specifications - yamaha canada music · graphical editing capability on both the console and pc...
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Printed in Japan
www.yamahaproaudio.com
For details please contact:
LPA552
• Specifications and appearance subject to change without notice.• All trademarks and registered trademarks are property of their respective owners.
Windows ® is a trademark of Microsoft Corporation. Macintosh ® is a trademark of Apple Inc. Nuendo ® is a trademark of Steinberg Media Technologies GmbH. Pro Tools ® and Digidesign ® are trademarks of Avid Technology Inc. Adat is trademark of Alesis Corporation. Tascam, TDIF are trademarks of Teac Corporation.
ANALOG INPUT CHARACTERISTICSInput PAD
GAIN
Actual load For use with Input level Connector
terminal impedance nominal Sensitivity Nominal Max. before clip
CH INPUT
0 -60dB
3kohms
50-600ohm
-70dB -60dB -40dB A:XLR-3-31 type (Balanced)
-16dB Mics & -26dB -16dB +4dB1 to 12
20 -26dB 600ohm Lines
-6dB +4dB +24dB B:TRS phone jack (Balanced)
CH INPUT -26dB 10kohms 600ohm Lines
-36dB -26dB -6dB TRS phone jack (Balanced)
13 to 16 +4dB -6dBV +4dB +24dB
CH INSERT IN 1 to 12 10kohms 600ohm Lines -6dB +4dB +24dB TRS phone jack (Unbalanced)
2TR IN [L, R] 10kohms 600ohm Lines -10dB -10dB +10dB RCA pin jack (Unbalanced)
*1. MIDI IN can use as TIME CODE IN MTC.
ANALOG OUTPUT CHARACTERISTICS
DIGITAL INPUT CHARACTERISTICS
DIGITAL OUTPUT CHARACTERISTICS
CONTROL I/O CHARACTERISTICS
Output terminal Actual source For use with Output level
Connector
impedance nominal Nominal Max. before clip
STEREO OUT L, R 150ohms 600ohm Lines +4dB +24dB XLR-3-32 type (Balanced)
OMNI OUT 1 to 4 150ohms 10kohm Lines +4dB +24dB TRS phone jack (Balanced)
MONITOR OUT L, R 150ohms 10kohm Lines +4dB +24dB TRS phone jack (Balanced)
CH INSERT OUT 1 to 12 600ohms 10kohm Lines +4dB +24dB TRS phone jack (Unbalanced)
2TR OUT [L, R] 10Kohms 600ohm Lines -10dBV +10dBV RCA pin jack (Unbalanced)
PHONES 100ohms 8ohm Lines 4mW 25mW
ST phone jack (Unbalanced) 40ohm Lines 12mW 75mW
Terminal Format Data length Level Connector
2TR IN DIGITAL IEC-60958 24bit 0.5Vpp/75ohms RCA pin jack
ADAT IN ADAT *1 24bit — OPTICAL
Terminal Format Data length Level Connector
2TR OUT DIGITAL IEC-60958 24bit 0.5Vpp/75ohms RCA pin jack
Consumer use
ADAT OUT ADAT 24bit — OPTICAL
Terminal Format Level Connector
TO HOST USB USB 0V - 3.3V B type USB connector
MIDI IN *1 MIDI — DIN Connector 5P
OUT MIDI — DIN Connector 5P
THRU MIDI — DIN Connector 5P
WORD CLOCK IN — TTL/75ohms BNC Connector
OUT — TTL/75ohms BNC Connector
SPECIFICATIONS
Internal processing 32bit (Accumulator 58bit)
Number of scene memories 99
Sampling frequency Internal 44.1kHz, 48kHz, 88.2kHz, 96kHz
External Normal rate: 44.1kHz-10% - 48kHz+6% Double rate: 88.2kHz-10% - 96kHz+6%
Signal delay Less than 1.6ms CH INPUT to STEREO OUT (@Sampling frequency = 48kHz) Less than 0.8ms CH INPUT to STEREO OUT (@Sampling frequency = 96kHz)
Fader resolution 100mm motorized x17
Total harmonic distortion * CH INPUT to STEREO OUT Input GAIN=Min. Less than 0.05%, 20Hz to 20kHz @+14dB into 600ohms Less than 0.01%, 1kHz @+24dB into 600ohms (@Sampling frequency = 48kHz) Less than 0.05%, 20Hz to 40kHz @+14dB into 600ohms Less than 0.01%, 1kHz @+24dB into 600ohms (@Sampling frequency = 96kHz)
Frequency response CH INPUT to STEREO OUT 0.5, -1.5dB, 20Hz - 20kHz @+4dB into 600ohms (@Sampling frequency = 48kHz) 0.5, -1.5dB, 20Hz - 40kHz @+4dB into 600ohms (@Sampling frequency = 96kHz)
Dynamic range 110dB typ. DA Converter (STEREO OUT) (maximum level to noise level) 106dB typ. AD+DA (to STEREO OUT) @fs=48kHz 106dB typ. AD+DA (to STEREO OUT) @fs=96kHz
Hum & noise level ** -128dB Equivalent Input Noise. (20Hz-20kHz) -86dB residual output noise. STEREO OUT Rs=150ohms STEREO OUT off. Input GAIN=Max -86dB (90dB S/N) STEREO OUT Input PAD=0dB STEREO fader at nominal level and all CH INPUT faders at minimum level. Input PAD=0dB -64dB (68dB S/N) STEREO OUT Input sensitivity=-60dB STEREO fader at nominal level and one CH INPUT fader at nominal level
Maximum voltage gain 74dB CH INPUT (CH1-12) to STEREO OUT/OMNI (BUS) OUT 40dB CH INPUT (CH13-16) to STEREO OUT 74dB CH INPUT (CH1-12) to OMNI (AUX) OUT (via pre input fader) 74dB CH INPUT (CH1-12) to MONITOR OUT (via STEREO BUS)
Crosstalk (@1kHz) 80dB adjacent input channels (CH1-12) Input GAIN=min 80dB adjacent input channels (CH13-16) 80dB input to output
* Total Harmonic Distortion is measured with a 6dB/octave filter @80kHz.** Hum & Noise are measured with a 6dB/ octave filter @12.7kHz;equivalent to a 20kHz filter with infinite dB/octave attenuation.
