schirmer duet album vol.2

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MU 786.41DUET ALBUMS FOR BEGINNER Q(VOL. 2 ^.50 K

NNBR 841219620

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3 3333 01433 9259Ihe NewarkPublic LibraryAator. Lenox and Tilden Foundations

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111 Amsterdam AvenueNew York, N.Y. 10023

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Recordings 10^^orm #0709

Sir»->

R-PAGE

DUET ALBUMSFOR BEGINNERS

Second/^^^coH

The BROWNDUET BOOK

Price, $ 1.50

f/U»

G. Schimier, Inc., New York

Digitized by the Internet Archive

in 2008 with funding from

IVIicrosoft Corporation

http://www.archive.org/details/duetalbumsforbeg02dill

^

DILLER-PAGE fii us

the

brown

duet book

DUET ALBUMSFOR BEGINNERS

The GREEN DUET BOOKSecond/4l6am

The BROWN DUET BOOKEach ContainingThirty Folk-Tunes

Arranged byANGELA DILLER

Texts byKATE STEARNS PAGE

Ed. 1209

G. Schirmer, Inc., New York

Copyright, 1924, by O. Schirmer, Inc.

Si768 c

Priated in th« U. S. A.

\^^^G\^

av.3S

To Kendrick and Barbara

THB KKW TOTIK VmiJC TTTIT? ATfT

BBNEIllL LIBR-ARY OF THE I'EltroilMlN'G AKTb

111 AMSTBEDAM AV& MEW ¥0M 10023. ».I.

THE DILLER-QUAILE SERIESGRADE II

The following books and pieces provide a variety of correlated material for the Second

Grade, comprising piano solos, duets, pedal studies, technical exercises, a Carol book and an

Opera story.

SECOND SOLO BOOKThis book contains folk-tune arrangements and easy classics. Like the First Solo Book,

the pieces have permanent musical value, and the book is edited with greatest attention to

phrasing and fingering.

SECOND DUET BOOKThese duets are folk-tune arrangements and easy classics. The duets are for teacher and

pupil; the teacher's parts are, however, of only moderate difficulty. The book is cross-

indexed with the Second Solo Book though each book may, of course, be used independently.

FIRST PEDAL STUDIESThis book consists of twenty-four progressive exercises and pieces. It begins with the

simplest use of the damper pedal in broken and held chords, followed by exercises using

syncopated pedal. The volume concludes with eight pieces illustrating various types of

pedaling.

A PRE-CZERNY BOOKThis book provides an abundance of easy, carefully graded exercises with a variety of

technical demands. Some of these, drawn from Czerny, have been transposed in order to

avoid the use of the treble clef for both staves; others have been adapted in order to provide

more studies for the left hand, and to make possible the very gradual grading that cannot

be found in any one volume of Czerny studies.

Special attention is given to the introduction of scale-playing, with the particular

problem of passing the third or fourth finger over the thumb.

A generous number of suggestions for study and practice have been given throughout

the book.

BROWN DUET BOOKThis is a collection of pieces written for two children of the same grade to play together.

Many of the pieces are folk-songs with the words printed above both parts. They are ex-

cellent for adding color and variety to Pupils' Recital programs.

THE DARING PRINCE AND 9 OTHER PIECES

These 10 little pieces are piano solos inspired by children's poems by James WhitcombRiley. The poem is printed at the top of each piece.

DILLER-PAGE CAROL BOOKThis book is rapidly becoming a "Christmas-time Classic" as the Carols are played and

sung by hundreds of children all over the country. The collection contains ten very familiar

Carols, Silent Night, O Come All Ye Faithful, etc., ten less familiar Carols from many lands,

and four duet arrangements including the March of the Three Kings and a Bach Chorale.

THE STORY OF SIEGFRIEDThe opera-story is re-told for children, with very simple arrangements of 23 of the

musical motives, carefully fingered, phrased, and pedaled. This book makes a delightful

feature of a pupils' recital, with one child reading the narrative, and other children playing

the motives as they come in the text.

SHEET MUSIC ^^ ^j^^ j^^ Carnival The Goldfish PondGreat Grandfather's Clock Pop! Goes the Weasel

A Ride in an Aeroplane

The Star-Spangled Banner (Key of G). Every child should be able to play the National

Anthem. This is an easy arrangement in a key low enough to be sung with ease. Thestory of the origin of the words and music is printed on the back page.

A complete list of Diller-Quaile material for all grades is printed on the back cover of

this book.

PREFACE

The choice of Folk-Tunes, as material for the child's first piano study,

needs no explanation. A word should be said, however, as to the marks

used in editing these pieces.

The slur —^dot • , and dot and slur •"T^

, signify legato,

staccato, and portamento, respectively. The mark|means that there is

a slight break in the sense, and is used much as a comma is used in punctu-

ating English. The brace ' indicates the length of the phrase, and

is used to aid intelligent reading. The brace does not refer to legato or

staccato. For example:f f f f

means that the notes are to be played

portamento;f f f f

means that the notes are to be played staccato.

There are often several ways of phrasing a passage, but since an inex-

perienced child usually reads from bar to bar, irrespective of the rhythmic

grouping of the piece, these indications of one way of phrasing may not be

superfluous.

Most teachers agree as to the value of words in developing the child's

feeling for phrasing, and rhythmic sense. As far as possible, the original

words, or translations in the rhythm and spirit of the original, are used in

this book.

It is hoped that this little volume may help supply the need, expressed

by many teachers, of a collection of Duets for two beginners in piano playing.

31768

INDEX

a-hunting we will go

Avenging and bright

Banks of Doon (The)

Bird's Message (The)—Slavikovsky

Born is He—II est ne

British Grenadiers (The)

Disagreeable Lover (The)—Yak do tihbeh Law deetih

Gaily the Troubadour Touched His Guitar

Goat and the Wolf (The)—La chevre etait sur un arbre

Going through Lorraine—En passant par la Lorraine

Go NO MORE A-RUSHING

Her dear round little face—Bielalitza Kruglalitza

Horses of Eger (The)—Az Egri menes

How should I your true love know?

