shomari sekou samuels portfolio

S H O M A R I S E K O U S A M U E L S

P O R T F O L I O

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To explore and participate in the movement that pushes regionalsitic

Caribbean architecture to the forfront of the world architecture scene.

V I S I O N

CONTACT

S H O M A R I S E K O US A M U E L S

Portfolio

Born: 22.07.1989

(1876) 355-1589

[email protected]

http://www.behance.net/sekou_samuels

http://www.issuu.com/sekou

1 Pleasant Valley CloseRed Hills St Andrew.

OBJECTIVESeeking Internship in an engaging architectural firm both contributing to and absorbing from the practice in the field. This valuable experience will further mature my educational growth, whilst keeping me in pursuit of my dream of tackling problems through critical design

EDUCATION

ARDENNE HIGH SCHOOL

UNIVERSITY OF TECHNOLOGY (UTECH)2007-2011

2002-2007

4 Grade I (Distinctions) 4 Grade II (Distnctions)

3 Passes

Grade A Distinction

Bachelors of Arts in Architectural Studies [Hons]

Caribbean Secondary Examinations Certificate.Caribbean Examination Council, Barbados

Caribbean Advanced Proficiency Examinations Caribbean Examination Council, Barbados

Advanced Level Exam, Cambridge University, London England

INTERESTSReading and discovering architectural ideas, Video Games, Gym, Photography, Drawing

EXPERIENCE

FREE LANCE ARTIST

FIRM LAWSummer 2011

2011-Present

2007-Present

AISYSTEMS 3d modeler/renderer

Portraits, vistas, figure drawing

Administive Assistance

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ACHIVEMENTS

REFERENCES

SKILLS

Photoshop SketchingIllustrator DrawingIndesign DiagramingAuto. Cad PhotographySketchupVray

DIGITAL HAND

Most outstanding new Youth Entrant

Most outstanding new Youth Entrant

Massi Bride

Massi Bride

Pride

D R . R O H A N B A I L E YM S . J A N E T T H O M P S O N M R . R O B E R T F U L L E R

JAMAICA CULTURAL DEVELOPMENT COMMISION ART COMPETION AND EXHIBITION

PARTICIATED AS AN INVITEE IN THE LIGUANEA DRUG AND GARDENS ART EXHIBITION

Newcomer Prize

Promise Prize

Most Outstanding Draftsmanship

2008

2009

2007 ACHIEVED GRADE A IN THE ADVANCED LEVEL ART EXAM ADMINISTERED BY CAMBRIDGE UNIVERSITY, LONDON ENGLAND

Gold Medal, Works on Paper

Gold Medal, Works on Paper

LecturerCaribbean School of Architecture, University of Technology

Lecturer & Head of SchoolCaribbean School of Architecture, University of Technology

ArchitectHarold Morrison + Robert Woodstock Associates Limited15 Bedford Park Avenue, Kingston, Jamaica

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P E R S O N A L W O R K

LAMP

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MUSEUM

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CONTAINER

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STAIR

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CULTURAL CENTRE

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P R O J E C T S

How do you design a lighting object that rejects the use of its skin as its diffuser?

Lamp is the final project of Design Studio 1. Here students are given a geometrical shape; Cube, Cylinder, Cone, Sphere and Tetrahedron as well as a lighting action; Diffusion, Reflection or Spotlight and asked to produce a lighting object. In this case Cube and Diffusion were the object and its parameters repectively. Designers were also given strict instructions as to the look and performance of the object. The product had to maintain the inherent language of the geometrical shape, furthermore the surface material could not be used as the diffusing agent.

2007

JAMAICA

OBJECTTYPE

LOCAT ION

YEAR

CUBE-D IFFUSEDLAMP

The scattering of light in many directions as the result of reflection from an uneven surface or passage though a translucent material

DIFFUSION [definition]

PROCESS

COMBINE BOTH TYPOLOGIES

ARRANGE INTO LAYERS

Combine the natural diffusion in nature with the linear structure of the cube to create an object that not only provides soft light, but a cube of diffused light.

For best diffusive results, the cube was diesigned with three layers around the light source; the core, outer core and the structural layer.

