spring 2011 issue vol. 93 sweetnotes (800) 222–4700 | … make sure you get the most of kronos...

from Boogie Sweet New Tube Amps

Mesa/Boogie embraced the lunchbox amp craze last year with the very cool TA-15. Capable of copping the sound of classic British and American amps, this mighty mite was an instant hit among discerning guitarists. But the wattage offered by the TA-15 (selectable 5W/15W/25W) just wasn’t enough for some. That’s why Boogie is now offering up the TransAtlantic TA-30.

The big brother to the TA-15, the TA-30 ups the wattage to 40 watts of total available power and adds feature enhancements that were requested by TA-15 users. First and foremost is the addition of an all-tube spring reverb, allowing you to dial in anything from mild ambience to serious slapback. But the sonic magic doesn’t stop there, as Boogie endowed the TA-30 with a switchable gain boost, giving you that little something extra for your solos. And Mesa also expanded the form-factor options. You can choose a lunchbox-style head, a rackmountable head, or a combo model of the TA-30. If that was all Mesa/Boogie debuted at the 2011 Winter NAMM Show, it would’ve been a home run. But they didn’t stop there!

Also new for 2011 is the Royal Atlantic RA-100. Voiced to be British in nature and powered by 100 watts of EL34 power, the RA-100 is dripping with classic rock vibe. Not a fan of the EL34’s midrange punch? Flip the Bias Select Switch to drop in a pair of 6L6s for a cleaner, crisper sound. All that sounds pretty awesome, right? Keep reading, as Mesa is about to blow your mind.

Built into every RA-100 head (and 2 x 12" combo) is the Channel Assignable Multi-Soak. This back-panel feature lets you dial in the perfect amount of preamp crunch and power-amp saturation, and then attenuate the output volume to an appropriate level for what you’re doing. Sure, if you’re playing a stadium, 100 unadulterated watts will be fi ne. But how cool is it to be able to dial in the same tone at a bedroom or recording studio level? With this innovative new amp from Mesa/Boogie, you’ll never again have to trade tone for volume!

> >> > Mesa/Boogie TransAtlantic TA-30 1x12" Combo

Sweetwater price $1649.00

www.sweetwater.com/TA30112

> >> > Mesa/Boogie Royal Atlantic 100W Head


www.sweetwater.com/RA100HD

Mitch Gallagher

Editorial Director

[email protected]

Spring has sprung! Time for a fresh start, to cast your gaze forward at what’s up ahead — and how you’re going to get there. I talk a lot in this space about the joy of making music, about optimizing your time and your gear to get the most from your music mak-ing, and about laying plans that will get you to your musical goals.

Now is a great time to revitalize your personal agenda. For me, this means re-evaluating my gear. I’ve let go of a few old favorites in order to bring in new items that are more in line with where I want to be. I’ve done my spring cleaning on my rig to

get it operating its best. I’ve also laid down new goals, understanding that along the way I’m going to need to let a few things drop by the wayside in order to reach those goals.

How about you? Have you refreshed your rig? Where will your musical journey lead, and how will you get there? Are you prepared to follow your goals? Without goals and a plan, next spring may find you in the same place you are now — and that’s okay, if that’s where you want to be. But why not start off fresh, with solid goals and a plan that will take you there? Fill your life with music!

from the editorinside this issue

SweetNotes®

(800) 222–4700 | www.sweetwater.com

Spring 2011 Issue | Vol. 93

From the Editor ........................................................1

Mesa/Boogie: New at NAMM ...................................1

Korg Kronos .............................................................2

Hands On: Trace Elliot TA200...................................2

Mojave Audio MA-300 .............................................2

FXpansion Geist .......................................................2

Kemper Profi ling Amplifi er ......................................3

Fender 60th Anniversary Tele and P Bass ..............3

Hands On: PreSonus StudioLive 24.4.2 ...................3

Alesis: New at NAMM ..............................................4

Hands On: Casio Privia PX-3 ...................................4

Hands On: Blue Microphones Spark .......................4

Synth Tricks .............................................................5

Hands On: M-Audio Venom .....................................5

Focal SM9 ................................................................5

Line 6 XD Wireless ...................................................5

Vox: New at NAMM ..................................................6

Novation UltraNova ..................................................6

Universal Audio UAD-2 Satellite Systems ...............6

Hands On: Waldorf PPG Wave 3.V ...........................6

Inside Sweetwater ...................................................7

Roland: New at NAMM .............................................7

Sennheiser MK 4 ......................................................7

MOTU 828mk3 Hybrid ..............................................8

Welcome Dave Hill Designs .....................................8

Neumann KH 120 .....................................................8

Hands On: Glyph Triplicator .....................................8

Hands On: Focusrite VRM Box .................................9

TC Electronics: New at NAMM .................................9

Shure PGXD Series...................................................9

Akai Professional: New at NAMM ...........................9

Inside the Sweetwater Difference .........................10

Samson: New at NAMM .........................................10

David Smith Instruments Tempest ........................10

Hands On: Wechter Triple-O Select .......................11

API The Channel Strip ............................................11

Eventide Space ......................................................11

Meet Stuart Niven ..................................................11

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SWEETNOTES | SPRING 2011 | PAGE 2

Exclusive videos, features, and hands-on reviews at www.sweetwater.com/expert-center.

Hands OnTrace Elliot TA200

> >> > Korg Kronos 88


www.sweetwater.com/Kronos88







> >> > Mojave Audio MA-300


www.sweetwater.com/MA300

> > Trace Elliot TA200


www.sweetwater.com/TA200

> >> > FXpansion Geist


www.sweetwater.com/Geist

If you’re even the slightest bit keyboard savvy, you’re certainly familiar with Korg’s long lineage of stellar keyboards. From the genre-defi ning (M1 and Wavestation) to the grandiose (OASYS), Korg models have continually pushed boundaries in the area of synths and keyboards. Well, 2011 is no exception, as Korg has just unleashed Kronos, the latest workstation to blow past the status quo.

Pulling from a wellspring of past technologies while simultaneously breaking new ground, Kronos is for keyboardists who are looking for ultimate fl exibility in an elegant, seamlessly integrated package. Imagine what you can do when you have access to everything from acoustic to electric to analog sounds, from vintage to modern — a total of 12GB of sample date, including Korg’s best acoustic piano ever! And this is really just the tip of the iceberg. To make sure you get the most of Kronos right out of the box, Korg enlisted the help of such keyboard luminaries as Jordan Rudess, George Duke, and Frank McComb to create top-notch preset sounds. And even all of this doesn’t complete the Kronos picture!

Kronos is endowed with KARMA, which gives you access to instantly created phrases, drum grooves, and backing tracks. There are a huge color touchscreen, a new Setlist feature, and an amazing nine synth engines! And, you’ve got an open sampling system to bring in sounds from the outside world, as well as a 16-track MIDI sequencer to assemble your next masterpiece, and audio recording for bringing the whole production to life. There is certainly a lot going on under the hood, and we haven’t even really scratched the surface here. Call your Sales Engineer for the whole Kronos story!

Korg’s Kronos Expands the Creative Possibilities

e.

Mojave Audio Raises theBar — AgainIf you step into any professional studio or serious project studio, you’re likely to fi nd at least one Mojave Audio MA-200 large-diaphragm condenser mic. The big tube sound of this black beauty can quite literally be used on virtually anything, with stellar results. When you have such a runaway hit on your hands, where do you take it from there? How about adding multi-pattern functionality while maintaining the same sonic signature? You’ve got it, with Mojave Audio’s outstanding new MA-300!

The MA-300 doesn’t look drastically different from its predecessor, but the continuously variable polar pattern (from omni to fi gure-8) takes a mic design that was already a great all-around performer and raises it to the next level, matching versatility with superior sound. And as with all Mojave Audio mics,

the build quality is beyond reproach. From recording vocals to acting as a room mic, the MA-300 is destined to become one of your go-to mics. Your Sweetwater Sales Engineer

will be happy to answer your questions. Give us a call today!

