shooting script

5
Shots Charact er Sounds Props/ Location My Lyrics and or dialogue Low angle tilt of a high rise building in the morning during sunrise. N/A Introductio n of soundtrack EXT City buildings Instrumental The city rises with the sun, Mid shot of the protagonist sitting on the side of his bed. Extreme close up of the protagonists eyes appearing upset/crying. Over the shoulder of the protagonist on his laptop and looking at his phone. Edward Soundtrack Attic bedroom Laptop IPhone Bed Rushing around to get ahead. My eyes, they wouldn’t see the drought, for the sprinklers on the lawn kept it green. Track and pan of the traditional father opening the curtain to bedroom revealing the protagonist with a female. Track back to curtain with the modern and traditional son on the bed. Focus pull: shallow DoF on the curtain in front of the Edward Arun Girlfri end Soundtrack Attic bedroom Laptop Bed I pull the shade to keep it out, but my future turn in the daylight. It’s simple, all I want is more.

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Page 1: Shooting Script

Shots Character Sounds Props/Location My Lyrics and or dialogue Low angle tilt of a high rise building in the morning during sunrise.

N/A Introduction of soundtrack

EXT City buildings InstrumentalThe city rises with the sun,

Mid shot of the protagonist sitting on the side of his bed.Extreme close up of the protagonists eyes appearing upset/crying.Over the shoulder of the protagonist on his laptop and looking at his phone.

Edward Soundtrack Attic bedroomLaptopIPhoneBed

Rushing around to get ahead. My eyes, they wouldn’t see the drought, for the sprinklers on the lawn kept it green.

Track and pan of the traditional father opening the curtain to bedroom revealing the protagonist with a female. Track back to curtain with the modern and traditional son on the bed.Focus pull: shallow DoF on the curtain in front of the bed alternating to deep DoF when showing the bed.

EdwardArunGirlfriend

Soundtrack Attic bedroomLaptopBed

I pull the shade to keep it out, but my future turn in the daylight. It’s simple, all I want is more.

PERFORMANCEMid shot of the protagonist/artist singing the lyrics to chorus. Extreme close up of the singers lips.POV/Eye line match of hand either pulling apart or coming together.

EdwardArun

Soundtrack Special FX roomProjector

But I keep coming back, to steal from you, I add it to a bottomless hole. And I’ll keep coming back, as long as I can sleep at night, I don’t know where it goes. You know I’ll give it back, but I need it now, come at me now.

Mid shot/match on action of Arun calling Edward Soundtrack Attic bedroom You’ll have to pry it from my green hands. You’ll have to pry

Page 2: Shooting Script

Edward.Close up of Edwards phone ringing accompanied by an over the shoulder shot.

Phone ringing IPhone it from my green hands.

Mid shot following Edward looking at himself in the mirror which then steams up. He wipes away the condensation to reveal Arun standing behind him.

EdwardArun

Soundtrack BathroomMirrorKettle/smoke machine

I wipe the steam off the mirror, a barrier between my masters. Green takes the stage to make them proud.

Long shot of the family preparing for the photo shoot and walking into the studio. Mid shot/close up of the family from the POV of the photographer/camera.

EdwardSebastian Kamile

Soundtrack Eastbury studioStudio two point lighting systemStallBlack backdrop

Thankful my parents raised me right

Long shot of the family walking into the studio. Mid shot/close up of the family from the POV of the photographer/camera.

ArunShannon

Soundtrack Eastbury studioStudio two point lighting systemStallBlack backdrop

But I keep coming back, to steal from you

Mid shot dolly of the modern mother and son sitting on the sofa watching a movie. POV/close up of Edward calling Arun’s phone.

ArunShannon

SoundtrackPhone ringing

Special FX roomTV/DVDLow key lightingPortable LED lightIPhoneSofa

I add it to a bottomless hole. And I’ll keep coming back, as long as I can sleep the night.I don’t know where it goes, you know I’ll give it back, but I need it now.

Track following Edward throwing his Edward Soundtrack Attic bedroom Come at me now, you’ll have to

Page 3: Shooting Script

phone when Arun doesn’t answer his call.POV/Over the shoulder of Edward punching the pillow with frustration.

Distorted shouting and sobbing

IPhoneLaptopBed/Pillow

pry it from my green hands. You’ll have to pry it from my green hands

Establishing track shot setting the location of the church following the pathway.

N/A Soundtrack – instrumental

St Margaret’s church

Instrumental

Focus pull/mid shot of the family sitting in the pews awaiting the service. Eye line match and POV shot of both Edward and the priest preaching about homosexuality. Pan/Track of Edward running out of the church. Wide shot behind Edward when he leaves/is exiting the church.

EdwardSebastian KamilePriest Supporting Cast

Soundtrack – instrumental

St Margaret’s Church

InstrumentalPriest preaching1 Timothy 1:8-10 states that ‘the law is good, if one uses it lawfully, understanding this, that the law is not laid down for the just but for the lawless and disobedient, for the ungodly and sinners, for the unholy and profane, for those who strike their fathers and mothers, for murderers, men who practice homosexuality and whatever else is contrary to sound doctrine.’ Romans 1:26-27 proclaims that "women exchanged natural sexual relations for unnatural ones; in the same way, men committed shameful acts with other men and received in themselves the due penalty for their error."

Page 4: Shooting Script

POV or Establishing shot of Edward outside the church. Close up of Edward crying, focus pull to reveal his father in the background appearing concerned.

Edward Soundtrack St Margaret’s Church

Lord of all, as am I, I take what’s yours and call it mine.

Mid shot of Arun and new boyfriend. ArunNew boyfriend

Soundtrack Special FX roomTV/DVDLow key lightingPortable LED lightSofa

You will live, I will die, I think it backwards, you and I.