstamp for Curwen Chilford, 70.5x55cm and 82.7x62.5cm, (2) (unframed) (may be subject to Droit de Suite)

£150-200

250Patrick Procktor RA RWS British 1936-2003

Makassar and Cobra and After lithographs printed in colours, one signed in pencil, one signed with ink, ea. numbered 21/50 and 4/50, 49x34.7cm, (2) (unframed) (may be subject to Droit de Suite)

£180-220

249

248

116

251Various Artists

Curwen 50th Anniversary Portfolio published by the Curwen Studio, Chilford, 2008; thirty lithographs printed in colours, ea. signed by the artist and inscribed 5/50 in pencil, ea. bearing blindstamp for Curwen Studio, Chilford, ea. 25.5x30.5cm, (30) (unframed)

£300-500

252Sir Kyffin Williams RA Welsh 1918-2006

Carmellithograph printed in colours, signed with initials and inscribed ‘Archive I’, bears blindstamp for Curwen Studio, Chilford, 53.8x69cm: together with one further lithograph printed in colours by the same hand entitled “Penygraigwen”, signed with initials and inscribed ‘Curwen Archive’ in pencil, bears blindstamp for Curwen Studio, Chilford, 49.8x87cm

Nicholas Sinclair British b.1954

Portrait of Sir Kyffin Williamsphoto-lithograph, signed and numbered 79/150 in pencil, signed by Sir Kyffin Williams with initials in pencil, bears blindstamp for Curwen Studio, Chilford, 36.5x34.5cm, (3) (unframed) (may be subject to Droit de Suite)

£200-300

252

251


253Alison Wilding RA British b.1946

Starlings I and Starlings II photographic contone, two, ea. signed and numbered 50/50 in pencil, 37.1x44.6 cm, (2) (may be subject to Droit de Suite)

£200-250

254Michael Rothenstein RA HRE British 1908-1993

Crow eating berries with sun beyond woodcut printed in colours, signed and inscribed ‘Curwen Archive’ in pencil, 60x60cm (may be subject to Droit de Suite)

£150-200

255Philip Sutton RA British b.1928

Flowerslithograph printed in colours, signed, titled, dated 1989 and numbered 71/100 in pencil, 76x56cm: together with three further lithographs printed in colours by the same hand entitled “Tenby”, “Lear” and “Birds”, ea. signed, titled, dated 1989 and numbered 51/80, 17/100 and 21/80, various sizes, (4) (unframed) (may be subject to Droit de Suite)

£200-300

253

255

118


Time Shift A-Fthe complete suite of six, printed by Curwen Studio, Chilford; screenprints in colours, six, ea. signed, titled, dated 1993 and numbered 19/20 in pencil on the paper’s reverse, ea. 39x51.5cm, (6) (unframed) (may be subject to Droit de Suite)

£400-600

256


Bluelithograph printed in colours, signed, dated 1993 and numbered 17/20 in pencil, 60x56cm: together with two further lithographs printed in colours by the same hand depicting abstract geometric compositions, ea. signed, dated 1993 and numbered 13/20 and 14/20 in pencil, 53.2x56.2cm and 56.5x56.2cm, (3) (unframed) (may be subject to Droit de Suite)

£250-300



Relieflithograph printed in colours, signed, dated 1993 and numbered 20/24 in pencil, 49.5x67cm: together with two further lithographs printed in colours by the same hand both entitled “Relief”, on white and cream coloured somerset paper, ea. signed, dated and numbered 20/24 and 15/24 in pencil, ea. 49.5x67cm, (3) (unframed) (may be subject to Droit de Suite)

£250-300

259Mark Hearld British b.1974

Birds and Beasts, Curwen Menagerielithograph printed in colours, signed and numbered 31/75 in black crayon, 64x101cm (unframed) (may be subject to Droit de Suite)

£150-200

258

260

257


Scarecrow, 2006(Rosenthal 242), printed by Curwen Studio, Chilford;

lithograph printed in colours, a proof from the Curwen Archive aside from the edition of 35, 105.5x75cm (unframed) (may be subject to Droit de Suite)

£500-700

120


Henry Moore, Recent Prints, 14 July to 6 August 1983, Curwen Gallery, 4 Windmill Street off Charlotte Street, London W1lithograph with screenprint in colours, 73.5x53.2cm: together with three exhibition posters and one Curwen Studio Christmas advent calendar printed by Curwen Studio, Chilford, various techniques, various sizes, (5) (unframed) (may be subject to Droit de Suite)

£150-200

261Matthew Hilton British b.1948

Jugsthe complete portfolio, publ. jointly by the artist and Curwen Chilford Prints, 1994, printed by Kip Gresham and Ian Wilkinson, Cambridge; screenprints in colours, eleven, ea. signed with initials in pencil, with signed title page and black portfolio box as issued, 30x28.5cm, (folio) (may be subject to Droit de Suite)

£150-200

264

263Edwina Sandys British b.1938

Mascaralithograph printed in colours, signed and inscribed ‘Artist’s Proof’ in pencil, 38x50.7cm: together with three further lithographs printed in colours by the same hand entitled “Nail Varnish”, “Lipstick” and “Foundation”, ea. signed and inscribed ‘Artist’s Proof’ in pencil, ea. 38x50.7cm, (4) (unframed) (may be subject to Droit de Suite)

£150-200

264Josef Herman OBE RA British 1911-2000

Promenade, 1997lithograph printed in colours, signed and numbered 6/150 in pencil, 61x51cm: together with six further lithographs printed in colours by the same hand entitled “Conversation”, “Horse Rider”, “Village Street”, “A Lyrical Flower”, “Standing Mother and Child” and “Two Grey Figures”, ea. signed and numbered in pencil, various sizes, (7) (part unframed) (may be subject to Droit de Suite)

£300-500


265John Claridge British b.1944

Graveyard of Infinitycontone, signed, titled and inscribed ‘Curwen Archive I’ in pencil, bearing blindstamp for Curwen Studio, Chilford, 51x41.5cm: together with two further contones by the same hand entitled “Eternal Journey” and “Dream of the Peacock”, ea. signed, titled and inscribed ‘Curwen Archive I’ in pencil, ea. bearing blindstamp for Curwen Studio, Chilford, 51.2x41.5cm and 41x51cm, (3) (unframed) (may be subject to Droit de Suite)

