10+Izbor iz KolekcijeGalerijeSKC Kragujevac

A Selectionfrom theCollection of the GallerySKC Kragujevac

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10+Izbor iz Kolekcije Galerije SKC KragujevacA Selection from the Collection of the Gallery SKC Kragujevac

KONTAKT Galerija SKC Kragujevacseptembar – oktobar 2014. godine

CONTACT Gallery SKC KragujevacSeptember – October 2014

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Boba Mirjana Stojadinovi} #24

Nina Todorovi} #26

Aleksandar Zari} #28

Predrag Terzi} #30

Vi{nja Nikoli} #32

Milena Putnik #34

Jovana Stojanovi} #36

Uro{ Pavlovi} #38

Filip Misita #40

Marija Grahovac #42

Oliver Veljkovi} #44

Ana Jovanovi} #46

Vuk Vu~kovi} #48

Ivan Petrovi} #50

Vladimir Rankovi} #52

Vesna Mi}ovi} #54

Nenad Jeremi} #56

Sr|an Veljovi} #58

Danilo Prnjat #60

Mihailo Vasiljevi} #62

Milica Crnobrnja Stankovi} #64

Goran Micevski #66

Teodora Tasi} #68

Lidija Marinkov Pavlovi} #70

Aleksandrija Ajdukovi} #72

Nikola Kora} #74

Ivan Jovanovi} #76

Bratislav Milenkovi} #78

Tatjana Koji} ^ehi} #80

Bojan Novakovi} #82

SilkSkrin #84

Nikola Velicki #86

Jastra Jela~i} #88

Slavica Lazi} Dundas #90

An|elka ^akarevi} #92

Milica Antonijevi} #94

Ivan Arsenijevi}OCRTAVANJE BUDU]NOSTI – 10+ Izbor iz Kolekcije Galerije SKC Kragujevac #11

DELINEATION OF THE FUTURE – 10+ A Selection from the Collection of the Gallery SKC Kragujevac #13

Marija Konjiku{i}10+ Izbor iz Kolekcije Galerije SKC Kragujevac #15

10+ A Selection from the Collection of the Gallery SKC Kragujevac #19

Sadr`aj

Galerija SKC Kragujevac, dugi niz godina ozbiljno je posve}ena prezentaciji i afirmisanju, tuma~enju i razumevanju sa -vremene vizuelne umetnosti. Zapravo, jedna dosledna i promi{ljena izlaga~ka koncepcija koja se kre}e u okvirima savre -mene umetni~ke prakse, donela je Galeriji SKC vidljivost i prepoznavanje me|u akterima savremene umetni~ke scene,kao i me|u onom publikom, koja je spremna da zakora~i u polje inovativnosti i eksperimenta, istra`ivanja – izvan ste-reotipa i postoje}ih ograni~enja vezanih za galerijsko-izlaga~ke prakse.

Iako arhitektonski daleko od koncepta WHITE CUBE-a, Galerija SKC je svojim ograni~enim galerijskim prostorom,uspela da produkcijom i koncipiranjem zahtevnih izlo`bi, ali pre svega, jednom konzistentnom galerijskom politikom,bude jedna vrsta odgovora na postoje}i odnos koji traje unutar sistema galerija – umetnik – publika. Svojim svesnimuda ljavanjem od lokalnih fikcija i `eljom da se ostane nepomu}en u takvom prisustvu – kroz promi{ljen i koherentanizlaga~ki koncept, Galerija SKC te`i da isprati aktuelna de{avanja u oblasti savremene vizuelne umetnosti i ostvari uvidu aktuelnu i relevantnu umetni~ku produkciju.

Upavo ova izlo`ba – 10+ Izbor iz Kolekcije Galerije SKC, daje mogu}nost da se osvetli i poka`e sva kompleksnosti raznovrsnost savremene umetni~ke scene. Adekvatna sagledivost u novom galerijskom prostoru KONTAKT Galeriji SKC,aktuelizuje radove autora koji su izlagali u Galeriji SKC, tokom poslednjih desetak godina. I{~itavanje ra dova u jednomnovom kontekstu i novom galerijskom prostoru, kroz jasnu i smislenu celinu izabranih radova, otkriva nam {irok spektartema i pitanja, pojedina~nih i univerzalnih fenomena, kojima su autori pristupali sa razli~itim ra zmi {ljanjima i stavovimau odre|enim periodima svog stvarala{tva. Tako|e, ovakav izbor radova na najbolji na~in potvr|uje kontinuitet i uspo-stavlja kontekst sa dugogodi{njom izlaga~kom praksom Galerije SKC, otkrivaju}i duh koji savremena umetnost nosi.Izabrani autori su aktivni u~esnici scene sa referentnim biografijama, dobitnici mnogobrojnih zna~ajnih nagrada, i ono{to se ~ini zanimljivim, mnogi od njih se bave pedago{kim radom na razli~itim {kolama, akademijama i fakultetimaumetnosti, gde prenose znanja i ste~ena iskustva svojim u~enicima i studentima, mla|im kolegama, daju}i zna ~ajanpodstrek njihovom daljem umetni~kom razvoju.

Izlo`ba 10+ Izbor iz Kolekcije Galerije SKC na najbolji na~in revitalizuje odnos galerija – umetnik – publika i ocrtava`eljenu budu}nost delovanja i rada galerijskih prostora SKC-a, kao prostora vidljivih i zna~ajnih u {irem regionu, kaomesta istra`ivanja i inovativnosti, mesta afirmisanja mladih autora, ali isto tako i mesta delovanja i prezentovanjaafir misanih stvaralaca.

OCRTAVANJE BUDU]NOSTI – 10+ Izbor iz Kolekcije Galerije SKC Kragujevac

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#13

DELINEATION OF THE FUTURE – 10+ A Selection from the Collection of the Gallery SKC Kragujevac

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Galerija SKC i nov izlaga~ki prostor KONTAKT Galerija SKC Kragujevac, sigurno }e ponuditi jedan novi oblik ko-munikacije, koji }e doprineti kvalitetnijem dijalogu, ve}oj otvorenosti i jednom zna~ajnijem umre`avanju sa svim akte -rima savremene umetni~ke scene, kao i sa onima koji ̀ ele da je upoznaju i bolje razumeju, daju}i time svoj kontinuiranidoprinos njenom razvoju.

Ivan Arsenijevi}, urednik likovnog programa SKC Kragujevac

For many years now, the Gallery SKC Kragujevac has been seriously committed to the contemporary visual arts – itspresentation, promotion, interpretation and understanding. In fact, a consistent and thoughtful exhibiting concept thatranges within the limits of contemporary art practice, brought about for the Gallery SKC visibility and recognition bythe contemporary art scene participants, as well as by the audience willing to step out into the field of innovation, ex-periment and research – outside stereotypes and existing constraints related to the gallery-exhibition practices.

Although in the architectural sense far away from the WHITE CUBE concept, SKC Gallery provides – even with itslimited gallery space, by production and creation of demanding exhibitons, but above all, by a consistent gallerypolicy, a specific response to the present relation that exists in the system gallery – artist – audience. By its tendentiousdistancing from the local fictions and by a desire to remain undisturbed in such a presence – through a thoughtful andcoherent exhibition concept, SKC Gallery strives to support current happenings in the field of contemporary visualarts and to gain insight into the present and relevant artistic production.

Therefore, this exhibition – 10+ A Selection from the Collection of the Gallery SKC, offers an opportunity to highlightand demonstrate the contemporary art scene's complexity and variety. Adequate visibility in the new gallery space –CONTACT SKC Gallery, actualizes works of the authors who have exhibited in SKC Gallery during the last ten-year-period (2002–2014). Reading of the works in a new context and in a new gallery space, the selection of works in theform of a clear and meaningful entity, reveals us a wide range of topics and issues, individual and universal phenomena,which the authors approached to with different opinions and attitudes in certain moments of their creative periods. Also,this choice of works, in the best way confirms continuity and establishes a context with a longtime exhibition practiceof SKC Gallery, revealing thus the contemporary art spirit. The selected authors are active scene participants with thereference biographies, the winners of many prestigious awards, and what seems interesting many of them are engagedin the educational work at different schools, academies and art colleges, where they transfer knowledge and experiencesto their students, younger colleagues, therefore giving a significant impetus to their future artistic development.

Exhibition 10+ A Selection from the Collection of the Gallery SKC in the best way revitalizes the relationshipgallery – artist – audience and outlines the desired future action and work of SKC gallery spaces, as spaces visibleand significant in the wider region, as the places of research and innovation, the affirmation places for young authorswhile at the same time remaining to be the place for the acting and presenting of the renowned artists.

10+ Izbor iz Kolekcije Galerije SKC Kragujevac

Svake godine Galerija SKC Kragujevac raspisuje konkurs na kome u~estvuju umetnici mla|e i srednje generacije iz celeSrbije. Savet galerije u masi prispelih radova odabira autore / umetni~ke grupe koji te godine ~ine izlo`benu sezonu ga-lerije. Nakon realizovane izlo`be umetnici su pozvani da ostave jedan reprezentativan rad galeriji, kao deo Ko lekcije.Prvi put kad sam ~ula da se od umetnika tra`i da ostave rad bila sam iznena|ena. Usled sve ve}eg nedostatka fi -nansiranja u kulturi, gde umetnici naj~e{}e sami produciraju svoje radove, ovo mi se ~inilo, na prvi pogled, kao velika`rtva koja se od njih o~ekuje.

Ovom prilikom, pozvana sam da, kao jedan od ~lanova umetni~kog saveta, u saradnji sa urednikom likovnog pro-grama, Ivanom Arsenijevi}em, osmislim izlo`bu i napravim odabir radova iz Kolekcije Galerije SKC Kragujevac.

