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Macmillan Education 4 Crinan Street, London N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world Interface Live! 1 Teacher’s Edition ISBN 978-0-230-46594-7 Interface Live! 1 Student’s Book ISBN 978-0-230-46774-3 Interface Live! 1 Workbook ISBN 978-0-230-46772-9 Interface Live! 1 Student’s Book & Workbook ISBN 978-0-230-46773-6 Text © Macmillan Publishers Limited 2011 Design and illustration © Macmillan Publishers Limited 2011 First published 2013 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. Student’s Book Designed by Stephen Strong Illustrated by Adrian Barclay pp48, 49, 52, 55, 91, 95; Humberto Blanco pp5, 16, 30, 48, 64, 79, 80, 90, 103; Mark Davies pp24, 25, 113; The Boy Fitz Hammond pp20, 32, 76, 119; Javier Joaquin pp43, 106; Martin Sanders pp6, 83, 89 Cover design by Stephen Strong Cover images from BANANASTOCK; BRAND X; CREATAS; CORBIS; DIGITAL VISION; GETTY; ImageSource; Macmillan Publishers Ltd/ Lisa Payne; PHOTODISC; PIXTAL; STOCKBYTE; SUPERSTOCK. Picture research by Victoria Townsley-Gaunt Emma would like to thank Eadie and Dennis Heyderman for all their help and Mikel, Sara and Alex for their encouragement throughout. Fiona would like to thank her sons, Will and Max, for being her driving force. The publishers would like to thank the following teachers for their contribution to the project: Ana Mª Zurro Diego, I.E.S. Luis Briñas-Santutxu BHI de Bilbao, Bilbao, Vizcaya; Ángel Sánchez Martín, Col. San José y San Andrés, Massanassa, Valencia; Antonio Berlanga Adell, I.E.S. La Marxadella, Torrent, Valencia; Antonio Reina Retamero, I.E.S. Generalife, Granada; Antonio Rubiales Roldán, I.E.S. Fray

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Page 1: Student’s Book - Macmillan Iberiainterface.macmillan.es/docs/Interface_digital_course_imprint_v2.pdf · Interface Live! 1 Student’s Book ISBN 978-0-230-46774-3 Interface Live!

Macmillan Education 4 Crinan Street, London N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world Interface Live! 1 Teacher’s Edition ISBN 978-0-230-46594-7 Interface Live! 1 Student’s Book ISBN 978-0-230-46774-3 Interface Live! 1 Workbook ISBN 978-0-230-46772-9 Interface Live! 1 Student’s Book & Workbook ISBN 978-0-230-46773-6 Text © Macmillan Publishers Limited 2011 Design and illustration © Macmillan Publishers Limited 2011 First published 2013 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. Student’s Book Designed by Stephen Strong Illustrated by Adrian Barclay pp48, 49, 52, 55, 91, 95; Humberto Blanco pp5, 16, 30, 48, 64, 79, 80, 90, 103; Mark Davies pp24, 25, 113; The Boy Fitz Hammond pp20, 32, 76, 119; Javier Joaquin pp43, 106; Martin Sanders pp6, 83, 89 Cover design by Stephen Strong Cover images from BANANASTOCK; BRAND X; CREATAS; CORBIS; DIGITAL VISION; GETTY; ImageSource; Macmillan Publishers Ltd/ Lisa Payne; PHOTODISC; PIXTAL; STOCKBYTE; SUPERSTOCK. Picture research by Victoria Townsley-Gaunt Emma would like to thank Eadie and Dennis Heyderman for all their help and Mikel, Sara and Alex for their encouragement throughout. Fiona would like to thank her sons, Will and Max, for being her driving force. The publishers would like to thank the following teachers for their contribution to the project: Ana Mª Zurro Diego, I.E.S. Luis Briñas-Santutxu BHI de Bilbao, Bilbao, Vizcaya; Ángel Sánchez Martín, Col. San José y San Andrés, Massanassa, Valencia; Antonio Berlanga Adell, I.E.S. La Marxadella, Torrent, Valencia; Antonio Reina Retamero, I.E.S. Generalife, Granada; Antonio Rubiales Roldán, I.E.S. Fray

Page 2: Student’s Book - Macmillan Iberiainterface.macmillan.es/docs/Interface_digital_course_imprint_v2.pdf · Interface Live! 1 Student’s Book ISBN 978-0-230-46774-3 Interface Live!

Bartolomé de las Casas, Morón de la Frontera, Sevilla; Arantzazu González, I.E.S. Diocesano Arriaga, Vitoria-Gasteiz, Álava; Carlos Sánchez Crestar, I.E.S. Alfredo Brañas, Carballo, A Coruña; Concepción Peligros, I.E.S. Atenea, San Sebastián de los Reyes, Madrid; Cristina Miró Rial, Col.legi Santa Anna, Lleida; Elena González, Col. San Félix Cantalicio, Ortuella, Navarra; Elisa García Pombo, I.E.S. Dolmen de Soto, Triguero, Huelva; Encarnación Peña Guijosa, I.E.S. Santa Catalina de Alejandría, Jaén; Francisca Pedrinacci Rodríguez, I.E.S. Federico García Lorea, Churriana de la Vega, Madrid; Inés Pascual Roy, I.E.S. Duc de Montblanc, Rubí, Barcelona; Mª Candelas Gil López, I.E.S. Matemático Puig Adam, Getafe, Madrid; Mª Covadonga Gaitero Suárez, I.E.S. Al-Qadir, Alcorcón, Madrid; Mª Gema Benito Suena, I.E.S. Marqués de Suanzes, Madrid; Mª José Martín, Col. Santa María, Granada; Mª Victoria Clemente Palacios, I.E.S. José Churriguera, Leganés, Madrid; Mavi Salas Nogueras, I.E.S. Serra Marina, Premià de Mar, Barcelona; Mónica Castanyer Mora, GEM ( Grupo Escoles Mataró) Mataró, Barcelona; Nerea Zabala, Col. San Félix Cantalicio, Ortuella, Navarra; Olga Bardío, I.E.S. Galileo Galilei, Alcorcón, Madrid; Pablo Dugo, I.E.S. Alcaria, La Puebla del Río, Sevilla; Pilar Sendra Fillol, I.E.S. Almussafes, Almussafes, Valencia; Sonia Barba Martínez, I.E.S. Ignacio Aldecoa, Perales del Río, Madrid; Sonia Bayo García, I.E.S. Matemático Puig Adam, Getafe, Madrid; The authors and publishers would like to thank the following for permission to reproduce their photographic material: Alamy/Adams Picture Library t/a apl p111(e), Alamy/Peter Alvey People pp110(a), 120(tl), Alamy/Michael Anhaeuser pp107(c), 108(cmr), Alamy/Jon Arnold Images Ltd, p13(r), Alamy/Robert Ashton/Massive Pixels p92(tl), Alamy/Daniel Atkin pp68(br), 59(cr), Alamy/Michael Austen p65, Alamy/Bailey-Cooper Photography 4 p108(cmr), Alamy/Barry Bland p73(3), Alamy/ Blickwinkel p11(br), Alamy/Steve Bloom p20(m), Alamy/Kevin Britland p121(bml), Alamy/Red Cover p96(tmr), Alamy/Creativeact - Hygiene series p92(br), Alamy / CreativeAct – Technology p97(bl), Alamy/Dennis Cox p33, Alamy/Kate Diamond p117, Alamy/Chuck Eckert p97(bmr), Alamy/John Elk III p19(1), Alamy/ Rebecca Erol pp96(bml), Alamy/Mary Evans Picture Library p100, Alamy/Fancy p63(b), Alamy/Foodfolio, pp30(3), 40(strawberries), 87(7), Alamy/Foodfolio pp31(11), 40(fish), Alamy/Foodfolio p35(m), Alamy/JoeFox p121(bmr), Alamy/Glowimages RM p28(hair), Alamy/Martin Harvey p35(b), Alamy/Hemis p56(tmr), Alamy/D. Hurst pp96(tm), 87(4), Alamy/imagebroker pp12(bl), 17(bl), 17(cr), , 28(ear), Alamy/Images-USA p98(1), Alamy/ itanistock p27(bl41(meet my friends), Alamy/uk retail Alan King p56(cml), Alamy/Kuo photo pp19(8), Alamy/H Lansdown pp18(1), 28(tooth), 28(nose), Alamy/Larry Lilac p70(2), Alamy/Larry Lilac p28(face), Alamy/Pawel Libera Images pp47(2), 51(bl), Alamy/ Macana pp28(finger), (hand), Alamy/Leo Mason p72, 109(tl), Alamy/MBI p109(bcl), Alamy/Motoring Picture Library p108(tr), Alamy/Kevin Nicholson p96(tr), Alamy/Jon Parker Lee pp36(1), Alamy/PLC p51(tl), Alamy /Realimage p97(bcm), Alamy/Jiri Rezac p99(4), Alamy/Mark Richardson p103(b), Alamy/Don Smith

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pp68(tl),58(cl), Alamy/Trevor Smithers ARPS p118, Alamy/Will Stanton pp96(tl), 86(2), Alamy/Ace Stock Ltd pp12(cr), Alamy/ Travelshots.com pp104(c), Alamy/Andrew Twort pp30(1), 40(bread), Alamy/Colin Underhill pp107(d), p108(cl), Alamy/ WorldFoto pp18(2); Courtesy of Apple p 45(tl); www.asterix.com © 2010 LES ÉDITIONS ALBERT RENÉ / GOSCINNY-UDERZO p7(l); Bananastock pp12(tl), 17(tl), Bananastock pp12(tr), 17(tr), Bananastock pp12(cmr), 17(cmr), Bananastock p42(bcr), Bananastock p42(bm), Bananastock p42(tcmr), Bananastock p42(bcml); www.beargrylls.com p105; www.bikeforest.com p99(cr); Brand X p42(bcl), Brand X p83, Brand X p108(bmr), Brand X p116(tl), Brand X p121(tl), Brand X p125(cl), Brand X pictures p122(t); Bridgeman Art Library/Archives Charmet p101(l); Camera Press London/Tina Paul p45(cl); Comstock pp12(bmr), 17(bmr), Comstock pp31(8), 40(cheese), ComStock p97(bml); Creatas p85(cm), Creatas p97(tmr); Corbis p42(br), Corbis p77(b), Corbis p82(tr), Corbis p122(bcm), Corbis/Markus Altmann p121(bml), Corbis/©Frederic Cirou/PhotoAlto p68(tml), Corbis/Edward Duarte P96(tmll), Corbis/Emely p27(tl), Corbis/©Randy Faris pp104(f), 109(br), Corbis/Dana Hoff/Beateworks pp96(tmrr), 87(6), Corbis/ Ian Lishman/Juice Images p56(cmr), Corbis/Ian Lishman/Juice Images pp104(a), 109(tcl), Corbis/Gideon Mendel p115(tr), Corbis/ Ocean pp96(bl), 86(3), Corbis/Tim Pannell pp47(4), 56(tr), www. Photolibrary.com/Pictal Images p108(tmr), Corbis/Radius Images pp104(e), 109(tcr), Corbis/Barry Rosenthal/ p121(cmr), Corbis/ Rubberball pp110(b), 120(tml), Corbis/Tom Stewart pp58(cr), 68(bl), Corbis/Tim Thompson p75(b); Digital Stock p42(tcml), Digital Stock p83(tl), Digital Stock p91; Digital Vision p115(tr), Digital Vision p122(b); Fancy p60; Getty p23(t), Getty pp30(2), 40(apple), Getty pp30(6), 40(carrots), Getty p42(tl), Getty p42(bcr), Getty p45(cr), Getty p82(bl), Getty p82(br), Getty P82(cl), Getty p82(bm), Getty p85(cl), Getty p95, Getty p97(tcm), Getty pp107(a), 108(bl), Getty P107(f), Getty p111(f, firework), Getty p120(tmr), Getty p121(bl), Getty p122(tcm), Getty Images p61(b), Getty Images p70(3), Getty Images p75(t), Getty Images p88, Getty Images p89, Getty Images p92(tm), Getty/Steve Allen p15(m), Getty/Peter Anderson/Dorling 120(tr), Getty/Liz Banfield/ Workbook Stock p109(bc), Getty/Martin Barraud pp116(br), 121(tr), Getty/Nathan Blaney p11(bl), Getty/Dave Bradley Photography pp31(10) 40(cake), Getty/Clive Bromhall p19(7), Getty/Neale Clark p121(cml), Getty/James Darell pp36(3), 41(go shopping), Getty/Derek Davies p121(cmrr), Getty/H F Davis p93(tl), Getty/Lottie Davies pp111(f), 120(br), Getty/Danita Delimont p123(t), Getty/Emely p11(tl), Getty/Nicholas Eveleigh/Photodisc p96(bml), Getty/Ghislain & Marie David de Lossy pp107(b), 108(br), Getty/Tim Graham p11(bm), Getty/Anna Henly pp18(4), 28(neck), Getty/Coneyl Jay p21(br), Getty/Junos p97(br), Getty/ Sean Justice/The Image Bank pp68(bml), 58(tr), Getty/John Kelly p38, Getty/Jens Kuhfs p20(t), Getty/Flynn Larsen/UpperCut Images P68(tm), Getty/Monique le Luhandre p93(b), Getty/Tom Merton pp111(d), 120(bmr), Getty/Anik Messier p121(cl), Getty/Patrice O’Brien pp36(2), 41(talk on the phone), Getty/Tracy Packer Photography pp121(cr), 121(cr), Getty/Panoramic Images P56(tml), Getty/Influx Productions pp31(13), 40(nuts), Getty/Radius Images p23(b), Getty/Rubberball pp68(bm), 59(tl), Getty/Rubberball/Mark

