signal encoding techniques

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SIGNAL ENCODING TECHNIQUES Engr. Mehran Mamonai Department of Telecommunication

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Signal Encoding Techniques. Engr. Mehran Mamonai Department of Telecommunication. Encoding Techniques. Digital data, digital signal Equipment less complex and expensive than digital-to-analog modulation equipment Analog data, digital signal - PowerPoint PPT Presentation

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Page 1: Signal  Encoding Techniques

SIGNAL ENCODING TECHNIQUESEngr. Mehran Mamonai

Department of Telecommunication

Page 2: Signal  Encoding Techniques

Encoding Techniques

• Digital data, digital signal– Equipment less complex and expensive than digital-to-analog modulation

equipment

• Analog data, digital signal– Permits use of modern digital transmission and switching equipment

• Digital data, analog signal– Some transmission media will only propagate analog signals E.g.,

unguided media

• Analog data, analog signal– Analog data in electrical form can be transmitted easily and cheaply

i.e. Done with voice transmission over voice-grade lines

Page 3: Signal  Encoding Techniques

Digital Data, Digital Signal

• Digital signal– Discrete, discontinuous voltage pulses– Each pulse is a signal element– Binary data encoded into signal elements

Page 4: Signal  Encoding Techniques

Terms (1)

• Unipolar– All signal elements have same sign

• Polar– One logic state represented by positive voltage the

other by negative voltage• Data rate– Rate of data transmission in bits per second

• Duration or length of a bit– Time taken for transmitter to emit the bit

Page 5: Signal  Encoding Techniques

Terms (2)

• Modulation rate– Rate at which the signal level changes– Measured in baud = signal elements per second

• Mark and Space– Binary 1 and Binary 0 respectively

Page 6: Signal  Encoding Techniques

Interpreting Signals• Need to know

– Timing of bits - when they start and end– Signal levels

• What determines how successful a receiver will be in interpreting an incoming signal?– Data rate

• An increase in data rate increases bit error rate– Signal to noise ratio

• An increase in SNR decreases bit error rate– Bandwidth

• An increase in bandwidth allows an increase in• data rate

Page 7: Signal  Encoding Techniques

Comparison of Encoding Schemes (1)

• Signal Spectrum– Lack of high frequencies reduces required bandwidth

– Spectral efficiency (also called bandwidth efficiency)– With no dc component, ac coupling via transformer Possible– Concentrate power in the middle of the bandwidth, Transfer

function of a channel is worse near band edges.

• Clocking– Synchronizing transmitter and receiver

– Ease of determining beginning and end of each bit position– External clock– Sync mechanism based on signal

Page 8: Signal  Encoding Techniques

Comparison of Encoding Schemes (2)

• Error detection– Can be built in to signal encoding

• Signal interference and noise immunity– Some codes are better than others

• Cost and complexity– The higher the signal rate to achieve a given data

rate, the greater the cost

Page 9: Signal  Encoding Techniques

Encoding Schemes

• Nonreturn to Zero-Level (NRZ-L)• Nonreturn to Zero Inverted (NRZI)• Bipolar -AMI• Pseudoternary• Manchester• Differential Manchester• B8ZS• HDB3

Page 10: Signal  Encoding Techniques

NonReturn to Zero-Level (NRZ-L)

• Two different voltages for 0 and 1 bits• Voltage constant during bit interval– no transition I.e. no return to zero voltage

• e.g. Absence of voltage for zero, constant positive voltage for one

• More often, negative voltage for one value and positive for the other

• This is NRZ-L

Page 11: Signal  Encoding Techniques

NonReturn to Zero Inverted (NRZ-I)

• Nonreturn to zero inverted on ones• Constant voltage pulse for duration of bit• Data encoded as presence or absence of

signal transition at beginning of bit time• Transition (low to high or high to low)

denotes a binary 1• No transition denotes binary 0• An example of differential encoding

Page 12: Signal  Encoding Techniques

NRZ (L & I)

