spatial secularization: a comparative analysis of religious space in mircea eliade and henri...
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Sam Han
Spatial Secularization:A Comparative Analysis of Religious Space in Mircea Eliade and Henri Lefebvre
Since the writings of Max Weber, though prefigured in the intellectual developments of
the West beginning with the Renaissance and reaching a boiling point with Nietzsche,
there has been a relatively widely accepted narrative of secularization and modernity.
Though philosophers and anthropologists of religion have debated the dynamics of such a
process, there has nevertheless been no serious disagreement with it. The narrative maps
the Weberian thesis of rationalization onto a certain Western civilizational
historiography, in which Europe rises up from the depths of what philosopher Charles
Taylor has called the horizontal medieval world onto the vertical world of modernity.1
The secularization thesis comprises of a variety of scholars that aim to tease out
the arguments which can be summed up by the formula: Secularization + Disenchantment
= Modernity.2 Since Webers description of modernity as the disenchantment of the
world [Entzauberung], which liberal French religion scholar Marcel Gauchet has
recently picked up on, there has been a general agreement in the social sciences and
humanities that the weakening grip of Christianity and its monotheistic brethren Islam
and Judaism, along with developments of technoscientific innovation are corollaries of
this process of modernization.3Though the termEntzauberungrefers to decline of
mysticism, one can easily make the argument that it resonates with Nietzsches earlier
pronouncement regarding the death of God.
1 See Taylor, Charles.A Secular Age. Belknap Press, 2007.2 See Martin, David. On Secularization: Towards A Revised General Theory. Ashgate Publishing, 2005;
and Casanova, Jose.Public Religions in the Modern World. University Of Chicago Press, 1994.3 See Weber, Max, Hans Heinrich Gerth, and Charles Wright Mills. Science as a Vocation, inFrom Max
Weber: Essays in Sociology. Routledge, 1998.
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Yet, there have been numerous, though perhaps unwitting, notable exceptions and
complications to the secularization thesis. One of the most famous of which is Marshall
Bermans veritable phenomenology of modernity, which quotes Marxs dictum that all
that is solid melts into air.4 Bermans title is important as it highlights the rather startling
complexity with which Marx actually views capitalism. Shirking the cheap reading of
Marx that paints him as the reductionist bearer of the phrase: opium of the masses, the
lines at the beginning of the section on commodity fetishism in Capital Ishow a different
side, one that would go so far as to say that commodity fetishism displays metaphysical
subtleties and theological niceties.
5
For Marx then, capitalism, though heavily reliant on
technoscientific innovation, also exhibits some spiritual qualities, especially in its system
of values, what Lukacs famously called reification, which as Nietzsche reminds us is
always a product of some form of monotheism.6
And indeed, it is the case that scholars of religion have taken note of the fact that
in the unfolding of capitalist modernity, there has not been a linear progression in the
form of disenchantment, or secularity. One could argue geopolitically that there has
been a reawakening of religious imaginaries in the Americas, Africa, Latin America and
Asia (but curiously not Europe).7 Many scholars, particularly of Islam have been very
attuned to the fact that modernity and religiosity are notnecessarily in opposition to one
another, as some of the more hard-line (thus: more conservative) figures of the
secularization thesis would have it. Talal Asad, for example, has suggested the secular
4 Berman, Marshall.All That Is Solid Melts into Air: The Experience of Modernity . Penguin, 1988.5 Marx, Karl. Capital: Volume 1: A Critique of Political Economy. Penguin Classics, 1992.6 For Lukacs, seeHistory and Class Consciousness: studies in Marxist dialectics. MIT Press, 1972.; for
Nietzsche, see On the Genealogy of Morals. Vintage Books, 1967.7 PhillipGorski, among others, has suggested that Europe is exceptional when it comes to the level of
religious participation. Panel discussion From the Square: Exploring the Post-Secular, NYU, February
12, 2008.
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is not a de facto space of the modern, but it is always in negotiation with the purported
sacred.8 Hence, the so-called resurgence of fundamentalisms of the Abrahamic variety
(Christian, Jewish and Muslim) in the late-20th century is not so much a return, as it is a
revelation to those of us in the Global North that have taken secularity for granted, and I
would argue at a great cost. My purpose is not so much to suggest that there has been a
great moral, intellectual and political failure (which undoubtedly there is) in the way that
the West has set a double-standard for Islam (as is the case in France regarding the
wearing of the hijab) but more so the a failure in looking at how specifically conceptions
of space have come to reflect and also complicate the Weberian thesis.
