session 5) 961-1130 ceramics
DESCRIPTION
A PAIR OF STAFFORDSHIRE MODELS OF POODLES, MID 19TH CENTURY A POWELL & BISHOP ‘MASK’ PATTERN EARTHENWARE JUG, 1876-1878 A COPELAND AND GARRETT PARIAN WARE FIGURE ‘NARCISSUS’, 1846 A SWANSEA-STYLE PART DESSERT SERVICE, EARLY 19TH CENTURY modelled by E B Stephen after the original marble sculpture by R A Gibson, the scantily-clad figure gazing at his reflection in a pool, printed ‘NARCISSUS BY GIBSON RA, modelled by E R STEPHENS and executed in STATUARY ENGLISH CERAMICS 965 967TRANSCRIPT
166 • DECORATIVE AND FINE ARTS
973
974
975
ENGLISH CERAMICS
961A STAFFORDSHIRE FIGURAL
GROUP OF SPANIELS,
19TH CENTURY
modelled with two russet and cream spaniels, one seated on a barrel, the other seated beside, raised on an oval gilt-line base, hairline crack, chip, 22cm high; and A Staffordshire Russet and Cream Spaniel, gilding rubbed22,5cm high (2)
R 1 200 - R 1 500
962A PAIR OF STAFFORDSHIRE
MODELS OF POODLES,
MID 19TH CENTURY
each modelled seated on their haunches facing left and right, their ears, manes and tails applied with extruded clay, with gilt collars, gilding rubbed24,5cm high (2)
R 2 000 - R 3 000
963A STAFFORDSHIRE WATCH
STAND, 19TH CENTURY
modelled with a clock aperture amongst fruiting vines fl anked by a seated maiden, holding a sheep, and her companion, holding a wind pipe, a seated hound by their feet, raised on a gilt-line oval base, areas of bocage lacking, hairline cracks, 32cm high; and A Staffordshire Figure of a Zebra, 19th Century, raised on an oval base with bocage12,5cm high (2)
R 800 - R 1 000
964A POWELL & BISHOP ‘MASK’
PATTERN EARTHENWARE JUG,
1876-1878
the tapering cylindrical body printed in puce with a band enclosing an espagnolette mask on either side and issuing swags reserved against a white ground, the loop handle moulded with an acanthus leaf, staining, printed factory mark and pattern name, 20cm high; A Staffordshire Earthenware Pink Lustre Bowl, 19th Century, painted with a fl oral spray enclosed within a border of fruiting vines, the exterior with a similar band, staining, restoration, 24,5cm diameter; and A Staffordshire Stoneware Black-glazed Jug, 19th Century, printed and painted in teal and gilt on either side with a Romanesque profi le portrait reserved against a black ground, gilding rubbed12cm high (3)
R 1 000 - R 1 500
965A COPELAND AND GARRETT
PARIAN WARE FIGURE
‘NARCISSUS’, 1846
modelled by E B Stephen after the original marble sculpture by R A Gibson, the scantily-clad fi gure gazing at his refl ection in a pool, printed ‘NARCISSUS BY GIBSON
RA, modelled by E R STEPHENS
and executed in STATUARY
PORCELAIN BY COPELAND &
GARRETT for the ART UNION of LONDON, 1846’31cm high
Fifty copies of ‘Narcissus’ were commissioned by Art Union of London to be offered as prizes in its annual lottery. This was the fi rst major commission of Parian statuary porcelain and proved crucial in popularizing Parian ware.
R 3 000 - R 4 000
966A COPELAND PARIAN WARE
QUARTER LENGTH BUST OF
‘CLYTHIE’, CIRCA 1855
modelled after the original Greco-Roman marble sculpture, raised on a socle base, chips, impressed ‘C Delpech Redt. Art Union of London 1855’32cm high
R 3 000 - R 4 000
967A SWANSEA-STYLE PART
DESSERT SERVICE, EARLY
19TH CENTURY
each piece painted with colourful fl oral sprays reserved against a white ground, the dishes with scroll moulded borders, comprising: 6 plates, an oval two-handled dish and a square two-handled dish, hairline cracks, staining, restorationthe oval dish 29cm wide over handles (8)
R 1 200 - R 1 500
968A COPELAND SPODE AND
SPODE BLUE AND WHITE
‘ITALIAN’ PATTERN PART DINNER
AND TEA SERVICE, 19TH AND
20TH CENTURY
comprising: 12 dinner plates, 5 fi sh plates, 10 side plates, 12 dessert plates, 8 dessert bowls, 2 rectangular platters, in sizes, 9 tea cups and 9 saucers, 5 larger saucers, 2 teapots and covers, in sizes, a sugar bowl, a milk jug, 2 sugar bowls and covers, 2 egg cups and a salt and pepper, chips, printed factory markthe larger platter 43cm wide (82)
R 3 000 - R 4 000
CAPE TOWN, 5 & 6 OCTOBER 2010 • 167
969A MINTON BOTTLE VASE,
LATE 19TH CENTURY
painted with fl oral sprigs reserved against a turquoise ground, the neck with a gilt band with beads, raised on a simulated carved wooden base, restoration, gilding rubbed, impressed factory mark21cm high
R 700 - R 900
970A COPELAND & GARRETT
CADOGAN TEAPOT,
19TH CENTURY
after the Chinese original, the body in the form of a peach with branch and leafy spray handle and spout, overall treacle glaze, impressed factory mark, numeral 12 17,5cm high
R 600 - R 800
971A PAIR OF WEMYSS ‘CABBAGE
ROSE’ PATTERN CANDLESTICKS,
EARLY 20TH CENTURY
each with spreading stem, circular foot, square-section base, repair, painted green script mark, impressed WEMYSS, printed retailer’s mark for T GOODE & CO 30,5cm high
R 1 500 - R 2 000
PROPERTY OF THE ESTATE
LATE MRS C A M CUNNOLD
972A PAIR OF ROYAL WORCESTER
TWO-HANDLED VASES PAINTED
BY JOHN FLEXMAN, 1921
shape 2710, each slender ovoid body painted on either side with a spray of roses and buds, signed J Flexman, printed factory mark and date cypher22,5cm high (2)
R 1 500 - R 2 000
VARIOUS PROPERTIES
973A WILLIAM MOORCROFT
‘POMEGRANATE’ PATTERN
VASE, 1920s
of squat baluster form, impressed MOORCROFT MADE
IN ENGLAND and numeral 146, painted signature in blue26,5cm high
ILLUSTRATED ON OPPOSITE PAGE
R 15 000 - R 20 000
974A WILLIAM MOORCROFT
‘BIG POPPY’ PATTERN VASE,
CIRCA 1925
of shouldered tapering cylindrical form, tube-lined with fl owers, hairline crack, impressed MOORCROFT
BURSLEM ENGLAND 28cm high
ILLUSTRATED ON OPPOSITE PAGE
R 12 000 - R 15 000
975A WALTER MOORCROFT
‘ORCHID’ PATTERN VASE,
MID 20TH CENTURY
the baluster body tube-lined with a band of orchids and irises reserved against a shaded green and blue ground, painted initials, impressed facsimile signature, POTTER TO HM THE QUEEN,
MADE IN ENGLAND
23,5cm high
ILLUSTRATED ON OPPOSITE PAGE
R 6 000 - R 8 000
976A CLARICE CLIFF ‘TREES AND
HOUSE’ PATTERN BOWL, 1930
the hexagonal body painted with cottages amongst bubble and wedge trees in shades of orange, green, black and brown, the interior with orange and black bands, areas of enamel loss, printed factory mark7,5cm diameter
ILLUSTRATED
R 5 000 - R 7 000
977A ROYAL DOULTON FLAMBÉ
VASE, 1932-1975
the tapering cylindrical body printed with a cottage before a landscape with a lake and sunfl owers, printed factory mark, 25cm high; and Another, 1932-1975, the ovoid body printed with a shepherd and his fl ock before a landscape, chips, printed factory mark 19cm high (2)
R 1 500 - R 2 000
978A PAIR OF SPODE COPELAND’S
CHINA ‘CHINOISERIE’ PATTERN
TWO-HANDLED VASES,
20TH CENTURY
each tapering ovoid body raised on a circular foot, printed in gilt on either side with phoenix in fl ight and perched amongst branches of prunus blossoms reserved against a speckled blue ground, the handles terminating in lion masks, printed factory mark28cm high (2)
PART ILLUSTRATED
R 4 000 - R 6 000
976 978 DETAIL
168 • DECORATIVE AND FINE ARTS
979A POOLE POTTERY ‘BLUE
COCKEREL ’ PATTERN BOWL,
MID 20TH CENTURY
circular, painted with a band of cockerels amongst stylised fl owers, printed factory mark, 27cm diameter; and A Poole Pottery ‘Blue Cockerel’ Pattern Vase, Mid 20th Century, of cylindrical form with fl ared rim, printed factory mark21cm high (2)
ILLUSTRATED
R 1 500 - R 2 000
980A POOLE POTTERY ‘ABSTRACT
FLOWER’ PATTERN VASE, 1930s
of tapering ovoid form, painted with a band of stylised fl owers, impressed factory mark, painted initials 23,5cm high
