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SAMPLER Resonance A Comprehensive Voice Series The finest instrument is the mind. “The National Association of Teachers of Singing Inc. ( NATS ) proudly supports Resonance A Comprehensive Voice Series as an appropriate and effective resource for use in the voice studios of its members.” Donald Simonson, Past President Allen Henderson, Executive Director

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Page 1: SAMPLER The finest instrument is the mind. · PDF file · 2016-02-05The finest instrument . is the mind. “The National Association of Teachers . of Singing Inc. (NATS) proudly supports

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Resonance™ A Comprehensive Voice Series

The finest instrument is the mind.

“The National Association of Teachers of Singing Inc. (NATS) proudly supports Resonance™ A Comprehensive Voice Series as an appropriate and effective resource for use in the voice studios of its members.”Donald Simonson, Past President Allen Henderson, Executive Director

Page 2: SAMPLER The finest instrument is the mind. · PDF file · 2016-02-05The finest instrument . is the mind. “The National Association of Teachers . of Singing Inc. (NATS) proudly supports

Voice Repertoire 6

ContentsList A: Folk Songs and Songs Composed Before 1900 Book CD

How Can I Keep From Singing? Robert Lowry, arr. Akiko and Forrest Kinney 4 1

Papillon, tu es volage French Canadian folk song, arr. Oscar O’Brien 8 2 (Butterfly, Away You Flutter)

Frage, op. 9, no. 1 Felix Mendelssohn 10 3

Star vicino Anonymous, arr. Kathleen Wood 12 4

Climbin’ Up the Mountain African American spiritual, arr. Patsy Ford Simms 16 5

The Lark in the Clear Air Traditional Irish air, arr. Phyllis Tate 21 6

Auf dem Rhein, op. 51, no. 4 Robert Schumann 24 7

Così, Amor, mi fai languir Alessandro Stradella, ed. Knud Jeppesen 26 8

Shenandoah American folk song, arr. Mark Mrozinski 29 9

List B: Songs Composed After 1900Colette Cécile Chaminade 32 10

June Magic Marguerita Spencer 36 11

Lullabye Leonard Moorhouse, arr. Richard Johnston 40 12

Singin’ the Blues Donna Rhodenizer 42 13

Homeward Bound Marta Keen, arr. Jay Althouse 46 14

A Blackbird Singing Michael Head 50 15

Cazando Mariposas Jesús Guridi Bidaola 53 16

White Butterflies Kenneth Ira Bray 56 17

Bluebird Rudolph Schirmer 59 18

List C: Popular MusicWond’rin’ Norman Campbell 62 19

Oh, What a Beautiful Mornin’ Richard Rodgers 66 20

Little Maid of Arcadee Arthur Sullivan 72 21

I Can’t Do the Sum Victor Herbert 77 22

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8Papillon, tu es volage

French Canadian folk songarr. Oscar O’Brien

Arrangement and English lyrics © copyright 1928 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada. Reprinted by permission of theEstate of Sir Ernest MacMillan.

Butterfly, Away You FlutterTraditional French CanadianEnglish lyrics: J. Murray Gibbon

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NINE volumes of repertoire… each featuring:

PLUS! Companion volumes of Vocalises and Recitatives for Levels 5–10

from “Oh, What a Beautiful Mornin’” (from Oklahoma!) by Richard Rodgers

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53Cazando Mariposas

Jesús Guridi Bidaola(1886–1961)

Synopsis: Let’s run with the butterfly wherever she flies. Leave her free to fly. Come see her fly, come softly and do not frighten her. Let her spirit fly free and say goodbye.Source: Seis canciones infantiles© Copyright 1948 Jesús Guridi Bidaola and Jesús Maria de Arozamena Berasategui, Unión Musical Ediciones S.L., Madrid, Spain. All rights reserved. International copyright secured. Reprinted by permission.

Jesús M. de Arozamena Berasategui(1918–1972)

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from “Singin’ the Blues” by Donna Rhodenizer

A range of eras and styles

A CD of piano accompaniments

ResonanceTM

A Comprehensive Voice Series

Page 3: SAMPLER The finest instrument is the mind. · PDF file · 2016-02-05The finest instrument . is the mind. “The National Association of Teachers . of Singing Inc. (NATS) proudly supports

Resonance™: A Comprehensive Voice Series 1

Introduction to Resonance™: A Comprehensive Voice Series 2

Preparatory Repertoire 4Au clair de la lune Traditional French song, arr. Akiko and Forrest Kinney

When the Saints Go Marching In African American spiritual, arr. Akiko and Forrest KinneyI Need a Home for My Dinosaur Donna RhodenizerSuse, liebe Suse (Susie, Little Susie) German folk song, arr. Stephen Chatman

Voice Repertoire 1 5Red River Valley American folk song, arr. Christine Donkin

All Things Bright and Beautiful 17th-century English melody, arr. Akiko and Forrest KinneySong of Summertime Betty RoeDites-Moi (Tell Me Why), from South Pacific Richard Rodgers

Voice Repertoire 2 6Desperado Traditional American song, arr. Mark Mrozinski

D’où viens-tu, bergère (Tell Me Shepherdess) French Canadian folk song, arr. Akiko and Forrest KinneyButterfly Lin MarshThe Gypsy Rover Irish folk song, arr. Christine Donkin

Voice Repertoire 3 7Suo-Gân (A Welsh Lullaby) Welsh folk song, arr. Alec Rowley

Valenciana (Valencia) Spanish folk song, arr. Christine DonkinThe Stars Are with the Voyager Jay AlthouseThe Girl I Mean to Be, from The Secret Garden Lucy Simon, arr. Michael Kosarin

Voice Repertoire 4 8Flow Gently, Sweet Afton Jonathan E. Spilman

Frühlingslied, D 398 Franz SchubertGloria in Excelsis Robert B. AndersonWaitin’ for the Light to Shine, from Big River: The Adventures of Huckleberry Finn Roger Miller

Voice Repertoire 5 9Già la notte s’avvicina Isabella Colbran

Sometimes I Feel Like a Motherless Child African American spiritual, arr. Christine DonkinJazz-Man Benjamin BrittenMy House, from Peter Pan Leonard Bernstein

Voice Repertoire 6 10Frage, op. 9, no. 1 Felix Mendelssohn

The Lark in the Clear Air Traditional Irish air, arr. Phyllis TateColette Cécile ChaminadeWond’rin’, from Anne of Green Gables Norman Campbell

Voice Repertoire 7 11Fairest Isle Henry Purcell, arr. Kathleen Wood

Non giova il sospirar Nicola VaccaiDanny Boy Traditional Irish air, arr. Jeff SmallmanStarlight, from On a Summer’s Night Jim Betts

Voice Repertoire 8 12Wenn mein Bastien einst im Scherze (Bastien Often Stole My Flowers) Wolfgang Amadeus Mozart, arr. Kathleen Wood

Amor sin esperanza Manuel Fernández CaballeroCome Ready and See Me Richard HundleyWhen a Merry Maiden Marries, from The Gondoliers Arthur Sullivan

Vocalises and Recitatives 13Vocalise in E Minor (from Vocalises 5–7) Heinrich Panofka

Vocalise in A Minor (from Vocalises and Recitatives 8) Auguste-Mathieu PanseronThen shall the eyes of the blind be opened (from Vocalises and Recitatives 8) George Frideric Handel

Via, via, non è gran mal (from Vocalises and Recitatives 8) Wolfgang Amadeus MozartRepertoire List 14

Contents

Page 4: SAMPLER The finest instrument is the mind. · PDF file · 2016-02-05The finest instrument . is the mind. “The National Association of Teachers . of Singing Inc. (NATS) proudly supports

Reflecting a broad range of styles and periods, the Resonance™ series provide teachers and students with selections for use in diverse situations, including assessments, recitals, festivals, and competitions. Compiled with the aim of nurturing well-rounded musicianship, the songs in this series offer a wealth of technical and musical challenges that will be accessible to many different ages and voice types. Featuring nine progressively leveled volumes of repertoire with accompanying CDs and four volumes of vocalises and recitatives, Resonance™ is the ultimate instrument-building resource, helping students to establish vocal strength and enhance musicianship.

Throughout the series, singers will encounter repertoire from a variety of eras, genres, languages, and folk traditions. With Resonance™, young singers are ensured not only a solid foundation in the classics, but also a vast selection of popular music (including selections from musical theater) to balance their vocal education. These songs have been carefully chosen with consideration of vocabulary, imagery, and subject matter that will be of interest and relevance to young singers. It is hoped that the scope of selections in this series will bring joy and inspiration to all who wish to develop and share their talents in the art of singing.

Progressive LevelingElementary (Preparatory–Level 3)The songs in these levels are intended for voices in the early stages of development.Beginning with simple melodies, students are gradually introduced to greater melodic and rhythmic diversity through songs with supportive piano accompaniments. Students of all ages will get their vocal studies off to a great start with these charming, fun, and imaginative pieces.

Intermediate (Levels 4–6)In Levels 4 through 6, the melodic range of the songs continues to expand as students develop vocal technique. Level 4 sets the stage for the more focused tone required in later levels. Level 5 marks a turning point in a student’s development as greater emphasis is placed on the quality of vocal production and vocalises are introduced to further cultivate technical skills. By Level 6, the repertoire offers greater opportunities for interpreting text, expressing musicality, and exploring a broad spectrum of vocal color.

Advanced (Levels 7–8)The music in Levels 7 and 8 reflects the technical proficiency, sophistication, and refined interpretive skills required of singers at this stage of study. The repertoire provides the singer with an opportunity to communicate a wide range of emotions, while conveying the connection between the words and the music. These pieces make excellent selections for festivals, recitals, and auditions.

Resonance™: A Comprehensive Voice Series 2

Introduction to

ResonanceTM

A Comprehensive Voice Series

Page 5: SAMPLER The finest instrument is the mind. · PDF file · 2016-02-05The finest instrument . is the mind. “The National Association of Teachers . of Singing Inc. (NATS) proudly supports

Voice RepertoireEach of the nine progressive volumes of Repertoire introduces students to essential voice literature. With a breadth of composers, style periods, genres, and cultural traditions represented in each volume, the Repertoire books present an intrinsic approach for developing singers. Throughout the series, students will experience a treasury of both standard works and exhilarating new discoveries, while contemporary compositions and alluring arrangements bring a refreshing energy to voice study.