Page 13: Signal  Encoding Techniques

Differential Encoding

• Data represented by changes rather than levels

• More reliable detection of transition rather than level

• In complex transmission layouts it is easy to lose sense of polarity

Page 14: Signal  Encoding Techniques

NRZ pros and cons

• Pros– Easy to engineer– Make good use of bandwidth

• Cons– dc component– Lack of synchronization capability

• Used for magnetic recording• Not often used for signal transmission

Page 15: Signal  Encoding Techniques

Multilevel Binary• Use more than two levels• Bipolar-AMI– zero represented by no line signal– one represented by positive or negative pulse– one pulses alternate in polarity– No loss of sync if a long string of ones (zeros still a

problem)– No net dc component– Lower bandwidth– Easy error detection

Page 16: Signal  Encoding Techniques

Pseudoternary

• One represented by absence of line signal• Zero represented by alternating positive and

negative• No advantage or disadvantage over bipolar-

AMI

Page 17: Signal  Encoding Techniques

Bipolar-AMI and Pseudoternary

Page 18: Signal  Encoding Techniques

Trade Off for Multilevel Binary

• Not as efficient as NRZ– Each signal element only represents one bit– In a 3 level system could represent log23 = 1.58

bits– Receiver must distinguish between three levels

(+A, -A, 0)– Requires approx. 3dB more signal power for

same probability of bit error

Page 19: Signal  Encoding Techniques

Biphase• Manchester

– Transition in middle of each bit period– Transition serves as clock and data– Low to high represents one– High to low represents zero– Used by IEEE 802.3

• Differential Manchester– Midbit transition is clocking only– Transition at start of a bit period represents zero– No transition at start of a bit period represents one– Note: this is a differential encoding scheme– Used by IEEE 802.5

Page 20: Signal  Encoding Techniques

Manchester Encoding

Page 21: Signal  Encoding Techniques

Differential Manchester Encoding

Page 22: Signal  Encoding Techniques

Biphase Pros and Cons

• Con– At least one transition per bit time and possibly two– Maximum modulation rate is twice NRZ– Requires more bandwidth

• Pros– Synchronization on mid bit transition (self clocking)– No dc component– Error detection

• Absence of expected transition

Page 23: Signal  Encoding Techniques

Modulation Rate

Page 24: Signal  Encoding Techniques

Scrambling

• Use scrambling to replace sequences that would produce constant voltage

• Filling sequence – Must produce enough transitions to sync– Must be recognized by receiver and replace with original– Same length as original

• No dc component• No long sequences of zero level line signal• No reduction in data rate• Error detection capability

Page 25: Signal  Encoding Techniques

B8ZS• Bipolar With 8 Zeros Substitution• Based on bipolar-AMI• If octet of all zeros and last voltage pulse

preceding was positive encode as 000+-0-+• If octet of all zeros and last voltage pulse

preceding was negative encode as 000-+0+-• Causes two violations of AMI code• Unlikely to occur as a result of noise• Receiver detects and interprets as octet of all

zeros

Page 26: Signal  Encoding Techniques

HDB3

• High Density Bipolar 3 Zeros• Based on bipolar-AMI• String of four zeros replaced with one or two

pulses

Page 27: Signal  Encoding Techniques

B8ZS and HDB3

Page 28: Signal  Encoding Techniques

Digital Data, Analog Signal

• Public telephone system– 300Hz to 3400Hz– Use modem (modulator-demodulator)

• Amplitude shift keying (ASK)– Amplitude difference of carrier frequency

• Frequency shift keying (FSK)– Frequency difference near carrier frequency

• Phase shift keying (PK)– Phase of carrier signal shifted

Page 29: Signal  Encoding Techniques

Modulation Techniques

Page 30: Signal  Encoding Techniques

• One binary digit represented by presence of carrier, at constant amplitude

• Other binary digit represented by absence of carrier

where the carrier signal is Acos(2πfct)

Amplitude Shift Keying

Page 31: Signal  Encoding Techniques

Amplitude Shift Keying• Values represented by different amplitudes of carrier• Usually, Amplitude is one

– i.e. presence and absence of carrier is used• Inefficient modulation technique since it is much more

susceptible to noise– Atmospheric and impulse noises tend to cause rapid

fluctuations in amplitude• Linear modulation technique

– Good spectral efficiency– Low power efficiency

• Up to 1200bps on voice grade lines• Used for carrying digital data over optical fiber

Page 32: Signal  Encoding Techniques

Amplitude Shift Keying

Page 33: Signal  Encoding Techniques

• Two binary digits represented by two different frequencies near the carrier frequency