The skin of the leaves diffuse light

Linear language of the cube Diffusive formations in nature

Diffusion also occurs with window louvers

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Light source at the core

Columns arranged in a linear sequence provide soft light and structure

Nature provides the best souce for diffusion

Plan Section

The result is a warm lamp that embodies both the subtleties of Light in nature and the language of the Cube

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LOCAT ION

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SHEETS

C IV IC

K INGSTOWN, ST. V INCENT & THE GRENADINES

2010

PUBL IC VOIDMUSEUM OF ST. VINCENT

A museum, being of the city, needs to respond not only to its vernacular but the culture, flows and beat of its people. With that respect, the museum was considered first and foremost an extenton of the city into the space..

The Site is located at the mouth of heritage square, A major activity hub in Kingstown . In response,the design blurs the lines between public and private, giving the ground floor to the people. The lobby doubles as a public display space, with museum services floating above this urban carpet. Linking the two layers is the major circulatory artery, An interpritation of the flows of the people.. the off kilter stair meanders to the views and focal points of the museum and its context. Patrons also experience this blurring of layers on the second floor, where a sky bridge allows the user a heightened experience.

BAY STREET

MIDDLE STREET / LONG LANE

BACK STREET

HERRITAGE SQUARE

SITE

St Vincent which was colonized by the English in 1723, is a lush volcanic island in the Caribbean Sea. Its capital, Kingstown, is characterized by the main streets that run parallel to the ocean. Bay Street is the citys connection to the sea, Middle Street; a narrow roadway that is mainly pedestrian exclusive and Back Street; known for its many churches. These streets provide the character and life for Kingstown. The cityscape has seen a cruise ship dock added as a step to modernize Kingstown and St Vincent.

KINGSTOWN

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Heritage Square is one of the major open nodes of Kingstown and as such, it functions as a major space for activity. Kingstown funnels its pedestrian and vehicular traffic along the 3 major streets and into the wide road ways of the square, which serves as the collector.

Heritage Square accommodates large gatherings under the 12 meter canopy of the trees spread along the southern edge. Informal vending stalls in the square tend to the large crowds that gather during the day.

Section through site

Activity along the site

THE SITE

+TEMPGALLERY

The permanent gallery is interpreted as a modern absorbtion of the historic stone buildings of Kingstown

The temorary gallery amalgamates the surrounding residential structures into a space

PERMANENT GALLERY

Reduce the footprint of the programme volume extending the urban carpet into the scheme

Scale programme volumes to meet functional requirements and link to existing context hights

A reflection of the flows of the people, the off-kilter stair connects the people to the museum

The floating roof plane links the strucuture, creating a cohesive unit

The screen-like skin shades the space while visually softening the structure's appearance

The open lobby allows for natural cross ventelation

PROCESS

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View along Long Lane

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Second Floor PlanFirst Floor Plan

1. Lobby2. Cafe3. Mechanical Room4. Lecture Theatre 5. Conference Room6. Public Lift7. Museum Shop8. Service Entry

9. Permanent Gallery10. Work Room11. Storage12. Kids' Space 13. Lobby Bridge14. Temporary Gallery15. Auxiliary16. Library/Media Room

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Section x - xSection x - x

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North Elevation

East Elevation

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Stair Detail

Exhibition Lobby

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First Floor Lobby Bridge

YEAR

SHEETS

LOCAT ION

TYPE

THE SPACE BETWEEN

WHAT IS THE ESSENCE OF A CONTAINER?

The essence of container is not the structure, in and of itself, but the voids and spaces around it by which it is defined.

The Student Union of the University of Technology, Jamaica acts as the representative body for the all the students of the university. The union coordinates the activities of the student-led societies, as well as organizing social events. The Container Project proposes a new student union activity centre for the university. This student activity centre is to provide amenities for business activities as well as a public space for dining, gatherings and performances.

STUDENT CENTRE

ST. ANDREW, JAMAICA

2010

CONTAINER

The site is located at the northern most tip of the university, between the dorm and food facilities. The Barn, as it is affectionately called, is a public enclave that offers a range of activities for the students.

Eating, moving, gathering, being and performing all occur in and around the space during the day. Also, the food facilities - located to the south always draw large crowds into the space. Eating and gathering occur to the east under the shading canopies of the trees. It is during the night that the spaces nature changes, becoming a performance venue for the students during school events and socials.