By Mitch Gallagher

As an acoustic guitarist, once you take the stage, you’re faced with an immediate problem: how to be heard. You could plug into the PA, but then you’re at the mercy of the soundman. A better solution is to bring your own sound system. And if the sound system you want requires light weight, compact size, loads of power, and total sonic control then what you want is the Trace Elliot TA200!

But light and compact doesn’t mean that you’re sacrifi cing features. We’re talking 200 watts of stereo power through four 5" Celestion speakers. There are two preamp channels (one for pickups, one for pickups or mics), Lo and Hi EQ on the pickup channel, Shape EQ on both channels, a graphic EQ with built-in feedback locating, and a phase switch — you’ll get your tone, and there will be no problems with feedback.

There are built-in effects and much more — there’s even a switch for turning off the front-panel lights when you’re trying to set the mood. How does it sound? Great! It’s easy to dial in the sound you want. Lush, sparkling, full, and rich sound that was more than loud enough — without feedback. Having lots of effects is just icing on the cake.

High power, clean sound, awesome tone shaping, excellent effects, easy foot control, extra features… the TA200 is a real winner for any acoustic-instrument player.

>>> >>>>> >> Trace Elliot TA200wo

A Simple Way to Make Killer BeatsThe key to any excellent beat-production tool is its ease of use. FXpansion’s Geist gives you simplicity as well as intuitiveness and power, in either plug-in or standalone mode. Even if you have no beat-production experience, you’ll be sampling, slicing, and sequencing original beats in no time. But Geist is far from a mere next-generation virtual drum machine; it’s a complete beat-production suite.

You can sample, load pre-recorded samples, or resample from Geist’s output. With a single click, Geist will carve up a sample and assign each slice to pad on a standard 16-pad layout. Build kits from sliced loops in a matter of seconds. When you’re ready to lay down beats, you have both real-time recording and step sequencing. Full automation lets you easily pull off complex transitions and evolving patterns. Flip into Song mode to get an arrangement window with simple tools that let you layer loops and samples with ease. There are also impressive effects built right into Geist. Of course, this just scrapes the surface of what Geist can do. Visit our website or ask your Sales Engineer for more information.

WintererWWWWWWiiiiinnnnntttttteeeerrrWWWiiiWinter

Best in Show

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> >> > Kemper Profi ling Amplifi er Sweetwater price CALL www.sweetwater.com/Profi lingAmp

> >> > PreSonus StudioLive 24.4.2 Sweetwater price $3299.95 www.sweetwater.com/StudioLive24

PreSonus StudioLive 24.4.2

Fender’s history extends back almost as far as the invention of the solidbody electric guitar itself, when, in the late ’40s, Leo Fender began experimenting with new production methods. In February of 1951, he offi cially named the solidbody guitar he had developed the Telecaster. But this solidbody Spanish-style electric guitar wasn’t the only groundbreaking invention Fender introduced in 1951. He also began producing the Precision Bass, the revolutionary guitar-style bass with frets that allowed it to be played with precision. Now, 60 years later, Fender is celebrating with the 60th Anniversary Tele and P Bass models.

Despite one being a guitar and the other a bass, these two distinguished models have a lot in common. For instance, both the 60th Anniversary Telecaster and the 60th Anniversary Precision Bass sport vintage-style single-coil pickups, which bring their tones as close to original as possible. On the other hand, updated touches, including modern tuners, rock-solid hardware, and 9.5"-radius fretboards with medium jumbo frets, make these instruments particularly playable. Plus, both the 60th Anniversary Tele and the 60th Anniversary P Bass feature premium ash bodies fi nished in Blackguard Blonde thin-skin lacquer and come with a custom Fender/SKB molded case. What’s more, these collectible instruments are priced well within reach of most musicians.

Milestone forA 60-year

> >> > Fender 60th Anniversary Precision Bass Sweetwater price $1499.99 www.sweetwater.com/PBass60AnnBGB

> >> > Fender 60th Anniversary Telecaster Sweetwater price $1399.99 www.sweetwater.com/Tele60AnnBGB

The Future of Guitar Amp ModelingIf you’ve been following high-tech guitar gear lately, you’ve probably come across the new Kemper Profi ling Amp. Even if you’re not a guitarist, this ingenious little box has serious implications for guitar recording. Despite the name, the Kemper Profi ling Amp isn’t exactly a guitar amplifi er. Rather, it’s an amp emulator, with the capability to capture the sound of any guitar amplifi er you can get your hands on. This is a major breakthrough in recording technology, as you can capture any guitarist’s exact tone, as well as accurately re-amp any cleanly recorded signal long after the guitarist has packed up.

The way that the Kemper Profi ling Amp works is ingenious. Plug your guitar into the Profi ling Amp’s input, and the output into your favorite amplifi er. Next, mic up your amp the way you would in the studio or onstage. The profi ling process itself is automatic and takes only about a minute. When you’re done, you can A/B the sound of your guitar plugged straight into your amp against the Profi ling Amp's model. Because the profi ling process is dynamic, you can adjust the tone and volume of your guitar, and the emulation remains spot-on.

But that’s just the beginning. The Profi ling Amp lets you use the emulation you’ve created as a jumping-off point, giving you near-limitless options for tweaking the very characteristics of the amp. Give your favorite vintage amp more modern attack characteristics, or dial in power-amp sag, an effect that typically requires you to play at noise-code-violating volumes. Top it off with a comprehensive stompbox array, a master effects section, and a ton of preloaded amp emulations, and the Kemper Profi ling Amp instantly becomes any guitarist’s dream toy.

By Mitch Gallagher

Though most studios use computer-based DAWs, I’ve noticed a renewed interest in audio mixers. The original studio paradigm — mixer and recorder — was actually a pretty good solution. Update the mixer to modern functionality, with DAW interfacing and built-in effects, and you’ve got a rig centerpiece that provides all the vital functions.

Enter the PreSonus StudioLive 24.4.2, a massively featured digital mixer (and big brother of the StudioLive 16.4.2). Here’s the rundown: 24 input channels, each with an XMAX mic preamp; 10 auxes; four subgroups; eight assignable graphic EQs; two effects processors; and a parametric EQ, a compressor, a limiter, a gate/expander, and a highpass fi lter. You can save individual channel settings as well as overall “Scenes.” With the built-in 32-in/26-out FireWire interface and included StudioOne Artist DAW and Capture live recording software, you’ve got a complete package.

The StudioLive is a breeze to use. The “Fat Channel” concept presents all the settings for a channel at a glance. There are enough knobs, LEDs, and buttons for complete hands-on control. If you’ve used a mixer before, you’ll feel right at home; if you’re new to mixers, you won’t have any trouble. You can even control it from your iPad! From a live sound standpoint, the StudioLive lets you dump your old board and racks of gear. And with a laptop, you can make a live recording of the show.

The StudioLive 24.4.2 provides an awesome music-making experience. What more could you ask for?

T

T

Discover the Sweetwater Difference — call (800) 222–4700 or visit www.sweetwater.com.

Hands On

EEcc3

TbbYy




Hot New AlesisProducts at NAMM

Alesis unleashed a group of exciting new products at the 2011 Winter NAMM show. Boasting everything from e-drums to interfaces to mixers and beyond, Alesis rang in the new year with a whole

range of great stuff — and your Sweetwater Sales Engineer is here to help you get your hands on it!

iPad owners will absolutely love the new iO Dock USB interface. Given the signifi cant infl ux of iPad apps devoted to music production, the iO Dock is a very welcome arrival. It includes XLR and 1/4" inputs, a composite video output, and MIDI I/O. You also get onboard gain controls, phantom power, and a guitar-direct mode. Want an all-in-one, super-portable PA that comes complete with an iPod dock? Check out the outstanding 4-channel TransActive MX! Alesis updated their already-great MultiMix series, adding the effects-equipped MultiMix16 USB FX. This beauty has 16 channels, a built-in stereo USB interface, and onboard stereo DSP effects. You even get an aux bus that lets you add your own external effects.

