seven words, seven worlds

7/30/2019 Seven Words, Seven Worlds

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Seven Words, Seven Worlds

for 12 voices

Commissioned by OSSIA New Music for the 2008 /2009 concert season


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3/27

This work is free of charge and may be reproduced and disseminated freely, provided it isdisseminated in its entirety without alteration. The work remains copyright of the author ScottPetersen 2008. This work is licensed through ASCAP. Licensed performance venues mayincur a charge for its performance. Performers of this work will incur no such charge.

With the exception of the front cover image, all text, music, layout and design by ScottPetersen.

The front cover image is copyright 2004 Buddha Dharma Education Association Inc. It maynot be used commercially.


for 12 voices


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Sep Vortoj, Sep Mondoj

Sep vizaoj rigardadas de via korspaco. Atente observu, ili farias unu.Sep Montoj; iu siavice farias via piedbenkto.

Sep Arboj staras sur la montopinto. Ili estas la savo.

Sep vortoj, simetrie penditaj, sur tempo kaj lango ekvilibras.

Sep Mondoj la suno orbitas, plenaj de devoto.

Sep steloj silente realecon konturas.

Sep formioj, senvizaaj, senmontaj, senarbaj, senvortaj, senmondaj, senstelaj. Sepeca tempo; laalia flanko estas malplena.


Seven faces stare from your heart-space. Look intently, they become one.

Seven Mountains, each one in turn becomes your step-stool.

Seven trees stand on the mountain top. They are salvation.

Seven words, hung symmetrically, balance on time and tongue.

Seven worlds circle the sun, full of devotion.

Seven stars silently outline reality.

Seven formations, faceless, mountainless, treeless, wordless, worldless, starless. Seventh-time; the other side is empty.


Sep Vortoj, Sep Mondoj


5/275

Guide to Pronunciation

For all text in Esperanto (All text beginning with "Sep...") the following guide should be used:

Letter Sound clarificationA like a in father Atente - AttentivelyE like e in pet Sep - Seven

I like i in machine Rigardadas - to stare, to regardO like o in November Koro - heartU like oo in moose Unu - one

Consonants

Letter Sound clarification Word exampleB like English b piedbenkto - footstoolC like English ts korspaco - heart-space (this word is made up...) like ch in church iu - each, every

D like English d devoto - devotionF like English f formioj - formationsG like g in garage granda - large like g in gem farias - to become

H like English h horo - hour like ch in Scottish loch oro - choirJ like y in young Arboj - trees like s in pleasure urnalo - daily newspaperK like English k konturas - to draw, delineateL like English l steloj - starsM like English m montopinto - MountaintopN like English n nokto - nightP like English p piedbenkto - footstoolR trilled like Spanish r realecon - realityS like English s sep - Seven like English sh ipo - shipT like English t tago - day like English w ato - car

V like English v vivo - lifeZ like English z zebro - zebra

Text for Seven Words:

ih = "hit"ah = "father"oh = "boat"

Text for In Obscuro

ma = "father"wih = "hit"eh = "pet"uh = "but"ee = "leech"o = "boat"oo = "booze"

Text for Something Repeated:

i = ee as in "reek"o = o as in "boat"a = a as in "father"ee = ee as in "leech"

ih = i as in "hit"ihy = hold i as in "hit" and apply y before next syllable.u = oo as in "booze"

Text for Epifanio:a = a as in "father"


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7/277

I - Intoning - notesGather silently outside the performance area and, very quietly and asynchronously, begin intoning thefollowing pitch (d4) either 2 minutes before performance time, or during the applause for the previouspiece. This pitch will be the reference pitch for the rest of the work, so it is very important to be ableto remember it and sing it at any time.

Next, process into the performance space and onto the stage (should there be one.)Begin very softly and cresc. to mf by the time you enter the performance area. Seefig.A for the procession configuration. The stage setup is shown in fig.B.

Once everyone is in position, the singers should sit cross-legged. It is important that the tonic pitch never be lostduring the entire procession. If the performers wish,pillows or a rug may be used to sit on, but if any pillows orcushions are used, all of the performers should use them.

After everyone is seated and comfortable, continue holding thetonic for 10-15 seconds.