• where f1 and f2 are offset from carrier frequency fc by equal but opposite amounts

Frequency Shift Keying

Page 34: Signal  Encoding Techniques

Frequency Shift Keying

• Most common form is binary FSK (BFSK)• Less susceptible to error than ASK• Up to 1200bps on voice grade lines• Used for high-frequency (3 to 30 MHz) radio

transmission• Can be used at higher frequency on LANs using

co-axial• Amplitude of the carrier wave is constant– Power-efficient

Page 35: Signal  Encoding Techniques

Binary Frequency Shift Keying

Page 36: Signal  Encoding Techniques

FSK on Voice Grade Line

Page 37: Signal  Encoding Techniques

Multiple FSK

• More than two frequencies used• More bandwidth efficient• More prone to error• Each signalling element represents more than

one bit

Page 38: Signal  Encoding Techniques

Multiple Frequency-Shift Keying (MFSK)

Page 39: Signal  Encoding Techniques

Binary Phase-Shift Keying (BPSK)

• Linear modulation technique

Page 40: Signal  Encoding Techniques

Phase Shift Keying (PSK)

• Phase of carrier signal is shifted to represent data

• Binary PSK– Two phases represent two binary digits

• Differential PSK– Phase shifted relative to previous transmission rather

than some reference signal• Binary 0 – signal burst of same phase as previous signal burst• Binary 1 – signal burst of opposite phase to previous signal burst

Page 41: Signal  Encoding Techniques

Binary Phase-Shift Keying (BPSK)

Page 42: Signal  Encoding Techniques

Differential PSK

Page 43: Signal  Encoding Techniques

Four-level PSK (QPSK)

Page 44: Signal  Encoding Techniques

Quadrature PSK• More efficient use by each signal element

representing more than one bit– e.g. shifts of /2 (90o)– Each element represents two bits– Can use 8 phase angles and have more than one

amplitude– 9600bps modem use 12 angles , four of which have

two amplitudes• Offset QPSK (orthogonal QPSK)– Delay in Q stream

Page 45: Signal  Encoding Techniques

QPSK and OQPSK Modulators

Page 46: Signal  Encoding Techniques

Examples of QPSF and OQPSK Waveforms

Page 47: Signal  Encoding Techniques

Performance of Digital to Analog Modulation Schemes• Bandwidth

– ASK and PSK bandwidth directly related to bit rate– FSK bandwidth related to data rate for lower frequencies, but

to offset of modulated frequency from carrier at high frequencies

– Bandwidth of modulated signal (BT)– ASK, PSK BT =(1+r)R– FSK BT= 2DF+(1+r)R

– R = bit rate– 0 < r < 1; related to how signal is filtered– DF = f2-fc=fc-f1

– In the presence of noise, bit error rate of PSK and QPSK are about 3dB superior to ASK and FSK

Page 48: Signal  Encoding Techniques

Performance of Digital to Analog Modulation Schemes• Bandwidth of modulated signal (BT)

• MPSK

• MFSK

– L = number of bits encoded per signal element– M = number of different signal elements

Page 49: Signal  Encoding Techniques

Multilevel PSK

• Using multiple phase angles with each angle having more than one amplitude, multiple signals elements can be achieved

• D = modulation rate, baud• R = data rate, bps• M = number of different signal elements = 2L• L = number of bits per signal element

Page 50: Signal  Encoding Techniques

Quadrature Amplitude Modulation (QAM)• QAM is a combination of ASK and PSK• Two different signals sent simultaneously on

the same carrier frequency

Page 51: Signal  Encoding Techniques

Quadrature Amplitude Modulation (QAM)• QAM used on asymmetric digital subscriber line

(ADSL) and some wireless• Logical extension of QPSK• Send two different signals simultaneously on

same carrier frequency– Use two copies of carrier, one shifted 90°

– Each carrier is ASK modulated– Two independent signals over same medium– Demodulate and combine for original binary output

Page 52: Signal  Encoding Techniques

QAM Modulator

Page 53: Signal  Encoding Techniques

QAM Levels• Two level ASK– Each of two streams in one of two states– Four state system– Essentially QPSK