Why what will space contribute for the study of secularity? The importance of
space can be illustrated by the importance, and I would argue, reliance upon the language
worlds and world-making (ormondialisation as Jean-Luc Nancy has recently put it).9
This is a fact often overlooked in the contemporary discourse on the secular that has
made a strong return in very recently. It is unsurprising to a certain extent that the debates
have been organized wholly around the aspect of time implicit in the notion of
secularization. The ization entails the progressive hegemony of secularity, that is, the
non-religious just as Rostows developmental notion of modernization entailed stages of
growth. And as the scholars who roundly criticized Rostow and his cohorts, the trouble
with any narrative of linear progression, whether it is with regard to economic growth or
secularity, it is a bit too neat so as to speak to the realities of the realm of social practice.
There have clearly been many scholars, theologians chief among them but not
exclusively, who have sought to free the secularization thesis from Weberian orthodoxy
8 Asad, Talal.Formations of the Secular: Christianity, Islam, Modernity. Stanford University Press, 2003.9 Nancy, Jean-Luc. The Creation of the World or, Globalization. SUNY Press, 2007.
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using the analytic of space. One of the most well-received works of this trend-bucking in
the recent past has been Harvey Coxs The Secular City: Secularization and
Urbanization in Theological Perspective (1965), which, as one can tell from just the title
of his book, is interested in the development of urban space.10 Indeed, Coxs tract begins
with a theological claim which places the Bible squarely as the primary source of
secularization, going so far as to suggest that Creation is the beginning of the
disenchantment of nature. As he defines it, secularization, as distinct from secularism, is
the liberation of a man [/woman] from religious and metaphysical tutelage, the turning
of his [or her] attention away from other worlds and toward this one.
11
Hence, he
maintains that secularization is an historical process that does not foreclose the possibility
of Christianity specifically (but it seems for other religions as well). In his words:
The forces of secularization have no serious interest in persecuting religion.Secularization simply bypasses and undercuts religion and goes on to other things.
It has relativized religious world views and thus rendered them innocuous. It has
been privatized.12
So why does Coxs definition of secularization differ so drastically from other
versions, especially that of Martin whose definition has arguably taken on canonical
status? Coxs brief exposition of the root of the term secular gives us an angle to that
question.
The English wordsecularderives from the Latin wordsaeculum, meaning this
present age. . . . Basicallysaeculum is one of the two Latin words denotingworld (the other is mundus). . . The relationship between the two words is a
complex one. Saeculum is a time word, used frequently to translate the Greek
word aeon, which also means age or epoch. Mundus, on the other hand, is a space
10 Though it is no longer read with the same fervor, the best example of this is Cox, Harvey. The SecularCity. Macmillan, 1965.11 Cox, p. 15.12 Cox, p. 2.
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word, used most frequently to translate the Greek word cosmos, meaning the
universe or the created order.13
And thusly, Cox brings the discussion of the secular back to bear on the question of
space. He proceeds from the conceptual tension betweensaeculum and mundus to draw
various implications of Christianity in an increasingly secularized world.
The concept of space weaves through the entire frame ofThe Secular City, which
pushes reflects his definition of urbanization.
Urbanization means a structure of common life in which the diversity and thedisintegration of tradition are paramount. . .The urban center is the place of
human control, of rational planning, of bureaucratic organizationand the urban
center is not just in Washington, London, New York, and Peking. It iseverywhere. The technological metropolis provides the indispensable social
setting for a world where the grip of traditional religion is loosened, for what we
have called a secular style.14
For Cox, urbanization is reflective of a new world, which he dubs the secular city or
better yet the technopolis.
Though the specifics of Coxs argument can undoubtedly be treated with some
correctives both theoretically and empirically, it seems though that his basic premise
that secularization does not mean the end of Christianity or, for that matter, religion in
general but is the symptom of the rise of a different dominant worldviewis one that can
be further developed through the analytic of space. Additionally, despite the fact that the
urban question is indeed primarily one of space, Coxs analysis does not take into
consideration (or at least focus on) the production of space itself in his figure of the
secular city.