£250-300


Untitled (Celebration)(Kemp 118), publ. by Curwen Chilford Prints, Chilford, printed by Kip Gresham at the Curwen Studio, Chilford, 1989; screenprints in colours, four from the same edition, ea. bearing printer’s blindstamp, from the unsigned edition of 100 printed to celebrate Curwen’s move to Chilford Hall, 38.3x28.7cm, (4) (unframed) (may be subject to Droit de Suite)

£150-200

267Anthony Frost British b.1951

Blue Beat, 1994 printed at the Curwen Studio, Chilford; screenprint in colours, signed, dated 94 and numbered 6/45 in pencil, 63x61.5cm (may be subject to Droit de Suite)

£100-150

265

122

268Antony Micallef British b.1975

Kiss at Tower Bridgepubl. by Curwen Studio, Chilford, 2008, for their 50th anniversary at Tate Britain, London; lithograph, signed and numbered 9/50 in pencil, 72x98cm (may be subject to Droit de Suite)

£300-400


Magic Flute II, 1994 screenprint in colours, signed, dated and numbered 39/40 in white crayon, 54x46cm (may be subject to Droit de Suite)

£150-200


Old School House, Cwm Pennant, 2005 lithograph, signed with initials and numbered 39/250 in pencil 68x51cm: together with two lithographs printed in colours by the same hand entitled “Farmer Below Snowdon” 2003 and “Horse at Lle Cul”, ea. signed with initials and numbered 213/250 and 34/150 respectively in pencil, 58.5x56.5cm and 47.5x46.5cm, (3) (may be subject to Droit de Suite)

£350-450

268

270



Sunsetlithograph printed in colours, signed with initials and numbered 110/250 in pencil, bearing blindstamp for Curwen Studio, Chilford, 54x62.7cm: together with two further lithographs printed in colours entitled “Nanmor” and “Horse at Lle Cul”, one signed with initials and inscribed ‘Achive 2’, ea. bearing blindstamp for Curwen Studio, Chilford, 54x69.5cm and 59x56cm, (3) (unframed) (may be subject to Droit de Suite)

Note: Nanmor is an unsigned edition of 150

£250-300

272Peter Coker RA British 1926-2004

Pont Neuf from Hotel Chateletlithograph printed in colours, signed and numbered 22/95 in pencil, bears blindstamp for Curwen Studio, Chilford, 91x67.5cm: together with two further lithographs printed in colours by the same hand entitled “Pont au Change at Night”, “Paris”, ea. signed and inscribed ‘Archive 2’ and ‘Archive 1’ respectively in pencil, ea. bearing blindstamp for Curwen Studio, 92.5x71cm and 81x68cm, (3) (part unframed) (may be subject to Droit de Suite)

£200-300

271

272

124

273Yoshishige Furukawa Japanese 1921-2008

Poetry I-Xthe complete suite of ten, printed at Curwen Studio, Chilford, 1999; lithographs with screenprint in colours, ten, ea. signed and dated 99 in pencil, one inscribed ‘A/P II’, four inscribed ‘Archive II’ and four inscribed ‘Archive I’ in pencil, ea. 38.5x45.3cm, (10) (unframed)

Note: Since 1955 Yoshishige Furukawa has had numerous solo exhibitions in New York at Condeso-Lawler Gallery and in Japan including ones at Osaka’s National Museum and Fukuoka Art Museum. He is included in the permanent collections of The National Museum of Art in Tokyo, The National Museum of Art in Kyoto, The Ohara Museum in Kurashiki and The Roland Gibson Art Museum in New Hampshire. He is also the recipient of a Pollock-Krasner Foundation award.

£300-500

273


276Josef Herman RA Polish/British 1911-2000

Man and Donkeylithograph, signed and inscribed ‘artist’s proof’ in pencil, 28.5x41.5cm (may be subject to Droit de Suite)

£100-150

277Maurice Jadot Belgian 1893-1983

13 collagraph printed in colours, signed, inscribed 13-1963/69 and numbered 7/15 in pencil, 58.5x29cm (may be subject to Droit de Suite)

£100-150

278Chloe Cheese British b.1925

Paper Bagetching with aquatint printed in colours, signed, titled and numbered 73/100 in pencil, 34.5x2cm (may be subject to Droit de Suite)

£120-180

279Edwin Salomon Israeli b.1935

The bull woodcut with mixed technique, signed and dated 1963 in pencil, signed in Hebrew, 45x45cm

£150-200

274Michel Dubre French b.1942

Centenaire de la Statue de la Liberté, 1986with the complete portfolio of six lithographs in colours, by Michel Dubre, Michel Lacoste, Hugo de Saint-Morland, Eric Schlumberger, Eric Gaudin and Katia Schmitt, text, title page and justification, ea. on Arches, signed and numbered 49/250 in pencil, printed by Mourlot and Figarola, ea. bearing blindstamp for Mourlot, with original blue linen folio, 75.5x54cm, (folio)

£300-350


“Le Lézard aux Plumes d’Or”, 1971 (M. 815); lithograph printed in colours, signed in pencil, bears inscription in pencil, 36x50cm (may be subject to Droit de Suite)

£1500-2000

275

274

126

280


280Michael Heindorff German b.1949-

Tassos Trees I-XIV, 1986screenprints in colours, fourteen, ea. signed and numbered, 92x69cm, (14) (unframed) (may be subject to Droit de Suite) (VAT charged on hammer price)

£600-800

128

281Georges Rouault French 1871-1958

He has been maltreated and oppressed and he has not opened his mouth [Isaiah 53:7](C&R. 74c), plate 21 for the Miserere, 1922; drypoint etching with aquatint, burnisher and roulette, 57x40cm (may be subject to Droit de Suite)

Provenance: with The Zwemmer Gallery, London, according to label attached to the reverse From the St Gabriel’s College collection according to label attached to the reverse

£400-600


Beaulieuetching with aquatint, signed, titled and numbered 16/40 in pencil, 39x61.5cm (may be subject to Droit de Suite)

Provenance: From the St Gabriel’s College collection according to label attached to the reverse

£150-200

283Francisco Sobrino Spanish 1932-2014

Untitled geometric compositionscreenprint in colours, signed and numbered 191/200 in pencil, 38x108cm (may be subject to Droit de Suite)

£800-1000

284Pierre Alechinsky Belgian b.1927-

L’orchestrelithograph printed in colours, signed and numbered 69/100 in pencil, 64x101cm (may be subject to Droit de Suite)