& W

& W

I - Intoning

Procession

-2 minutes *or* applause 0:00 to 0:45-1:30 + 10'' 15''

(seating)

(hold)to II

12 378

4 5 69

101112

1

37

5

6

10

2 8

4 9

1112

fig.A

fig.B


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II - Seventh-Time - notes

Voice 1: Still on the note 'd', repeat the word group (a) faster each time. Additionally, slap yourthigh on the 'unu' for each repetition. For the first time, raise your hand in the air first, tosignal to the other singers that this section is about to begin and they should start countingrepetitions. Drop out words when repetition becomes difficult, but maintain rhythm. example:

'unu - (rest) - tri - (rest) - kvin' - repeat. When it becomes too fast to sing all of yourwords, simply repeat 'unu' while slapping your thigh. When the other singers have all held theirnotes, (and you are repeating 'unu' at an insanely fast tempo) stop.

Voices 2-12: Starting on repetition number 3, chant the text (still on 'd'), one syllable at a timecoinciding with the pattern of voice 1. As time goes on, speed up, asynchronously with the restof the group so that by the end of the text, you are neither with voice 1 nor with anyone else.The last word "malplena" should be as fast as possible. Hold the last syllable 'na'.

Sep formioj, senvizaaj, senmontaj, senarbaj, senvortaj, senmondaj, senstelaj. Sepeca tempo; laalia flanko estas malplena.

unu - du - tri - kvar - kvin

Sep for_moj sen_vis_a_gaj etc...

x2 x3 x4 x5 x6 x7 x8 x9 etc...Voice 1

Voices 2 - 12

(a)

II - Seventh-Time

Text:

(repeats)

hold lastsyllable "_na"

Increase speed & loudness


9/279

Interlude I - notes

Voices 5 & 6: After holding the final "_na" of "malplena" for approximately 10 seconds, begin theinterlude. Sing clearly and plainly with no vibrato at a dynamic of mf or thereabouts. Emphasizecorrect pitch and intonation above all else.

Voices 1-4, 7-12: As soon as 5 & 6 begin singing, begin a long (10-15 seconds) diminuendo tosilence.

&

&

c

c

Voice 5

Voice 6

. b

b

.

n b

#

n b

. b

b

Sep Vi - za - oj ri - gar - di - das de via kor-spa-co.

Sep Vi-za - oj ri - gar - - - di - das de

&

&

Voc 5

Voc 6

7

b b

n

b b

k k n-

# b b

- nk >

n- -

b

.n

#

w

w

A-ten - - te ob-ser - vu i - li far-gas u - - nu.

via kor-spa- co. A - ten-te ob-ser-vu i - li far-gas u - nu.

Full Stop (silence) 5''

Interlude I

@

mfmf

mfmf


10/2710

III - Seven Words - notes

Voice 1: Cue the start of the movement as you did for II (raised hand followed by downbeat.)

Voices 1 & 2: After the movement has started, sing any of the pitches in your boxes, PP, andstaccato. Do not sing more than 2 pitches every 2-3 seconds.Voices 3-12: Sing mf without vibrato.

III - Seven Words

ih ah oh ah

ih ah oh ah

ih ah oh ah

ih ah oh ah

ih ah oh ah

ih ah oh ah

ih ah oh ah

ah oh ah

ah oh ah

ih ah oh ah

&&&&&

&VVV???

Voice 1Voice 1

Voice 2Voice 2

Voice 3

Voice 4

Voice 5

Voice 6

Voice 7

Voice 8

Voice 9

Voice 10

Voice 11

Voice 12

b b b bb b b b

. . w ..w. .b b b . b wb ..w. .b b b . b wb ..w

. . w ..w . . w ..w . . w ..w . . w ..w . . w ..w

.b b b . b wn ..w .b b b . b wn ..w

..

..

..

..

- - - -

- -

-

- - --

- -

-

-

-

-

-

-

- -

- - - - - - -

- - - - - - -

- -

- -

- - -

- - - -- - -

- - - - - - -

-

- -

- - -

-

- -

-

- -

@ all hold except 7-10


11/2711

Interlude II - Sep Montoj


12 3

4 5 6

1112

7

8

9

10

&

&&

&

c

cc

c

Voice 7

Voice 8

Voice 9

Voice 10

!

!

!

b n

!