Repertoire ListsPreparatoryFolk songs and songs composed after 1900

Levels 1 to 6List A: Folk songs and songs composed before 1900List B: Songs composed after 1900List C: Popular Music

Levels 7 to 8List A: Music composed or arranged before 1830List B: Music composed or arranged 1830–1900List C: Music composed or arranged after 1900List D: Popular Music

Popular Music (Including Musical Theater)For the first time, the Resonance™ series includes selections from popular vocal music, adding to the rich choice of repertoire available to teachers and singers. Selections in List C (Levels 1 to 6) and D (Levels 7 to 8) are drawn from genres such as musical theater, operetta, folk rock, jazz standards, and parlor songs. Not only are they appealing to students of all ages, this collection of original songs and exceptional arrangements (many of which are unique to this series) makes an essential contribution to the repertoire of the well-rounded singer.

LanguageEnglish lyrics or translations have been provided for songs in French, German, Italian, and Spanish. Each repertoire book includes an abbreviated International Phonetic Alphabet (IPA) chart to facilitate singing these songs in their original language. Students and teachers encountering new languages will find the chart to be a convenient and reliable reference for correct pronunciation. In addition, IPA transcriptions and literal translations of selected repertoire (provided by Bard Suverkrop, IPA Source) may be found at frederickharrismusic.com/iparesource.

Compact DiscsA CD of piano accompaniments for each volume of Repertoire is provided as a guide to assist teachers and students with the study and presentation of this wealth of vocal literature. Students will welcome the convenience of singing along with these quality recordings during home practice and while rehearsing for assessments and performances. Teachers will appreciate the flexibility of using the CD during lessons to better focus on singing rather than accompanying.

Vocalises and RecitativesThese books present a balanced and progressive selection of vocalises and recitatives for all voice types. Vocalises, which are presented beginning in Level 5, are extended exercises that feature certain technical demands such as dotted rhythms, coloratura, legato, and sustained singing. Sung to vowel sounds only, vocalises allow students to concentrate on voice production and tone color without the complication of language. The recitatives are excerpted from works by Purcell, Bach, Handel, Haydn, Mozart, Beethoven, Rossini, Mendelssohn, Bizet, Sullivan, Britten, and others. Recitatives are stepping stones to more sophisticated repertoire and will assist students in preparing for the requirements of a university setting.

Resonance™: A Comprehensive Voice Series 3

Page 6: SAMPLER The finest instrument is the mind. · PDF file · 2016-02-05The finest instrument . is the mind. “The National Association of Teachers . of Singing Inc. (NATS) proudly supports

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Traditional French songarr. Akiko and Forrest Kinney

For examinations, sing both verses: one in French and one in English.This melody, sometimes attributed to Jean-Baptiste Lully (1632–1687), likely originated in the 18th century.Arrangement and English lyrics © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

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22When the Saints Go Marching In

African American spiritualarr. Akiko and Forrest Kinney

Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Traditional African American

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œ œœœ œ œœœ œœœœ œ œ œ œ# œ œ œ

œ œ œ .œ jœdi - no - saur, my

œ œœ œ .œ jœ

œ œ œ œ œ œ œ

œ œ œ œ œ œmom wants to give him a -

œ œ œ œ œ œ

œ œ œ œ œ

3rd time to Coda

.

Œway.

œ œœœ Œ œœœœ œ œ œ œ œ œ œ

40I Need a Home for My Dinosaur

Donna Rhodenizer(b. 1961)

For examinations, sing verses 1 and 2 and the Coda only.Source: Dinosaurs, Dragons and Me: Songs for Elementary Level Students© Copyright 1991 Red Castle Publishing. Reprinted by permission.

Donna Rhodenizer

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86

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Allegretto con moto q. = 60 – 69

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œ. œ. œ. œ. œ. œ.

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cob -go

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blerback

sterich

hasto

hat’smein

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œ. œ. œ. œ. œ.œ.

œ œ œ œ œ œ

leath -bed

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erand

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andI'll

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46Suse, liebe Suse

Susie, Little SusieGerman folk song

arr. Stephen Chatman

Source: sung by Gretel in act 1 of Hänsel und Gretel by Engelbert Humperdinck (1854–1921); libretto by Adelheid Wette after a fairy tale by the Brothers Grimm.Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Traditional GermanEnglish lyrics: Constance Bache

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4

Preparatory Repertoire

Resonance™: A Comprehensive Voice Series

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44

44

44

.œ jœ jœ .œ

œ œ œœ œ œ

Tenderly, not too fast q = 76 – 88

p

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œ œ œ

œ œ œœ œ œP

œœ œ œ œ œ œ œœ œ œ œ œ œ œœ.. œ

Ó Œ œ œ1. From this

. œ œœ œ œ œ Œœ œ œ œ œ Œ

F

p

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œ œ œ œ œ œval -

(2.) thinkleyof

theythis

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youley

areyou’re

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jœ .œ œ œ œgo -

leav -ing.ing,

Iand

willhow

jœ .œ œ œ œœ œ œ œ œ

œ œ œ œ œ Œ

œ œ œ œ œ œmisslone -

yourly

brightand

eyessad

andit

sweetwill

œ œnŒ œ œ œ œ‰ .œ œ œ#.œ Jœ œ œ

&

&

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#

#

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8

. œ œsmile,

be;forand

they

œ œœ œœ# œœ œ œnœ œ# œ

œ œ œ œ œ œsay

thinkyouof

arethe

tak -heart

ingthat

theyou’re

œ œ œ œ œœ œ œ œn‰ jœ œ œ œ œ# œ œn

Jœ .œ œ œ œsun -

break-in’shine that

andhasthe

œœ œ œ œœ œœ œœjœ œ jœ

6Red River Valley

American folk songarr. Christine Donkin

The “Red River Valley” of this song may be either the valley of the Red River that runs between Oklahoma and Texas, or the Red River that flows from Minnesota and the Dakotas to Lake Winnipeg.Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Traditional American

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#44

44

œ œ œ œ œ œ œ œ œ œœ œ œ3

3

œ œ œ œf

q = 92 – 100

œœ œ œ œœ œ œ œ œœ œ œœ œ œ œœ

œœ œœ œ œ œœ œ œœ œœœ œœ œœ œœ

&

&?

#

#

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4

œœ œ œ œ œ œ œœœ œœ

œ œ œ œAll things bright and

œ œ œ œ œ œ œ œ œ œœ œ œœ œ œ œ

F

F

œ œ œ œ œ œbeau - ti - ful, All

œœ œ œ œœ œ œœ œœ..œœ jœ

&

&?

#

#

#

7

œ œ œ œ œcrea - tures great and

œœ œœ œœ œœ œœœ œœ œœ œ

wsmall.

wœ œ œ œ œ œ œœœ œœ

œ œ œ œAll things wise and

œ œ œ œ œ œ œ œ œ œœ œ œœ œ œ œ

&

&?

#

#

#

10

œ œ œ œ œ œwon - der - ful, The

œœ œ œ œœ œ œœ œœ..œœ jœ

œ œ œ œ œLord God made them

œœ œœ œœ œœ œœœ œœ œœ œ

. œall. 1. Each

wœ œ œ œ œ œ œœœ œœ

P

19All Things Bright and Beautiful

17th-century English melodyarr. Akiko and Forrest Kinney

Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Cecil Frances Alexander(1818–1895)

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86

86

Œ jœ œœ j

œ.œ> œ jœ

Not too quickly q. = 72 – 84

PΠj

œ œœ jœ

.>

Œ jœ œœ jœ.œ> œ

Œ jœ œœ jœ.

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œ jœ œ jœ1. Sing2. Sing

aa

songsong

ofof

Œ jœ œœ j

œ.œ œ jœ

P

P

œ Jœ œ Jœsum -sum -

mer -mer -

time,time,

AA

Œ jœ œœ j

œ.

œ jœ œ jœbuck -cas -

ettle

inbuilt

myof

Œ jœ œœ jœ.œ œ

&

&?

##

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8

.œ Œ jœhand,sand,

AFour

Œ jœ œœ jœ.

œ .œ jœ œ jœwood -walls

en spadewith

forfour

Œ jœ œœ j

œ.œ œ jœ

.œœ Jœ œ Jœdig -tow on

ging, Athe

Œ jœ œœ j

œ.

- ers

&

&?

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11 .œ œ .œ jœsmooth

sea -stretchshore

of

Œ jœ# œœ jœ.œ œ

f

f

. .œ œ Jœsand.stand.

Œ jœn ..œœ

.

I’ve

œ Jœn œ jœHerepearl -

Iy

planshells

myfor

...ngggggggggg ...n

F

F

34Song of Summertime

Betty Roe(b. 1930)

Ponder is a stuffed panda bear and also William’s pyjama bag. They go on adventures together.Source: Ten Ponder and William Songs© Copyright 1987 Thames Publishing. Assigned to and reprinted by permission of Novello & Co. Ltd. All rights reserved. International copyright secured.

Barbara Softly

&

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&?44

44

. œœ œœ œ œ . œ

Moderato e semplice h = 60 – 69

P. œœ œœ œ œ . œ

wœ œœ œ œœœ œ œ œw

œœ. Œ

œœ.Œ

&?

5

Œ œœœœ.œœœœ.

Œ

œœ.Œ Œ œ.

FŒ œœœœbb .

œœœœ.Œ

œœ.Œ Œ œ.

Œ œœœœ.œœœœ.

Œ

œœ.Œ Œ œ.

Œ œœœœbb .œœœœ.

Œ

œœ.Œ Œ œ.

&

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œ œ Di -Tell

tes -me

moiwhy

œ. œ.

œœ.œœ. œœœ.

œ.

P

p

jœ ‰ œ Pour -The

quoisky

jœ ‰ œ.

œœ.

œœœb . œœœ. œ.

jœ ‰ œ œ œLais

viefilled

estwith

jœ ‰ œ œ œ

œœœœœ œœœ

œ

bel -mu -

le,sic,

œœ

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44Dites-Moi

Richard Rodgers(1902–1979)

For examinations, sing twice: once in French and once in English.Source: sung by Ngana and Jerome in act 1 of South Pacific: A Musical Play by Richard Rodgers and Oscar Hammerstein II; book by Oscar Hammerstein II and Joshua Logan after Tales of the South Pacific by James A. Michener.© Copyright 1949 Richard Rodgers and Oscar Hammerstein II. Copyright renewed. This arrangement © copyright 2010 Williamson Music, owner of publication and allied rights throughout the world. Reprinted by permission of Hal Leonard Corporation.