£600-800

281

284

283


285Georges Braque French 1882-1963

La Théogonie d’Hèsiode(Vallier 23, Plate 9), etching, 1932, signed in brown pencil, numbered 6/50 in pencil, 37x29.5cm (may be subject to Droit de Suite)

Provenance: with The Zwemmer Gallery, London, according to label attached to the reverse. From the St Gabriel’s College collection according to label attached to the reverse

£800-1200

286George Chapman British 1908-1994

Welsh mining villageetching, signed, 52x81.5cm (may be subject to Droit de Suite)

£100-150

285

130

287Avinash Chandra Indian 1931-1991

Abstract nudeslithograph, signed and dated 63 within the plate, 17.5x59.5cm

Provenance: purportedly produced on the rear of a catalogue for a solo exhibition at Hamilton Galleries, London, in December 1963: together with a further lithograph by the same hand depicting a figural group, signed and dated 65 within the plate, 10x24cm, (2)

£300-350

288Brake Baldwin British 1885-1915

Jones Storeetching, 34.5x25cm

Provenance: Exhibited, Brake Baldwin, 1885-1915, An Edwardian Painter, Michael Parkin Gallery, London, 21 February-23 March 1990 and the University of Hull Art Collection, 15 May-1 June 190, No.88. A copy of the original exhibition catalogue accompanies this lot. John Brakewell (Brake) Baldwin studied at The Heatherley School of Fine Art, 1906, founded the ’09 Club in 1909, exhibited at the Dore, Baillie Galleries, London and between 1912-1914 at the Royal Institute, National Portrait Society and The Royal Academy. Michael Parkin Gallery, London; The family of the artist.

£300-400

289Geoffrey Raymond Reeve ARCA British b.1936-

Fun Palace, Euston 1963, 1970screenprint in colours, signed and titled in pencil, 50x46cm (may be subject to Droit de Suite)

Note: This screenprint was an Environment Concept proposal that was prepared for the development of Euston Station site circa 1963, under the directorship of the architect Theo Crosby. The design group also contained associates who subsequently became the ARCHIGRAM group.

£300-400

287

288

289


290Bernard Cohen British b.1933-

Bonnie, 1965lithograph printed in colours, signed, dated 1965 and numbered 25/75 in pencil, titled on hand inscribed label attached to the reverse, 55x74.5cm (may be subject to Droit de Suite)

Provenance: from the collection of the Financial Times, London, according to label attached to the reverse

£200-250

291Claire Dalby RE RWS British b.1944

Monica Poole British 1921-2003

Peter Reddick British 1924-2010

Peter Smith British late 20th century

George Tute British b.1933-

The Great Storm of October 1987 and its Aftermaththe complete portfolio, publ. Society of Wood Engravers, London 1989 at the invitation of the National Trust’s Foundations for Art; wood engravings, five, 209 of the edition of 250, ea. signed, titled and numbered 209/250 in pencil, various sizes, with title, introductory text and commentary by each artist, in a blue cloth mounted box with printed label, 40x33cm, (box) (may be subject to Droit de Suite)

£250-350

292Yinka Adeyemi Nigerian b.1941-

Laying Ostrich, 1973etching with mixed technique, signed, titled and dated 1973 in pencil, 50.2x39.4cm

£150-200

290

291

132

293Bernard Buffet French 1928-1999

Les Champs Elyseesscreenprint printed in colours on cotton, signed and dated 57, within the plate, 109x160cm (unframed) (may be subject to Droit de Suite)

Provenance: with The Phoenix Gallery Ltd, Lavenham, according to label attached to the reverse

£500-700


Sol 3765publ. Leslie Waddington Prints Limited, 1969, from Six French Postcards; screenprint in colours, signed, dated 1964 and numbered 4/75 in black coloured pen, 41x26.2cm; Sir Peter Blake RA, British b.1932- “Alice Through the Looking Glass and What Alice Found There” by Lewis Carroll, illustrated by Peter Blake, publ. by D3 Editions, Nottingham, 2004; a limited edition of 500 numbered and signed copies, signed and numbered 288 in pen, bound, 30.7x24.5cm: After Sir Peter Blake RA, British b.1932- “Costume Life Drawing Yellow Hat”, 1979; offset lithograph printed in colours, signed and numbered 419/500 in pencil, 74.x46cm, (3) (may be subject to Droit de Suite)

£300-500

295SPQR British b.1970-

Paint Bomber, 2008screenprint in colours on silver card, signed and dated 08, 17/25 in pencil, bearing artist’s blindstamp, 50x70.5cm (unframed) (may be subject to Droit de suite)

£300-400

295

294

293


300Stewart Black Scottish b.1938-

The Signs of the Zodiacthe complete portfolio, black edition 1974; lithographs, twelve, ea. signed, dated 74 and numbered 32/250, in original red folio with silver printed title, 43.5x43.5cm: Stewart Black, Scottish b.1938- “Aries” from The Signs of the Zodiac, terracotta edition; lithograph printed in terracotta, signed titled, dated 74 and numbered 206/250, 43.5x43.5cm (folio, part unframed) (may be subject to Droit de Suite)

£150-200

298Stanley Anderson RA RE British 1884-1966

Párky Vuřty, Prague and Fallen Stardrypoint etchings, ea. signed in pencil, 21.3x16.2cm and 17.3x21.5cm, (2) (may be subject to Droit de Suite)

£300-400

299Ignaz Epper Swiss 1892-1969

Anxietywoodcut, signed and titled in pencil, 24.8x19.3cm (unframed) (may be subject to Droit de Suite)

£100-150

296Roy Lichtenstein American 1923-1997

“The Enemy Would Have Been Warned” and “As I opened Fire, I Knew Why Tex Hadn’t Buzzed Me... If He Had” publ. by Stedelijk Museum, Amsterdam, 1964; offset lithographs in colours, two, 64x52.5: together with a further screenprint by the same hand entitled “Sweet Dreams Baby!, American Screenprints from the collection of Reba and Dave Williams, 21 January-1 March 1992, Fitzwilliam Museum Cambridge”, poster, 62.5x40cm, (3) (unframed)

£250-300


Bullfighter, 1972(M&L 1358), lithograph printed in colours, signed and inscribed E/A in pencil, 75.7x54cm (unframed) (may be subject to Droit de Suite)