ILLUSTRATED
R 1 500 - R 2 000
981A POOLE POTTERY ‘ABSTRACT
FLOWER’ PATTERN TWO-
HANDLED VASE, 1930s
the globular body with loop handles, painted with a band of stylised fl owers, impressed factory mark, painted initials, 17cm high; A Poole Pottery ‘Abstract Flower’ Pattern Vase, 1930s, the tapering ovoid body painted in shades of green, grey and black, painted initials, 17,5cm high; Another, 1930s, the squat body painted with a geometric design and fl owers, impressed factory mark, painted initials, 12,5cm high; and A Poole Pottery ‘Vine’ Pattern Vase, 20th Century, impressed factory mark, painted initials17cm high (4)
ILLUSTRATED
R 1 500 - R 2 000
982A POOLE POTTERY PART COFFEE
SERVICE, CIRCA 1950
each piece painted with fl oral sprigs reserved against a cream ground, turquoise covers and saucers, comprising: 12 coffee cups and 12 saucers, a coffee pot and cover, a hot water pot and cover and a sugar bowl, printed factory markthe coffee pot 15cm high (27)
R 1 000 - R 1 500
983A BURLEIGH WARE CHARACTER
JUG OF J C SMUTS, CIRCA 1941
modelled by E T Bailey, inscribed to base ‘PRIME
MINISTER OF THE UNION OF
SOUTH AFRICA GENERAL THE RT
HON J. C. SMUTS 1941’, printed factory mark 13cm high
PROVENANCE
Noordhoek Manor
R 500 - R 700
984A BESWICK FIGURE OF A
COCKATOO, 1926-1973
designed by Albert Hallam, modelled perched on a tree trunk, painted in shades of pink, grey and brown, printed factory mark29cm high
ILLUSTRATED ON OPPOSITE PAGE
R 1 500 - R 2 000
985A PAIR OF CROWN DEVON
‘BUTTERFLY TREE’ PATTERN
TWO-HANDLED LUSTRE WALL
VASES, 1950s
each urn-shaped body painted and enamelled with butterfl ies in fl ight beneath a fl owering tree reserved against a blue lustre ground, gilt highlights, hairline crack, printed factory mark, painted pattern number 5034, 17,5cm high; A Carlton Ware ‘Stork’ Pattern Two-handled Dish, 1940s, ovoid with wavy rim, printed factory mark, 17,5cm wide over handles; and A Carlton Ware Dish, 1940s, oval with wavy rim, ribbed handle, overall mottled blue glaze, gilt highlights, printed factory mark25,5cm wide (4)
R 1 200 - R 1 500
979
980
981
CAPE TOWN, 5 & 6 OCTOBER 2010 • 169
986A QUEEN’S FINE BONE CHINA
‘VIRGINIA STRAWBERRY’
PATTERN PART TEA SERVICE,
20TH CENTURY
each moulded piece printed with butterfl ies amongst strawberries, blossoms and foliage reserved against a white ground, green rim, comprising: 10 breakfast cups and 12 saucers, 9 tea cups and 12 saucers, 10 cake plates, 2 cream jugs, 5 milk jugs, a sugar bowl and cover, 5 sugar bowls, 4 small teapots and covers, a large teapot and cover and a two-handled cake plate, printed factory mark and pattern namethe cake plate 25,5cm wide over handles (72)
PROVENANCENoordhoek Manor
R 2 000 - R 3 000
PROPERTY OF THE ESTATE
LATE MRS C A M CUNNOLD
987A PARAGON ‘TREE OF KASHMIR’
PATTERN PART DINNER SERVICE,
20TH CENTURY
each piece printed with a fl ower-fi lled two-handled vase enclosed within a border of fl oral sprays, gilt rim, comprising: 6 dinner plates, 6 fi sh plates, 6 side plates, 6 two-handled consommé cups and 6 saucers, printed factory mark and pattern namethe dinner plate 27cm diameter (30)
R 2 500 - R 3 500
VARIOUS PROPERTIES
988A ROYAL DOULTON BLUE AND
GILT BORDERED PART DINNER
SERVICE, 20TH CENTURY
each piece with the gilt initial ‘L’, comprising: 12 dinner plates, 12 fi sh plates, 12 soup bowls, 12 side plates, 3 oval platters, in sizes, 3 two-handled tureens and covers and 2 stands and 2 smaller two-handled tureens, covers and 2 stands, lion, crown and circle mark, Rd 542586, numbered in black enamelthe largest platter 43cm wide (60)
PROVENANCERustenberg Estate
R 4 000 - R 6 000
989A WEDGWOOD KEITH MURRAY
VASE, 1940s
of ribbed globular form, overall matte-white glaze, chip, printed factory mark 15,5cm high
R 1 200 - R 1 500
990A WEDGWOOD ‘FLORENTINE
GOLD’ PATTERN PART DINNER
AND COFFEE SERVICE,
1961-1986
each piece printed with a border of gilt griffi ns and mythical creatures amongst scrolling foliage reserved against a cream ground, comprising: 11 dinner plates, 12 fi sh plates, 12 side plates, 11 dessert bowls, 3 oval platters, in sizes, 12 two-handled consommé cups and 11 saucers and 10 coffee cups and 12 saucers, printed factory markthe largest platter 43,5cm wide (94)
R 7 000 - R 9 000
991A SPODE ‘KNIGHTSBRIDGE
COBALT’ PART DINNER AND TEA
SERVICE, 1962-2005
each piece with a cobalt blue and gilt border, comprising: 12 dinner plates, 12 fi sh plates, 12 side plates, 12 dessert bowls, an oval platter, 2 oval two-handled tureens and covers, a gravy boat and stand, a teapot and cover, 12 tea cups and saucers, a milk jug, a cream jug, a two-handled sugar basin and cover and a two-handled cake plate, printed factory markthe platter 42cm wide (81)
R 6 000 - R 8 000
984
1010
1009
170 • DECORATIVE AND FINE ARTS
EUROPEAN CERAMICS
992A HET BIJLTJE (THE HATCHET)
DUTCH DELFT BLUE AND WHITE
PLATE, CIRCA 1770
painted with a fl ower-fi lled jardiniére enclosed within a border of alternating diaper and fl oral spray panels, ochre rim, chips, fritting, painted factory mark25cm diameter
R 800 - R 1 000
993A MEISSEN TEA CADDY AND
COVER, 18TH CENTURY
of rectangular section with rounded shoulders, each side painted in the manner of Johann Gregor Höroldt with chinoiserie scenes depicting Orientals engaged in various pursuits between a double-lined iron-red band and gilt foliate scrollwork, the cover with similar vignettes, chip, gilding rubbed, painted crossed swords, gilt numeral .27 to base and cover 13cm high
ILLUSTRATED
R 15 000 - R 20 000
994A MEISSEN FIGURE OF A
GARDENER, CIRCA 1870
modelled as a maiden carrying a basket fi lled with blossoms under her right arm, standing beside a fl ower-fi lled vase, raised on a circular base, gilt highlights, chips, underglaze-blue crossed swords, incised C.68, impressed 122, 19,5cm high; and A Rudolstadt Volkstedt Figure of a Gentleman, Early 20th Century, modelled standing before a fountain, holding a large shell in his right hand and a sword in his left, chip, printed factory mark, impressed 70 16,5cm high (2)
R 1 000 - R 1 500
995A FRENCH PORCELAIN GILT-
METAL MOUNTED BOX AND
COVER, LATE 19TH CENTURY
of shaped rectangular outline, painted with fl oral sprays beneath a blue fi shscale border, the hinged cover with a courting couple before a landscape enclosed within a similar border, painted factory mark, 12cm wide; and Another, Late 19th Century, the heart-shaped body painted with fl oral sprays, gilt highlights, painted factory mark5cm wide (2)
R 600 - R 800
996A PAIR OF DUTCH DELFT BLUE
AND WHITE CHINOISERIE
HEXAGONAL BEAKER VASES,
19TH CENTURY
each fl ared body painted with birds amongst a tree of blossoming peonies and chrysanthemums between stylised lappet borders with fl owerheads and scrolling foliage, chip, painted factory mark26,5cm high (2)
R 2 000 - R 3 000
997A DUTCH DELFT-STLYE BLUE AND
WHITE EARTHENWARE DISH BY
F MOREAU, EARLY
20TH CENTURY
the centre painted with a fl oral spray enclosed within shaped panels of fl owerheads and scrolling foliage, wavy rim, pseudo ‘de Drie Klokken’ factory mark, DELFT 1702, inscribed F Moreau, 32,5cm diameter; and A Nimy-lez-Mons-style Blue and White Dish by F Moreau, 20th Century, painted with panels enclosing fl ower-fi lled jardiniéres and scrolling foliage, painted F Moreau NIMY 1931
36,5cm diameter (2)
R 1 000 - R 1 500
998A PAIR OF IMPERIALE ET
ROYALE NIMY ISNIK-STYLE
EARTHENWARE JARS AND
COVERS BY F MOREAU,
20TH CENTURY