#

bb

b b

# b

b#

&&

&

&

Voc 7

Voc 8

Voc 9

Voc 10

5

b

. b b

#

b

w

.#

b

ww

w

ww

w

w

Sep Mon - toj; iu sia - vi - ce fa - - ri - as via

pied - ben - kto.

Sep Mon - toj; iu sia - vi - ce fa -

ri - as via pied - ben - kto.

Sep Mon - toj; iu sia - vi -

- ce fa - ri - gas via pied - ben - kto.

Sep Mon - - toj; iu

sia - vi - ce fa - ri - as via pied - ben - kto.

@

12 3

4 5 6

1112

7

8

9

10

IV - Mantra - Notes

Voices 7-10: Following the 5" of rest, move to the area indicated below in diagram A facing each other (8 &10 looking forward, 9 & 7 looking at 8 and 10.) Once there, sing precisely and without vibrato at a dynamicof 'f.' Breathe when necessary. When you are finished, return to your original positions (Diagram B)

All others: Hold your pitches until singers 7-10 have started singing, then diminuendo to nothing over 5''-10''.

Diagram A Diagram B


12/27

&&

&&&&VVV

???

cc

cccc

ccc

ccc

Voice 1

Voice 2

Voice 3

Voice 4

Voice 5

Voice 6

Voice 7

Voice 8

Voice 9

Voice 10

Voice 11

Voice 12

ww

wwwwwww

www

b b n b b n

b b n wwb b n

b b n b b n b b n

wwb b n

jb b n jb b n

jb b n ww jb b n jb b n jb b n jb b n

ww Jb b n

. .

b b ww b b

b b b b b b

bb b b

b b

ww

jbwwn jb

b jb

b jb jb

n Jbn Jb Jb

IV - Mantra - Notes

Voice 1: begin movement as previous.All: Sing confidently and as rhythmically precise as possible.

12

IV - Something Repeated@

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

mf- fmf- f

Sith - saf - ya Sa-0- ya - wa___

Sith - saf - ya Sa-0- ya - wa___

Sith - saf - ya Sa-0- ya - wa

Sith - saf - ya Sa-0-ya - wa





Sith - saf - ya Sa-

Sith - saf - ya Sa-

Sith - saf - ya Sa-

Sith - saf - ya Sa-

Sith - saf - ya Sa-

Sith - saf - ya Sa-

Sith - tha - ta__ tha - ta__ Sa-

Sith - tha - ta__ tha - ta__ Sa-

>

>

>

>

>

>

>

>

>

>

>

>

All hum first note


13/27

&&&&

&&V

VV??

?

Voc 1

Voc 2

Voc 3

Voc 4

Voc 5

Voc 6

Voc 7

Voc 8

Voc 9

Voc 10

Voc 11

Voc 12

6

ww b n

. b b

. b b b n

b b

b b

b b b

b

. b b

. b b

b b n # b b

# b bb b n b b #

bb #

b b n ww

b b n

#

jb b

# jb b

jb b n # jb b

# jb b jb b n # jb b

# jb

b

jb b n ww

Jb b n

b b

b b

b b b b

b b

ww jb

w

wn jb

w

w jb b

b

Jb

b b b

w

w b n

.

. b # #

b

13


Sith - saf - ya sa-0-ya - wa



Sith - saf - ya Sa- 0-ya - wa




0-ya - wa

0-ya - wa

0-ya - wa

0-ya - wa

0-ya - wa

0-ya - wa

Thees - ya_ thees-ya__ tha-ta__ tha-ta_

Thees - ya_ thees-ya__ tha-ta__ tha-ta_

Thees - ya_ thees-ya__ Thees- ya___

Thees - ya_ thees-ya__ Thees- ya___

0-ya - ta

0-ya - ta Thees-ya_ thees - ya__ Thees-ya___

Thees-ya_ thees - ya__ Thees-ya___ tha-

tha-

tha- ta_ tha-ta_ tha - ta_ thas_ya

tha- ta_ tha-ta_ tha - ta__thas_ya


14/27

&&&&

&&V

VV??

?