GENERAL SPECIFICATIONS
Power requirements Japan: AC100V 50/60Hz, 90W
North America: AC120V, 60Hz, 90W
Other Areas: AC220-240V, 50/60Hz, 90W
Dimensions (W x H x D) 436 x 150 x 548 mm (17-3/16" x 5-5/16" x 21-1/4")
Weight 15kg (33.1lbs.)
LIBRARIES Number of factory presets Number of user libraries
Effect library (EFFECT 1–4) 53 75
Compressor library 36 92
Gate library 4 124
EQ library 40 160
Channel library 2 127
Input patch library 1 32
Output patch library 1 32
32
The 01V96VCM delivers the performance and reliability of Yamaha’s acclaimed digital live sound
and production consoles in a remarkably compact design that is perfect for home and professional applications
where space is limited or maximum portability is required.
It may be small but it can handle up to 40 inputs, and can be cascaded if more are required. And now,
in addition to the many improvements that were implemented in the 01V96 Version 2,
the 01V96VCM comes with a selection of Yamaha’s unsurpassed VCM effects built in.
Of course the entire console — effects included — features 24 bit/96 kHz operation for ultimate resolution
and sound quality that will satisfy the most demanding applications.
Still Small and Professional —Now with VCM Effects
Built-in VCM Effects
Previously available as “add-on” effect packages for top-line digital consoles, Yamaha’s highly regarded VCM Channel Strip processors and REV-X reverb
are now standard features on the 01V96VCM. These extraordinary effects are based on innovative Virtual Circuit Modeling technology that actually models
the original analog circuitry — right down to the last resistor and capacitor. VCM effects are capable of capturing subtleties that simple digital simulations
cannot even approach, going beyond simple simulation and delivering the truly musical performance that makes classic analog gear invaluable even in
today’s digital production environment. The 01V96VCM includes the Channel Strip package with COMP276, COMP260, and EQ601 effects that bring
vintage analog compression and EQ to life in the digital domain. It also includes the same REV-X algorithm that is behind the unmatched performance of
Yamaha’s stand-alone SPX2000 signal processor, delivering the most natural reverb and ambience available anywhere.
You simply won’t find another digital console that offers this level of performance flexibility in a package this compact and affordable. The 01V96VCM will comfortably fit in the space and budget of the small studio while delivering sonic quality, effects, control, and compatibility that are second to none.
Cutting-edge Performance and Processing Capability
REV-X (HALL)
REV-X (PLATE)
REV-X (ROOM)
CHANNEL STRIP
This compressor and EQ effects faithfully captures the unique
saturation effect of analog circuitry. Includes five models that employ
VCM technology to recreate the sound and characteristics of classic
compression and EQ units from the 70’s. Fine-tuned by leading engineers,
and featuring carefully selected parameters in a simple interface.
• REV-X Hall, REV-X Room, and REV-X Plate programs are provided, with new parameters such as room size and decay envelopes that offer unprecedented definition and finer nuance control.
• The REV-X Hall and REV-X Room programs have a very open sound, while REV-X Plate delivers a brighter tonality that is ideal for vocals.
• All models deliver dense, warm reverb that does not interfere with the natural timbre of the source.
REVERB
These reverb effects employ the latest “REV-X” algorithms first
introduced in Yamaha’s SPX2000 Professional Multi Effect
Processor. The REV-X programs feature the richest reverberation
and smoothest decay available, based on years of dedicated
research and development.
• Compressor 276 (mono)/Compressor 276S (stereo): Recreate the fast response, frequency characteristics, and tube-amp saturation of the most in-demand analog compressors for studio use.
• Compressor 260 (mono)/Compressor 260S (stereo): Features faithful modeling of the solid-state VCA and RMS detection circuitry of the late 70’s for live sound reinforcement applications.