13 Cox, p. 16. Italics in original.14 Cox, p. 4.
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It is the aim of this paper to do just thatfurther investigate the conceptual
grounds upon which the notion of secularization by keeping in mind Coxs rather
welcome corrective of Webers thesis regarding, what was for him, an impending
cosmos (one of his most often used words in his writings on religion) of rationality. It
will do so with specific attention paid to the analytic of space, using the work of Mircea
Eliade and Henri Lefebvre respective notions of sacred space and absolute space.
However, it is not simply the fate of so-called religious space in secularization that I am
interested in but in tracking the conceptualization of space in relation to social
experience, which Lefebvre quite simply (and effectively) conjoins as social space. In
other words, what does secularization mean for the concept of space as such?
Near the beginning of HeideggersBeing and Time, there is a chapter entitled The
Worldhood of the World. In it, he ventures to ask a fundamental question regarding
Dasein: What can be meant by describing the world as a phenomenon?15 What he
means to ask is: what separates the space of the world from its entities, those things
which are, in turn, within-the-world. Furthermore, how can the world be if indeed that
which perceives its existence is within it? But as usually the case with Heidegger, his
conclusion is already evident from the raising of the question itself. To ask about the
ontological status of the worldor worldhoodHeidegger is continuing his efforts
which span the entirety ofBeing and Timeto critique the metaphysics of Western
philosophy, which is to question the presupposition of the world itself, and
unraveling it.
15 Heidegger, Martin.Being and Time, trans. John Macquarrie and Edward Robinson, Harper Perennial,
1962, p. 91.
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Neither the ontical depiction of entities within-the-world nor the ontologicalInterpretation of their Being is such as to reach the phenomenon of the world.
In both of these ways of access to Objective Being, the world has alreadybeen presupposed, and indeed in various ways.16
Hence, Heidegger goes on to argue for a study ofenvironmentwhich he admits does
contain the suggestion of [Daseins] spatiality.17 Yet Heidegger clearly favors
temporality as the most important for understanding the meaning of Being. But the
temporal argument inBeing and Time should not be taken too far so as to suggest that
Heidegger squarely falls on the side of time at the cost of space. In my judgment, it is due
to a very specific philosophical objective in his discussion of worldhoodto critique
the Cartesian view of the world as res extensathat heseems to be leaning on
temporality. Heidegger indeed does have an alternative spatial analysis of Dasein based
on what he calls de-severing, predicated off the Daseins essential tendency towards
closeness.18
If one were so inclined, the spatial dimension of Coxs argument can be seen as
largely couched in the debate around what Heidegger inBeing and Time refers to as
worldhood.19 In this line of thinking, Coxs analysis is another way to ask Heideggers
question of the environment of Dasein. Im positing that it is precisely this issue of
environmentality which is the key link weaving through social space and religious
experience, since it is the modulation of closeness that Heidegger sees as the central to
Daseins spatiality. Thus, I suggest we can fruitfully view the fate of religious space
and the process of secularization as defined by Cox through a Heideggerian turn to the
everydayness of Dasein by looking at Eliade and Lefebvre.
16 Heidegger, p. 92.17 Heidegger, p. 94.18 Heidegger, p. 140.19 Heidegger, Martin,Being and Time, Harper Perennial, 1962, chapter III.
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Mircea Eliades The Sacred and the Profane: the Nature of Religion (1959) offers a
conceptual grounding in religious space from which to work. Drawing on Durkheim and
Otto, Eliade reutilizes the sacred/profane juxtaposition for one principle theoretical stance
that there are two modalities of being in the world. 20So then, what is the sacred?
The sacred always manifests itself as a reality of a wholly different order from
natural realities. It is true that language naively expresses the tremendum, or themajestas, or the mysterium fascinans by terms borrowed from the world of natureor from mans secular mental life.21
For Eliade, the profane is the natural, phenomenological world. The sacred, on the other
hand, is of a wholly different order. The sacred is revealed to humans only through a
special process, through what he calls hierophanies, which can vary from
manifestation of the sacred in some ordinary object, a stone or a tree to Pauls
experience on the road to Damascus. But, as Eliade is quick to note, hierophanies are
characterized by a paradoxany object becomessomething else, yet it continues to
remain itself, for it continues to participate in its surrounding cosmic milieu.22
This paradoxof the hierophany maintaining itself and sanctitydoes not cause
much distress for archaic or pre-modern man because all nature can potentially reveal
itself as cosmic sacrality for him.23Eliade calls the world of pre-modern man sacralized
cosmos, whereas moderns live in a desacralized world.