Voc 1

Voc 2

Voc 3

Voc 4

Voc 5

Voc 6

Voc 7

Voc 8

Voc 9

Voc 10

Voc 11

Voc 12

12

b b b b n

b

b b b n

b #

b # b b n # #

b b n

# # jb b n

# .

# b jb b n w

w jb b n ww

Jb b n

b n b n

b b

b

b b b

b

b

b b . .

b b

b b jb

b

b n jb

jb

Jb

b b b

b b

b b b n

# n b b

# n b b b

b

b b n b b b n b

b b n

b b

b b b b n b b

bb b b n

b b n

14

ta_ thas-ya_ nif - ta_ ta - yaf_ tha - ya__ tas- tya - si_ wuh - tha_

ta_ thas-ya_ nif - ta_ ta - yaf_ tha - ya__ tas- tya - si_ wuh - tha_

- thas-ya___ ta - yaf_ ta - ya__ ta - ya_ ta - ya_ ta- ya_ ta-

- thas-ya___ ta - yaf_ ta - ya__ ta - ya_ ta - ya_ ta- ya_ ta-

Sith - saf - ya Sa-0-ya - wa Sith - saf - ya Sa- 0- ya - wa Sith - saf -




tha- ta_ thas-ya__ nif - ta_ thay- na_ ta - fu- wa_ tha - ta wu - tha_

tha- ta_ thas-ya__ nif - ta_ thay- na_ ta - fu- wa_ tha - ta wu - tha_

tha- ta_ thas- ya__ nif - ta_ nif - ya__ nif - ya_ tas - tya- si_

tha- ta_ thas- ya__ nif - ta_ nif - ya__ nif - ya_ tas - tya- si_


15/2715

wu - tha_ wu - tha_ wu - tha_ wu - tha_ wu - tha__


- ya Sa- o- ya - - wa wu - tha_ wu - tha_ wu - tha__



wu - tha_ wu - tha_ wu - tha__

- tus - ya - si__ wu - tha_ wu - tha_ wu - tha_

- tus - ya - si__

- Sa- o- ya - - wa wu - tha_ wu - tha_ wu - tha__



ta - ya_ wu - tha_ wu - tha_ wu - tha_ wu - tha_

ta - ya_ wu - tha_ wu - tha_ wu - tha_ wu - tha_

&&&&

&&V

VV??

?

Voc 1

Voc 2

Voc 3

Voc 4

Voc 5

Voc 6

Voc 7

Voc 8

Voc 9

Voc 10

Voc 11

Voc 12

18

bb

b b

jb b n

b b

b b jb b n b b

bb

jb b n b b n b

b b n b

Jb b n

bb b b

b b b b

b b b b b b

b

b b b

b b b b

b b

bb b b

b b b b

b b b b b b b

b

b b

b b b b

b b

bb

b b

b b

b b

b b b b

b b

bb

b b b b b b

b b

!

!

!

!

!

!

!

!

!

!

!

!


16/27


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&&&&

&&V

VV??

?

Voc 1

Voc 2

Voc 3

Voc 4

Voc 5

Voc 6

Voc 7

Voc 8

Voc 9

Voc 10

Voc 11

Voc 12

29

# b n j

w #

b n j w #

b nj

w # b n J

w

b b b n j

w b b

b n j w b b

b nj

w b b b n J

w

b nb n j

w b n

b n j w b n

b nj

w b nb n J

w

b b n b n w b b n n

b n w b b n n

b n w b b n n

b n

w

w

www

www

www

w

w

17

All hold except 8, 9 & 10

tha - fa- yef - sa_ Nis - tha - sa - ta wo - fi - ya - sa___

sath - sa_ sath - sa_ sath - sa_ sath - sa_








18/27

Interlude III - notes

Voices 8 - 10: wait 5" and move slowly with each other as indicated on the movement chartbelow. Repeat the music until you have circled the group completely and returned to youroriginal positions. You should maintain strict time to avoid getting out of sync with each other.

Voices 1-7 & 11-12: As 8-10 circle you, make a general diminuendo so that by the time they returnto their positions, you are silent. While getting softer, perform random, subtle accents on yourpitches, interjecting an occasional consonant and changing your vowels with each iteration.

18

Interlude III - Sep Arboj@

VV?

43

43

43

Voice 8

Voice 9

Voice 10

.

.

.

.

.

.

.

.

.

VV?

Voc 8

Voc 9

Voc 10

7

7

. b

.

.

.

.

.