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Andersen p41(stay up late), Getty/ Mike Severns p19(3), Getty/ Image Source p61(t), Getty/Jeff Sherman p101(r), Getty/David Tipling pp19(5), 28(eye), 28(toe), Getty/WireImage p43, Getty/ WireImage p115(br), Getty/Guy Vanderelst p15(t); Hergé/ Moulinsart 2010 p9; Image Source p42(tcl); Image 100 pp107(e), 108(cml); Jupiter/Arthur Tilley/Creatas p27(ml); Macmillan Australia p82(tl), Macmillan Australia P92(tr); Macmillan Mexico\ Javier Joaquin (The Organisation); Medio Images p82(cr), Medio Images pp116(bl), 121(tml); NHPA/Yves Lanceau p21(t); Pathfinder p82(tm), Pathfinder p112; Photodisc p23(m), Photodisc p85(br), Photodisc p115(tl); www.photolibrary.com/Peter Brooker p61(cm), www.photolibrary.com/Monkey Business pp68(tr), 58(cl), www.photolibrary.com/Monkey Business P59(tr), www.photolibrary.com/Alan Copson p56(br), www.Photolibrary.com/Corbis p121(br), www.photolibrary.com/Corbis pp96(br), 86(1), www.photolibrary. com/EPA p13(l), www.photolibrary.com/EPA p73(2), www. photolibrary.com/EPA p61(cr), www.photolibrary.com/agefotostock pp12(cl), 17(cl), www.Photolibrary.com/Foodfolio Foodfolio pp31(14), 40(meat), www.Photolibrary.com/Fresh Food Images pp30(7), 40(pasta), www.photolibrary.com/AGE Fotostock p56(tm), www.photolibrary.com/AGE Fotostock pp46(3), 56(cr), www.photolibrary.com/David Hughes p56(bl), www.photolibrary. com/Photos India pp104(d), 109(bcr), www.Photolibrary.com/ Lucidio Inc pp37(6), 41(listen to music), www.Photolibrary.com/ Imagebroker rf p41(read comics), www.photolibrary.com/ Imagestafe p73(1), www.Photolibrary.com/Pixtal Images p14, www.Photolibrary.com/Radius Images p59(cl), www.Photolibrary. com/Jhearn Jhearn p41(play footaball), www.Photolibrary.com/ Jhearn Jhearn p41(play footaball), www.photolibrary.com/Klee Jutta pp104(b), 109(tc), www.photolibrary.com/Klee Jutta P109(tr), www.Photolibrary.com/Kordcom Kordcom p48, www.photolibrary.com/Look p96(bmr), www.Photolibrary.com/Hilary Moore p35(t), www.Photolibrary.com/Graham Monro pp12(br), 17(br), www.Photolibrary.com/Katarina Premfors p54, www.photolibrary.com/Chris Ryan pp96(bcmr), 87(8), www.Photolibrary. com/Pete Saloutos p70(1), ww.Photolibrary.com/Carsten Schael p99(5), www.photolibrary.com/Grant Smith p56(cm), www.Photolibrary.com/Creative Studio Heinemann p97(tml), www.photolibrary.com/Jean-Pierre Sylvestre pp47(5), 56(cl), www.Photolibrary.com/Christian Thomas p41(watch TV), www.photolibrary.com/Eye Ubiquitous p56(tl), www.photolibrary.com/ Anthony Weller p56(bml), www.Photolibrary.com/Rob Whitepp30(5), 40(potatoes); Photoshot/Stephen Dalton p21(bc); Pixtal p85(bl), Pixtal 123(b); Press Association Images/AP/ Jim Cooper p45(tr), Press Association Images/PA Archive/Anthony Devlin p77(t), Press Association Images/AP/Joel Merino p98(2); Radius Images p23(b); Rex Features p98(3), Rex Features p99(cl), Rex Features/Everett Collection p6(t), Rex Features/Patrick Frilet p63(t), Rex Features/Masatoshi Okauchi p66, Rex Features/Cartoon Network/Courtesy/Everett Collection p7(r), Rex Features/Unimedia South America p99(cm), Rex/Chris Ratcliffe p56(bmr), Rex Features/Owen Sweeney p45(bl). Science Photo Library/David Aubrey pp18(3), 28(tail), Science Photo

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Library/Tony Camacho p28(foot), Science photo Library/Tony Camacho P19(9) and p28(mouth), Science Photo Library/ Kenneth W. Fink pp19(6), 28(leg), 28(arm), Science Photo Library/Richard Hutchings pp37(5), 41(surf the internet), Science photo Library/Rod Planck p19(4), Science Photo Library/Tom Mchugh pp18(5), 28(thumb), Science Photo Library/John Mitchell p20(b), Science Photo Library/M.P. O’Neill p53; Science Museum p93(tr); www.scottishviewpoint.com p51(tr); Stockbyte p42(tr), Stockbyte p42(tcr), Stockbyte p97(tr); SuperStock p82(cm), SuperStock P103(t), SuperStock/ Belinda Images pp116(tr), 121(tmr), SuperStock/All Canada Photos p78, SuperStock/Fancy Collection pp12(bm), 17(bm), SuperStock/ Fancy Collection p71, Superstock/Cusp p26, SuperStock/Cusp p94, SuperStock/Food and Drink pp31(12), 40(ice cream), SuperStock/ Imagebroker.net p46(1), SuperStock/Imagebroker.net p103(m), SuperStock/Imagebroker.net p108(tml), Superstock/Tetra Images p97(tl), Superstock/Moodboard pp36(4), 41(ride my bike), SuperStock/NaturePL p19(2); www.tropix.co.uk (V. and M. Birley) p121(cmll); The World Scout Emblem/scout logo is a registered trademark property of the World Scout Bureau Inc p11(tr). Commissioned photography by Lisa Payne pp 4, 5, 6, 8, 10, 12(Ben), 17(Ben), 18, 21(portrait), 22, 30, 34, 46, 50, 58, 62, 70, 74, 86, 90, 102, 110, 114. Thanks to Amy, Eva, Jamie, Lewis, Patrick, Samuel. The authors and publishers would like to thank the following for permission to reproduce the following copyright material: Information about Bear Grylls from website www.beargrylls.com, reprinted by kind permission of MF Management; Information about Redroofs Associates from website www.redroofs.co.uk, reprinted by kind permission; These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Workbook Designed by eMC Design Ltd. Illustrated by Adrian Barclay pp36, 44, 75, 100, 103; Humberto Blanco pp3, 4, 7, 25, 38, 48, 65, 68, 70, 85, 88, 89, 99, 104, 105, 124, 126, 128, 130, 132, 134, 136, 138, 140; Clive Goodyer pp7, 8, 18, 24, 28, 45, 55, 56, 58, 76, 79, 81, 94, 101; Janos Jantner pp14, 38, 51, 71, 91, 98; Julian Mosedale pp17, 26, 27, 34, 47, 49, 57, 66, 77, 78, 80, 87, 93, 102; Oxford Designers and Illustrators p127; Martin Sanders pp5, 88, 97, 124, 126, 128, 130, 132, 133, 134, 136, 138, 140.

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Cover design by Stephen Strong Picture research by Victoria Townsley-Gaunt Cover images from BANANASTOCK; BRAND X; CREATAS; CORBIS; DIGITAL; VISION; GETTY; ImageSource; Macmillan Publishers Ltd/ Lisa Payne; PHOTODISC; PIXTAL; STOCKBYTE; SUPERSTOCK. The author and publishers would like to thank the following for permission to reproduce their photographs: Alamy/g bell p129(tm), Alamy /Art Directors & TRIP p6(tl), Alamy/ idp garden collection p148, Alamy/Tim Graham p133(tl), Alamy/ Anthony Hatley p143, Alamy/ Kevin Howchin p128(cr), Alamy/ Archive Images p131(b), Alamy/Paul Kingsley p141(tr), Alamy/ Fritz Liedtke p22(ml), Alamy/Angus McComiskey p127(l), Alamy/ Ben Molyneux People p30, Alamy/J Orr p135(bl), Alamy/Ozimages p141(tl), Alamy/PhotoAlto p14(l), Alamy/travelib prime p90, Alamy/Geoffrey Robinson p94, Alamy/Mark Salter p92, Alamy/ Image Source p21(l), Alamy/Image Source p21(r), Alamy/Nicholas Stubbs p57(l), Alamy/Janine Wiedel Photolibrary p47; Bananastock p9(tr), Bananastock p31, Bananastock p32(mc); The Art Archive/ Ocean Memorabilia Collection p133(b); Brand X p126(t), Brand X p137(mr); Brand X Pictures p147(l); ComStock p18; Corbis p137(br), Corbis/Michel Birot p129(bl), Corbis/Charles Bowman/Robert Harding World Imagery p129(tl), Corbis/HBSS p147(r), Corbis/Frida Marquez/Blend Images p20(m), Corbis/Sigrid Olsson/PhotoAlto p142(tr), Corbis/Paul A. Souders p138(cr), Corbis/Visuals Unlimited p137(ml), Corbis/Holger Winkler p146; Daily Mail p63; DigitalStock/ Corbis p44; Fremantle Media Limited/Simco Limited p53; Getty p35(tl), Getty Images p35(mr), Getty Images p62(tr), Getty Images p62(br), Getty Images p62(ml), Getty Images p76, Getty Images p84(t), Getty Images p126(tcr), Getty Images p129(tl), Getty Images p132(tr), Getty Images p134, Getty Images/AFP p141(b), Getty Images/Cole Bennetts p137(t), Getty Images/Michael Blann p6(br), Getty Images/David Buffington p12(tr), Getty Images/Richard Drury p57(r), Getty Images/Fuse p35(ml), Getty Images/Mimi Haddon p20(r), Getty Images/Panoramic Images p131(tl), Getty Images/ Panoramic Images p140, Getty Images/Radius Images p142(br), Getty Images/Ron Levine p24, Getty Images/Jose Luis Pelaez, Inc p150(l), Getty Images/David Madison p35(bl), Getty Images/ Film Magic p6(tr), Getty Images/Ryan McVay p60, Getty Images/ Popperfoto p69(l), Getty Images/Mike Powell p15(l), Getty Images/ Travel Pix Ltd p40, Getty Images/Redferns p131(tr), Getty Images/ Roy Rainford p135(tm), Getty Images/Joel Sartore p22(mr), Getty Images/Sasha p67, Getty Images/Kim Sayer p66, Getty Images/Paul Simmcock p7(ml), Getty Images/Cameron Spencer p59, Getty Images/DK Stock/David Deas p50, Getty Images/ Ken Straiton p82(t, b), Getty Images/SuperStock p130(tl), Getty Images/Mike Theiss p13, Getty Images/Guy Vanderelst p124(l), Getty Images/Jack Wild p35(tr); Image Source p14(r); Jupiter Images/Alys Tomlinson p145; Mary Evans Picture Library p69(r); Masterfile/Jerzyworks

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p142(cr); Photolibrary/Andy Barker p32(t), Photolibrary/Gary Black p138(t), Photolibrary/Bowman Bowman p125(tm), Photolibrary/Bader-Butowski p10, Photolibrary/The Print Collector p39(b), Photolibrary/Wendy Connett p130(tm), Photolibrary/Elise Donpghue p22(t), Photolibrary/Paul Doyle p149, Photolibrary/John Gibbs p74, Photolibrary/Tim Hill p34(t), Photolibrary/Imagebroker p127(tr), Photolibrary/Imagestate p4, Photolibrary/Juice Images p48(m), Photolibrary/Jonathan Jones p34(b), Photolibrary/Mark Jones p16(r), www. photolibrary.com/ Christian Kober p42(b), www. photolibrary.com/John Lund p86, Photolibrary/JTB Photo p135(tl), Photolibrary/Ben Pipe p139(b), www.photolib rary.com/Michael Short p72(l, r), Photolibrary/ Ibiza Shots p73, Photolibrary/Grant Smith p128(tr), Photolibrary /Xavier Subias p139(t), Photolibrary/Geray Sweeney p132(tl), Photolibrary/Steve Vidler p128(tl); Photoshot/ANT p137(bl); Pixtal p124(r), Pixtal 124(m); Press Association Images /John Birdsall p21(m), Press Association Images/PA Wire/PA Wire p9(bl); Rex Features p12(b), Rex Features/Jeff Blackler p35(br), Rex Features/Monkey Business Images p48(t), Rex Features/c.20thC. Fox/Everett p52, Rex Features/David Crump/Daily Mail p43, Rex Features/Gunter Marx/DK Images p82(tm), Rex Features/Sinopix Photo Agency p33, Rex Features/Startraks Photo p15(r), Rex Features/Simon Rawles p79, Rex Features/ Karl Schoendorfer p7(tl), Rex Features/Dan Sparham p83; Robert Harding/Arcaid p136; Stockbyte p135(tr); Stock Disc p144; SuperStock p84(m), SuperStock p125(tr), SuperStock p125(b), SuperStock/age fotostock p150(r), SuperStock/Blend Images p61, SuperStock/ The Irish Image Collection p133(tr), SuperStock/NaturePL p16(l), SuperStock/Photosindia.com p12(tl), SuperStock/Photononestop p41, SuperStock/Design Pics p20(l), SuperStock/Prisma p82(bm), Superstock/Ingram Publishing p19(r), Superstock/RubberBall p19(l); Team Giant George p23; UNESCO/World Heritage p42(cl); Winterhill School p64. The authors and the publishers are grateful for permission to reprint the following copyright material: Information about Redroofs Associates from website www.redroofs.co.uk, reprinted with kind permission; Information about Bear Grylls from website www.beargrylls.com, reprinted by kind permission of Bear Grylls Ventures; Adapted material from ‘History of Music Players’, first published 08.02.07 on website www.technabob.com, reprinted with kind permission. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Teacher’s Reources

