shakespeare sonnets. a sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. it first...

12
Shakespeare Sonnets

Upload: cassandra-paul

Post on 03-Jan-2016

218 views

Category:

Documents


0 download

TRANSCRIPT

Page 1: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

Shakespeare Sonnets

Page 2: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

• A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan sonnets first appeared (13th century).

• A Shakespearean sonnet is written in iambic pentameter. The a rhyme scheme is usually abab cdcd efef gg. The last two lines form a rhyming couplet.

Page 3: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

Sample rhyme schemeSonnet 140

Be wise as thou art cruel; do not press aMy tongue-tied patience with too much disdain;bLest sorrow lend me words and words express aThe manner of my pity-wanting pain. bIf I might teach thee wit, better it were, cThough not to love, yet, love, to tell me so; dAs testy sick men, when their deaths be near, cNo news but health from their physicians know;dFor if I should despair, I should grow mad, eAnd in my madness might speak ill of thee: fNow this ill-wresting world is grown so bad, eMad slanderers by mad ears believed be, fThat I may not be so, nor thou belied, gBear thine eyes straight, though thy proud heart go wide. g

Page 4: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

• In his own time, Shakespeare was better known to readers as a poet than as a playwright. His long poem Venus and Adonis sold much more than even his most popular plays at the time.

• The Sonnets were originally written for a select private audience, as was the tradition at the time. In 1609, they were published by an entrepreneur who might have never even asked for permission from Shakespeare.

Page 5: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

• Through this 1609 edition, we have 154 Shakespeare sonnets, which make up a dramatic sequence and hint to a troubled love story involving a ménage-à-trois.

• While sonnets 1-126 are addressed to a “lovely youth”, a male person beloved to the persona, sonnets 127-154 are addressed to a Dark Lady whom the persona both loves and despises, especially for seducing the male beloved of the first sequence.

Page 6: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

• Although we do not know if the sonnets are autobiographical or if the speaker is just another character Shakespeare created, tradition has seen the sonnets as autobiographical.

• The dedication at the beginning of the 1609 Quarto, which tantalizingly points to a “Mr. W. H.” as the “begetter”, that is, the inspirer of the sonnets, has led to centuries of fruitless conjectures about the identity of Mr. W. H. and his relationship to Shakespeare.

Page 7: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

Publisher Thomas Thorpe’s dedication

Page 8: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

• Possible identifications for Mr. W. H., who might have been Shakespeare’s literary patron.

• The Dark Lady is thought altogether impossible to identify, although Sonnet 145 puns on the name of Shakespeare wife, Anne Hathaway.

Page 9: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

Sonnet 18

Page 10: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

• Mortality is one of the major concerns of Shakespearean literature and Sonnet 18, like some other sonnets in the lovely youth sequence, expresses a desire for the immortality of the beloved man.This, however, is not the religious concept of immortality achieved in a “life after death”.So what kind of immortality is Shakespeare speaking about?

Page 11: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

Shall I compare thee to a summer's day?Thou art more lovely and temperate:Rough winds do shake the darling buds of May,And summer's lease hath all too short a date;Sometime too hot the eye of heaven shines,And often is his gold complexion dimm'd;And every fair from fair sometime declines,By chance or nature's changing course untrimm'd;But thy eternal summer shall not fade,Nor lose possession of that fair thou ow'st;Nor shall Death brag thou wander'st in his shade,When in eternal lines to time thou grow'st:So long as men can breathe or eyes can see,So long lives this, and this gives life to thee.

Page 12: Shakespeare Sonnets. A sonnet is a 14-line form of lyric poetry with a strict rhyme scheme. It first appeared in Italy during the Renaissance, when Petrarchan

Sonnet 130My mistress' eyes are nothing like the sun;Coral is far more red than her lips' red;If snow be white, why then her breasts are dun;If hairs be wires, black wires grow on her head.I have seen roses damask, red and white,But no such roses see I in her cheeks;And in some perfumes is there more delightThan in the breath that from my mistress reeks.I love to hear her speak, yet well I knowThat music hath a far more pleasing sound;I grant I never saw a goddess go;My mistress, when she walks, treads on the ground:

And yet, by heaven, I think my love as rare

As any she belied with false compare.