Sep Ar - boj sta - ras sur la mon- to

- pin - to. Es - tas la sa - - vo.

Sep Ar - boj sta - ras sur la mon -

Sep Ar - boj sta - ras sur la mon - to - pin -

- to. Ili es - tas la sa - vo.

to - pin - to. Ili es - tas la sa - vo.

rit...


rest3beatsandrepeat

12 3

4 5 6

1112

78

9

10

Brief pause

continue

mfmf

mfmf

mfmf


19/2719

V - In Obscuro

&

&&

&

&&

V

VV?

??

c

cc

c

cc

c

cc

c

cc

Voice 1

Voice 2

Voice 3

Voice 4

Voice 5

Voice 6

Voice 7

Voice 8

Voice 9

Voice 10

Voice 11

Voice 12

#

ww

# #

w

.

# w

wb

wb n

# #

# nw

.

.# J .

b

j b Jb Jb Jnw

wb

w . Jb

n

ww

.

w

b

n bw

. J

w.b J

w

w

# # .# b

b w

n

wb

. #

.

#

# #w

.#

w

.b b

w n

oo so uh oo o uh

ih

ma wih eh a peh ee puh o puh-eh ih o

oo

wee vee wih-ma-huh-vuh-o ih eh veh o oo oo

mih wo so eh ih eh ho eh

Lee o ho suh oo suh ee

eh vee lee pa vih weh ah woo loo oo ee

hoo o ee

Lo ho vih oo ih luh la ee voo oo voo

ee leh ee a voo veh

ho ee

@


20/2720

&

&&

&

&&

V

VV?

??

Voc 1

Voc 2

Voc 3

Voc 4

Voc 5

Voc 6

Voc 7

Voc 8

Voc 9

Voc 10

Voc 11

Voc 12

6 #

ww

n .

.# ..b

. J w

w

w b

.#w

. j

# .n J#

#

.

. bw

.

w n

#

ww

.

# .

.b

b w

. j

w b

#

.. #

# # .# b

bw

w

w.b

.

w

#

# # w

#

. w

.

w . j

# #

w

. #

# .

b b

b bw

w

wb

va o ih oo o ih eh-mah

uh eh ee a-voo eh-uh po ih loo a ee muh-lee-vuh

wa o po ma hih ha eh oo eh eh o

so puh loo vo mih oo poo oo pih pih

heh-vuh oo puh hoo pao

oo-oo luh o uh ho a oo o moo ih hoo heh

oo eh veh wuh soo o

ih woo ah ih leh-eh mee moo weh ah oo uh lee

a seh ee wih

veh


21/2721

hold

hold

hold

hold

hold

hold

hold

hold

hold

hold

hold

hold

p

p

p

p

p

p

p

p

&

&&

&

&&

V

VV?

??

45

4545

45

4545

45

4545

45

4545

Voc 1

Voc 2

Voc 3

Voc 4

Voc 5

Voc 6

Voc 7

Voc 8

Voc 9

Voc 10

Voc 11

Voc 12

12 n #

w#w

#

n .# J .

bn

b w

b b

w .b

n

.

w

.

b J J

.b .b Jn.

J .n

J J. b

w

ww

w

ww

w

ww

w

ww

eh ih eh

woo

va wee hee a

oo o sih o o

hee hih hih oo

uh oo

oh vee ee puh o

a

ih eh soo oo ih

mih moo woo

All diminuendo to pp over 7"


22/2722

Interlude IV - Sep Mondoj

&&&&

&&V

VV??

?

ccc

ccc

cccc

c

Voice 1

Voice 2

Voice 3

Voice 4

Voice 5

Voice 6

Voice 7

Voice 8

Voice 9

Voice 10

Voice 11

Voice 12

ww

w#

w

www#ww

ww

wb

ww

w

w

wwwww

ww

w

ww

w

w

www

wwww

wn

# &

#

& #

&

#

&

#

&

&

b #

V

b

V

#

?

b

V

b b #

?

#

?

Sep

Sep

Sep

Sep

Sep

Sep

Sep

Sep

Sep

Sep

Sep

Sep

...Mondoj la suno orbitas, plenaj de...

