sound of silence greek
DESCRIPTION
Hchoi siwphs greek lyricsTRANSCRIPT
-
ISMN: 979-0-801151-27-8
Copyright 2008 Fagotto Books
: Fagotto
:
:
:
:
:
:
:
. - FAGOTTO
15
106 80 ,
: 210.3645147
:210.3645149
email: infoQfagottobooks.gr
-
,
,
, .
,
.
, ,
, /
, ,
- .
-
1. My Funny Clementine 2. Atonality pedal (one tone) 3. major triads 4. II-V-I, (V) 5. pedal 6. pedal 7. Miltiades and Herodotus 8. 9. pedal-(2)10. pedal11. Blues 1- minor blues 12. Blues 2a-b (a: - b: )13. Blues 3a-b (a: - b: major triads)14. Blues 4 blues 15. Blues 5a-b-c-d-e (a: - b: major triads - c: , , major triads - d: major triads - e: major triads)16. Little Blues 17. 18. 19. II-V, (V)20. The Great Guitar Player21. 22. pedal23. 24. Complaint 25a. Montuno 1 - II-V-I , whole tone 25b. Montuno 2 - II-V , 26a. Montuno 3 - 26b. Montuno 4 - (2)27a. Montuno 5 - 27b. Montuno 6 - 28. Montuno 7 - MONTUNO 729a. Montuno 8 - 429b. Montuno 9 - (2) 30. Stratos Theme31. 32a-b. 33. 34. II-V-I35. Doriana 36. Requiem to George 37. II-V??????????38. Round the Evening 39. 40) The Coming of the 8th Day 41. 42. (added note) 43. 44. (2) Supplementing an added note (2)45. My Funny Clementine My Funny Valentine
-
1
My Funny Clementine -
My funny Valentine (R. Rogers/L. Hart)
.
, .
2
Atonality pedal (one tone)
C pedal .
Ab A (C, C , D , E, G , A).
4 , 5 6 .
, C pedal.
( free)
.
C
,
.
3
.
- major triads
( ),
7M/5 (no third).
- maj.tr. ,
(whole tone).
- 7M/5 (no third) .
- .
7M/5 (no third) C pedal (ostinato), maj.tr.
.
- 12
.
Double Whole
Tone.
4
-V-I
.
.
-V-I :
- ( , G, B , D , F, A, C) G Locrian one step
(6 ).
- V C altered (7 D )
( ) (E, B ,
E , A , C, E , voicing 4).
- .
# # #
b
bb
b b
bb
b b b
7
-
C altered E Lydian aug-
mented, (
), .
C altered E Lydian augmented
-V-I,
.
F Aeolian ( voicing , . F, A , C, E , G, B )
-V-I -
.
5
pedal
pedal
. one tone.
, pedal (ostinato)
. .. -
1 A pedal C Phrygian augmented -
(bitonality). A
altered scale (A, B , C, D , E , F, G).
:
) pedal:
- 1: A pedal + C Phrygian augmented ( A Altered scale - A, B , C, D , E , F, G)
- 2: A pedal + A melodic minor
- 5: A pedal + A Ionian
- 6: A pedal + B melodic minor= A altered scale (A, B , C, D , E , F, G)
- 9: A pedal + C melodic minor= A Locrian one step (A, B, C, D, E , F, G)
- 10: A pedal + E Ionian= A Lydian (A, B, C , D , E, F , G )
) major triads: 13, 14, 17, 18, 21, 22 maj.tr. A
pedal.
) :
. 3, 4, 8, 9, 13, 14, 18, 19, 23, 24, 28, 29.
9 10 .
6
pedal
6 .
:
Am9.
- C dim.
-
, A Aeolian B Ionian.
-
, .
:
#
b b b
b b b
b b b
b b b bb
# # #
8
-
- A pedal G major triad,
C7M B 9 /11 .
-
D 6/9
D6/9 .
- ,
major triads.
- .
:
- A pedal G major triad,
C aux. dim.
- (A pedal G major
triad).
C Ionian Em Dorian.
- .
A pedal.
free A ped-
al ,
one tone.
7
MILTIADES and HERODOTUS
Miltiades and Herodotus ,
16 , . , ,
, G C. ,
G C ,
G C. 3-4,
7-8, 11-12, 15-16 , G major,
.
,
,
.