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Note to Teachers Permission to copy The material in this book is copyright. However, the publisher grants permission for copies to be made without fee on those pages marked with the photocopiable symbol. Private purchasers may make copies for their own use or for use by classes of which they are in charge; school purchasers may make copies for use within and by the staff and students of the school only. This permission does not extend to additional branches of an institution, who should purchase a separate master copy of the book for their own use. For copying in any other circumstances, prior permission in writing must be obtained from Macmillan Publishers Limited. Designed by 2ibooks [Publishing Solutions] Cambridge Illustrated by: Interface basics Adrian Barclay p43; Humberto Blanco pp13, 20, 21, 27, 49, 51, 52; Clive Goodyer pp3, 9, 15, 25, 31, 32, 33, 37, 39, 41, 43, 46, 47; Janos Jantner p21; Julian Mosedale p45; Andrew Painter pp2, 13, 15; Martin Sanders p51. Vocabulary and grammar consolidation and extension worksheets Adrian Barclay pp 13, 15, 29, 31; Humberto Blanco pp14, 16, 17, 19, 33, 35; Clive Goodyer pp21, 23; Julian Mosedale pp1, 5, 7, 8, 24; Andrew Painter pp2, 3, 4, 6, 29, 31. Culture and CLIL worksheets Humberto Blanco pp5, 6, 13, 14, 17, 19, 21, 22, 25, 26, 30, 33, 34; Jim Hansen pp1, 2, 19, 21, 22, 33; Julian Mosedale p11; Oxford Designers and Illustrators pp7, 8; Andrew Painter pp9, 17, 23; Martin Sanders pp1, 5, 7, 9, 13, 15, 17, 21, 25, 27, 29, 33. Cover design by Stephen Strong Picture research by Rebecca Sondergren The authors and publishers would like to thank the following for permission to reproduce their photographic material: Interface basics Alamy/Ben Molyneux People p17, Alamy/Janine Wiedel Photolibrary p26. Corbis/Frida Marquez/Blend Images p11 (cl). Getty Images p19 (bcr), Getty Images/DK Stock/David Deas p29, Getty Images/ Fuse p19 (cinema), Getty Images/Mimi Haddon p11 (bl), Getty Images/David Madison p19 (br), Getty Images/Ryan McVay p35 (tl), Getty Images/Popperfoto p40, Getty/Mike Powell p7 (tl), Getty Images/ Kim Sayer p38, Getty Images/ Travelpix Ltd p23, Getty Images/Jack Wild p19 (plate). Macmillan Publishers Ltd/ Bananastock p4 (bl), Macmillan Publishers Ltd/Brand X Pictures p19 (tcr), p16, Macmillan Publishers Ltd/Comstock Images p9, Macmillan Publishers Ltd/Getty Images p19 (tr),

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Macmillan Publishers Ltd/Macmillan Australia p7 (cr), p7 (bcr), Macmillan Publishers Ltd/Photodisc p8. PA Photos p4 (tr). Photolibrary.com /Peter Brooker p1 (tr), Photolibrary.com/Bader-Butowski p5, Photolibrary/The Print Collector p22. Photostogo p7 (tr), p7 (tcr), p7 (br). Rex Features/Simon Rawles p46, Rex Features/Startraks Photo. Superstock/Blend Images p35 (br), Superstock/Design Pics p11 (tl), Superstock/ Ingram Publishing p10 (cr), Superstock/Ruberball p10 (cl). Vocabulary and grammar consolidation and extension worksheets Alamy/Ace Stock Ltd p1 (cr), Alamy/Peter Alvey People p35 (tr), Alamy/Rebecca Erol pp25 (tcr), 27 (cmr), Alamy/D. Hurst pp25 (cr), 27 (chair), Alamy/ Imagebroker p1 (bl), Alamy/Image Source p7 (br), Alamy/Kevin Nicholson pp25 (tl), 27 (tmr), Alamy/Red Cover pp25 (tcl), 27 (bcr), Alamy/Will Stanton pp25 (bl), 27 (tl). Asterix.com ©2010 Les Éditions Albert Rene/Goscinny-Uderzo p3 (tc). Corbis/Stefanie Aumiller pp33, 35 (tl) Corbis/Edward Duarte p25 (cl), p27(bcl), Corbis/Dana Hoff/Beateworks pp25 (bcr), p27 (cooker), Corbis/Image Source p5 (cr), Corbis/Juice Images p5 (cl), Corbis/Ocean p25 (cml), p27 (bl). Getty Images/Stefanie Aumiller p35 (br), Getty Images/Lottie Davies p35 (bl), Getty/Nicholas Eveleigh/Photodisc pp25 (tcr), 27 (br). Hergé/Moulinsart 2010 p3 (bl). Macmillan Publishers Ltd p1 (tl), p1 (tr), p1 (cml), p1 (cmr), p1 (bcr), Macmillan Publishers Ltd/ Brand X Pictures p5 (r), p15 (tr), Macmillan Publishers Ltd/Corbis p7 (bc), Macmillan Publishers Ltd/ Digital Vision p5 (tr), p7 (tr), Macmillan Publishers Ltd/Macmillan Australia p11, Macmillan Publishers Ltd/Stockbyte p13 (tr), Macmillan Publishers Ltd/David Tolley p7 (bl). Photolibrary.com/Corbis p25 (bcl), p27 (tcl), Photolibrary.com/Look p25 (br), p27 (tr), Photolibrary.com/Graham Monroe p1 (br), Photolibrary.com/Roy Morsch p1 (cl), Photolibrary.com/Chris Ryan p25 (tr), p27 (tml). Rex Features/Cartoon Network/Courtesy Everett Collection p5 (tr). Photostogo p5 (bl). Superstock p1 (c). CLIL and culture worksheets Alamy/Bon Appetit p33 (tr), p33 (bl), Alamy/FoodStock p33 (tl). Corbis/Atlantide Phototravel p31 (r), Corbis/John Frumm/Hemis p31 (bl), Corbis/ James Leynse p31 (t), Corbis/Murat Taner p13 (c,), Corbis/Anders Ryman p35 (bl), Corbis/Visuals Unlimited pp25 (tl), 27 (cr). Getty Images/AFP p35 (br), Getty Images/Archive Photos p15, Getty Images/ Hulton Archive p3 (br), Getty Images/Redferns p35 (b), Getty Images/Time & Life Pictures p3 (bl), Getty Images/VisionsofAmerica/Joe Sohm p13 (r). The Kobal Collection/R.P. Productions/Runteam ltd (p3 bc). Macmillan Publishers Ltd/Brand X Pictures p27 (l), Macmillan Publishers Ltd/ Comstock Images p33 (br), p35 (tc), p35 (tr), Macmillan Publishers Ltd/ Corbis p25 (tr), p27(r,), p29 (cr), p29 (l), Macmillan Publishers Ltd/Digital Vision p9 (tl), Macmillan Publishers Ltd/Getty Images p9 (tc), p9 (tr), p9 (bl), p9 (br), p29 (r), p29 (cl), Macmillan Publishers Ltd//Lisa Payne p1 (bcl), Macmillan Publishers Ltd/Photoshot p27 (cl), Macmillan Publishers Ltd/Stockbyte p35 (tl), Macmillan Publishers Ltd/ Superstock p3 (t). Photolibrary.com/Terry Carter p25 (tr), Photolibrary.com/Wendy Connett p13 (l), Photolibrary.com/Melba Photo Agency p35 (bc), Photolibrary.com/Ben Pipe p31 (l).

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CultureWatch Videos The producers and publishers wish to thank: Atomic Pizza, Oxford; Blackbird Leys Leisure Centre, Oxford; Cheney School, Oxford; First Great Western Railways; Helen & Douglas House, Oxford Jane Smith, King Alfred’s School, Wantage; King Alfred’s School, Wantage Lidl, Oxford; Oxford City Council; Vue Cinemas; Cogges farm, Witney; Val and Lauraat Cogges Farm, Witney; Oxford City council; Pegasus Theatre, Oxford; Soundworks, Oxford; Study vox fm, East Hendred; Abi Coulson Cover images supplied by: Alamy, Digitalstock, Getty, Pixtal, Goodshoot, Stockbyte, Superstock Media supplied by: Alamy, Audio Network, Battersea Dogs Home, Bananastock, Bbc, Brand X Pictures, Caroline Milligan, Clip Canvas, Corbis, Www.Cornish-Language.Org, Creatas, Crufts Digital Vision, Framepool, Film Extract From Shakespeare's Globe © Illuminations 2005, Getty, Getty/Sky News, The Globe Theatre, Glow Images, Image 100, Imagesource, Itn Source, James Tomlin, Jane Austen House Museum, Macmillan Publishers Ltd, Macmillan Australia, Mary Evans, Matthew Greetham, Photodisc, Photodisc/Getty Images, Rex Features, Rspca, School Of Scottish Studies, Science Photo Library, Stockbyte, Superstock Sketches written by: Bruce Windwood, Meryl Wilford & Rob Maidment Documentaries written by: Rob Maidment ¬ James Tomalin Documentaries narrated by: Joe Jameson & Fenella George Sound – Sketches: Rob Lacey & Ian Windsor Camera: Steve Weiser, Steve Cassidy, Rory Mckellor & Jon Young Assistant Producer: Sam Cooper & Gemma Callaghan Producer: James Tomalin & Vanessa Marshall Director – Sketches:

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Rob Maidment & Davide Broscombe Language Cast in order of appearance Dan David Perkins Stephanie Catherine Hamilton Emily Katie Bucholtz Food Cast Adeel Iqbal Jameel Azfar Shannon Johnson Anna Murphy Daryl Legg Waiter Zara Swanton Kate Stevens School Cast Louisa Connolly Burnham Silvia Gonzalez Isobel Locke Gemma Curtis James Maynard Tom Stevens An Oxford Digital Media production for Macmillan Publishers Limited ©Macmillan Publishers Limited 2013

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Macmillan Education 4 Crinan Street, London N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world Interface Live! 2 Teacher’s Edition ISBN 978-0-230-46595-4 Interface Live! 2 Student’s Book ISBN 978-0-230-46775-0 Interface Live! 2 Workbook ISBN 978-0-230-46776-7 Interface Live! 2 Student’s Book & Workbook ISBN 978-0-230-46777-4 Text © Macmillan Publishers Limited 2011 Design and illustration © Macmillan Publishers Limited 2011 First published 2013 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. Student’s Book

Original design by Stephen Strong Designed by eMC Design Ltd Illustrated by Humberto Blanco pp15, 16, 40, 67, 88, 91, 119; The Boy Fitz Hammond pp24, 29, 52, 53, 57, 93, 107, Clive Goodyer pp39, 54, 79, 95, Julian Mosedale pp11, 33, 43, 48, 49, 52, 55, 76, 81, 100, Martin Sanders pp77, 98, 103 Cover design by Stephen Strong Picture research by Victoria Townsley-Gaunt Cover images from CORBIS; DIGITAL STOCK; DIGITAL VISION; GETTY; IMAGESOURCE; JOHN FOXX IMAGES; MACMILLAN AUSTRALIA; Macmillan Publishers Ltd/Lisa Payne; PHOTODISC; PIXTAL; STOCKBYTE. Emma would like to thank Eadie and Dennis Heyderman for all their help and Mikel, Sara and Alex for their encouragement throughout. Fiona would like to thank her sons, Will and Max, for being her driving force. The publishers would like to thank the following teachers for their contribution to the project:

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Ana Mª Zurro Diego, I.E.S. Luis Briñas-Santutxu BHI de Bilbao, Bilbao, Vizcaya; Ángel Sánchez Martín, Col. San José y San Andrés, Massanassa, Valencia; Antonio Berlanga Adell, I.E.S. La Marxadella, Torrent, Valencia; Antonio Reina Retamero, I.E.S. Generalife, Granada; Antonio Rubiales Roldán, I.E.S. Fray Bartolomé de las Casas, Morón de la Frontera, Sevilla; Arantzazu González, I.E.S. Diocesano Arriaga, Vitoria-Gasteiz, Álava; Carlos Sánchez Crestar, I.E.S. Alfredo Brañas, Carballo, A Coruña; Concepción Peligros, I.E.S. Atenea, San Sebastián de los Reyes, Madrid; Cristina Miró Rial, Col.legi Santa Anna, Lleida; Elena González, Col. San Félix Cantalicio, Ortuella, Navarra; Elisa García Pombo, I.E.S. Dolmen de Soto, Triguero, Huelva; Encarnación Peña Guijosa, I.E.S. Santa Catalina de Alejandría, Jaén; Francisca Pedrinacci Rodríguez, I.E.S. Federico García Lorea, Churriana de la Vega, Madrid; Inés Pascual Roy, I.E.S. Duc de Montblanc, Rubí, Barcelona; Mª Candelas Gil López, I.E.S. Matemático Puig Adam, Getafe, Madrid; Mª Covadonga Gaitero Suárez, I.E.S. Al-Qadir, Alcorcón, Madrid; Mª Gema Benito Suena, I.E.S. Marqués de Suanzes, Madrid; Mª José Martín, Col. Santa María, Granada; Mª Victoria Clemente Palacios, I.E.S. José Churriguera, Leganés, Madrid; Mavi Salas Nogueras, I.E.S. Serra Marina, Premià de Mar, Barcelona; Mónica Castanyer Mora, GEM ( Grupo Escoles Mataró) Mataró, Barcelona; Nerea Zabala, Col. San Félix Cantalicio, Ortuella, Navarra; Olga Bardío, I.E.S. Galileo Galilei, Alcorcón, Madrid; Pablo Dugo, I.E.S. Alcaria, La Puebla del Río, Sevilla; Pilar Sendra Fillol, I.E.S. Almussafes, Almussafes, Valencia; Sonia Barba Martínez, I.E.S. Ignacio Aldecoa, Perales del Río, Madrid; Sonia Bayo García, I.E.S. Matemático Puig Adam, Getafe, Madrid. The authors and publishers would like to thank the following for permission to reproduce their photographic material: Alamy/Accent Alaska.com pp19(r), 28(bml), Alamy/AF archive pp46(tl), 56(tl), Alamy/Arco Images GmbH pp105(tr), 109(tmr), Alamy/Greg Balfour Evans p63(cl), Alamy/blickwinkel pp104(bl), Alamy/simon clay p94, Alamy/Stock Connection Blue p28(bl), 109(bm), Alamy/Corbis RF p75(cl), Alamy/tomas del amo pp110(tl), 111(cr), 120(br) Alamy/Mary Evans Picture Library pp46(cl), 56(bmr, Alamy/Fancy pp59(tl), 68(tl), 68(tmr), Alamy/Robert Harding Picture Library Ltd p51(tr), Alamy/Mike Hill p36(br), 41(bl), Alamy/ICP p63(tl), Alamy/ Classic Image p30(cr), Alamy/ Johner Images pp9(l), 97(tr), Alamy/Johner Images p92(4), Alamy/ OJO Images Ltd pp70(tr), 80(bmr), Alamy/INTERFOTO p83(tl), Alamy/Stocktrek Images, Inc. P85(bl), Alamy/MBI p78(cr), Alamy/ MBI p80(tml), Alamy/MBI p80(tmr), Alamy/Ben Molyneux People pp111(tl), 120(tl), Alamy/ Geoffrey Morgan p122(bcml), Alamy/ Chris Pancewicz p68(bm), Alamy/Aurora Photos p23, Alamy/Image Source p80(bml), Alamy/Ace Stock Limited pp46(tr), 56(br), Alamy/ Neil Tingle pp12(tr), 17(bmr), Alamy/UpperCut Images pp86(tl), 96(bml), Alamy/Urban Zone pp111(tr), 120(bl), Alamy/John Warburton-Lee Photography p24(b), Alamy/Richard Wareham Fotografi e pp58(tm), p68(bmr), Alamy/Robin Weaver pp116(br), 121(bml), Alamy/North Wind Picture Archives p30(tr); Akgimages/ IAM p37(b); Arsenal Football club p66(cr); The Art Archive/Institut de France Paris/Superstock p38(l);

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Bananastock p25, Bananastock p82(cl), Bananastock p99(bcl), Bananastock p122(tcr), Bananstock p122(bl), Bananastock p42(tm), Bananastock p42(bcm), Bananastock p82(br); BrandX p20(t), Brand X p63(socks), Brand X p122(br), Brand X Pictures p122(tr), Brand X Pictures p82(tl); Brand X Pictures p82(tr); The Bridgeman Art Library/Private Collection/Look and Learn pp47(m), 56(bl), The Bridgeman Art Library/Private Collection/ The Stapleton Collection p49; CAMERA PRESS/Ian Rutherford/TSPL p41(tm); Comstock Images pp92(1), 97(bm), Comstock Images pp92(3), 97(bl), Comstock Images pp92(2), 97(tm), Comstock Images pp92(6), 97(tmr), Comstock Images pp92(5), 97(bmr); Corbis p125(br), Corbis/Inmagine Asia p113, Corbis/Bettmann p32, Corbis/ Bettmann pp47(l), 56(bmr), Corbis/Ashley Cooper p51(cr), Corbis/ Martin Child/Robert Harding World Imagery p117, Corbis/Renee DeMartin pp104(cl) 109(br), Corbis/C. Devanc p68(tr), Corbis/Jon Feingersh/Blend Images p80(tr), Corbis/Jon Feingersh/Blend Images p58(tl), 68(tm), Corbis/Angelo Hornak pp116(tm), 121(tmr), Corbis/HO/Reuters p35, Corbis/Guo Jian She/Redlink/ Redlink p41(tml), Corbis/Serge Kozak p80(tl), Corbis/Albright- Knox Art Gallery/© 2011 Banco de México Diego Rivera Frida Kahlo Museums Trust, Mexico, D.F. /DACS. p43(t), Corbis/Owaki/ Kulla pp58(tl), 68(br), Corbis/Owaki/Kulla p59(tm), 68(bml), Corbis/ Peter Mason/cultura p28(tl), Corbis/Anatoly Maltsev/epa pp36(tr), 41(bml), Corbis/Mika p28(bml), Corbis/moodboard p75(tm), Corbis/moodboard p96(tml), Corbis/Eric Nguyen pp36(tl), 41(bm), Corbis/Ocean p9(r), Corbis/Photolibrary pp36(bm), 41(tl), Corbis/ Jean-Pierre Lescourret pp116(tl), 121(bmr), Corbis/Reuters p41(bmr), Corbis/Ariel Skelley pp19(l), 28(tmr), Corbis/Paul A. Souders p76(tr), Corbis/Rudy Sulgan p121(tml), Corbis/Turba p122(bcl); Creatas p125(tl), Creatas p125(bl); DigitalStock pp104(cr), 109(tm); Digital Vision p122(tmr), Digital Vision p122(tcmr), Digital Vision p122(tcml), Digital Vision p123; Getty p31(bcr), Getty p31(br), Getty p63(shoes), Getty p64(tr), Getty p82(cr), Getty p85(cr), Getty p85(background), Getty p100, Getty p110(tr), 120(bmr), Getty p122(tml), Getty Images/AFP p101(tl), Getty Images/Tony Anderson p99(cl), Getty Images/Thomas Barwick p66(tr),Getty Images/Michael Blann p20(b), Getty Images/ Enrico Calderoni/Afl o p72, Getty Images/Ben Cranke pp104(tl), 109(tr), Getty Images/hana/Datacraft p96(br), Getty Images/Peter Dazeley p75(tr), Getty Images/Yellow Dog Productions pp19(m), 28(tml), Getty Images/ERproductions Ltd pp87(tr), 96(tl), Getty Images/ERproductions Ltd p110(cl), p120(tml), Getty Images/ Jupiterimages p5, Getty Images/Jupiterimages p101(tr), Getty Images/Keystone p48, Getty Images/O.Louis Mazzatenta p37(t), Getty Images/Marcy Maloy p14(r), Getty images/Photodisc p66(bm), Getty Images/Nicholas Pitt pp116(bl), 121(bl), Getty Images/Steven Puetzer p13, Getty Images/Jon Purcell pp116(bm), 121(bmr), Getty Images/Redferns p92(cl), Getty Images/Roy Rainford p103, Getty Images/Chris Ryan pp59(tr), 68(bl), Getty Images/Philip and Karen Smith pp18(tr), 28(tmr), Getty Images/ SSPL p31(tm), Getty Images/Stocktrek Images p85(tl), Getty Images/SuperStock p31(tl), Corbis/Klaus Tiedge/Blend Images p96(tml), Getty Images/Ben Thomas p120(tm), Getty Images/ WireImage p11(tr), Getty Images/WireImage p91(tr), Getty images/Caroline Woodham p89(r); Goodshoot pp116(cl), 121(bml), Goodshoot p125(cr); ImageSource p31(cr),

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ImageSource p38(r), Image Source p112(tl); Imagestate p82(bl); Jupiter Images/ Jacobs Stock Photography p68(tml); The Kobal Collection/NEW LINE CINEMA p7(tr), The Kobal Collection/DREAMWORKS/PARAMOUNT p83(br), The Kobal Collection/Columbia Pictures p6(r); Macmillan p110(bl), Macmillan Australia p42(tcm), Macmillan Australia p42(bm), Macmillan Australia p63(scarves), Macmillan Australia p122(bcr), MACMILLAN\Paul Bricknell p63(belts), MACMILLAN SOUTH AFRICA pp92(10), 97(bml), MACMILLAN\David Tolley p63(shirt), MACMILLAN\David Tolley p67; Lonely Planet /Linda Ching p116(cm); Masterfile p96(bmr), Macmillan p125(background), Masterfile/Kablonk p89(l), Masterfile pp110(cr), 120(tmr); Nature PL/Aflo pp104(br), 109(tl), Nature PL/Eric Baccega pp105(bl), 109(bl), Nature PL/ Mark Carwardine pp105(tl), 109 (bml), Nature PL/Anup Shah pp105(bl), 109(bmr); Newscast p21(l); NHPA/Andy Rouse pp104(tr), 109(tr); Photoalto p42(cm); Photodisc pp86(tml), 96(tmr), Photodisc p88; Photolibrary p51(tl), Photolibrary/Peter Bennett p106, Photolibrary/Zero Creatives p18(l), 28(bmr), Photolibrary/Design Pic Inc p45(bl), Photolibrary/Norbert Eisele-Hein pp71(tr), 80(tmr), Photolibrary/Chris Gascoigne pp86(cr), 96(bmrr), Photolibrary/imagebroker rf p24(t), Photolibrary/i love images pp86(tr), 96(tmr), Photolibrary/imagebroker rf p41(tmr), Photolibrary/Image Source pp70(tl), 80(bmr), Photolibrary/FRUMM John pp36(tm), 41(br), Photolibrary/Brain Lawrence p115, Photolibrary/Powel Libera pp71(tm), 80(bmll), Photolibrary/Eric Nathan p43(b), Photolibrary/Paul Paul p118, Photolibrary/The Print Collector p85(tr), Photolibrary/Purestock pp70(tm), 80(br), Photolibrary/Pixland p122(tcl), Photolibrary/Christian Reister p110(br), Photolibrary/C Squared Studios pp92(8), 97(tml), Photolibrary/Wavebreak Media pp87(tl), 96(bl), Photolibrary/Michael Weber p122(bm), Photolibrary/Andy Williams/The Travel Library p51(cl); Photoshot/World Pictures pp116(cr), 121(tmll); Press Association Images/Trevor Collens/DPA p31(tr), Press Association Images/John Giles/PA Wire p73(c); Kindly supplied by the British Red Cross p73(a); Rex Features pp12(bl), 17(br), Rex Features p61(tl), Rex Features p91(cr), Rex Features p120(bm), Rex Features/c.ABC Inc/Everett pp12(tm), 17(tm), Rex Features/CSU Archives/Everett Collection p30(tl), Rex Features/John Curtis p115, Rex Features/c.20thC.Fox/Everett p6(l), Rex Features/c.20thC.Fox/Everett pp12(tl), 17(tl), Rex Features/c.20thC.Fox/Everett p14(l), Rex features/c.FoxSearch/Everett p12(tl), Rex Features /c.20thC. Fox/Everett p17(tr), Rex Features/Jonathan Hordle p120(bl), Rex Features/Image Source p7(cl), Rex Features/ITV p12(tmr), Rex Features/ITV pp12(bm), 17(bml), Rex Features/ITV p17(bm), Rex Features/New Line/Everett pp47(r), 56(tr), RRex Features/Ken McKay p12(br), ex Features/NBCUPHOTOBANK p17(tml), Rex Features/Sipa Press p21(r) 17(br), Rex Features/Sipa Press p112(br), Rex Features /Sipa Pressp1221(tr), Rex Features/Marco Secchi p99(bl), Rex Features/Buena Vista/Everett Collection p7(tl), Rex Features/c.W.Disney/Everett p6(m), Rex Features/R.G.Williamson pp116(tr), 121(br); Reuters/Alessia Pierdomenico pp36(bl), 41(tr); Robert Harding/Gavin Hellier p26, Robert Harding/Ellen Rooney p121(tmrr); SCIENCE PHOTO LIBRARY/PASCAL GOETGHELUCK p53; Superstock p38(m), Superstock/Blend Images pp71(tl), 80(bl),