Tell Me WhyOscar Hammerstein II(1895–1960)

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5

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from South Pacific

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C

C

Œ œ œ

œ. œ. œ. œ.

Moderato h = 96 – 108

F

Œ œ œ

œ. œ. œ. œ.

Œ œ œ œ œ œ œ

œ. œ. œ. œ.

Ó Œ œHe

œ œ œ. œ.

Fœ œ œ œ

was a des-per -

Œ œœ œœŒ œœ

œŒ œ Œ

&

&?

6

œ œ œ œa - do from the

Œ œœŒ œœ

œ Œ œ Œ

œ œ œ œwild and wool - ly

œœ œœ Œ œœœ Œ œ Œ

. œWest. He

œœ œœŒ œœœ

œ Œ œ Œ

œ œ œ œcame in to Chi -

Œ œœ œœŒ œœ

œŒ œ Œ

œ œ œ œca - go just to

Œ œœŒ œœ

œ Œœ

Œ

&

&?

11

œ œ œ œgive the West a

œœ# œœŒ œœ

œ Œ œ Œ

. œrest. He

œœœ œœœ Œ œœœ

œ Œ Œ œ

œ œ œ œwore a big som -

Œ œœ œœŒ œœ

œŒ œ Œ

œ œ œ œbre - ro and a

Œ œœŒ œœ

œ Œ œ Œ

œ œ œ œgun be - neath his

œœ œœ Œ œœœ Œ œ Œ

18Desperado

Traditional American songarr. Mark Mrozinski

Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Traditional American

&

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42

‰ œ œ œ œ

.œ jœ

Andante q = 76 – 88

Fœ œ œ œ

œ œ œ

œ œ

œ œ œ œ?

&

&?

bb

bb

bb

..

..

..5

œ œ1. D’où2. Qu’as1. Tell2. Tell

viens -tumeme

œ œ œ œ.œ jœ

P

p

œ œ œ œtu,vu,shep -shep -

ber -ber -herd -herd -

gè -gè -ess,ess,

re,re,

WhereWhat

œ œ œ œœ œ

œ œD’oùQu’ashavedid

viens -tu

youyou

œ œ œ œ

.œ jœ

tu?vu?

been?see?

œ œ œ œ. œ.

&

&?

bb

bb

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9

œ œ

TellTell

Qu’asD’où viens -

tumemeœ œ œ œ œ œ

P

F œ œ œ œtu,vu,shep -shep -

ber -ber -herd -herd -

gè -gè -ess,ess,

re,re,

WhereWhat

œ œ œ œ œ œœœ œœ

œ œD’oùQu’ashavedid

viens -tu

youyou

œ œ œ

tu?vu?

been?see?

œ œ œ œ

&

&?

bb

bb

bb

13

œ œ œ œJe

J’aiI’ve

I

viensvu

comesaw

dedansfrom

in

l’é -lathethe

œ œ œ œ

‰ Jœ œ œ

P

p

œ œœ œta -crè -sta -

man -

ble,cheble,ger A

œ œœ œ

œ œ œ œDeUn

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ny

pro -tit

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me -en -thisby

œ œ œ œœ œœ œ

ner;fant

night.child,

‰ œ œ œ. œ

.F

26D’où viens-tu, bergère

French Canadian folk songarr. Akiko and Forrest Kinney

Arrangement and English lyrics © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Tell Me ShepherdessTraditional French CanadianEnglish lyrics: Barbara Dunn-Prosser

&b

b

œ

œ

&?

##

##

42

42

œ œ œ œ

œ œ œ œ

Andante grazioso q = 69 – 76

Pœ œ œ œ œ œ

œ œ œ œ

œm œ œ œ

œ œ œ œ

œ œ œ œ œ œ œ

œ œ œ œ

&

&?

##

##

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..

..

..5

œ œ œ œ1. But -2. But -

ter -ter -

fly,fly,

œœ œœœ œ œ œ

P

P

œ œ œ œ œ œlit -lit -

tletle

friend,friend,

doyou

youhave

œœ œœ

œ œ œ œ

œ œ œ œmuchnev -

toer rest?

do.

œœ œœœ œ œ œ

&

&?

##

##

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8

œ œ œ œ œ œ œ œ

œ œ œ œ

œ œ œ œToBut -

andter -

frofly,

œœ œœœ œ œ œ

œ œ œ œ œ œyoulet

con -me share

tin -justue your

one

œœ# œœ

œ œ œ# œ

&

&?

##

##

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11

œ œ œ œend -day

lesswith

quest.you.

œœ œœ

œ œ œ œ

œ œ œDo

Andyouto -

œœ œ œ œ œ œ œ œœ œ œ œ

œ œ œ œev -

geth -erer

stopfar

tobe -

œœœ œœœ

œ œ œ œ

42Butterfly

Lin Marsh

Source: Serendipity Solos: Nine Solo Songs for Young Singers© Copyright 2008 Faber Music Ltd. Reprinted by permission.

Lin Marsh

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œ

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&?

#

#

#

C

C

C

œœ œ œ œœ œ œjœ .œ jœ .œF

Moderately h = 58 – 66, swing eighths

Ó Œ ‰ jœThe

œœ œ œ œœ œœjœ .œ œ œœ

Fœ œ œ œ œ

gyp - sy rov - er came

œœ œœœ œœœ œœ

œ œ œ œ œ œ œ œ

œ œ œ œ Œo - ver the hill,

œœœ œœ œ œ œ œ œ œ œ

&

&?

#

#

#

5

œ œ œ œ œ œDown through the val-ley so

œœ œœœ œœœ œ œœœ

œ œ œ œ œ œ œ œ

œ ‰ jœshad - y, He

œ œ œ œ œ œ œ

œ œ œ œ œ œwhis-tled and sang till the

œœ œœœ œœœ œ œ

œ œ œ œ œ œ œ œ

œ œ .œ jœgreen woods rang, And

œœœœn œœœ ..œœjœ

œ œ

&

&?

#

#

#

9

œ œ œ œ œ œhe won the heart of a

œœœ œœ œŒ œ Œ œ

œ œla -

œ œ #œ œ œb œ

Ódy.

Œ œnœ œ œ œ œ œ œ

œ œ œ œ œAh dee doo ah dee

Œ œ œ œ œ

œ œ œ œ œ œ œ œ

60The Gypsy Rover

Irish folk songarr. Christine Donkin

Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Traditional Irish

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6

Voice Repertoire 2

Resonance™: A Comprehensive Voice Series

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&

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b

b

b

44

44

44

Œ œœ œœ œœw

Rather slowly, with a gentle lilt q = 80 – 92

P

œœ œœ œœ œœ

w

.œ jœ œ œ œ1. Sleep my ba - by,

..œœjœœ œ œ œœ œ

œ. œ. œ. œ.

p

p

&

&?

b

b

b

4

.œ jœ œ œ œrest my loved one,

.œ jœ œ œ œ. œ

œ. œ œ œ œ

.œ jœ œ œ œSoft - ly slum - ber

..œœjœœ œ œ œœ œ

œ. œ. œ. œ.

œ œ now with me,

œœ œœ œ Œ œœ œ œœ œ

&

&

?

b

b

b

7

.œ jœ œ œ œClasped in moth - er’s

.œ jœ œ œ œœ œ œ œ œ œ œ

œ œ œ œ œ œ œ

p

p

.œ jœ œ œ œarms so ten - der,

.œ jœ œ œ œœ œ œ œ œ œœ œ œ

.œ jœ œ œ œWarm in moth - er’s

.œ jœ œ œ œœ œ œ œ œ œ œ

œ œ œ œ œ œ œ

24Suo-Gân

A Welsh LullabyWelsh folk songarr. Alec Rowley

Original language: WelshArrangement © copyright 1954 Boosey & Co., Ltd. Copyright renewed. Reprinted by permission of Boosey & Hawkes, Inc.

M. Ll. Davies

&b

œ

œ

&

&?

##

##

##

86

86

86

‰ ‰

œ œ

‰ ‰

With spirit q. = 66 – 72

F

œ œ œ œ œ œ œ œ3

œ œ œ œ œ œ

Œ . ‰ œ œ1. Es1. O

lamy

.œ ‰ œœ œœœœ jœ jœ ‰ ‰

Fœ jœ Jœ œ

huer -beau -

tati -

Va-ful

len -Va -

..œœ ..œœœ œ œ œ œ œ

.œ œ œ œ œ œcia -len -

na,cia,

EsO

lamy

..œœ œ œ œ œœ œœœ œ œ œ œ œ

&

&?

##

##

##

5 œ Jœ œ œ œhuer -beau -

tati -

Va -ful

len -Va -

..œœ ..œœ

œ œ œ œ œ œ

.œ œ œ œ œ œcia -len -

na,cia,

LoYou're

me -a

..œœ œ œ œ œœ œœœ œ œ œœ ‰

œ jœ œ jœjor

coun -deltry

mun -like

doIen -no

œœ jœ œœjœ

œ œ œ œ œ œ

jœ œ ‰ œ œte -o -

ro.ther.

Al -Your

liIes -

jœ œ ‰ œ œœœ jœ jœ ‰ ‰

&

&?

##

##

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9

œ jœ œn Jœtu -gar -

voIeldens

Pa -are

ra -the

œ œ œ œ. œn œ œ œ.œ œ. œ. œn œ. œ.

Jœ œ œ œ œi -

gate -so,way,

Al-your

liIes

Jœ œœ œœ œ œ

œ œ œ œ. œ ‰

œ Jœ œ œ œtu -gar -

voIeldens

Pa -are

ra -the

œ œ œ œ. œ œ œ œ.œ œ. œ. œ œ. œ.