• Equalizer 601: Delivers the unique characteristics of 70’s analog EQ circuitry, featuring graphical editing capability on both the console and PC displays.
Engineer interviews — Steve Levine Recording and mixing engineer, worked for many artists including Culture Club, The Beach Boys, Honeyz, and Gary Moore.
“I am very impressed with the Rev-X reverbs. These reverbs sound so good, a match for any current hardware reverb unit - the Rev-X room simulation is the best “room sound” I have heard since the famous Quantec room simulator.“
“The vintage EQs & compressors really extend the range of EQ & compression options available. The original DM2000 EQs have been praised in the press for their sonic purity & accuracy now you have available EQs and compressors that add that “special vintage colour” that many artists, producers & engineers wish to add to their tracks, but without the sound of crackling pots !!!”
The Birth of VCMIt took more than two years of concentrated work, but by 2003 K’s Lab had refined and re-purposed physical modeling to the point where it was ready for practical implementation ... in the form of Virtual Circuit Modeling. VCM is the cornerstone of Yamaha’s Add-On Effects, and achieves it’s stunning sonic and musical performance by actually modeling the individual characteristics of the multitude of parts and components that contributed to the final sound of the original analog circuits.
The division known at Yamaha as “K’s Lab” (“K” for “Kunimoto”) was established in 1987 to develop new modeling technology that would become the next phase in synthesizer evolution after the FM and PCM tone generators that were the mainstay of the synthesizer world at the time. Research and development has continued relentlessly ever since, and in 2001 the K’s Lab team began aiming it’s formidable technological capabilities at physical modeling for effects, and that’s when Mr. Kunimoto’s goal began to take on primary importance.
The Team and the Technology Behind the Sound
INPUT PATCH
COMP EDIT EQUALIZER EDIT
Super High Fidelity
24 bit/96 kHz Performance Takes Digital Sound To the Next Level
Digital audio technology has come a long way since the
early days of 16 bits at 44.1 kHz — a format that many considered to be
the reason for “harsh”, “cold” sound. The entire industry is now settling on
24 bit/96 kHz digital operation for significantly superior sonic quality. The
01V96VCM does give you a choice — you can work at 44.1 kHz, 48 kHz,
88.2 kHz, or 96 kHz, depending on the needs of each individual project.
But when you want the truly transparent, incredibly dynamic sound of 24
bits at 96 kHz, the 01V96VCM is ready to
deliver. It even includes a comprehensive
range of superb 96 kHz compatible stereo
effects with 32 bit internal processing.
Mixing Versatility
24 Analog & Digital Channel Inputs ... Expandable to 40
Right out of the box the 01V96VCM gives you 16 analog channel
inputs — 12 with high-performance microphone head amplifiers —
and eight digital channel inputs via a built-in ADAT optical interface.
Without going any further you’re ready to handle a comprehensive
mix of analog and digital inputs.
All the 01V96VCM input connectors are top-mounted for easy access in
any application. The first 12 analog channels feature high-performance
head amplifiers for microphone or line input that deliver a pristine signal
to the console’s precision 24 bit/96 kHz A/D converters. The 48-volt
phantom power for condenser microphones is switchable in 4-channel
groups, while trim controls and pad switches facilitate optimum level
matching with the source, and channel inserts make it easy to insert
external analog processing gear into the pre-A/D signal path.
Inputs 13 through 16 accept balanced/unbalanced line-level signals singly
(each input has an independent trim control) or in pairs for stereo input.
When you need more, Yamaha offers a range of Mini-YGDAI expansion
cards that can simply be plugged into the 01V96VCM expansion slot to
provide additional I/O in a variety of formats: ADAT, AES/EBU, TDIF,
CobraNet, EtherSound, MADI or analog.
20-bus Configuration
The 01V96VCM offers a main stereo program bus, eight individual
mixing buses, two solo buses, and eight auxiliary buses — a total of 20
in all. This gives you plenty of signal-routing options to adapt to just
about any mixing requirements.
Surround Panning
Surround is becoming an important part of modern sound production.
The 01V96VCM features 6.1, 5.1 and 3-1 surround panning modes so
you can create surround mixes without having to sacrifice features or
performance in other areas.
Advanced Input Functioning
Channel Strips With Precision 100-mm Motor Faders
The 16 channel strips on the 01V96VCM panel provide access to the most
essential operations for the corresponding channels. Depending on the
currently selected layer, the channel strips will control channels 1 through
16, channels 17 through 32, or the eight AUX sends and eight buses (the
“Master Layer”). Also, the channel faders will function according to the
settings in the FADER MODE section. In addition to a 100-millimeter motor
fader, each channel strip includes a channel ON/OFF key, a SOLO key, and
a SEL key that assigns the channel as the console’s “selected channel”.
Detailed panning and EQ control for the currently selected channel is
available via the SELECTED CHANNEL controls. The master STEREO fader is
also a 100-mm motor type, with its own ON and SEL keys.
