secondary sensoriality
DESCRIPTION
by prof. Derrick de Kerckhove (University of Toronto), presented at New Media Days, Katowice 2008, www.dninowychmediow.plTRANSCRIPT
Towards a Secondary sensoriality
Sensory confusion created by literacy
•Try to say the color that you see, not the name that you read•YELLOW, GREEN, RED, BLACK, ORANGE, GREEN, BLUE, RED, PURPLE, BLUE, GREEN, ORANGE
•The analytic side of the brain conflicts with the visuo-spatial side
Left/right biases
Literacy conditionning space orientation
The Medium is the MessageVirtual means caught somewhere between the
Objective and the Subjective See the virtual 3D image between mind and machine
For some people, it is easier with this
stereogram…
“I wouldn’t have seen it if I hadn’t believed it”
The story of art in 3 slides1. The alphabetic abstraction
Sensory revolution
Reconfigura-tion and specialization of the senses
The birth of the artistic function
The 9 muse
The story of art in 3 slides
2. From the Baroque to Modernism
• Acceleration by the printing press
• The “re”-naissance• Obsessive perspectivitism in time and in space
• Man, measure of all things
• The mechanical metaphor
The story of art in 3 slides
3. From Post-Modernism to Neo-Baroque • Implosive
• Policultural• Politemporal• Global• Distributed perceptual environments
• A delight in illusion
• Back to the body
Character of the Neo-Baroque
• Delights in illusion
• Fluid• Multimedia• Implosive• Policultural• Politemporal• Global
Continuous externalization
of the mind from the
«Magic Lantern » to television
• Screenology• Three screens• Reversal of perspective
• Penetration of the screen
An early tendency towards providing the total surround
Quasi penetration of the screen
Immersed in the
machine, a tactile
environment
From visual to tactile
“Electricity is touch”Marshall McLuhan
“Electricity is touch” (Marshall McLuhan)
• The extension(s) of our skin = the skin of our extensions
• The hand in the mind (mouse and pointer)
• Number is touch (sampling, statistics)
Mark Ngui
The “point-of-being” is electricity’s answer to the point-
of-view imposed by literacy
The Reality of the Imaginary
= the externalization of the
mind on the screen
The « Objectiv
e Imaginary
»
Mental Objects (MO) and Digital Objects (DO)
• Jean-Pierre Changeux’s theory of mental objects
• Three categories:• Percepts• Memory images• Concepts
Comparative properties of MO and DO
• Synaptic connections• On demand• Organic electricity• Constructed • Front of the mind• Instant modification
in real time• Morphed • Combined • Scalable
• tags• On demand• Technological electricity• Rendered• Front of the screen• Modifiable in almost real
time• Morphed• Sampled• Scalable
Digital Objects– Evoked– Based on weak currents of electricity– Reticular
• They are made by different configurations of perceptual, iconic and conceptual networks
• Trames e poligons are equivalent to simulations of concepts (as the written word or symbol is to all human utterances)
• Rendering is the job of the sensory (multi-media) memory (iconic) that adds flesh and colour to the sticks
• Scalable and capable of shortcuts and generalizations
• And created specifically to be tagged and interconnected
La dimension, l’aspect et le niveau d’interactivité
de chaque site est fonction des conditions
locales
Breaking the visual dominance of the modernist era
• Cezanne eliminating perspective
• Impressionism: the experience of the sitter instead of the sitter
• Cubism returning form to its origins
• Bringing the hand into the scene
The meaning of « trompe-l’œil »
…versus 3D
The reversal of perspectiveThe “end of theory”
Multimedia: the recovery of the other senses into the image
VR: wearing the image as an extension of the skin
Virtualization
Internet Zero (I0)
From surface to hypersurface via
interface• From icon to button (Eidos vs “actor”/verb)
• The interval is filling up (end of neutral space)
• Digitization (0/1 = scd)
• The return of the senses in communication
• Hypersurface (= ALL THE SENSES CONVERGING INTO A SINGLE ONE)
MarcosNovak: Transarchitecture
The Augmented Body
• Loss of boundaries
• Restructing of sensory life
• Cyborgism (neo-romanticism)
The body electric
Steve Mann sends what his eyetap sees to the web…
permanently
Whatever he is looking at goes on line for anyone to
see
Stelarc connects his
CNS to someone
else’s via the www
Warwick implants sensors for
contextual cues from the environme
nt
Recent artistic experiments
Rafael Lozano-Hemmer
Relational Architecture
Alzado Vertical: el Zocalo in Mexico City (Rafael Lozano-Hemmer)
Tunnel sous l’Atlantique
Maurice Benayoun
Cosmopolis (Maurice Benayoun)
Cosmopolis (Maurice Benayoun)
Floatables of Usman Haque
Floatables (Usman Haque)
No man’s data
Courbet-PicassoStelarc
Volcanic theory of art
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HOMEOPATHY
Homeopathic Theory
Poison (vaccine)
Instantaneous circulation in the global nervous system
Provokes a defense reaction in the system
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How do tags work?
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hypertinence
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RFID
• Carlo Infante
• Piero Fantastichini (il grande muro di stelle)
• Giuseppe Stampone
• Maurice Benayoun
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© ©
Chip 40x40cm, particolare del Grande Muro di stelle
Muro di stelle, 2006
2metri x2
© ©
In the electric age, we wear all mankind as our
skin
Collaborative Exploration: Consider These You
2 Examples
Doppelgänger
Merged Identity
Medical IDs
Avatar
No Identity Lifecaste
r
Digital Identity
Ubiquidentity
And in a ‘global image economy’ … 92% of girls want to change at least one aspect of their bodies