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Superstock/BlendImages p73(b), Supersstock/Corbis pp92(7), 97(br), Superstock/OJO Images p75(tl), Superstock/OJO Images p96(bmll), Superstock/Onoky p78(tr), Superstock/Purestock/SuperFusion p96(tr), SuperStock/Radius p58(bl), Superstock/SuperStock p45(tr), Superstock/Tetra Images p7(b), SuperStock/Peter Willi p45(cl), Stockbyte p45(background), Stockbyte pp92(9), 97(tl), Stockbyte p122(bcmr); Water.org p71(br). Commissioned photography by: Lisa Payne pp 4, 5(inset), 8, 10, 18(b), 22, 30(b), 33, 34, 46(b), 50, 58(br), 61(portraits), 62, 110(b), 70(b), 74, 86, 90, 98(b), 112, 114. Phil Sills pp 64(1-8), 69, 98(a-f).99(g-j), 102, 108(all). Thanks to Amber, Neil & Paige; Simon, Zara, Tabitha & Edward; Tina, Jamie & Ethan; Blackbird Leys Library; Indigo; Oxford Brookes Sports Centre, Oxford Fire Station; Phoenix Cinema; The Oxford Guitar Gallery Ltd. The authors and the publishers are grateful for permission to reprint the following copyright material: Information used from http://water.org, reprinted with permission of the publisher; Adapted material from http://www.guidedogs.org.uk, reprinted with permission of the publisher. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Workbook Designed by eMC Design Ltd. Illustrated by Adrian Barclay pp5, 21, 27, 36, 45, 57, 68, 78, 86, 88, 97, 98, 102, 104; Humberto Blanco pp9, 18, 28, 38, 44, 48, 101, 128, 132, 134, 136, 138, 140; Clive Goodyer pp41, 46, 55, 65, 76, 87, 99, 105, 148; The Boy Fitz Hammond pp17, 37, 49, 58, 66, 85; Janos Jantner pp32, 40, 47, 50, 100; Julian Mosedale pp15, 25, 27, 35, 38, 56, 58, 67, 79, 103; Oxford Designers and Illustrators p127; Martin Sanders pp19, 138, 140, 149. Cover design by Stephen Strong Cover images from CORBIS, DIGITAL STOCK, DIGITAL VISION, GETTY, IMAGESOURCE, JOHN FOXX IMAGES, MACMILLAN AUSTRALIA, Macmillan Publishers Ltd/Lisa Payne PHOTODISC, PIXTAL, STOCKBYTE. Picture research by Victoria Townsley-Gaunt

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The authors and publishers would like to thank the following for permission to reproduce their photographic material: Alamy/Barry Bland p134(cm), Alamy/ Matt Botwood (CStock) p134(tr), Alamy/Adrian Brooks p139(tr), Alamy/Chris Cheadle p128(tl), Alamy/Craig Ellenwood p51(l), Alamy/foodfolio p135(cm), Alamy/Marlene Ford p128(cm), Alamy/Angelo Hornak p125(tl), Alamy/Mode Images Limited p51(m), Alamy/Imagestate Media Partners Limited Impact Photos p139(tm), Alamy/ Nadia Isakova p124(cl), Corbis/Pawel Libera p94(bl), Alamy/Fritz Liedtke p59, Alamy/MBI p14(br), Alamy/Trinity Mirror/Mirrorpix p135(tl), Alamy/Ball Miwako p137(tr), Alamy/Lebrecht Music and Arts Photo Library p74(tr), Alamy/PCN Photography p90, Alamy/David Robertson p24, Alamy/Chris Rout p14(bl), Alamy/Andrew Rubtsov p52(cr), Alamy/John Schwieder p82(tl), Alamy/Green Stock Mediac p133(br), Alamy/UpperCut Images p93, Alamy/V&A Images p51(r), Alamy/Catchlight Visual Services p10(r), Alamy/North Wind Picture Archives p26; The Bridgeman Art Library/Private Collection p34(cm), The Bridgeman Art Library/National Geographic Image Collection p43; Brand X p67; Corbis p34(cl), Corbis/Peter Adams p16, Corbis/Auslöser p142, Corbis/Nathan Benn p42(cl), Corbis/Ron Chapple p133(cr), Corbis/Nugene Chiang/Mind Body Soul p20, Corbis/Alan Copson/JAI p133(t), Corbis/Jim Craigmyle p8, Corbis/PETER FOLEY/epa p61, Corbis/Don Hammond/Design Pics p72(l), Corbis/Martin Harvey p138(tl), Corbis/E.O. Hoppé p126(tr), Corbis/Hoberman Collection p138(tm), Corbis/Hulton-Deutsch Collection p135(br), Corbis/Frank Lukasseck p82(tr), Corbis/DANIEL MUNOZ/Reuters p23, Corbis/Ocean p46, Corbis/Jenny Elia Pfeiffer p86, Corbis/Sergio Pitamitz p131(tl), Corbis/Stephane Reix/For Picture p147(cr), Corbis/Hutchings Stock Photography p5, Corbis/Rudy Sulgan p132(tr), Corbis/Sandro Vannini p33(tm), Corbis/Stuart Westmorland p77(b); Creatas p78; DigitalStock/Corbis p131(tr); Fancy p19; Eye Ubiquitous/Hutchison/Geoff Daniels p72(r); Getty Images p140(cm), Getty Images p141(tr), Getty Images p7, Getty Images p30, Getty Images p124(cr), Getty Images p125(tr), Getty Images p126(tm), Getty Images/ABEL p135(tr), Getty Images/AFP p34(tr), Getty Images/AFP p84(t), Getty Images /Bridgeman Art Archive p74(cm), Getty Images/Phil Ashley p54(cr), Getty Images/Peter Cade p148, Getty Images/ColorBlind Images p144, Getty Images/Jim Craigmyle p91, Getty Images/Sean Duan p136(tr), Getty Images/Richard Elliott p145, Getty Images/John Edgar p5, Getty Images/J. Alex Firmani p128(cl), Getty Images/Mitchell Funk p137(tl), Getty Images/Don Hebert p140(tr), Getty Images/Jack Hollingsworth p150, Getty Images/Denkou Images p77(tr), Getty Images/Radius Images p128(tm), Getty Images/Jupiterimages p45, Getty Images/Frans Lemmens p139(tl), Getty Images/Karen Moskowitz p14(tr), Getty Images/Michael Ochs Archives/Stringer p125(tm), Getty Images/Popperfoto p92(cr), Getty Images/Redferns p140(cr), Getty Images/David Sacks p141(br), Getty Images/Margo Silver p83; As seen in HELLO! p147(br); Picture courtesy of www.guidedogs.org.uk p62; Imagesource p44(r), Image Source p49, ImageSource p133(cl); Mary Evans Picture Library/Illustrated London News Ltd p33(tm); Masterfi le p36, Masterfi le p63, Masterfi le/Keith Neale p53; Photolibrary/Eric Baccega p80, Photolibrary/Nicholas Bailey p92(tr),

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Photolibrary/Rick Colls p127(tm), Photolibrary/Michael Cuthbert p127(b), Photolibrary/Patrick Dieudonne p127(tl), Photolibrary/Chad Ehlers p136(tm), Photolibrary/Ron Giling p52(tr), Photolibrary/Herve Gyssels p140(tl), Photolibrary/Brian Lawrence p94(tr), Photolibrary/Gabriela Medina p75, Photolibrary/Alan Novelii p124(tr), Photolibrary/Colin Paterson PCL p127(tr), Photolibrary/Rafael Rojas p82(cr), Photolibrary/Michael Sedam p133(bcr), Photolibrary/Peter Thompson p128(tr), Photolibrary/Colin Underhill p134(tl), Photolibrary/Britain on View p84(b), Photolibrary/Wave RF p39, Photolibrary/Weatherstock p28, Photolibrary/Michael Wheatley p128(b); Rex Features/Monkey Business Images p143, Rex Features/Everett Collection p12(r), Rex Features/Kate Czerny/Newspix p13, Rex Features/Nils Jorgensen p42(br), Rex Features/Alex Lentati/Evening Standard p64, Rex Features/David Magnus p124(b), Rex Features /NBCUPHOTOBANK p60, Rex Features/c.Paramount/Everett p10(l), Rex Features /PHOTOREPORTERS p139(br), Rex Features/Nature Picture Library p81, Rex Features/Canadian Press p128(tr), Rex Features/Sipa Press p139(bcr), Rex Features/Image Source p4, Rex Features /Image Source p73, Rex Features/Mark Sunderland/The Travel Library p130(tm), Rex Features/The Travel Library p130(cr); Robert Harding/Adina Tovy p138(tr); SuperStock p141(tm), SuperStock/Agestock p131(br), SuperStock/AgeStock p146, SuperStock/Visions of America p137(bl), SuperStock and Fancy Collection p44(l), SuperStock/Robert Harding Picture Library p131(bcr), SuperStock and Radius p6, SuperStock and Index Stock p12(l), SuperStock/YoshioTomii p132(tl), SuperStock/Glow Wellness p22; Topfoto/The Granger Collection p34(bl). The authors and the publishers are grateful for permission to reprint the following copyright material: Information used from http://water.org, reprinted with permission of the publisher; Adapted material from http://www.guidedogs.org.uk, reprinted with permission of the publisher. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Teacher’s Reources Note to Teachers Permission to copy The material in this book is copyright. However, the publisher grants permission for copies to be made without fee on those pages marked with the photocopiable symbol.

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Private purchasers may make copies for their own use or for use by classes of which they are in charge; school purchasers may make copies for use within and by the staff and students of the school only. This permission does not extend to additional branches of an institution, who should purchase a separate master copy of the book for their own use. For copying in any other circumstances, prior permission in writing must be obtained from Macmillan Publishers Limited. Designed by 2ibooks [Publishing Solutions] Cambridge Illustrated by: Interface basics Adrian Barclay pp1, 22, 25, 39, 45, 51; Humberto Blanco pp4, 9, 12, 21, 27, 43; Clive Goodyer pp31, 44; Julian Mosedale pp 7, 9, 12, 21, 33, 46; Dave Fitzhammond pp 28, 33, 38, 49; Clive Goodyer pp11, 23, 26, 37; Janos Jantner pp 13, 16, 23. Vocabulary and grammar consolidation and extension worksheets Adrian Barclay p 28; Humberto Blanco pp 1, 3, 9, 19; Dave Fitzhammond pp 5, 13, 15, 24, 33, 34; Clive Goodyer p 25; Julian Mosedale pp 15, 21, 23, 30. Culture and CLIL worksheets Adrian Barcley p27; Oxford Designers and Illustrators p7; Clive Goodyer pp1, 29; Janos Jantner p13; Martin Sanders pp 15, 17, 25. Cover design by Stephen Strong Picture research by Suzanne Williams The authors and publishers would like to thank the following for permission to reproduce their photographic material: Interface Basics Alamy/Catchlight Visual services p5, Alamy/PCN Photography p53, Alamy/V&A Images p29; BrandX p11(l); Comstock Images p14; Corbis/Nugene Chiang/Mind Body Soul p11(r), Corbis/Jim Craigmyle p2(r) Corbis/Peter Foley p35, Corbis/Hutchings Stock Photography p7; Fancy p10, Getty Images pp2(r), 17, Photolibrary/Eric Baccega p47, Photolibrary/Weatherstock p15, Superstock/Radius p2(l). Vocabulary and Grammar Consolidation and Extension Worksheets AKG Images/IAM p9(2); Alamy/Account Alaska.com p7(3), Alamy/Arco Images GmbH p29(8), Alamy/Blickwinkel p29(7), Alamy/Fancy pp17(1,9), 19(2,9), Alamy/Johner Images p27(keyboard), Alamy/Ojo Images p23 Alamy/Chris Pancewicz pp17(3), 19(5), Alamy/Richard Wareham/Fotographie pp17(4),19(6), Alamy/ Robin Weaver p35(5); Bananastock pp6, 25; BrandX pp10(hamburger),18(br); Comstock Images pp10(oranges), 27(guitar, flute, sax, tamborine, trumpet); Corbis/C.Devanc p17(7), 19(4), Corbis/Jon