Selected Channel Controls
The SELECTED CHANNEL controls include the hands-
on panning and EQ controls for the currently selected
channel, with analog-style buttons and knobs for
direct, easy access to the parameters. Need to adjust
the high-mid frequency a little? Just tap the HIGH MID
key and turn the FREQUENCY knob until you get the
sound you want.
Fast, Flexible Digital Patching
All available inputs, outputs, effects, and channel inserts can be assigned
to any of the console’s channels or outputs via the 01V96VCM’s
remarkably versatile, easy-to-use digital patching system. For example,
any of the effect processors can be assigned to an auxiliary bus for send-
type operation, or inserted directly into any input channel as required. A
direct out function also allows the signal from any of the input channels
to be routed directly to any digital or analog output. The eight auxiliary
buses can also be patched to anywhere in the system. Centralized
control means you’ll never have to run
around to physically re-patch cables
whenever you need to reconfigure the
system, while patch setups you might
want to use again can be stored in the
01V96VCM –patch library– for instant
recall at any time.
Advanced Solo Functions
When the Fader Solo Release function is active, touching any fader
releases the current “solo”ed channel (s). In addition, the Pre-fader
with Pan Mode allows you to monitor the post-pan pre-fader signal.
Effects & Advanced User Interface
Internal Effects Fully Support 96-kHz Processing
You could use external digital effect processors with the 01V96VCM,
but what’s the point when it already features built-in top-
performance 24 bit/96 kHz effect processors? Also, you run the risk of
lower audio quality if you have to convert down to a lower sampling
rate for effect processing — which is exactly what’s going to happen
if you use hardware or software processors that don’t offer
24 bit/96 kHz performance anywhere
in your signal chain. That’s why
Yamaha included a comprehensive
range of 96 kHz compatible stereo
effects in the 01V96VCM. You can
use two effects simultaneously at
88.2/96 kHz, and up to four effects
at lower sampling frequencies.
Top-quality Compression, Gating, EQ and Delay
All input channels on the 01V96VCM feature flexible, independent
compression and gating/ducking processors for dynamics control. All
bands on the 4-band parametric channel equalizers are fully sweepable
from 20 Hz to 20 kHz, with bandwidth variable from 0.1 to 10 and a
±18dB gain range for extraordinary equalization flexibility. The channel
delays also go well beyond the norm, with a maximum delay of 452
milliseconds (96 kHz mode). Even the stereo bus, eight mix buses, and
eight aux buses have individual compression and EQ!
ADD-ON EFFECTS Capability
Optional ADD-ON EFFECTS can be added to the
console’s built-in effects for expanded processing capabilities. ADD-ON
EFFECTS packages that can be used with the 01V96VCM include the
Master Strip Package with stunning simulations of classic analog tape
decks, and the Vintage Stomp package with faithful models of prized
stomp boxes from the 70’s that helped shape the sound of music
history. You can edit these effects from the 01V96VCM as well as from
your personal computer via the graphic STUDIO MANAGER Version 2
interface. The combination of the 01V96VCM and ADD-ON EFFECTS
offers a totally integrated production environment that puts all the
processing power you’re ever likely to need right at your fingertips.
FX1 LIB
Vintage Stomp Package
Master Strip Package
4 5
SURROUND MODE SURROUND CH EDIT
INPUT CH1-16 SURROUND SURROUND BUS SETUP
America ’70 + America ’70
DUAL PHASERMAX100
VINTAGE PHASER
Swiss ’78 + Swiss ’78
Swiss ’85 + Swiss ’85
Connection with 96 kHz Recorders & WorkstationsAlthough the 01V96VCM handles 96 kHz audio as standard, most of
the currently available digital recorders and workstations can handle
96 kHz audio only in double channel mode (using two tracks to make
one). In this configuration the 01V96VCM uses one channel per
(96 kHz) track, but twice the number of I/O connections must be used.
MY8-AT/TD/AE cards work in double channel mode to handle 16
channels of 44.1/48 kHz audio or up to 8 channels of 96 kHz audio in
double channel mode. With the latest equipment that handles 96 kHz
audio as standard (in double speed
mode like the 01V96VCM) you can
make standard connections using
the MY8-AE96 card. The MY8-AE96
card can work either in double
speed or double channel mode.
DisclaimerThe names of programs or menus incorporated in VCM and Add-On Effects are for descriptive purpose only. Reference to product names, trademarks, artists and songs is made for the sole purpose of identifying products and sounds studied for modeling and describing the sound nuances Yamaha attempted to create through use of its proprietary technology. Such reference does not constitute representations that they physically possess equal qualities, and does not imply any cooperation or endorsement by such manufacturers or artists. The products, trademarks are the property of their respective owners.
*AE-041 (Surround Post Package) can not be used with the 01V96VCM.
EFFECT LIBRARY
Advanced Layer and Bus Operation
Fader Mode
The FADER MODE keys allow the 01V96VCM faders to be
instantaneously switched between fader and auxiliary level control.