Interlude III - notesNotes in boxes are to be sung as smoothly as possible atwhatever tempo you find comfortable, though faster is

preferred. The text in the boxes below should be sung ad lib,but need to be spread out enough to cycle through the seriesat the very least 3 times. Try to catch breaths where possiblewith the least disturbance to the cycling line as possible. Donot exceed the dynamic indication of 'pp.'

all repeat 3 - 10 times within 40''

pppp

pppp

pppp

pppp

pppp

pppp

pppp

pppp

pppp

pppp

pppp

pppp

Text:

@ first three bars only


23/2723

b #

&

# b

n n

b #

&

# b #

&

# b #

& # # n b

&

V32 b # b

b b #

V

?44

#

b b #

b b #

V

?48 b b b #

?52 #

b #

&20 b #

...devoto.

sung once

VI - Epifanio - notes

If your starting note is different thanthe note you are holding, make thechange to the correct range at thestart of 'Epifanio.'

All voices: asynchronously swell onyour notes; try to avoid simultaneitieswith those around you. Continueuntil otherwise indicated.

Voices 3-7: in the middle section, youmay choose any of the notes in yourbox to sing, and transition from noteto note. You are encouraged toornament freely on (and thereforearound) your notes. The boxes at thebottom of the page show someexamples of the types ofornamentation you might employ.

Voices 10-12: Coordinate yourdownbeat (on the low 'g') and stay inrhythm together using whatever nonvisually-distracting means you findconvenient.

all hold to next movement


24/2724

jb j j j j j A B

M etcA*B*

* *

*or*

ornament *

&&&&

&&V

VV??

?

Voice 1

Voice 2

Voice 3

Voice 4

Voice 5

Voice 6

Voice 7

Voice 8

Voice 9

Voice 10

Voice 11

Voice 12

ww

ww

www

wwww

w

b

#

# # b #

w . w .. w . w

. w . w

VI - Epifanio

ornament *

ornament *

ornament *

ornament *

ornament *

a

a

a

a

a

a

a

a

a

a

a

a

33'' 17'' 14''

FullStop(silence)7

''

ppppAll - ff


25/27

Interlude V - notes

Voice 1: Sing clearly and precisely at a comfortable dynamic with no vibrato.Voices 1-6: As precisely as you can, match the pitch, timbre, and vowel of Voice 1. Your dynamicfor the entire movement should be p.

25

Interlude V - Sep Steloj

(hummed)

rea - le - con kon - tu - ras.

eh

oh

oo

ah(hummed)

oh

&

&

&

&

&

&

47

47

47

47

47

47

45

45

45

45

45

45

c

c

c

c

c

c

Voc 1

Voc 2

Voc 3

Voc 4

Voc 5

Voc 6

5 w b

w .

w .

w .w .b

w

b b

.b

w

. b

.

.

w

w

w

www

&

&

&

&

&

&

43

43

43

43

43

43

c

c

cc

c

c

42

42

42

42

42

42

47

47

47

47

47

47

Voice 1

Voice 2

Voice 3

Voice 4

Voice 5

Voice 6

.

.

!

!

b

.

.

.

b

!

n .

.

ww

w

w

Sep - ste - loj si - len - - te

eh eh

eh eh

eh

oh

ee

pp

pp

pp

pp

pp

mfmf@

FullStop(silence)7


26/27

VII - Quodlibet - Notes

All stand simultaneously (watch voice 1), and beginning with the front row, form columns asthe beginning, but now reversed, and process out of the performance space. (See diagrambelow.)

Starting with your first movement, sing any 7" of music from the piece. Do not franticallyflip from page to page to find your next passage; an approximation of a passage frommemory is preferable to this. At the end of the 7", sing another 7" of music from eitherthe same movement or from a different movement. If the music is chosen from the samemovement, choose a different place in the movement, do not merely continue on withoutbreak. Continue to alternate in this fashion until you are entirely out of the performancespace.

26

VII - Quodlibet

12 378

4 5 69

101112

1

37

5

6

10

2 8

4 9

1112

7"

7"

7"

7"

7"

7"

music 1

music 2

music 3

music 4

music 5

etc.

END


27/27

Appendix A - Movement Charts (Large)

Sep Montoj

12 3

4 5 6

1112

7

8

9

10

12 3

4 5 6

1112

78

9

10

Brief pause

continue

Sep Arboj

seven words, seven worlds

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