• Four level ASK– Combined stream in one of 16 states

• 64 and 256 state systems have been implemented

• Improved data rate for given bandwidth– Increased potential error rate

Page 54: Signal  Encoding Techniques

Analog Data, Digital Signal

• Digitization– Conversion of analog data into digital signal

• Once analog data have been converted to digital signals, the digital data:– Digital data can then be transmitted using NRZ-L– Digital data can then be transmitted using code

other than NRZ-L– Analog to digital conversion done using a codec

Page 55: Signal  Encoding Techniques

Digitizing Analog Data

Page 56: Signal  Encoding Techniques

Digital Coding Schemes

• Pulse code modulation (PCM)

• Delta modulation (DM)

Page 57: Signal  Encoding Techniques

Pulse Code Modulation(PCM) (1)• Based on the sampling theorem• Each analog sample is assigned a binary code

– Analog samples are referred to as pulse amplitude modulation (PAM) samples

• The digital signal consists of block of n bits, where each n-bit number is the amplitude of a PCM pulse

• E.g.: 4 bit system gives 16 levels• Quantized

– Quantizing error or noise– Approximations mean it is impossible to recover original

exactly– Leads to quantizing noise

Page 58: Signal  Encoding Techniques

Pulse Code Modulation(PCM) (2)• 8 bit sample gives 256 levels• If a signal is sampled at regular intervals at a rate

higher than twice the highest signal frequency, the samples contain all the information of the original signal– (Proof - Stallings appendix 4A)

• Voice data limited to below 4000Hz• Require 8000 sample per second• 8000 samples per second of 8 bits each gives

64kbps• Quality comparable with analog transmission

Page 59: Signal  Encoding Techniques

PCM Example

Page 60: Signal  Encoding Techniques

PCM Block Diagram

Page 61: Signal  Encoding Techniques

Delta Modulation

• Analog input is approximated by a staircase function– Move up or down one level () at each sample

interval

• The bit stream approximates derivative of analog signal (rather than amplitude)– 1 is generated if function goes up– 0 otherwise

Page 62: Signal  Encoding Techniques

Delta Modulation - example

Page 63: Signal  Encoding Techniques

Delta Modulation

• Two important parameters– Size of step assigned to each binary digit (δ)– Sampling rate

• Accuracy improved by increasing sampling rate– However, this increases the data rate

• Advantage of DM over PCM is the simplicity of its implementation

Page 64: Signal  Encoding Techniques

Delta Modulation - Operation

Page 65: Signal  Encoding Techniques

Delta Modulation - Performance

• Good voice reproduction – PCM - 128 levels (7 bit)– Voice bandwidth 4khz– Should be 8000 x 7 = 56kbps for PCM

• Data compression can improve on this– e.g. Interframe coding techniques for video

Page 66: Signal  Encoding Techniques

Analog Data, Analog Signals

• Why modulate analog signals?– Higher frequency can give more efficient

transmission– Permits frequency division multiplexing ( will be

discussed in chapter 8)• Types of modulation– Amplitude Modulation– Angel Modulation

– Frequency Modulation– Phase Modulation

Page 67: Signal  Encoding Techniques

Amplitude Modulation

• cos2πfct = carrier

• x(t) = input signal• na = modulation index (< 1)– Ratio of amplitude of input signal to carrier

• Double sideband transmitted carrier (DSBTC)

Page 68: Signal  Encoding Techniques

Amplitude Modulation

Page 69: Signal  Encoding Techniques

Spectrum of AM

Page 70: Signal  Encoding Techniques

AM Power

• Transmitted power

• Pt = total transmitted power in s(t)

• Pc = transmitted power in carrier

Page 71: Signal  Encoding Techniques

Single Sideband (SSB)

• Variant of AM is single sideband (SSB)– Sends only one sideband– Eliminates other sideband and carrier

• Advantages– Only half the bandwidth is required– Less power is required

• Disadvantages– Poor performance in fading channels

Page 72: Signal  Encoding Techniques

Angle Modulation

• Frequency modulation– Derivative of the phase is proportional to

modulating signal

• Phase modulation– Phase is proportional to modulating signal

Page 73: Signal  Encoding Techniques

Analog Modulation

Page 74: Signal  Encoding Techniques

Required Reading

• Stallings chapter 5