If drums and percussion are your thing, then you’ll love what Alesis introduced at NAMM. For instance, the DM8 Pro Kit gives you four RealHead pads, for a very realistic playing experience. You also get a high-defi nition drum module with over 750 incredible sounds. The DM10 Studio Kit ups the ante, with over 1,000 premium sounds plus a very cool four-post StageRack stand with built-in cymbal arms. Percussion fans will love the new Performance Pad Pro. This eight-pad

wonder has over 500 Dynamic Articulation sounds right onboard, and they’re assignable to any of the velocity-sensitive pads. You even get a built-in three-part sequencer for building loops. The compact PercPad includes four velocity-sensitive

pads and a kick input. It works great as a MIDI controller for software or sound modules.

What a great year for Alesis gear!

WintererWWWWWWiiiiinnnnntttttteeeeerrrWWWiiiNew atWinter

New at

Hands On

Hands On

Casio Privia PX-3

Blue Microphones Spark

> >> > Blue Microphones Spark


www.sweetwater.com/Spark

> >> > Casio Privia PX-3


www.sweetwater.com/PX3BK

The Holy Grail of stage pianos is the ideal combination of a great-sounding acoustic piano, a full weighted keyboard, and a unit light enough for one person to carry and set up. These last two have tended to be mutually exclusive, until now.

The Casio Privia PX-3 is a strong contender in the race to resolve these confl icting demands. When one factors in the extremely affordable price tag, the PX-3 is almost a no-brainer.

The Privia PX-3’s touch feels quite comfortable for those used to playing an acoustic piano. More specifi cally, touch is intimately linked to the sound one gets when engaging the keys in various ways. If you’re getting the appropriate dynamic and timbral response, the piano will feel good, and this is what will allow a portable keyboard to satisfy the acoustic pianist. The keys are full sized and comfortably weighted. There

are two classic acoustic piano presets, which are very realistic and well balanced across the range. They have a clarity that works well in an amplifi ed environment. The electric pianos are excellent, with 11 very usable patches. The organs are also excellent, as are the Clavs and the vibes.

For those with virtual or hardware instruments, the PX-3 presents another capability: an 88-key weighted-action MIDI controller. And with its USB port, you can effortlessly connect to a computer and run whatever software you like, such as Synthogy’s Ivory or Vienna Symphonic Library’s Vienna Imperial Bösendorfer.

But the most compelling feature of the PX-3 may be its weight. This 88-key unit is very light — an astonishing 23.6 pounds! Combined with the price tag and huge list of features, this stage piano/MIDI controller is too good to pass up!

By Mitch Gallagher

To make great recordings, you’ve got to have great microphones — but most great microphones cost a great amount of money. That’s where Blue comes in; the company has been making excellent-sounding microphones, tailor-made to sound perfect in recording situations. And though some of Blue’s mics go for top dollar, they’ve recently made a real effort to bring their technology down into an affordable price range.

That brings us to Spark, the latest mic from Blue Microphones. For less than two bills, you get a cardioid microphone that is quiet, sounds great,and has surprising fl exibility. Spark is a medium-diaphragm mic, which means it bridges the gap between large- and small-diaphragm designs and is useful in many situations. It features custom electronics that provide a pro “fi nished” sound before you even touch an EQ or a compressor. The mic comes in a nice wooden case that also holds the included shockmount and pop fi lter.

To increase Spark’s fl exibility, Blue added a Focus switch. When this switch is disengaged (out), the mic has full-range response, with fat bottom end, rich mids, and articulate top end. But, push the Focus button in, and the sound jumps forward with extra presence. There’s also tighter bottom end, which allows the sound to sit well in a dense track.

Though Spark works well on many sources — acoustic and electric guitar, percussion, and more — I really enjoyed using it on vocals. There’s a nice top end that provides excellent detail on any source, but it doesn’t get harsh or overly sibilant.

At this price, you can’t go wrong. Spark gives you professional sound, and it’s fl exible and great looking to boot! Call your Sales Engineer now for more information!

■ 88-key “Ivory Touch” scaled hammer action

■ Very good sounds for acoustic piano, electric piano, organ, etc.

■ Functions as a MIDI controller

■ 23.6 lbs.Feat

ure

s

By Dr. Christopher Rutkowski

> >> > For more information on these products

go to http://www.sweetwater.com/Alesis_NAMM11



Discover the Sweetwater Difference — (800) 222–4700 or www.sweetwater.com

> >> > M-Audio Venom Sweetwater price $499.00 www.sweetwater.com/Venom

> >> > Focal SM9 Sweetwater price $3595 (ea) www.sweetwater.com/SM9Left

> >> > See all the members of the

XD Wireless Series:

www.sweetwater.com/xdwireless

Hands OnM-Audio Venom

SYNTH TRICKS

By Daniel Fisher

As a gigging keyboard player in multiple bands, I fi nd myself thrown into lots of unexpected situations. My trusty “bag of tricks” often makes the difference between a great show and a worrisome gig. Here are some of the “what if” items I never gig without:

Extra Audio Cables This one is obvious; I’ve never been bummed that I brought extra 1/4" cables. But I also bring a few insert cables that have a single 1/4" TRS connector on one end and separate left and right 1/4" TS (mono) connectors on the other end. These can be used to connect the head-phone output of a keyboard or a module to another stereo input. And you’ll keep fi nding more uses for these cables once you have them. I also pack a really long earbud extension cable with 1/8" TRS male and 1/8" TRS female ends. Using various adapters, I can connect almost anything in stereo, with a 20'–30' reach, using a cable that fi ts in the palm of my hand.

AdaptersYou need several 1/4" female to RCA male adapters. These will let you plug into a PA’s tape input when all other channels are full. Be sure to include a few 1/4" female to 1/4" female adapters. These will let you join two audio cables to make one long one. You’ll also need 1/4" female TRS to 1/8" male TRS as well as 1/8" female TRS to 1/4" male TRS adapters. These will let you go into an aux input designed for MP3 players when no other inputs are available.

Extra Power CablesIf your gear requires the standard IEC three-pronged AC power cable, make sure you bring extras. If possible, fi nd ones that have an extra socket on the back of the end that plugs into the wall. They’re a lifesaver when there are no outlets left. Try to fi nd some short IEC extension cables that have male IEC on one end and female IEC on the other. These allow you to connect two regular IEC cables to make an extra-long one.

Hum EliminatorsIt’s inevitable that you’ll someday fi nd your equipment making unacceptable amounts of hum. The problem can almost always be solved with isolation transformers. I use the ART CLEANBoxPro because it solves many problems at once. Not only does it effectively remove hum from a pair of signals, but it also converts the signal from balanced to unbalanced (or vice versa). As if that weren’t enough, it also has XLR, 1/8", and RCA connectins on both ends, making it the ultimate adapter — and one that can fi t in your pocket.

Finally, think about getting an inexpensive backup keyboard that you can leave in your trunk, such as the Roland JUNO Di, the E-MU LONGboard 61, the Yamaha Mini Mo, or the Korg PS60. It’s awful to watch your band struggle without you.

By Mitch Gallagher

With the announcement of Venom, a hardware analog-modeling keyboard, M-Audio surprised every-one at the recent Winter NAMM Show. The company has offered software synths in the past, but this is their fi rst hardware synth. Did they get it right?

You bet! Venom is a well-designed instrument. The front panel is laid out in a way that makes perfect sense. The back panel is loaded with the audio, MIDI, and other connections you need. There’s a USB port for connecting to a computer to use the Venom Vyzex editor/librarian software. You can also use Venom as a stereo audio interface. There are 49 keys and pitch and mod wheels, plus multiple control knobs, including four knobs that can control synth functions for outstanding expressive capability.

Venom packs 12 voices, each with three oscillators (41 waveforms, 53 drums), a resonant multimode fi lter with tube-style saturation, three LFOs, three ADHSR envelopes, 16 modulation routes, pulse-width modulation, FM, sync, and ring mod. There are four multitimbral parts, two global effects, one insert effect per part, and a powerful arpeggiator with tap tempo. Sounds include 512 factory patches plus 256 factory multipatches. Rounding things out is the Patch Collider, which can mash up different presets to create new patches.