each tapering ovoid body painted with spiral bands enclosing fl owerheads and scrolling foliage in shades of green, red and blue, the cover similarly decorated, repair, signed F Moreau, printed factory mark26,5cm high (2)
R 1 500 - R 2 000
999ELEVEN ALFRED HACHE & CO
PORCELAIN PLATES BY
F MOREAU,
EARLY 20TH CENTURY
each variously painted with naturalistic fl owers enclosed within a stylised Art Nouveau fl oral and scrolling foliate border, gilt rim, chip, repair, painted artist’s initials, printed factory mark21,5cm diameter (11)
R 2 500 - R 3 500
993
CAPE TOWN, 5 & 6 OCTOBER 2010 • 171
1000A CONTINENTAL EARTHENWARE ‘ORCHID’ PATTERN CHARGER
BY F MOREAU, EARLY 20TH CENTURY
naturalistically painted with orchids, including Rhynchostele rossii, Odontoglossum crispum and Lycaste skinneri and an Anthurium reserved against a mottled pale blue ground, inscribed ‘Orchidees’, signed F Moreau, chips, impressed BA50cm diameter
PART ILLUSTRATED
R 4 000 - R 6 000
1001FOUR CONTINENTAL ISNIK-STYLE EARTHENWARE DISHES
BY F MOREAU, EARLY 20TH CENTURY
each painted in shades of green, red and blue, three variously decorated with fl owerheads and scrolling foliage, the other with a bird amongst fl owerheads and scrolling foliage, repair, painted artist’s initials, ONNAING, 1904
30cm diameter (4)
R 1 500 - R 2 000
1002A LARGE RUDOLSTADT VOLKSTEDT MUSICAL GROUP,
EARLY 20TH CENTURY
modelled with three musicians in eighteenth century attire, a maiden playing a piano, a gentleman seated by her side playing a cello and another standing, playing a fl ute, raised on a scroll base moulded with a carpet and encrusted with fl oral sprays, gilt highlights, restoration, chips, painted factory mark 38,5cm high
R 6 000 - R 8 000
1003PABLO PICASSO (1881-1973): VISAGE NO 157
white earthenware plate painted and glazed in red, green, blue and black, inscribed Edition Picasso, Madoura, and numbered 100/150
25,5cm diameter, framed
ILLUSTRATED
R 30 000 - R 40 000
1004PABLO PICASSO (1881-1973): TWO TERRACOTTA STAMPED TILES
square, one ‘Square with Dancers B’, the other ‘Oval with Horse and Matador’, each stamped and numbered on the reverse Madoura Plein Feu, Poincon Originale de Picasso, J.159 172/500 and
J.163 170/500 respectively each 15cm square, perspex case (2)
ILLUSTRATED
R 10 000 - R 15 000
1000 DETAIL
1003
1004
172 • DECORATIVE AND FINE ARTS
1005A GOLDSCHEIDER TERRACOTTA
VASE, 1930s
the globular body with elongated neck randomly glazed overall in brown, orange and white, original paper label, printed factory mark, MADE IN AUSTRIA, incised 1183, MK
27,5cm high
R 2 000 - R 3 000
1006A RUDOLSTADT VOLKSTEDT
FIGURE OF A NODDING
PAGODA, 20TH CENTURY
after the original Meissen model by J.J. Kandler, modelled as a female Oriental seated cross-legged with nodding and movable head and hands, her smiling face with moving tongue and long-lobed ears, wearing a loosely tied robe patterned with indianishe Blumen, a white ruff with a green bow at her neck, green slippers, printed factory mark23cm high
ILLUSTRATED
R 7 000 - R 9 000
1007A GROUP OF SEVEN HUMMEL
FIGURES, 1950-1955
comprising: ‘Baker’, ‘Soloist’, ‘Street singer’, ‘Home from market’, ‘School boy’, ‘Heavenly angel’ and ‘Farewell’, printed factory mark, impressed model number and signaturethe tallest 13cm high (7)
R 2 000 - R 3 000
1008A HUTSCHENREUTHER
KUNSTABTEILUNG SELB ART
DECO-STYLE ASHTRAY, 1950s
modelled by K Tutter, the seated elf-like fi gure playing a wind pipe, shaped square base, printed factory mark, impressed K. TUTTER
11cm high
R 800 - R 1 000
1009A BING & GRÖNDAHL FIGURE OF
A MACAW, 20TH CENTURY
designed by Armand Petersen, painted in shades of blue and grey, perched on a shaped rectangular stand, printed factory mark, painted model number 2235, incised artist’s initials41,5cm high
ILLUSTRATED ON PAGE 169
R 2 500 - R 3 500
1010A SÄCHSISCHE PORZELLAN-
MANUFAKTUR DRESDEN FIGURE
OF A PARROT, 20TH CENTURY
with crest raised, painted in shades of green, blue, yellow and red, perched on a tree stump encrusted with leaves and berries, painted factory mark, impressed model number 270017cm high
ILLUSTRATED ON PAGE 169
R 1 500 - R 2 000
1011A KARL ENS, RUDOLSTADT
VOLKSTEDT FIGURE OF A TIGER,
CIRCA 1930
printed factory mark, 15cm high; and A Hutschenreuther Figure of a Brown Bear, 20th Century, printed factory mark 17,5cm high (2)
R 800 - R 1 000
1012A BING & GRÖNDAHL FIGURE
OF A RECUMBENT GREYHOUND,
1948-1951
model number 2079, printed factory mark, painted model number, 29cm long; A Bing & Gröndahl Figure of a Seated Pekinese, 1952-1957, model number 1631, designed by Dahl Jensen, printed factory mark, painted model number, impressed DJ, 6cm high; and A Royal Copenhagen Figure of a Seated Cat, 1937, model number 055, painted in shades of grey, printed factory mark, underglaze-blue wave mark, painted model number 19cm high (3)
R 1 200 - R 1 500
1013A HUTSCHENREUTHER
‘FREEDOM’ FIGURINE,
20TH CENTURY
designed by Max Hermann Fritz, the stallion and mare modelled in full gallop, raised on a moulded base, chip, moulded ENTWURF M H FRITZ, printed factory mark 28,5cm high
R 4 000 - R 6 000
1014A GROUP OF KÖNIGLICHE
PORZELLAN-MANUFAKTUR
WHITE-GLAZED WARES,
20TH CENTURY
comprising: 6 consommé cups, covers and saucers, a two-handled tureen and cover, a salt and pepper, each variously moulded with bands of swags and fl owerheads within beaded borders, and a vase with foliate borders, printed factory markthe tureen 26cm wide over handles (16)
R 2 500 - R 3 500
1006
CAPE TOWN, 5 & 6 OCTOBER 2010 • 173
SOUTH AFRICAN CERAMICS
1015A CERAMIC STUDIO BOWL, 1930s
the lobed body with overall mottled yellow glaze, mottled russet rim, impressed factory mark, 20,5cm diameter; and Another, 1930s, similarly glazed, impressed factory mark19cm diameter (2)
R 700 - R 900
1016A LINNWARE BOWL, 1940s
the circular body with overall mottled yellow and russet glaze, impressed LW and circle mark, 30,5cm diameter; and A Linnware Flowerholder, 1940s, circular, overall mottled turquoise glaze11,5cm diameter (2)
R 1 200 - R 1 500
1017A LINNWARE TWO-HANDLED
VASE, 1940s
of squat urn form, overall mottled blue, green and russet glaze, repair29cm wide over handles
R 1 000 - R 1 500
1018A LINNWARE VASE AND
FLOWERHOLDER, 1940s
rectangular, overall mottled yellow, cream and russet glaze, impressed studio stamp, painted LINNWARE,
26,5cm wide; and A Linnware Tea-Light Holder, 1940s, the pierced body with overall mottled brown glaze, impressed LW and circle mark 9cm high (3)
R 1 200 - R 1 500
1019A LINNWARE BOWL, 1940s
circular, overall mottled green and turquoise glaze28cm diameter
R 2 000 - R 3 000
1020A LARGE
LINNWARE
BOWL AND
FLOWERHOLDER,
1940s
overall mottled blue and turquoise glaze, russet rim, hairline crack, impressed factory stamp37cm diameter
R 3 000 - R 5 000
1021A MISCELLANEOUS GROUP OF
LINNWARE, 1940s
each variously glazed, comprising: 4 mugs, a jug, 5 ashtrays, a toastrack, 6 small plates, in sizes, a saucer, an egg cup, 3 salts and a cover and a honey pot and cover, chips, hairline crack, variously markedthe jug 11cm high (23)
R 1 500 - R 2 000
1022SIX LINNWARE BLUE AND WHITE
TWO-HANDLED BOWLS,
1945 AND 1954
each painted with a fl oral spray, hairline cracks, painted factory mark and date, 17cm wide over handles; and A Linnware Blue and White Pedestal Dish, 1950s, similarly decorated, painted LINNWARE
26,5cm diameter (7)
R 1 500 - R 2 000
1023A LINNWARE TUREEN AND
COVER, 1940s