I saw three ships

Kalinka

Little Men (The)—Veak je si je-ste to dovedu

Love will find out the way

Lusty Gallant (The)

Mazurka

Noel

Oh, the days are gone

Over the hills and far away

Rigaudon

Russian Dance

Sedlak (The Peasant)

Shepherdess (The)—Mon pere avait cinq cent moutons

Under the Cherry-Tree—Oi peed veeshnievo

Well met, well met, my own true love

White Cockade (The)

Pace

English 20

Irish 40

Scotch 56

Bohemian 46

French 12

English 36

Russian 26

English 18

French 4

French 24

English 50

Russian 22

Hungarian 52

English 12

English 2

Russian 32

Bohemian 30

English 54

English 16

Polish 58

French 10

Irish 48

English 28

French 38

Russian 60

Bohemian 34

French 42

Russian 8

English 6

Scotch 44

J 1 768

SECOND ALBUMTHIRTY FOLK-TUNES

Thirty Folk-TunesSECONDO

Texts by

Kate Stearns Page

Arranged by

Angela DiUer

I Saw Three Ships Come Sailing In

I saw three ships come sailing in,

On Christmas day,

On Christmas day,

I saw three ships come sailing in,

On Christmas day in the morning.

O they sailed into Bethlehem,On Christmas day.

On Christmas day,

O they sailed into Bethlehem,


Pray, whither sailed those ships all three.

On Christmas day.

On Christmas day,

Pray, whither sailed those ships all three.

On Christmas day in the morning?

And all the bells on earth shall ring,

On Christmas day,

On Christmas day,

And all the bells on earth shall ring.


Traditiomd

Andante con moto"1 r

^

Old English Carol

i' P P^^m ^^

pp^"> r

'>^ \ %r <, ^52

i^^ P^^^mp

55^ ;§ ^=F ff^

17«8 C

Copyright, 1924, by O. Schirmer, Inc.

Printed in th* U.S. A.

Thirty Folk-Tunes3

PRIMO

Texts by

Kate Stearns PageArranged by

Angela Diller

I Saw Three Ships Come Sailing In

I saw three, ships come sailing in,

On Christmas day,

On Christmas day,

I saw three ships come sailing in.


Pray, whither sailed those ships all three,

On Christmas day,

On Christmas day,

Pray, whither sailed those ships all three

On Christmas day in the morning?

O they sailed into Bethlehem,On Christmas day,

On Christmas day,

O they sailed into Bethlehem,On Christmas day in the morning.


On Christmas day,

On Christmas day,



Traditioiud

^Andante con moto

I

J ;j i'

"1 r

^

Old English Carol

^s1

fe

4 1

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I~\ r ^ "1 r

^E f1

mf

4 1

^m ^ J ^rn ^

•1708 C

Copyright, 1924, by O. Schirtner, Inc.

Printed in the U.S.A.

THE NKW YORK PUBLIC LIBRARY

wwiroTrTnilUEY OF THE PEEFORillNG ARTS

JS^ySli Im KE^V YORK, «.Y. lOOM

SECONDO

The Goat and the Wolf(La chevre etait sur un arbre)

Once a little goat was sitting on a tree,

Came a hungry wolf, so fierce to see.

Wolf, the wil}-, said so slyly,"Come down, do!"

Goat, the wary, said, "I'm 'fraid of you!"

"But on Friday meat's forbidden, my good dame."

Thus he fooled the goat, and down she came.

Then the wolf he caught and shook her, seized her beard,

"Mercy!" cried the goat, "'Twas this I feared!"

French Folk-tune

Allegretto

•>g Cr Lf ^m ^^ rp FJ-

p/> leggero

\

'>-- U r

1/^ 3

1 r ^ ^^ ^^m

^ ^ ^VI(/ cresc.

m

^

]^ p ^ ^^ ^1/ -^

w

f

/^ ^

•1768

PRIMO

The Goat and the Wolf(La chevre etait sur un arbre)

Once a little goat was sitting on a tree,

Came a hungry wolf, so fierce to see.

Wolf, the wily, said so slyly, "Come down, do!"

Goat, the wary, said, "I'm 'fraid of you!"

"But on Friday meat's forbidden, my good dame."Thus he fooled the goat, and down she came.

Then the wolf he caught and shook her, seized her beard,

"Mercy!" cried the goat,"'Twas this I feared!"

French Folk-tune

Allegretto

li i ^—

*

,f ^^ ^ ^ ^cresc.

1 r

-&-

f

^^ ^^

^

1708

6

SECONDO

Well met, well met, my own true love!


Long time am I a-seeking of thee;

I'm lately come from the salt, salt wave,

And all for the sake, sweet love, of thee.

I might have had a princess fair.

For she would fain have wedded with me;

But I cared not for her crown of gold.


Andante, molto moderate

i

I

K z± ^p legato

^ ^ Mp

I f [7 r p ^^

English Folk-tune

n r

m

"m^^^~\ r

?^^ ll;"^ £/ ^m^

Trr- ^

I17«8

PRIMO



Long time am I a-seeking of thee;

I'm lately come from the salt, salt wave.


I might have had a princess fair.

For she would fain have wedded with me;

But I cared not for her crown of gold.


Andante, molto moderato

(^^ }i ^

1 r

S

English Folk-tune

42^

-| r

111 >Pf

^^jip

t ^m ^^ s?pp VP

w w

81768

8SECONDO

Under the Cherry-tree

(Oi peed veeshnievo)

In a wood, long ago,

Stood a tree, white as snow.

Underneath it sat a lady

Pretty, young, and sweet to see.

Close beside her stood her husband,

Wizened, old, and gre}' was he.

"Husband dear, I must go;

With my friends I would be.

Let me frolic, let me wander,

I should like the world to see."

"No my sweet one, if you leave me,

Wretched lonely I should be."

Allegro

S

1 r

Russian Folk-tune

^4v. a§ ^^

f

^^1

•

^^>n—^— '

—

^— "^—

• •

.t. £.

1

. p" . pE=q\ ^ ^ ^ P=q

1

• •

^ \) 1 ' 7 ' 7 r 7 r 7 ^ 7 '

f

7 / 7 ,'

F

^*^n—

r

Vw

J/

J J =J-^^)—^ — ? J

4 1 •' 2

Vm, V P V ^ ^ ^ ^ p ^ 1^

m ^ m

i> cresc.