.œ œ œ œ œ œi -

gate -soway

YTo

laIen-a

..œœ œ œ œ œ œœ œ œ ..œœ

27Valenciana

Spanish folk songarr. Christine Donkin

Arrangement and English lyrics © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

ValenciaTraditional SpanishEnglish lyrics: Barbara Dunn-Prosser

&

#

#

œ

œ

&?

b

b

86

86

‰ œœœ œœœ œœœjœœœ

...f

With a beat q. = 76 – 84

...œœœ œœœ œœœ ...œœœ

...œœœ œœœ œœœ œœœ

œœ œ œ œ œ œ..œœ

..œœ

‰ œœ œœ ..œœ...œœœ œœœ

&

&?

b

b

b

..

..

..5

Œ . Œ jœThe

‰ œœ œœ œœ jœ...

F

F

œ jœ œ jœstarslove

areis

withwith

thethe

œ œ œ œ# œ œ.œ .œ#.

œ jœ œ jœvoy -lov -

ag -er’s

er,heart,

wher -wher -

œn œ œ œn œ œ.œn .œn.

œ Jœ œ Jœev -ev -

erer

hehe

maymay

‰ œœœ‰ œœœ

œœbjœœœœ

jœœ

&

&?

b

b

b

9

.œ Œ jœsail,be,

wher -wher -

‰ œœœ œœœ œœœjœ

.

.

œ jœ Œ jœev -ev -

er,er,

wher -wher -

œ jœ œ# œ œ..œœ..œœ ..œœ

œ jœ ‰ œ œev -ev -

er,er,

andand

wher -wher -

œœ jœœ ‰ œ œ.œ..œœ ..œœ

œ jœ œ œ œev -ev -

erer

hehe

maymay

...œœœ ...œœœ

.

.œœ..œœ

&

&?

b

b

b

..

..

..13

.sail.be.

‰ œœ œœ ..œœ...œœœ œœœ

Œ . Œ jœSo,The

‰ œœ œœ œœ jœ...

œ jœ œ jœmoon is con - stant

œ œ œ œ œ œ.œ .œ

P

P

œ jœ œ jœto her time. The

œ œ œ œ œ œ.œ .œ

38The Stars Are with the Voyager

Jay Althouse(b. 1951)

© Copyright 2004 Alfred Publishing Co., Inc. All rights reserved.

Thomas Hood(1799–1845)

&b

œ

œ

&

&?

b

b

b

44

44

44

œ œ œ œ w P

Plaintively, but not too slowly q = 108 – 116

Ó Œ ‰ jœI

œ œ œ œ

ww

pœ œ .œ jœ

need a place where

œ œ œ œ œ œ œ œ

wwp

&

&?

b

b

b

4

œ œ œ ‰ jœI can go, Whereœ œ œ œ œ œ œ œww

œ œ œ œI can whis - per

œ œ œ œ œ œ œ œ

.

œ œ œ ‰ jœwhat I know, Whereœ œ œ œ œ œ œ œwŒ

.

&

&?

b

b

b

7

œ œ œ œI can whis - per

œ œ œ œ œ œ œ œ

wœ .

œ œ œ ‰ Jœwho I like andœ œ œ œ œ œ œ œwœ œ

.œ jœ œ œwhere I go to

Œ .b‰ jœ œb œ wb &

&

&

&

b

b

b

10

œ ‰ jœsee them. I

œm œ

wwww

œ œ .œ jœneed a place where

‰ Jœœ œ œ œ œ œ

Ó œ œw

œ œ œ ‰ jœI can hide, Where

‰ Jœœ œ œ œ œ œ

Ó œ œw

54The Girl I Mean to Be

Lucy Simon(b. 1940)

arr. Michael Kosarin

Original key: E flat majorSource: sung by Mary Lennox in act 2 of The Secret Garden by Lucy Simon and Marsha Norman; book by Marsha Norman after The Secret Garden by Frances Hodgson Burnett.© Copyright 1991 ABCDE Publishing Ltd. and Calougie Music. All rights administered by WB Music Group. All rights reserved.

Marsha Norman(b. 1947)

&b

œ

œ

7

Voice Repertoire 3

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from The Secret Garden

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&

&?

b

b

b

43

43

43

Œ

œ

Œ

Flowing q = 112 – 120

P

œ œ œ œ

œ œ œ œ œ œ.

œ œ œ

œ œ œ œ œ œ.

œ œ œ

œ œ œ œ œ œ.

œ œ œ

œ œ œ œ œ œ.

œ œ œ œ œ œ

œ œ œ œ œ œ.

&

&?

b

b

b

..

..

..6

œ œ œ

œ œ œ œ œ œ.

œ œ œ œ œ œ

œ œ œ œ œ œ.

Ó

œœ œ

œ1. Flow2. How3. Thy

Œ

œ

Pœ œ œ œ

gen -loft -crys -

tly,y,tal

sweetsweetstream,

Œ œœœ œœœœ Œ Œ

œ œ œAf -Af -Af -

ton,ton,ton,

a -thyhow

Œ œœœ œœœœ Œ Œ

&

&?

b

b

b

11

œ œ œmongneigh -love -

thybor -ly

greeningit

Œ œœœ œœœœ Œ Œ

œbraes,hills,

glides,

FlowFar -

And

Œ œœœ œœœœ Œ Œ

œ œ œgen -

mark’dwinds

tly,withby

I’llthethe

Œ œœœ œœœœ œ œ

œ œ œsing

cours -cot

theees

where

aof

my

œœœ œœœ œœœœ œ œ

œ œ œsongclearMa -

inwind -

ry

thyingre -

œœœ œœœ œœnœ œ œœ

11Flow Gently, Sweet Afton

Jonathan E. Spilman(1812–1896)

For examinations, sing verses 1 and 3 only.

braes: hill slopes cot: cottagelave: wash lays: songs, poems

The Afton River is found in Ayeshire, Scotland. “Mary” probably refers to Mary Campbell, whom Robert Burns courted in 1786.

Robert Burns(1759–1796)

&b

œ

œ

&

&

?

####

####

####

86

86

86

..

..

..∑

œœ jœœ œ jœ.œ

œ œ œ œ œ œ œ œ œ œ œ œ

Cheerfully q. = 56 – 60

p

Œ . Œ

œ œ œ œœ Jœ œœ œ œ œ œ œ œ.œ œ

jœ1. Die2. Drum

p-F

&

&?

####

####

####

3

œ jœ œ jœLuftkom -

istme,

blau,wem

dasder

œ œ œ œ œ œ œ œ œ œ œ œ..

p-F

œ jœ œ jœThalMai

istge -

grün,fällt,

dieund

œ œ œ œ œ œ œ œ œ œ œ œ..

œ jœ œ œ œklei -

schau -nen

eMai -froh

en -die

œ œ œ œ œ œ œ œ œ œ œ œ. .œ .œ

&

&?

####

####

####

6

œ œ œ œ Jœglo -

schö -cken

neblühn,Welt

undund

œ œ œ œ œ œ œ œ œ# œ œ œ..

œ# jœ œ œ œSchlüs -

Got -sel -tes

blu -Va -

menter -

œ œ œ œ œ œ œ œ œ œ œ œ

.

œ jœ œ ‰drun -

gü -ter;te,

œ œ# œ œ œ œ œ œ œ œ œœ

.œ .œ

20Frühlingslied

Franz Schubert(1797–1828)

English translation: 1. The air [sky] is blue, the valley is green, the little lilies of the valley blossom, and cowslips underneath. The meadow is already so colorful, and paints itself more colorful daily. 2. Therefore come, those to whom May is pleasing, and behold joyfully the beautiful world and God’s fatherly goodness; such splendor bursts forth, the tree and its blossoms.

English translation © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

D 398Ludwig Christoph Hölty(1748–1786)

&

#

#

#

#

œ

œ

&?44

44

œ œ œ œœ ‰ œ œ œ..œœ J

œœœ

Allegro moderato q = 116 – 126

Fœ œ œ œ

www

œ œ œœ

Ó

&

&?

..

..

..4

Ó Œ œ œ1. When the

œ œ œœ

Ó

Fœ œ œ œan -

(2.) stargel

shoneofo -

thever

œ œ œœ œ œ œ

Œ œ

œ œ œ œ œLordBeth -

camele -

downhem

toto

. œ

œ œ œ œ œœ

œ

&

&?

7

œ œ œ œ œshep -wise

herdsmen

onon

thatthat

night,night,

w

œ œ œ œ œœ œ œ

œ

Œ œ œHeIt

œ œ œ œ œ œ

œ œ œ ‰ Ó

œ œ œ œtoldled

themthem

ofto

thethe

.œ œœ

œ œ œ œ œ

œŒ

&

&?

10

œ œ œ œ œœ œglo -

man -riousger

birthwhere

thatGod’s

would

. œ

œœ œ œ œ œ

œŒ

œ œ œ œ œchange

sonthelay

darksmil -

toing

light.bright.

w

œ œœ œ œ œ œ

œŒ

Œ œHe

They

œ œœœ œ

Ó

45Gloria in Excelsis

Robert B. Anderson(b. 1954)

Originally composed for two-part choir, Gloria in Excelsis appears here as an altered version for solo singers.© Copyright 1988 Leslie Music Supply, Inc., Oakville, Ontario, Canada. Reprinted by permission.

Robert B. Anderson

œœ

( )

&?

b

b

44

44

œ œ œ œ œ œ

Slowly, in a gospel style q = 76 – 84

PŒ œœ Œ œœ

œ œ œœ œ œ

Œ œœœb Œ œœnœb œ œb œn œ œn

œœ œœ œœ œœœœœ œœbb œœ œ

&

&?

b

b

b

5

Œ œœ Œ œœ

œ œ œ œ œ œ

Œ œ œ œ œ œI have lived in the

Œ œ œ œœ œ œ

œ œ œœ œ œ

Pœ œ œ œ œ œ

dark-ness for so long, I’m

œœ œ œœ œ œœœ œœœ

œ œ œœ œ œ

&

&?

b

b

b

8

œ œ œ œ œ œwait- in’ for the light to

œœ œ œœ œ œœœ œœœœœ œœ œœ œœ

Óshine.