Kolekciju ~ine radovi nastali u ne{to vi{e od 10 godina rada galerije, sa njenom promenjenom politikom rada, ka -da je galerijski prostor postao mesto prepoznatljivo po radovima savremene vizuelne umetnosti. Kako je galerija deousta nove Studentskog kulturnog centra, kriterijum za izbor umetnika podrazumeva da su – ili i dalje studenti, ili su za vr -{ili umetni~ke akademije i ~ine autore srednje generacije, koji su nastavili da se dalje razvijaju u svom umetni~kom radu.

Tek u samom radu na Kolekciji postalo mi je jasno koliko su bitni ovakvi napori jedne ustanove kulture da preuzmeodgovornost sakupljanja i ~uvanja radova, koliko takve aktivnosti pru`aju mogu}nost prou~avanja i sagledavanja ume -tni~ke scene. Na kraju, koliko je bitna sama prezentacija iste te Kolekcije {iroj publici, koja na ovaj na~in jasnije mo`eda sagleda rad ustanove koja se danas bavi kulturom.

Ideja o organizovanju izlo`be podstaknuta je mi{ljenjem da je deset godina sakupljanja Kolekcije pravo vreme zanjeno tuma~enje i sagledavanje, a kako je sama ustanova u isto vreme otvorila jo{ jedan novi izlaga~ki prostor mo`ese re}i da su se sve okolnosti savr{eno podudarile.

Slede}i korak bio je da se u koli~ini prikupljenih radova odaberu i spoje umetnici koji }e u jednoj izlo`bi najboljepredstaviti presek rada same galerije kao i umetni~ke scene u Srbiji poslednjih godina.

Radovi iz razli~itih oblasti vizuelnih umetnosti, video i zvu~na instalacija, fotografija, radovi iz oblasti dizajna kaoi oni u klasi~nim likovnim medijima – slike, crte`i, grafike, sve objedinjeno u jednoj izlo`bi ~ini konglomerat razli~itihtema i pitanja kojima se ovi umetnici bave. Njihovi pogledi na svet, umetni~ka radoznalost u ispitivanju odnosa kojikao pojedinci imaju prema vrednostima savremenog `ivota ~ine osnovu izlo`be povezuju}i ove umetni~ke svetove ujednu interaktivnu pri~u.

#15

SKC Gallery and a new exhibition space CONTACT SKC Gallery Kragujevac, will certainly offer a new form ofcommunication, which will contribute to a better dialogue, greater openness and a significant networking with allstakeholders of the contemporary art scene. Also there are great potential and possibilities for interaction with thosewho want to be informed about the scene and better understand it and in such a way giving their continuous contributionto contemporary art scene development.

Ivan Arsenijevi} Editor of the Art Program SKC Kragujevac

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dentiranje, koristi sli~an na~in prikaza, postavljaju}i predmete koji su kori{}eni u izvr{avanju prekr{ajnih dela i koristese kao dokazni materijal u sudskom postupku, kao portret zlo~ina, jasno referiraju}i da i sam predmet poseduje istusnagu kao i izvr{eno delo. Vladimir Rankovi} zaokru`uje ovu pri~u o strahu i konstantnom ose}aju nadolaze}e ne -lagode kroz video instalaciju Tu|i prostori – 12 | 12, uvode}i nas slikom, zvukom i konstruisanom instalacijom u svetnepoznatog i neo~ekivanog.

Jo{ jedan umetnik koji koristi video da bi izrazio svoje promi{ljanje o umetnosti i `ivotu je Nenad Jeremi} kojinas ve} samim nazivom svog rada uvodi u razmi{lajnje, postavljaju}i nam jasno pitanje Dokle vi{e mladi umetnici.

Ako se osvrnemo na radova nekolicine fotografa uo~i}emo neke sli~ne teme, ali i razli~ite pristupe. Goran Micevskikoristi fotografiju na tradicionalan na~in, postavljaju}i jednu prijem~ivu estetizovanu sliku pred posmatra~a, navodinas na krajnje konceptualno promi{ljanje. Fotografije skupljene pod nazivom Neklasifikovano komentar su na dru{tvenustvarnost, predstavljaju analizu fotografskog medija i istorijsko-umetni~ke tradicije. Aleksandrija Ajdukovi} u raduOigiang na duhovit na~in se bavi fenomenom tr`i{ta i reklamne fotografije, u vidu futuristi~kog kalendara predstavljenaje pseudo reklamna kampanja kineskog detrd`enta.

Nekoliko umetnika fotografa su se na razli~ite na~ine pozabavili predstavom portreta. Danilo Prnjat koristi svojetelo u svrhu definisanja li~nog odnosa prema svetu i izra`avanju unutra{njeg stanja. Mihailo Vasiljevi}, uspostavljaju}ipoverenje sa svojim modelima, u isto vreme nam ih razgoli}uje i ostavlja u vazduhu pitanje manipulacije i diskriminacijekoja mo`e da se desi u direktnom kontaktu sa slikom portretisanih subjekata. U svom radu Transponovanje, Sr|anVeljovi}, kroz portret urbane figure umetnika D`onija Rackovi}a, pri~a pri~u o osobi koja je svojim javnim nastupimapostala simbol jedne generacije koja nestaje.

Vesna Mi}ovi}, vr{i na fotografijama intervencije, ostavljaju}i prazno mesto umesto portretisanog subjekta. Naspecifi~an na~in ona se bavi sadr`ajem i formom tema kao {to su pejza`, portret ili identitet. Kre}u}i od sli~nog ~ina,Lidija Marinkov Pavlovi} potpuno bri{e glavni subjekt, u ovom slu~aju istorijsku figuru Josipa Broza Tita, ostavljaju}iprirodu da dominira fotografijom. Razgradnjom jednog mita ona nas uvodi na poligon izbrisane istorije na ~ijim temeljimase razvila podloga za stvaranje postjugoslovenske stvarnosti.

Tokom godina na zidovima galerije na{li su se i radovi ~itave grupe umetnika koji su se, razvijaju}i svoj umetni~kistil, bavili promi{ljanjem u okviru odre|enog likovnog medija. Dve umetnice, An|elka ^akarevi} i Slavica Lazi} Dundas,eksperimenti{u radom na drvetu, dok se Teodora Tasi}, na svojim crte`ima Spava~a, koristi tu{em i perom. Bojan No-vakovi} poigrava se, kroz slike-kola`e, ambala`ama kartonskih kutija. Umetni~ka grupa SilkSkrin istra`uje {iroko poljegrafi~kih komunikacija, spajaju}i dizajn i umetnost, i na ovaj na~in zala`u}i se za popularizaciju grafike i edukaciju

#17

Postavlja se pitanje kako na adekvatan na~in predstaviti ovako velik broj umetnika i premostiti samu slo`enost tu -ma ~enja svakog pojedina~nog rada. Da li krenuti od dodirnih ta~aka pod kojima bi se lak{e mogao na}i povezuju}i~inilac? Da li bi to onda bila tema ili sam medij izra`avanja? Ako bismo po~eli da ih ~itamo kroz svojevrsne porukekoje je sva ki umetnik u okviru sopstvenog polja delovanja na najbolji na~in uspeo da prika`e, koje su to teme koje do-miniraju?

Zvu~na instalacija Gradske metamorfoze, umetnice Mirjane Stojadinovi} Bobe, bavi se pitanjem promena u okvirujednog gradskog ambijenta, zvuk je kori{}en kao sredstvo komunikacije sa publikom i saop{tavanje odre|enog stava,u ovom slu~aju negodovanja na te iste promene. Grad kao sfera interesovanja, sa nizovima zgrada koji izgledaju kaobeskona~no ponavljaju}i pattern, pojavljuje se i na fotografijama Aleksandra Zari}a. Kroz upotrebu crte`a, Nina Todorovi}svojim nizovima prozora, i Predrag Terzi} apstraktnim motivom ograda, oslikavaju emociju otu|enosti urbanog pejza`a,ubla`avaju}i ovaj ose}aj malim intimisti~kim formatom slike. Mlada umetnica Vi{nja Nikoli}, na sentimentalan na~intretira grad u svojoj seriji Urbani grafi~ki prostori, pru`aju}i nam ise~ke vidika iz svoje neposredne sredine.

Serija digitalnih fotografija Sekvence, Milene Putnik, gde je jedan motiv – avion, prikazan iz razli~itih uglova, bavise pitanjem slo`enosti ljudske percepcije i nemogu}nosti vernog bele`enja promena. Putem crte`a, Uro{ Pavlovi} svojimradom Berza podataka, poku{ava da do~ara vrtlog promena koje nastaju u na{oj svesti konstantnom informacijskomprezasi}eno{}u koju danas internet pru`a. Grafika velikog formata, Marije Grahovac, iz ciklusa Kodiranje uspostavljakomunikaciju sa posmatra~em navode}i ga na preispitivanje poreme}enih partnerskih odnosa u modernom svetu,`ivotu okrenutom povr{nom vidu zabave koja sve vi{e vodi ka otu|enosti. Mladi umetnik Filip Misita suo~en i sâm saovim vidom otu|enja, u svojim radovima, grafikama-objektima malog formata, tra`i re{enje konflikta kreiraju}i miniprostore koji mu pru`aju uto~i{te, simboli~an beg od spolja{njeg ka sigurnosti unutra{njeg.