Since the faders feature fast, precise motor-drive mechanisms, they
immediately respond by moving to the appropriate settings for the
selected mode.
Layer Switching for Fast Access to 32-channel, Aux/Bus Fader + User-assignable Configuration
One of the advantages of digital control is
that it allows extraordinary power and
flexibility to be packed into minimum space.
The 01V96VCM has 17 physical 100-millimeter
motor faders. The first 16 can be instantly switched
to handle input channels 1 through 16, 17 through
32, auxiliary sends 1 through 8 and buses 1 through
8, or user-assignable configuration via the console’s
LAYER switches.
In the user-assignable layer, a new added feature in
version 2, you can create a mixed fader configuration
of input and output channels, or you can use the
faders as Fader Group Masters.
There’s also a ST IN layer switch that switches
between the stereo 1/2 or 3/4 inputs for the stereo
layer controls. Having all controls right in front of you at all times not
only saves space, it also means that all operations can be carried out
without having to move away from the monitoring “sweet spot”.
Scene & Memory
Scene Memory
Complete console
setups can be
memorized and instantly recalled via the 01V96VCM SCENE
MEMORY controls. Memory is provided for up to 99 scenes. In
addition to recalling scenes from the panel controls you can recall
them remotely via MIDI program change messages, providing a
handy degree of automation capability. The current scene number
– 01 through 99 – is shown on the LCD panel. Additional scene
memories can be managed via a computer running the supplied
STUDIO MANAGER software.
With version 2, you can copy and paste channel or parameter settings
from the current scene into other scenes. This feature can be useful if
you have already programmed several scenes, but want to edit certain
parameters in all scenes.
Enhanced User Interface
Large LCD Panel
The new 01V96VCM display is a
high-resolution 320 x 240 dot
LCD panel that provides easy
visual access to all of the consoles
functions and parameters. Many
parameters are displayed
graphically so you can see what’s happening at a glance — EQ curves
and compression parameters are especially “readable” in this format.
Display Access
The DISPLAY ACCESS keys determine which
type of data will be shown on the LCD panel
— a total of 12 selectable categories. This
approach minimizes the need to scroll through
on-screen lists when you need access to a particular type of data.
Data Entry
Large cursor, INC/DEC, and enter keys are complemented by a data entry
dial that lets you spin in desired values quickly and easily. The data entry
dial also doubles as a shuttle/scrub dial for recorder or DAW control.
Expandable Data Libraries
Setting up EQ, compression, and other parameters for a mix from
scratch can be a daunting task, so Yamaha has provided an extensive
selection of presets in a range of “libraries” that can simply be selected
and used unmodified, or edited to suit
specific requirements. Libraries are
provided for effects, compression,
gating, EQ, I/O patching, and channel
setups. Of course, your own setups can
be added to the libraries for instant
recall whenever they are needed.
User Defined Keys
These 8 keys can be assigned to control any functions
you choose. You could, for example, use them to
recall input patch setups, to arm MTR tracks for
recording, or to handle locator functions. And, when
the REMOTE layer is selected, the USER DEFINED
KEYS are automatically assigned to Pro Tools® control
functions by default. The Instant Group Assignment
function enables you to also use these keys to quickly
set up fader groups and mute groups.
Enhanced Integrated DAW Control
The 01V96VCM has been designed to seamlessly
integrate with leading digital audio workstations
to create a complete production and mixing
environment. Extensive support is provided for Digidesign’s Pro
Tools® system as well as Steinberg’s Nuendo® 4 and Cubase 4 —
for full control of mixing and processing parameters by using the
01V96VCM selected channel section, as well as transport/track-
arming control and access to editing functions — directly from the
01V96VCM control surface. There’s also a “General DAW” mode
that provides compatibility with other workstations.
Versatile I/O Facilities
Rear Panel
The rear panel is home to balanced analog stereo and monitor outputs as
well as four balanced “omni” outputs. The optical IN and OUT connectors
for the 01V96VCM’s built-in ADAT interface are also located on the rear
panel. There are also digital 2-track inputs and outputs featuring coaxial
connectors. On-board sample rate conversion allows CD players and
other digital sources connected to the digital input to be monitored or
routed to an input channel without having to be synchronized to the
system clock. A range of synchronization and control options are available
via word clock inputs and outputs, MIDI connectors, and a USB “TO
HOST” connector which can be used for computer control via the
supplied Studio Monitor software. The rear panel also has an expansion
slot which will accept a wide range of Yamaha mini-YGDAI expansion
cards that can add up to 16 additional channels in a variety of formats.
Built-in ADAT Optical Interface
The 01V96VCM comes with an industry-standard ADAT optical digital
I/O interface built right in — no options necessary. The ADAT
“Lightpipe” optical I/O is standard on a wide range of current digital
sound gear, so you can simply plug in via optical cables for 8 digital
inputs and 8 digital outputs that will handle your digital signals
without compromise. Additional optical I/O capacity can be added via
the 01V96VCM expansion slot, as necessary.
