sight reading made simple · 2020. 12. 19. · sight reading made simple summary of workshop 2 the...
TRANSCRIPT
Sight Reading Made SimpleSummary of Workshop 2
The 3 Main topics were:
1) Form and Expectation2) Building Blocks
3) Chunking
Form and Expectation: See the forest from the trees
Sections
• How many sections are there? • How many bars is each section? • Are there repeats? Is there a D.C.? • Do any
sections return later on? • What keys are each section in? Accidentals can be a good clue if a section is changing
key.
Rounded binary form• A-B (A)
Ternary Form• A-B-A
Keys
Step 1: Get to know the keys and key signatures (the ones used mostly on guitar)• Learn the keys visually using charts (chart and the circle of 5ths)• Play through the keys using scales and chords
Step 2: Identify keys based on the musical context • Look at the first and last notes• Look for a consistently raised note (might be a clue that it’s in minor)• Know the key changes that are most commonly used (relative, parallel, dominant)
Repetition
Repetition of Phrases• Identify phrases or passages that repeat.
�18
c) Repetition
Repetition is a vital part of music, providing unity and threads that the listener can follow.
While there are many types of repetitions you can find in music, just two will be discussed here:
1) Repetition of phrases2) Repetition of rhythm
Repetition of phrases
Phrases will very often contain repetitions of fragments, or sometimes entire phrases. Identifying these repetitions can help you take a back seat for some moments, as you’ve just played through the material already. This is in addition to the larger scale repetitions of form - we’re “zooming in” a bit now and finding repetitions within sections. Repeat of
Repeat of
Repeat of (notice how fingerings aren’t provided here)
Repetition of Rhythms• Identify rhythms that repeat, especially as larger groups.
�19
Repetition of rhythm
Rhythm can be even more repetitive than phrasing. Sometimes an entire piece will be made up mostly from one rhythm, but more often pieces are made of just a handful (or less) rhythms. Identify them and where they repeat and you don’t have to worry about the rhythm anymore!
Repeating Rhythm
Repeating Rhythm
Repeating Rhythm (and phrase)
Repeating Rhythm
Building Blocks: Prepare yourself by practicing relevant scales and chords
Scale Segments
• Identify scale segments that are used. • Write out the scale based on the segments used in the piece.
�30
A: A Minor
B: A Major
1 2 3 4 5 4 5 6 4 3 2 1 2 3 4 5
4 5 6
4 3 2 3 2 1 2 3 2 1 2 3 4 3 2
7 6 6 5 4 3 4 #4 5
4 3 2 3 2 1 2 3
6 5 4 3 4 5
Create Your Own Scales!
Look at the range of the fragments and draw up your scales based on that. This is a great way to learn scales as they apply specifically to pieces of music. You can also learn the fretboard thoroughly by mapping out scale fragments that occur in higher positions.
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2 0 1 3 0 1 4 -4
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2 0 2 3 0 2 4 -4
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
œ œ œ œ œ œ œ# œ
œ œ œ œ œ œ œ œ
44&
2 0 1 3 0 1 4 -4
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2 0 2 3 0 2 4 -4
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
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œ œ œ œ œ œ œ# œ
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A Minor
A Major
�30
A: A Minor
B: A Major
1 2 3 4 5 4 5 6 4 3 2 1 2 3 4 5
4 5 6
4 3 2 3 2 1 2 3 2 1 2 3 4 3 2
7 6 6 5 4 3 4 #4 5
4 3 2 3 2 1 2 3
6 5 4 3 4 5
Create Your Own Scales!
Look at the range of the fragments and draw up your scales based on that. This is a great way to learn scales as they apply specifically to pieces of music. You can also learn the fretboard thoroughly by mapping out scale fragments that occur in higher positions.
44&
2 0 1 3 0 1 4 -4
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∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑ ∑
œ œ œ œ œ œ œ# œ
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44&
2 0 1 3 0 1 4 -4
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œ œ œ œ œ œ œ# œ
œ œ œ œ œ œ œ œ
A Minor
A Major
Primary Chords
• I-IV-V-I • Occur in just about every piece • Identify the chords in the pieces you’re reading • Practice the primary chords in the relevant keys
�34
:4SEE
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E MinorEm-Am-B7-Em
EmAm B7 Em
Connection Most chords used in the piece above are the primary chords of E minor.
Below are the primary chords in 1st position - do you see the almost direct connection between these chords and the piece above?
Em Am
B7Am B7
Am B7 Em B7 Em
Am B7 Em Em AmEm B7 Em
�35
Easy
Em Am
B7 Em Em
Am B7 Em
Em Am B7
B7 B7
B7Em
EmEm
Em Em
EmAmAm EmB7 B7 Em
More pieces using the primary chords of E Minor
�38
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G Major
E Minor
1 Sharp
G C D7
Em Am B7
Primary Chords in E Minor
Piece in E Minor
Chunking
• Create a harmonic reduction by stacking notes together into chords • This makes your technique and reading more efficient • Write out the chunked version onto manuscript • Write in the fingerings vertically for each chord in the standard score
�54
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Chunked Version
Chunked Fingerings