œœœ œœœ œœ œœb œœ œœ ..œœ œ œ

œ œ œ œ œ œ œFar be - yond hor - i - zons

œœ œ œœœ œœœ œ œœ œ

œ œ œœ œ œ

&

&?

b

b

b

11

œ œ œ œn œ œI have seen, be-yond the

œœ œœ œ œn œ œœn œœœ œœ œœb œœn

jœ œ jœ œ œ œ œthings I’ve been, be - yond the

jœœ œ jœœœb œœœ œ œ œœœ œœ œœ Œ

jœ œ jœ œ œ œdreams I’ve dreamed are the

jœ œ jœ œ œ œœœœœb œœœœ œœœœ œœœ

52Waitin’ for the Light to Shine

Roger Miller(1936–1992)

Original key: E majorSource: sung by Huck Finn in act 1 of Big River: The Adventures of Huckleberry Finn: A Musical Play by Roger Miller; book by William Hauptman after The Adventures of Huckleberry Finn by Mark Twain.© Copyright 1985 Sony/ATV Music Publishing LLC and Roger Miller Music. This arrangement © copyright 2011 Sony/ATV Music Publishing LLC and Roger Miller Music. All rights administered by Sony/ATV Music Publishing LLC, 8 Music Square West, Nashville, TN 37203. International copyright secured. All rights reserved. Reprinted by permission of Hal Leonard Corporation.

Roger Miller

&b

œ

œ

8

Voice Repertoire 4

Resonance™: A Comprehensive Voice Series

from Big River: The Adventures of Huckleberry Finn

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&?

##

##

86

86

œ jœ œ œ œ.œ .œn

œ œ œ œ# œ œ

Allegretto q. = 54 – 58

Fœ œ œ œ œ œ.œ .œœ œ œ œ œ œ

œœ œœ œœjœœ

œ œ œ jœ

&

&?

##

##

##

..

..

..4

œ œGià la

‰ ‰

‰ ‰

Fœ œ œ œ œ œ

not - te s’av - vi -

œ œ œ œ œ œ..œœ

..œœF

œ œ œ ‰ œ œci - na. Vie-ni,Io

œ œ œ œ œ œ..œœ

.

.œœ

œ œ œ œ œ œNi - ce,Ia-ma - to

œ œ œ œ œ œ

..œœ..œœ

œ# œ ‰ ‰ œ œbe - ne, del - la

œ œ œ œ œ œ?

..œœ ..œœ&

?

?

##

####

8

œ jœ œ# jœpla - ci - da ma -

œ œ œ œ œ œ#

.œ .œ

œ Jœ œ œ œri - na le fre -

œ œ œ œ œn œ

.œ ..œœ##

œ œ œ œ œ œsch’au - reIa re - spi -

œ# œ œ œ œ œ&

..œœ ..œœ

œ ‰ Œ .rar,

jœ œœœœ

œœœœ œœ##

œœ ‰ Œ .

&

&?

##

##

##

..

..

..12

œœ Jœœ œœ## J

œœ

œ œ œ œ œ œ

Œ . œ œ œle fre -

œœ Jœœ

œœ œœ œœ

œ œ œ œœ#n œ œ

œ œ œ œ œ œsch’au - reIa re - spi -

œœ œœ œœœœ œœ œœ

œ œ œ œ œ œ

.œ jœrar.

.

.œœjœœ

œœ œ œ jœ

12Già la notte s’avvicina

Isabella Colbran(1785–1845)

For examinations, omit all repeats.Nice: pronounced [ni te], she is the winged Greek goddess of victoryEnglish translation: Already the night approaches. Come, o Nice, my beloved, to breathe the fresh breezes of the calm seaside. One does not know the delight [unless] one rests on these sands, now that a gentle breeze sweetly ripples the sea.English translation © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Pietro Metastasio(1698–1782)

&

#

#

œœ

( )

œ

&

&?

bbbb

bbbb

bbbb

44

44

44

.œ jœ œ œ œ œ .œ Jœn

Soulfully q = 56 – 72

P

.œ Jœ∫ œb œ œ b œ œ

jœ œ jœ œ œ œSome-times I feel like a

œœœ œ œ

œ œ œ œ œ œ œ

P

&

&?

bbbb

bbbb

bbbb

4

œ œ œ 3

moth - er - less child,

ww.. œ œ

p

jœ œ Jœ œ œ œSome-times I feel like a

œœœ œ œ

œ œ œ œ œ œ œ

p œ œ œ 3

moth - er - less child,

.œ œπ

&

&?

bbbb

bbbb

bbbb

7 jœ œ jœ œ œ œSome-times I feel like a

œœ œ œœ œ œ œ œ œ

πœ œ œ .œ jœ

3

moth - er - less child, A

.œ Jœn œœœ œ

p jœ œ

jœlong way from

œœb œ œ œœœ œ œjœn

.œn jœ .œp

20Sometimes I Feel Like a Motherless Child

African American spiritualarr. Christine Donkin

Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Traditional African American