01V96VCM Cascade Link
When you really need high capacity
— particularly for sound reinforcement
applications — the 01V96VCM offers
“01V96VCM Cascade Link” capability
that allows two 01V96VCM units to be
cascaded to create up to an
80-channel mixing system at an unbelievably affordable price!
CASCADE IN PATCH
6 7
8 9
Effect Patch Window
Surround Editor Window
Patch Editor Window
Layer Window
MasterFader Window
Selected Channel Window
Meter Window
STUDIO MANAGER Version 2 Software Included
The 01V96VCM comes supplied with Yamaha’s STUDIO MANAGER
Version 2 software application for both Macintosh and Windows
platforms. In the Version 2, the STUDIO MANAGER has developed
into a total management software. In addition to the features of its
predecessor, including complete access to all parameters for either
on-line or off-line control, as well as the program’s visual interface
which makes it easy to relate on-screen controls to the
corresponding console functions, the STUDIO MANAGER Version 2
provides a number of enhancements that make this already
indispensable program more flexible and powerful than ever. It has
now become a truly multi-client platform that can accommodate,
for example, cascaded 02R96VCM and / or 01V96VCM, and various
Yamaha editors such as the SPX2000, to realize total recall of
settings in the connected equipment. By simply connecting your
personal computer to the TO HOST port (USB), you can manage
data entirely through your computer. You can also open/close
STUDIO MANAGER Version 2 windows from the 01V96VCM.
Editing windows with enhanced controllability
With the upgrade to Version 2, a number of new windows are
provided. These include the “Master Fader Window” that shows only
the master fader, and the “Meter Window” that shows meters for all
32 channels. In the “Layer Window,” the master fader block now can
be separated, while the fader level is shown by a numeric value as
well as by graphic display. In the “Selected Channel Window,” the
gate type indication and long-stroke channel meter are added. The
“Patch Edit Window” is now clearer to see and can be resized as
desired, while it also shows both inputs/outputs to/from each effect
block. In the “Library Window”, you can now perform simultaneous
operation of multiple scenes/libraries. The STUDIO MANAGER
Version 2 also integrates the “Effect Editor Window” for controlling
VCM Effects and other optional ADD-ON EFFECTS. Of course,
settings for the main mixer functions can also be made off-line.
For PC operating—STUDIO MANAGER Version 2 1. Music Production with Cubase
Although simple to set up, a system like this can provide advanced recording
and production capability. Cubase 4 running on a personal computer interfaces
to the 01V96VCM via a single USB cable for comprehensive transport and
function control, while audio is transferred between the 01V96VCM and the
audio interface via both the 8-channel optical ADAT interface (allowing
simultaneous 8-channel recording at 96 kHz) and the 2-channel SPDIF interface
for maximum routing and mixing versatility. VCM effects can be applied while
recording or during mixdown.
2. Concert and Event SoundSound reinforcement applications generally
require much more input and output
capacity than studio production. If a single
01V96VCM won’t do it, try cascading two
01V96VCM consoles — you now have up to
80 input channels plus plenty of output
channels and processing capacity to handle
house sound and monitoring. The built-in
dynamics and VCM effects can be a
tremendous advantage in this type of
application, too.
Application ExamplesMusic production, sound reinforcement, broadcast, theater ...in nearly every application,
the 01V96VCM has the performance and versatility to work wonders.
Guitar etc.
Audio Interface(ADAT I/O)
Firewire
USB
Onboard ADAT in/out
Optical Cable
Mics
ComputerCubase 4
01V96VCM
01V96VCM01V96VCM
Keyboard and synthesizer
3. Small Multi-Purpose Hall InstallationCapable of providing solutions not only in the sound
reinforcement and recording environments, the 01V96VCM is
also widely used in fixed installations similar to that shown, and
has already gained an excellent reputation in the industry for this
type of application. In this example, the 01V96VCM provides a
mixing solution for a multi-purpose hall suitable for small-scale
exhibitions, conventions, concerts, and other similar gatherings.
This hall features a pair of hardwired FOH C112VA speakers,
multiple ceiling speakers used for background music and public
announcements, and MSR100 speakers that can be setup
whenever needed for monitoring during concerts. And even in
situations where all of these speakers must be used together, the
01V96VCM — with its main Stereo Out complemented by four
additional OMNI OUT channels — can cope with ease.
With the 01V96VCM, you also benefit from the flexibility and
convenience only delivered by digital consoles — for example,
the Scene Recall function allows settings for a wide range of
different applications to be instantly loaded, while User Defined
Keys provide one-touch shortcuts to oft-used functions. What's
more, as the acclaimed REV-X reverb from the SPX2000 effect
processor and the Channel Strip package of VCM compressor
and equalizer effects are pre-installed, audio quality rivaling even
that of live-music clubs with vintage outboard gear costing tens
of thousands of dollars can easily be achieved. With this
stunning range of choice functions packed into such a compact
body, the 01V96VCM is just the ticket for fixed installations.