^^/•

ITTT'

i^ ^•1768

PRIMO 9

Under the Cherry-tree

(Oi peed veeshnievo)

In a wood, long ago,

Stood a tree, white as snow.

Underneath it sat a lady,

Pretty, young, and sweet to see.

Close beside her stood her husband,Wizened, old, and grey was he.

"Husband dear, I must go;

With my friends I would be.

Let me frolic, let me wander,

I should like the world to see."

"No my sweet one, if you leave me.

Wretched lonely I should be."

Allegro

i

Russian Folk-tune

n r

^ ^mf €=

ijM r] 3 i

is ^U U^///'/• #•:

\t' n o

^u ucresc. f

81768

10 8EC0ND0

Noel

Noel now we sing,

Noel with joy we cry!

Faithful people all,

Give thanks to God on high!

Sing, sing Noel,

The King is born to-day,

Noel now we sing,


There in Bethlehem,

Of Mary He is born;

There the ox and ass

Stand near his bed forlorn.

Sing, sing Noel,


Noel now we sing,

Noel with joy we crjM

Andante

rj^TYT i ^g!

French Folk-tune

P

^ ^

m ^ ^m iMM ^=^^

m

I^M f to ^ fe

^cresc.

? ^ 3 1 m

ai7«8

PRIMO 11

Noel

Noel now we sing,


Faithful people all,

Give thanks to God on high!

Sing, sing Noel,


Noel now we sing,


There in Bethlehem,

Of Mary He is born;

There the ox and ass

Stand near his bed forlorn.

Sing, sing Noel,

The King is born to-day.

Noel now we sing,


Andante

I'-i .n iio i

French Folk-tune

"1 r^^mf

3t;* s

1

m ±1 r

^

'* s ^ mi

• • d^=ff^ ^.

mcresc.

"if

t ^fe

1768

12


"How should I your true love know,

From another one?"

"By his cockle hat and staff,

And his sandal shoon."

Andante

*

"He is dead and gone, lady.

He is dead and gone;

At his head a grass-green turf,

At his heels a stone."

Shakespeare

"1 r

English Folk-tune

^^^ ^ 15^*:-»-

SP

m te -^zsz

Born is He(II est ne)

Born is He, the Child divine;

Oboes, bagpipes, sound your greetings!

Born is He, the Child divine,

Pipe and voice in song combine.

Allegro vivaceI

;

During many thousand years,

Prophets wise foretold the story;

During many thousand years

We did wait 'mid hope and fears.

Born is He, etc.

In a stable is His bed,

Filled with straw His lowly cradle;

In a stable is His bed.

Humble place for kingly head.

Born is He, etc. qj^ French Carol

m^^/

1 r

m

5DC

S^i

^-zr "cr

1768

PRIMO 13


"How should I your true love know,

From another one?"

"By his cockle hat and staff,

And his sandal shoon."

Andante

"He is dead and gone, lady,

He is dead and gone;

At his head a grass-green turf,

At his heels a stone."

Shakespeare

-I r

English Folk-tune

?~n-

I i ^1 r

^ ^ Tf"2

i^i"

ir r r [^ -&

Born is He(II est ne)

Born is He, the Child divine;

Oboes, bagpipes, sound your greetings

Born is He, the Child divine.

Pipe and voice in song combine.

Allegro vivace

During many thousand years,

Prophets wise foretold the story;

During many thousand years

We did wait 'mid hope and fears.

Born is He, etc.


Filled with straw His lowly cradle;


Humble place for kingly head.

Born is He, etc. ^ ,./-.,Old French Carol"1 r

^ ^P P ^mzai ^ ^

11768

14 SECONDO

m=^^ r c r I f^

f mf

^ i^^ f^-c^

^>^

—

1

1

^-p—

—

I

p ^ ^1nH^

1

rP 1

1

1

_F rr-0 P—0

1

_F F

1

3 2

-F—a

pp

—^-^ 1

,»->/

—

1

-^

J J^

i^^;^-»:- =-^— ^^

p±'

:^—

1

^^?— • r-

Ci •1—^ J 6« «

1

^^^1—F—T

—

1

r F F1 r r 1

1

Ij 1

1

~r—f

—

rf—r F1

-F -3-73

^H ^

P-^ ^ '

^—k— -1—'

—

fe;TSV.ritard

.J-, r.

6 •r. r.

^Jr.

V7

s

^

A 3-^^

1I

-4 3 1

fa tempo mf

i g

i

^1 r

s^

^/

iis t

li^

Fine

• 1768

PRiMO 15

wn r

P

i

^•^î:^

m

zaz

:^Z2Z

izz:

P

ZZ3Z

i laz

PP

"77"

S

^

î

iE^n r

^# ^

i^ ^ P ^ ^î

^

to

"I r

i ?

u.cresc.

^ ^ P

•J

i

M^ritard.

-f—m-

MS f

vi/

-ijO^=^ ^n r

S i^P P 122;^^^:i

/'rt tempo PP

1 i ^ ÎZZ

Fine

81788

16 SECONDO

The Lusty Gallant

Fain would I have a pretty thing,

To give unto my lady;

I have no thing, and mean no thing

But as pretty a thing as may be.

For some do long for pretty knacks,

And some for strange devices;

I'll buy whate'er my lady lacks,

I care not what the price is.

Traditioital

Allegretto5

'>--^ii H t J' r ^

#—»-

5

English Folk-tune

n r

^^^ *r \ ^

8 P

^^ ^=^F=^ -

JM ^ J M ^ ^P *i X 'r

=P m

52

n r52

Cdl"^^ ^

^ ^ V E^

^ 7 i 7 7 i 7 ^•ffi

:s

n r

^w;ip^ 7

I75^

cresc. f

^

11768

PRIMO IT

The Lusty Gallant

Fain would I have a pretty thing,

To give unto my lady;

I have no thing, and mean no thing

But as pretty a thing as may be.

For some do long for pretty knacks,

And some for strango devices;

I'll buy whate'er my lady lacks,

I care not what the price is.