&b

b

b

b

œ

œ

&

&

&

bbbb

bbbb

bbbb

22

22

22

Ÿ~~~~~~~~~~~~~~~~~

∑>

>> >

Quickly, with fire h = 84 – 96

f heavy

∑>

>> >

.œ> jœ >Crash and Clang!>

>> >

f .œ> jœ >Bash and Bang!>

>> >

LH

Jœ> ‰ Œ Jœ> ‰ Œf sempre

&

&

&

bbbb

bbbb

bbbb

~~~~~~~~~~~~~~~~~~~~~~~

6

Ó And

Jœ>‰ Œ Jœ>

‰ Œ?

fœ œn œ œ œ

up in the road the

Œ œœœ.Œ œœœ.

œ. Œ œ. Œf marked

œ œ œ ‰ JœJazz - Man sprang! The

Œ œœœ.Œ œœœ.

œ. Œ œ. Œ

œ œn œ œOne - Man - Jazz - Band

Œ œœœ.Œ œœœ.

œ. Œ œ. Œ

&

&?

bbbb

bbbb

bbbb

10

œ œ œ œ play-ing in the street,

Œ œœœnnn .Œ œœœb .

œ. œ. -f

œ œn œ œ œDrums with his El-bows,

Œ œœœn .Œ œœœ.

œ> œ> >

F

F

œ œ œ œn Cym-bals with his Feet,

Œ œœœn .gg Œœœœn .gg

œ œ œn F

Z Z

œ œ# œ .œn jœPipes with his Mouth, Ac -

œ œn œ# œ œ œ œ ‰

œ œœn œ œœ

f

più f

più

&

&?

bbbb

bbbb

bbbb

14

œ œ œn œn cor-dion with his Hand,

œœœn œœœœnn#n œœœn œœœœnn#n

œn œ œ# œ œn œ œ# œPlay - ing all his In - stru-ments to

œn œ œn œn œ œ œn . œœœ# .3 3

œn .œœn. œœ

. œœ.

f

f

œn> œn>>

Beat the Band!

œœœnn# >œn>

>?

œœ#n > œn> >

32Jazz-Man

Benjamin Britten(1913–1976)

Source: Friday Afternoons: Twelve Children’s Songs, op. 7© Copyright 1936 Boosey & Co., Ltd. Reprinted by permission.

Eleanor Farjeon(1881–1965)

&b

b

b

b

œn

œ

&

&

?

44

44

44

23

23

23

œ œ œ œ

w

Slowly q = 60

p

œ œ œ œ ..œœ jœœ w

‰ œ œ œ œ œ œ ‰ jœ3 3

Will you build me a house? A

Jœœ. ‰

œœ œ œ ‰ jœ3œœ. œ œ Œ œ

3

recitando F

&

&

?

23

23

23

4

.œb - Jœ œ œ œ œ œ ‰ jœhouse that real - ly will be mine! Then

.œb jœ œ œ œ œ œ ‰ jœ‰ œ œ ‰ ‰ œ œ ‰ ‰ œ œn ‰

œ œ œœ œ œ œ œ œ

Poco più mosso q = 72cresc.

F

.œ jœ œ œ œ œ œ ‰ jœlet me give you my de - sign– A

.œ jœ œ œ œ œ œ ‰ jœ‰ œ œ ‰ ‰ œ œ ‰ ‰ œ# œ ‰

œ œ œ œ œ œœ œ œ

dim.

dim.

&

&

?

44

44

44

b

b

b

6

œ œ œ œ œ œ œ œsim - ple scheme of The house I

œ œ œ œ œ œ œ œœ œ wœœœ œœ ww

rit.

rit.

molto rit.

molto rit.

jœ .œ dream of.

‰ œ œ œ œ œ 3

3

Jœ- .œ- π

lento

lento

61My House

Leonard Bernstein(1918–1990)

Source: sung by Wendy in Peter Pan by Leonard Bernstein, based on Peter Pan, or the Boy Who Wouldn’t Grow Up by J.M. Barrie.© Copyright 1950, 1980 the Estate of Leonard Bernstein. Copyright renewed. Leonard Bernstein Music Publishing Company LLC, publisher. Boosey & Hawkes, Inc., sole agent. Reprinted by permission.

Leonard Bernstein

&

œ

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9

Voice Repertoire 5

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from Peter Pan

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&

&

?

b

b

b

43

43

43

. .œ œ

.œ œ œF

Con moto (rubato) q = 88 – 96

Œ Œ .œ œIst es

.œ œ œœ ..œœ œ œ.œ œ œ .œ œœ œ

f Œwahr?

Œ Œ

Œ Œ .œ œIst es

Œ Œ ..œœ œ.>Œ Œ .œ œ

p

p

&

&

?

b

b

b

5

Œwahr?

Œ Œ

ŒU Œ .œ œdass du

ŒU Œ ..œœ œœ.>uŒU Œ .œ œ

P

P dolce

dolce

œ œ .œ œstets dort in dem

œ œ ..œœ œœ œ

œœ

œ œ .œ œLaub - gang, an der

œœ œœ .œ œ œœ œœ

&

&?

b

b

b

9

œ œ .œ œWein - wand mei - ner

œœœ œœœ ..œœ œœœ

œœ

.œ œharrst? und den

.œ œœœ œ

œ œ .œ œnMond - schein und die

œœœŒ .œ œbœ

œ Œ œ

cresc.

cresc.

œ œ .œ œStern - lein auch nach

œœ Œ œœœœ Œ œ#

10Frage

Felix Mendelssohn(1809–1847)

English translation: Is it true? That you always wait for me there in the leafy walkway, by the vine-wall? And you also ask the moonlight and the little stars about me? Is it true? Speak! What I feel, only she/he understands, and feels with me, and remains eternally true to me.Original key: A majorSource: Zwölf Lieder, op. 9English translation © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

op. 9, no. 1attr. Johann Heinrich Voss(1751–1826)

&b

œ

œ

&

&

&

b

b

b

43

43

43

Œ

œ œ

Œ

Legato q = 72 – 80

F

œ œ œ œ œœ œ

œ œ œœ œ œ œ

Œ Œ œ œDear

œœœ

œ œ œœ?

p

p

.œ œ œ œ œ œthoughts are in my

œœ œœ œœ œ œ œœ œ œ

&

&

?

b

b

b

4

œ œ œ3

mind, and my

œ œ œœ œ œ

.œ jœ œ œsoul soars en -

œœœ œ œ œœ œ œ

œ œ œ œchant - ed As I

œœ œœ

&

&

?

b

b

b

7

.œ œ œ œ œ œhear the sweet lark

œœ œœ œœœ œ œ.œ œ œ

œ œ œ3

sing in the

œœ œ œœœ œ œ œ

œ œ œ œ œclear air of the

œœ œ œ œ œœ œ œ

21The Lark in the Clear Air

Traditional Irish airarr. Phyllis Tate

Source: the melody of The Lark in the Clear Air is based on Caitilín ní Uallacháin, a patriotic song from Western IrelandArrangement © copyright 1949 Oxford University Press. Reprinted by permission.

Samuel Ferguson(1810–1886)

&b

œ

œ

&

&

?

bbb

bbb

bbb

44

44

44

œ œ œ œ œ œ œ œ.œ Jœ .œ Jœ.œ jœ .œ jœ

Allegretto q = 112 – 120

f

œ œ œ œ .œ Jœ.œ jœ

œ œ œ œ œœ œœ.œ Jœ.œb jœ œ œw

p

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œ œ œ œ A - vril a par - lé,

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œœ œœ œœ œœ

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œ œ œ .œ ‰jeux d’au- tre-fois!

œœ œœœ

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œ œ œ œn œ œ œ œMais quand des oi - seaux la

.œ jœ .œjœœ œ œ œn œ œ œ œ

œ œ œ œ œ œ œ œ

œ œn œ œ œ œ œ œtroupe a-mou-reu - se

.œ jœ œ œn œ œ œ œ œ œ

œ œ œ œn œ œ œ œ

poco slargando

poco slargando

32Colette

Cécile Chaminade(1857–1944)

Source: Album of Songs, vol. 1 (New York, 1893)

Pierre Barbier

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b

b

b

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C

C

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∑UÍ

Moderato h = 63 – 69

œ œ œœ œœœb œ œ œ œ

rall.

rall.

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a tempo

œ œ œ œ œAll at once I’m

... œœœœ

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won - d’rin’

œ œ œ œ œ œ œ œw

œ œ œ œ œWhat it’s like to

œœœ œœœ œ œ

grow up

. œ

œ œ œ œ œAnd have some-one

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show up

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62Wond’rin’

Norman Campbell(1924–2004)

For examinations, candidates may substitute alternate pronouns throughout (for example, “she’ll” for “he’ll” in m. 15).Original key: G majorSource: sung by Gilbert in act 1 of Anne of Green Gables, The Musical by Norman Campbell, Donald Harron, Elaine Campbell, and Mavor Moore; book by Donald Harron after Anne of Green Gables by Lucy Maud Montgomery.© Copyright 1969, 1972 (copyright renewed) Avonlea Music. All rights administered by Chappell & Co., Inc. All rights reserved.

Elaine Campbell (1925–2007) andDonald Harron (b. 1924)

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10

Voice Repertoire 6

from Anne of Green Gables

Resonance™: A Comprehensive Voice Series

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43

43œ œ œœ œœœœœ œ œ

Moderato grazioso e legato q = 116 – 126

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esttle

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ex -com -

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plain -ling,ing,

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œ œ œ œSeatSighs

ofthat

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10

œ œ œ œpleas -blow

uresthe

œœ.œ Jœnœ œ œ œ

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œœ œœ œœ œœœn

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.loves,love,

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.

œ Ve -

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p

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willses,

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b

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15 œ œ œ œb œchoosekind

herdis -

œ œ œ œ œœœ œ

œdwell -tain -

ing,ing,

œ œ œ œ œœœ œ

œ œ œ œAndShall

for -be

œ œ œ œ œ œ œ

œ œ œ œsakeall

herthe

œ œ œ œn œœœœ œœœ œ œ œ

œ œ œ œCyp -pains

rianyou

œœœb .œ jœnœ œœœb œ œ

4Fairest Isle

Henry Purcell(1659–1695)

arr. Kathleen Wood

For examinations, candidates may include ornamentation in the second verse.Source: sung by Venus in act 5 of King Arthur, or The British Worthy, Z628, a semi-opera in five acts by Henry Purcell and John Dryden.Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

John Dryden(1631–1700)

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bb83

83œ œ œ œ œ œ

œœœœ œœœ

Andantino e legato e = 126 – 144

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œ ‰œœ œœ œœœ œ œ

...œœœ

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bb

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œ œ œnNon gio - vaIil

œœœ œœœ œœœœ#nœ œ œ

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œœœ œœœ œœœœ#nœ œ œ

œ œ œ œ œ œrar, no, no, no, no, no,

œœœ œœœ œœœœ œ œ

œ ‰no,

œœœ œœœ œœœœ œ œ

œ œ œnon la - gri -

œœ œœ œœœœ œœ œœ

&

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bb

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10 œ œ œmar per

œœœ œœœ œœœœœnn œœ œœ

œ œ œn œ œ œme, no, no, no, no, no,

œœ œœ œœnœœ œ. œ.

œ ‰no.

œœ œœn . œœb .œ œ œ

œ œ œ œ œn3

Tir - si più

œœœ œœœ œœœœ#nœ œ œ

œ œ œ œn3

tuo non

œœœ œœœ œœœœ#nœ œ œ

&

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bb

bb

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15

œ œ œ œ œ œè, no, no, no, no, no,

œœœ œœœ œœœœ œ œ

œ ‰no,

œœœ œœœ œœœœ œ œ

œ> œn> œ>Li - co - riIin -

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œœ œœ œœbœ œ œ

œ œ œ œ œ œ

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36Non giova il sospirar

Nicola Vaccai(1790–1848)

Source: Canzonetta venezianaEnglish translation: It’s no good to sigh. Don’t cry for me. Tyrsis is no longer yours. Unfaithful Lycoris now enjoys a new love. Tirsi will find a nymph, if not more beautiful, at least more faithful than you.English translation © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Pietro Metastasio(1698–1782)

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44

44

44

œœœggggggggggggggggg

œ œ œ œ œ œ œ

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Espressivo quasi rubato q = 56 – 66

œœœgggggggggggggggg

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œœœgggggggggggggg

œ œ œ œœœ œ œ œœ œ œ œ œ œ

Ó ‰ jœ œ œOh, Dan-ny

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rit.

rit.

a tempo

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5

.œ jœ œ œ œ œboy, the pipes, the pipes are

œ œ œ œ œ œ œ. œ

œ œ œ œ œ œ

œ œ œ‰ jœ œ œ

call - ing From glen to

.œ jœ œ œœœ œ œœ œ œ œ

.œ jœ œ œ œ œglen, and down the moun-tain

œ œ œ œ œ œ œ œœœ œ œ

œ œ œsimile

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‰ jœ œ œside. The sum-mer’s

œœ œœ œœ œœœ œ œœ œ œ œ œ œ œ

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œ œ œ œ œ œœ œœ

œ œ œœ œ œ

œ œ œ‰ jœ œ œ

dy - ing, ’tis you, ’tis

œœ œœ ..