Q2031B
OMNI OUT 1
OMNI OUT 2
OMNI OUT 3
OMNI OUT 4
R
A B
A B
LST OUT
Output
Input
MONITOR
Q2031B
A B
A B
Output
InputMIDI and Signals(Cascade Link)
MSR400
MSR400MSR400
MSR800W MSR400 MSR400 MSR400
Mics
C112VAC112VA
Wireless Mics
VideoAudio
Ceiling-mounted projector
Ceiling Speakers
Wired Mics
MSR100 MSR100
Mics
F.O.H
Up to 80 inputs
Screen
01V96VCM NOTE PC
P-3500S
CD player
DVD player
High-impedance amplifier
Wireless Mic Receiver
Video selector
Setup only when needed for monitoring.
Model Input Output*1 Format Note
Digital I/O Cards
Can handle 24 bit/96 kHz by double channel modeMY16-AE 16 16 AES/EBU
Can handle 24 bit/96 kHz by double channel modeMY16-AT 16 16 ADAT
Can handle 24 bit/96 kHz by double channel modeMY16-TD 16 16 TASCAM
Can handle 24 bit/96 kHz by double channel modeMY16-CII 16 16 CobraNet
MY16-ES64 16 16 EtherSound
MY16-MD64 16 16 MADI
Maximum 5 NodesCan handle 24bit/96kHz by double channel mode
MY16-mLAN 16 16 mLAN
MY8-AE96 8 8 AES/EBU
Sampling Rate Converter for inputMY8-AE96S 8 8 AES/EBU
Can handle 24 bit/96 kHz by double channel modeMY8-AE 8 8 AES/EBU
Can handle 24 bit/96 kHz by double channel modeMY8-AEB 8 8 AES/EBU
(AES-3id)
Can handle 24 bit/96 kHz by double channel modeMY8-TD 8 8 TASCAM
Can handle 24 bit/96 kHz by double channel modeMY8-AT 8 8 ADAT
*1. Selectable from STEREO/BUS/AUX/DIRECT OUT/INSERT OUT/CASCADE OUT (STEREO, BUS1-8, AUX1-8, SOLO). See the user’s manual for further information. • Details depend on each interface card.
MY8-DA96 – 8 Analog Out
MY4-DA – 4 Analog Out
AuviTranAVY16-ES 16 16 EtherSound
AVIOM16/o-Y1 – 16 A-Net
AVIOM6416Y2 16 16 A-Net
OPTOCOREYG2 16 16 Optocore
Waves Y96K
Model Input Output*1 Format Note
DA Cards
Third Party Cards
10 11
Block Diagram
Dimensions
[STEREO OUT]
L
R
(+4dBu)
L
R(-10dBV)
DA
DA
STE
RE
O L
STE
RE
O R
SO
LO L
SO
LO R
AU
X 1
AU
X 8
BU
S1
BU
S2
BU
S3
BU
S4
BU
S5
BU
S6
BU
S7
STEREO LINPUT 1(...32)
SOLO
DIRECT OUT1(...32)
PAN
PAN
ON LEVEL
INPUTPATCH
Same as stereo master LSTEREO R
BUS 1(...8)
PAN BUS to STEREOON
2 2TRDL/R
[2TR INDIGITAL]COAXIAL
SLOT16 SLOT
1-16
AD
x 2[INPUT](13-14)
GAIN
AD13-14
[SLOT]
8ADAT1-8 [ADAT IN]
AD
x12
[INPUT]
(1-12)
+48V(each 4ch )
[INSERT I/O]
GAIN
AD1-12
020
OFF
ON
A
B PAD
[INPUT](15)
GAIN
GAIN
AD 15
AD 16
[2TR IN](L)RCA
AD
[INPUT](16)
RCA[2TR IN](R)
AD
CH15/16/2TR IN
PRE/POST ON AUX
LFE
AUX1(...8)
SOLO R
SOLO L
MO
NO
SOLO LOGIC
[PHONES]
PHONESLEVEL
[MONITOR OUT]L
R
MONITOR OUT LEVEL
DA
DA
[2TR IN]RCA
L
R
MONITOR/2TR IN
[2TR OUT DIGITAL]
[OMNI OUT]
OMNI 1
OMNI 2
OMNI 3
OMNI 4
SLOT 16 SLOT
COAXIAL
50INSERT OUT
32DIRECT OUT 1-32
8AUX1-8
8BUS1-8
2STEREO
[SLOT OUT]
3
4
[ADAT OUT]ADAT 8
22TR DIGITALDITHER
DITHER
DITHER
DA
DA
DA
DA
1
2
OU
TPU
T P
ATC
H
STEREO L
STEREO R
SIGNAL
PEAK
SIGNAL
PEAK
SIGNALPEAK
SIGNAL
PEAK
BU
S8
ST IN 1-4
SOLO
PAN
ON LEVEL
288
ATT 4BANDEQ
INPUTDELAY
Key in 12ch Group (1-12,13-24....)AUX 1-8
INSERT
GATE
(Gain Reduction)
(Out Meter)METER
INSERT
COMP
(Gain Reduction)
Key in Self or Stereo Link
(Out Meter)
AUX1-8
INSERTSEND
AUX1-8
INSERTSEND
8
50
EFFECTMETER
SE
LEC
T
FX1 SEND 1-2
FX1
8
50
EFFECT
SE
LEC
T
FX2 SEND 1-2
FX2
AUX1-8
INSERTSEND
AUX1-8
INSERTSEND
8
50
EFFECTFX3 SEND 1-2
FX3
8
50
EFFECTFX4 SEND 1-2
FX4
FX1ReturnL/R
FX2ReturnL/R
FX3ReturnL/R
FX4ReturnL/R
ATT4BAND
EQ
OUTPUTDELAY
ATT 4 BANDEQ
INSERT INSERTLEVELON BAL
INSERT
COMP
(Gain Reduction) (Out Meter)
ATT 4 BANDEQ
INSERT INSERTLEVELON
INSERT
(Gain Reduction) (Out Meter)
LEVEL
2
ONCASCADE SELECT
BUS1 BUS
BUS8 BUSSTEREO L BUSSTEREO R BUS SOLO L BUSSOLO R BUSAUX1 BUS
AUX8 BUS
SINE100HzSINE1kHz
SINE10kHzPINK NOISE
BURST NOISE