Traditiontil

Allegretto

##^ ^Ênglish Folk-tune

n r

5 ^ ^

P8 m

m -f

^ ^mp

n r ^ ^î sfP

i J i^ni

#~i r

s 5^ îfe

^7 ig i'I 2

12

cresc.

S ^ /•

11768

18 SECONDO

Gaily the Troubadour Touched his Guitar

Gaily the troubadour touched his guitar,

As he was hastening home from the war;Singing, "From Palestine hither I come,Ladye love, Ladye love, welcome me home!"Singing,"From Palestine hither I come,Ladye love, Ladye love, welcome me home!"

Traditional

Andantinon r

English Folk-tune

'y-\,'i \ f i i:f

4\. nr

P

m ^ =^ ^ m^g

ivm, i T

"I r

i # ipp

^^^ ^^>LJ ^ ;£

m ^ H ^ n r

r^

i'

^^^ b i-i m ^

81768

PRIMO 19

Gaily the Troubadour Touched his Guitar

Gaily the troubadour touched his guitar,

As he was hastening home from the war;wSinging,"From Palestine hither I come,Ladye love, Ladye love, welcome me home!"Singing,"From Palestine hither I come,Ladye love, Ladye love, welcome me home!"

Tniditiotud

Andantino

:fe)i -

~i r

English Folk-tune

^ ^^

i 2

3 1^3

0^ 4.

in r

^m m m5 4 3

iT r

P^E^ w ^im >f P^ i^

"1 r

i^

i

g^

:?^

-d-*-^ritnrd.

SV^

• 1768

20 SECONDO

A-hunting We Will Go

Allegro

The dusky night rides down the sky,

And ushers in the morn;The hounds all join in glorious cry,

The hounds all join in glorious cry,

The huntsman winds his horn,

The huntsman winds his horn.

Then a-hunting we will go,

A-hunting we will irn,

A-hunting, hunting we will go,

A-hunting we will go.

Fielding-

"1 r

S^ fei:

Old English Air

"1 r

t V \ m ^^ 1. J i'10 ^f

m. \ 1 \ ^ s i ?

;i J T ). 7 ^S' i j'J Jl W^ s * ^

snt\rf

i •? } [7 ^^ £^^ ^^

'i

n r 1 r

i 7 > y fl ^ 1r-y-^ 3=±:

S./

^i'^ S? ^»-^

;i

1 rr\

1 r

^ ^^ ) u^^pr ^g i U ^ ^ ^

^ ;/-w.

^w 1^= .//

allargando

m^ /' i j--^

at7«8

PRIMO 21

Allegro

*g=5

A-hunting We Will Go

The dusky night rides down the sky,

And ushers in the morn;Th(- hounds all join in glorious cry,

The hounds all join in glorious cry.



Then a-hunting we will go,

A-hunting we will go,

A-hunting, hunting we will go,

A-hunting we will go.

Fielding-

-\ r

Old English Air

^ 5^ ^ n r

ii

10

fe

2

mf5 5^

1

"1 r

P^ ^w

fe J J'-l ^m•f

m^w

~\ r n r

mf p

5 p5 i ^^^

•i

3 2 3 2"I r

—y*^ =*T—

?^ r ^n ^;/

^2^

allargando

IS ^^•17C8

22

SECONDO

Her Dear Round Little Face

(Bielalitza Kruglalitza)

Round and white as the petals of a flower

Is the face of a sweet little maiden,

Fair is she as the flow'rs of the kolena,

Fair and sweet is she.

I would weave from the flow'rs of the kolena

Fragrant wreaths for her neck and her shoulders,

Blossoms rare, to adorn her pretty person;


Andante con moto

•^ntji

I

t^

"1 r

Russian Folk-tune

41

11 V

^^p

f ^^

1T«8

23

PRIMO

Her Dear Round Little Face

(Bielalitza Kruglalitza)

Round and white as the petals of a flower

Is the face of a sweet little maiden,

Fair is she as the flow'rs of the kolena,


I would weave from the flow'rs of the kolena

Fragrant wreaths for her neck and her shoulders,

Blossoms rare, to adorn her pretty person;


Andante con motoI

r r r [^^ 1 r

Russian Folk-tune

• • S J J^J J^11 P mi

1 r

i^

Mtfi

w"f^

p

i4 1 ^ riiard.

ai76a

24 SECONDO

Going through Lorraine(En passant par la Lorraine)

Through Lorraine I came a-walking,

In nij- wooden shoes;


In my wooden shoes;

Met three captains gaily marching,

In my wooden shoes, Dondaine,Oh, oh, oh!

In my wooden shoes.

And they laughed and called me ugly,

In my wooden shoes;


In my wooden shoes;

I am not so very ugly.

In my wooden shoes, Dondaine,

Oh, oh, oh!

In my wooden shoes.

Met three captains gaily marching,

In my wooden shoes;

Met three captains gaily marching.

In my wooden shoes;



In my wooden shoes.


In my wooden shoes;


In my wooden shoes;

For the Prince declares he loves me,


In my wooden shoes.

12

AllegrettoFrench Folk-tune

"1 r

^):i « > =

—

-r-m^ f K \

e , « ,1

-J==t== • •9 K

^Vi ^ >—^

—

•i)

7 7 i 1— 7 7 7

f' •r *r *r J *!' "r^1> ?—*

—

^— m 7 « 7

2

« 7 « 7 • 7 « 7 « 7 ? '1

s s=^=» =iF5=^^^=:l

3 ^ E^^

'^

§*

i

?^/«,;/•^

4 4.1 1

-y

^/

51

•1768

PRIMO 25

Going through Lorraine(En passant par la Lorraine)


In my wooden shoes;


In my wooden shoes;

Met three captains gaily marching,In my wooden shoes, Dondaine,

Oh, oh, oh!

In my wooden shoes.

And they laughed and called me ugly.

In my wooden shoes;


In my w^ooden shoes;

I am not so very ugly,


In my wooden shoes.

Met three captains gaily marching,In my wooden shoes;

Met three captains gaily marching,In my wooden shoes;

And they laughed and called me ugly.

In my wooden shoes, Dondaine,

Oh, oh, oh!

In my wooden shoes.

I am not so very ugly,

In my wooden shoes;


In my w^ooden shoes;

For the Prince declares he loves me,


In my wooden shoes.