£300-350

296 297

298

A LotAbrahams RA, Ivor 159Ackroyd CBE RA, Norman 73, 237Adeyemi, Yinka 292Al-Attar, Saud 108Alechinsky, Pierre 284Anderson RA RE, Stanley 298Arp, Hans 122Austin RE, Robert Sargent 149Ayrton, Michael 238

BBaldinelli, Armando 102Baldwin, Brake 288Barns-Graham, Wilhelmina 217Baski, Leonard 193Bawden RA, Edward 41, 247Bawden RWS NEAC RE, Richard 23, 52, 75 Beattie RA, Basil 246Beckmann, Max 26, 30Bellany CBE HRSA RA, John 242, 243Berlewi, Henryk 15Beutlich, Tadek 228Bhattacharjee, Subhaprasanna 43Black, Stewart 300Blackadder, OBE RA RSA RSW RGI Dlitt, Dame Elizabeth 24, 226Blake RA, Sir Peter 37, 38, 50, 63, 218, 234, 236, 294Bliss, Douglas Percy 147Bonnard, Pierre 76Boshier, Derek (after) 40Bourgeois, Louise 224Braque, Georges 240, 285Brockhurst RA RE, Gerald Leslie 125Buday RE, George 148Buffet, Bernard 293Butcher, Enid 150

CCain, Charles William 72Campbell, Cressida 36Canning, Neil 202, 203Caulfield CBE RA, Patrick 25, 164Cézanne, Paul 32, 112Chagall, Marc 104Chandra, Avinash 287Chapman, George 286Cheese, Chloe 278Chmutin, Konstantin 152Chughtai, Abdur Rahman 132Claridge, John 265Clarke, Graham 62, 239Clough, Prunella 249Cocteau, Jean 106Cohen, Bernard 290Coker RA, Peter 272Cooper RA, Eileen 107Copley RBA, John 39Crozier HRHA, William 191Currell, Anthony 47

DDalby, Claire 291Dali, Salvador 83, 84, 85, 86, 87, 88, 89, 90, 91, 92, 93, 94, 95, 96, 97, 98, 99, 100, 101, 297Davie CBE RA HRSW, Alan 3, 209, 210, 211, 212Davies, John 58Delvaux, Paul 232Denny, Robyn 155Dubre, Michel 274

EEmin CBE RA, Tracey 13, 56, 222Epper, Ignaz 299

F LotFedden RA, Mary 42Flanagan RA OBE, Barry 219Flight, Claude 130Folon, Jean-Michel 227Fraser, Donald Hamilton 175Frink RA, Dame Elisabeth 14, 28, 59Frost, Anthony 267Frost RA, Sir Terry 1, 133, 134, 135, 136, 137, 138, 139, 140, 141, 142, 192, 195, 266Furukawa, Yoshishige 273

GGodwin, Mark Andrews 204Gottlieb, Adolph 119Greenwood RBA, Orlando 55

HHale, Michael 229Hayter CBE, Stanley William 60Hearld, Mark 259Heindorff, Michael 180, 280Henry, Paul 54Hepworth DBE, Dame Barbara 17Herman RA, Josef 61, 264, 276Hilton, Matthew 261Hockney OM CH RA, David 103, 164Hodgkin CH CBE, Sir Howard 7Hogarth OBE RA RE, Paul 245Houthuesen, Albert 244Hoyland RA, John 2, 10, 109, 153, 196, 197, 198Hughes-Stanton, Blair 146

IIngham, Bryan 51Irvin RA, Albert 154, 199, 200, 201

JJadot, Maurice 277Jorn, Asger 71

KKeane, John 161Kitaj RA, Roland Brooks 179Klinger, Max 118König, Heidi 11, 205Kooning, Willem de 44Kossoff, Leon 176, 181, 182, 183, 184, 185, 186, 187, 188, 189, 190

LLarusdottir, Karolina 231Leach CH CBE, Bernard Howell 46Lee-Hankey RE RWS, William 151Leighton RE, Claire 145Lichtenstein, Roy 296Lim, Kim 223, 256, 257, 258Long, Richard 215

MMacbeth RA RI RPE RWS, Robert Walker 69Malevich, Kasimir 45Mclean, Bruce 18McLean, John Talbert 49Meadows, Bernard 48Meckseper, Friedrich 22Micallef, Antony 268Milow, Keith 166Miró, Joan 115, 116, 275Moon RA, Mick 173Moore OM CH FBA RBS, Henry 12, 16, 262Morrisseau, Norval 33

NNasiri, Rafa 105Nolan, Sir Sidney 156, 178

O LotO’Connor, John 235O’Donoghue RA, Hughie 31Oldenburg, Claes 70Onobrakpeya, Bruce 233Orr RA, Chris 57

PPann, Abel Pfeffermann 126Paolozzi KBE RA, Sir Eduardo 157, 158, 269Pasmore RA, Victor 34, 35Pearlstein, Philip 29Phillips CBE RA, Tom 162, 163Picasso, Pablo 113, 114, 117, 127Pike, Jimmy 207, 208Poole, Monica 291Procktor RA RWS, Patrick 250

RRay, Man 177Reddick, Peter 291Reeve ARCA, Geoffrey Raymond 289Rego DBE, Dame Paula 213, 260Remfry MBE RA, David 53Renoir, Pierre-Auguste 77Rothenstein RA HRE, Michael 194, 254Rouault, Georges 281

SSaint Phalle, Niki de 225Salomon, Edwin 279Sandys, Edwina 248, 263Scott RA, William 20Sensani, Gino Carlo 121Shapiro, Shmuel 220Sinclair, NIcholas 252Smith, Kiki 216Smith, Peter 291Smith, Richard 110Sobrino, Francisco 283Soulages, Pierre 27SPQR 295Steinlen, Théophile Alexandre 129Sutherland OM, Graham 230Sutton RA, Philip 206, 255

TTàpies, Antoni 111, 131Thorgerson, Storm Elvin 214Thornton RE, Valerie 78, 79, 80, 81, 82, 282Tillyer, William 174Tilson RA, Joe 8, 9, 172Tiroff, Romain de (Erté) 5, 6Toulouse-Lautrec, Henri de 120Tute, George 291Tyson, Ian 164

UUnderwood, Leon 143Usborne, Karen 21Utrillo, Maurice 128

VVarious artists 221, 241, 251Vaughan, Keith 19Villon, Jacques 124Vlaminck, Maurice de 123

WWalcot RE Hon RIBA, William 4Walker, John 167, 168, 169, 170, 171Warhol, Andy (after) 64, 65, 66, 67, 68Webb RE, Clifford 144Whistler PRBA RP HRSA RSW, James Abbott McNeill 74Whiteley, Brett 165Wilding RA, Alison 253Williams RA, Sir Kyffin 252, 270, 271

XXavier OBE, Llewellyn 160

INDEX OF ARTISTS

HOW TO FIND US

74/76 Knights Hill

West Norwood

London SE27 0JD

Tel: 020 8761 2522

Fax: 020 8761 2524

Email: [email protected]

Roseberys salerooms are situated

in West Norwood, South London

which is a mile from the centre of

Dulwich Village and three miles

from Clapham. Opening hours

are 9.30am-5pm, Monday to

Friday.