So M-Audio loaded Venom up with tons of features and sounds. But how does it sound? In a word, rockin’. It’s all here, from lush pads to heavy synth bass to electronic drums to leads to industrial screaming — Venom can defi nitely get nasty! The arpeggiator is put to good use, especially in the multis, where it is often employed for rhythmic parts.

With Venom, M-Audio has delivered a smoking synth, and they’ve done it for less than $500 — and that includes a 2-in/2-out USB audio interface. It’s fun to play, with tons of hands-on real-time control, and the sounds are awesome. Defi nitely check it out!

Focal SM9 Active MonitorThere’s a lot to love about Focal monitors. And, here’s yet another reason to love Focal: the incredible new SM9 active monitor. The SM9 is switchable be-tween 3-way and 2-way operating modes, making it a very versatile monitor, indeed. In 3-way mode, you get the full-range benefi t of the SM9’s 1" pure beryllium inverted-dome tweeter (with 1kHz–40kHz response) working in concert with its 6.5" midrange and 8" low-frequency drivers.

Since it uses a passive radiator instead of a typical bass port, the SM9 provides tightly focused sound. Just how detailed is this monitor? We saw the SM9s in action at their debut during an AES listening session. A world-renowned mastering engineer listened as these monitors played back a popular R&B track that he had mastered. Suffi ce it to say, he was impressed.

When you fl ip the SM9 into 2-way mode, you still have complete access to its entire EQ section, so you don’t need to worry about retuning your monitors to your room. What happens is that the 8" low-frequency driver gets cut out of the mix and the overall frequency response shifts from 30Hz–40kHz to 90Hz–20kHz. This cuts out the deep lows and the super-aural overtones that typical consumer gear can’t produce, but still gives you the tightly focused (or rather, the even more tightly focused) sound you need to critically tweak your mix to ensure that it translates.

ve

Next-generation Digital Wireless Meets Line 6 ModelingAt Sweetwater, we’ve watched digital wireless go from theoretical to unobtainable to, fi nally, acces-

sible. That last step has been largely due to the advances made by Line 6, whose XD series vocal systems are part of the latest generation of digital wireless gear. These amazing systems deliver unmatched wireless performance and reliability, free from the interference and the loss of sound quality that plague traditional wire-less systems. With digital, you’ll never have to check to see what frequency bands are available, nor will you suffer the sound-quality-killing effect of companding.

The transmitters and receivers are second to none, with removable antennas and built-in antenna distribution, all built road tough. These

systems feature a dynamic environment fi lter, which reduces background noise. But the real stars are the handheld mics, which

feature some of Line 6’s most in-novative modeling technology.

The XD-V30 features a single mic model. The XD-V70 comes equipped with six models. The XD-V70 also features a seventh “super” model, which combines the best qualities of top dynamic and condenser mics. Plus, you can switch out the mic’s capsules with compatible capsules, to further customize their response. These XD mics will absolutely change the way you think about wireless technology!

www.sweetwater.com/shop/cables/fi nder.phpwww.sweetwater.com/c812--Adapterswww.sweetwater.com/store/search.php?s=iecwww.sweetwater.com/store/detail/CleanBoxPro/


UAD Plug-in Power, via FireWire!If you own a computer, rejoice! With the release of Universal Audio’s UAD-2 Satellite systems, you now have wide-open access to a phenomenal new world of plug-ins. You see, Universal Audio’s powered plug-in technology has been dazzling pro recordists for years now. These systems feature dedicated DSP muscle to run Universal Audio’s teeming collection of fi rst-class plug-ins. The trouble, though, has been that you’ve needed a PCI or an ExpressCard slot to make the sonic magic happen — a problem for us laptop-toting folks. The brand-new UAD-2 Satellite systems change all that, letting you tap into incredible DSP power via a convenient FireWire connection. Now you can run sessions with higher track counts, leaving your Satellite hardware to do the heavy plug-in lifting. Of course, it’s about much more than just freed-up power, as Universal Audio’s UAD Powered Plug-ins are among the best around, with licensed models of gear from Manley, SSL, Empirical Labs, Neve, Fairchild, and others.

Depending on the level of muscle you’re after, you can choose a QUAD system (four DSP chips) or a DUO system (two DSP chips). Also available are versions with varying plug-in packages as well as included vouchers toward plug-ins at UA’s online store. For help in choosing the UAD Satellite system that’s right for your setup, just give your Sweetwater Sales Engineer a buzz. We’re here to answer your questions and to ultimately help you blaze down your creative path, freshly charged with UAD-provided speed.

View online versions of our print publications at www.sweetwater.com/publications/.

Hands OnWaldorf PPG Wave 3.V

mputer,, rejjoice! With the release of Universal Audio’s UAD-2 Satellite sysy tems, , yoy u na hphenomen lal new worldld off lplug i-ins. YYou see, UU inivers lal AA dudiio’’s power ded p

Vox needs no introduction in the amplifi er world. From the moment a certain four lads from Liverpool took the stage backed by Vox amps, Vox’s place in guitar history was cemented. Tony Bruno — though maybe not a household name — is renowned in the amp arena for building some of the fi nest-sounding amps around. So, what happens when two such illustrious lineages converge? You get a really sweet amp, that’s what!

The Vox TB35C1 and TB35C2 (1 x 12" and 2 x 12" combos, respectively) may look similar to other Vox amps, but they’re voiced to be distinctly American in tone. This state-side sound is further enhanced by the footswitchable “Macho” mode, which ups the gain and injects a good amount of midrange boost into the sonic equation. To help single-coil players overcome the inherent trebleness of their pickups, these amps have a bass-boost function. The preamp in each of these combos is driven by 12AX7s, with 6V6s in the power amp. Plus, the reverb is tube driven as well, and the speakers are Celestion G12-65s. All of this is awesome, but the really cool thing is that these amps allow you to perform a true bypass of the master volume for maximum tone and maximum feel. Whether in the bedroom or on the stage, these 35-watt wonders are ready to rock!

But the Tony Bruno amps aren’t all that’s new this year from Vox, as they’ve kicked the Night Train series into high gear with the Night Train 50. The “50” is for 50 watts, and this incarnation abandons the EL84 power tubes in lieu of EL34s, for a punchy, more robust sound. The 2-channel design lets you pick between classic Vox-style chime or aggressive grind. Elegant in appearance but rude when pushed, the Night Train 50 is a cool new voice in the Vox lineup.

Want to learn more about these toneful new offerings from Vox? Just pay a visit to Sweetwater.com or give your Sales Engineer a call!

A Pair of Aces from Vox

By Mitch Gallagher

I fi rst heard Wolfgang Palm’s PPG Wave synthesizers when Geddy Lee began playing them in Rush. (Artists from David Bowie to Stevie Wonder, Jean Michel Jarre to Depeche Mode to Thomas Dolby also used the Wave — and Tangerine Dream helped the company get its start.) The Wave was unique for using digital samples combined with analog VCAs and fi lters. Later versions included Fourier analysis, sampling, multitimbral operation, and MIDI.

Now, with Waldorf’s PPG Wave 3.V, you can get an authentic re-creation of the sought-after Wave at an amazingly affordable price. This virtual instrument includes authentic models of the Wave’s digital oscillators, the signature PPG lowpass fi lters, the Waveterm B sample library, all of PPG Wave 2.3’s presets, and more. But it doesn’t stop there. Wave 3.V includes 100 new wavetables created by Palm himself, 500 new sounds, multitimbral operation with six effects per part, and 256-voice polyphony.

If you’re after those classic PPG sounds — or a new take on those great sounds — then this is the plug-in for you!


> >> > Novation UltraNova


www.sweetwater.com/UltraNova

The phrase “best of both worlds” might be a bit overused, but it’s totally applicable to Novation’s amazing new UltraNova synth. This outstanding keyboard gives you analog-modeled synth sounds plus the tools you need to shape and mold them. You get wavetable synthesis, 14 fi lter types, six envelopes, a trio of LFOs, effects, and more. Plus, the UltraNova includes Novation’s innovative Automap functionality, which makes it incredibly easy for you to access and work with virtual instruments running on your computer.