The modern Occidental experiences a certain uneasiness before many
manifestations of the sacred. He finds it difficult to accept the fact that, for manyhuman beings, the sacred can be manifested in stones or trees, for example.24
20 Eliade, Mircea. The Sacred and the Profane, Harcourt, Brace & World, 1959, p. 14.21 Eliade, p. 10.22 Eliade, p. 12.23 Ibid., p. 12.24 Eliade, p. 11-12.
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This is essentially the abyss that Eliade describes throughout his book, a difference in
what may be referred to for the purposes of this paper as worldview. Though
worldview has been adopted into mass culture as some general term for philosophy,
it has a rich history which begins, according to Alexandre Koyre, with Nicholas of Cusa
in late-medieval theology and begins a revolutionary transformation from the closed
world to the infinite universe.25 In many ways, Eliades analysis is a parallel account of
the fate of religion in modernity but with a focus on spatiality or worldhood. But unlike
the world described by Koyre, Eliades use of world is Heideggerian to the extent that
he looks at the everyday environmentality of religious people, which, however, does
not preclude the grander analysis of a figure such as Koyre.
I will go over a few of the key aspects of Eliades analysis of sacred versus
profane space before moving into detail regarding his thesis of the consecration of space
as fundamental ontology, which he calls the creation of the world.
The central feature of sacred space in Eliades scheme is heterogeneity. The
Euclidean model of homogeneous space does not work for the religious person precisely
because there are always sacred spaces such as holy sites. For example, before stepping
onto the ground of the Burning Bush God commanded Moses to remove his shoes.26
Hence, it is perfectly acceptable for space to exist in a differentiated plane. But more
significant than the simple fact of spatial nonhomogeneity is that it results in the
experience of an opposition between space that is sacredthe only realand real-ly
existing spaceand all other space, the formless expanse surrounding it.27 Therefore,
Eliades claim of nonhomogeneity of religious space has larger significance for
25 Koyre, Alexandre.From the Closed World to the Infinite Universe, The Johns Hopkins Press, 1957.26 As mentioned in Eliade, p. 20.27 Ibid.
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reconsidering what religious experience is. Though for moderns any space labeled the
sacred may intuitively feel far from the realm of what can be called the real, it is, so
Eliade maintains, the most realspace of religious experience. This is because the real
in his language is akin to organized and fully oriented existence. Hence, sacralization of
space is described as a revelation of an absolute reality, what I would call, after
Heidegger and Koyre, a world.
Profane space, on the other hand, is homogeneous and neutral. Though he does
not call it by name, what Eliade has in mind, as I stated earlier, is Euclidean space in
which space can be cut and delimited in any direction without qualitative
differentiation.28 According to Eliade, profane space is a shattered universe of infinite
points, an amorphous mass consisting of an infinite number of more or less neutral
places in which man moves, governed and driven by the obligations of an existence
incorporated into an industrial society.29Thus, worldhood, for Eliade, is the sole
property of sacred space, and profane space is nota world, properly speaking, because no
true orientation is possible due to a lack ofcenter, which every manifestation of the
sacred has. Hence, the hierophany is the repetition of Creation, an ontological founding
of the world, constituted with an absolute center.30
Yet, there are some exceptions to the dichotomy that Eliade constructs. There are
elements of the sacred within the profane such as privileged places such as a birthplace
and other places with certain locational specificity that represent secular holy places,
which Eliade deems crypto-religious behavior. Thus, the abyss, which was how
Eliade earlier described the space between the sacred and profane, was a bit of an
28 Eliade, p. 22.29 Ibid., p. 24.30 Ibid., p. 21.
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overstatement. And indeed, Eliades notion of the threshold is another example of the
intertwined nature of the sacred and profane experiences of space. The threshold is what
separates the sacred from the profane, representing the transcendent nature of sacred
space. This process Eliade describes as an opening or irruption, but it is no doubt a
recapitulation of his earlier pronouncement of the hierophany as fundamentally ontology
or worlding. But the hierophany is not a completely new world as it is an opening onto
the cosmic. Thus what makes a space sacred is not only its separation from the profane or
the chaotic but also the established connection to the cosmic.
The cosmos/chaos relationship is the spatial expression of the sacred/profane
relationship. But unlike the rather intertwined nature of the sacred/profane distinction,
chaos and cosmos display a far greater rigidity in opposition in Eliades formulation. This
is so because in traditional times there was not only a distinction but an opposition
between the inhabited space and the space of the unknown, which surrounds it. Eliade
describes this opposition thusly, using the language of worldhood.