THE SITE

DORM

FOOD STATION

FACULTY OF HOSP ITAL ITY

BOOK STORE

FACULTY OF L AW

PL ANNED ROAD

SITE BOUNDARY

PL ANNED FOOD COURT

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PEDESTRIAN FLOW ANALYSIS DIAGRAMS

PROGRAMME ANALYS IS

S ITE CONDIT IONSAllocate containers among the programme groups based on their individual needs

Circulation routes

The major circulatory artery is extruded to define the public space. The tensile canopy twists and covers the major circulation route through the scheme.

Containers are arranged in their linear language with respect to the site conditions and programme needs

ADMIN

PRIVATE ZONE

PRECEDENTFTL DESIGN ENGINEERING STUDIO, SKYSONG PROJECT, USA

PUBLIC ZONE

STUDENT FAC IL IT IES

SERV ICE

STUDENT HOUSING

PROCESS

TENSILE CANOPY

1. Apartment2. Gym3. Bar4. Concession5. Food court/Performance6. Admin Offices7. Student lounge8. Conference Room9. Reading Room

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Container relationships define the spaces around them. All units were designed to frame a void/space (courtyard), extending the contained spaces to the outside space and thus increasing the total useable space. This strategy, as well as overhead vents, promotes, cross ventelation in the spaces. Other natural heat regulation elements include, shading screens, proportioned to the dimensions of the container ends,

A courtyard extends the usable space outside

Shade screens form thresholds into the building

CLIMATIC ADAPTATIONS

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Section x-x 20m50

25mm gypsum board bolted using 50 mm sheet rock screw, to z-angle welded to container corrugation

Angle iron welded container end knub, 25 mm gypsum board screwed to angle using 50 mm sheet rock screw.

DETAILS

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0 5m

Student Housing

CONTAINER ERGONOMICS

YEAR

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Material anatomy, construction and detailing of a staircase are the defining elements of this project. This staircase was designed to highlight the context, material nature and movement through the space and adapts to the strengths of each parameter, along the stages of the journey.

The stair is designed for the main entry hallway of the National HAUS of the Performing Arts, just off the harbour in Nassau, Bahamas. The focus of the stair is the observatory that frames the view to the ocean. The space is meant to isolate, only allowing one or two viewers at a time to admire the dramatic views.

DETAIL

NASSAU, BAHAMAS

2011

MATERIAL L ANGUAGESTAIR

PROCESS

The stair connects the lobby with the mezzanine level space. Along that journey, it is designed to highlight key areas insinde and outsinde of the space.

The steel hollow sections are anchored using tension rods, secured to the roof and east wall.

Mild Steel hollow sections are relatively light, malleable and can be easily formed into a myriad of forms. This allows it to fully capture the skeleton like articulation of the stair.

1. Focus on the lobby & boardwalk 2. Focus to the sea 3. Focus to the lobby

Foci along journey of the stair

Mild Steel

Section through lobby showing the stair's journey

Section showing support system

Stair skeletal-like articulation

VERT ICAL PROCESS ION

MATERIAL ART ICUL AT ION

SUPPORT

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Detail T

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Detail T

MATERIAL ERGONOMICS

Mahogany was chosen as the secondary material to give the circulatory elements of the stair a warm, tactile and relatable feel

Touch is very critical to the function of the stair. The mahogany handrail adds yet another element of poetry, both visually - through its grain and colour - and tactually through its easily crafted ergonomics. These elements cast a familiar feel along the entire journey.

Mahogany being dried

Handrail ergonomics The handrail adds a level of familiarity to the stair

Mahogany treads bolted to folded steel plates

MAHOGANY

HUMAN TOUCH

9 mm countersunksteel bolt

1500x349x75mm thk. mahogany treadbolted to steel plate

100x200x8mm thk.R.H.S. steel stringer


6 mm thk. foldedmild steel plate welded to stringer

DETAILS

Tread detail






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10 mm thk.mild steel rodwelded to R.H.S.baluster