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Feingersh/Blend Images pp17(earning), 19(earning), Corbis/Owaki Kulla pp17(6,8), 19(3,8), Corbis/Renee De Martin p29(2), Corbis/Peter Mason/Cultura p7(4), Corbis/Mika p7(fish), Corbis/Moodboard p27(2) Corbis/Eric Nguyen p11, Corbis/Photolibrary p9(3), Corbis/Ariel Skelly p7(5), Corbis/Klaus Tiedge/Blend images p27(7); Digital Stock p29(1); Getty Images p35(1), Getty images/Ben Cranke p29(elephant), Getty Images/ER Productions Ltd p36, Getty Images/Chris Ryan pp17(2) 19(7), Getty Images/Phillip & Karen Smith p7(1), Getty Images/Yellow Dog Productions p5; Goodshoot pp18(bl), 35(2); Lonely Planet Images/Linda Ching p35(3), Macmillan Education Ltd p35(4); Macmillan South Africa p27(piano); Nature Picture Library/Aflo p29(5), Nature Picture Library/Eric Baccega p29(3,6), Nature Picture Library/Mark Cawardine p29(9), Nature Picture Library/Arup Shah p29(4); PhotoAlto p8; Photodisc p27(have children,5); Photolibrary/Frumm John p9(volcano), Photolibrary/ILoveImages p27(3), Photolibrary/Jutta Klee p7(2), Photolibrary/Wavebreak Media p27(4); Reuters/Alessis Pierdomenica p9(1); Rex Features/Sipa Press p35(fishing Port); Phil Sills pp18(laptop, printer, PC), 20, 29(jar, 1, 2, 3, 4, 5), 31(metal, 1, 2, 3, 4, 5, 6, 7); Single Imagesp9(4); Superstock/Ojo Images p27(1), Superstock/Purestock/Superfusion p27(6), Superstock/Radius pp17(5), 19(1); David Tolley p10(chocolate) Culture and CLIL Worksheets Alamy/Chris Ballentin/Paul Thompson Images p1(4), Alamy/AA World of Travel p1(3), Alamy/Peter Bennett/Ambient images Inc p19(1), Alamy/Barry Bland p21(5), Alamy/Cleo Photo p11(2), Alamy/Angelo Homak p1(2), Alamy/Johner Images p3(2), Alamy/Richard Levine p25(3) Alamy/John McKenna p7(4), Alamy/Mattes Rene/Hemis.ff/Hemis p25(2), Alamy/Phil Seale p5(br); Bananastock pp17(1), 25(tr); BrandX p25(1); Comstock Images p3(1); Corbis pp7(2), 9(2) Corbis E.O.Hope p5(cr), Corbis/Hulton Deutsch Collection p23(c); Digital Vision p11(c,d,e); Getty Images pp7(1), 9(4,6), 21(1,2, 3), Getty Images/Dave Bennett p31(b), Getty Images/George C Beresford/Hulton Archive p23(b), Getty Images/J. Alex Firman p9(5), Gettty Images/Don Hebert p33, Getty Images/Michael Ochs Archives/Stringer p3(cr), Getty Images/Radius Images p9(tr), Getty Images/Ryan McVay/Taxi p35; Image Source pp17(2, 3, 4, br), 19(3,4); Macmillan Australia p21(4); Macmillan Education Ltd p9(1,3); Photodisc pp7(3), 11(a,b); Photolibrary/C Squared Studios p3(3), Photolibrary/Alan Novelli p1(1), Photolibrary/Don Paulson/Superstock p11(3), Photolibrary/Michael Wheatley p11(1); Rex Features/Roland Kemp p31(a), Rex Features Theo Kingma p31(c), Rex Features/Sipa Press p19(2), Rex Features/Roger Violett p23(a); Stockbyte p3(4). CultureWatch Videos The producers and publishers wish to thank: Atomic Pizza, Oxford; Blackbird Leys Leisure Centre, Oxford; Cheney School, Oxford; First Great Western Railways; Helen & Douglas House, Oxford

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Jane Smith, King Alfred’s School, Wantage; King Alfred’s School, Wantage Lidl, Oxford; Oxford City Council; Vue Cinemas; Cogges farm, Witney; Val and Lauraat Cogges Farm, Witney; Oxford City council; Pegasus Theatre, Oxford; Soundworks, Oxford; Study vox fm, East Hendred; Abi Coulson Cover images supplied by: Alamy, Digitalstock, Getty, Pixtal, Goodshoot, Stockbyte, Superstock Media supplied by: Alamy, Audio Network, Battersea Dogs Home, Bananastock, Bbc, Brand X Pictures, Caroline Milligan, Clip Canvas, Corbis, Www.Cornish-Language.Org, Creatas, Crufts Digital Vision, Framepool, Film Extract From Shakespeare's Globe © Illuminations 2005, Getty, Getty/Sky News, The Globe Theatre, Glow Images, Image 100, Imagesource, Itn Source, James Tomlin, Jane Austen House Museum, Macmillan Publishers Ltd, Macmillan Australia, Mary Evans, Matthew Greetham, Photodisc, Photodisc/Getty Images, Rex Features, Rspca, School Of Scottish Studies, Science Photo Library, Stockbyte, Superstock Sketches written by: Bruce Windwood, Meryl Wilford & Rob Maidment Documentaries written by: Rob Maidment ¬ James Tomalin Documentaries narrated by: Joe Jameson & Fenella George Sound – Sketches: Rob Lacey & Ian Windsor Camera: Steve Weiser, Steve Cassidy, Rory Mckellor & Jon Young Assistant Producer: Sam Cooper & Gemma Callaghan Producer: James Tomalin & Vanessa Marshall Director – Sketches: Rob Maidment & Davide Broscombe Media Cast in order of appearance Dan David Perkins Stephanie Catherine Hamilton

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Emily Katie Bucholtz Jess Natalie Neagle Jack Omar Kent Landscape Cast in order of appearance Hannah Katy Allen Dan David Perkins Jack Omar Kent Emily Katie Bucholtz Animals Cast in order of appearance Emily Katie Bucholtz Hannah Katy Allen Grace Kirstin Farmer An Oxford Digital Media production for Macmillan Publishers Limited ©Macmillan Publishers Limited 2013

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Macmillan Education 4 Crinan Street, London N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world Interface Live! 3 Teacher’s Edition ISBN 978-0-230-46596-1 Interface Live! 3 Student’s Book ISBN 978-0-230-46778-1 Interface Live! 3 Workbook ISBN 978-0-230-46780-4 Interface Live! 3 Student’s Book & Workbook ISBN 978-0-230-46779-8 Text © Macmillan Publishers Limited 2011 Design and illustration © Macmillan Publishers Limited 2011 First published 2013 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. Student’s Book Original design by Stephen Strong Designed by eMC Design Ltd Illustrated by Humberto Blanco pp5, 16, 28, 40, 80, 96, 108, 120; Javier_Joaquin pp12, 38, 57, 72, 77, 104; Julian Mosedale pp35, 42, 52, 65, 76, 92; Martin Sanders pp76, 83, 85; Rory Walker pp25, 32, 36, 64. Cover design by Stephen Strong Picture research by Victoria Townsley-Gaunt Patrick would like to thank Ruth and Barnaby for their love, coffee and sandwiches. Patricia would like to thank her family and friends for all their support, especially Sheila, Pev, Tom and Ivana. She would also like to thank the team at Macmillan for all their hard work. The publishers would like to thank the following teachers for their contribution to the project: Ana Mª Zurro Diego, I.E.S. Luis Briñas-Santutxu BHI de Bilbao, Bilbao, Vizcaya; Ángel Sánchez Martín, Col. San José y San Andrés, Massanassa, Valencia; Antonio Berlanga Adell, I.E.S. La Marxadella, Torrent, Valencia; Antonio Reina

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Retamero, I.E.S. Generalife, Granada; Antonio Rubiales Roldán, I.E.S. Fray Bartolomé de las Casas, Morón de la Frontera, Sevilla; Arantzazu González, I.E.S. Diocesano Arriaga, Vitoria-Gasteiz, Álava; Carlos Sánchez Crestar, I.E.S. Alfredo Brañas, Carballo, A Coruña; Concepción Peligros, I.E.S. Atenea, San Sebastián de los Reyes, Madrid; Cristina Miró Rial, Col.legi Santa Anna, Lleida; Elena González, Col. San Félix Cantalicio, Ortuella, Navarra; Elisa García Pombo, I.E.S. Dolmen de Soto, Triguero, Huelva; Encarnación Peña Guijosa, I.E.S. Santa Catalina de Alejandría, Jaén; Francisca Pedrinacci Rodríguez, I.E.S. Federico García Lorea, Churriana de la Vega, Madrid; Inés Pascual Roy, I.E.S. Duc de Montblanc, Rubí, Barcelona; Mª Candelas Gil López, I.E.S. Matemático Puig Adam, Getafe, Madrid; Mª Covadonga Gaitero Suárez, I.E.S. Al-Qadir, Alcorcón, Madrid; Mª Gema Benito Suena, I.E.S. Marqués de Suanzes, Madrid; Mª José Martín, Col. Santa María, Granada; Mª Victoria Clemente Palacios, I.E.S. José Churriguera, Leganés, Madrid; Mavi Salas Nogueras, I.E.S. Serra Marina, Premià de Mar, Barcelona; Mónica Castanyer Mora, GEM ( Grupo Escoles Mataró) Mataró, Barcelona; Nerea Zabala, Col. San Félix Cantalicio, Ortuella, Navarra; Olga Bardío, I.E.S. Galileo Galilei, Alcorcón, Madrid; Pablo Dugo, I.E.S. Alcaria, La Puebla del Río, Sevilla; Pilar Sendra Fillol, I.E.S. Almussafes, Almussafes, Valencia; Sonia Barba Martínez, I.E.S. Ignacio Aldecoa, Perales del Río, Madrid; Sonia Bayo García, I.E.S. Matemático Puig Adam, Getafe, Madrid. Cover Credit: ComStock, DIGITAL VISION, GETTY, ImageSource, MACMILLAN AUSTRALIA, Macmillan Publishers Ltd/Lisa Payne, PHOTODISC, PIXTAL, STOCKBYTE. The authors and publishers would like to thank the following for permission to reproduce their photographic material: Allied Press Ltd p33; Courtesy of Apple p45(cl); Alamy/ilian ballet p7(bl), Alamy/blickwinkel pp46(tl), Alamy/Bubbles Photolibrary p70(cr), Alamy/David Bleeker Photography.comb p82(bcmr), Alamy/Jason Bye p68(bmr), Alamy/David Cook/blueshiftstudiosb p23(tm), Alamy/Cultura p82(bm), Alamy/Corbis Premium RF p99(b), Alamy/Corbis RF p99(t), Alamy/Cultura p70(tr), Alamy/dmac p67, Alamy/Paul Doyle pp58(tl), 68(bm), 82(tcr), Alamy/Robert Harding Picture Library Ltd p53, Photolibrary, Inc p56(tml), Alamy/Mark Eveleigh p49(cl), Alamy/Sergey Galushko p82(tcl), Alamy/mediablitzimages (uk) Limited p6(tr), Alamy/INSADCO Photography p14, Alamy/Image Source p19, Alamy/Mode Images Limited p82(bl), Alamy/Joshua Kristal p45(cr), Alamy/Jussi Pernaa p9(cl), Alamy/Stuart Pearce p77, Alamy/PhotoAlto p109, Alamy/Photofusion Picture Library p6(tm), Alamy/PRF Images p82(bcr), Alamy/Norman Price p24(5), Alamy/RichardBakerHeathrow p98(plane), Alamy/David R. Frazier Alamy/Alan Schein p52(l), Alamy/Alex Segre p54, Alamy/View Stock p55(r), Alamy/Martin Thomas Photography p82(bcml), Alamy/Peter Titmuss p70(tm), Alamy/Catchlight Visual Services p15, Alamy/claudia veja p24(6), 56(cr), Alamy/Global Warming Images p83, Alamy/Edd Westmacott p73(tml), Alamy/Hans Wijnveen p23(cm);