The former is the world (more precisely, our world)), the cosmos; everythingoutside it is no longer a cosmos but a sort of other world, a foreign, chaotic
space, peopled by ghosts, demons, foreigners (who are assimilated to demons
and the souls of the dead). 31
What separates cosmos from chaos is notits cosmicizationthe inhabitation and social
organization of space with the system of cultural meanings available to a certain group,
which Durkehim and Mauss famously called collective representations inPrimitive
Classification.32 But rather, the inhabited space is made into world through
consecration. The world (that is, our world), Eliade writes, is a universe within which
31 Eliade, p. 29.32 Durkheim, Emile and Marcel Mauss.Primitive Classification . Trans. Rodney Needham. University of
Chicago Press, 1967.
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the sacred has already manifested itself, in which, consequently, the break-through from
plane to plane has become possible and repeatable.33 In all, the consecration of space
separates the sacred from the profane by transcending it, opens up the space for
communication with the world of gods and also repeats the primordial, cosmogonic act of
the gods.
An example of this cosmogony is the sacred pole that is erected in a space by
various archaic societies before inhabitation. The sacred pole acts as an axis mundi with
universal significance. To settle is to create; it is an ontological establishment of the
universe in a particular place, organizing it, inhabiting it.
34
The pole or the axis is
crucial to establishing the sacred space because of its centrality in both metaphorical and
literal terms. As pointed out earlier, Eliade equates sacred space to world (more
specifically, ourworld) but one which contains an absolute center. That center is the axis
or the sacred pole as found in a range of groups such as the Kwakiutl, pre-Christian Celts
and Germans a well as the Nada of Indonesia.35
As pointed out earlier, one of the key aspects of sacred space is its capacity to
orient the universe and give it form. Consequently, the establishment of the axis mundi,
and our world, results in the centering of our world. The centering is important not
only for its representation of importance (the space and its inhibitors see as the most
important) but also its status at mediator between the two other cosmic planesthe most
obvious being Heaven and Hell. The founding of the axis mundi translates to our world
becoming the basis for an imago mundi. As Eliade explains using the example of
Palestine:
33 Eliade, p. 30.34 Eliade, p. 34.35 Ibid., p. 35.
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Whatever the extent of the territory involved, the cosmos that it represents is
always perfect. An entire country (e.g., Palestine), a city (Jerusalem), a sanctuary
(the Temple in Jerusalem), all equally well present an imago mundi . . . It is clear,then, that both the imago mundi and the Center are repeated in the inhabited
world. Palestine, Jerusalem, and the Temple severally and concurrently represent
the image of the universe and the Center of the World. This multiplicity of centersand this reiteration of the image of the world on smaller and smaller scales
constitute one of the specific characteristics of traditional societies.36
The reasoning for the concentric circles of the imago mundi for religious man was to live
as close to the Center as possible. His home, temple, city and country all become the
Centers. In other words, all of the various spaces that religious man occupied could only
be sacred; he could only live in a space opening upward, where the break in plane was
symbolically assured and hence communication with the other world, the transcendental
world, was ritually possible.37 It is of utmost importance that the religious person exist in
a total and organized spacea proper world.
Eliade points out that in the development of spatial practice and inhabitation can
not only be found in traditional societies, by which he clearly meant primitive, tribal
groups but also in ancient Rome. Though the cross-cultural nature of his argument is
questionable as it is clearly Eurocentric, he does provide the insightful example of the
Roman mundusa circular trench divided into four parts; it was at once the image of
the cosmos and the paradigmatic model for the human habitation.38 This quadratic
schema of the mundus, Eliade argues, extends from Bali to pre-Christian Germans.
Whether this is empirically true is beside the point; the emphasis of Eliades point is the
basic point that any settling into a territory is a consecration of space. That is to say, any
36 Eliade, pp. 42-43.37 Eliade, p. 44.38 Ibid., p. 44.
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form of inhabitation of space for religious persons is always of a sacred one, which
contains the cosmogonic momentthe foundation of a world.
He attempts to illustrate this point historically through the example of human
habitation, comparing traditional religious and profane behavior. Quoting Le Corbusiers
famous description of the house as a machine to live in, Eliade launches a rather
conservative attack of industrial, mass society from an architectural stand point. He
mourns the triumph of function over form especially when it comes to the human home,
and thus views the Bauhaus as a symptom of the gradual desacralization of the human
dwelling.