By train:

Trains from London Victoria and

London Bridge to West Norwood

Station take 20 minutes. Trains

from West Croydon and Norwood

Junction take 14 and 10 minutes

respectively.

At West Norwood leave the

station by the main exit and turn

left. Roseberys is 100 metres on

the right.

By car:

Roseberys is just off the A205

South Circular. There is a small car

park. Visitors may also park in the

adjacent roads without charge.

West Norwood

EXPLANATION OF PRINT CATALOGUING TERMS

Any statement as to authorship, attribution, origin, date, provenance and condition is a statement of opinion and is not to be taken as a statement or representation of fact. Roseberys reserve the right, in forming their opinion, to consult and rely upon an expert or authority considered by them to be reliable.

1. Sir Terry Frost RA, British 1915-2003 In our opinion, a work by the artist.

2. Attributed to Sir Terry Frost RA, British 1915-2003 In our opinion, probably a work by the artist.

3. After Sir Terry Frost RA, British 1915-2003 In our opinion, a copy of a named work by the artist.

4. St Ives School, mid 20th century In our opinion, a work executed during this period and in the style associated with that location.

5. The terms signed, dated, inscribed means that in our opinion these are by the art-ist’s hand.

6. The terms bears signature, bears date, bears inscription means that in our opinion that these have been added by another hand other than the artist.

7. All references to signature, inscriptions and dates refer to the present state of the work.

8. Dimensions are given in centimetres, height before width and are measured from the edges of the plate, if this visible, and if not, from the edges of the sheet where visible. If the edges of the sheet are not visible, the work is measured from the recto.

9. All prints are framed, unless otherwise stated in the catalogue.

10. Catalogue and website images may not be a true representation of an item due to printing or photographing processes.

TERMS OF CONSIGNMENT FOR SELLERS

1. Interpretation. In these Terms the words ‘you’, ‘yours’, etc. refer to the Seller and if the consignment of goods to us is made by an agent we assume that the Seller has authorised the consignment and that the consignor has the Seller’s authority to contract. Similarly the words ‘we’, ‘us’, etc. refer to the Auctioneers.

2. Commission. Is charged to sellers at the rate of 15% on each lot plus VAT.

3. Removal Costs. Items for sale must be consigned to the sale room by any stated deadline and at your expense. We may be able to assist you with this process but any liability incurred to a carrier for haulage charges is solely your responsibility.

4. Loss and Damage of Goods

(a) Roseberys is not authorised by the FSA to provide insurance to its clients, and does not so do. However Roseberys, for its own protection, assumes liability for property consigned to it at the lower pre-sale estimate until title passes to the buyer. To justify accepting liability, Roseberys makes a charge of 1.75% of the hammer price plus VAT. The liability assumed by Roseberys shall be limited to the lower pre-sale estimate or to the reserve if the lot was unsold. Settlement in any claim arising shall be subject to commission as if the lot had sold in the normal manner.

(b) If the owner of goods consigned instructs us in writing not to take such action, the goods then remain entirely at the owner’s risk unless and until the property in them passes to the Buyer or they are collected by or on behalf of the owner, and clause 4(a) is inapplicable.

(c) Roseberys will not be liable for the loss or damage to frames or glass covering prints, paintings or other works. Old frames are often fragile or subject to deterioration and whilst Roseberys will do their upmost to ensure the safety and care of frames and glass we will not compensate for loss or damage to property caused by changes in humidity or temperature, normal wear and tear, gradual deterioration, inherent defect or errors in processing.

5. Illustrations. The cost of any illustrations is borne by you. All lots are illustrated on our website and on a number of selected third party sites, a charge of £10 per lot is applicable. Lots may also be illustrated in a catalogue and thus a charge of £20 per catalogue illustration is also applicable. The copyright in respect of such illustrations shall be the property of the auctioneers, as is the text of the catalogue.

6. Minimum Bids and our Discretion. Goods will normally be offered subject to a reserve agreed between us before the sale in accordance with clause 7. We may sell Lots below the reserve provided we account to you for the same sale proceeds that you would have received had the reserve been the hammer price. If you specifically give us a “discretion” we may accept a bid of up to 15% below the low estimate and “wide discretion” allows to use accept a bid of up to 30% below the low estimate.

7. Reserves

(a) Prior to the auction you are entitled to place a reserve on any lot consigned, being the minimum hammer price at which that lot may be sold. Reserves must be reasonable and we may decline to offer goods which in our opinion would be subject to an unreasonably high reserve. If we are unable to offer goods they may be subject to storage charges if uncollected.

(b) Where a reserve has been placed only we may bid on your behalf and only up to the reserve (if any) and you may in no circumstances bid personally.

8. Electrical Items. These are subject to detailed statutory safety controls. Where such items are accepted for sale you accept responsibility for the cost of testing by external contractors. Goods not certified as safe by an electrician (unless antiques) will not be accepted for sale. They must be removed at your expense on your being notified. We reserve the right to dispose of unsafe goods as refuse, at your expense.

9. Soft Furnishings. The sale of soft furnishings is strictly regulated by statute law in the interests of fire safety. Goods found to infringe safety regulations will not be offered and must be removed at your expense. We reserve the right to dispose of unsafe goods as refuse, at your expense.