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Brand X p18(Dolphin), Brand X p24(1), Brand X p72, Brand X p85(b), Brand X p115(b), Brand X Pictures p7(cl), Brand X Pictures p24(3); Bridgeman/Prison Schools by Jackson, Peter (1922-2003) p63; Camera Press/UGB/XLNY p115(cl); Comic Relief p61(bm); Comstock Images p23(cr); Corbis p39, Corbis p82(tl), Corbis/Alejandro Almaraz p41, Corbis/Tony Anderson p11(cm), Corbis/Bettmann p35(br), Corbis/Walter Bibikow/JAI p82(tmr), Corbis/MIKE BLAKE/Reuters p119, Corbis/Pascal Broze/Onoky p98(tl), Corbis/Alan Copson/JAI pp46(cmr), 56(cmr), Corbis/Randy Faris p87(r), Corbis/Victor Fraile p12(r), Corbis/Keith Hamshere/Sygma p123(l), Corbis/Kurt Krieger p12(l), Corbis/Dennis Kunkel Microscopy,Inc./Visuals Unlimited p31(b), Corbis/Dirk Lindner p122(c), Corbis/I Love Images p9(tr), Corbis/Jose Luis Pelaez, Inc./Blend Images p82(bmr), Corbis/Richard Morrell p24(2), Corbis/Roulier/Turiot/photocuisine p79, Corbis/STR/epa p125(r), Corbis/Hill Street Studios/Blend Images p92; DigitalStock/ Corbis pp46(tr), 56(cl), DigitalStock/Corbis p56(cml), DigitalStock/Corbis pp47(r), 56(bml), DigitalStock/Corbis p85(br); El País/Leila Méndez p71(l); Felicity Marks p59(tl), Felicity Marks p59(br); Getty p82(tml), Getty p111(t); Getty Images p11(tm), Getty Images p11br), Getty Images p11(tr), Getty Images p13(b), Getty Images p23(tr), Getty Images p51(tr), Getty Images p51(cr), Getty Images p68(tmr), Getty Images p75, Getty Images p76, Getty Images p78, Getty Images p86(l), Getty Images p91(cr), Getty Images p103(cr), Getty Images p103(tr), Getty Images p113, Getty Images p118, Getty Images/April p116(l), Getty Images/Comstock p82(tcml), Getty Images/Cover p49(cr), Getty Images/Creative Crop p23(cl), Getty Images/Sabine Duerichen p98(tr), Getty Images/E. Dygas p105(b), Getty Images/John Eder p11(cl), Getty Images/Michael Heinsen p70(tl), Getty Images/Junophoto p107, Getty Images/James Lauritz p103(tl), Getty Images/Terry O’Neill p123(cr), Getty Images/PhotoAlto/Laurence Mouton p98(cr), Getty Images/Siede Preis p111(tc), Getty Images/Rayman p7(tl), Getty Images/Redferns p110(cr), Getty Images/SSPL p111(bc), Getty /STOCK4B-RF p98(cl),Getty Images/Bill Stormont pp24(7), 29, Getty Images/Time & Life Pictures p27, Getty Images/Alan Thornton p31(t), Getty Images/Dimitri Vervitsiotis p105(t), Getty Images/WireImage p122(t); Goodshoot pp47(l), 56(tr); Goodshoot p52(m), Goodshoot p85(cr); Grup 64 p71(r); Image 100 p24(4); Image Source p9(cr), ImageSource p48(l), ImageSource p48(r), ImageSource p85(bmr), Lonely Planet/Christer Fredriksson p73(tr); Macmillan p111(c); Macmillan Australia p18(Footballers); Macmillan Publishers Ltd/Dean Ryan pp23, 45(bl), (tl,br),102; Médecins Sans Frontières p61(tl); Oxfam p61(cr); Photodisc p111(b); Photolibrary/Mark Anderson p106, Photolibrar/Armando Babani p13(c), Photolibrary/Edward Bock p101(l), Photolibrary/Britain on View p24(8), Photolibrary/Walter Bibikow p110(t), Photolibrary/Corbis p73(tmr), Photolibrary/Anders Ekholm p56(tmr), Photolibrary/Neil Emmerson p52(r), Photolibrary/Fancy p105(c), Photolibrary/Stock Foundry p11(tl), Photolibrary/Richard Gleed p82(tcmr), Photolibrary/Peter Harrison pp46(cml), 56(cr), Photolibrar/Juergen Hasenkopf p11(cr), Photolibrary/Robert Huberman p30, Photolibrary/Jupiterimages p9(cm), Photolibrary/Pawel Libera p51(br), Photolibrary/Ralph Looney p86(r), Photolibrar/ Steve Meltzer p103(cl),

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Photolibrary/Jonathan A Meyers p32, Photolibrary/Nonstock p110(cl), Photolibary/Sergio Pitamitz p56(br), Photolibrary/uppercut Images RF p5, Photolibary/Bruce Yuan-Yue Bi PCL p56(tl), Photolibrary/Daniel Dal Zennaro p13(t), Photolibrary/Image 100 p105(bc); Photoshot p66; Press Association Images/Lai Seng Sin/AP p115(tl); The emblem of the International Red Cross and Red Crescent Movement is used with the kind permission of the British Red Cross p61(cl); Used with the kind permission of the RSPCA, a charity registered in England & Wales, no. 219099” p61(tr); SuperStock p35(tr), SuperStock/Fancy Collection p45(tl), SuperStock/Corbis p87(l), SuperStock/Design Pics p101(r), SuperStock/Design Pics pp58(br), 68(tm), SuperStock/Fotosearch p6(t), Superstock/Age Fotostock p45(tl), SuperStock/Age Fotostock p49(tl), SuperStock/Age Footstock p115(cr), SuperStock/Hemis fr pp46(bl), SuperStock/Blend Images p122(b), SuperStock/Glow Images pp58(tr), 68(tr), Super-Stock/Tetra Images p68(br), SuperStock/Tetra Images p45(br), 56(bmr), SuperStock/Imagebroker.net p117, SuperStock/Design Pics p98(br), SuperStock/Science and Society p43, SuperStock/Rubberball p116(r), SuperStock/Image Source p73(tl), SuperStock/Image Source p82(tr), SuperStock/Image Source p98(bl), SuperStock/SOMOS p82(bcl), SuperStock/Stockbroker p68(bl), Photolibrary/Stockbrokerxtra Images p102(disco), SuperStock/UpperCut Images p45(tm), SuperStock/Visions of America pp58(cm), 68(tml), SuperStock/Westend61 p105(tc); Rex Features/c.20thC.Fox/Everett p94, Rex Features/Eye Candy p95, Rex Features/Everett Collection p123(br), Rex Features/Everett Collection p123(tr), Rex Features/Sari Gustafsson p125(l), Rex Features/NilsJorgense p121, Rex Features/MartinLee p68(bml), Rex Features/NBCUPHOTOBANK p91(tr), Rex Features p12, Rex Features/OJO Images p21(l), Rex Features/Garo/Phanie p21(r), Rex Features/Voisin/Phanie p26, Rex Features/Startraks Photo p64, Rex Features/Sipa Press p49(tr), Rex Features/Eye Ubiquitous p60, Rex Features/KPA/Zuma p93, Rex Features/ Bill Zygmant p103(br); Rossparry.co.uk/syndication p24(r). Commissioned photos by Lisa Payne: pp4, 10, 18, 19, 22, 34, 50, 62, 74, 90, 102, 114. Thanks to Hannah, Levi & Nikita. The authors and the publishers are grateful for permission to reprint the following copyright material: Material about Tim Berners-Lee from website www.w3.org, reprinted with approval; Material regarding Felicity Marks and The Street Academy Annexe Project;

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Poem ‘Learning to Write a Sonnet’ by Denise Rodgers. Copyright © 2010 Denise Rodgers. Reprinted by permission of the author and Susan Schulman, A Literary Agent, New York. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Workbook Designed by eMC Design Ltd. Illustrated by Adrian Barclay pp35, 97, 125(t); Humberto Blanco (Sylvie Poggio Artists Agency) pp15, 18, 65, 86, 94; Kevin Hopgood pp3, 4, 7, 14, 24, 25, 27, 29(r), 31, 38(b), 47, 60, 67, 73, 76, 98, 100, 102, 133; Julian Mosedale pp5, 9, 26, 28, 29(l), 33, 38(tr), 46, 54, 58, 63, 75, 78, 126; Oxford Designers & Illustrators pp127, 131, 135; Martin Sanders (Beehive Illustration) pp64, 125(b), 130, 132, 140; Rory Walker pp13, 34, 39, 43, 45, 48, 56, 68, 77, 88, 104, 137. Cover design by Stephen Strong Picture research by Victoria Townsley-Gaunt Cover Credit: Comstock, DIGITAL VISION, Getty, IMAGE SOURCE, MACMILLAN AUSTRALIA, Macmillan Publishers Ltd/Lisa Payne, PIXTAL, PHOTODISC, STOCKBYTE. The author and publishers would like to thank the following for permission to reproduce their photographs: Alamy/Paul Bradbury p101(tl), Alamy/Harriet Cummings p144, Alamy/grafi cart.net p139(br), Alamy/Angela Hampton Picture Library p146, Alamy/Angela Hampton Picture Library p148, Alamy/Helga p101(tr), Alamy/Simon Margetson p101(tmr), Alamy/Ben Molyneux food and drinks p101(bl), Alamy/Lebrecht Music and Arts Photo Library p128(t), Alamy/NASA Photography p135 (tr), Alamy/Kuttig - People p101(bm), Alamy/Fuller Photography p137(t), Alamy/rgbstudio p105(bl), Alamy/StockShot p99(tl), Alamy/SPARK62 p147, Alamy/Rod Williams p138(l); Akg-images/British Library p132(t); Brand X p35(cr), Brand X p35(br); Brand X Pictures p103(tr), Brand X Pictures p142(l), Brand X Pictures p142(r); The Bridgeman Art Library p133(tc); Camera Press/Tina Paul p85, Camera Press/Rota p105(cm); Corbis/Fernando Bengoechea/Beateworks p105(tl), Corbis/Bettmann p62, Corbis/Bettmann p99(tr), Corbis/Bettmann p141(tl), Corbis/Arno Burgi/epa p105(tr), Corbis/Cameron Davidson p42, Corbis/Franz-Marc Frei p140(t), Corbis/Robert Holmes p141(b), Corbis/Kerrick James p131(tr), Corbis/David Jay Zimmerman p99(cr), Corbis/Mike Kemp/In Pictures p40,

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Corbis/Kevin Lamarque/Reuters p90, Corbis/Puit Paranjpe/Reuters p103(tl), Corbis/Olix Wirtinger p105(bm); Digital Stock p141(tr); DigitalStock/Corbis p35(tl), DigitalStock/Corbis p44; Getty p35(tr), Getty Images p12, Getty Images p125(tr), Getty Images p132(cm), Getty Images p134(r), Getty Images p135(tl), Getty Images p139(tr), Getty Images/AFP p72, Getty Images/Paul Bradbury p150, Getty Images/Tim Flach p126(t), Getty Images/Fuse p101(br), Getty Images/Collin Gray p10, Getty images/Mark Harris p125(b), Getty Images/DEA/L.Romano p130, Getty Images/Dorling Kindersley p105(cl), Getty Images/Lisa Peardon p20, Getty Images/Popperfoto p124(cr), Getty Images/Popperfoto p127(l), Getty Images/Rubberball p14(br), Getty Images/Paul Souders p99(bmr), Getty Images/SSPL p22, Getty Images/Stocktrek Images p99(bml), Getty Images/Daniel Swallow p99(bl), Getty Images/Time & Life Pictures p134(tl); Goodshoot p35(cl), Goodshoot p35(bl); Image Source p139(cr); Jupiter Images/Jeffrey Coolidge p101(cr); Kobal Collection/Universal p70; Lowa State University p16; Mary Evans/Winchester College/In aid of Mary Seacole Memorial Statue Appeal p132(bc), Mary Evans Picture Library/Suddeutsche Zeitung p52; National Media Museum p74(r), National Media Museum p74(l); Nature Picture Library/Nick Gordon p58, Nature Picture Library/Visuals unlimited p131(tl); NHPA/Anthony Bannister p99(cm), NHPA/Inigo Everson p99(br); PA Photos/Adam Davy/EMPICS Sport p125(tl); Photolibrary/Cheese p84, Photolibrary /Ethel Davis p129, Photolibrary/Fancy p14(br), Photolibrary/Imagesource p14(tr), Photolibrary/Flight Images LLP p145(br), Photolibrary/Eike Meitzel p149, Photolibrary Eric Nathan p139(t), Photolibrary/Mary Plage p99(tmr), Photolibrary/Steve Vidler p145(tr), Photolibrary /Dh Webster p53, Reuters/Stephen Hird p124(t); Rex Features/Jonathan Banks p143, Rex Features/Steve Brown p37(l), Rex Features/Monkey Business Images p14(tl), Rex Features/c.20thC.Fox/Everett p103(br), Rex Features/West Coast Surfer/Mood Board p101(tml), Rex Features/C.Columbia/Everett p32, Rex Features/Courtesy Everett Collection p89, Rex Features/Everett Collection p93, Rex Features /David Fisher p136(br), Rex Features/Richard Gardner p145(cr), Rex Features/Denkou Images p103(tm), Rex Features/Nils Jorgensen p105(tmr), Rex Features/Alex Lentati/Evening Standard p105(cr), Rex Features/c.New Line/Everett p136(cl), Rex Features/c.New Line/Everett p136(tm), Rex Features/Alisdair Macdonald p37(m), Rex Features/Alisdair Macdonald p92, Rex Feature/Bill Orchard p82, Rex Features/Picture Perfect p103(bl), Rex Features/Richard Young p103(bm); Science Photo Library/Roger Hill p99(tml), Science Photolibrary/Sheila Terry p127(r); The Spencer Family Archives p126(cr); Superstock p128(cr), SuperStock/Corbis p103(cl), SuperStock/Corbis p105(tml), Superstock/Blend Images p80, SuperStock/81a RF Collection p105(br), Superstock/Glow Wellness p37(r); Topfoto/The Granger Collection p140(r); WaterAid/Jon Spaull p50. The authors and the publishers are grateful for permission to reprint the following copyright material:

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Material about Tim Berners-Lee from website www.w3.org, reprinted with approval; Material regarding Felicity Marks and The Street Academy Annexe Project; Poem ‘Learning to Write a Sonnet’ by Denise Rodgers. Copyright © 2010 Denise Rodgers. Reprinted by permission of the author and Susan Schulman, A Literary Agent, New York. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Teacher’s Resource File Note to Teachers Permission to copy The material in this book is copyright. However, the publisher grants permission for copies to be made without fee on those pages marked with the photocopiable symbol. Private purchasers may make copies for their own use or for use by classes of which they are in charge; school purchasers may make copies for use within and by the staff and students of the school only. This permission does not extend to additional branches of an institution, who should purchase a separate master copy of the book for their own use. For copying in any other circumstances, prior permission in writing must be obtained from Macmillan Publishers Limited. Designed by 2ibooks [Publishing Solutions] Cambridge Illustrated by: Interface basics Adrian Barclay p19; Humberto Blanco pp7, 9, 13, 31, 37; Kevin Hopgood pp14, 17; Javier Joaquin p45; Julian Mosedale pp4, 15, 16, 21, 33, 43; Andrew Painter p1; Rory Walker pp22, 25, 27, 39. Vocabulary and grammar consolidation and extension worksheets Humberto Blanco pp1, 3, 5, 7, 9, 25, 27, 29, 33, 35; Julian Mosedale p11; Rory Walker p17. Key competences worksheets Humberto Blanco pp21, 22; Julian Mosedale pp25, 26; Andrew Painter pp23, 24; Pablo Velarde pp29, 30. Culture and CLIL worksheets