Onboard the UltraNova are dedicated buttons for each part of the synth, and those buttons are linked to eight encoders. The encoders give the UltraNova true analog vibe. Any synth worth its salt is inspiring to play, and the UltraNova takes it to the next level with its “Touch” performance system, which allows you to trigger envelopes, fi lters, LFOs, and effects by simply touching the encoders. A vocoder and an included mic give you even more options. But that’s not all! UltraNova is also equipped with a 2-in/4-out USB audio interface, so you can stream audio to and from your computer. For the ultimate in portable convenience, you can also draw bus power via USB. Call your Sweetwater Sales Engineer today to fi nd out more about this outstanding (and very versatile) synth!

Analog Synth Sounds Meet Digital Control

> > See all the members of the

UAD-2 Satellite Series:

www.sweetwater.com/uadsatellite

> >> > S ll th b f th

> >> > Waldorf PPG Wave 3.V


www.sweetwater.com/ PPG3

> >> > Vox TB35C1


www.sweetwater.com/TB35C1

> >> > Vox TB35C2


www.sweetwater.com/TB35C2

> >> > Vox Night Train NT50H


www.sweetwater.com/NightTrain50



By Chuck Surack

Here at Sweetwater, pretty much all of us are techno geeks. We’ve been into music technology and computers for decades. And our obsession with technology also extends to the Internet. That’s why, back in the mid-’90s, we launched the fi rst online site for a music/pro audio retailer. In one way, it seems like a very long time ago, as so much has changed since then. But in another way, it seems like just yesterday — time sure does fl y!

Sweetwater’s site has been a constant work in progress since those early days. From day one, we wanted Sweetwater.com to be more than just an online store. We also wanted it to be a true educational resource, where musicians could learn more about their gear.

A short list of the innovations we’ve pioneered at Sweetwater.com include the fi rst daily audio/music gear news blog, inSync; the Tech Tip of the Day; and the Word for the Day — all of which, after thousands of installments, continue to provide up-to-date information every day. Our Guitar Gallery was the fi rst online guitar shop where you could learn about, see, and purchase a specifi c guitar by serial number. Our unique SweetCare® support center is available 24/7 and

provides instant access to tens of thousands of answers to your gear questions.

Our online Cable Finder lets you specify and fi nd the exact cable you need, in seconds. We’ve also added enhanced search and comparison functions, complete spec listings, a huge number of consumer guides and other educational materials, interviews, videos… the list is nearly endless.

In a relatively short time, Sweetwater.com has become an amazing resource — there are more than 350,000 pages of content available day and night! I hope that you’ll take advantage of everything the site offers, as well as all the content that’s available at our Facebook page and the hundreds of exclusive videos we’ve posted on our YouTube page.

The Worldwide Web has changed the world, and we’re proud that Sweetwater.com is a leader and an innovator as the Web continues to evolve. I hope that you’ll visit our site the next time you have a technical question, or if you just want to learn more about your gear.

Thank you so much for your business and for your support!

Inside


> >> > Sennheiser MK4


www.sweetwater.com/MK4

> >> > For more information on these products

go to www.sweetwater.com/newroland

New at NAMM fromWinter NAMM is our favorite time of year. After all, who wouldn’t love checking out a mountain of great new gear — or briefl y trading the Indiana frost for a welcome dose of California sunshine? And we’re glad to report that this year’s NAMM show exceeded our already-high expectations, proving that the world’s gear makers were extra busy in 2010 — and no one was busier than Roland! After cruising through their dedicated wing of the show, we left energized and excited about making music. Here’s a recap of what you’ll see hitting the streets from the innovative (and apparently highly caffeinated!) folks at Roland.

No doubt about it, Roland is a musician’s manufacturer, making gear that’s primed to improve your sound and process. And for purveyors of the low end, the new CUBE BASS amps will do just that. Loaded with new models and effects, the series includes the CUBE-20XL BASS (20W, 1 x 10"), the CUBE-60XL BASS (60W, 1 x 10"), and the CUBE-120XL BASS (120W, 1 x 12").

If you brandish a guitar, you’ll want to check out the new GR-55. This guitar synth carries on Roland’s storied tradition in cutting-edge synth technology and builds on their renowned COSM guitar-modeling too. Plug your GK-3 Divided Pickup-equipped axe into the GR-55 and start exploring a massive library of ready-to-use sounds. It has over 900 pianos, organs, strings, vintage synths, basses, and more. Plus, you’ll fi nd a built-in looper and loads of effects, including reverb, chorus, and delay. With four footswitches, an expression pedal, and a USB audio player for playing along, the GR-55 gives you the tools you need to unleash your inner virtuoso.

Keyboardists will be glad to tickle the Ivory Feel-G keys on the new RD-300NX. This 88-key digital piano delivers Roland’s acclaimed playing feel and smooth SuperNATURAL sound, and it comes at a nice price. It also sports a new collection of electric pianos, along with all the piano and instrument sounds that have made the RD series so popular with performing keyboardists.

On the electronic drum front, Roland refreshed their leading lineup. You’ll fi nd the affordable TD-4K2, the mesh-headed TD-4KX2, the TD-9K2 with the acclaimed TD-9 sound module, and the TD-9KX2. Of the new additions, the TD-9KX2 features the most advanced set of features. With an acoustic-style two-piece hi-hat, extra-large dual-layer mesh heads, updated multi-zone cymbals, and a fabric-surfaced KD-9 kick pad (also new), the TD-9KX2 offers a new level of pro feel and sound, at a pleasing price.

Rounding out the stampede of new gear are the DuoCapture and the BK-7m. The DuoCapture is a 2-channel USB audio interface with a compact design. And the BK-7m is a “portable backing module,” allowing easy playback of WAV, MP3, and MIDI fi les. With real-time control, a video output to display lyrics or chord symbols, and CD-quality sound, the BK-7m will appeal to a wide variety of musicians.

Have questions about anything here? We’d love to answer them! Give your Sales Engineer a call at (800) 222–4700 and get the detailed low-down on this year’s buzzworthy Roland gear.

Sennheiser MK 4Light on tech frills and heavy on sound quality, the amazing new MK 4 large-diaphragm condenser microphone is breaking serious ground for Sennheiser. The MK 4 is the fi rst large-diaphragm side-address condenser from Sennheiser, a company whose name is synonymous with world-class dynamic mics. The main element in the MK 4 is a precision-sputtered 24-carat-gold-coated 1" diaphragm, similar to those found on upper-end condenser microphones. The MK 4’s rugged metal housing is tough enough to handle live environ-ments, and it’s sturdy enough to shake off the bumps and bruises of energetic project-studio sessions. An internal capsule mount reduces handling noise, and when paired with an optional elastic suspension mount, the MK 4 presents truly impressive noise characteristics.

Intended for close-miking, the MK 4 can easily handle sound pressure levels up to 140dB, so you don’t have to worry about backing off the mic when you cut loose. A wide frequency-independent cardioid pickup pattern and mellow midrange response immediately put the MK 4 into the realm of ideal vocal microphone. Tight and focused high-frequency response also makes the MK 4 a real go-to microphone for acoustic instruments. In addition, its excellent bass response makes the MK 4 a wonderful guitar cab mic, particularly when paired with a dynamic microphone.

Priced at under $300, the MK 4 is within easy reach of any studio. If you’re looking for a versatile large-diaphragm condenser mic, the Sennheiser MK 4 should top your list. Give your Sales Engineer a call to learn more and to order yours!

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For most of us in the music industry, Dave Hill is a very familiar name. Through the years, Dave has been the man behind many innovative and exciting product designs for various manufacturers —

amazing analog compressors, EQs, and more, that have all become studio standards. Then there’s CraneSong, Dave’s high-end company, dedicated to manufacturing the fi nest pro audio gear, including the Trakker, Avocet, HEDD, and Spider, as well as the Phoenix plug-in.