12


4 3

~i r

^ (' m t^f

2 1^^ S1

tf f

<1768

26 SECONDO

The Disagreeable Lover(Yak do tehbeh Lawdeetih)

"You I'd wed,mj' Sweetheart dear,

Did I not your Father fear."

"Father roams far and wide,

Never stays by my side;

Sweetheart dear.

Do not fear."

"You Id wed, my Sweetheart dear,

But your dog I greatly fear."

"But my dog does not bite.

Here he sits, day and night;

Sweetheart dear,

Do not fear."

"You Id wed, my Sweetheart dear.

Did I not j-our Mother fear."

"To a feast she has gone,

I am left quite alone;

Sweetheart dear.

Do not fear."

"You I'd wed, my Sweetheart dear.

But your mice I greatly fear."

"If my mice fright you so.

Out of here you must go;

Come no more,

Come no more."

Allegro moderato

m g^1 n

^

Russian Folk-tune

313 /

? ^ p

s"1 r

Ip.i.s p ^ p

1 r^ ^^m5

;. 4

i j=k.^ ^^ r\ r

^^f4

P:^

'4.

i

3i««8

PRIMO 27

The Disagreeable Lover(Yak do tehbeh LawdeetiH)

"You I'd wed, my Sweetheart dear,

Did I not your Father fear."

"Father roams far and wide,Never stays by my side;

Sweetheart dear,

Do not fear."


But your dog I greatly f#ar."

"But my dog does not bite,

Here he sits, day and night;

Sweetheart dear,

Do not fear."


Did I not your Mother fear."

"To a feast she has gone,I am left quite alone;

Sweetheart dear.

Do not fear."


But your mice I greatly fear."

"If my mice fright you so.

Out of here you must go;

Come no more,Come no more."

Allegro moderatorr

iiMr Hr ^ gn rr

Russian Folk-tune

fe^^^13 v\p

:sr ^ m=s=j*L ^

i

^^ ^ i ^n I

—

?p^ 4

^^ w m f^

(T) V ^¥

itf

i ^ i

31768

28 8EC0ND0

Over the Hills and Far Away

Tom he was a piper's son,

He learned to play whsn he was young,

But all the tune that he could play,

Was, "Over the hills and far .twa}-.

"

Over the hills and a great way oft,

Winds will blow my topknot off;

All the tune that he could play

Was, "Over the hills and far away."

Tom with his pipe made such a noise.

That he pleased all the girls and boys;

But when they stopped to hear him iplay,

'Twas,"Over the hiHs and far away."

Over the hills and a great way off,




Traditional

Allegretto

m ^^ ^ ^

English Folk-tune

m £14

\

pdelicatamente

^ ^ izz

P i:e^ m^ 1 r"

.3 5

^^^ i

mp

i i'/in,

^\^ ^ L'TL f.t 'i^

1 r

P

^/

I J I

mp3

I^^^E- 4

r\1 r

^ :!2i_

"^^^"f1

ritard.

I J I

3 ••^

p amorzando

-o-

PP

o

• 17«8

PRIMO 29

Over the Hills and Far Away

Tom he was a piper's son,

He learned to play when he was young,But all the tune that he could play,


Over the hills and a great way off,




Tom with his pipe made such a noise.

That he pleased all the girls and boys;

But when they stopped to hear him play,

'Twas,"Over the hills and far away."

Over the hills and a great way off.




Traditional

Allegretto

iiS

Wlij JTr p=gi

English Folk-tune

1 r

^

14 V delicatamente ^P¥ ^P

"!f

^^m

n rg-

m ^ 1 r

^ r J JI 1 w

\t

f mp1^

g ^

~\ V

^£

Vlf- smorzando PP

^ ^

81768

THT? >reW YORK PtJBT.IC ITTIHART

ORNRRAL LIBRARY OF THE rF.IUORMlNG ARTft

gl^TKMAil im »BW YORK 10023. li.l

30 SECONDO

The Little Men(Veak je si je-ste to dovedu)

Deep in the woods, cool and shad}',

Far within the p^len,

There's where it's fun to be hiding

With the little men.

Some now are dancing,

Some now are singing,

Merrily treading light,

Care not for weather.

Troop all together.

Morning till night.

AndantinoBohemian Folk-tune

i

^ ^ ^ i^15

P ^d * r^^

S k M ^ 1 r

i^

^ VP—

=

9 — ^ ^^^ ^ ^

^ 2 1

• m kr < I I

^ ^ ^^ ^ m f

81708

PRIMO 81

The Little Men(Veak je si je-ste to dovedu)

Deep in the woods, cool and shady,

Far within the glen,

There's where it's fun to be hiding

With the little men.

Some now are dancing,

Some now are singing,

Merrily treading light.

Care not for weather.

Troop all together.

Morning till night.

15

Andantino

:i ^ ^=^

Bohemian Folk-tune

P

mT ^ * d ^

J. J' n

§h f J J

FP

i

l^Xn^ ip

^f—d

j JJ^J

;i

ms^ ? ^ i

* ^

^f

I1T68 THJB NEW YORK PDBUC LIRRAHV

fS^STnliiriv^^ ^'^ ^'WS-G ARMin AMSrEUDAlI AVE. MiW VORK, N. Y. 10023

8S 8EC0NDO

Kalinka

Pine-tree tall and slender,

Casting shadows tender,

Under thy branched would I sleep and rest.

Kalinka, Kalinka,

Kalinka my dear.

There was never yet a flower,so fair and sweet as thou.



Here would I slumber till the night is past.

Kalinka, Kalinka,

Kalinka my dear,

There was never yet a flower, so fair and sweet as thou.

16

Andante con motorg

mp^

î i S

^^m

ir2 3

Russian Folk-tune

1

'^

Allegro1

Set

^ ap

# i1 2 r\

^sEZS

i

peon spirito^»E^2

^Ê^^^

mp

^^^

â

^PF^P ^^

—^-Ac/

cresc.

1^^ ^^^

mIf

mAndante con moto

5

ppcon spirito

31768

^^^^

PRiMO

Kalinka

88

Pine-tree tall and slender,Casting shadows tender,

Under thy branches would I sleep and rest.