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66Danny Boy

Traditional Irish airarr. Jeff Smallman

Original key: B majorArrangement © copyright 2008 Lighthouse Music Publications. Reprinted by permission.

Frederic Weatherly(1848–1929)

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wu∑U

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P ad lib.

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wu∑U

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4

Ó Œ œ œI have

P molto legato

molto legato

œ œ œ œ œ œal - ways be - lieved That for

œ œ œ œ œ

œ œ ‰w

œ œ œ œ œ œev’ - ry - thing beau-ti - ful

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7

‰ œ œ œ œ œ œThere is a star in the

œ œ œ œ œ œ œ œœ œ œ œ œ œ œ œ

‰ œ œ œsky. And that the

Ó www

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8va

jœ œ jœ œ œ œbright-er the star The more

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œ œ œ œ œ œ œ œbeau - ti - ful the one thing that it

œ œ œ œ

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‰w

shines for.

‰ œ œ œ ‰ œ œ œ‰ œ œ œ ‰ œ œ œ

Ó ‰ œ œ œAnd that when -

bgggggggggggg

œœœœœ œ œ œ œn œ

5b œœœ œ œ œn œ œ œ5

86Starlight

Jim Betts(b. 1949)

Source: On a Summer’s Night by Jim Betts; book by Jim Betts after A Midsummer Night’s Dream by William Shakespeare.© Copyright 2004 Northern River Music (SOCAN). All rights reserved. Reprinted by permission.

Jim Betts

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11

Voice Repertoire 7

Resonance™: A Comprehensive Voice Series

from On a Summer’s Night

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43

43

œœœ œœ œœ œœ œœ œœ

Grazioso q = 108 – 120

p

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œŸ œ œ œ œœœ œœ œœ œœ œœ œœ

œœ œœ Œœ œ œ œ œ œ

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œ œ œ œ œ œ

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6

Jœœœœ œœ Jœœ

œ œ œ œ œ œ

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œWenn

Bas -meintein

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11

œ œ œ œ œeinststole

immy

œ œ œ œ œœœ œœ œœ œœ œœ œœ

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zeers,

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einI

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ent -

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8Wenn mein Bastien einst im Scherze

Wolfgang Amadeus Mozart(1756–1791)

arr. Kathleen Wood

Source: sung by Bastienne in Bastien und Bastienne, K 50, a Singspiel in one act by Wolfgang Amadeus Mozart; libretto by Friedrich Wilhelm Weiskern and Johann Müller, revised by Johann Andreas Schachtner after Les amours de Bastien et Bastienne by Marie-Justine-Benoîte Favart and Harny de Guerville. This Singspiel was composed in 1768 when Mozart was 12 years old.Synopsis: Bastienne (a shepherdess) is afraid Bastien (a shepherd) has left her for someone else.Arrangement © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Bastien Often Stole My Flowers

Friedrich Wilhelm Weiskern (1710–1768) andJohann Müller (1738–1815)rev. Johann Andreas Schachtner (1731–1795)English lyrics: Hamilton Benz

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p

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‰ œ œ œ œ œœœ Œ Œ

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simile

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Œ Œ

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œ flo - - -

‰ œ œ œ œ œœœ Œ Œ

œ œ .œ œœ

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.res

‰ œ œ œ œ œœ Œ Œ

œ Œ Œ

‰ œ œ œ œ œœœ Œ Œ

œ œ# œpa - lo - ma

‰ œ œ œ œ œœœ Œ Œ

p

42Amor sin esperanza

Manuel Fernández Caballero(1835–1906)

Source: Canciones de España: Songs of Nineteenth-Century SpainEnglish translation: Virgin, pure and without stain, flower of the flowers, dove from the heavens, mother of love, make him/her love me. And if he/she does not love me, let me die. Now that my illusions have languished, now that my arms will not surround you, let crying ease my heartache.English translation © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Anonymous

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C

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‰ œ œ œ ‰ œ œ œ

h = 54 – 58

p legato

con pedale

Ó Œ œCome

‰ œ œ œ ‰ œ œ œ

P simply jœ œ jœ jœ œ Jœread-y and see me No

‰ œ œ œ ‰ œ œ œ

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4

œ œ œ œ œ œmat-ter how late Come be -

‰ œ œ œ ‰œ œ œ

.œ Jœ œ œ œ3

fore the years run

‰ œ œ œ œ œ œ œ

Jœ ‰ œout. I’m

‰ œ œ œ‰ œ

œ œ

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w P

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œ œ œ œ œ œ Jœœ

.œ Jœ

.œ Jœ Jœ .œwind will blow

‰ œ œ œ ‰ œ œ œ

Jœ ‰ ‰ jœout, But

‰œ œ œ œ œ œ‰ Jœ œ

80Come Ready and See Me

Richard Hundley(b. 1931)

Source: Eight Songs © Copyright 1989 Boosey & Hawkes, Inc. Reprinted by permission.

to Jeffrey L. CerzaJames Purdy(1914–2009)

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43

43

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‰ œ œ œ œjœœœœ ‰ Œjœœœœ ‰

Allegretto grazioso q = 92 – 104

p

‰ œ œ œ œjœœœœ ‰ Œjœœœœ ‰

œ%

œ œ œ œ œWhenWhen

aa

mer -mer -

ryry

maid -maid -

enen

‰ œ œ œ œjœœœœ ‰ Œjœœœœ ‰

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œ mar -mar -

ries,ries,

‰ œ œ œ œ

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œ œ œ œ œ œSor -Sor -

rowrow

goesgoes

andand

pleas -pleas -

ureure

‰ œ œ œ œjœœœœ ‰ Œjœœœœ ‰

œ tar -tar -

ries;ries;

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œ œ œ# œ œn œEv’ -Ev’ -

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soundsound

be -be -

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aa

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ing’sing’s

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n ‰ ŒJœœœ ‰

108When a Merry Maiden Marries

Arthur Sullivan(1842–1900)

Source: sung by Tessa during her wedding ceremony in act 1 of The Gondoliers, or The King of Barataria by Arthur Sullivan and William Schwenck Gilbert.

William Schwenck Gilbert(1836–1911)

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12

Voice Repertoire 8

from The Gondoliers

Resonance™: A Comprehensive Voice Series

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44

44

44

œœœŒ œœœ œœœ#

œ Œ œ œ

Allegretto q = 108 – 120

f

...Œ

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f œ Œ

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10

6. Vocalise in E MinorHeinrich Panofka

(1807–1887)

Source: Abécédaire vocal

Level 5

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34

1. Then shall the eyes of the blind be openedGeorge Frideric Handel

(1685–1759)

indicates suggested appoggiaturaSource: Messiah, HWV 56; libretto compiled by Charles Jennens (1700–1773) from the Bible and the Prayer Book PsalterSung by the alto in part 1, before the aria “He shall feed his flock.”

Mezzo-Soprano/Contralto Level 8

+

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43

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..œœ œœ œœ œœ

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Andante q = 92 – 104

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15

5. Vocalise in A MinorAuguste-Mathieu Panseron

(1796–1859)

Source: Méthode de vocalisation pour bass-taille, baryton et contralto

Level 8

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Œ ‰ jœ œ# ≈ rœ rœ rœVia, via, non è gran

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30

3. Via, via, non è gran malWolfgang Amadeus Mozart

(1756–1791)

indicates suggested appoggiaturaSource: Don Giovanni, K 527; libretto by Lorenzo da Ponte (1749–1838) after the libretto for Giuseppe Gazzaniga’s Don Giovanni Tenorio by Giovanni Bertati (1735–1815)Sung by Zerlina in act 2, before her aria “Vedrai, carino.”English translation: Come, come, it's not so bad, if the rest is all right. Come with me home; on the condition that you promise to be less jealous, I will cure you, my fiancé.English translation © copyright 2012 The Frederick Harris Music Co., Limited, Toronto, Ontario, Canada.

Soprano Level 8

+

13

Vocalises Recitatives

from Vocalises and Recitatives 8 from Vocalises and Recitatives 8

from Vocalises and Recitatives 5–7 from Vocalises and Recitatives 8

Resonance™: A Comprehensive Voice Series

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14

Repertoire List

• Refers to titles included in this sampler.

Preparatory Repertoire

Land of the Silver Birch Canadian folk song, arr. Nancy Telfer

Monsieur le Printemps Lise Champagne, arr. Lydia AdamsColours Harry BrookSnowflake Cyril HampshireButterflies (Les Papillons) Lillian SmithThe Ferryman Majorie HelyerWhen I Go Outside to Play Karen Vanderkloot DiChiera• Au clair de la lune

(Underneath the Moonlight)Traditional French song, arr. Akiko and Forrest Kinney

• When the Saints Go Marching In

African American spiritual, arr. Akiko and Forrest Kinney

L’inverno l’è passato (The Wintertime Is Over)

Italian folk song, arr. Stephen Chatman

West Indian Lullaby Trinidadian folk song, arr. Sydney Northcote

The Penguin Ball Donna RhodenizerÀ la claire fontaine (At the Clear Fountain)

French Canadian folk song, arr. Pierre Gallant

The Rainbow Cyril HampshireA Cookie for Snip Burton Lowell KurthRabbits W. Herbert BelyeaMonkeys W. Herbert Belyea• I Need a Home for My Dinosaur

Donna Rhodenizer

There Once Was a Puffin Cyril HampshireSong of the Cake Betty Roe• Suse, liebe Suse (Susie, Little Susie)

German folk song, arr. Stephen Chatman

Michael Row the Boat Ashore African American spiritual, arr. Christine Donkin

Voice Repertoire 1

Vive la Canadienne! French Canadian folk song, arr. Hugh J. McLean

• Red River Valley American folk song, arr. Christine Donkin

Skye Boat Song Highland rowing measure, arr. Malcolm Leonard Lawson

Das Blümchen Wunderhold (The Little Flower)

Ludwig van Beethoven

Jesous Ahatonhia (‘Twas in the Moon of Wintertime)

16th-century French melody, arr. Healey Willan

Ein Männlein steht (There Stands a Little Man)

German folk song, arr. Sir Ernest MacMillan

Ma Bella Bimba (My Lovely Little Lady)

Italian folk song, arr. Christine Donkin

• All Things Bright and Beautiful

17th-century English melody, arr. Akiko and Forrest Kinney

La Pulga de San José (The Market of San José)

Latin American folk song, arr. Akiko and Forrest Kinney

The Best One for the Job Donna RhodenizerOne a Star Bright Winter Night Eric CrockartThe Spider Hunter W.H. Anderson• Song of Summertime Betty Roe

The Wind Cecil SharmanI Wonder Donna RhodenizerSome Day David OuchterlonyI’m Forever Blowing Bubbles John W. Kellette, arr. Christine