Now the tireless Dave Hill has launched a brand-new company: Dave Hill Designs. And we’re proud to say that Sweetwater is the exclusive dealer for these groundbreaking new products! Two new products have already been released. The fi rst is the incredible Europa 1 microphone preamp, featuring selectable impedance and a unique Speed control for tailoring the response of the preamp. Plus, Europa 1 offers even- and odd-harmonics controls for shaping the tone, as well as many other features. You’ve got to check out this fl exible, stellar-sounding preamp.

Then there’s RA, a new TDM plug-in for the Mac that takes compression to an entirely new level. You’re given tremendous, extended control over many aspects of your sound and over how the processor works. There are controls for adding rich harmonic content to the sound, for shaping the compressor’s response, for preserving detail, and so much more. If you think you’ve seen all that a compressor can do, trust us, this one is going to show you a plethora of new tricks!

So, welcome Dave Hill Designs! We’re excited to be the exclusive distributor of these amazing new products. And we can’t wait to see what Dave comes up with next! Give your Sweetwater Sales Engineer a call or visit Sweetwater.com to learn more.


Moving? Moved? Want more than one copy? Call, fax, or e-mail us your new address and don’t miss an issue of SweetNotes!

By Mitch Gallagher

> >> > MOTU 828mk3 Hybrid


www.sweetwater.com/828mk3Hy

Hands On Glyph TriplicatorThese days we rely on our computers for almost everything. The problem is that all of our reliance is dependent upon the integrity of a thin disk coated with rust — certainly a risky proposition! Fortunately, hard drive technology is well developed at this point. But for maximum safety, you still need to have a serious backup solution (and use that solution regularly — but that’s another article). Actually, conventional wisdom has it that data doesn’t exist unless it’s backed up in three places.

Now, thanks to Glyph, you can have instant triple data backup. The Triplicator is a simple box that facilitates easy backups. Just hook up two or three external eSATA hard drives to the Triplicator. Then connect the Triplicator to your computer (Mac or PC) via FireWire 800, USB 2.0, or eSATA. Hit the front-panel button to initialize the Triplicator. A single drive icon will instantly show up on your desktop. Drop your data onto the icon, and it will be copied to all three hard drives simultaneously. Instant triple backup! Now take the drives and store them in different places in case of fi re, fl ood, theft, or other catastrophes. Need more space? Just hook up new drives!

Fast and easy triple-backup data security. Doesn’t your music deserve it?

> >> > Glyph Triplicator


www.sweetwater.com/triplicator

MOTU Ups the Audio Ante at NAMMMOTU brought real excitement to this year’s Winter NAMM, thanks to their new 828mk3 Hybrid interface and updated MachFive 3 sampler. If you demand plenty of I/O, premium sound quality, and fl exibility from your recording interface, then take a good look at MOTU’s amazing 828mk3 Hybrid. This versatile interface includes both FireWire and USB connections, so you can connect to the computers you want. This interface is ideal for the recordist who has multiple machines or who collaborates with artists and bands. Having that kind of connectivity, plus a whole lot of I/O options, means you’ll be prepared for all kinds of recording situations.

The 828mk3 Hybrid delivers 24-bit/192kHz-quality audio, and it’s equipped with combo inputs, 1/4" inputs, and ADAT I/O banks. You can also use this amazing unit as a standalone mixer; its onboard DSP lets you route signals any way you like. Add built-in DSP-powered EQ, compression, and reverb effects, and you can give the artist a lush, spacious headphone mix, without tapping into any of your computer’s CPU power. You can also record those effects, so it’s just like having top-notch plug-ins without the processor strain! All of the onboard DSP mixing and effects are controlled by the included CueMix FX software. This is one box you won’t want to be without.

MOTU also updated their amazing MachFive sampler. MachFive 3 features a third-generation UVI engine and gives you an all-new user interface that makes navigation easier than ever. This outstanding sampler now includes 47 built-in effects; a script editor; and over 32GB of instruments, phrases, and loops. You can import AIFF, SDII, Apple Loops, Rex, and WAV fi les with drag-and-drop ease. Call your Sales Engineer today to get more details about both the 828mk3 Hybrid and the MachFive 3.

r

> >> > Neumann KH 120

Sweetwater price $749.95 (ea)

www.sweetwater.com/kh120

Neumann: Beyond Capture You know when Neumann does anything, it’s going to be good. So imagine the industry buzz when the German mic maestros incorporated the respected Klein + Hummel studio monitor range back in early 2010. Gearheads and audiophiles all over the globe began

fi lling forums with thread after thread of speculation. But it wasn’t until this year’s NAMM show that speculation quickly turned to sheer admiration of the new KH 120.

With a desktop-friendly design, this bi-amped studio monitor offers a stunningly smooth and neutral sound that’s primed for mixing and mastering sessions, both short and long. And thanks to its Mathematically Modeled Dispersion (MMD) waveguide, you’ll enjoy an exceptionally wide sweet spot with reduced desktop refl ections. What’s more, the KH 120 features acoustical controls to help compensate for your room or monitoring position. It sports a 5.25" woofer and a 1" tweeter, as well as a competitive price tag. The Neumann KH 120 studio monitor is bound to be a hit among audio professionals seeking purebred sonic quality from a company with an already-sterling reputation.

Welcome Dave Hill Designs

FFininfayymmafo

> >> > Dave Hills Designs RA


www.sweetwater.com/RAplug

> >> > Dave Hills Designs Europa 1


www.sweetwater.com/Europa1




> > Check out Shure’s PGXD Series at www.sweetwater.com/pgxd.

> > Akai Professional SynthStation49 Sweetwater price $199.00 www.sweetwater.com/SynthSt49

Exciting NAMM Debuts from Akai Professional

Seven New Stompboxes from TC Electronic Guitarists have been singing TC Electronic’s praises for years now — you’ll fi nd Nova effects boxes on pedalboards all over the globe, and their G-System is consistently one of the highest-rated effects-management systems out there. Now TC returns to the guitar scene, offering a slew of stompboxes bound to make another sonic splash. There are seven new effects pedals in all: the FlashBack Delay, the Corona Chorus, the Vortex Flanger, the Hall of Fame Reverb, the Shaker Vibrato, the MojoMojo Overdrive, and the Dark Matter Distortion. All feature a compact, pedalboard-friendly format, giving you a spectrum of essential tonal fl avors (and colors too!) to deck out your rig.

Of the seven new stomps, fi ve sport a USB connection as well as a TC innovation called TonePrint, which gives you access to an online bank of presets. These are custom presets created by top TC-wielding artists. Choose among sonic concoctions crafted by John Petrucci, Orianthi, and Steve Morse, in addition to dozens of others from TC’s ever-expanding library. Ultimately, whether you grab a carefully tuned preset or prefer to grab the knobs and go, you’ll be armed with a diverse array of usable tones. Great work, TC!

Wireless Leader Goes Digital If you’ve ever used a digital wireless system, you know that digital technology has changed the game. Not only are these new systems strikingly easier than ever to set up, but they also free you of many age-old wireless problems — notably, you won’t have to worry about interference or hunting for a clean channel at every tour stop! With a digital wireless system, you can use the same system across the globe — no legal or frequency-related woes. And the good news about digital just got better, as Shure has unleashed their new PGXD series!

A long-time leader in analog wireless technology, Shure’s PGXD systems incorporate years of acclaimed know-how, spelling good news for wireless users. Choose among complete handheld, lavalier, guitar, headset, or instrument systems. Or take a mix-and-match approach to fi t your needs perfectly. Whatever you do, you can feel confi dent that you’re getting the renowned performance of a Shure wireless system, coupled with the many benefi ts of digital. A complete handheld or guitar system starts at just $429, offering 200' of untethered freedom as well as support for up to fi ve systems at once. Shipping now!

>>>>>> >>>>>>>> > Akai Professional SynthStation49 Sweetwater price $199.00 www.sweetwater.com/SynthSt49

Akai Professional has been on fi re in recent years. It seems that at every NAMM show we get treated to a fl ood of new products that help reshape the face of modern music production — just as the MPC did some 20 years ago. This year was no exception, with Akai

Professional unleashing a whole new assortment of music creation tools designed to trigger your creativity.