Sakupljanjem banalnih sadr`aja sa interneta, Jovana Stojanovi} stvara male ru~ne radove – ekrane, poni{tavaju}ina ovaj na~in granice realnog i preme{taju}i nas u svet kompjuterskog displeja koji postaje novi vid stvarnosti. Koriste}iele mente preuzete sa ambala`a robe {iroke potro{nje, Oliver Veljkovi} pravi zanimljive asambla`e pod nazivom Orig-inali.

Motiv straha, na razli~itim nivoima figurira u nekim radovima, pru`aju}i nam ose}aj konstantne nelagodnosti.Mo`da najo~iglednije vidljiv u radu mlade umetnice Ane Jovanovi}, Eat my fear, on nas kao {to i sam naziv ka`edirektno uvla~i u svoju sr` teraju}i da se direktno suo~imo sa njim. Mo`da ne toliko na prvi pogled o~igledno, ali icrte`i Vuka Vu~kovi}a sa predmetima, simbolima savremenog dru{tva, seksualnim pomagalima, izazivaju svojom di-rektno{}u ose}aj nelagodnosti koja vodi do ose}aja straha od nepoznatog. Fotograf Ivan Petrovi}, u svom radu Evi-

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Every year, an open call for artists is announced by Gallery SKC Kragujevac, in which the emerging and mid-careerartists from all over Serbia participate. In the mass of submitted works, the Art Council selects the authors / artist groupswho will mark the Gallery current season. After the exhibition, artists are invited to leave the Gallery a representativework, that would eventually constitute the Gallery SKC Collection. At first, I was surprised when I heard about the practice,since artists usually produce their artwork with no financial support and there is a problem of ever present and increasedlack of funding in culture. Because of all the above mentioned this demand seemed to me as a big sacrifice expectedfrom the artists.

On this occasion, I was invited as an Art Council member to, in collaboration with the Editor of Art Program IvanArsenijevi}, organize an exhibition by making a selection of representative works contributed by the artists. These workswere preserved in the Collection of the Gallery SKC Kragujevac.

The Collection consists of works originated in the time period marked by 10 years of the Gallery's existenceand functioning. In this 10-year-time period the Gallery changed its work policy and as a result the Gallery spacebecame a place recognizable by the works of contemporary visual arts. Since the Gallery is an integral part of theStudents Cultural Center Institution, the criterion for the selection of artists was that they were either students, orthey successfully graduated from Art academies and belonged to the middle generation artists, striving to continuetheir artistic development.

During my engagement – working on the Collection, I became aware of the importance of a cultural institutionfor assuming the responsibility of collecting and preserving the artworks, and in what extent such activities provide anopportunity for study and observation of the art scene. In the end, there is the importance of the very presentation ofthat same Collection to a wider audience. In such a way, the audience can clearly perceive and evaluate the work of acultural institution engaged in cultural activities nowadays.

The idea behind the exhibition organization is based on the thought that the ten-year-period of Collection gener-ating is the right time for its interpretation and overview, and since the Institution itself at the time opened new exhibitionspace, the circumstances perfectly converged.

The next step was to select and combine artists that would in one exhibition best present the Gallery's work, aswell as to make a selection of artists that would reflect the art scene in Serbia in the last couple of years.

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10+ A Selection from the Collection of the Gallery SKC Kragujevac publike. Bratislav Milenkovi}, Ivan Jovanovi} i Nikola Kora}, na razli~ite na~ine koriste se grafi~kim jezikom da biprokomentarisali dru{tvene fenomene i anomalije.

Stvaraju}i u okvirima koje grafika kao medij pru`a na zidovima su se na{li veliki formati Jastre Jela~i} i NikoleVelickog, kao i male intimne studije Tatjane Koji} ^ehi}, Milice Antonijevi} i Milice Crnobrnje Vukadinovi}.

I, na kraju, posle ovakve smotre umetnosti postaje jasno koliko ovakve izlo`be pru`aju podsticaj za dalji rad jednojustanovi kulture, koliko zna~e kao inspiracija umetnicima da i pored sve ve}e krize u zemlji, koja sve manje nov~animsredstvima poma`e razvoju kulture, na|u stimulans za nastavak svog kreativnog razvoja. Kolekcija }e se iz godine ugodinu sve vi{e pro{irivati, nove generacije umetnika smenjivati ostavljaju}i za sobom jedan nepresu{an izvor za novatuma~enja i interpretacije kulture.

Marija Konjiku{i},istori~arka umetnosti

#18

reality. Using details from the consumer goods packaging, Oliver Veljkovi} creates interesting assemblages calledOriginals.

The motive of fear which at different levels appears in some works confronts us with a sense of constant discomfort.Perhaps this is the most obviously apparent in the work Eat My Fear of the young artist Ana Jovanovi}. As its nameimplies, the work directly drags us into its own core, yet forcing us to confront it directly. Not so much obvious at firstsight, but the drawings by Vuk Vu~kovi~ by their directness and objects – modern society symbols sex tools causethe feeling of discomfort that further leads to the fear of the unknown. Photographer Ivan Petrovi}, in his work Recordingapplies a similar method, setting the items that were used in the execution of minor offenses and are used as evidencein the Court proceedings, as a portrait of a crime, clearly referring that the objects themselves have the same potencyas the committed crime. Vladimir Rankovi} completes this story of fear with the constant feeling of upcoming uneasein his video installation Somebody Else's Spaces – 12 I 12, transferring us by the picture, sound and constructed in-stallation into the world of unknown and unexpected.

Another artist who uses video as a medium to express his thoughts on Art and life is Nenad Jeremi}. By posinga simple question and titling his work – How Much Longer, Young Artists ? – he forces us to think of a possible answer.

If we observe the works of several photographers, we will notice some similar themes but different approachmethods as well. Goran Micevski uses photography in a traditional way, by placing an acceptable esthetical image infront of the observer he leads us to the extremely conceptual thinking. Photo collection titled Unclassified is a commenton social reality, and presents an analysis of the photographic medium and an analysis of historical and artistic tradi-tions. Aleksandrija Ajdukovi} in her work Oigiang humorously treats the market phenomenon and advertising photog-raphy. Aleksandrija presents us with a form of a futuristic calendar – pseudo marketing campaign for the Chinesewashing powder.

Several artists photographers approached portraits in different ways. Danilo Prnjat uses his body for the purposeof defining a personal view of the world and expressing his inner state. Mihailo Vasiljevi} establishes a trust relationshipwith his models and at the same time he indecently exposes them to us, thus leaving in the air the sense of manipulationand discrimination that may occur in direct contact with the image of the portrayed subjects. In his work, Transposition,Sr|an Veljovi} depicts portrait of urban artist D`oni Rackovi} and tells a story of the person who, by his public ap-pearances became the symbol of a disappearing generation.

Vesna Mi}ovi}, performs interventions on photographies leaving a blank space instead of the portrayed subject.She deals specifically with content and form of topics such as landscapes, portraits or identity. Starting from a similar

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Works from various areas of visual arts, video and sound installations, photography, design works and works ofclassical art media such as paintings, drawings, graphics all are integrated in a single exhibition and make a con-glomerate of different topics and issues that these artists are occupied with. Their views of the world, artistic curiosityto examine their own, individual attitudes towards modern life values –all of these make the basis of the exhibition,linking thus the art worlds in an interactive story.

The question is how to present properly such a large number of artists and how to overcome the very complexityof each work interpretation. Should we start with the common ground in interpretation, in order to reach more easilythe connecting factor? Would it then be the subject or the very expression medium? If we start reading works througha kind of messages that each artist within his own field of action was best able to transfer, which are the topics thatwill dominate?

Sound installation City Metamorphosis, by artist Mirjana Stojadinovi} Boba, explores the issue of change withinan urban environment, the sound is used as means of communication with the audience and to transfer a certainattitude, in this case the disapproval of the same changes. The city as a field of interest with a series of buildings, de-picted as an infinitely repeating pattern, appears in the photographs by Aleksandar Zari}. Nina Todorovi} in her drawingsby rows of windows, and Predrag Terzi} by an abstract fences motif, reflect the emotion of alienation present in theurban landscape, thus reducing the feeling by a small intimate picture format. The young artist Vi{nja Nikoli}, treatsthe city in a sentimental manner in her series Urban Graphic Areas, giving us scenery snapshots of her immediate en-vironment.

In her series of digital images Sequences, Milena Putnik plays with a motive – a plane, shown from different an-gles. The author investigates the issue of the human perception complexity and the inability of the faithful recordingof changes. In his drawings, Uro{ Pavlovi} specifically in his work Data Exchange is trying to outline a vortex of changes,the vortex in our consciousness, caused by a constant information saturation that the Internet offers today. Large formatgraphics, by Marija Grahovac, from the cycle Coding establish communication with a viewer, inducing him to reconsiderthe disturbed partner relations in the modern world, as well as to reexamine life focused on the superficial form of en-tertainment, which increasingly leads to alienation. Young artist Filip Misita who confronted himself with the form ofalienation in his works – small format prints-objects, is seeking the conflict resolution by creation of mini spaces thatprovide him a shelter, a symbolic escape from the outside to the security of the inner.

Jovana Stojanovi} creates small handicrafts screens out of the banal content collected from the Internet, nullifyingthis way the boundaries of the real. She displaces us into the world of computer displays, which is a new form of

#20#20

10+act, Lidija Marinkov Pavlovi}, completely erases the main subject, in this case the historical figure of Josip Broz Tito,leaving the nature to dominate the photography. By decomposition of a myth, she leads us to the deleted historyground where the Post-Yugoslav Realities developed.