:
2 : G7M/9 =
:
- 1: C7M A7sus4 =
- 2: D 7M G7/sus4, D 7M F7/sus4 =
, (extension) G
- 3: G D maj.tr. =
- 4: A 7M/5 (no 3rd) B maj.tr. =
- 5: F7M A7/sus4 = C
- 6: D 7M E maj.tr. = , (extension) G
- 7: E 7M A7/sus4 = C dim
b # #
b
#
b b
b b bb bb
9
-
- 8: A 7M E maj.tr. =
- 9: F 7M, F 7M D 7/sus4 =
C dim
- 10: Bm7/5 A maj.tr., E7 C maj. tr. = II-V
- 11: A7M E maj.tr. =
C dim
- 12: F G maj.tr. = , C
- 13: E 7M/5 A7/sus4, E 7M/5 D maj.tr. =
C dim
- 14: D 7M/5 G7/sus4, D 7M/5 E maj.tr. = ,
(extension) G
- 15: F7M G maj.tr. = C
- 16: C7M D maj.tr. =
8
Impro 12tone
,
.
:
12
7/5 major triads.
maj.tr. ,
.
7/5 maj.tr. ( 12)
.
:
( 1 2):
) G 7M/5 B maj.tr. ( B Lydian augmented)
) F7M/5 G maj.tr. ( F Lydian)
) E7M/5 A maj.tr. ( E Lydian augmented)
) E 7M/5 maj.tr. A7sus4 ( E Lydian augmented)
( 3 4):
) E 7M/5 G maj.tr. ( E Lydian augmented)
) E7M/5 A maj.tr. ( E Lydian augmented)
) F7M/5 A maj.tr. ( F Lydian augmented)
) G 7M/5 F maj.tr. ( G diminished)
( 5 6):
) B 7M/5 A maj.tr. ( B dim added A)
) A7M/5 B maj.tr. ( A Lydian)
) C bass B maj.tr. ( C mixolydian)
) A 7M/5 C maj.tr. ( A Lydian augmented)
( 7 8):
) G7M/5 B maj.tr. ( G Lydian augmented)
) G7M/5 F maj.tr. ( G diminished)
) E 7M/5 F maj.tr. ( E Lydian augmented)
b b# # #
b #
b b b bb b b b b
b
b
b b b bbb b
b b b
b bb bb
b b
b b b bb
# #b b b
bbb bb
#
10
-
) E7M/5 A maj.tr. ( E Lydian augmented)
: 12
12 O.R.I.R.I.
9
,
.
1 2 A pedal.
, .
,
maj.tr. .
. 5, pedal
.
.. 1 2 :
- A pedal + C9 = Am7/sus4
- A pedal + Eb11 = A7/9 /11
- A pedal + E9 = A7M/9 (no third)
- A pedal + G = A7/9
3 4 ,
. 3 ,
A pedal.
, A pedal.
10
9.
A pedal , ( 1, 2, 5, 6).
A pedal ,
pedal .
, :
- 1: A pedal + G melodic minor= A Phrygian augmented (A, B , C, D, E, F , G)
- 2: A pedal + B melodic minor= A altered (A, B , C, D , E , F, G)
- 5: A pedal + E Aeolian= A Dorian (A, B, C, D, E, F , G, A)
- 6: A melodic minor A added note ( ).
9.
11
Blues, chapter 1
Blues -
minor blues ,
. ,
.
11 Blues, 4
F minor blues (F, A , B , B).
(
), .
(voicings)
b b
# #b
b #b b b b
#b
b b
11
-
.
-
, .
bass line 4 C Whole Tone,
5 F Whole Tone. bass
line Double Whole Tone.
- E Lydian Augmented.
- D Lyd.Aug.
- : C Lyd.Aug.
- : A Locrian One Step.
- : F Diminished.
- : : E Lyd.Aug.
- : D Lyd.Aug.
- : B Hungarian Minor Pentatonic.
- : F Hungarian Minor Hexatonic (5 ).
12
Blues, chapter 12a 12b
12 Blues 12 ,
2. F (ostinato), -
. 4 F Minor Blues
2 .
7M/5 (no 3rd)
.
,
.
(F ostinato )
7M/5 (9, 11, 13 ).
13
Blues, chapter 13a-13b
13 Blues 4
. 3 4 -
. 4
,
(modulation) . 7M/5 (no 3rd)
. ,
, 7M/5 (no 3rd)
(9, 11, 13 ).
4 -
F Blues Minor .
. 16 .
16
7M/5 (no 3rd) major triads.
.
16 2 ,
F7/9/11 /13/15.
b
#
bb
b
b
bb
b
12
-
14
Blues, chapter 14
A 4, F Minor
Blues .
:
7M/5 (no 3rd),
F7/9/11 /13/15 .