First up is the EIE I/O (love that name!), which puts a new spin on the traditional audio interface. This 4 x 4 interface offers a fresh look and a new approach to desktop and on-the-go audio production, putting high-quality 24-bit recording in a rugged tabletop form. In addition to the usual I/O confi guration, the EIE sports a 3-port USB hub on the back; it’s perfect for controllers, hard drives, iLoks, or other peripherals.

On the heels of the SynthStation25 iPhone/iPod touch keyboard controller comes the SynthStation49. It’s the fi rst full-featured pro-style key-board designed specifi cally for integration with the Apple iPad. The SynthStation49 provides your iPad with a

4-octave key set, and it also includes transport controls, nine MPC-style drum pads, and more.

These new items make it clear that Akai Professional is serious about pushing the music-making experience forward. Keep on the lookout for more hot new gear from these guys in the years to come! Your Sweetwater Sales

Engineer is eager to get you up to speed on all the latest and greatest gear from Akai Professional. Call today!

WintererWWWWWWiiiiinnnnntttttteeeerrWWWiiiNew atWinter

New at

> >> >

Pricesstarting at

$129.00

> >> > Akai Professional EIE Sweetwater price $199.00 www.sweetwater.com/EIE

d with a

Hands On Focusrite VRM Box

> >> > To view products related to this article go to sweetwater.com/tc_NAMM2011.

iPad not included

> >> > Focusrite VRM Box


www.sweetwater.com/ VRMBox

By Mitch Gallagher

Think you’ve been getting the most out of your headphones? If you haven’t been using VRM, then you could be missing out on something pretty amazing. What’s VRM? It stands for “Virtual Reference Monitoring,” a technol-ogy developed by Focusrite that simulates a variety of monitoring environments inside your headphones. You’re given emulations of 15 different sets of studio monitors, stereo speakers, in-wall speakers, and the speakers in an LCD TV, along with models of three rooms (pro studio, living room, and bedroom studio). By switching among the various speakers and rooms, you can hear how your audio will sound played back in many different situations, just by listening on headphones.

First introduced as part of the company’s Saffi re PRO 24 DSP audio interface (and reviewed in the Summer 2009 issue of SweetNotes), VRM is now available in a standalone form, as the VRM Box. At its most basic, the VRM Box is a headphone amplifi er with a USB input for direct connection to your Mac or PC and a S/PDIF digital input that can be connected to any compatible audio interface. Plug it straight in and cue up the music; you’ll be treated to excellent sound quality, with volume control accessible via a knob on the top of the VRM Box.

But load the included software into your computer, and the VRM Box jumps to entirely new heights. As mentioned earlier, you can hear your audio played back with emulations of different speakers and rooms, allowing you reference your sound in various environments. The VRM control panel software, with its clear user interface, is simple to use.

In practice, the VRM Box and software do their job — there’s a clear impression that you have changed speakers or location as you switch among the speaker and room emulations. It really does work!

Though the ideal is to have a purpose-designed studio with top-of-the-line monitoring and acoustic treatment, many of us must monitor at least part of the time on headphones. Why not optimize your time in the ‘phones with the VRM Box?

usrite VRM Box

etwater price $99 99

n

Page 09.indd 9Page 09.indd 9 3/10/11 2:57:11 PM3/10/11 2:57:11 PM

In this space, I often write about relationships — relationships with our customers, relationships between departments, and relationships with our manufacturers. So I thought it might be helpful to get a manufacturer’s take on what goes on “Inside Sweetwater.” I’ve asked Roland’s David Holloway (Director of Sales, National Ac-counts & New Business Development) for his perspective. Here it is:

The year 2011 marks the 20th anniversary of Sweetwater and Roland’s rela-tionship. It is amazing how much Sweetwater has grown during that time, all the while remaining true to Chuck’s original vision: treat customers as he would want to be treated.

There are Sales Engineers who have been at Sweetwater the entire 20 years Sweetwater and Roland have been partnering together. This is truly amazing, but understandable once you deal with Sweetwater.

Part of the Sweetwater Difference is the knowledge their Sales Engineers possess. Roland spends a tremendous amount of time preparing and writing curriculum for training, to ensure that Sales Engineers know the history of each product. They know not only a product’s specs, but also why it was designed and brought to market. Their training process is unheard of in this industry. When a Sales Engineer starts, they go through a 13-week training course before being rolled out onto the sales fl oor. We are fortunate to teach several of these classes. It’s a lot of work, but knowing that almost everyone who goes through the training will still be at Sweetwater in fi ve years makes it more than worth the time invested.

It is also amazing that Sweetwater has their own in-house service department that can help you out on all brands you purchased. Sometimes it is diffi cult to know every aspect of our competition’s equipment. If you buy a Roland keyboard and an audio interface with a computer and software, Sweetwater can help with every aspect of support, even if Roland doesn’t make all the computer hardware or software.

One phrase you hear at Roland is “Better Life with Music.” All of us have a better life by playing music and

staying involved with music. Sweetwater is in tune with this philosophy. The Sweetwater Academy of Music is a huge lesson complex at Sweetwater. They have over 300 students enrolled in this relatively new arm of the company. They also have a very strong music-education sales department at Sweetwater, with decades of experience. They know more about using technology than just about anyone. And whether students are taking in-store lessons or enrolling in music courses at schools, they experience a Better Life with Music.

At Roland we always look forward to unveiling our latest products and technologies at Sweetwater. Their Performance Theatre, which they use for training, is simply the best place I have ever come across to hear our products. It shows the product for exactly what it is. The Sales Engineers hear almost all of our products in this environment. When they advise customers on a product, they know from experience how it really sounds — for better or worse. Some of our latest technologies have received an even more extensive evaluation. SuperNATURAL is a breakthrough technology that fi nally gets beyond the

limitations of sample-based instruments. SuperNATURAL sounds are simply stunning. They have to be heard to be believed. We were honored when Sweetwater evaluated our new RD-700NX SuperNATURAL piano in their world-class studio — and kept it! It is now a fi xture in their state-of-the-art studio.

It’s been a great 20 years, and we are looking forward to another 20 years! Chuck’s original vision of treating customers the way he would like to be treated works. By training expert Sales Engineers, providing world-class technical support, and enabling students all over the country to become musicians, Sweetwater personifi es Better Life with Music.

Thanks to David for providing his perspective; I hope you fi nd it useful. I’ll be asking several other vendors for their insights on Sweetwater in future issues.

Inside the

Jeff Radke


Tech support 24/7 at www.sweetwater.com/sweetcare.

This Analog/Digital HybridIs the Perfect StormOne of the most buzz-garnering pieces of new-at-NAMM gear, the Tempest is a drum machine with analog appeal and a fresh approach. Even if you haven’t gotten your ears or hands on the Tempest (go to www.sweetwater.com/Tempest to check out the demos), you can make an educated appraisal of its awesomeness by just looking at the two names stamped on the chassis: Dave Smith Instruments and Roger Linn. Yes, the Tempest is a collaboration between one of the greatest synth engineers of all time and one of the original drum machine gurus.

Loaded with six analog voices (each with two analog oscillators) plus an additional pair of digital oscillators, the Tempest lets you tap into the sonic goods via 16 velocity- and pressure-sensitive pads. In fact, there are 90 panel controls in all. Plus there’s a bright 256 x 64 OLED display for fl exible, intuitive operation. Adding to the feature set are an analog VCA with feedback, fi ve envelopes, two LFOs, a highpass fi lter, and a variety of analog-modulation routings. There are even six direct voice outputs plus stereo mix outputs (and a headphone jack), for even more possibilities.

Based on pre-orders and inquiries about this analog/digital hybrid that’s one part drum machine and one part 6-voice analog synth, we’d wager that the Tempest is going to be one of 2011’s biggest hits. Check out the demos then call your Sales Engineer to make sure you’re one of the fi rst to get this sonic storm into your hands.