Over the years, the gallery hosted the works of a whole group of artists who developed their original artistic styleand at the same time expressed themselves within a particular artistic medium. Two artists, An|elka ^akarevi} andSlavica Lazi} Dundas, performed experiments in woodworking. Teodora Tasi} deployed ink wash and pen in her draw-ings tittled Sleeper. Bojan Novakovi} played with the cardboard boxes packaging through images-collages. The artisticgroup Silkskrin explored the broad field of graphic communications, combining design and art, and thus advocatingfor the graphics popularization and education of audiences. Bratislav Milenkovi}, Ivan Jovanovi} and Nikola Kora} indifferent ways applied graphic language to comment on social phenomena and anomalies.

Creating within the limits that graphics as medium can offer, the following authors were presented on the Gallerywalls: large formats by Jastra Jela~i} and Nikola Velicki, as well as small intimate studies by Tatjana Koji} ^ehi}, MilicaAntonijevi} and Milica Crnobrnja Vukadinovi}.

In the end, after such an Art festival it is apparent that the exhibitions are the encouragement for further work ofa cultural institution, and a timeless inspiration source for the artists. Despite the growing crisis in the country, thecountry that less and less funds and helps the development of culture, the artists are to find a stimulus to continuetheir creative development in such exhibitions. From year to year the Collection will be more and more extended, newgenerations of artists will emerge one after the other, leaving behind an endless source for new readings and interpre-tations of culture.

Marija Konjiku{i} Art Historian

#22

Boba Mirjana Stojadinovi}

Gradske metamorfozeaudio-instalacija, 48 minuta

2012.

City Metamorphosesaudio-installation, 48 minutes

2012

Boba Mirjana Stojadinovi}, ro|ena u Beogradu 1977.godine. Diplomirala je i magistrirala na Fakultetulikovnih umetnosti u Beogradu, a potom magistriralana Institutu Pit Cvart u Roterdamu, Holandija iFakultetu likovnih umetnosti u Plimutu, VelikaBritanija. Aktivno izla`e od 1998. godine. Od 2010.vodi autorski projekat Umetnik kao publika. Dobitnicaje Nagrade 25. memorijala Nade`de Petrovi} u ^a~ku.

Boba Mirjana Stojadinovi}, born in Belgrade in 1977.She received BA and MA degrees from the Faculty ofFine Arts in Belgrade, and an MA degree from theInstitute Piet Zwart in Rotterdam, The Netherlands andFaculty of Fine Arts in Plymouth, UK. She exhibitsactively since 1998. From 2010, she is the author andruns the project-forum Artist as audience. Shereceived the award of the 25th Nade`da Petrovi}Memorial in ^a~ak, Serbia.

#24

Nina Todorovi}

KONSTRUISANJE TI[INE 053 kombinovana tehnika na papiru, 30 × 21 cm

2001–2003.

CONSTRUCTION OF SILENCE 053 combined technique on paper, 30 × 21 cm

2001–2003

Nina Todorovi}, ro|ena 1973. godine u Beogradu.Diplomirala slikarstvo 1999. na Fakultetu likovnihumetnosti, u klasi profesora ^edomira Vasi}a. ^lanULUS-a, samostalni umetnik. Magistrirala je 2002.godine. Poha|a Umetni~ke doktorske studije, na istomfakultetu. Od 1995. godine aktivno izla`e – 35samostalnih, preko 190 grupnih izlo`bi, u~esnikbrojnih likovnih kolonija, radionica i web projekata, uzemlji i inostranstvu. Dobitnik vi{e nagrada.

Nina Todorovi}, born in 1973 in Belgrade. Shegraduated in 1999 from the Faculty of Fine Arts,Painting Department in the class of professor ^edomirVasi}. She is a member of ULUS (Association of FineArtists of Serbia) and an independent artist. Sheearned Master's degree in 2002. She enrolled the PhDstudies at the same university. Since 1995 she hasbeen actively exhibiting – in 35 solo and in over 190group exhibitions, participated in numerous artcolonies, workshops and web projects, both at homeand abroad. She won several awards.

#26

Aleksandar Zari}

Bez naziva #3, iz serije Cinematicfotografija / lambda print, 50 × 90 cm

2009.

Untitled #3, from the series Cinematicphotography / lambda print, 50 × 90 cm

2009

Aleksandar Zari}, ro|en u Beogradu 1970. Diplomirao1997. godine na Fakultetu primenjenih umetnosti idizajna u Beogradu, odsek Primenjena grafika, ateljeGrafika i knjiga. Postdiplomske studije zavr{io 2003.godine na istom fakultetu, pre dmet Grafika. ^lan jeULUS-a od 1998. godine. Docent je za u`u umetni~kuoblast Crtanje i slikanje na Filolo{ko-umetni~komfakultetu u Kragujevcu. @ivi u Beogradu.

Aleksandar Zari}, born in Belgrade, Serbia in 1970.He graduated in 1997 from the Faculty of Applied Artsand Design in Belgrade, Department for AppliedGraphics and Studio Printing. In 2003 he completedthe postgraduate studies in Studio Printing at thesame university. Full membership in Association ofFine Artists of Serbia – ULUS since 1998. Currentlyworks as an Assistant Professor at the Faculty ofPhilology and Arts in Kragujevac. He teaches Drawingand Painting. He lives in Belgrade.

#28

Predrag Terzi}

061, iz ciklusa Ogradeakvarel, 24 × 16 cm

2002.

061, from the series Fencesaquarelle, 24 × 16 cm

2002

Predrag Terzi}, ro|en 1972. godine u Beogradu.Diplomirao 2000. godine na Fakultetu likovnihumetnosti u Beogradu, Odsek slikarstvo, u klasiprofesora ^edomira Vasi}a. Magistrirao 2004. godine,kod istog profesora. Doktorirao na Interdisciplinarnimstudijama Teorija umetnosti i medija na Univerzitetuumetnosti u Beogradu pod mentorstvom profesora dr Divne Vuksanovi}. Radovi mu se nalaze u vi{eprivatnih kolekcija u zemlji i inostranstvu. ^lan ULUS-a od 2001. godine.

Predrag Terzi}, born in 1972 in Belgrade. Hegraduated in 2000 from the Faculty of Fine Arts,Painting Department, in the class of professor^edomir Vasi}. He earned Master's degree in 2004,with the same professor. He obtained his Ph.D. inInterdisciplinary Studies of Art and Media Theory atthe University of Arts in Belgrade, under thesupervision of professor Divna Vuksanovi}, PhD. Hisworks are in several private collections at home andabroad. From 2001 he is a member of ULUS (Association of Fine Artists of Serbia).

#30

Vi{nja Nikoli}

Bez adreserezerva`, meka prevlaka, 20 × 23 cm

2005.

No Addresssugar lift aquatint, soft ground etching, 20 × 23 cm

2005

Vi{nja Nikoli}, ro|ena u In|iji 1983. godine.Diplomirala 2005. i magistrirala 2010. godine naAkademiji umetnosti u Novom Sadu. Dobitnik jestipendije KulturKontakt-a Austrije za Internacionalnuletnju akademiju lepih umetnosti u Salcburgu, Odsekgrafika, 2006. godine. ^lan je ULUV-a. Izlagala vi{eputa samostalno, i na brojnim kolektivnim izlo`bama uzemlji i inostranstvu. @ivi i radi u Novom Sadu.

Vi{nja Nikoli}, born in In|ija in 1983. She graduatedin 2005 and obtained MA in 2010 from the Academyof Arts in Novi Sad. In 2006, she won a scholarshipprovided by KulturKontakt, Austria for the InternationalSummer Academy of Fine Arts in Salzburg, GraphicsDepartment. She is a member of ULUV (TheAssociation of The Fine Artists of Vojvodina). Sheexhibited several times in solo exhibitions, and innumerous group exhibitions at home and abroad. Shelives and works in Novi Sad.

#32

Milena Putnik

Sekvence (fotografija: Vladimir Peri})digitalna {tampa, promenljive dimenzije

2004.

Sequences (photography: Vladimir Peri})digital print, variable dimensions

2004

Milena Putnik, ro|ena u Beogradu 1976. godine.Diplomirala je i magistrirala na Fakultetu likovnihumetnosti u Beogradu. Izlagala je na brojnimsamostalnim i grupnim izlo`bama u Beogradu,Njujorku, Geteborgu, Be~u. Kao dobitnica nagradeDimitrije Ba{i}evi} Mangelos studijski boravila uNjujorku 2005, a kao stipendistkinja KulturKontakta uBe~u 2007. godine. Radi na Odseku za pejza`nuarhitekturu [umarskog fakulteta u Beogradu.

Milena Putnik, is born in Belgrade in 1976. Sheearned BA and MA at the Faculty of Fine Arts inBelgrade. She exhibited in numerous solo and groupexhibitions in Belgrade, New York, Gothenburg,Vienna. As the winner of Dimitrije Ba{i~evi} Mangelosaward, she spent a study research in New York in2005, and as a scholarship student of KulturKontaktshe visited Vienna in 2007. She works at the Facultyof Forestry, Belgrade, Landscape ArchitectureDepartment.

#34

Jovana Stojanovi}

Basics of Acronymlish: First In Still Herekombinovana tehnika (mediapan, akril, EVA pena, ~iode),

24 × 24 × 4 cm

2011.

Basics of Acronymlish: First In Still Herecombined technique (MDF, acrylic, EVA foam, pins),

24 × 24 × 4 cm

2011

Jovana Stojanovi}, ro|ena u Beogradu, 1978. godine.Diplomirala je 2000. godine na Katedri za slikarstvona Akademiji umetnosti u Novom Sadu. Zavr{ila jemagistarske studije 2007. godine, na Katedri zacrtanje, na istom fakultetu. Od 2008. godine nadoktorskim studijama, Vi{emedijska umetnost,Univerzitet umetnosti u Beogradu. Izlagala na sedamsamostalnih i brojnim grupnim izlo`bama.