The rights of disposal referred to in clause 8 and 9 are subject to the provisions of The Torts (Interference with Goods) Act 1977, Schedule 1, a copy of which is available for inspection on request

10. Descriptions. Please assist us with accurate information as to the provenance etc. of goods where this is relevant. There is strict liability for the accuracy of descriptions under modern consumer legislation and in some circumstances responsibility lies with sellers if inaccuracies occur. We will assume that you have approved the catalogue description of your lots unless informed to the contrary. Where we are obliged to return the price to the buyer when the lot is a deliberate forgery under Condition 15 of the Conditions of Sale and we have accounted to you for the proceeds of sale you agree to reimburse us the sale proceeds. The liability to reimburse the sale proceeds shall not arise where you are acting reasonably and honestly and are unaware of the forgery or where we are or ought to have been aware of it.

11. Unsold Items. If an item is unsold it will be automatically re-offered at a future sale with a reduced estimate of 40% and offered without reserve if the revised estimate is £200 or below. To avoid an item from being re-offered under these terms the item must be collected or a written request provided by the seller to Roseberys. Where in our opinion an item is unsaleable you must collect such items from the saleroom promptly on being so informed. Otherwise, storage charges may be incurred. If a request has been made to not re-enter a lot or Roseberys request it to be collected we will store the item/s for five days with no charges, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

12. Withdrawn Items.

(a) If an item is withdrawn prior to the publication of the catalogue a minimum charge of £20 + VAT per lot is applicable. This fee covers administration, handling, storage and insurance of the lot whilst in our care.

(b) If an item is withdrawn after the publication of the catalogue the lot will incur charges comprising the sum of the vendor’s commission, the illustration cost, the loss and damage warranty, the buyer’s premium, the marketing fees and other expenses in relation to the item. VAT is applicable on all charges. These commission and premium charges will be calculated upon Roseberys published mid estimate.

(c) In the cases of 12 (a) and (b) Roseberys will store the withdrawn item for a period of five days with no charge, after this a storage charge will be applicable at a daily rate of £2 per item per day plus VAT for items that remain uncollected.

13. Conditions of Sale. You agree that all goods will be sold according to our Conditions of Sale. In particular you undertake that you have the right to sell the goods either as owner or agent for the owner. You undertake to compensate us and any buyer or third party for all losses liabilities and expenses incurred in respect of and as a result of any breach of this undertaking.

14. Authority to Deduct Commission and Expenses and Retain Premium and Interest

(a) You authorise us to deduct commission from the hammer price at the stated rate plus all applicable expenses incurred on your account and consent to our right to retain beneficially the premium paid by the buyer in accordance

with our Conditions of Sale and any interest earned on the sale proceeds until the date of settlement.

(b) You authorise us at our discretion to negotiate a sale by private treaty not later than five working days from the date of the auction in the case of lots unsold at auction, in which case the same charges will be payable as if such lots had been sold at auction and so far as appropriate these Terms apply.

15. Warehousing. We disclaim all liability for goods delivered to our saleroom without sufficient written sale instructions, client contact details or without our prior written agreement to take delivery and reserve the right to either refuse to receive such goods or to make a minimum warehousing charge of £2 per item per day. Unsold lots are subject to the same charges if you do not remove them within a reasonable time of notification. If not removed within twenty one days we reserve the right to sell them and defray charges from any net proceeds of sale or at your expense to consign them to the local authority for disposal.

16. Settlement. Settlement of the net sum due to you normally takes place 28 days after the sale (by crossed cheque to the seller) unless the buyer has not paid for the goods. In this case no settlement will then be made but we will take your instructions in the light of our Conditions of Sale. You authorise any sums owed by you to us on other transactions to be deducted from the sale proceeds. You must note the liability to reimburse the proceeds of sale to us as under the circumstances provided for in Condition 10 above. You should therefore bear this potential liability in mind before parting with the proceeds of sale until the expiry of 28 days from the date of sale.

TERMS OF CONSIGNMENT FOR SELLERS

INFORMATION FOR BUYERS

1. Introduction. The following informative notes are intended to assist Buyers, particularly those inexperienced or new to our salerooms. All sales are conducted according to our printed Conditions of Sale which are readily available for inspection and normally accompany catalogues. Our staff will be happy to help you if there is anything you do not fully understand.

2. Agency. As auctioneers we usually contract as agents for the seller whose identity, for reasons of confidentiality, is not normally disclosed. Accordingly if you buy your primary contract is with the seller.

3. Estimates. Estimates are designed to help buyers gauge what sort of sum might be involved for the purchase of a particular lot. The lower estimate may represent the reserve price or may be above the reserve price. Estimates do not include the Buyer’s Premium or VAT (where chargeable). Estimates are prepared some time before the sale and may be altered by announcement before the sale. They are in no sense definitive.

4. Buyer’s Premium. The Conditions of Sale oblige buyers to pay a buyer’s premium of 20% on the hammer price of each lot purchased. In addition VAT is payable on this premium at the standard rate, presently 20%.

5. VAT. The addition of (*) or (VAT applied on hammer price) to the lot description indicates that VAT is payable by the purchaser at the standard rate, presently 20%, on the hammer price as well as being payable on the buyer’s premium. This imposition of VAT is likely to be because the seller is registered for VAT within the European Union and is not operating the Dealers Margin Scheme or because VAT is due at 20% on importation into the UK.

Lots which appear without either of the above symbols indicate that no VAT is payable on the hammer price. This is because such lots are sold using the Auctioneers’ Margin Scheme and it should be noted that the VAT included within the premium is not recoverable as input tax.

6. Artist’s Resale Rights/Droit de Suite. Lots as indicated in the catalogue and if sold for the equivalent of €1000 or more on the day of the auction will be subject to a further percentage of the hammer price as follows:

From €0 to €50,000 subject to 4% From €50,001 to €200,000 subject to 3% From €200,001 to €350,000 subject to 1% From €350,001 to €500,000 subject to 0.5% Exceeding €500,000 subject to 0.25%

The Artist’s Resale Right payable will be the aggregate of the amounts payable under the above rate bands, subject to maximum royalty payable of €12,500 for any single work each time it is sold. Calculations of the artist’s resale right will be based on the pound sterling/Euro reference exchange rate quoted on the date of sale by the European Central Bank.