LEVEL
OSCILLATOR
ON
TRIM
OUTPUT SOLO
BUS1-8 8
AUX1-8 8
PRE/POST ON AUX
LFE
GAIN
GAIN
[2TR OUT]
When 96 kHz FX3, 4 cannot be used.
SOLO TRIM
MONITOR TRIM
Stereo Configuration
STEREO BUS
AUX1-8 BUS
for cascade
SOLO BUS
STEREO L
STEREO R
METER
METER METER
METER METER
METER METER
SE
LEC
TS
ELE
CT
METERMETER
METER
METER
METER
METER
METER
to OUT PATCHfor cascade
METER
METER
METER
METER
METER
METER METER
METER
COMP
OUTPUTDELAY
The same the above
Software packages are available for adding unique and valuable effect programs to the 01V96VCM internal effect programs. With the 01V96VCM, You can add optional ADD-ON EFFECTS to the original collection of preset effects. You can edit, store and recall ADD-ON EFFECTS on the console in the usual way. In addition, a special GUI is available in the STUDIO MANAGER Version 2 editor to manage these effects.
MASTER STRIP PACKAGE (AE-021)
A tape saturation <open deck> package that faithfully captures the tape saturation of analog circuitry.
• Employs VCM technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders.
• The Open Deck provides models of four machine types: Swiss ’70, Swiss ’78, Swiss ’85, and American ’70. You can even combine different record and playback decks for a wider range of variation.
• You also have a choice of “old” and “new” tape types, tape speed, bias, and EQ settings that can vary the “focus” of the sound, distortion, and saturation characteristics.
The names of programs or menus incorporated in ADD-ON EFFECTS are for descriptive purposes only. Reference to product names, trademarks, artists and songs is made for the sole purpose of identifying products and sounds studied for modeling and describing the sound nuances Yamaha attempted to create through use of its proprietary technology. Such reference does not constitute representations that they physically possess equal qualities, and does not imply any cooperation or endorsement by such manufacturers or artists. The products, trademarks are the property of their respective owners.
The Waves Y96K DSP expansion card adds renowned Waves signal processors to compatible Yamaha digital consoles and workstations. The Y96K processor package includes the Renaissance Compressor and EQ, TrueVerb reverb, L1 Ultramaximizer, SuperTap delay, and DeEsser. These processors are all available in addition to the console’s on-board effects.
• ADD-ON EFFECTS can be only used with the PM5D/DM2000/DM1000/02R96/01V96. • To use ADD-ON EFFECTS with the DM2000 Version 2, DM1000 Version 2, 02R96 Version 2 or
01V96 Version 2, please note the following. 1) The DM2000, DM1000, 02R96 or 01V96 must be Version 2 or higher. 2) Your personal computer must have a USB port and internet connection capability. 3) You must get web approval from Yamaha using the access key issued by the Yamaha approval server. * When applying for web approval, use the CD-ROM and approval code within each ADD-ON EFFECTS package.
VINTAGE STOMP PACKAGE (AE-051)
In this package, virtual Circuitry Modeling technology delivers faithful models of the classic much-in-demand stomp boxes from the 70’s that helped shape the sound of music history.
* Guidance on the use of Mini-YGDAI cards http://www.yamahaproaudio.com/myguide/index.php
Available Mini-YGDAI card specifications
Rack-Mount Kit
ADD-ON EFFECTS
Options
Can handle 24 bit/96 kHz by double channel modeMY8-ADDA96 8 – Analog
MY8-AD96 8 – Analog In
Can handle 24 bit/96 kHz by double channel modeMY8-AD24 8 – Analog In
MY4-AD 4 – Analog In
AD/DA Card
AD Cards
RK1
8 in / 8 out, Effects and ADAT I/O