Donkin• Dites-Moi (Tell Me Why), from South Pacific

Richard Rodgers

This Land Is Your Land Woody Guthrie, arr. Akiko and Forrest Kinney

Voice Repertoire 2

To the Sky American folk song, adapted by Carl Strommen

Marienwürmchen (Ladybug) German folk song, arr. Johannes Brahms

All Through the Night Traditional Welsh melody, arr. Hugh J. MacLean

Coraggio, ben mio (Courage, My Love)

Italian folk song, arr. Stephen Chatman

¿Dónde vas, Alfonso Doce? Spanish folk song, arr. Akiko and Forrest Kinney

Gruss (Greeting), op. 19a, no. 5 Felix Mendelssohn• Desperado Traditional American song,

arr. Mark MrozinskiColorado Trail American folk song, arr. Akiko and

Forrest KinneySehnsucht nach dem Frühlinge (Longing for Spring), K 596

Wolfgang Amadeus Mozart

• D’où viens-tu, bergère (Tell Me Shepherdess)

French Canadian folk song, arr. Akiko and Forrest Kinney

My Dog Spot Clifford CrawleyStar Above (Étoile du ciel) Traditional American song,

adapted by Donna RhodenizerThe Rose and the Butterfly Henry A. ClarkAt the Seaside Seymour BarabSomeone Violet Archer• Butterfly Lin MarshSong of the Boats Betty RoeOn the Back of an Eagle Nancy TelferEd the Invisible Dragon Donna RhodenizerHappiness, from You’re a Good Man Charlie Brown

Clark Gesner

The French Song (Quand le soleil dit bonjour aux montagnes)

Larry Vincent

• The Gypsy Rover Irish folk song, arr. Christine Donkin

Voice Repertoire 3

The Birds No More Shall Sing George Frideric HandelAuprès de ma blonde (It’s Good to Be in Love)

French Canadian folk song, arr. Akiko and Forrest Kinney

Come by the Hills Traditional Gaelic melody, arr. Christine Donkin

Cara Mamma (Dearest Mamma) Italian folk song, arr. Christine Donkin

An die Laute (To the Lute), D 905 Franz SchubertMarienwürmchen (Ladybug), op. 79, no. 14

Robert Schumann

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Un Canadien errant (The Banished Canadian)

French Canadian folk song, arr. Nancy Telfer

• Suo-Gân (A Welsh Lullaby) Welsh folk song, arr. Alec Rowley• Valenciana (Valencia) Spanish folk song, arr. Christine

DonkinI’m Wishing Donna RhodenizerA Pirate Song William R. Smith• The Stars Are with the Voyager

Jay Althouse

Gloria Deo David OuchterlonyComputer Cat Donna RhodenizerIf You Become the Moon Kevin Helppie, Forrest Kinney, and

Jaclyn WeberSpring is Singing in the Garden William Henry Anderson• The Girl I Mean to Be, from The Secret Garden

Lucy Simon, arr. Michael Kosarin

Swinging on a Star Jimmy van HeusenGee, I’m Glad I’m No One Else but Me, from Anne of Green Gables

Norman Campbell

Voice Repertoire 4

The Gospel Train African American spiritual, arr. Akiko and Forrest Kinney

L’étoile du matin (The Morning Star)

Alsatian song, arr. Jean-Baptiste Weckerlin

• Flow Gently, Sweet Afton Jonathan E. SpilmanNon lo dirò col labbro (Silent Worship)

George Frideric Handel, arr. Arthur Somervell

Ich steh’ an deiner Krippen hier (Beside Thy Cradle Here I Stand)

Johann Sebastian Bach

• Frühlingslied, D 398 Franz SchubertFair, if You Expect Admiring Thomas Campion, transc. E.H.

Fellowes, rev. Thurston DartLos pelegrinitos Spanish folk tune, arr. Federico

García LorcaLast Year William Henry AndersonThe Path to the Moon Eric H. ThimanL’été Ruth Watson HendersonThe Owls Peter JenkynsSong of the Shell Betty Roe• Gloria in Excelsis Robert B. AndersonWater-Melon Seller Aubrey Beswick• Waitin’ for the Light to

Shine, from Big River: The Adventures of Huckleberry Finn

Roger Miller

Second-Hand Rose James F. HanleyBeautiful Dreamer Stephen FosterIce Cream, from Anne of Green Gables

Norman Campbell

Voice Repertoire 5

Morning Has Broken Traditional Gaelic melody, arr. Akiko and Forrest Kinney

Jardin d’amour (Love’s Garden Gate)

French melody, arr. James Frederick Keel

Ah! How Pleasant ‘Tis to Love, Z 353

Henry Purcell

• Già la notte s’avvicina Isabella ColbranLiebhaber in allen Gestalten (A Lover in All Forms), D 558

Franz Schubert

Chanson de Florian Benjamin Goddard• Sometimes I Feel Like a

Motherless ChildAfrican American spiritual, arr. Christine Donkin

No quiero casarme (I Don’t Wish to Marry)

Spanish folk song, arr. Frank Campbell-Watson

Volksliedchen, op. 51, no. 2 Robert SchumannAcross the Western Ocean Traditional sea shanty, arr.

Christine Donkin• Jazz-Man Benjamin BrittenLazy Summer W. Herbert BelyeaMoon, sing Jon WashburnSorge il sol! Che fai tu? Stefano DonaudyForty Little Birdies Donna RhodenizerWhere Go the Boats John E. GovedasThe Little Spanish Town Peter JenkynsOlde Irish Blessing Linda FletcherRed Tulip Kelvin Helppie and Forrest

Kinney• My House, from Peter Pan Leonard BernsteinLet There Be Peace on Earth Sy Miller and Jill JacksonI Got the Sun in the Morning, from Annie Get Your Gun

Irving Berlin

Voice Repertoire 6

How Can I Keep from Singing? Robert Lowry, arr. Akiko and Forrest Kinney

Papillon, tu es volage (Butterfly, Away You Flutter)

French Canadian folk song, arr. Oscar O’Brien

• Frage, op. 9, no. 1 Felix MendelssohnStar vicino Anonymous, arr. Kathleen WoodClimbin’ Up the Mountain African American spiritual, arr.

Patsy Ford Simms• The Lark in the Clear Air Traditional Irish air, arr. Phyllis

TateAuf dem Rhein, op. 51, no. 4 Robert SchumannCosì, Amor, mi fai languir Alessandro Stradella, ed. Knud

JeppesenShenandoah American folk song, arr. Mark

MrozinskiA Blackbird Singing Michael Head• Colette Cécile ChaminadeJune Magic Marguerita SpencerLullabye Leonard Moorhouse, arr. Richard

JohnstonCazando Mariposas Jesús Guridi BidaolaWhite Butterflies Kenneth Ira BraySingin’ the Blues Donna RhodenizerBluebird Rudolph SchirmerHomeward Bound Marta Keen, arr. Jay AlthouseLittle Maid of Arcadee, from Thespis

Arthur Sullivan

• Wond’rin’, from Anne of Green Gables

Norman Campbell

Oh, What a Beautiful Mornin’, from Oklahoma!

Richard Rodgers

I Can’t Do the Sum, from Babes in Toyland

Victor Herbert

15Resonance™: A Comprehensive Voice Series

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16

Voice Repertoire 7

• Fairest Isle Henry Purcell, arr. Kathleen Wood

Ich liebe dich, WoO 123 Ludwig van BeethovenSince First I Saw Your Face Thoman Ford, transc. E.H.

Fellowes, rev. Thurston DartCome and Trip It George Frideric HandelUnder the Greenwood Tree Thomas ArneFine Knacks for Ladies John DowlandSe l’aura spira Girolamo Frescobaldi, transc.

Knud JeppesenLe papillon et la fleur, op. 1, no. 1 Gabriel FauréDolente immagine di Fille mia Vincenzo Bellini• Non giova il sospirar Nicola VaccaiThe Willow Song Arthur SullivanDer Jäger, op. 95, no. 4 Johannes BrahmsDer Alpenjäger, D 524 Franz SchubertJeunes fillettes 18th-century French pastorale,

transc. Jean-Baptiste Théodore Weckerlin

Music, When Soft Voices Die, op. 25, no. 5

Roger Quilter

Van gli effluvî de le rose Francesco Paolo TostiThe Green Dog Herbert KingsleyTango d’amour Léo Le Sieur• Danny Boy Traditional Irish air, arr. Jeff

SmallmanThe Owl (Die Eule) Richard Rodney BennettCon amores, la mi madre... Fernando J. ObradorsSoon It’s Gonna Rain, from The Fantasticks

Harvey Schmidt

Far from the Home I Love, from Fiddler on the Roof

Jerry Bock

• Starlight, from On a Summer’s Night

Jim Betts

Voice Repertoire 8

My Mother Bids Me Bind My Hair (Die Mutter sagt), Hob. XXVI a:27

Franz Joseph Haydn

• Wenn mein Bastien einst im Scherze (Bastien Often Stole My Flowers)

Wolfgang Amadeus Mozart, arr. Kathleen Wood

Bel piacere George Frideric HandelIntorno all’idol mio Antonio CestiTell Me, Lovely Shepherd William Boyce, arr. Kathleen WoodBois épais Jean-Baptiste Lully, arr. Kathleen

WoodStrike the Viol, Touch the Lute Henry PurcellThe Wanderer (Der Wanderer), Hob. XXVI a:32

Franz Joseph Haydn

Das verlassene Mägdlein Hugo WolfLachen und Weinen, D 777 Franz Schubert• Amor sin esperanza Manuel Fernández CaballeroIn Haven, op. 37, no. 2 Edward ElgarI Dreamt That I Dwelt in Marble Halls

Michael Balfe

Il zeffiro Vincenzo BelliniLe charme, op. 2, no. 2 Ernest ChaussonRomance Claude DebussyMe voglio fà ‘na casa Gaetano DonizettiPrairie Boy, Prairie Boy Morris SurdinCanción del grumete Joaquín RodrigoMy Lagan Love Irish folk song, arr. Akiko and

Forrest Kinney• Come Ready and See Me Richard HundleyThe Lark (Die Lerche) Richard Rodney BennettFive Eyes, op. 9, no. 3 C. Armstrong GibbsShady Grove American folk song, arr. Christine

DonkinApology, from Anne of Green Gables

Norman Campbell

Only Love, from The Scarlet Pimpernel

Frank Wildhorn

Oh, Better Far to Live and Die, from The Pirates of Penzance

Arthur Sullivan

• When a Merry Maiden Marries, from The Gondoliers

Arthur Sullivan

For a listing of the contents of Vocalises 5–7 and Vocalises and Recitatives (8, 9–10 High, and 9–10 Low), please see frederickharrismusic.com.

Resonance™: A Comprehensive Voice Series

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PLUS! Companion volumes of Vocalises and Recitatives for Levels 5–10

The Royal Conservatory Voice Syllabus, 2012 EditionThis resource outlines the voice curriculum for the Preparatory to ARCT levels of The Royal Conservatory Examinations. The Voice Syllabus includes an extensive listing of repertoire organized by musical style, historical era, or genre.

Resonance™: A Comprehensive Voice Series serves as the official material for the curriculum of The Royal Conservatory Examinations.

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Reso

nan

ce™ A

Com

prehensive Voice Series

The Frederick Harris Music Co., Limited273 Bloor Street WestToronto, ON M5S 1W2Tel: 416-673-1426Toll-free: 1-800-387-4013 Fax: 416-408-1542www.frederickharrismusic.com

“The Resonance™ series offers an extensive selection of songs for the developing singer. This progressive system allows the singer to build confidence and musicianship skills as he or she explores songs from the Baroque era to the twentieth century, including folk song favourites and music theater selections. I highly recommend this series.”Dr. Christopher ArnesonAssociate Professor (Voice and Voice Pedagogy)Director, Presser Voice LaboratoryWestminster Choir College, Princeton, New Jersey

The finest in vocal repertoire, Resonance™ is the fourth edition of the acclaimed Voice Series published by The Frederick Harris Music Co., Limited. As in previous editions, Resonance™ encompasses a rich and varied selection of Repertoire, Vocalises, and Recitatives that students of all ages and voice types will find appropriate to their musical interests and level of technical ability. New to this edition, musical theatre and some popular styles are represented in levels 1 to 8 of the Repertoire books.