Jovana Stojanovi}, born in Belgrade in 1978.Graduated from the the Academy of Arts in Novi Sad,Painting Department in 2000. She completedpostgraduate studies in 2007 at the DrawingDepartment, at the same university. Since 2008, sheis a PhD student at Multimedia Arts, University of Artsin Belgrade. She participated in seven solo andnumerous group exhibitions.

#36

Uro{ Pavlovi}

#6 i #1 iz serije Berza podatakadigitalni printovi, 29,5 × 21 cm

2013.

#6 and #1 from the series Data Exchangedigital prints, 29,5 × 21 cm

2013

Uro{ Pavlovi} je ro|en 13. juna 1986. godine uPo`egi, SFR Jugoslavija. Diplomirao na Akademijiumetnosti u Novom Sadu 2010. godine u klasidocenta Anice Rado{evi}, na grafi~kom odseku.Bavi(o) se crte`om, stripom, ilustracijom, street-artom,grafi~kim dizajnom… Izlagao na pet samostalnih ivi{e grupnih izlo`bi. Za svoj rad je nagra|ivan. @ivi iradi u Po`egi.

Uro{ Pavlovi}, born on June 13 th, 1986 in Po`ega,SFR Yugoslavia. He graduated from the Academy ofArts in Novi Sad in 2010 in the class of AssistantProfessor Anica Rado{evi}, Graphics Department. Heis/was engaged in drawing, comics, illustration,street-art, graphic design… He exhibited in five soloand in numerous group exhibitions. He was awardedfor his work. He lives and works in Po`ega.

#38

Filip Misita

Rjepinov okrugli sto, iz serije Ambijentduboka {tampa, objekat, 16 × 16 × 2 cm

2014.

Repin’s Round Table, from the series Ambientintaglio, object, 16 × 16 × 2 cm

2014

Filip Misita, ro|en u Kragujevcu 1988. godine.Diplomirao je na Filolo{ko-umetni~kom fakultetu uKragujevcu, Odsek za primenjenu umetnost, Studijskagrupa za Grafi~ki dizajn. Student je Master akademskihstudija na istom fakultetu, gde radi kao saradnik unastavi za u`u umetni~ku oblast Grafika i grafi~ketehnike. Izlagao jedanput samostalno i vi{e puta nakolektivnim izlo`bama.

Filip Misita, born in Kragujevac in 1988. He graduatedfrom the Faculty of Philology and Arts in Kragujevac,Applied Arts Department, Group for Graphic Design.He is a MA student at the same Faculty, where heworks as a Teaching Assistant for the specialized fieldof Printmaking and print techniques. He had one soloexhibition and several group exhibitions.

#40

Marija Grahovac

Pogledaj {ta je unutraC. G. D, 54 × 54 cm

2009.

Check What is InsideC. G. D, 54 × 54 cm

2009

Marija Grahovac, ro|ena u Beogradu 1978. godine.Diplomirala 2002. na Fakultetu primenjenih umetnostiu Beogradu, smer Grafika i knjiga. Magistrirala 2006.na istom fakultetu, smer Grafika, gde je trenutno nadoktorskim studijama. Izlagala na 12 samostalnihizlo`bi i na preko 90 kolektivnih izlo`bi u zemlji iinostranstvu. Dobitnica 3 nacionalne i 4 internacionalnenagrade. ^lan ULUPUDS-a. Predaje na Visokoj {kolilikovnih i primenjenih umetnosti strukovnih studija uBeogradu.

Marija Grahovac, is born in Belgrade in 1978. Shegraduated in 2002 from the Faculty of Applied Arts inBelgrade, Graphic Art and illustration Department.She completed her Master's Degree in 2006 at thesame university, majoring in Graphics, where she iscurrently a PhD student. She has exhibited in 12 soloexhibitions and in over 90 group exhibitions at homeand abroad. She won 3 national and 4 internationalawards. Member of the Association of Applied ArtsArtists and Designers of Serbia – ULUPUDS. Sheteaches at the College of Fine and Applied Arts inBelgrade.

#42

Oliver Veljkovi}

Iz ciklusa Originaliasambla`, 15 × 22 cm

2005.

From the series Originalsassemblage, 15 × 22 cm

2005

Oliver Veljkovi}, ro|en u Kru{evcu 1975. godine.Diplomirao je na Fakultetu primenjenih umetnosti uBeogradu 2005. Izlagao je na vi{e samostalnih igrupnih izlo`bi u zemlji i regionu. @ivi i radi u Kru{evcu.

Oliver Veljkovi}, born in Kru{evac in 1975. Hegraduated from the Faculty of Applied Arts in Belgradein 2005. He has exhibited in several solo and groupexhibitions in the country and in the region. He livesand works in Kru{evac.

#44

Ana Jovanovi}

Eat My Fearkombinovana tehnika, akril, grafit, 70 × 50 cm

2009.

Eat My Fearcombined technique, acrylic, graphite, 70 × 50 cm

2009

Ana Jovanovi}, ro|ena u Beogradu 1984. godine.Diplomirala je na Fakultetu likovnih umetnosti uBeogradu, Odsek vajarstvo, klasa Mr|ana Baji}a.Izlagala je na brojnim samostalnim i grupnimizlo`bama u Beogradu, Njujorku, Veroni, Barseloni. Od2008–2009. godine dobitnica je stipendije likovnogcentra u Vermontu, USA. Odabrana je, 2011. godine,me|u deset umetnika mla|e generacije dapredstavljaju Srbiju na Art Aferu u Italiji. U naju`emizboru je, 2012. godine, za nagradu Ni{ Art Fondation,izlo`ba mladih. @ivi i radi u Beogradu.

Ana Jovanovi} is born in Belgrade in 1984. Shegraduated from the Faculty of Fine Arts, Belgrade,Sculpture Department in the class of the professorMr|an Baji}. She exhibited in numerous solo andgroup exhibitions in Belgrade, New York, Verona,Barcelona. In 2008–2009 she was awarded ascholarship by Art Center in Vermont, USA. In 2011she was selected among the top ten artists of theyounger generation to represent Serbia at the Art affairin Italy. In 2012 she was shortlisted for the award Ni{Art Foundation, an exhibition of the youth. She livesand works in Belgrade.

#46

Vuk Vu~kovi}

Blow-up dolltu{, airbrush na papiru, 100 × 70 cm

2010.

Blow-up dollink, airbrush on paper, 100 × 70 cm

2010

Vuk Vu~kovi}, ro|en u Pan~evu 1986. godine.Diplomirao je slikarstvo na Fakultetu likovnihumetnosti u Beogradu 2010. godine. Trenutno jedoktorand, na doktorskim umetni~kim studijama istogfakulteta. Izlagao 15 puta samostalno i 80 puta nagrupnim izlo`bama. Dobitnik je vi{e nagrada za svojestvarala{tvo, me|u kojima je i Prva nagrada za crte` izfonda Vladimira Veli~kovi}a (2011). ^lan je Udru`enjalikovnih umetnika Srbije i umetni~kog udru`enjaPODR.UM iz Beograda.

Vuk Vu~kovi}, born in Pan~evo in 1986. He graduatedfrom the Faculty of Fine Arts in Belgrade in 2010,Painting Department. He is currently a PhD candidateat the doctoral artistic studies at the same university.He exhibited 15 times in solo exhibitions and 80times in group exhibitions. He won several awards forhis creative work, including The first prize for drawingfrom the fund Vladimir Veli~kovi} (2011). He is amember of the Association of Fine Artists of Serbiaand of the Artist Association PODR.UM from Belgrade.

#48

Ivan Petrovi}

Dokumenti, iz serije fotografija EvidentiranjeC-tip fotografija, 51 × 37,5 cm

2002.

Documents, from the series of photographiesEvidencingC-type photography, 51 × 37,5 cm

2002

Ivan Petrovi} (1973, Kru{evac), diplomirao je naAkademiji umetnosti „Bra}a Kari}” u Beogradu 2002.godine, Odsek fotografija. Osniva~ je i urednik Centraza fotografiju (zajedno sa Mihailom Vasiljevi}em),2011; inicijator je i urednik Foto foruma (u okvirulikovnog programa Doma kulture Studentski grad uBeogradu, 2010/2011) Dobitnik je nagrade DimitrijeBa{i~evi} Mangelos 2008. godine i stipendijeKulturKontakt u Be~u za 2004. godinu.

Ivan Petrovi} (1973, Kru{evac), graduated in 2002from the Academy of Arts "Bra}a Kari}" in Belgrade,Photography Department. He is the founder and editorof the Center for Photography (along with MihailoVasiljevi}). In 2011 he was the initiator and editor ofFoto Forum (within the Art Program Students CityCultural Center in Belgrade, 2010/2011) He wasawarded a prize Dimitrije Ba{i~evi} Mangelos in 2008and a scholarship KulturKontakt from Vienna in 2004.

#50

Vladimir Rankovi}

Tu|i prostori – 12 | 12 (muzika: Nikola Cvetkovi})ambijentalna instalacija

2007. (22. septembar, 18:39 – 23. septembar, 6:28)

Somebody Else's Spaces – 12 | 12(music: Nikola Cvetkovi})ambiental installation

2007 (September 22nd, 6:39 P. M. – September 23rd, 6:28 A. M.)

