simon powis, guitar
DESCRIPTION
Doctor of Musical Arts recital.TRANSCRIPT
Robert Blocker, Dean
Music of Albéniz, Bach, Brouwer, Coeck, Sor, and WaltonMorse Recital Hall • Thursday, October 10, 2013 at 8 pm
Doctor of Musical Arts Recital
simon powis · guitar
Armand Coeckb. 1941
Johann Sebastian Bach1685–1750
William Walton1902–1983
Fernando Sor1778–1839
Leo Brouwerb. 1939
Isaac Albéniz1860–1909
Constellations
Ciaconna from Partita in D minor, BWV 1004 transc. Simon Powis
Five BagatellesI. AllegroII. LentoIII. Alla CubanaIV. Sempre espressivoV. Con Slancio
intermission
Fantaisie élégiaque, Op. 59
SonataI. Fandangos y BolerosII. Sarabanda de ScriabinIII. La Toccata de Pasquini
Granada, from Suite Española No. 1. Op. 47 arr. Barrueco
Córdoba, from Cantos de España, Op. 232 arr. Williams
Sevilla from Suite Española No. 1. Op. 47 arr. Llobet
simon powis · guitar
Doctor of Musical Arts Recital
October 10, 2013 • Morse Recital Hall
As a courtesy to the performers and audience, silence all electronic devices.
Please do not leave the hall during selections. Photography or recording of any kind is prohibited.
Simon Powis
A passionate and expressive style coupled with a formidable technique has garnered attention for Simon Powis as a talented soloist, chamber musician and innovator. Growing up in Sydney, Australia, Powis began his musical studies on the cornet at the age of five. Inspired by his brother, he took up the guitar at age eleven and began an enduring obsession that would result in performances throughout Europe, Australia, and the Americas.
After completing his studies at the Sydney Conservatorium of Music with Raffaele Agostino in 2004, Powis traveled extensively throughout Europe to study with some of the world’s most renowned virtuosos. Oscar Ghiglia, David Russell, Pavel Steidl and Aniello Desiderio have had a great impact on Powis’s musical style and technical foundation. In 2006 Powis was invited to undertake a Master of Music degree at the Yale School of Music on a full scholarship. Upon completing this degree, he was accepted as the first guitarist in over two decades to undertake doctoral studies at Yale. During his time at Yale the professor of guitar, Ben Verdery, offered instruction, support, and guidance that readied him for a career as a professional musician.
Powis has toured extensively as a soloist with performances in the Kennedy Center (Washington, D.C.), Australia House (London), and the Banff Center for the Arts (Canada). A strong passion for chamber music has resulted in international collaborations ranging from traditional groups such as the Modigliani String Quartet and Ian Swenson (violin) to less common performances with double bass,
electronics, and even the tuba. Powis’s openness to innovation is exhibited by his devotion to performing new works. In the past years he has collaborated with a variety of composers to premiere over thirty new works on the concert stage.
As a teacher Powis has given master classes in Lima, Mexico City, and New York, and at Yale he was employed as both a guitar instructor at the School of Music and a teaching fellow in the Department of Music. With a growing interest in pedagogy, he decided to undertake research in sightreading for his doctoral thesis. With insights and encouragement from Jerry Willard, David Leisner, John Williams and Ben Verdery, Powis has developed sightreading seminars that he has given in music schools, guitar societies, and guitar festivals around the world.
This performance is in partial fulfillment of the requirements
for the Doctor of Musical Arts degree.
Robert Blocker, Dean
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