Kalinka, Kalinka,Kalinka my dear,

There was never yet a flower,so fair and sweet as thou.



Here would I slumber till the night is past.Kalinka, Kalinka,Kalinka my dear,

There was never yet a flower, so fair and sweet as thou.

Andante con motoRussian Folk-tune

1 r 1 ri^ ^m16

5^3niflegato «/•w/,

^'i ^ hii \Allegro

it ^-0,/?s

£ i ^P ^

ipeon spirito ^

mp 1

cre.se. m

i'/

i m 5

Andante con moto

li-| r^ ^^

-i

i> ^^

^^^Allegro

^m ir

i ^5 W^m•1708

Peon spirito ^ dim.1

^^

^ ;e

34 SECONDO

Sedlak(The Peasant)

Sedlak, sedlak, sedlak,Surely a gentleman is he,

Sedlak, sedlak, sedlak.Haughty is he.

Round his waist wears a belt, they say.

Coat of fur, trimmed with tulips gay;

Sedlak, sedlak, sedlak.

Haughty is he.


Stupid the peasant seems to be,


Stupid is he.

When at morn to the fields he fares,

Watches two in his coat he wears-,


Stupid is he.

Allegro Bohemian Folk-tune

^fs17 p

m» l: i a ^EEE ^=^ t=^ ^=^^ f

^ ±e: w—

g

mp m€ mp^ ^ ^ ^ -&^

^ "I r

V

^^ ^2^ r ^ t

f ^77"

• 1768

35

Sedlak(The Peasant)


Surely a gentleman is he,

Sedlak, sedlak, sedlak,

Haughty is he.

Round his waist wears a belt, they say,

Coat of fur, trimmed w^ith tulips gay,


Haughty is he.


Stupid the peasant seems to be,


Stupid is he.

When at morn to the fields he fares,

Watches two in his coat he wears,Sedlak, sedlak, sedlak.

Stupid is he.

Allegro

'^ ^Bohemian Folk-tune

1

^17 P

^m m

P

c/r ir^^^^

mf

m ^f

81768

•6 8EC0ND0

The British Grenadiers

Some talk of Alexander,

And some of Hercules,

Of Hector, and Lysander,

And such great names as these.

But of all the world's great heroes,

There's none that can compare

With atow row-row, row-row, row-row,

To the British Grenadier!

Truditio/iul

Maestoso

^m ^ r r r ^^English Folk-tune

g18 "/•m P

^^ ^^ m ^^^m ^ f

^ ^EE^ m^1 r

19^ ^ 22 22Z:

WJ»

i ^ ^ ^3

3

^ ^P 12^ ^ ?

5

in r

* 2

i

-ir

grf ^^p ^=^ r=^=fm m

1^-—'a

4

cresc.

'

"y-v f r f—•— 1

^r=f^

cresc. f

r > J Mj r4 4 '

i i

•ITtS

PRIMO 37

The British Grenadiers

Some talk of Alexander,

And some of Hercules,

Of Hector, and Lysander,

And such great names as these.

But of all the world's great heroes,

There's none that can compare.

With a tow row-row, row- row, row- row,

To the British Grenadior!

Tradittofial

18

Maestoso

^^-f

P ^^ ^

English Folk-tune

P

?

w

11

p^ ^ -rrr

^P^ ^w/?_

^cresc.

w wmf

mcresc.

y m^' 4"^

mpy

w ^ * j f

tlT««

38 8EC0ND0

Rigaudon

Mother, if you knew where I've been a-roaming,

Mother, if you knew, you would frown and scold!

I ve been in Toulon, in Toulon I ve been a-dancing,

Ive been in Toulon, where they dance the Rigaudon!

Mother, if you knew all the joy of dancing,

Mother, if you knew, you'd ne'er frown nor scold!

I've been in Toulon, in Toulon I've been a-dancing,

Ive been in Toulon, where they dance the Rigaudon!

19


1

"1 r

^m^

p ^3^

^ rit.

f^

S"'/'ff tempo-

m ^

^

i

i-| r

^

£

?

'^f^m-f

n \ J i

^ ^ ^M.

=^Jallargando

• 1768

PRIMO 39

Rigaudon

Mother, if you knew where I've been a-roaming,Mother, if you knew, you would frown and scold!

I ve been in Toulon, in Toulon I've been a-dancing,Ive been in Toulon,where they dance the Rigaudon!

Mother, if you knew all the joy of dancing,Mother, if you knew, you'd ne'er frown nor scold!

I ve been in Toulon, in Toulon I've been a-dancing,Ive been in Toulon, where they dance the Rigaudon!

Allegretto

19

French Folk-tune

m

i4

P^

i

4

P fit.

S ^

81768

40 8EC0ND0

Avenging and Bright

Avenging and bright falls the swift sword of Erin

On him,who the brave sons of Usna betrayed.

For ev'ry fond eye he hath wakened a tear in,

A drop from his heart-wounds shall weep o'er his blade.

Moore

20

Maestoso

mf.

5-2

Irish Folk-tune

^ S ^ i

mp

'S

cresc.

^ Pi

V1

P

s

3 ^

^eeeI:

= «!f

i

g^Cr^SC.

laz.i

i iiallnrgando

^^/r

aiTtt

PRIMO41

Avenging and Bright

Avenging and bright falls the swift sword of Erin

On him,who the brave sons of Usna betrayed.

For ev'ry fond eye he hath wakened a tear in,

A drop from his heart-wounds shall weep o'er his blade.

Moore

Maestoso

fe

Irish Folk-tune

?20 f

fe J nn ttf

^

i J

cresc.

—,—"-^1

1

^-^-r. P—

Pr cJ-Lf

-

wv-J9)

'—^u^y

i r zsu p

im."/• cresc.

3 1m

allargando^ ^^

• 17«8

I

4S SECONDO

The Shepherdess(Mon pere avait cinq cent moutons)

Once on a time lived a fair maid,

Brittanj- was her country,

Five hundred sheep daily she watched,Proud of her flock so gentle.

Shepherdess She, tra-1 a- la, la- la-la- la- la,

Shepherdess she, tra-la, la-la!

But the king's son, passing that way.

Looked at the sheep with envy;

"Shepherdess fair, give me, I pray,

Fourof j'our sheep so gentle."