Tu|i prostori – 12 | 12 (muzika: Nikola Cvetkovi})ambijentalna instalacija

2007. (22. septembar, 18:39 – 23. septembar, 6:28)

Vladimir Rankovi}, ro|en u Kragujevcu 1973. godine.Diplomirao je na Fakultetu primenjenih umetnosti uBeogradu, odsek Primenjena grafika, atelje Grafika iknjiga. Student je doktorskih interdisciplinarnih studijaTeorija umetnosti i medija na Univerzitetu umetnosti uBeogradu. Docent je za oblast Grafika i grafi~ketehnike na Filolo{ko-umetni~kom fakultetu uKragujevcu. Realizovao je deset radova u kojima sebavi odnosom subjekta i prostora.

Vladimir Rankovi}, born in Kragujevac in 1973. Hegraduated from the Faculty of Applied Arts inBelgrade, Department of Graphic Art, Group forPrintmaking and Book Design. He is a PhD student ininterdisciplinary studies of Theory of Arts and Mediaat the University of Arts in Belgrade. He is AssistantProfessor at the Faculty of Philology and Arts inKragujevac for the specialized field of Printmaking andprint techniques. He realized ten works in which hedealt with the relation between subject and space.

#52

Vesna Mi}ovi}

Iz serije Sadr`aj i formafotografija / lambda print, 50 × 70 cm

2010

From the series Content and Formphotography / lambda print, 50 × 70 cm

2010

Vesna Mi}ovic je ro|ena 1965. godine u Beogradu.Fotografijom kao savremenom umetni~kom praksomse bavi kroz vi{e oblasti – kao umetnik, kustos iprofesor. Profesor je Fotografije i dekan Noveakademije umetnosti u Beogradu.

Vesna Mi}ovi}, born in 1965 in Belgrade. She dealswith photography as a contemporary artistic practicethrough several fields – as an artist, curator andteacher. She holds positions of Photography Professorand Dean at New Academy of Arts in Belgrade.

#54

Nenad Jeremi}

Dokle vi{e mladi umetnici?video rad, 17:05 minuta

2011.

How Much Longer Young Artists?video, 17:05 minutes

2011

Nenad Jeremi} je ro|en u Beogradu 1977. godine.Diplomirao je matematiku na Matemati~kom fakultetuu Beogradu, 2003. godine. Magistrirao na grupi zaVi{emedijsku umetnost Univerziteta umetnosti uBeogradu, 2007. godine. Relizovao samostalno i usaradnji sa drugim umetnicima vi{e radova iz oblastividea, filma, performansa, kratke pri~e, koji supredstavljeni na izlo`bama u zemlji i inostranstvu. @ivi iradi u Beogradu.

Nenad Jeremi}, born in Belgrade in 1977. Graduatedfrom the Faculty of Mathematics, University of Belgradein 2003. He earned Master's degree in Multimedia Arts,at University of Arts in Belgrade in 2007. Independentlyand in collaboration with other artists, he performedseveral works in the field of video, film, performanceart, short stories, which were presented in exhibitions athome and abroad. He lives and works in Belgrade.

#56

Sr|an Veljovi}

Iz serije Transponovanje D`oni Rackovi}fotografija, 47,6 × 47,6 cm

2007.

From the series Transposing D`oni Rackovi}photography, 47,6 × 47,6 cm

2007

Sr|an Veljovi}, fotograf i kulturni radnik, ro|en je1968. godine. Zavr{io je Elektrotehni~ki fakultet. ^lanje ULUS-a. Bavi se problemom identiteta i njegovoguspostavljanja kao polja konstituisanog izvanaistra`uju}i mesta prestupa granice koja ga defini{e.Izlagao vi{e puta grupno i samostalno u Srbiji,Makedoniji, Hrvatskoj, Bosni i Hercegovini, Sloveniji,Rumuniji, Albaniji, Austriji, Nema~koj.

Sr|an Veljovi}, photographer and a culture worker,was born in 1968. He graduated from the Faculty ofElectrical Engineering. He is a member of ULUS(Association of Fine Artists of Serbia). He deals withthe problem of identity and its establishment as a fieldconstituted outside, exploring the boundaries thatdefine it. He exhibited several times in group and insolo exhibitions in Serbia, Macedonia, Croatia, Bosniaand Herzegovina, Slovenia, Romania, Albania, Austria,Germany.

#58

Danilo Prnjat

Sentimentalna akcijaanalogna fotografija, 70 × 50 cm

2005.

Sentimental Actionanalog photography, 70 × 50 cm

2005

Danilo Prnjat je ro|en 1982. u Herceg Novom, CrnaGora. Zavr{io je Akademiju likovnih umetnosti uNovom Sadu i interdisciplinarne master studije Teorijaumetnosti i medija na Univerzitetu umetnosti uBeogradu. Trenutno se nalazi na ~etvrtoj godinidoktorskih studija na European Graduate School (PhDin Communication) u Saas-Fee-u, [vajcarska. @ivi iradi u Beogradu, Srbija.

Danilo Prnjat, born in 1982 in Herceg Novi,Montenegro. He graduated from the Academy of FineArts in Novi Sad. He earned a Master degree inInterdisciplinary Master studies – Theory of Arts andMedia at the University of Arts in Belgrade. He iscurrently at the fourth year of PhD studies at theEuropean Graduate School (PhD in Communication)in Saas-Fee, Switzerland. Lives and works inBelgrade, Serbia.

#60

Mihailo Vasiljevi}

Bez naziva #05, Beograd, Srbija, iz serije fotografijaU~enici srednjih {kolac-tip fotografija, 50 × 50 cm

2002.

Untitled #05, Belgrade, Serbia, from the series ofphotographies High School Studentsc-type photography, 50 × 50 cm

2002

Mihailo Vasiljevi}, ro|en u Beogradu 1981. godine.Diplomirao 2005. godine na Katedri za fotografijuAkademije umetnosti „BK” u Beogradu. Master studijeTeorije umetnosti i medija zavr{io je na Univerzitetuumetnosti u Beogradu 2009. godine. Izlagao nabrojnim samostalnim i grupnim izlo`bama u zemlji iinostranstvu. Osniva~ i urednik, zajedno sa IvanomPetrovi}em, Centra za fotografiju. Predaje na Novojakademiji umetnosti u Beogradu.

Mihailo Vasiljevi}, born in Belgrade in 1981. Hegraduated in 2005 from the Academy of Arts "BK",Department of Photography in Belgrade. Hecompleted Master studies Theory of Arts and Media atthe University of Arts in Belgrade in 2009. Heexhibited in numerous solo and group exhibitions athome and abroad. Along with Ivan Petrovi}, he is afounder and an editor of Center for Photography. Heteaches at the New Academy of Arts in Belgrade.

#62

Milica Crnobrnja Vukadinovi}

Simulacijegrafika, kombinovana tehnika, 17 × 23 cm

2012.

Simulationsprint, combined technique, 17 × 23 cm

2012

Milica Crnobrnja Vukadinovi}, ro|ena 1975. godine uBeogradu. Diplomirala na Akademiji SPC za umetnosti konzervaciju u Beogradu. Diplomirala i magistriralana Fakultetu likovnih umetnosti u Beogradu, Odsekslikarstvo, gde je trenutno na doktorskim umetni~kimstudijama. Dva puta nagra|ivana nagradom „LjubicaCuca Soki}” za intimni mali format. Radi na Fakultetuprimenjenih umetnosti u Beogradu. Od 1999. aktivnoizla`e na samostalnim i grupnim izlo`bama iumetni~kim festivalima u zemlji i inostranstvu.

Milica Crnobrnja Vukadinovi}, born in 1975 inBelgrade. She graduated from Academy of SerbianOrthodox Church for Fine Arts and Conservation inBelgrade. She completed graduate and postgraduatestudies at the Faculty of Fine Arts, PaintingDepartment, where she is currently a PhD student.Double-Award-winning "Ljubica Cuca Sokić" for smallintimate format. She works at the Faculty of AppliedArts in Belgrade. Since 1999 she exhibits actively insolo and group exhibitions and at art festivals in thecountry and abroad.

#64

Goran Micevski

Biserno poljeinkjet print, 100 × 66 cm

2011.

Pearl Fieldinkjet print, 100 × 66 cm

2011

Goran Micevski, ro|en u Beogradu 1977. godine.Zavr{io je Fakultet primenjenih umetnosti u Beogradu,odsek Fotografija. Klju~ne odrednice za fotografskupraksu ovog pasioniranog putnika i {eta~a jesuodanost analognoj tehnici, konstantna promi{ljanjasamog medija, kao i istra`ivanje odnosa fotografije ikonteksta kojima se tematski bavi (umetnost, dru{tvo,svakodnevno). Izlagao je na vi{e grupnih i samostalnihizlo`bi u zemlji i inostranstvu. Micevski je dobitniknagrada na festivalima Media Forum u okviruMoskovskog filmskog festivala, kao i nagrade nafestivalu Alternative Film/Video u Beogradu.

Goran Micevski, born in Belgrade in 1977. Hegraduated from the Faculty of Applied Arts inBelgrade, Photography Department. Key highlights forthe photographic practice of the passionate travelerand walker are loyalty to the analogue technique,constant reflections on the media, as well as exploringthe relationship between photography and the contextpresented in his work (art, society, everyday). He hasexhibited in numerous group and solo exhibitions athome and abroad. He is Award winner at festivalsMedia Forum, the Moscow Film Festival and Awardwinner at the Alternative Film / Video Festival inBelgrade.

#66

Teodora Tasi}

Spava~lavirani tu{ i pero, 30 × 26 cm

2011.