7. Agents. We are, primarily, agents for the seller. We are dependent on information provided by the seller and whilst we may inspect lots and act reasonably in taking a general view about them we are normally unable to carry out a detailed or any examination of lots in order to ascertain their condition in the way in which it would be wise for a buyer to do. Intending buyers have ample opportunity for inspection of goods and, therefore, accept responsibility for inspecting and investigating lots in which they may be interested. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale. Neither the seller nor we, as the auctioneers, accept any responsibility for their condition. In particular, mechanical

objects of any age are not guaranteed to be in working order. Additionally, in specified circumstances lots mis-described because they are ‘deliberate forgeries’ may be returned and repayment made. There is a three week time limit. (The expression ‘deliberate forgery’ is defined in our Conditions of Sale).

8. Electrical goods. These are sold as ‘antiques’ or ‘decorative’ items only and if bought for use must first be checked for compliance with safety regulations by a qualified electrician.

9. Coloured gems. It is common practice for gemstones to be treated in order to enhance colour and clarity. Unless stated buyers should presume coloured stones may well have been exposed to some sort of treatment.

10. Export of goods. Buyers intending to export goods should ascertain (a) whether an export licence is required and (b) whether there is any specific prohibition on importing goods of that character because, e.g. they may contain prohibited materials such as ivory.

11. Bidding. Bidders are required to register with us before the sale commences and lots will be invoiced to the name and address on the registration form. Some form of identification may be required if you are unknown to us. Please enquire in advance about our arrangements for telephone bidding.

12. Commission bidding. Commission bids may be left with the auctioneers indicating the maximum amount to be bid excluding the buyers’ premium. They will be executed as cheaply as possible having regard to the reserve (if any) and competing bids. If two buyers submit identical commission bids the auctioneers may prefer the first bid received. Please enquire in advance about our arrangements for leaving commission bids by telephone, email or fax. Please ensure bids are left at least one hour prior to the start of the auction.

13. Online bidding. An online bidding service is offered via the-saleroom.com, invaluable.com and liveauctioneers.com. In completing the bidder registration on these sites the buyer is agreeing to Roseberys conditions of sale. In the case where a debit or credit card has been used to register the buyer also agrees to authorise Roseberys, if they so wish, to charge the debit or credit card given in part or full payment, including all fees, for items successfully purchased in the auction via the online bidding platforms. Please note that any lots purchased via online live auction services will be subject to an additional 3% commission charge + VAT at the rate imposed on the hammer price

14. Methods of Payment. Payment can be made by cash, debit and credit cards or bank transfer. Credit cards and non-UK personal debit or business debit cards are subject to a 2% surcharge. For international bank transfers an administration fee of £25 is payable. Any cheques tendered will need to allow 10 days to be cleared before removal of lots purchased is permitted. Please note that regulation of money laundering means we are limited to receiving the equivalent of 15,000 euros in cash payment.

15. Collection and storage. Please note what the Conditions of Sale state about collection and storage. It is important that goods are paid for and collected promptly. Any delay will involve the buyer in paying storage charges. All furniture and rug lots must be collected within three working days following the auction. All other lots must be collected within five working days following auction. Storage charges of £2 per lot per day + VAT will be strictly enforced thereafter.

Rosebery Fine Art Ltd carries on business with bidders, buyers and all those present in the auction room prior to or in connection with a sale on the following General Conditions and on such other terms, conditions and notices as may be referred to herein.

1. Definitions

In these Conditions:

(a) “auctioneer” means the firm of Rosebery Fine Art Ltd or its authorised auctioneer, as appropriate;

(b) “deliberate forgery” means an imitation made with the intention of deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;

(c) “hammer price” means the level of bidding reached (at or above any reserve) when the auctioneer brings down the hammer;

(d) “terms of consignment” means the stipulated terms and rates of commission on which Rosebery Fine Art Ltd accepts instructions from sellers or their agents;

(e) “total amount due” means the hammer price in respect of the lot sold together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;

(f) “sale proceeds” means the net amount due to the seller, being the hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising;

(g) “You”, “Your”, etc. refer to the buyer as identified in Condition 2.

(h) The singular includes the plural and vice versa as appropriate.

2. Bidding Procedures and Conduct of the Auction

(a) Bidders are required to register their particulars before bidding and to satisfy any security arrangements before entering the auction room to view or bid. Any bidder who refuses to provide the requested identification may be refused permission to bid.

(b) The auctioneer has discretion at any time to refuse any bid, withdraw any lot, re-offer a lot for sale (including after the fall of the hammer) if they believes there may be error or dispute, and take such action as they reasonably thinks fit.

(c) Subject to condition 2(b) the contract between the buyer and seller is concluded on the striking of the auctioneers hammer whereupon the buyer becomes liable to pay the purchase price.

(d) Any post auction sales of lots offered at auction shall incorporate these conditions as if sold in the auction.

(e) Our right to bid on behalf of the seller is expressly reserved up to the amount of any reserve and the right to refuse any bid is also reserved.

3. Increments. Bidding increments shall be at the auctioneer’s sole discretion.

4. The Purchase Price. The buyer shall pay the hammer price together with a premium thereon of 20%. The premium is subject to VAT at the standard rate.

5. Value Added Tax. Value Added Tax on the hammer price is imposed by law on all items affixed with an asterisk or double asterisk. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots. (Please refer to “Information for Buyers” for a brief explanation of the VAT position).

6. Payment

(1) Immediately a Lot is sold you will:

(a) give to us, if requested, proof of identity, and

(b) pay to us the total amount due in cash, debit, credit card or bank transfer or in such other way as is agreed by us.

(2) Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether express or implied.

7. Title and Collection of Purchases. The ownership of any Lots purchased shall not pass to you until you have made payment in full to us of the total amount due.

(a) You shall at your own risk and expense take away any lots that you have purchased and paid for not later than 3 working days following the day of the auction in the case of furniture and rugs or 5 working days following the day of the auction in the case of all other items. Cheques are required to be cleared by our bank before collection of goods in which case storage charges may apply.

(b) No purchase can be claimed or removed until it has been paid for and payment has cleared.

(c) Invoices will not be split or title transferred to another person(s). Invoices must be paid in full before any lots can be removed.

(d) Purchased lots must be collected within the allocated time as stated in the Information for Buyers section 13, storage charges are applicable thereafter. Purchased lots are at the Buyer’s risk (and therefore their sole responsibility for insurance) from the earliest of the collection or the twenty first calendar day after the auction. Until risk passes Roseberys will compensate the buyer for any loss or damage to the lot up to a maximum of the purchase price paid.