:
,
7M/5 (no 3rd), major triads.
F7/9/11 /13/15.
.
15
Blues, chapter 15a-15b-15c-15d-15e
15 16
F Minor Blues (pentatonic F, A , B , B, C).
7M/5 (no 3rd)
, major triad .
.
16:
7M/5 (no 3rd) ,
F7 .
16:
4 7M/5 (no 3rd), 12
7M/5 (no 3rd), major triad.
4,
(free).
16:
4 7M/5 (no 3rd) major
triad. 7M/5 (no 3rd)
major triad. 4 ,
. 4
F7/9/11.
16
LITTLE BLUES
Little Blues.
Blues.
: F minor blues.
:
- 7M/5 (no 3rd) major triad-
.
b#
b#
b bb
b
bb
bb
b
13
-
,
. ..
C, B 7M/5 A major triad,
A7M/5 Ab major triad. C
9 , 9
. ,
.
7M/5 ,
.
,
.
17
17
(C Phrygian augmented),
E7M/5 (no 3rd). ,
(added note),
.
7M/5 (no 3rd).
,
E diminished. .. E7M/5 (no 3rd),
D 7M/5 (no 3rd), B 7M/5 (no 3rd), G7M/5 (no 3rd),
E, D , B , G.
D 7M/5 (no 3rd) added note, . E7M/5
added note E, B 7M/5 , G7M/5 F . ,
7 ,
added notes ,
.
o B melodic minor (
C Phrygian augmented ),
.
E 7/5 , added note B melodic minor,
8 .
Oriental C Sa-
bah, 8 (C, D, E , E, G, A , B , B).
7M/5 .
(E7M/5 ) ,
(F7M/5 ) added note C Sabah
F, 9 .
18
18 . -
,
7 ( ).
b bb
b
b
bb
b b b b bb bb b b
b b b #
b
b b
b b bb
bb
14
-
:
- : C Lydian C Dorian = 10 (C, D, E , E, F, F , G, A, B , B)
- : C Phrygian C Lydian = 12
- : C Phrygian augmented C Lydian augmented =12
- : C Lydian dominant C altered = 10 (C, D , D, E , E, F#,
G, A , A, B )
- : F Phrygian G Lydian = 12
, 7M/5 (no 3rd) ma-
jor triads. , ,
, ,
...
:
- :
.
- : .
- : .
- : Pedal
- : .
major triads
:
major triads .
19
Locrian one
step (L.o.s.), .
L.o.s
.
-
.
- drums solo .
- ,
L.o.s.
,
.
major triads
(voicing). maj.tr. 7, 9 11 ,
-
.
20
The Great Guitar Player.
,
7, 9, 11 13
. , ,
b # b
b bb b
b
15
-
, .
.
21
,
,
, , .
,
( ).
:
- 10 1-2
- 12 3-4
- 7 5-6,
- 9 7-8.
-
.
22
2 scales combination
:
, C Lydian C Phrygian,
E Aeolian D major triad.
E Aeolian C Lydian ,
C Phrygian (
D major pentatonic). ,
(C Lydian C Phrygian D major pentatonic)
.
( 7, 8, 9) E Phrygian
: C Io-
nian C Aeolian, .
E Phrygian
C Ionian.
10, 11, 12 E Phrygian
C Ionian C Locrian. E Phrygian C Ionian
, C Locrian
. , C Ionian C
Locrian .
13, 14, 15 E Lydian ugmented
: C Lydian Dominant
C altered .
E Lydian ugmented C altered.
F Phrygian
G Lydian .
7M/5 major triad, -
.
bb
b
16
-
23
Two scale combination 2
23 ,
C Whole Tone G Lydian.
,
7M/5 (no 3rd) major triad. major triads
, , ,
major triads .
,
.
A , :
- E7M/5 (no 3rd) A major triad
- E 7M/5 (no 3rd) G maj. tr.
- D7M/5 (no 3rd) F maj. tr.
- D 7M/5 (no 3rd) C maj. tr.
, :
- A7M/5 (no 3rd) A maj. tr.
- A 7M/5 (no 3rd) G maj. tr.
- G7M/5 (no 3rd) F maj. tr.
- A 7M/5 (no 3rd) C maj. tr.
, :
- C7M/5 (no 3rd) E maj. tr.
- F7M/5 (no 3rd) G maj. tr.
- B 7M/5 (no 3rd) A maj. tr.
- E 7M/5 (no 3rd) C maj. tr.
,
(C Whole Tone/G Lydian),
() .
