string & wire

53
!"ng & wire Loren Madsen March, 2010

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String and wire are prominent art materials in the 20th century. They are especially effective as 3D stand-ins for the line in drawing.

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Page 1: String & wire

!"ng & wire

Loren MadsenMarch, 2010

Page 2: String & wire

Alexander CalderGoldfish Bowl, ndblack wire

Page 3: String & wire

Alexander CalderVertical Constellation with Bomb, 1943steel wire, wood, paint

Page 4: String & wire

Alexander CalderA Universe, 1934

steel wire, wood, paint, rope, pipe

Page 5: String & wire

Alexander CalderLouisa Calder’s bureau, 1942

Page 6: String & wire

Alexander CalderJimmy Durante, 1928steel wire

Page 7: String & wire

Alexander CalderThe Hostess, 1928

steel wire

Alexander CalderHelen Wills, 1927steel wire

Page 8: String & wire

Alexander CalderTwo Spheres Within a Sphere 1931

steel wire, wood, paint

Page 9: String & wire

Alexander CalderMobiles, Chicago Museum of Contemporary Art

steel wire, paint

Page 10: String & wire

Marcel Duchamp1st Surrealist Exhibition, 1942

string

Page 11: String & wire

George Van TongerlooMassen im Universum, 1946

wire, fruit

Page 12: String & wire

Ruth AsawaUntitled, 1960looped brass and galvanized steel wire

Ms Asawa, who had a major retrospective exhibition at the DeYoung Museum, SF, in 2009, has been a stalwart of the Bay Area art scene for many decades

Page 13: String & wire

Alan Saretname and date unknown, 1980’smetal wire

Page 14: String & wire

Alan SaretThree Tiered Copper, 1982copper wire

Alan Saretname and date unknown

metal wire

Page 15: String & wire

Alan Saretuntitled drawings, date unknown, 1980’s

Page 16: String & wire

Alan Saretmetal wire

Page 17: String & wire

Judith BrustUntitled No. 3, Life Cycle, 1991brass wire

Page 18: String & wire

Judith BrustUntitled No. 7, Life Cycle, 1991

brass wire

Judith BrustUntitled No. 6, Life Cycle, 1991brass wire

Page 19: String & wire

balls on wire making the shape of a classic BMWartist name and date unknown

Page 20: String & wire

String sculpture around treeartist name and date unknownsisal twine

Page 21: String & wire

Fred SandbackBlue Day-glo Corner Piece, 1968/2004

elastic cord and spring steel

Page 22: String & wire

Fred SandbackUntitled, 1995

red, yellow and blue paint on yarnl

Page 23: String & wire

Fred SandbackSeven Part Vertical Construction, 1987

string and pigment

Fred Sandbacktitle and date unknownstring and pigment

Page 24: String & wire

Fred Sandbacktitles and date unknownstring and pigment

Page 25: String & wire

Fred Sandbacktitles and dates unknown

string and pigment

Page 26: String & wire

JimmyOwennsSerialbondage, 2007

Page 27: String & wire

Ball Nogues StudioFeathered Edge, 2009

string and pigment

Page 28: String & wire

Ball Nogues StudioEchoes Converge, 2008

string and pigment

Page 29: String & wire

Patrick Maroldeveninglull, nd

Page 30: String & wire

Shanetitle and date unknownpipe, string, fabric

This is an example of a tensegrity (tensional integrity) structure whichbalances the forces between tension and compression.

Page 31: String & wire

Kenneth SnelsonX-Module, 1948cable, pipes, fittings

Snelson was the first to exploittensegrity into art upon hearing lectures by Buckminster Fullerat Black Mountain College in1948.

Page 32: String & wire

The simplest tensegrity structure, with three three compression members. Each is symmetric with the other two, and symmetric from end to end. Each end is connected to three cables which provide compression and which precisely define the position of that end.

A similar structure with four compression members.

Page 33: String & wire

Kenneth SnelsonNeedle Tower, 1968cable, pipes, fittings

Page 34: String & wire

Ripplewire art, 2008, 09wire, beads, mm

Page 35: String & wire

Ripplewire art, 2008, 09wire, beads, mm

Page 36: String & wire

Ripplewire art, 2008, 09wire, beads, mm

Page 37: String & wire

supports for pine branchesrope, bamboo

Kanazawa, Japan

Page 38: String & wire

Atsuta Shrine Sacred TreeNagoya, Japan

Page 39: String & wire

Izumo Shrine (Izumo-taisha)Izumo, Japan

dedicated to Ōkuninushi, the Shinto deity of marriage

Enjo-ji RopeNara, Japan

Page 40: String & wire

Meoto Iwa, the "Wedded Rocks"Futami, Ise City, Japan

Wedded RocksGunkanjima, Japan

dedicated to Ōkuninushi, the Shinto deity of marriage

Page 41: String & wire

wire sculpture, Englandartist, title, date unknownwire, grass

Page 42: String & wire

Kirsty Winterwearable wire art, 2009wire

Page 43: String & wire

Kirsty Winterwearable wire art, 2009wire

Page 44: String & wire

Jana FlynnProjection of Sightlines, 2009

string and pigment

Jana FlynnOuterspace, 2009string and pigment

Page 45: String & wire

Arline FischCorals, 2009coated copper wire

Page 46: String & wire

Orly Gengertitle unknown, 2009crocheted rope

Page 47: String & wire

Orly Gengertitle unknown, 2009crocheted rope

Page 48: String & wire

Orly Gengerpuzzlejuice, 2009crocheted rope

Orly GengerMr. Softy, 2009crocheted rope

Page 49: String & wire

San Jose Institute of Contemporary Art (ICA)

By A Thread, an exhibition of artwork by emerging and mid-career Bay Area artists who create unexpectedly nostalgic, and poetic works using thread as their primary medium.

February 6 through May 15, 2010

SJICA360 S. First St.San Jose, Ca 95113408 283-8155

sjica.org/

Diem ChauUnion, 2009

ceramic bowl, thread

Page 50: String & wire

Susan Taber AvilaJubilance, 1999thread, constructed by machine stitching

Susan Taber AvilaNaturaleza 1996

thread

Page 51: String & wire

Emil LukasPeeling, 2008

Liza SolomonWallet Size Me, 2004embroidery (wrong side showing) on satin

Page 52: String & wire

Katie Lewis201 Days, 2006thread, pencil, pins

Page 53: String & wire