8. Remedies for Non-Payment or Failure to Collect Purchases

(1) If any Lot is not paid for in full and taken away in accordance with these Conditions or if there is any other breach of these Conditions, we, as agent for the seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies:

CONDITIONS OF SALE

(a) to proceed against you for damages for breach of contract;

(b) to rescind the sale of that Lot and/or any other Lots sold by us to you;

(c) to resell the Lot (by auction or private treaty) in which case you shall be responsible for any resulting deficiency in the total amount due (after crediting any part payment and adding any resale costs). Any surplus so arising shall belong to the seller;

(d) to remove, store and insure the Lot at your expense and, in the case of storage, either at our premises or elsewhere;

(e) to charge interest at a rate not exceeding 1.5% per month on the total amount due to the extent it remains unpaid for more than 3 working days after the sale;

(f) to retain that or any other Lot sold to you until you pay the total amount due;

(g) to reject or ignore bids from you or your agent at future auctions or to impose conditions before any such bids shall be accepted;

(h) to apply any proceeds of sale of other Lots due or in future becoming due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of) any of your property in our possession for any purpose until the debt due is satisfied.

(2) We shall, as agent for the seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these conditions

9. Third Party Liability. All members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury (except as required by law by reason of our negligence) or similarly for the safety of the property of persons visiting prior to or at a sale.

10. Commission and Telephone Bids. Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition we will if so instructed clearly and in writing execute bids on their behalf.

(a) Lots will be purchased by the Auctioneer on behalf of the commission bidder for the lowest price allowed by other bids and/or reserves if any, up to and including their maximum bid amount recorded. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute commission bids, or where a bidding slip has been completed incorrectly. We urge commission bidders, therefore, to ensure that the correct lot number(s) and price(s) are recorded on their bidding forms.

(b) Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made.

(c) Telephone Bids. Any person unable to attend the auction may request to bid on a specific lot by telephone. This

facility is only available by prior arrangement with the Auctioneers. The Auctioneers cannot accept responsibility for any neglect or default in executing or failing to execute telephone bids.

11. Warranty of Title and Availability. The seller warrants to the auctioneer and you that the seller is the true owner of the property consigned or is properly authorised by the true owner to consign it for sale and is able to transfer good and marketable title to the property free from any third party claims.

No representation or warranties are made by Roseberys or the seller as to whether any lots is subject to copyright or whether they buyer acquires copyright in any lot.

12. Agency. The auctioneer normally acts as agent only and disclaims any responsibility for default by sellers or buyers.

13. Terms of Sale. The seller acknowledges that Lots are sold subject to the stipulations of these Conditions in their entirety and on the Terms of Consignment as notified to the consignor at the time of the entry of the Lot.

14. Description and Conditions

(a) Whilst we seek to describe lots accurately, it may be impractical for us to carry out exhaustive due diligence on each lot. Prospective buyers are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf) must satisfy themselves as to the accuracy of any description of a lot. Prospective buyers also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently. Subject to the foregoing neither we the auctioneer nor our employees or agents nor the seller accept liability for the correctness of such opinions and all conditions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded. This Condition is subject to the next following Condition concerning deliberate forgeries and applies save as provided for in paragraph 6 “information to buyers”.

(b) Condition Reports. Reports on the condition of any lot are offered by the Auctioneers as a statement of opinion only, and not of fact. Rosebery Fine Art Ltd are not liable for any errors or omissions contained therein. The buyer must satisfy themselves to the condition of any given lot prior to bidding. Roseberys will not be held responsible for any damage or defect that has not been notified to the buyer. Catalogue illustrations are for guidance only and will not convey full information as to the actual condition of lots.

(c) Where the term (a/f) is used this refers to a lot being ‘as found’, it is used for guidance only and indicates in our opinion there is significant damage or repair to an item, the omission of this term does not indicate there is not significant damage or repair to an item and Roseberys are not liable for the omission of this term.

(d) Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation.

15. Forgeries. Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. Roseberys may require the buyer to obtain at the buyer’s cost the reports of two independent and recognised experts in the field, mutually acceptable to Roseberys and the buyer. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium provided that (1) if the catalogue description reflected the accepted view of scholars and experts as at the date of sale or (2) if you personally are not able to transfer a good and marketable title to us, you shall have no rights under this condition.

The right of return provided by this Condition is additional to any right or remedy provided by law or by these Conditions of Sale.

General

16. We shall have the right at our discretion, to refuse admission to our premises or attendance at our auctions by any person.

17. Where a member of the public causes damage to a lot (or part thereof) the Auctioneers reserve the right to:

(a) sell the aforementioned without reserve and to hold that specific individual liable for the amount of any difference between the hammer price and the reserve or low estimate;

(b) hold that specific individual liable for the cost of restoration where appropriate;

(c) hold that specific individual liable for the full amount of the reserve price or lower estimate as applicable.

18.

(a) Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the seller and/or the auctioneer as appropriate.

(b) Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the seller and/or the auctioneer who may themselves enforce them.

19. Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email if provided in which case it shall be deemed to have been received by the addressee 48 hours after posting.

20. Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing at the commencement of the catalogue.

21. Any indulgence extended to bidders buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect.

22. English law applies to the interpretation of these Conditions.

These terms and conditions are based upon recommended conditions of sale by SOFAA (the Society of Fine Art Auctioneers) and RICS (the Royal Institute of Chartered Surveyors)

Andy Warhol, American 1928-1987 “Red Lenin”, 1987

Sold for £34,200

Modern & ConteMporary

printsspring 2015

To consign please contactNicola Allan

020 8761 [email protected]

Modern & ConteMporary sCulpture10 deCeMber 2014

Barbara Hepworth DBE, British 1903-1975“Small Sun”, BronzeSold for 74,400

To consign please contactVicki Wonfor020 8761 [email protected]

Lot 241

MODERN & CONTEMPORARY PRINTS

Saturday 4 October 2014

MO

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& c

ON

tEMpO

RaRy pRiNts

Saturd

ay 4 Octo

ber 2

014

74-76 Knights HillWest NorwoodLondon SE27 0JD

Tel: 020 8761 2522Fax: 020 8761 [email protected]

www.roseberys.co.uk

roseberys modern art 4 october 2014 catalogue

Documents

bidding number

telephone bidding

methods of bidding

auction room

auction commission bids

buyers premium

condition of lots

successful online bidders