100x140x8mm thk.steel plate weldedto stringer

9 mm steel bolt


25x50x3mm thk.R.H.S. baluster bolted tostringer connection plate

10 mm mild steel steel rodwelded to R.H.S. balester

8mm thk.mild steel retainerwelded to steel rod

25mm thk mahoganyhand rail screwed toretainer

wood filler flushwith tread surface




50x100R.H.S. cross member

100x140x8mm thk.baluster steel connectingplate boltedto stringer



160x150x8mm thk.baluster steel plate boltedto stringer

10 mm thk.mild steel rodwelded to R.H.S.baluster

100x140x8mm thk.steel plate weldedto stringer

9 mm steel bolt



10 mm mild steel steel rodwelded to R.H.S. balester

8mm thk.mild steel retainerwelded to steel rod

25mm thk mahoganyhand rail screwed toretainer

wood filler flushwith tread surface




50x100R.H.S. cross member

100x140x8mm thk.baluster steel connectingplate boltedto stringer



160x150x8mm thk.baluster steel plate boltedto stringer

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Baluster Detail Tread Connection Detail


50x100 R.H.S. cross memberwelded to stringer

160x80x8mm thk.R.H.S. wing weldedto stringer

22mm thk. connection platewelded to steel plate embedded in reinforced concrete beam

500mm deep reinforcedconcrete beam

30 mm mild steel tension rodconnected to fork connector

224x75mm Fork connector bolted to connection plate


30mm steel pin


30 mm mild steel tension rodscrewed to fork connector

22mm thk. connection platewelded to steel R.H.S. wing


16mm bars welded to embedded22mm thk. mild steel plate.




22mm thk. connection platewelded to steel plate embedded in reinforced concrete beam

500mm deep reinforcedconcrete beam

30 mm mild steel tension rodconnected to fork connector



30mm steel pin


30 mm mild steel tension rodscrewed to fork connector

22mm thk. connection platewelded to steel R.H.S. wing


16mm bars welded to embedded22mm thk. mild steel plate.

Tension Rod Connection

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9 mm steel bolt


9 mm steel bolt

6 mm thk. foldedmild steel plate




9 mm steel bolt


9 mm steel bolt

6 mm thk. foldedmild steel plate




Stair Section

0 50cm

Lobby View

YEAR

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TYPE C IV IC

2012

NASSAU, BAHAMAS

SPAC IAL L AYER ING & FRAMING

Cultural centres are vessels that house and frame a counties essence.

The Nassau Cultural Centre was born out of the search for the citys essence, during the study tour of Nassau, the capital city of the Bahamas. This investigation revealed vital aspects of Bahamian life and identity; the environment and its history - rich in Martine traditions. This urban study highlighted unique possibilities for future developments that can enhance the Bahamian identity. The cultural centre articulates its form addressing the future possibilities, layering and framing the essence of the city.

CULTURAL CENTRE

NASSAU, BAHAMAS

The independent commonwealth of the Bahamas is an archipelago of more than 3000 islands stretching from the southern tip of Florida to the northern shore of Haiti. Its capital is Nassau and it is located on the island of New Providence. The Bahamas has branded itself on its pristine oceans, beaches and easy going lifestyle. It developed this brand, by building modern day cruise ship ports, Island Villas and the world famous Atlantis Resort and Hotel.

New Providence,Nassau

Cruise Ship Port

Atlantis Hotel

S ITE BOUNDARY

PARL IAMENTARY AX IS

JONKANOO FEST IVAL PROCESS ION

The site exists at the southern end of Bay Street, in the industrial sector. The area is to be developed into a social hub, with restaurants, retail and villas. Bay Street handles the majority of interactions between the sea, the rest of Downtown Nassau, bustling crowds from the ferry and cruise ship piers. The street is densely clustered with the rich architectural history of the Bahamas and is the starting point of the annual Jonkanoo Festival procession.

A distinct connection can be seen between Bahamian life and the sea

Bay Street Elevation

One ot the few green spaces in the city, Memorial Park in the Paliamentary Axis

THE SITE

The site is to be used as the final destination of the annual Jonkanoo festival held twice a year. This is one of the only remaining truly traditional aspects of Bahamian culture. Persons dress in lavish costumes and parade along Bay Street. The festival is to meander along the street through the parliamentary axis, culminating at the site.

PROCESS

The Jonkanoo procession moves through the site and over the first layer, the stage. This layer frames the Harbour entry, and uses it as a backdrop.

The theatre is the heart of the scheme, framing the perfoming arts. An introverted space, its form is based on the design principles of the forts.

Final Frame is the Park and Habour pool. This space unifies the scheme, creating an interactive free public space.