circular, overall mottled blue glaze, painted LINNWARE, 23cm diameter; A Linnware Bowl, 1940s, the tapering body with inverted rim, overall mottled lavender glaze, chips, impresed LW and circle mark, 18cm diameter; A Linnware Condiment Jug, 1940s, the globular body with slender neck applied with a loop handle, overall mottled lavender glaze, painted factory mark, 13,5cm high; and Two Linnware Mottled Brown-glazed Ashtrays, 1940s, circular, painted and impressed factory marksthe larger 14cm diameter (5)
R 1 200 - R 1 500
1024A KALAHARI TERRACOTTA
PLATE, 1950s
painted with a stylised portrait of a Ndebele woman wearing headdress in shades of ochre, pink, green and burnt sienna reserved against a blue ground, impressed factory stamp, painted KALAHARI MADE
IN S AFRICA
36,5cm diameter
PROVENANCESold: Stephan Welz & Co, Cape Town, 20 October 1998, Lot 149
PART ILLUSTRATED
R 8 000 - R 10 000
1024 DETAIL
174 • DECORATIVE AND FINE ARTS
1025A KALAHARI TERRACOTTA
PLATE, 1950s
painted with a stylised portrait of a Bhaca woman wearing headdress in shades of turquoise, yellow, pink and blue reserved against a white ground, painted KALAHARI,
20,5cm diameter; Another, 1950s, painted with a stylised portrait of a woman wearing headdress reserved against a white ground, impressed factory stamp, painted KALAHARI, 16cm diameter; and A Kalahari Terracotta Bowl, 1950s, painted with a stylised portrait of a woman wearing beaded necklace and bangles reserved against a blue and green ground, painted KALAHARI
18cm diameter (3)
R 2 000 - R 2 500
1026A KALAHARI TERRACOTTA
PLATE, 1950s
painted with a stylised portrait of a married Bhaca woman wearing headdress in white, blue and yellow glaze reserved against a black ground, incised KALAHARI
25,5cm diameter
R 3 000 - R 4 000
1027A KALAHARI TERRACOTTA
PLATE, 1950s
painted with a geometric pattern in red, blue, yellow, green, black, white and ochre reserved against an ochre ground with brown stripes, painted KALAHARI
35cm diameter
R 1 500 - R 2 000
1028A KALAHARI TERRACOTTA
PLATE, 1950s
painted with a geometric pattern, impressed factory stamp, painted KALAHARI,
29cm diameter; Two Kalahari Terracotta Dishes, 1960s, in sizes, each glazed in yellow with white stripes, impressed factory stamp, painted KALAHARI, the larger 18cm wide; and Two Kalahari Terracotta Ashtrays, 1960s, in sizes, impressed factory stamp, painted factory mark the larger 15,5cm diameter(5)
R 2 000 - R 3 000
1029FOUR KALAHARI TERRACOTTA
WARES, 1960s
of various shapes and sizes, comprising: 3 bowls and a dish, each painted with geometric designs, restoration, painted and incised factory markthe largest dish 40cm wide (4)
R 2 500 - R 3 500
1030TWO KALAHARI TERRACOTTA
LEAF-SHAPED DISHES, 1950s
each decorated with a Zulu maiden grinding maize, raised on four feet, painted KALAHARI, impressed factory stamp21,5cm wide (2)
R 2 000 - R 3 000
1031A KALAHARI TERRACOTTA FLASK
VASE, 1950s
the tapering cylindrical body with overall yellow craquelure glaze, the neck with an incised band, incised KALAHARI
47,5cm high
R 1 000 - R 1 200
1032THREE KALAHARI TERRACOTTA
VASES, 1960s
of various shapes and sizes, each painted with foliate decoration in shades of celadon, painted KALAHARI
the largest 25cm high (3)
R 2 500 - R 3 500
1033A KALAHARI UNGLAZED
EARTHENWARE BUST OF AN
AFRICAN HEAD, 1985
pale blue, signed A Klopcanovs, 198519cm high (3)
R 600 - R 800
1034HYM RABINOWITZ (1920-2009):
A STONEWARE VASE
the slightly ribbed squat tapering cylindrical body with three prunts on either side of the shoulder, overall tenmoku-glaze, impressed artist’s stamp, 16,5cm high; and Tim Morris (1941-1990): A Porcelain Jar and Cover, the ovoid body with a circular panel enclosing stylised foliage, the reverse with cross-hatching reserved against a tenmoku-glaze ground, the cover similarly glazed, impressed artist’s stamp 13,5cm high (2)
R 2 000 - R 3 000
1035MAARTEN ZAALBERG (1924-
1989): A STONEWARE VASE
the slightly ribbed tapering ovoid body with overall mottled cream and yellow glaze, incised Zaalberg, 20cm high; and Another, the slightly ribbed tapering globular body with overall pale green glaze, incised Zaalberg SA15,5cm high (2)
R 900 - R 1 200
1036TIM MORRIS (1941-1990):
A STONEWARE VASE
of rectangular section, the neck and shoulders with tenmoku- and cobalt-glazed stylised fl oral sprays reserved against a speckled grey ground falling short of the foot, impressed artist’s stamp, 40cm high; and A Stoneware Tenmoku-glazed Vase, 20th Century, of ribbed tapering cylindrical form27cm high (2)
R 1 500 - R 2 000
1037TIM MORRIS (1941-1990):
A PORCELAIN LAMP BASE
of tapering ovoid form, painted in colbalt with a band of foliage, impressed artist’s stamp, 28cm high; and A David Schlapobersky Stoneware Dish, 1970s, painted by Felicity Potter, circular, painted in cobalt with stylised foliage, impressed artist’s stamp34cm diameter (2)
R 2 000 - R 3 000
1038ANDREW WALFORD (1942-):
A STONEWARE VASE
the cylindrical body with high shoulders and everted rim painted on either side with a circular panel enclosing a stylised tree in shades of brown and blue reserved against a speckled grey ground, painted signature, 28,5cm high; and Two Further Examples, one of tapering ovoid form, the other octagonal, variously glazed in blue reserved against a speckled grey ground, painted signaturethe larger 19,5cm high (3)
R 1 500 - R 2 000
CAPE TOWN, 5 & 6 OCTOBER 2010 • 175
1039ANDREW WALFORD (1942-):
A STONEWARE JAR AND COVER
the slightly ribbed cylindrical body glazed in tenmoku with stylised foliage above bands reserved against a speckled grey ground, the cover similarly glazed, painted initials28cm high
R 1 500 - R 2 000
1040ANDREW WALFORD (1942-):
A STONEWARE JAR AND COVER
the ribbed cylindrical body with overall tenmoku-glaze, the cover similarly glazed, painted signature15cm high
R 600 - R 800
1041A BOLLAND POTTERY
STONEWARE BOWL, SECOND
HALF 20TH CENTURY
circular, the interior painted in brown and blue with stylised fl owerheads, overall olive glaze, impressed artist’s stamp32,5cm diameter
R 700 - R 900
1042CHRISTO COETZEE (1929-2000):
A LA ROCHELLE POTTERY
STONEWARE PLATE, 1986
incised and painted with shades of blue, white and green with a fl owerhead and foliage, wavy rim, painted Christo Coetzee 86, La Rochelle Pottery, Tulbagh 23,5cm diameter
R 800 - R 1 200
1043A ROURKE’S DRIFT STONEWARE
VASE BY EURIEL MBATHA, 1986
of square section, the tapering ovoid body with fl ared neck incised and painted in iron and black slip with panels of stylised fl owerheads, painted factory mark, EURIEL MBATHA,
X-151-86
19,5cm high
R 1 000 - R 1 500
ORIENTAL CERAMICS
PROPERTY OF THE ESTATE
LATE MRS C A M CUNNOLD
1044A CHINESE BLUE AND WHITE
PLATTER, QIANLONG, 1736-1795
rectangular with canted corners, painted with fi gures in a mountainous landscape with a bridge and pavilions enclosed within a diaper band reserved with panels of peonies, the rim with a Greek-key border issuing foliage, fritting, 26cm wide; and A Pair of Chinese Blue and White Tureen Stands, Qianlong, each rectangular with canted corners, similarly painted, the rim with a dense border of scrolls, peonies and scrolling foliage reserved against a diaper ground, fritting24,5cm diameter (3)
R 2 000 - R 3 000
VARIOUS PROPERTIES
1045A NEAR PAIR OF CHINESE BLUE
AND WHITE BOWLS,
19TH CENTURY
the centre of each painted with a fi sh swimming amongst rocks and foliage enclosed within a band of blossoming trees, the rim with a border of fl owerheads and foliage, the exterior similarly painted with fi sh below a diaper border, chips, spurious Kangxi script mark15cm diameter (2)
R 1 200 - R 1 500
PROPERTY OF THE ESTATE
LATE MRS C A M CUNNOLD