39
The critique of this desacralization, though given this nominal religious
framework, is still very much couched in the Weberian narrative of secularization, linked
to industrialization and the rise of scientific thought. But instead of secularization,
which places the secular as telos, Eliade chooses to use desacralization, effectively
overturning that particular teleology. Though his choice of words is no minor detail, it
nevertheless is undercut by proclamations such as this:
The process is an integral part of the gigantic transformation of the world
undertaken by the industrial societies, a transformation made possible by thedesacralization of the cosmos accomplished by scientific thought and above all by
the sensational discoveries of physics and chemistry.40
But let us return to the creation of the world as exemplified in human
habitation. Eliade notes that what cosmogony usually entails is the ritual of sacrifice.
Etymologically, sacred and sacrifice are linked of course. Sacrifice does not always
entail the sanctification through blood as is commonly thought in the Abrahamic
tradition. The cosmogony entailed in the sanctification of a living-space takes on two
39 Eliade, p. 50.40 Ibid., p. 51.
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types, which have been mentioned before: (1) assimilating the dwelling to the cosmos
through the axis mundi, which would include the symbolic designation of a pillar as
sacred (in the case of a house) and the institution of a center (in the case of a village) (2)
repeating the paradigmatic of act of the gods through the ritual of construction.41 Whether
certain groups choose the former or the latter types of sanctification, for Eliade, the
important point is that in traditional (religious) cultures, the dwelling attains sacred status
by its reflection of the world. Hence, what we see is that the cosmic symbolism is not
only found in terms of the structure of communal space but also in that of habitation.
Eliades spatial schema of the sacred and profane, though rather straightforward
provides us an important benchmark from which to view a theorist of space, Henri
Lefebvre, who is far more known for his spatial analysis. The comparison is not simply
for its own sake, but necessary for investigating the Heideggerian idea of worldhood or
environmentality as it relates to secularization. It is clear that Eliade believes modern,
non-religious man lives in a desacralized environmentality; he lives in an opaque, inert
and mute cosmos with no message.42Modern Christianity, for example, has become
relegated to the private experience, completely devoid of cosmic values when
compared to its former (e.g., medieval) self. When space was sacred, existence was
sanctified (existence-God-cosmos). As an effect of desacralization, existence becomes
profanated (existence-God-history).
Let us now shift to the analysis of spatiality provided by Henri Lefebvre in his The
Production of Space (1974). The crux of Lefebvres argument of his magnum opus has
41 Eliade, p. 52.42 Eliade, p. 178.
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mostly to do with social space, which he defines through his conception of social
practice but throughout the course of his argument, Lefebvre ventures into some religious
territory as he explicates the important difference between representational space and
representation of space. The most important aspect of representational space is that is
lived. It is the space of inhabitants and users, but also of some artists and perhaps of
those, such as a few writers, and philosophers, who describe and aspire to do no more
than describe.43 Under the category of representational space, he includes what he calls
spaces of ideology.
What is an ideology without a space to which it refers, a space which it describes,whose vocabulary and links it makes use of, and whose code it embodies? What
would remain of a religious ideologythe Judeo-Christian one, sayif it werenot based on places and their names: church, confessional, altar, sanctuary,
tabernacle? What would remain of the Church if there were no churches? The
Christian ideology, carrier of a recognizable if disregarded Judaism (God, the
Father, etc.), has created the spaces which guarantee that it endures. Moregenerally speaking, what we call ideology only achieves consistency by
intervening in social space and in its production, and by thus taking on body
therein. Ideologyper se might well be said to consist primarily in a discourseupon social space.44
Representational space, in other words, is where ideology becomes materialized in to
practice. Furthermore, and perhaps most importantly, it is the place of ritualization.
Lefebvre, additionally, posits a historical transformation from absolute space to
abstract space. There are clear parallels between this formulation and Koyres notion of
the closed world to the infinite universe. Lefebvre equates the absolute with the
ancient Roman and subsequent Christian tradition, meanwhile abstract space begins to
form starting in the 12th century in Western Europe, and goes on to describe it as
secularized space.45He speaks of this as the flouting of established spatial codes and
43 Lefebvre, Henri. The Production of Space. Trans. Donald Nicholson-Smith. Blackwell, 1991, p. 44.44 Ibid., p. 44.45 Lefebvre, p. 263.