Sleeperink wash and pen, 30 × 26 cm

2011

Teodora Tasi}, ro|ena u Leskovcu 1990. godine.Zavr{ila osnovne studije na Filolo{ko-umetni~komfakultetu u Kragujevcu, Odsek za primenjenuumetnost, Studijska grupa za grafi~ki dizajn. Nazavr{noj je godini master studija na univerzitetuPolitecnico di Milano, Product Service System Design.Izlagala je na brojnim grupnim i nekoliko samostalnihizlo`bi tokom par prethodnih godina. Dobitnica jenagrade na XVI Bijenalu studentskog crte`a Srbije, uBeogradu 2011. godine. @ivi i studira u Milanu.

Teodora Tasi}, born in Leskovac in 1990. Shecompleted bachelor studies at the Faculty ofPhilology and Arts in Kragujevac, Applied ArtsDepartment, Group for Graphic Design. She is in herfinal year of Master's studies at the UniversityPolitecnico di Milano, Product Service SystemDesign. During past few years, she has exhibited innumerous group and several solo exhibitions. Shewon an award at XVI Biennial of Students' Drawing ofSerbia, in Belgrade in 2011. She lives and studies inMilan.

#68

Lidija Marinkov Pavlovi}

Iz serije Vreme smrti i razonodeprint / print na platnu, 90 × 90 cm

2011.

From the series Time of Death and Entertainmentprint / print on canvas, 90 × 90 cm

2011

Lidija Marinkov Pavlovi}, ro|ena u Zrenjaninu 1972.godine. Magistrirala je 2001. godine na Akademijiumetnosti u Novom Sadu, na Odseku za slikarstvo.Izlagala na 20 samostalnih i preko 100 kolektivnihizlo`bi u Srbiji i inostranstvu. Vi{e puta je nagra|ivanaza radove iz oblasti slikarstva i pro{irenih medija.Zaposlena na Akademiji umetnosti u Novom Sadu uzvanju docentkinje na predmetu Slikarstvo.

Lidija Marinkov Pavlovi}, born in Zrenjanin, Serbia in1972. She earned Master's degree in 2001 from theAcademy of Arts in Novi Sad, Painting Department.She exhibited in 20 solo exhibitions and in over 100group exhibitions in Serbia and abroad. She wasrepeatedly awarded for her paintings and extendedmedia works. Employed at the Academy of Arts inNovi Sad, as Assistant Professor. She teachesPainting.

#70

Aleksandrija Ajdukovi}

Iz serije Oigiangdigitalni print, 50 × 70 cm

2005.

From the series Oigiangdigital print, 50 × 70 cm

2005

Aleksandrija Ajdukovi} je ro|ena 11.oktobra 1975. uOsijeku. Diplomirala je na Akademiji umetnosti „BK”u Beogradu, Odsek fotografija, u klasi Milana Aleksi}a.Od 2005. ~lan je ULUS-a, a od 2006. u statususamostalnog umetnika. Master studije u Novom Sadu,u klasi \or|a Odanovi}a, zavr{ila 2011. Gost studentMarine Gr`ini} na klasi za postkonceptualnu umetni~kupraksu na be~koj Likovnoj akademiji. Trostrukafinalistkinja Mangelos nagrade, dobitnica Henkel ArtAward za mladog umetnika 2005. i 45. OktobarskogSalona.

Aleksandrija Ajdukovi}, born in Osijek on October11th October 1975. She graduated from the Academyof Arts "BK" in Belgrade, Photography Department, inthe class of the professor Milan Aleksi}. She is amember of ULUS (Association of Fine Artists ofSerbia) from 2005. From 2006, she is in anindependent artist status. In 2011 she completedMaster studies in Novi Sad in the class of theprofessor \or|e Odanovi}. She was a guest student inPost Conceptual Artist Practicies at Academy of Art inVienna in a class of the professor Marina Gr`ini}.Three years finalist for the Mangelos award, winner ofthe Henkel Art Award for young artists in 2005 andaward winner at 45th October Salon in Belgrade.

#72

Nikola Kora}

Bez nazivasito{tampa, 43 × 30 cm

2010.

Untitledscreen printing, 43 × 30 cm

2010

Nikola Kora}, ro|en u Beogradu 1980. godine.Diplomirao na Grafi~kom odseku Fakultetaprimenjenih umetnosti u Beogradu, a na Fakultetulikovnih umetnosti zavr{io specijalisti~ke studijegrafike. Izlagao 5 puta samostalno. Pored togau~estvovao i na ve}em broju grupnih izlo`bi u zemlji iinostranstvu. Deo umetni~kog kolektiva SilkSkrin. ^lanULUPUDS-a.

Nikola Kora}, born in Belgrade in 1980. He graduatedfrom the Faculty of Applied Arts in Belgrade, Graphicsdepartment and from the Faculty of Fine Arts, wherehe completed postgraduate studies in Graphics. Hehad five solo exhibitions. Along with this, heparticipated in a greater number of group exhibitionsat home and abroad. He is a member of the Artcollective SilkSkrin.

#74

Ivan Jovanovi}

Atributi – simbolduboka {tampa, 100 × 70 cm

2004.

Attributes – Symbolintaglio, 100 × 70 cm

2004

Ivan Jovanovi}, ro|en u Kragujevcu 1976. Diplomiraoje i magistrirao na Fakultetu likovnih umetnosti uBeogradu, Odsek grafika, u klasi profesora MiletaGrozdani}a. Imao je 20 samostalnih i preko 40grupnih izlo`bi u zemlji i inostranstvu, dobitniknekoliko zna~ajnih nagrada. Osniva~ projekta„Ordinacija” i „Inex galerije”. ^lan ULUS-a, `ivi i radiu Beogradu.

Ivan Jovanovi}, born in Kragujevac in 1976. Hegraduated from and earned the Master's degree at theFaculty of Fine Arts, Belgrade Department of graphics,in the class of the professor Mile Grozdani}. He isactively exhibiting since 1998, He had 20 soloexhibitions and over 40 group exhibitions at home andabroad. He won several major awards. He is thefounder of the project "Practice" and "Inex gallery".He is a member of Association of Fine Artists ofSerbia – ULUS he lives and works in Belgrade.

#76

Bratislav Milenkovi}

Rumoursdigital print, 50× 70 cm

2007.

Rumoursdigital print, 50× 70 cm

2007

Bratislav Milenkovi}, ro|en 1984, `ivi i radi uBeogradu kao freelance ilustrator. [kolovao se naFakultetu primenjenih umetnosti i Fakultetu dramskihumetnosti u Beogradu. Radio je kao art direktor uagenciji Popular Bruketa&@ini}OM nakon ~eganastavlja da radi za klijente {irom sveta kao ilustrator.Radovi su mu objavljeni u brojnim publikacijama uz 5samostalnih i 25 grupnih izlo`bi u zemlji i inostranstvu.

Bratislav Milenkovi}, born in 1984, he lives and worksin Belgrade as a freelance illustrator. He studied at theFaculty of Applied Arts and the Faculty of DramaticArts in Belgrade. He worked as an Art Director at theagency Popular Bruketa & @ini}OM and after that hecontinues working for clients all over the world as anillustrator. His works are published in numerouspublications, with 5 solo and 25 group exhibitions athome and abroad.

#78

Tatjana Koji} ^ehi}

Haosi VI iz serije Haosibakropis, meka prevlaka, suva igla i eksperimentalne tehnike,

35 × 50 cm (papir), 26,3 × 39,5 cm (otisak)

2010.

Chaoses VI from the series Chaosesetching, soft ground etching, dry point and experimental techniques,

35 × 50 cm (paper), 26,3 × 39,5 cm (print)

2010

Tatjana Koji} ^ehi}, ro|ena u Beogradu 1984. Od2004. do 2009. godine studira u Veneciji, a od 2009.do 2011. u Rimu. Trenutno `ivi i radi u Beogradu. Njenumetni~ki opus obuhvata kori{}enje razli~itih medija:video umetnost, grafika, crte`, kola`. Diplomirala je na„Accademia di Belle Arti” u Veneciji u klasi profesoraE. Komen~inija i profesora A. Gracija, zatim je zarv{ilamaster iz Grafike na „Accademia di Belle Arti” u Rimuu klasi profesora M. Arduinija. Do sada je izlagala napet samostalnih izlo`bi.

Tatjana Kojic ^ehi}, born in Belgrade in 1984. From2004 to 2009 she studied in Venice and from 2009 to2011 in Rome. She currently lives and works inBelgrade. Her art opus comprises the use of differentmedia: video, art, graphics, drawing, collage. Shegraduated from the "Accademia di Belle Arti" in Venicein the class of professor E. Comencini and professorA. Grazzi, then she completed her Master Degree inGraphics at the "Accademia di Be lle Arti" in the classof professor M. Arduini. So far, she has exhibited infive solo exhibitions.

#80

Bojan Novakovi}

Deindustrijalizacijakola`, kombinovana tehnika, 31,5 × 31,5 cm

2011.

Deindustrializationcollage, combined technique, 31,5 × 31,5 cm

2011

Bojan Novakovi}, ro|en u [apcu 1979. Godine. NaAkademiji umetnosti u Novom Sadu diplomirao je2002, a magistarske studije na istoj akademiji zavr{ioje 2005. ^lan je Udru`enja likovnih umetnika Srbije iUdru`enja likovnih umetnika Vojvodine kao iumetni~ke asocijacije „Tatlin”. @ivi i radi u NovomSadu. Do sada je izlagao na oko 30 samostalnih i oko70 kolektivnih izlo`bi u Srbiji i regionu.