1046A CHINESE BLUE AND WHITE
JAR AND COVER,
LATE 19TH CENTURY
painted overall with lotus blossoms and scrolling foliage, the domed cover similarly decorated, restoration, spurious Kangxi script mark29,5cm high
ILLUSTRATED
R 2 000 - R 3 000
1047A LARGE CHINESE BLUE AND
WHITE DOUBLE-GOURD VASE,
LATE 19TH CENTURY
painted with a pan chang knot fl anked by two dragons amongst clouds above stylised waves below a band with two dragons chasing a fl aming pearl amongst clouds, the rim with a Greek-key border, restoration, spurious Qianlong seal script mark 44cm high
ILLUSTRATED
R 3 000 - R 4 000
1046
1047
176 • DECORATIVE AND FINE ARTS
1048A CHINESE BLUE AND WHITE
JAR AND WOODEN COVER,
EARLY 20TH CENTURY
the baluster body painted on either side with two fi gures carrying a large baluster-shaped vase and cover, painted with peonies issuing from rockwork, reserved against a ground of birds amongst prunus blossoms between bands of fruit and foliage, pierced domed cover, spurious Kangxi script mark37cm high, with carved wooden stand
R 3 000 - R 4 000
1049A CHINESE BLUE AND WHITE
ROULEAU VASE,
LATE 19TH CENTURY
painted with Dogs-of-Fo, one with a brocade ball amongst clouds between bands of bats amongst clouds, hairline crack, spurious Qianlong script mark29,5cm high
R 1 500 - R 2 000
1050A CHINESE ‘FAMILLE VERTE’
BLUE-GROUND JAR AND COVER,
LATE 19TH CENTURY
the ovoid body painted on either side with a panel enclosing a maiden, her attendant and a child before a balustraded garden reserved against a blue ground with further panels of landscapes and foliage, the domed cover similarly decorated, repair, underglaze-blue double-ring mark29cm high
R 2 000 - R 3 000
1051A CHINESE BLUE AND WHITE
JARDINIÈRE,
LATE 19TH CENTURY
of typical form, painted with two dragons chasing a fl aming pearl amongst clouds above a stylised Greek-key and lappet band, the rim with a diaper band reserved with butterfl ies and shaped panels of foliage, hairline crack30cm high
R 4 000 - R 6 000
1052A CHINESE BLUE AND WHITE
LAMP BASE, LATE 19TH CENTURY
the baluster body painted with a continuous scene of maidens overseeing children playing before a balustraded garden between zig-zag borders, the neck with stylised clouds, underglaze-blue double-ring mark35cm high, fi tted for electricity
R 3 000 - R 4 000
PROPERTY OF THE ESTATE
LATE MRS C A M CUNNOLD
1053A CHINESE BLUE AND WHITE
ROULEAU VASE,
EARLY 20TH CENTURY
painted with a continuous scene of numerous fi gures at various pursuits within a pavillion before a balustraded garden with pine trees and rockwork, the neck with stylised lappet and Greek-key bands, fritting, underglaze-blue double-ring mark46cm high
ILLUSTRATED
R 3 000 - R 4 000
1054A CHINESE BLUE AND WHITE
JAR AND COVER,
EARLY 20TH CENTURY
the tapering ovoid body painted overall with prunus blossoms reserved against a cracked-ice ground, the associated cover similarly decorated, repair, chip, spurious Kangxi script mark, 23cm high; and A Small Pair of Chinese Blue and White Jars and Wooden Covers, Late 19th Century, each baluster body similarly decorated, restoration, fritting, pierced covers damaged14cm high, with wooden stands (3)
R 1 200 - R 1 500
1055A NEAR PAIR OF CHINESE BLUE
AND WHITE VASES,
EARLY 20TH CENTURY
each ovoid body with elongated neck variously painted with fi gures and their attendants beneath a pine tree before a balustraded garden, hairline crack, underglaze-blue double-ring mark35cm high (2)
R 3 000 - R 4 000
VARIOUS PROPERTIES
1056A CHINESE BLUE AND WHITE
UMBRELLA STAND,
20TH CENTURY
the cylindrical body painted with two dragons chasing a fl aming pearl amongst clouds above a band of stylised waves45,5cm high
R 900 - R 1 200
1053
1065 PART LOT DETAIL
1066
VARIOUS PROPERTIES
CAPE TOWN, 5 & 6 OCTOBER 2010 • 177
PROPERTY OF THE ESTATE
LATE MRS C A M CUNNOLD
1057A PAIR OF CHINESE BLUE AND
WHITE JARS AND COVERS,
20TH CENTURY
each baluster body painted with lotus blossoms and scrolling foliage between lappet borders, the cover with Dog-of-Fo fi nial26cm diameter (2)
R 600 - R 800
VARIOUS PROPERTIES
1058A CHINESE BLUE AND WHITE
JAR AND COVER,
EARLY 20TH CENTURYthe baluster body painted with four Shou amongst fl owerheads and scrolling foliage, the shoulders applied with four mask lug handles, the domed cover similarly decorated, Dog-of-Fo fi nial, 45cm high; and Another, Early 20th Century, the baluster body painted with peonies and scrolling foliage between lappet borders, the shoulders applied with four mask lug handles, the domed cover similarly decorated, Dog-of-Fo fi nial, chip, cover possibly associated45cm high (2)
PROVENANCERustenberg Estate
R 4 000 - R 6 000
1059A LARGE CHINESE BLUE AND
WHITE BOWL, 20TH CENTURY
the interior painted with a rondel enclosing a fl owerhead and foliage, the rim with a border of waves, the exterior with a band of various fl owerheads and scrolling foliage above a band of lappets, hairline crack38,5cm diameter
PROVENANCERustenberg Estate
R 2 000 - R 3 000
1060A MASSIVE CHINESE METAL-
MOUNTED BLUE AND WHITE
TEAPOT AND COVER,
20TH CENTURY
the cylindrical body painted with shaped panels of warriors at various pursuits before landscapes above further panels of fruit and foliage reserved against a ground of fl owerheads and foliage, the spout with a fl ower-fi lled vase, applied swing handle, the cover with a warrior brandishing a bow and arrow, spurious Kangxi script mark 45,5cm high
PROVENANCERustenberg Estate
R 2 000 - R 3 000
1061A MASSIVE CHINESE METAL-
MOUNTED BLUE AND WHITE
TEAPOT AND COVER,
20TH CENTURY
the globular body painted with shaped panels of birds amongst blossoms issuing from rockwork above further panels of birds reserved against a ground of fl owerheads and foliage, the spout with a fl ower-fi lled vase, applied swing handle, the cover with a bird perched on a branch, spurious Qianlong script mark, 45,5cm high; and Another, 20th Century, similarly decorated with panels of fi gures at various pursuits above a band of lappets, the cover with a maiden playing a lute, spurious Qianlong script mark 45,5cm high (2)
PROVENANCERustenberg Estate
R 4 000 - R 6 000
1062A PAIR OF CHINESE BLUE AND
WHITE TULIP VASES,
20TH CENTURY
each fl attened shaped ovoid body with fi ve apertures, painted on either side with two mythical birds in fl ight amongst scrolling foliage, the sides applied with ring-handles, the fl ared rectangular foot with a band of stiff-leaves, each neck with a similar band above a band of ruyi-lappets, craquelure glaze, repairs, spurious Qianlong seal script mark 36cm high (2)
PROVENANCERustenberg Estate
R 2 500 - R 3 500
1063A PAIR OF CHINESE BLUE AND
WHITE TWO-HANDLED PILGRIM
FLASKS, 20TH CENTURY
each of rectangular form with rounded shoulders, painted on either side with a dragon amongst clouds between bands of stylised waves and ruyi-lappets enclosing a bird and foliage, the sides with peonies below moulded dragon handles, craquelure glaze, spurious Qianlong seal script mark 29cm high (2)
PROVENANCERustenberg Estate
R 2 000 - R 3 000
1064A CHINESE TURQUOISE-GLAZED
FIGURE OF A DUCK,
20TH CENTURY
impressed mark, printed MADE
IN CHINA, 30cm high; and A Resin Figure of a Conure, Modern, paper label 19,5cm high (2)
R 600 - R 800
1065A CHINESE BLUE AND WHITE
KRAAK-STYLE DISH,
20TH CENTURY
