samanta bad ra protection

2
༅༅། འཕགས༌མཆོག༌ རིཌ༌གཾ༌མགོན༌ལ༌ བས༌ ༌མཆི། འཕཌ༌མཆོག༌ རིཌ༌གཾ༌མགོན༌ལ༌གསོལ༌ བ༌འདེབས། ནད༌ག༌འ ག༌ོད༌ཞི༌བར༌ ིན༌ིས༌ོབས། འོ༌ན༌བདེ༌ཞིང༌ ིད༌བར༌ ིན༌ིས༌ོབས། ༀ༌ཝ༌ གི༌༌རི༌ཾ༎ ༀ༌མ༌ཎི༌༌༌ པbེ༌ ཾ༎ ༀབбཎི༌ ཾ། དགེ༌བ༌འདི༌ཡིས༌ ར༌༌ བདག རིགས༌གཾ༌ མགོན༌པོ༌ བ༌ ར ནས། འོ༌བ༌ཅིག༌ང༌མ༌༌༌ ས༌པ། ེད༌ི༌ས༌ལ༌དགོད༌ པར༌ ཤོག།

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Page 1: Samanta Bad Ra Protection

༅༅།

འཕགས༌མཆ

ག༌

རཌ

༌གས ༌མགན༌ལ

༌ བས༌

ས ༌མཆ།

འཕཌ༌མཆག

རཌ༌གས ༌མ

གན༌ལ༌གསལ

༌ བ༌འ

དབས། ནད༌མ

ག༌འཁ ག༌

ད༌ཞ༌བར༌

ན༌ ས༌ བ

ས། འག ༌ ན༌བ

ད༌ཞང༌ ད༌བ

ར༌

ན༌

ས༌ བས། ༀ

༌ཝ༌

ག༌ ༌ར༌མ ༎ ༀ

༌མ༌ཎ༌༌༌

པb ༌ཧ

༎ ༀབб པ ཎ༌

ཧ །

དག༌བ

༌འད༌ཡས༌མ ར

༌ད ༌

བདག རགས

༌གས ༌

མགན༌པ

༌ས བ༌ ར

ནས། འག ༌

བ༌ཅག༌ ང༌མ

༌༌༌

ལ ས༌པ།

ད༌ ༌ས༌ལ༌དག

ད༌

པར

ཤག།

Page 2: Samanta Bad Ra Protection

This

Sam

anta

bhad

ra p

rote

cti o

n co

mes

fro

m t

he g

reat

la

ma

Thug

yen

Chok

yi N

yim

a. I

t el

imin

ates

bad

thi

ngs,

cr

eate

s ou

ter a

nd in

ner s

ucce

ss, a

nd c

an a

lso

prev

ent a

ll th

e ba

d ex

trem

es o

f the

ear

th.

The

mai

n de

ity

is th

e Bo

dhis

att v

a Sa

man

tabh

adra

, whi

te

in c

olor

, ri

ding

an

elep

hant

, hi

s tw

o ha

nds

carr

ying

a

cont

aine

r fi l

led

wit

h pi

les

of je

wel

s. A

bove

are

the

thre

e ty

pes

of d

eiti e

s: C

henr

ezig

, Va

jrap

ani,

and

Man

jush

ri.

On

one

side

is H

ayag

riva

and

on

the

othe

r is

Lio

n-Fa

ced

Dak

ini.

Belo

w a

re t

he t

wo

kind

s of

gar

udas

: M

ulti -

Col-

ored

Gar

uda

and

Blac

k G

arud

a.

Whe

n yo

u ge

t th

is p

rote

cti o

n ca

rd, fi r

st c

onse

crat

e it

w

ell.

Then

put

it a

bove

the

fro

nt d

oor

or p

lace

it in

dif-

fere

nt p

arts

of t

he h

ouse

: abo

ve w

indo

ws,

to th

e si

de o

f fr

ont d

oor (

outs

ide)

, etc

. The

imag

e sh

ould

be

prot

ecte

d an

d no

t des

troy

ed b

y ra

in.