> >> > Dave Smith Instruments Tempest


www.sweetwater.com/tempest

Samson’s Fresh New Gear for 2011

Whether you work with live sound, studio audio, or video, you’ll love what Samson is bring-ing to the table this year. Let’s start with the Auro speaker line, which includes the 12" D12 and the 15" D15. These passive PA speakers each include a high-quality high-frequency compression driver and are pole mountable. Both can handle up to 400 watts of power and are very easy to transport. Pair either of these amazingly affordable speakers with the active Auro D1800 sub, and you’ll enjoy a very portable, big-sounding system.

When you’re working with the front end of your rig, you need all the space-friendly convenience you can get. That’s defi nitely what Samson’s SM10 line mixer gives you! The SM10 packs 10 channels into a single rack space. Each channel includes a balance control and 1/4" stereo line inputs; two of the channels also offer XLR inputs. It’s easy to patch outboard gear into the SM10, thanks to onboard aux sends.

Does your studio setup have that “cool” factor? Now you can get it, with the distinctive Meteor Mic. This large-diaphragm USB condenser microphone features retro-futuristic styling, integrated folding legs, a built-in headphone jack, and a volume control. In addition to the latency-free monitoring, you get fantastic sound quality.

Want to fi nd out more about all this great Samson gear? Call your Sweetwater Sales Engineer today!

nd of your

> > > > To view products related to this article go

to sweetwater.com/Samson_NAMM2011.

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Best in Show

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Name: Stuart NivenPosition at Sweetwater: Sales EngineerStart date: 02/01/08Hired as: Sales EngineerEducation: B.S. — pop musicWhere are you from originally? AustraliaWhat was your occupation before coming to Sweetwater? Recording engineer/producerWhy did you fi rst apply for a job at Sweetwater? I was looking for a change in my career and my life.Foreign languages: AustralianTechnical strengths: Everything studioFavorite music-related website(s): Gearslutz.com, ProRec.com

Instruments you play: Guitar, bassGear you own: Avid Pro Tools|HD3; Apogee Rosetta 200; Dangerous Music 2 Bus LT, Monitor ST/Dac ST, BAX EQ; Slate Pro Dragon; SSL 502 EQ; DBX 160a; Valley People 400, Dynamite; API 500Vr with Chandler Little Devils, Great River 32EQ, Arsenal Audio V14; Malone Design Works MC Desk; Blue Dragonfl y; Sennheiser MD421, e609; Shure SM57; Miktek C5; M-Audio Luna, Ex66; Yamaha NS10; Avantone Mix Cube; Mackie HR 624 mk II; numerous lava lamps.Other stuff we should know about you (hobbies, talents, interests, etc.): I love to cook!Personal motto: Keep it real!Favorite magazine: Tape OpReal-life hero: Too many to mention! My parents, Eddie Van Halen, Chris Lord-Alge, Andrew ScheppsGuilty pleasure of choice: Jack DanielsHow would your boss describe you? Enthusiastic and passionateHow would your best friend describe you? That would be my wife. She’d call me a workaholic, maybe.What did you dream about doing for a living when you were growing up? Astronaut and rock star

Describe the most dramatic situation in which you provided the Sweetwater Difference for a customer, or the most unusual/creative solution to a customer’s problem: I try to do anything and everything I can do to make sure that my clients are taken care of. This means doing anything from inspecting products myself to playing guitars to occasionally mixing their projects in my room.What in your life best prepared you for the work you do here at Sweetwater? Working as a producer really helped me with people skills, but being an engineer and a musician myself means I know what it’s like out there on the streets and the stage. I am passionate about gear and the industry. I live it also! This job requires every skill that I have learned from the studio and the stage — and from working with electronics and in customer service positions since I was 12.What do you enjoy most about being part of the Sweetwater team?I love the vibe here. Everybody is a player or has a studio, and we are all on the same page when it comes to taking care of customer needs. We want to take the high road and go the extra mile. It’s how I like to be treated when I am making purchases, though it is rare to fi nd these days. I am proud of what we do here every day.

Give Me Some SpaceEventide is famous for crafting very cool effects. Musicians across the spectrum, from Frank Zappa to Jimmy Page, have had Eventide gear in their racks. Yes, Eventide has quite literally written the book on modern effects processing. So, needless to say, when they’re packing their considerable know-how into stompboxes (which they’ve been doing the last few years), the guitar world gets a little excited.

Their latest stompbox offering is a reverb (and more) pedal, simply called Space. Inside Space, you’ll fi nd 12 effects drawn directly from Eventide rack gear, giving you a wealth of sonic options. Sounds ranging from classic to mind blowing are in there, all readily available at your toe tips. But it’s not just the sonic aspects that make Space such a powerful sound-shaping tool; you also get tap tempo and MIDI clock sync, letting Space meld perfectly into your band’s songs. Space can output mono, but when you really want to fi ll some “space” (bad pun intended!), you can run this beauty in stereo to really hear what it can do! And you’ll never have to worry about Space getting stale on you, as a USB 2.0 connection lets you easily update the software.

By Mitch Gallagher

Stuart Niven

> >> > Wechter Guitars Triple-O Select


www.sweetwater.com/TO12SSMNT

> >> > API The Channel Strip


www.sweetwater.com/apichanstr

> > Eventide Space


www.sweetwater.com/space

Simplified Design, Classic API Sound For decades the pros have relied on API’s modular Lunchbox for a mix-and-match approach to recording and mixing. It proved to be an effi cient, innovative way to hand select your favorite sounds and bring them into your ultimate audio system. And though the Lunchbox is still going strong, API is simplifying the process for those of us seeking an all-in-one rackmountable solution that’s loaded with classic API sound. This latest creation is called, simply, The Channel Strip.

From input to output, The Channel Strip features the venerable 512c mic pre, a 550A EQ, a 527 compressor (complete with API’s patented “Thrust” circuit), and a 325 line driver. In short, it gives you a premium signal path that’s ready for any recording task. But knowing that audio is very rarely a straight-line process, API equipped The Channel Strip with the capability to patch in and out of any of the four components individually, greatly adding to the unit’s functionality. Great for mobile rigs or project studios, The Channel Strip is certain to become a modern classic. Call your Sales Engineer today to add one to your rack!

Have you priced vintage 12-fret acoustics lately? Yikes, too rich for my blood! But if you want the sound, the feel, and the look of a vintage 12-fret (meaning the neck meets the body at the 12th fret), Wechter has something for you to

check out: the Triple-0 Select. At a fraction of the cost of a decades-old guitar, you get a solid spruce top, a solid mahogany back, solid mahogany sides, hand-scalloped

braces, and a 12-fret design. There’s even a slotted headstock, along with vintage-correct diamond carves where the neck meets the peghead and on the bridge baseplate.

Guitars of this style are known for their balanced tone, with rich midrange, full lows, and articulate highs. What’s surprising is how loud this smaller-bodied guitar is, and how much dynamic response it provides. Whether you’re playing fi ngerstyle or with a pick, light arpeggios or fast fl atpicking, the Triple-0 maintains its composure and tonality.

As with all Wechters, this one is Plek’d and set up in Wechter’s U.S. shop, for optimal playability. The fi t and fi nish are exceptional, with a beautiful vintage-tinted fi nish and tortoiseshell binding and pickguard. The neck carve is comfortable, and the action is easy,

even if you’re primarily an electric player.

No matter what the price, this would be a great guitar. But to get a solid-wood instrument, with this kind of tone, setup, balance, and vintage appeal (with an included hardshell case) at this price borders on unbelievable.

Hands OnWechter Triple-O Select

> >> > E tid S

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Fort Wayne, IN 46818 (800) 222–4700

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SweetNotes®

Inside This Issue:

Tons of new gearfrom Winter NAMM

Hot new ampsfrom Mesa/Boogie

M-Audio Venom

Korg Kronos

...and more

(800) 222–4700 | www.sweetwater.com

SweetNotes®

Inside This Issue:Tons of new gear

from Winter NAMM

Hot new ampsfrom Mesa/Boogie

M-Audio Venom

Korg Kronos

d mo...and m

K

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spring 2011 issue vol. 93 sweetnotes (800) 222–4700 | … make sure you get the most of kronos...

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