painted with deer amongst rockwork beneath a pine tree enclosed within a border of alternating panels of symbols and peaches, the exterior with a similar border, spurious Zhengde script mark, 39cm diameter, with wooden stand; and A Chinese Blue and White Wanli-style Dish, 20th Century, painted with a pheonix in fl ight and ducks swimming amongst lotus blossoms and foliage enclosed within a similar foliate border, the exterior with a similar border, spurious Zhengde script mark 39cm diameter, with wooden stand (2)
PROVENANCERustenberg Estate
PART ILLUSTRATED ON OPPOSITE PAGE
R 2 500 - R 3 500
1066A CHINESE BLUE AND WHITE
FIGURE OF GUANYIN,
20TH CENTURY
standing barefoot, wearing long fl owing robes sashed at the waist, beaded necklace, the face with serene expression and her hair piled high in a chignon, her hands emerging from voluminous sleeves, holding a bowl in her right hand and a pearl in her left44cm high
PROVENANCERustenberg Estate
ILLUSTRATED ON OPPOSITE PAGE
R 1 000 - R 1 500
178 • DECORATIVE AND FINE ARTS
1067A PAIR OF CHINESE WHITE-
GLAZED TWO-HANDLED VASES,
MODERN
each tapering body with elongated neck, the loop handles applied with pomegranates and foliage 40cm high (2)
R 3 000 - R 4 000
1068A JAPANESE BLUE AND WHITE
CHARGER, MEIJI PERIOD,
1868-1912
painted with two birds perched on blossoming peony branches enclosed within a fl owerhead border, scalloped rim, chip 47cm diameter
R 900 - R 1 200
1069A JAPANESE IMARI LAMP BASE,
MEIJI PERIOD, 1868-1912
the tapering ovoid body painted with alternating shaped panels enclosing birds amongst foliage reserved against a dense ground of fl owerheads and scrolling foliage above a stylised lappet band, the neck with further alternating panels enclosing mythical birds and foliage 40cm high, fi tted for electricity
R 3 000 - R 4 000
1070A JAPANESE KUTANI BOTTLE
VASE, MEIJI PERIOD, 1868-1912
painted with a band of butterfl ies amongst lotus blossoms and scrolling foliage below a band of rondels reserved against an alternating diaper and fi shscale ground, the neck with wrigglework, chip, gilding rubbed, signed 17,5cm high
R 600 - R 800
GLASS
1071THREE ‘MARY GREGORY’
CRANBERRY GLASS VASES,
LATE 19TH CENTURY
each of various form, typically decorated with a young girl, gilt rim, chipsthe tallest 21,5cm high (3)
R 900 - R 1 200
1072A CRANBERRY GLASS
ELECTROPLATE-MOUNTED
CASTER, LATE 19TH CENTURY
faceted cylindrical body, pierced domed cover; 15cm high; Another, the pear-shaped body with internal faceting, electroplate worn, 16cm high; A Pair of ‘Cranberry’ Glass Electroplate-mounted Casters, 20th Century, each cylindrical body cut with a spray of berries and foliage, 12,5cm high; A Cranberry and Clear-glass Vase, Late 19th Century, the tapering ovoid body with internal moulded rondels, frilled rim, circular foot, 20,5cm high; A Smaller Example, raised on a blue-glass pincered trail foot, 9cm high; and Two ‘Cranberry’ and Clear-glass Jugsthe taller 14cm high (8)
R 1 000 - R 1 200
1078
CAPE TOWN, 5 & 6 OCTOBER 2010 • 179
1073A CRANBERRY AND CLEAR-
GLASS DECANTER JUG AND
STOPPER, LATE 19TH CENTURY
the interior with honeycomb moulding, applied with a fl uted loop handle, associated ball stopper, chip, 24cm high; A Cranberry and Clear-glass Flask Decanter, Late 19th Century, faceted neck, applied with a loop handle, star-cut base, stopper lacking, 19cm high; and A Cranberry Glass Shaft-and-Globe Decanter and Stopper, Late 19th Century, with internal spiral fl uting, ball stopper 28cm high (3)
R 1 500 - R 2 000
R 1 500 - R 2 000
1074A CRANBERRY AND
CLEAR-GLASS BASKET,
LATE 19TH CENTURY
the globular body applied with trailed glass frill to rim and foot, reeded handle, 20,5cm high; and A Cranberry and Clear-glass Bowl and Cover, Late 19th Century, circular, applied with a pincered trail and fi nial, the domed cover painted with fl oral sprays 16cm diameter (2)
R 700 - R 900
R 700 - R 900
1075A CRANBERRY CUT-GLASS
TRUMPET-SHAPED VASE,
LATE 19TH CENTURY
cut with a spiral of fruiting vines, spreading circular foot 47cm high
R 700 - R 900
R 700 - R 900
1076TWO PAIRS OF SILVER-MOUNTED
CRANBERRY GLASS BEAKERS,
EARLY 20TH CENTURY
each associated pierced mount with cherubs, foliage and scrolls, two with a vacant cartouche and ram’s-head and scoll handle, the others with mythical bird and scroll handles, the mounts hallmarked Birmingham, 1903 and 1911; and A Miscellaneous Group of Eight Cranberry and Clear-glass Drinking Glasses and Cups (12)
R 600 - R 800
R 700 - R 900
1077A SET OF SIX LARGE CUT-GLASS
GOBLETS, EARLY 20TH CENTURY
each cup-shaped bowl cut with pineapples and swags, tapering hexagonal stem 28cm high (6)
R 3 000 - R 4 000
R 700 - R 900
1078A LE VERRE FRANCAIS CHARDER
SILVER-MOUNTED ‘MYRTILLES’
PATTERN CAMEO GLASS VASE,
1920s
the tapering cylindrical body of colourless glass with blue powder, overlaid in mottled blue, acid etched and wheel carved with bands of stylised blueberries and foliage, raised on a silver spreading foot with basket-weave bands, cameo mark Charder, the silver hallmarked Birmingham, 1936, mount possibly later 44,5cm high
ILLUSTRATED ON OPPOSITE PAGE
R 15 000 - R 20 000
R 700 - R 900
1079‘DAHLIAS’: A LALIQUE FROSTED
AND OPALESCENT GLASS BOWL
designed 1921, Marcilhac page 749, number 3210, circular, the exterior moulded with fl owerheads and foliage, moulded R. LALIQUE FRANCE
24cm diameter
R 4 000 - R 6 000
R 700 - R 900
1080‘COQUILLE NO. 5’: EIGHT
LALIQUE OPALESCENT GLASS
BOWLS
designed 8 December 1924, Marcilhac page 748, number 3204, the exterior of each moulded with four shells, engraved R Lalique, No 3204, 13cm diameter; ‘Coquille No. 4’: Seven Lalique Opalescent Glass Plates, designed 1924, Marcilhac page 701, number 3012, engraved R Lalique, No 3012, 20cm diameter; and ‘Coquille No. 3’: A Lalique Opalescent Glass Plate, designed 1924, Marcilhac page 701, number 3011, engraved R Lalique23cm diameter (16)
PART ILLUSTRATED
R 20 000 - R 30 000
R 700 - R 900
1080 PART LOT
180 • DECORATIVE AND FINE ARTS
1081
1081‘BOUCHARDON’: A LALIQUE
CLEAR AND FROSTED TWO-
HANDLED GLASS VASE
designed 29 October 1926, Marcilhac page 435, number 981, of spherical form with everted rim, applied with handles each in the form of a seated naked female holding a garland of fl owers, moulded R. LALIQUE
12,5cm high
ILLUSTRATED
R 15 000 - R 20 000
R 700 - R 900
1082‘ORMEAUX’: A LALIQUE
OPALESCENT GLASS VASE
designed 30 December 1926, Marcilhac page 435, number 984, the globular body moulded overall with foliage, stencilled mark R. LALIQUE, engraved France16,5cm high
ILLUSTRATED ON OPPOSITE PAGE
R 8 000 - R 10 000
R 700 - R 900
1083‘MALESHERBES’: A LALIQUE
FROSTED AMBER-GLASS VASE
designed 17 January 1927, Marcilhac page 442, number 1014, the tapering ovoid body moulded overall with foliage, chip, engraved R. Lalique France No. 101423cm high
ILLUSTRATED ON OPPOSITE PAGE
R 5 000 - R 7 000
R 700 - R 900
1084‘DAHLIAS’: A LALIQUE FROSTED
AND ENAMELLED GLASS SCENT
BOTTLE AND STOPPERdesigned 9 April 1931, Marcilhac page 346, number 617, repair to stopper, stencilled mark R. LALIQUE FRANCE, 13cm high; ‘Dahlias’: A Lalique Frosted and Enamelled Glass Box and Cover, designed 9 April 1931, Marcilhac page 346, number 620, circular, chips, stencilled mark R. LALIQUE FRANCE, 12cm diameter; and ‘Dahlias’: Three Lalique Frosted and Enamelled Glass Ashtrays, designed 2 February 1929, Marcilhac page 275, number 301, two with remains of blue staining, moulded R. LALIQUE FRANCE, engraved No 301 7,5cm diameter (5)
R 3 000 - R 4 000
R 700 - R 900
CAPE TOWN, 5 & 6 OCTOBER 2010 • 181
1085‘DAUPHINS’: A LALIQUE
OPALESCENT AND BLUE-STAINED
GLASS VASE
designed 7 June 1932, Marcilhac page 464, number 10-900, the exterior moulded with fi sh swimming amongst spiralling waves, stencil mark R.