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the eruption of a natural and cosmic fertility generate an extraordinary and dizzying
infinitization of meaning.46
The origin of absolute space begins as a residue of agro-pastoral space.
A moment comes when, through the actions of masters or conquerors, a part of
this space is assigned a new role, and henceforward appears as transcendent, as
sacred (i.e. inhabited by divine forces), as magical and cosmic. The paradox here,however, is that it continues to be perceived as part of nature. Much more than
that, its mystery and its sacred (or cursed) character are attributed to the forces of
nature, even though it is the exercise of political power therein which has in fact
wrenched the area from its natural context, and even though its new meaning itsentirely predicated on that action.47
As Lefebvre notes, by the end of agro-pastoral spaces, there was already a trend towards
the sanctification of space, though he is quick to note that this process had a special
meaning for the relation between inhabited space and nature, as it resulted in natures
status as a magical forcean indication of the socio-historical roots of Romanticism.
Very similar to Eliade, Lefebvre suggests that one of its key aspects is the
institution of a nucleus.48However, the two arguments do not resemble one another
exactly. As a matter of fact, Lefebvres conceptualization of the nucleus is far less
imposing that Eliades. Whereas Eliades absolute center held an importance of
ontological proportions, Lefebvres, a product of proper dialectics, was more wrought
with conflict. In nearly all cases, however he writes, the political and religious centre
is marked by conflict between town and country, between urban space and agrarian
space.49 To be fair to Eliade, it is important to note that he does have an oppositional
schema but it is not emphasized as it is in the work of Lefebvre. Nevertheless, the figure
46 Ibid., p. 232.47 Ibid., p. 234.48 Ibid., p. 234.49 Ibid., p. 234.
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of the center does hold much weight for Lefebvres idea of absolute space. Using the
example of the town, he states:
The city state thus establishes a fixed centre by coming to constitute a hub, a
privileged focal point, surrounded by peripheral areas which bear its stamp. Fromthis moment on, the vastness of pre-existing space appears to come under the
thrall of a divine order. At the same time the town, seems to gather in everything
which surrounds it, including the natural and the divine, and the earths evil andgood forces. As the image of the universe (imago mundi), urban space is reflected
in the rural space that it posses and indeed in a sense contains.50
It is the concept of the center which has great import as it later develops into the
representation of the imago mundi. What the center does for Lefebvre, and indeed Eliade
as well, is that it explains the ordering of the absolute space. It seems to me that both
Lefebvre and Eliade are attempting to build upon, but also critique the Durkheimian-
Maussian thesis of space as collective representations of the conscience collective. Their
respective criticisms are clearly different from one another. For Eliade, the ontological
dimensions of space are all but ignored in their work. Eliades charge is clear: they are
sticking too closely to epistemology. Lefebvres criticism, on the other hand, though
similar to Eliades, is focused more on social practice, specifically that of the body.
In every society, absolute space assumes meanings addressed not to the
intellect but to the body, meanings conveyed by threats, by sanctions, by acontinual putting-to-the-test of the emotions. This space is lived rather than
conceived, and it is a representational space rather than a representation of space;
no sooner is it conceptualized than its significance wanes and vanishes.51
Absolute space is an activated with social energies and natural forces. It is
absolute but has no fixed place; it is everywhere, that is to say, it has a purely symbolic
existence, and is thus not tied down to physical locale. To put it another way, it is a
world.
50 Ibid., p. 235. Emphasis in original.51 Ibid., pp. 235-236.
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Additionally, absolute space consecrates, allowing its metaphysical connection to
other holy spaces. [T]he space of a sanctuary is absolute space, evening the smallest
temple or the most unpretentious village church.52 Lefebvre identifies two mechanisms
of consecrationidentification and imitation.53Identification names the space as holy
and imitation demands ritualized practice. Ultimately, these mechanisms of consecration
generate forms, which various other subsequent spaces imitate, creating microcosms of
the universe through each consecration. Every consecrated place is the Cosmos in
epitome, much like the ancient Greek agora.