Bojan Novakovi}, born in [abac, Serbia in 1979. Hegraduated from the Academy of Arts in Novi Sad in2002 and completed Master's degree at the sameAcademy in 2005. He is a Member of the Associationof Fine Artists of Serbia – ULUS, a member of theAssociation of Visual Artists of Vojvodina and amember of the Artistic Association "Tatlin". He livesand works in Novi Sad. So far, he has exhibited at 30solo exhibitions and 70 group exhibitions in Serbiaand in the region.

#82

SilkSkrin

Nikola Kora}, bez naziva@eljko Lon~ar, bez nazivaNatalija Dabi}, bez nazivaMilica Panteli}, bez nazivaofset {tampa, 70 × 50 cm

2013.

Nikola Kora}, untitled@eljko Lon~ar, untitledNatalija Dabi}, untitledMilica Panteli}, untitledoffset printing, 70 × 50 cm

2013

Grupu SilkSkrin ~ine ~etiri umetnika iz Beograda:Natalija Dabi}, Milica Panteli}, Nikola Kora} i @eljkoLon~ar. Grupa istra`uje, eksperimenti{e i promovi{eautorski izraz kre}u}i se kroz {iroko polje grafi~kihkomunikacija. Bilo putem tradicionalne grafike iliputem savremenih tehnologija, popkulturni citati,street art, ilustracija, grafi~ki dizajn i pro`imanjedizajna i umetnosti uvek su aktuelne teme grupe.

SilkSkrin group consists of four artists from BelgradeNatalija Dabi}, Milica Panteli}, Nikola Kora} and@eljko Lon~ar. The group explores, experiments andpromotes author expression moving through the widefield of graphic communications. Either throughtraditional graphics or by modern technologies: popcultural quotes, street art, illustration, graphic designand interaction between design and art are alwayscurrent topics for the group.

#84

Nikola Velicki

Bu ha ha halinorez, 70× 70 cm

2010.

Bu ha ha halinocut, 70× 70 cm

2010

Nikola Velicki, ro|en 1983. godine u Ni{u. Fakultetlikovnih umetnosti upisuje 2003, smer grafika i istizavr{ava 2008. godine u klasi profesora MiodragaMla|ovi}a. Iste godine upisuje doktorske studije naistom fakultetu u klasi profesora @arka Smiljani}a.Trenutno pi{e zavr{ni rad. ^lan je ULUS-a od 2009.godine. Priredio je 11 samostalnih izlo`bi i preko 50grupnih u zemlji i inostranstvu. Dobitnike je dvenacionalne nagrade za grafiku.

Nikola Velicki, born in 1983 in Ni{. He enrolledFaculty of Fine Arts in 2003, Graphics Departmentand he graduated in 2008 in the class of professorMiodrag Mla|ovi}. That same year he enrolleddoctoral studies at the same university in the class ofprofessor @arko Smiljani}. He is currently writing hisfinal paper. He is a member of ULUS (Association ofFine Artists of Serbia) from 2009. He participated in11 solo exhibitions and in over 50 group exhibitionsin the country and abroad. He won two nationalawards for graphics.

#86

Jastra Jela~i}

Bez nazivasuva igla / linorez, 100 × 70 cm (papir), 90 × 60 cm (plo~a)

2009.

Untitleddry point / linocut, 100 × 70 cm (paper), 90 × 60 cm (plate)

2009

Jastra Jela~i}, ro|ena u Novom Sadu 1985. godine.Diplomske (2008) i master (2011) studije iz grafikezavr{ila je na Akademiji umetnosti u Novom Sadu.Izlagala je na samostalnim i grupnim izlo`bama.Dobitnica je nagrade Zlatna igla 2011. godine.^lan jeSaveza udru`enja likovnih umetnika Vojvodine iUdru`enja likovnih umetnika Srbije.

Jastra Jela~i}, born in Novi Sad in 1985. Shegraduated from the Academy of Arts, Novi Sad in2008 and earned a Master's degree at the sameAcademy in 2011, Graphics Department. Sheexhibited in solo and group exhibitions. She wasawarded Zlatna igla prize in 2011. She is a member ofthe Association of Fine Artists of Serbia – ULUS and amember of Association of Visual Artists of Vojvodina.

#88

Slavica Lazi} Dundas

Te~ni `ivot 3bojeni reljef, drvo, 20 × 30 cm

2010.

Liquid Life 3painted relief, wood, 20 × 30 cm

2010

Slavica Lazi} Dundas, ro|ena 1976. u Beogradu.Diplomirala (2001) i magistrirala (2008) vajarstvo naFakultetu likovnih umetnosti u Beogradu. ^lan ULUS-aod 2002. godine. Izlagala samostalno vi{e puta(2011, Galerija beogradske tvr|ave; 2009, GalerijaDoma omladine, „Putovanje limbom“; 2008, Prodajnagalerija Beograd, „Svet koji nastaje; Galerija FLU,„Dvostruka tela”) i u~estvovala na brojnim grupnimizlo`bama u na{oj zemlji i inostranstvu. Radovi joj senalaze u nekoliko kolekcija (Siemens artlab, Be~;Telenor, Beograd; Sekretarijat za kulturu, Beograd).

Slavica Lazi} Dundas, born in 1976 in Belgrade. Shegraduated in 2001 from the Faculty of Fine Arts inBelgrade, where she received MA degree in Sculpturein 2008. She is a member of ULUS (Association ofFine Artists of Serbia) from 2002. She exhibited soloseveral times (2011, Gallery of Belgrade Fortress;2009, Gallery of Youth Center, "Limbo Journey"; 2008,Belgrade Sales Gallery, "The world that emerges;Faculty of Fine Arts Gallery," Double Bodies") and sheparticipated in numerous group exhibitions in thecountry and abroad. Her works are in severalcollections (Siemens artlab, Vienna, Telenor, BelgradeSecretariat for Culture, Belgrade).

#90

An|elka ^akarevi}

@ena i vukkombinovana tehnika na drvetu, 42 × 30 cm

2013.

Woman and Wolfcombined technique on wood, 42 × 30 cm

2013

An|elka ^akarevi}, ro|ena u Kragujevcu 1985. godine.Diplomirala je 2010. godine na Filolo{ko-umetni~komfakultetu u Kragujevcu, Odsek za primenjenu umetnost,Studijska grupa za grafi~ki dizajn. Izlagala je nabrojnim samostalnim i grupnim izlo`bama uBeogradu, Kraljevu, Kragujevcu, Var{avi. @ivi i radi uKragujevcu.

An|elka ^akarevi}, born in Kragujevac in 1985. Shegraduated in 2010 from the Faculty of Philology andArts in Kragujevac, Applied Arts Department, Groupfor Graphic Design. She exhibited at numerous soloand group exhibitions in Belgrade, Kraljevo,Kragujevac, Warsaw. She lives and works inKragujevac.

#92

Milica Antonijevi}

Skarabej IIkombinovana tehnika (linorez / linogravura), 17,5 × 14,5 cm

2002.

Scarab IIcombined technique (linocut / linoengraving), 17,5 × 14,5 cm

2002

Milica Antonijevi}, ro|ena 1973. godine u Kraljevu.Diplomirala na Fakultetu primenjenih umetnosti uBeogradu, odsek Primenjena grafika, 1997.Magistrirala 2003. godine na istom fakultetu, napredmetu Grafika. ^lan ULUS-a od 1998. godine.Docent na predmetima Crtanje i Slikanje naFilolo{ko-umetni~kom fakultetu u Kragujevcu. Izlagalana 18 samostalnih i 220 grupnih izlo`bi. Dobitnik jeotkupne nagrade Ministarstva kulture republike Srbije2012. godine na izlo`bi Male grafike u Galeriji Grafi~kikolektiv u Beogradu.

Milica Antonijevi}, born in 1973 in Kraljevo. Shegraduated in 1997 from the Faculty of Applied Arts inBelgrade, Applied Graphics Department. She earnedMA degree in Graphics in 2003 at the same university.She is a member of ULUS (Association of Fine Artistsof Serbia) from 1998. She works as an AssistantProfessor at the Faculty of Philology and Arts inKragujevac, where she teaches Drawing and Painting.She exhibited in 18 solo exhibitions and 220 groupexhibitions. She was awarded by the Ministry ofCulture of the Republic of Serbia in 2012, Exhibitionof small prints in the Graphic Collective Gallery inBelgrade.

#94

Izdava~ / Publisher

Studentski kulturni centar Kragujevac

GALERIJA SKC

Radoja Domanovi}a 12, 34000 Kragujevac

www.skckg.com

Za izdava~a / For the publisher

Nada Markovi}, direktor

Urednik kataloga / Editor

Ivan Arsenijevi}

Autori izlo`be / Exhibition authors

Marija Konjiku{i}

Ivan Arsenijevi}

Dizajn / Design

Vladimir Rankovi}

Lektor / Proofreading

Nenad Gli{i}

Prevod / Translation

Ana [trbac

[tampa / Printed by

Donat Graf, Beograd

Tira` / Print run

500

CIP - Каталогизација у публикацијиНародна библиотека Србије, Београд

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DESET plus10+ : izbor iz kolekcije Galerije SKC Kragujevac / [urednik kataloga Ivan Arsenijević ; prevod Ana Štrbac]. - Kragujevac : Studentski kulturni centar, 2014(Beograd : Donat graf). - 98 str. : reprodukcije ; 20 x 20 cm

Uporedo srp. tekst i engl. prevod. - Tiraž 500. - Str. 9-10: Ocrtavanje budućnosti / Ivan Arsenijević.

ISBN 978-86-7398-081-2

a) Ликовни уметници - Србија - 20в-21в - Изложбени каталозиCOBISS.SR-ID 209825292