24
Complaint original composition
Complaint
. ,
, .
,
, .
12.
, .
25 MONTUNO 1
Montuno 25a
.
II-V whole tone ,
b
b bb b
b #b b
b bb b
b #b b
bbbb
b b
17
-
.
( )
.
, Montuno.
, -
-
.
- 1 Am7/9. ,
9 .
5 , ( B ) 9 ,
( ) 5, ( ) 8
.
- 2 D7/9. ,
5 . ( 9),
A ( 5 ). A ,
(G 7M/5 A major triad). A
9 .
- 3 Gmin7/9.
( 9 ). D (5), G (8), D (5),
F ( 7 ).
- 4 F
C7 F major triad
11 . E7M/5 F major triad
F 9.
.
.
25 MONTUNO 2
Montuno 25b .
15,
10 5
.
II-V, ().
whole tone.
V , ,
.
,
II-V. ,
:
:
- Am7/5 /9 = Locrian one step
- D7/9 = Auxiliary diminished blues
- G 7M/5 A major triad = Lydian augmented
- Gm7/5 /9 = L.o.s.
- E7M/5 G maj.tr. = Lyd. aug.
b
#
b
b b bb b b b
##
# ##
b
bb
b b bbb b
18
-
- Fm7/5 /9 = L.o.s.
- B 7/9 G maj.tr. = aux. dim. blues
- D7M/5 E maj.tr. = Lyd. aug.
- E m7/5 = L.o.s.
- C 7M/5 B maj.tr. = diminished
- C m7/5 /9 = L.o.s.
- F 7/9 /13 = aux. dim. blues
- D 7M/5 C maj.tr. = dim.
- B m7/5 = L.o.s.
E7 B maj.tr. = aux. dim. Blues. 6
E7 B .
26 - MONTUNO 3
Montuno 26a ,
.
.
Montuno, ,
- .
:
(
)
- 1
G 7M/5 (added G) = G Lyd. Aug.
F7/5 /13 = F Locrian one step
- 2
E7M/5 E major triad = E dim.
E 7M/5 G major triad = E Lyd. Aug.
- 3
D7/5 = D Locrian
D 7M/9 = D Lydian
- 4
C bass D 7M/5 = C Phrygian
G 7M A maj. tr. = G Lydian
- 5
F7/9/11 = F Lydian dominant
E7M/5 E maj.tr. = E dim.
- 6
E 7M/5 G maj.tr. = E Lyd. Aug.
D7M/5 G maj.tr. = D Aux. dim.
- 7
C7/4/9 = C Dorian
C 7M/5 E maj. tr. = C Lyd. dom.
bb b
bb bb b b##b b
bb
b bb
b
b b bb b
b bb b b
bb b
b bb b b
#b b
b b bb b
b b b b
19
-
- 8
B bass A maj.tr. = B Mixolydian
A7M/5 A maj. tr. = A dim.
26 MONTUNO 4
,
.
, .
, .
.
.
:
- 1
B7/9 G major triad = B altered
E7M/5 E major triad = E auxiliary diminished
- 2
Am7M/5 G major triad = A Locrian one step.
D7/9 /11 /13 B major triad = D aux. dim.
- 3
G bass A 7M/5 = G Phrygian
C7/9 E major triad = C aux. dim
- 4
F7/9 D7/sus4= F Lyd. dom.
G 7M/5 A maj. tr. = G Lydian aug.
- 5
B 7/9 G maj. tr. = B aux. dim.
E7/9/13 = E Mixolydian
- 6
A 7M/5 = A Lydian
D 7/9 E maj.tr. = D Dorian F added note.
- 7
B7M/5 /9 = B alt
E7M/5 E maj. tr. = E aux. dim.
- 8
A7M/5 A maj. tr. = A dim.
D 7M/5 C maj. Tr. = D dim.
G bass F maj.tr. = G Mixolydian
27 MONTUNO 5
27a MONTUNO.
.
.
b b bb b
b#
b b
bb #
b bb b
b b b b
b bb
b b bb b
bb b b
b bb b b
#
20
-
27 - MONTUNO
.
Montuno.
,
.
28 - MONTUNO 7
28 Montuno
. .
, .
.
29 MONTUNO 8
. ,
. whole tone
.
29 MONTUNO 9
Montuno 29b
Montuno.
.
, ,
, , .
Montuno
179 .
, ,
, , (Mon-
tuno) .
30
Stratos theme 16 .
,
.
(
) D major.
.
, -
.
.
-
GM7
B 7M. ,
G, A, B , B, D, F, F .