LALIQUE FRANCE
14cm high
ILLUSTRATED
R 10 000 - R 15 000
R 700 - R 900
1086‘VOLUTES’: A LALIQUE
OPALESCENT GLASS BOWL
designed 17 April 1934, Marcilhac page 309, number 10-395, the underside moulded with spiralling bands of bubbles, stencilled mark R.
LALIQUE FRANCE
25cm diameter
ILLUSTRATED
R 4 000 - R 6 000
R 700 - R 900
1087‘MALAGA’: A LALIQUE GLASS
WINE COOLER
designed 25 November 1937, Marcilhac page 782, number 10-3475, the tapering cylindrical body moulded overall in low relief with bunches of grapes, engraved Lalique France14,5cm high
ILLUSTRATED
R 3 000 - R 4 000
R 700 - R 900
1088‘ENFANTS’: A LALIQUE FROSTED
GLASS BOX AND COVER, POST
1945
circular, moulded with a band of putti, the domed cover with bands of roses, engraved Lalique France11cm diameter
R 1 500 - R 2 000
R 700 - R 900
1083
1087
10851082
1086
182 • DECORATIVE AND FINE ARTS
1089A COSTEBELLE OPALESCENT GLASS DRESSING TABLE SET, CIRCA 1930
each piece moulded with panels enclosing birds in fl ight, comprising: a scent bottle and stopper, a perfume atomiser and a box and cover, chip, moulded factory mark the atomiser 14cm high, cased (3)
R 3 000 - R 4 000
1090A FRENCH OPALESCENT GLASS BOWL, 20TH CENTURY
circular, the underside moulded with bands of geometric patterns, moulded MADE IN FRANCE
30cm diameter
R 800 - R 1 000
1091LIVIO SEGUSO (1930-): A GREEN-GLASS ART SCULPTURE
of ovoid form, the interior with iridescent ‘embryo’ form, irregular bubble inclusions, cased in green glass, engraved Livio Seguso29cm high
ILLUSTRATED
R 20 000 - R 30 000
1092A SAINT LOUIS CRYSTAL TABLE LAMP BASE, 20TH CENTURY
spiral fl uted, acid etched factory mark34cm high, fi tted for electricity
R 1 200 - R 1 500
1093A WMF IKORA GLASS BOWL, CIRCA 1930the lobed mottled ochre body with irregular bubble inclusions, 23,5cm diameter; and An Amber-glass Bowl, 20th Century, with irregular bubble inclusions, impressed factory mark29,5cm diameter (2)
R 1 500 - R 2 000
1094A WMF IKORA GLASS DISH, 1930s
circular, the colourless glass internally decorated with green powders and burst open crackle31,5cm diameter
R 1 200 - R 1 500
1095A LEERDAM SATINATED GLASS FIGURE OF MADONNA AND CHILD,
CIRCA 1930
designed by Stef Uiterwaal, moulded artist’s monogram 37cm high
R 1 000 - R 1 500
1096AN ARTE VETRARIA MURANESE LATTICINO MILLEFIORI ‘TUTTI-FRUTTI’
GLASS VASE, 1950s
of tapering cylindrical form with random millefi ori, zanfi rico and fi ligrana design set against a silver-leafed deep red interior19,5cm high
R 1 200 - R 1 500
1097A GROUP OF FOUR SEGUSO LATTIMO GLASS WARES,
CIRCA 1960
each cased in clear glass, comprising: a vase, a stylised fl ower and two apple sculptures, in sizes, the vase engraved Segusothe vase 22cm high (4)
R 3 000 - R 4 000
1098A ROYAL BRIERLEY STUDIO CASED PURPLE AND GOLD IRIDESCENT
GLASS VASE, 1980s
of tapering ovoid form with everted neck, acid etched factory mark, paper label 22cm high
R 1 500 - R 2 0001091
CAPE TOWN, 5 & 6 OCTOBER 2010 • 183
WORKS OF ART
1099AFTER EMILE PICAULT (1833-1915): A FRENCH BRONZE
OF A WARRIOR
modelled standing, a sword in his right hand resting on a shield bearing the inscription ‘HONOR PATRIA’, signed on the base E.
PICAULT, with label ‘Le Devoir Par E. Picault, and stamp ‘vrai bronze garanti, Paris’29,5cm high
R 1 500 - R 2 000
1100HEINRICH VON MICHAELIS (1912-1990): AN ART DECO STYLE BRONZE
FIGURE OF FALCON ATTACKING A DUCK
on an oval base, chip, signed and dated 193558cm high
ILLUSTRATED
R 15 000 - R 20 000
PROPERTY OF THE ESTATE
LATE MRS C A M CUNNOLD
1101A PAIR OF CHINESE BRONZE TRIPOD CENSERS AND COVERS,
LATE 19TH CENTURY
each globular body moulded in low relief on either side with birds amongst foliage, elephant-head handles, raised on three bamboo-moulded feet, the pierced cover with a seated Buddhistic-lion fi nial 37cm high (2)
R 5 000 - R 7 000
VARIOUS PROPERTIES
1102A CHINESE CLOISONNÉ BANDED TWO-HANDLED VASE,
19TH CENTURY
of archaistic form, the tapering ovoid patinated bronze body enemelled with four bands of lotus blossoms amongst scrolling foliage, the shoulder applied with a pair of taotie-mask-and-ring handles, enamel loss, seal mark32cm high
R 3 000 - R 4 000
1103A PAIR OF CHINESE CLOISONNÉ ENAMEL CENSERS
IN THE FORM OF DUCKS
each with an elegant S-shaped neck, the wings in the form of a removable cover, decorated overall with archaistic scrollwork and hook patterns against a white ground, gilt-bronze beak and feet, chips, impressed numerals15,5cm high (2)
R 2 000 - R 3 000
1104A CHINESE CARVED IVORY VASE, LATE 19TH CENTURY
of tapering ovoid form with elongated neck, carved in low relief on either side with a panel enclosing peonies issuing from rockwork reserved against a ground of further peonies and foliage below a band of fl owerheads and scrolls, the neck with a band of lappets below further panels, the oval foot with a Greek-key border, crack25cm high
R 3 000 - R 4 000
1100
184 • DECORATIVE AND FINE ARTS
1105A CHINESE EXPORT IVORY CARD
CASE, 19TH CENTURYthe rectangular body carved with fi gures amidst pavillions and blossoming trees, 10cm high; and A Pair of Chinese Export Ivory Handles, 19th Century, each tapering cylindrical body carved with a dragon, birds and butterfl ies amongst clouds between bands of stiff leaves and fl owerheads17cm long (3)
R 1 500 - R 2 000
R 1 500 - R 2 000
1106A JAPANESE IVORY OKIMONO
OF A MAIDEN, MEIJI PERIOD,
1868-1912
standing, holding a scythe in her left hand and carrying a basket fi lled with foliage and a tied bundle of grasses, cracks, losses, 17,5cm high, with wooden stand; and A Japanese Ivory Okimono of a Farmer, Meiji Period, standing, feeding the rice chaff from a rice scoop to a chicken by his feet, signed, repair, cracks 11,5cm high (2)
R 2 000 - R 3 000
R 1 500 - R 2 000
1107A JAPANESE IVORY OKIMONO
OF A FARMER AND CHILD, MEIJI
PERIOD, 1868-1912
standing, holding a bamboo broom with which he sweeps fallen fruit and foliage, a child by his side reaching for the branch of fruit which he holds in his right hand, cracks14cm high, fi xed wooden stand
R 3 000 - R 4 000
R 1 500 - R 2 000
1108A JAPANESE IVORY OKIMONO
OF A TRADESMAN, MEIJI PERIOD,
1868-1912
standing, resting a tray ladened with containers of food and beverage on his right shoulder and carrying a lantern in his left hand, a kinchaku attached to his obi, repair, cracks, signed17cm high, with wooden stand
ILLUSTRATED
R 4 000 - R 6 000
R 1 500 - R 2 000
1108
1112
1109
1113
1110
1114
1111
CAPE TOWN, 5 & 6 OCTOBER 2010 • 185
1109A JAPANESE IVORY OKIMONO
OF AN ELDERLY PEASANT, MEIJI
PERIOD, 1868-1912
standing, holding a staff in his right hand and carrying a basket fi lled with a bundle of water lilies over his shoulders, chip, cracks, signed17cm high, with wooden stand
