scoring script

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Scoring a Script Scoring your script for success!

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Page 1: Scoring Script

Scoring a Script

Scoring your script for success!

Page 2: Scoring Script

What is Scoring?» Scoring a script is the notation of the

placement of beats, blocking, voice elements such as inflections, stresses, and speaking tempos.

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Elements of a Score» Beats» Vocal Inflection» Emotional Mapping» Blocking

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What is a beat?

A beat is a single unit of action. A scene may comprise one or more of these*

Beat Change - The point during a scene where a new action begins.

It occurs when a new piece of information is introduced or an event takes place over which the character has no control and which by its very nature must change what the actor is doing.*

*as defined by “A Practical Handbook for the Actor”

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Beat

Beat

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How to score a Beat

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Vocal Inflection» Vocal Inflection- Picking a word or

phrase in the text that you will emphasize or inflect to deliver a certain emotion

» In most cases the playwright identifies these words for you by italicizing them.

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Some Examples» How could you do this to me?» How could you do this to me?» How could you do this to me?» How could you do this to me?

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How to scoreVocal Inflections

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Rose: “I thought you did it for me, Momma.” “I thought you did it for me, Momma…” I thought you made a no-talent ox into a star because you like doing things the hard way, Momma. And you haven’t got any talent! Not what I call talent, Miss Gypsy Rose Lee! I made you! And you wanna know why? You wanna know what I did it for?! Because I was born too soon and started too late, that’s why! With what I have in me, I could’ve been better than any of you! What I got in me-- what I been holding down inside of me-- if I ever let it out, there wouldn’t be signs big enough! There wouldn’t be lights bright enough!

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Rose: “I thought you did it for me, Momma.” “I thought you did it for me, Momma…” I thought you made a no-talent ox into a star because you like doing things the hard way, Momma . And you haven’t got any talent! Not what I call talent, Miss Gypsy Rose Lee! I made you! And you wanna know why? You wanna know what I did it for?! Because I was born too soon and started too late , that’s why! With what I have in me, I could’ve been better than any of you! What I got in me-- what I been holding down inside of me-- if I ever let it out, there wouldn’t be signs big enough! There wouldn’t be lights bright enough!

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Rose: “I thought you did it for me, Momma.” “I thought you did it for me, Momma…” I thought you made a no-talent ox into a star because you like doing things the hard way, Momma. (Louder) And you haven’t got any talent! Not what I call talent, Miss Gypsy Rose Lee! I made you! And you wanna know why? You wanna know what I did it for?! (Louder) Because I was born too soon and started too late, that’s why! With what I have in me, I could’ve been better than ANY OF YOU! What I got in me-- what I been holding down inside of me-- if I ever let it out, there wouldn’t be signs big enough! There wouldn’t be lights bright enough!

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Emotional Mapping» Emotional Mapping - The process

of identifying and tracking the emotions that are taking place in the text

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Some Examples» In a break up scene

You might start off calm Then you might get angry And then you might panic

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How to score theEmotional Mapping

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Rose: “I thought you did it for me, Momma.” “I thought you did it for me, Momma…” I thought you made a no-talent ox into a star because you like doing things the hard way, Momma. And you haven’t got any talent! Not what I call talent, Miss Gypsy Rose Lee! I made you! And you wanna know why? You wanna know what I did it for?!

Because I was born too soon and started too late, that’s why! With what I have in me, I could’ve been better than any of you! What I got in me-- what I been holding down inside of me-- if I ever let it out, there wouldn’t be signs big enough! There wouldn’t be lights bright enough!

Sarcastic

Spiteful

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Blocking» Blocking- movement and

positioning of actors on a stage

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At C = Center

To DSL = Down Stage Left

H Exits