scbda solo and ensemble wind assessment solo and ensemble wind assessment time_____ judge ... _____...

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Go to www.learningsciences.com/bookresources to download this page. Performance Assessment © 2015 Learning Sciences International Performance Assessment of Complex Processes SCBDA Solo and Ensemble Wind Assessment Time____________ Judge #________ School_________________________________________________________________________ City_____________ Date _____________________ Performer(s) Names _______________________________________________________________________________________________________________________________ ________________________________________ Grade(s) in school____________ Years Experience_________ Instrument(s) ____________________________________________________________________________________________________________ Selection_________________________________________________ Composer/Arranger Selection_________________________________________ Required list? Yes No Technique Score 5 4 3 2 1 Correct Notes + – Articulation + – Fingering/Slide + – Correct notes; accurate articulation and technical skills Minor errors in pitch, articulation, and technical skills Inconsistent pitches, articulations, and technical skills Minimal accuracy in pitches, articulation, and technical skills Most notes, articulations, and technical skills missed Rhythmic Accuracy Score 5 4 3 2 1 Note/Rest Value + – Pulse + – Rhythms performed correctly Minor errors in rhythmic accuracy Inconsistent rhythmic accuracy Minimal errors in rhythmic accuracy Lack of rhythmic accuracy Tone Score 5 4 3 2 1 Breathing + – Embouchure + – Posture + – Focus and resonance appropriate for level of performer(s) Minor inconsistencies in focus and resonance Major inconsistencies in focus and resonance Consistent problems in focus and resonance Focus and resonance poor Interpretation Score 5 4 3 2 1 Dynamics + – Balance + – Phrasing + – Style + – Tempo + – Consistent use of expressive elements Minor inconsistencies in use of expressive elements Major inconsistencies in use of expressive elements Most expressive elements missed All expressive elements missed Intonation Score 5 4 3 2 1 Individual + – With Accompaniment + – Intonation appropriate for level of performer Minor inconsistencies in intonation Major inconsistencies in intonation Consistent problems in intonation Intonation poor Other Factors Score 5 4 3 2 1 Stage Presence + – Appearance + – Music Choice + – Superior Excellent Average Fair Poor Comments: _____________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________________ _____________________________________________________________________________________________________________________________________ Total Points Rating Table I: 27–30 points Superior II: 21–26 points Excellent Adjudicator Signature III: 15–20 points Good IV: 9–14 points Fair V: 0–8 Poor Source: South Carolina Band Directors Association, bandlink.org/solo_and_ensemble/resources/. Used with permission. Rating

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Go to www.learningsciences.com/bookresources to download this page.Performance Assessment © 2015 Learning Sciences International

Performance Assessment of Complex Processes

SCB

DA

So

lo a

nd E

nsem

ble

Win

d A

sses

smen

t

Tim

e___

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_ J

udge

#__

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choo

l___

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__ C

ity_

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Dat

e __

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Perf

orm

er(s

) N

ames

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Gra

de(s

) in

sch

ool_

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___

Year

s E

xper

ienc

e___

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__ In

stru

men

t(s)

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_

Sele

ctio

n___

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ompo

ser/

Arr

ange

r Se

lect

ion_

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Req

uire

d lis

t?

Y

es

No

Tech

niq

ue

Sco

re5

43

21

Cor

rect

Not

es

+ –

Art

icul

atio

n +

–Fi

nger

ing/

Slid

e +

Cor

rect

not

es;

accu

rate

art

icul

atio

n an

d te

chni

cal s

kills

Min

or e

rror

s in

pitc

h,

artic

ulat

ion,

and

te

chni

cal s

kills

Inco

nsis

tent

pitc

hes,

ar

ticul

atio

ns, a

nd

tech

nica

l ski

lls

Min

imal

acc

urac

y in

pi

tche

s, a

rtic

ulat

ion,

an

d te

chni

cal s

kills

Mos

t no

tes,

ar

ticul

atio

ns, a

nd

tech

nica

l ski

lls m

isse

d

Rhy

thm

ic A

ccu

racy

Sco

re5

43

21

Not

e/R

est

Val

ue

+ –

Pul

se

+ –

Rhy

thm

s pe

rfor

med

co

rrec

tlyM

inor

err

ors

in

rhyt

hmic

acc

urac

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cons

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nt r

hyth

mic

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cura

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inim

al e

rror

s in

rh

ythm

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ccur

acy

Lack

of r

hyth

mic

ac

cura

cy

Ton

eS

core

54

32

1

Bre

athi

ng

+ –

Embo

uchu

re

+ –

Post

ure

+ –

Focu

s an

d re

sona

nce

appr

opri

ate

for

leve

l of

per

form

er(s

)

Min

or in

cons

iste

ncie

s in

focu

s an

d re

sona

nce

Maj

or in

cons

iste

ncie

s in

focu

s an

d re

sona

nce

Con

sist

ent

prob

lem

s in

focu

s an

d re

sona

nce

Focu

s an

d re

sona

nce

poor

Inte

rpre

tati

on

Sco

re5

43

21

Dyn

amic

s +

–B

alan

ce

+ –

Phra

sing

+

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yle

+ –

Tem

po

+ –

Con

sist

ent

use

of

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essi

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or in

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pres

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Into

nat

ion

Sco

re5

43

21

Indi

vidu

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natio

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prop

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tona

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lem

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into

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Oth

er F

acto

rsS

core

54

32

1

Stag

e Pr

esen

ce

+ –

App

eara

nce

+ –

Mus

ic C

hoic

e +

–Su

peri

orE

xcel

lent

Ave

rage

Fair

Poor

Com

men

ts:

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Tota

l Poi

nts

Rat

ing

Tabl

eI:

27–3

0 p

oint

sSu

perior

II: 2

1–26

poi

nts

Exc

ellent

Adj

udic

ator

Sig

natu

reIII

: 15–

20 p

oint

sGoo

dIV

: 9–1

4 po

ints

Fair

V: 0

–8Poo

r

Source:

So

uth

Car

olin

a B

and

Dir

ecto

rs A

sso

ciat

ion

, ban

dlin

k.o

rg/s

olo

_an

d_

ense

mb

le/r

eso

urc

es/.

Use

d w

ith

per

mis

sio

n.

Rat

ing

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