rv 2014: infrastructure + art + community. putting them in context by kathleen cornett, aicp
TRANSCRIPT
INFRASTRUCTURE + ART+ COMMUNITY: PUTTING THEM IN CONTEXT
Focus on Urban Design Framework (UDF)
for the
CATS LYNX Blue Line Extension (BLE)
Rail~Volution
September 22, 2014
Kathy Cornett,
City of Charlotte
Planning Department
LYNX Blue Line
• 9.3 miles• 11 stations• Implementation 2017• +25,000 daily riders• Connects Uptown
Charlotte to UNC Charlotte
• 9.6 miles• 15 stations• Opened 2007• +26,000 daily riders• Connects south side at
Interstate 485 to Uptown Charlotte
LYNX Blue Line
LYNX Blue Line Extension (BLE)
• 11 Stations (7 walk-up / 4 park-and-ride)
• Accommodates 3-car trains
• Approximately 3,100 parking spaces
• Congestion-free commute
• Connecting bus services
BLE Profile
• Convenient and safe station amenities for customers
o Security featureso Bicycle parkingo Public arto Shelters, garbage cans, bencheso Treeso Lightingo Ticket vending machines (TVMs)o Maps and schedules
BLE Update
Milestone Date
State FFGA Executed March 2012
Request to Enter Final Design March 2012
FTA Approval to Enter Final Design July 2012
Federal FFGA Signed October 2012
Advanced Utility Relocation Begins May 2013
Right-of-Way Acquisition Complete January 2014
Complete Final Design May 2014
Start Construction November 2013
Initiate Revenue Service March 2017
*Schedule subject to change
• What is the UDF?
– Incorporated into LYNX BLE Design Criteria
• Provides broad guidance to mitigate visual impacts
• Recommends design treatments for highly visible areas outside the transit station
Urban Design Framework (UDF)
• Designed to:
– Integrate public art to mitigate visual impacts.
– Leverage public art dollars with infrastructure funding.
Walls and Bridges Fencing and Barriers
Trackway/Pedestrian Crossings Embankments System Elements
UDF Guidelines Include:
Systems: Catenary System
Galvanized
Outside of Uptown, except at Stations
Powder Coated and Galvanized
Station Areas outside of Uptown & in Street
Right of Way
Powder Coated and Galvanized w/ finials
Uptown Only
Systems: Traction Power Substations, Signal Houses & communication cabinets
Standard - No Treatment
Not visible from right of way
Systems: Traction Power Substations, Signal Houses & Communication Cabinets
LYNX Blue Line
Actual mitigation Treatment
Proposed BLE Art Treatment
Visible from Station Areas or Right of Way traffic
© 2012 Joann Sieburg-Baker © 2010 Sharon Dowell
STRUCTURES: FENCING
Chainlink
Orsogrille Vertical Railing
Black Vinyl Chainlink
*Between Freight and LRT tracks
*In Station areas/ on top of high visibility walls *On top of Tryon Street sidewalk
*On top of tall walls (MSE) and outside street ROW
STRUCTURES: FENCING
Proposed BLE Art Treatment
Old Concord Station Area
© 2012 Chandra Cox & Susan Cannon
Structures: Segmental Block Walls
Standard Colored Block and Coping
Vertical Rail
Segmental Block walls are typically used for low walls (less than 5 ft). Mostly supporting the sidewalk along Tryon Street.
Structures: Pile Panel Walls
Secondary
Art Treatment
Standard Class 2 Surface Finish
Chainlink fence
Primary
Art Treatment
Calico
Pile Panel walls are used for many different applications where walls are between 5-16 ft tall.
Orchid
Structures: Cast in Place walls
Secondary Art Treatment
Standard Class 2 Surface Finish
Primary
Art Treatment
Trap PlantCast-in-Place Pattern
20’ X 20’
Cast In Place (CIP) walls are used for many different applications where walls are over 12 ft, such as walls supporting sidewalks and ramp approaches.
CalicoMaster Mold
5’ X 5’
Secondary Art Treatment
Structures: MSE Walls
Standard Class 2 Surface Finish
Standard Precast Finish
Primary
Art TreatmentMechanically Stabilized Earth (MSE) walls are typically used on larger walls supporting the LRT.
Leaf
Trap Plant
Location: Craighead 53’ x 1,120’
Structures: Bridges
PrimaryArt Treatment
Harris Blvd Bridge
Leaf Railing Detail Pitcher PlantBridge Pier
INFRASTRUCTURE + ART+ COMMUNITY: PUTTING THEM IN CONTEXT
COMMUNITY ENGAGEMENT
Artist: Tom Thoune
Infrastructure: 360’ Concrete Retaining Wall
Public Art: Hand assembled Mosaics in the Trencadis Method
Engagement: Members of the community were invited to bring broken dishes, marbles, glass and ceramics to the artist as source material for his mosaic “cogs”.
With these materials, they often brought their own stories which the artist recorded.