This adheres to Eliades assertion of connectivity between sacred spaces through
the institution of the axis mundi. Furthermore, Eliades emphasis of the ordering
capacity of cosmogony (which is really what I believe to be behind his insistence upon
calling it ontology) strongly resonates with Lefebvres main point regarding the unity
of absolute space. The condition of this unity is the capability for connectivity between
all absolute spaces. Indeed, this is one of Eliades main points about sacred space. All
spaces that are sanctified, which include the house and the city, effectively bring into the
same chain of communication different orders, as they become part of the same
world, ormundus what Heidegger would refer to Gebildto imply systematicity.54 For
Lefebvre, it is the ever-increasing
In the West, therefore, absolute space has assumed a strict form: that of volume
carefully measured, empty, hermetic, and constitutive of the rational unity of
Logos and Cosmos. It embodies the simple, regulated and methodical principle orcoherent stability, a principle operating under the banner of political religion and
applying equally to mental and social life.55
52 Lefebvre, p. 236.53 Ibid., p. 236.5455 Ibid., p. 238.
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But what does the conclusive ending of the narrative between Eliade and Lefebvre mean?
What are the stakes for the profanation of space?
To approach these questions, it is necessary to return to the work of Cox. He
suggests that within religious discourse the profanation of space argument comes
wrapped in a package of anti-modern thinking, which advances a sedentary view of
space. Using the figure of the cloverleaf, Cox attempts to show that the increase of
mobility (one aspect of secularization that many scholars agree upon) in modern life is in
fact not undermining any Biblical understanding of the fate of humanity.
Many view the high mobility of modern life in the most negative possible light. Awhole literature of protest has grown up, much of it religious in nature, which
bewails the alleged shallowness and lostness of modern urban man. Countlesssermons deplore the rush-rush of modern living and the diminution of spiritual
values supposed to accompany the loss of more sedentary cultural patterns.56
Though sedentary life maybe argued religiously, Cox contradicts such claims by
suggesting that it is in fact ideological.
To be born and reared in the same clapboard house where one may even grow old
and die does have a certain cozy attractiveness. To work at the same job in the
same place through all ones adult years might also provide elements of comfort.But those who bewail the passing of the era in which this stable, idyllic condition
was supposed to have obtained forget one important fact: only a tiny minority of
people ever really enjoyed such pastoral permanence.57
Sedentary life, for Cox, is more than a little romantic and symptomatic of a reactionary
mentality, calling those who oppose mobility guardians of the status quo. Though
much of the proceeding criticism of the pro-sedentary religious sentiment takes this
charge of conservatism, Cox does indeed argue this point theologically by drawing
parallels to the ancient Hebrews in order to argue that mobility can be viewed positively
form a Biblical standpoint.
56 Cox, p. 43.57 Cox, p. 45.
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One of the ways he does is by focusing what he believes to be the root of the
religious backlash. Let us admit at once that high mobility does play havoc with
traditional religion, Cox writes. It separates people from the holy places. It mixes them
with neighbors whose gods have different names and who worship them in different
ways. The separation from place is what Cox identifies as what is chiefly at stake. Thus,
Biblically, he says, the God of the Old Testament is a mobile god.
Yahweh . . . was not a place god. True, he had appeared at particular places suchas Sinai or in the burning bush, but He was certainly not restricted to these places.
He not only moved with His people, but went before them. 58
Citing various examples from the Ark of the Covenant to changing meaning of temple,
Cox argues that the reasoning behind the divestment of spatiality in God was diverse.
Theologically, it meant that Yahweh could not be localized; socially, the view of Yahweh
as God of history met the nomadic conditions of the early Israelites. Only after
Christianitys political triumph via Constantine did it spatialize, resulting in the concept
of Christendom, which limited its scope to Western Europe.59 It is clear that Cox sees the
profanation of space as no obstacle to faith.
Coxs analysis of mobility, in the context of both modern urbanization and in the
Bible, offers a concluding question with regard to the fate of religious space in
modernity. Does the fact that many scholarsEliade and Lefebvre among themagree
upon the decline of religious space in modernity signify the victory of time? In other
words, has technoscience colonized space (including the cosmos) to the point where
temporalization has become the dominant logic of modernity? Coxs insistence on the
conception of the God of history certainly supports this, as do the analyses of Eliade
58 Cox, p. 48.59 Ibid., p. 50.
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and Lefebvre. Though he rarely discusses religion, Zygmunt Bauman has articulated this
point most consistently, suggesting that liquid modernity is characterized by not only
the declining importance of hardware but also the devaluation of space, more generally.60
Keeping Bauman in mind, we may have to consider that space has not only shifted from
absolute to abstract (or sacred to profane), but also that it has ultimately been effaced by
the forces of modernity.
60 Bauman, Zygmunt. Time and Space Reunited, Time & Society (2000), 9:2-3, 171-185.