By d

ispl

ayin

g th

is c

ard,

all

the

oute

r an

d in

ner

evil

en-

emie

s (li

ving

bei

ngs

or b

ad f

eng

shui

) ar

e st

oppe

d. I

t w

as s

aid

by V

ajra

dhar

ma,

who

is

the

all

know

ing

one,

th

at t

his

inst

ructi

on

can

stop

any

kin

d of

har

m, i

nclu

d-in

g th

e ni

ne h

arm

s. B

y di

spla

ying

thi

s pr

otecti o

n in

the

ho

use,

acti

viti

es t

hat

take

pla

ce in

the

hou

se a

nd h

ave

no m

eani

ng w

ill b

ecom

e m

eani

ngfu

l and

vir

tue

will

be

crea

ted.

In t

his

way

, hav

ing

this

pro

tecti

on

in t

he h

ome

beco

mes

goo

d fe

ng s

hui,

a w

ay o

f cre

ati n

g an

aus

pici

ous

envi

ronm

ent.

Wha

t is

writt

en o

n th

e fr

ont o

f thi

s ca

rd:

I go

for

refu

ge to

the

exal

ted

subl

ime

(Ary

a) s

avio

r of

th

e th

ree

type

s.I m

ake

requ

ests

to th

e ex

alte

d su

blim

e (A

rya)

sav

ior

of

the

thre

e ty

pes.

Plea

se g

rant

ble

ssin

gs th

at il

lnes

s, fa

min

e, s

trife

, and

di

sput

e be

pac

ifi ed

.Pl

ease

gra

nt b

less

ings

that

all

mig

rato

rs b

e w

ell a

nd h

appy

.

Due

to th

is v

irtu

e, m

ay I

quic

kly

Ach

ieve

the

stat

e of

the

savi

ors

of th

e th

ree

type

s,A

nd p

lace

all

mig

rato

rs, w

ithou

t lea

ving

out

eve

n on

e,In

that

sta

te.

OM

WAG

I SH

ORI

MU

MO

M M

AN

I PA

DM

E H

UM

OM

VA

JRA

PAN

I HU

M

Furt

her,

for

prot

ecti o

n fr

om fi

res

and

the

dang

ers

of th

e el

emen

ts, t

he

gene

ral a

dvic

e is

:

1. M

edic

ine

Budd

ha p

racti

ce

2. W

hite

Um

brel

la D

eity

pra

cti c

e. A

pic

ture

of

Whi

te U

mbr

ella

Dei

ty

can

be p

ut o

utsi

de o

r ins

ide

the

hous

e as

wel

l as

the

Whi

te U

mbr

ella

D

eity

man

tra.

The

tex

t ca

n be

rol

led

up a

nd w

orn

as a

pro

tecti

on

and

can

also

be

disp

laye

d on

noti

ce

boar

ds.

3. P

ut t

his

Sam

anta

bhad

ra c

ard

and

the

Man

tra

of V

airo

chan

a ca

rd in

-si

de a

nd o

utsi

de th

e ho

me.

Of c

ours

e, th

e be

st p

rote

cti o

n is

to p

urify

neg

ati v

e ka

rma

that

one

has

al

read

y cr

eate

d an

d no

t to

cre

ate

negati v

e ka

rma,

whi

ch c

reat

es b

ad

feng

shu

i and

so

fort

h.

Colophon:

Com

pile

d an

d de

sign

ed b

y La

ma

Zopa

Rin

poch

e, p

aint

ed b

y Ve

nera

ble

Losa

ng T

ser-

ing.

Thi

s ad

vice

was

edi

ted

by V

ener

able

Gya

lten

Min

drol

, FPM

T Ed

ucati

on

Serv

ices

, A

pril

2010

.