12
.
.
b#b
21
-
31
(tetrachord)
.
. 4 C Phrygian (C, F, D , E -
), 4 E Ionian (E, F , A, G - ).
2
, . 2
C Phrygian (F, B , G, A ) E Ionian (A, B, D , C ).
3 C Phry-
gian 4 , IN OUT.
2 .
D C,
D (D added note). D
12
( 12 O.R.I.R.I.)
32/
Modal Melodic Minor . II-V
.
E (ostinato). ,
major triads E
1, 5, 3.
:
- A 7M E maj.tr. (E =1).
- D 7M A maj.tr. (E =5).
- E7M B maj.tr. (E =3),
.
To middle line A 7M E maj.tr E
. To middle line D 7M A maj.tr.
A .
major triad .
middle lines
.
. CD
track.
33
24 one note melody (
) 8.
3 ,
4 .
, 2 3 (voicing by seconds and thirds).
one note melody
b#
b#
b b # #
b
bb
b bb b b
b
b b bb b
b
22
-
.
,
.
34
4.
C, E , G, B , D, F, A ( C Dorian ).
V
. 2 5
, .
V 4,
( C Dorian)
4.
:
- : D (II), G
(V), C (I), Dm7/7M/5 /9 (II), G7M/5 /11/13 (V),
C7M/9/11 /13 (I).
- (Gm7M/9/11 C )
4.
C7M/9/11 /13 (I).
- T F (II), B (V), E (I).
- A (II), D (V), G (I).
- C (II), F (V), B (I).
- E (II), A (V), D (I).
- G (II), C (V), F (I).
- B (II), E (V), A (I), D (IV, ).
- D (II ), G (V ), C (I) combi
nation II V , , ,
.
32
.
,
.
(bass line)
.
35
.
- Doriana 24 .
- C ,
C Dorian (C, E , G, B , D, F, A, : C7, 9,
11, 13). .
b b
b b b#
# #
#b b
b
b b bb b
b b
23
-
II -V I
D - G C
II -V
D - G D
II -V
D - G D
II -V
D - G E
II -V
D - G E
,
, major triads.
7,
9, 11, 13 .
36
, -
,
.
(voicing by 2nds).
.
37
II-V
37
-V II-Vb ,
.
( ), .
,
(voicings).
.
-
II-V-I ( ),
, ,
.
38
ROUND MIDNIGHT
T. Monk Round Midnight
. middle lines -
.
II -V
D - G F
II -V
D - G G
II -V
D - G G
II -V
D - G A
II -V
D - G A
II -V
D - G B
II -V
D - G C
II -V
A - D A
II -V
D - G C
bbbb
b
b
b
b
b
b
b b
b b
24
-
39
-
.
, , .
, (voic-
ings),
.
.
8 .
- :
1. Phrygian
2. E whole tone (added note)
3. E harmonic minor added
4. A Lyd. Aug. added
5. G Dim added
6. G Phrygian
7. C Harmonic Minor
8. A Lydian added
9. G L.O.S. added
10. E Ionian added
11. F Harmonic Minor
12. G Harmonic Major
13. E Dim added
14. E Harmonic Minor
15. D Hungarian Minor
16. A Harmonic Minor added
17. E Dorian
18. A Dorian added
19. A Dorian
40
8 (The coming of the 8th day)
4/4.
, ,
.
.
- :
1. C Harmonic minor
2. F Dorian (added note)
3. C dim added
4. C dim
bb
bb#
bbbbb
25
-
5. A Harmonic minor
6. G Harmonic major
7. C dim 3 added notes ( D Dim)
8. C Hungarian minor
41
-
( )
, ,
.
.
( , .., Hi-
djaz),
. -
,
,
.
,
. C Hidjaz
C, D , E, F, G, A , B .
42
, (.. F C Aeolian),
. ,
,
.
,
-
.
, 3
diminished.
43
(added note).
, -
,
.
.
12 , -
A Sabah (A , B , B, C, D , E, F , G).
42 (
E B Lydian).
bb
#
b b b
b b b # #
b b
26
-
44
,
-
. 10, C Sabah
(C, D, E , E, G, A , B , B) . , ,
6 Sabah,
.
(voicing) .
,
.
:
- 5 120
- 6 720
- 7 5.040
- 8 40.320
- 9 362.880
- 10 3.628.800
- 11 39.916.800
- 12 479.001.600
.
.
45
My Funny Clementine,
My funny Valentine R. Rogers/L. Hart.
,
. .
b b b
27