The second frame uses the harbor as a backdrop for the dance studio and multipurpose hall. Here, the people are the stars.

JONKANOO FESTIVAL

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The Bahamas is notorious for its sea cuisine. The third layer frames the sea as the source of culinary pride. The floating bar moves horizontally over the water, framing the source of the food and landmarks the centre on the harbour.

The Cultural centre is designed to encourage public interaction on many layers, offering the people a place to rest, play and converse. The essence of the Bahamas is captured in the scheme from the lush parks to swimming in the clear, clean waters of the harbour.

View of the scheme

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Site Plan1. Food Court2. Performance Area3. Administration4. Exhibition Area5. Daycare6. Diving Pool7. Disabled Access Pool 8. Lifeguard9. Viewing Deck10. Theatre

1. Food Court2. Exhibition Area 3. Administration4. Daycare5. Play Area6. Lobby7. Concession area8. Stage9. Side Stage10. Orchestra Pit11. Storage12. Makeup Rooms13. Dressing Room

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1. Rehearsal Room2. Meeting Room3. Manager Offices4. Staff Lounge5. Theatre Bar6. Lighting Room7. Dance Studio8. Multi Purpose Hall9. Reading Room/Gift Shop10. Internet Cafe11. Sea Food Restaurant

1. Food Court2. Exhibition Area 3. Administration4. Daycare5. Play Area6. Lobby7. Concession area8. Stage9. Side Stage10. Orchestra Pit11. Storage12. Makeup Rooms13. Dressing Room

First Floor Plan

First Floor Plan

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Site Section

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THEATRE

Forts were designed to appear as ships and were oriented to the harbor entry to ward off attacking ships.

The theatre is designed as a central vessel docked in the fulcrum of the site. Precedence for generating the form was taken from the Forts and Ships that are intrinsic to the Island. The ship towers over the other weaving forms of the site, allowing for unrestricted views to the harbour and demarcating the cultural centre in the fabric of the city.

The structural precedence for the theatres form was garnered from Renzo Pianos Parco della Musica Auditorium Rome.

PRECEDENCE

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The body of the auditorium imposes itself in the lobby of the theatre. The grandeur is highlighted by its wooden cladding. This hints at the intimacy of the interior which influences the users to enter. Now inside, one is transported into the Caribbean Sea. Floating coral sound reflectors and rich blue scale like walls encapsulate and focus the audience to the stage.

AUDITORIUM

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Theatre view from Park

Theatre viewing Deck

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View of the Park Looking into the Exhibition space

SCHEME

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The Nassau Cultural Centre strives to reunite the land (world of the average Bahamian) with the sea (the world of the tourist). Evidence of this duality can be found in the Bahamian political, cultural and economic state. It is counteracted through encounters and dialogue between the two worlds. The scheme fosters and preserves these opportunities of interaction; from the park for recreation to the harbour pool. These interactions are meant to bond the people.

The multipurpose hall and design studio are designed to merge into a single hall with the harbour as the backdrop.

Diagram of the scheme

Harbour pool Restaurant view to the sea

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Taking advantage of one of Bahamas natural wonders, their crystal clear waters, we create the last frame. The promenade is extended into the medium creating a wealth of possibilities. This is modeled after the harbour bath project in Denmark, where BIG architects encapsulated an area of the harbour for swimming.

The space is built as a large beam, similar to that of the Morrison and Woodstock and Associates, new medical building at the campus of University of the West Indies, Mona (Jamaica) and REX Architects, Vakko Headquarters, Turkey. The beam is supported by structural steel columns anchored to the ground.

HARBOUR POOL

RESTAURANT

Harbour Bath project, Denmark.BIG architects

Sketch of the Harbour Pool

Vakko headquarters, Turkey. REX architects,

Restaurant View

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P E R S O N A L W O R K S

BABY CRY JULY 2011PEN ON PAPER

MAASAI BRIDEJUNE 2007

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STAIRS TO NOWHEREJULY 2006

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PRIDEJULY 2006

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CORRUPTIONJULY 2006WATER COLOUR & PEN

PORTALAUGUST 2011

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VESSELAUGUST 2011ACCRA, GHANA

RAIN DANCEAUGUST 2011

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PRESSUREFEBRUARY 2012PORTLAND, JAMAICA

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