Shepherdess she, t'a-la-la, la-la-la-la-la,


"Prithee,good sir, leave them alone,

Each one to me is precious,

Morning and night, sunshine or storm,

Daily I watch and tend them."

Shepherdess she,tra-la-la, la-la-la-la- la.


One day, fair maid, married you'll be.

Who then will watch and tend them?"Why,gentle sir, married or no,

Shepherdess I, for ever."

Shepherdess she, tra-la- la, la- la- la- la- la,


21

^mAllegretto

^s

^M^^ m ^m '^^^

French Folk-tune

I I

W^

^ylfT rtmi^^^ ^ ^^^ 1 r

S

i=^=^

m^ 'I I » faE^ i k.5 4^

I *f ^ »

^^ */ i *f f ^ J ^

/j/j^ *r I *7

lives

-Tr^

PRIMO 4S

The Shepherdess(Mon pere avait cinq cent moutons)

Once on a time lived a fair maid,Brittany was her country,

Five hundred sheep daily she watched,Proud of her flock so gentje.

Shepherdess she, tra-la-la, la-la-la-la-la,Shepherdess she, tra-la, la-la!

But the king's son, passing that way.Looked at the sheep with envy;

"Shepherdess fair, give me, I pray,

Four of your sheep so gentle."

Shepherdess she, tra-la-la, la- la-la- la-la.


"Prithee, good sir,leave them alone,Each one to me is precious,

Morning and night, sunshine or storm.Daily I watch and tend them."

Shepherdess she,tra-la-la, la- la-la-la-la,


One day, fair maid, married you'll be,

Who then will watch and tend them?"Why, gentle sir, married or no,

Shepherdess I, for ever."

Shepherdess she,tra-la-la, la-la-la-la-Ia,


French Folk-tune

21

iU:

mpmn r

^ r p

^ s

rrn

Ifcfc5

fet

^ni'If HIf-

^PPm ^ EJ:

^S i

•1768

J

44 8EC0NDO

The White Cockade

My love was born in Aberdeen,

The bonniest lad that e'er was seen,

But now he makes our hearts fu' sad,

He takes the field •wi' his white cockade.

O he's a ranting, roving lad,

O he's a brisk and bonny lad,

Betide what may, I will be wed,And follow the boy wi' the white cockade!

I 11 sell my rock, my reel, my tow.

My gude grey mare, and brawkit cnw,

To buy mysel' a tartan plaid

To follo-w the lad wi' the white cockade.


O he's a brisk and a bonny lad,

Betide what may, I will be wed.And follow the boy wi' the white cockade!

Allegro moderato

I

^m1 r

Scotch Folk- tune

^ ^^ S22

^mmp

J J J ^ J

31 r 1 r« #=t=^ ^=^=^ ^ £:

m'^ mi m\ P

^^ ^^^wwm

17S8

PRIMO

The White Cockade

46

My love was born in Aberdeen,

The bonniest lad that e'er was seen,

But now he makes our hearts fu' sad.

He takes the field wi' his white cockade.



Betide what may, I will be wed.

And follow the boy wi' the white cockade!

Ill sell my rock, my reel, my tow,

My gude grey mare, and brawkit cow,

To buy mysel' a tartan plaid

To follow the lad wi' the white cockade.



Betide what may, I will be wed.

And follow the boy wi' the white cockade!

Allegro moderatoScotch Folk- tune

1 r

miP22

Wm,nf^ m

^^

/

1 r

nt.nf

P^ J *

~i r

i ^mp

im,nf

J J JT

m r\

ff

^S1768

46 8EC0ND0

The Bird's Message(Slavikovsky)

Prettj' bluebird, high on the flm-troe,

Pretty bluebird, sing me your music;

Gentle greeting, full of meaning,

You have brought to me,

Singing sweetly, telling surely,

That my love loves me.

Andante con moto

Bohemian Folk-tun«

*>--i-t^

23 P^ w ^ -zz

^^ H~\ r

#5^ ^^ J J^JEEJ;

SE ? ?=^ ^^^«>4

'ffi fcHif;;^

n r

^^ ^=^ ^^^ '-4. g3

S-^^—i?t ^ 3^ ^ 3=^rit.

^^ w

ai7<8

PRIMO 47

The Bird's Message(Slavikovsky)

Pretty bluebird, high on the elm-tree,

Pretty bluebird, sing me your music;

Gentle greeting, full of meaning,You have brought to me.

Singing sweetly, telling surely,

That my love loves me.

Bohemian Folk- tune

Andante con Tioto

23

^^^W i i i s^

^^ ^ ^3

rit.

81768

4H 8EC0ND0

Oh, the Days Are Gone

Oh, the days are gone, when beauty bright

My heart's chain wove,

When my dream of life, from morn till night,

"Was love, young love.

For new hope may bloom, and days may com^

Of milder, calpier beam;

But there's nothing half so sweet in life,

As love's young dream.

Moore

Andantino

Irish Folk- tune

24

^^n=f=^

'--mrt-r-

g^p legato

1

^

g

E

-*. 5

i=

i i

i ^f I y

^^1

^

:5iP!^

^ P

I- ^

^^^=^

?=^1.

"I rt^

^^

I r

5S

^

.• »

^?«.sA

f

3^

EE^EEE

^^1

^

^

^

•':p 4i

jt>2^ ritard.

5A-

tl788

PRIMO

Oh, the Days Are Gone

Oh, the days are gone, when beauty bright

My hearts chain wove,When my dream of life, from morn till night,

"Was love, young love.

For new hope may bloom, and days may comeOf milder, calmer beam;

But there's nothing half so sweet in life,

As love's young dream.

Moore

49

AndantinoIrish Folk-tune

24 p legato

^

s^I r

^T^ ^^

fs

1 r

^^1

mp^ t^ r p

cresc.

S-i r

i

1 r

*

te ^ sm]nf p

m

? p^ si?p

^ritard.

2 3

81768

60 SECONDO

Go No More a- Rushing

Go r.o more a-rushing, maidens fair

Winter is a- coming, trees are bare,

No more time for straying,

No more time for playing.

Go no more a-rushing, maidens fair.