ILLUSTRATED ON OPPOSITE PAGE
R 5 000 - R 7 000
R 1 500 - R 2 000
1110A JAPANESE IVORY OKIMONO
OF A CHICKEN FARMER, MEIJI
PERIOD, 1868-1912
standing, lifting a woven bamboo cage releasing a hen and her chicks for feeding time, chip, cracks, repair, signed17cm high, with wooden base
ILLUSTRATED ON OPPOSITE PAGE
R 7 000 - R 9 000
R 1 500 - R 2 000
1111A JAPANESE IVORY OKIMONO
OF A FISHERMAN, MEIJI PERIOD,
1868-1912
standing bare foot, wearing an apron of straw, holding a harpoon in his right hand, his left arm raised as if looking out to sea, losses, cracks, signed19cm high, with wooden stand
ILLUSTRATED ON OPPOSITE PAGE
R 5 000 - R 7 000
R 1 500 - R 2 000
1112A JAPANESE IVORY OKIMONO OF
AN EGG SELLER, MEIJI PERIOD,
1868-1912
seated on a rush mat, holding a soroban, a woven basket fi lled with eggs and a hatching chick by his side, an open account book resting on top of the basket and another by his side, chips, cracks, repair, signed10cm high, with wooden stand
IILLUSTRATED ON OPPOSITE PAGE
R 5 000 - R 7 000
R 1 500 - R 2 000
1113A JAPANESE IVORY OKIMONO OF
A WOODSMAN, MEIJI PERIOD,
1868-1912
seated on a bundle of faggots rolled in a rush mat, holding a double-gourd vessel and a cup, cracks, seal lacking9,5cm high, with wooden base
ILLUSTRATED ON OPPOSITE PAGE
R 5 000 - R 7 000
R 1 500 - R 2 000
1114A JAPANESE IVORY OKIMONO OF
A MAN TYING HIS LACES, MEIJI
PERIOD, 1868-1912
standing with one foot raised on a tree trunk, fastening with both hands the laces of his waraji, two woven and tied bundles by his foot, chips, cracks, signed9,5cm high, with wooden stand
ILLUSTRATED ON OPPOSITE PAGE
R 4 000 - R 6 000
R 1 500 - R 2 000
1115A JAPANESE IVORY OKIMONO OF
A BARREL-MAKER, MEIJI PERIOD,
1868-1912seated on a rush mat, listening to the song of a bird perched above him as he works on the inner side of a large barrel with a tool which he holds with both hands, a box of tools beside him, cracks, seal lacking12cm high, with wooden stand
ILLUSTRATED
R 10 000 - R 15 000
R 1 500 - R 2 000
1116A JAPANESE IVORY OKIMONO OF
THREE FIGURES, MEIJI PERIOD,
1868-1912
a samurai standing, supporting a peasant with an anguished expression, a double-gourd vessel in his right hand and clutching a sword in his left, a kneeling tradesman by their side with a pleading expression, a wooden bucket, bundle and a basket by their feet, cracks, chips, signed13cm high, with wooden stand
R 6 000 - R 8 000
R 1 500 - R 2 000
1115
186 • DECORATIVE AND FINE ARTS
1117A JAPANESE BRONZE FIGURE OF
A FARMER, LATE MEIJI PERIOD,
1868-1912
modelled seated on a tree stump, holding a basket of food in his left hand and chopsticks in his right, his scythe by his side, signed 16cm high, with wooden stand
R 3 000 - R 4 000
1118ISODA KORYUSAI (1764-1788):
TWO JAPANESE WOODBLOCK
PRINTS
oban tate-e, one depicting four courtesans, the other with two courtesans playing with a child, signed Koryusai ga, published by Eijudo, staining, creasing, framed (2)
R 2 000 - R 3 000
1119KUNISADA/TOYOKUNI III
(1786-1865): A JAPANESE
WOODBLOCK TRIPTYCH
oban triptych, depicting a three-quarter portrait of a nobleman and two courtesans before a plum tree at night, signed Toyokuni ga, creasing, fading, framed
R 3 000 - R 4 000
1120OHARA KOSON (1877-1945): TWO
JAPANESE WOODBLOCK PRINTS
rectangular, one with starlings diving, the other with sparrows in fl ight amongst plantains, foxing, Ohara Koson seal, framed (2)
R 2 000 - R 3 000
1121OSAKA SCHOOL: TWO JAPANESE
WOODBLOCK PRINTS OF KABUKI
ACTORS,
LATE 19TH/EARLY 20TH CENTURY
koban tate-e, each depicting a bust portrait, signed, framed(2)
R 1 500 - R 2 000
1122TWO JAPANESE ‘KIMONO’
PATTERN WOODBLOCK PRINTS,
EARLY 20TH CENTURY
aiban yoko-e, one depicting a fl ower-fi lled jardiniére, the other a fi gure playing a fl ute, signed, staining, creasing, framed (2)
R 1 500 - R 2 000
1123TWO THAI GILT PAINTINGS ON
BLACK SILK
each rectangular, one depicting the Khmer mermaid Sovan Macha embracing the monkey general Hanuman, the other with two traditional Thai dancers, 28cm by 26cm, framed; and A Thai Painting on Black Silk, square, depicting three musicians 28cm square, framed (3)
R 2 000 - R 3 000
1124A TIBETAN SILK EMBROIDERED
THANGKA OF GREEN TARA,
18TH CENTURY AND LATER
the large central fi gure of Green Tara seated in lalitasana, the attitude of ease, on a multi-coloured lotus, resting her right foot on a separately cast bloom, her naked upper torso swaying gently to the left as she raises her left hand holding the stem of a lotus fl ower, the right hand held down at the knee in the gesture of charity, varada mudra, and holding the stem of another lotus, her placid face backed by a red halo, surrounded by twenty further Green Tara and two Buddhist religious leaders, Tsong-Khapa and Atisa, surrounded by clouds amongst precious objects and foliage enclosed within silk borders above a dragon amongst stylised clouds and waves, silk overlay169cm by 148cm
PART ILLUSTRATED ON OPPOSITE PAGE
R 8 000 - R 10 000
1125A THAI GILT-BRONZE FIGURE OF A
BUDDHA, 20TH CENTURY
seated in vajrasana on a three-tier base, his right hand in bhumisparshamudra, the left resting on his lap, wearing samghati, his face with meditative expression, elongated earlobes, curled hairdress and usnisha topped by a fl ame30,5cm high
PROVENANCERustenberg Estate
R 1 500 - R 2 000
1126A GANDHARA STUCCO HEAD OF
BUDDHA, EARLY 20TH CENTURY
after the originals from 2nd-4th Century, the oval face carved with a meditive expression, arched eyebrows above heavy lidded eyes, pursed lips and his hair arranged in incised ridges terminating in a domed ushnisha, 18cm high, with wooden stand; and A Gandhara Stucco Head of an Aged Man, Early 20th Century, with gaunt, angular features and abundant beard13cm high, with wooden stand (2)
R 3 000 - R 4 000
1127A KHMER-STYLE BRONZE HEAD
OF A DEITY
his face with full lips and incised eyes, his curly hair rising to a conical chignon secured by a foliate tiara tied neatly at verso, 28cm high, raised on a wooden base; and Another, with braided hair rising to a domed ushnisha 24cm high, raised on a wooden base (2)
PROVENANCERustenberg Estate
R 5 000 - R 7 000
CAPE TOWN, 5 & 6 OCTOBER 2010 • 187
1128A LARGE PAIR OF BRONZE TANG-STYLE FIGURES OF CAPARISONED
PRANCING HORSES, 20TH CENTURY
each modelled standing with foreleg raised and with open mouth, the trappings hung with tassels, the saddle covered with a blanket, on a rectangular base95,5cm high (2)
PROVENANCERustenberg Estate
R 6 000 - R 8 000
1129A PAIR OF THAI-STYLE BRASS-MOUNTED FIGURES OF CAPARISONED
ELEPHANTS, 20TH CENTURY
each painted with overall verdigris-style patina36,5cm high (2)
PROVENANCERustenberg Estate
R 3 000 - R 4 000
1130 NO LOT
1124 DETAIL