Rushes green in the meadows grow,

Cool and fresh, -where the brooks and rivers flow.

Soon the dark will spread its mantle there;



Winter is a- coming, trees are bare.

No more time for straying.

No more time for playing.


Spring is sweet, by the waters clear.

Summer too, happy playtime of the year,

Winter cold will come and linger there;


Andante

m¥^1 r

English Folk- tune

1 2 ^25 ^ P m."f

^ ^t ^

gg J _ 1

1 r

ri ;:

"^t5 {

^''.'31

PP ii'^-i:

i i\P

m ^ ^

ttfts

PRIMO

Go No More a- Rushing

Go no more a-rushing, maidens fair,

Winter is a-coming, trees are bare;No more time for straying,

No more time for playing,Go no more a- rushing, maidens fair.

Rushes green in the meadows grow,Cool and fresh, where the brooks and rivers flow,Soon the dark will spread its mantle there;



Winter is a-coming, trees are bare;No more time for straying.

No more time for playing,Go no more a-rushing, maidens fair.

Spring is sweet, by the waters clear,

Summer too, happy playtime of the year.

Winter cold will come and linger there;


51

Andante1 r

mp

Eng-lish Folk- tune

25 mf

r ^ ^it f

v%^

1768

52 8EC0ND0

The Horses of Eger(Az Egri menes)

Horses in Eger all are white,


See them a-prancing,

See them a-dancing,

Horses in Eger all are white.

Ladies in Eger all are proud,


See them a-prancing,See them a-dancing,

Ladies in Eger all are proud.

Why are the ladies there so proud?

Why are the ladies there so proud?

White are the horses,


That's why the ladies all are proud!

Allegro con fuoco

Hung-arian Folk- tune

i pm m m.

^ ^^^^"^p=

26 p—

=

^V: .k '*P ^ ^

1

>-

»

—

n— »1

5;

•

p.

•t—s

—

•

•

—

E •

1

h1 >

»- p F=^

>>p. J

1

^^j-^—y——V—^

— ^- -1^—^—^t —7

—

2= -T /-' '-7-fr ?—

ni'p

I

'»y

-'^— >

—

&— -&— -• =^i= —&— -&—2

ft 1

sg

n r

9'^^M^^f p l>'F"F h f p\

^^f-^^'

^'fw;

i i

•5 4

^ ^

s

1768

PRIMO S8

The Horses of Eger(Az Egri menes)



See them a- prancing,

See them a-dancing.

Horses in Eger all are white.



See them a-prancing,

See them a-dancing,

Ladies in Eger all are proud

,

Why are the ladies there so proud?Why are the ladies there so proud?


White are the horses.

That's why the ladies all are proud I

Hungarian Folk- tune

Allegro con fuoco

^t 5C

26 V

^^ ^ ^ 3^

# ^^ ^ ^ ^mi

3, ^ PP

t^~\ r^( P ^

tf

Wnf'. P

^ ^ *f

81768

64 8EC0ND0

Love Will Find Out the Way

Over the mountains, and over the waves,

Over the fountains, and under the graves,

o'er floods that are deepest, which Neptune obey.

O'er rocks that are steepest, Love will find out the way.

Some think to lose him, which is too unkind;

Some too, suppose him, poor thing, to be blind;

But if too close ye wall him, and high as ye may.

Though blind ye may call him, Lovt- will find out the way.

Traditio7ial

English Folk- tune

Andante con moto

i 3W^?^3 « J

27 P3

^=-#i^ ^P

1 3

1

? ^

in r

^nt]

^-nr ^

-nz.

1 3 5

P mf4^P P^

"1 r^ f

^

cresc.

^^ /I

'1

/w/* meno mosso

~a-'

"S7

*

1768

PRIMO 55

Love Will Find Out the Way

Over the mountains, and over the waves,Over the fountains, and under the graves.

O'er floods that are deepest, which Neptune obey.

O'er rocks that are steepest, Love will find out the way.

Some think to lose him, which is too unkind;Some too, suppose him, poor thing, to be blind;

But if too close ye wall him, and high as ye may,Though blind ye may call him. Love will find out the way.

Traditional

Andante con motoEnglish Folk- tune

i^27 m V

^ ip^ ^

^ i^ I"I r n r

^ f fV mfm ^^ ^

i1 r 1 r

m ^ 3z:

cresc.

mm m,nf

^mf meno mosso

tl768

66 8EC0ND0

The Banks of Doon

Ye banks and braes o' bonnie Doon,

How can ye bloom sae fresh and fair?

How can ye chant, ye little birds,

And I sae weary, fu' o' care!

Thou'lt break my heart, thou warbling bird,

That wantons thro' the flowering thorn.

Thou minds me o' departed joys,

Departed- never to return.

Andante con moto

Oft hae I rov'd by bonnie DoonTo see the rose and woodbine twine.

And ilka bird sang o' its love,

And fondly sae did I o' mine.

Wi' lightsome heart I pu'd a rose

Fu' sweet upon its thorny tree;

And my fause lover staw my rose,

But ahl he left the thorn wi' me.Burns

Scotch Folk- tune

1 r

fe^^ I S ^^28 p legato P^ S^==^ ^ sT 5-2

^ "I r

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Ye banks and braes o' bonnie Doon,

How can ye bloom sae fresh and fair ?

How can ye chant, ye little birds,

And I sae weary, fu' o' caret

Thou'lt break my heart, thou warbling bird,

That wantons thro' the flowering thorn,

Thou minds me o' departed joys,

Departed- never to return.

Andante con moto

28

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And ilka bird sang o' its love,

And fondly sae did I o' mine.Wi' lightsome heart I pu'd a rose

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Mazurka

Come away, come away,

Dance the livelong day.

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Dance the livelong day.

Fairest maid, my heart's delight

Tripping gaily in the morning light,

Ever laughing, never weary,

Dance the livelong day!

Fairest maid, my heart's delight

Tripping gaily in the morning light,

Ever laughing, never weary,

Dance the livelong day!

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Tripping gaily in the morning light.

Ever laughing, never weary,Dance the livelong day!

Fairest maid, my hearts delight.

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Ever laughing, never weary.Dance the livelong day!

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Documents

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collection of pieces

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