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Adrian Barclay pp 13(t), 17; Kevin Hopgood p19; Oxford Illustrators pp7, 8; Julian Mosedale p35; Andrew Painter pp9, 11, 31; Martin Sanders pp1, 2, 3, 13(b), 15, 23. Study skills worksheets Andrew Painter pp1, 14. Cover design by Stephen Strong Picture research by Sally Cole The authors and publishers would like to thank the following for permission to reproduce their photographic material: Interface basics Alamy/L.Beziat p22(cm),Alamy/R.Butcher/Jon Arnold Images p19(f),Alamy/D.Frazier p13(tl); Camera Press/T.Paul p49(tr); Corbis/C.Davidson p23(tl); Kobal Collection/Universal p41(tl); Macmillan Publishers Ltd/ Brand X p19(d), Macmillan Publishers Ltd/ Corbis pp19(e),24(tl), Macmillan Publishers Ltd/ Digital Stock/Corbis pp19(a), Macmillan Publishers Ltd/ Getty RF p19(b), Macmillan Publishers Ltd/Goodshoot pp13(tr),19(c); PhotoAlto p31(tr); Photolibrary/P.Saloutos p19(tr); Photonica p5(tl); Rex Features/Everett Collection p52(tr), Rex Features/Paramount/Everett Collection; Taxi p11(tl). Vocabulary and grammar consolidation and extension worksheets Alamy/L.Beziat p22(cm), Alamy/D.Frazier p13(tl); Macmillan Publishers Ltd/Corbis p24(tl), Macmillan Publishers Ltd/Digital Stock pp15(tl,(tr), Macmillan Publishers Ltd/Goodshoot p13(tr); PhotoAlto/L.Mouton p31(tr); Photolibrary/P.Saloutos p19(tr). CLIL and culture worksheets Alamy/R.Williams p29(tr); Corbis/Bettmann Archive p27(cr), Corbis/A.Gombert p8(br), Corbis/R.Holmes p33(m); Rex Features/D.Fisher p25(cr); Science & Society/Superstock p2(cr); The Spencer Family Archives p5(tr); Winchester College/In aid of Mary Seacole Memorial Statue Appeal p17(tr).

CultureWatch Videos The producers and publishers wish to thank: Atomic Pizza, Oxford; Blackbird Leys Leisure Centre, Oxford; Cheney School, Oxford; First Great Western Railways; Helen & Douglas House, Oxford Jane Smith, King Alfred’s School, Wantage; King Alfred’s School, Wantage Lidl, Oxford; Oxford City Council; Vue Cinemas; Cogges farm, Witney; Val and

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Lauraat Cogges Farm, Witney; Oxford City council; Pegasus Theatre, Oxford; Soundworks, Oxford; Study vox fm, East Hendred; Abi Coulson Cover images supplied by: Alamy, Digitalstock, Getty, Pixtal, Goodshoot, Stockbyte, Superstock Media supplied by: Alamy, Audio Network, Battersea Dogs Home, Bananastock, Bbc, Brand X Pictures, Caroline Milligan, Clip Canvas, Corbis, Www.Cornish-Language.Org, Creatas, Crufts Digital Vision, Framepool, Film Extract From Shakespeare's Globe © Illuminations 2005, Getty, Getty/Sky News, The Globe Theatre, Glow Images, Image 100, Imagesource, Itn Source, James Tomlin, Jane Austen House Museum, Macmillan Publishers Ltd, Macmillan Australia, Mary Evans, Matthew Greetham, Photodisc, Photodisc/Getty Images, Rex Features, Rspca, School Of Scottish Studies, Science Photo Library, Stockbyte, Superstock Sketches written by: Bruce Windwood, Meryl Wilford & Rob Maidment Documentaries written by: Rob Maidment ¬ James Tomalin Documentaries narrated by: Joe Jameson & Fenella George Sound – Sketches: Rob Lacey & Ian Windsor Camera: Steve Weiser, Steve Cassidy, Rory Mckellor & Jon Young Assistant Producer: Sam Cooper & Gemma Callaghan Producer: James Tomalin & Vanessa Marshall Director – Sketches: Rob Maidment & Davide Broscombe Sport Cast Jack Crutch Will Turner Asif Dewan Assistant Isobel Locke Gemma Curtis James Maynard Tom Stevens

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Melanie Revil Passer-by Zara Swanton Kate Stevens Transport Cast in order of appearance Hannah Katy Allen Dan David Perkins Jack Omar Kent Emily Katie Bucholtz Music Cast in order of appearance Brian Alex Kew Dan David Perkins Emily Katie Bucholtz Jack Omar Kent An Oxford Digital Media production for Macmillan Publishers Limited ©Macmillan Publishers Limited 2013

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Macmillan Education 4 Crinan Street, London N1 9XW A division of Macmillan Publishers Limited Companies and representatives throughout the world Interface Live! 4 Teacher’s Edition ISBN 978-0-230-46597-8 Interface Live! 4 Student’s Book ISBN 978-0-230-46781-1 Interface Live! 4 Workbook ISBN 978-0-230-46782-8 Interface Live! 4 Student’s Book & Workbook ISBN 978-0-230-46783-5 Text © Macmillan Publishers Limited 2012 Design and illustration © Macmillan Publishers Limited 2012 First published 2013 All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior written permission of the publishers. Student’s Book Original design by Stephen Strong Designed by Carolyn Gibson Illustrated by Adrian Barclay pp92, 95, 105, 119; Humberto Blanco p5, 16, 23, 28, 68, 72, 80, 108, 120; Javier Joaquin pp52, 53, 67, 92, 104; Julian Mosedale pp34, 60, 65, 79, 122; Rory Walker pp25, 55, 57, 64, 76, 88. Cover design by Stephen Strong Picture research by Victoria Townsley-Gaunt Patrick would like to thank Ruth and Barnaby for their love, coffee and sandwiches. Patricia would like to thank her family and friends for all their support, especially Liz, Dave and Ivana. The publishers would like to thank the following teachers for their contribution to the project: Ana Mª Zurro Diego, I.E.S. Luis Briñas-Santutxu BHI de Bilbao, Bilbao, Vizcaya; Ángel Sánchez Martín, Col. San José y San Andrés, Massanassa, Valencia; Antonio Berlanga Adell, I.E.S. La Marxadella, Torrent, Valencia; Antonio Reina

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Retamero, I.E.S. Generalife, Granada; Antonio Rubiales Roldán, I.E.S. Fray Bartolomé de las Casas, Morón de la Frontera, Sevilla; Arantzazu González, I.E.S. Diocesano Arriaga, Vitoria-Gasteiz, Álava; Carlos Sánchez Crestar, I.E.S. Alfredo Brañas, Carballo, A Coruña; Concepción Peligros, I.E.S. Atenea, San Sebastián de los Reyes, Madrid; Cristina Miró Rial, Col.legi Santa Anna, Lleida; Elena González, Col. San Félix Cantalicio, Ortuella, Navarra; Elisa García Pombo, I.E.S. Dolmen de Soto, Triguero, Huelva; Encarnación Peña Guijosa, I.E.S. Santa Catalina de Alejandría, Jaén; Francisca Pedrinacci Rodríguez, I.E.S. Federico García Lorea, Churriana de la Vega, Madrid; Inés Pascual Roy, I.E.S. Duc de Montblanc, Rubí, Barcelona; Mª Candelas Gil López, I.E.S. Matemático Puig Adam, Getafe, Madrid; Mª Covadonga Gaitero Suárez, I.E.S. Al-Qadir, Alcorcón, Madrid; Mª Gema Benito Suena, I.E.S. Marqués de Suanzes, Madrid; Mª José Martín, Col. Santa María, Granada; Mª Victoria Clemente Palacios, I.E.S. José Churriguera, Leganés, Madrid; Mavi Salas Nogueras, I.E.S. Serra Marina, Premià de Mar, Barcelona; Mónica Castanyer Mora, GEM ( Grupo Escoles Mataró) Mataró, Barcelona; Nerea Zabala, Col. San Félix Cantalicio, Ortuella, Navarra; Olga Bardío, I.E.S. Galileo Galilei, Alcorcón, Madrid; Pablo Dugo, I.E.S. Alcaria, La Puebla del Río, Sevilla; Pilar Sendra Fillol, I.E.S. Almussafes, Almussafes, Valencia; Sonia Barba Martínez, I.E.S. Ignacio Aldecoa, Perales del Río, Madrid; Sonia Bayo García, I.E.S. Matemático Puig Adam, Getafe, Madrid. Cover Credit: Brand X, Creatas, DigitalStock/ Corbis, Digital Vision, Getty, Image Source, Macmillan Publishers Ltd/Lisa Payne, Photodisc, Photospin, Rubber Ball, Stockbyte, SUPERSTOCK. The author and publishers would like to thank the following for permission to reproduce their photographs: Alamy/CRG Design p115(br), Alamy/Keith Erskine p42(tm), Alamy/ImagesEurope p29, Alamy/Beyond Fotomedia GmbH p45(tl), Alamy/Robert W. Ginn p40(bmr), Alamy/Johnny Greig Travel Photography p73(1), Alamy/Blend Images p52, Alamy/Johner Images p11(tm), Alamy/Jon Arnold Images Ltd p85(tm), Alamy/INTERFOTO p103(cl), Alamy/Geoffrey Kidd p56(tmll), Alamy/Niall McDiarmid p63(br), Alamy/Leonid Nyshko p51(cbl), Alamy/Picture Press p11(tl), Alamy/Pictorial Press Ltd p103(cr), Alamy/Westend61 GmbH p78, Alamy/North Wind Picture Archives p103(tr); Art Directors/Helene Rogers p115(background); Bananastock pp13(Chris), 40(tr), 40(bml), 40(tmr), 63(cl); The Beano © D.C.Thomson&Co., Ltd p42(tr); Bloomsbury Publishers/Cover illustration from HARRY POTTER AND THE PHILOSOPHER’S STONE written by JK Rowling p43(tl); BRAND X PICTURES pp33(tm), 82(bl); The Bridgeman Art Library/Musée des Antiquités Nationales, St. Germain-en-Laye, France/Giraudon p47(6); www.buynothingday.co.uk/Michael Smith p33(tr); COMSTOCK IMAGES p113(tr); Corbis p96(br), 121, Corbis/Jeffrey Bender pp30(tml), 35(tm), Corbis/Bettmann p113(tl), Corbis/Roy Botterell pp30(tmr), 35(cl), Corbis/GERO

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BRELOER/epa pp86(2), 96(tmll), Corbis/PAUL BUCK/epa p111(g), Corbis/Randy Faris pp9(tml), 42(tcml), Corbis/Adam Friedberg p61(3), Corbis/John Lund/Sam Diephuis/Blend Images p9(tmr), Corbis/Tetra Images p40(bm), Corbis/Jutta Klee pp79, 81, Corbis/Brooks Kraft p51(tr), Corbis/Justin Lane/epa p75, Corbis/KIM KYUNG-HOON/Reuters p106, Getty Images/Bellurget Jean Louis p118, Corbis/Matelly/cultura p15, Corbis/Mika p91(cm), Corbis/Ocean pp51(ctl), 54(tr), 70(4), Corbis/Ben Radford pp86(3), 96(bml), Corbis/Vienna Report Agency/Sygma p6(cm), Corbis/Dan Rowley/Colorsport p91(tl), Corbis/Matthias Ritzmann p54(br), Corbis/Image Source p98(2), Corbis/Hill Street Studios/Blend Images p109, Corbis/Lewis Whyld/Pool/epa p87(5); Digital Vision p73(tl); Doug Savage pp110, 116, 117; Getty pp18(tr), 40(bl), 47(5), 46(3), 56(tm), 56(bmll), 63(tl), 89(tm), 96(tmrr), 96(bmr), 103(cm), 103(tm), Getty Images pp6(tr), 30(tr), 35(cm), 46(1), 51(br), 56(bl), 58(tl), 77, 87(6), 91(br), 92, 93, 96(tml), 112, Getty Images/AFP pp58(tr), 59(tr), 59(cr), 86(1), 87(4), 89(tr), 96(tl), 96(tr), 96(bl), Getty Images/Design Pics/Richard Berry p42(bl), Getty Images/Richard Boll pp47(7), 56(tr), Getty Images/Paul Bradbury pp35(cr), 46(4), 56(bml), Getty Images/Brand X p70(1), Getty Images/Tanya Constantine p17, Getty Images/Cover p36(tr), Getty Images/Jim Craigmyle p104(tr), Getty Images/Creative Crop p46(2), 56(bmr), Getty Images/Yellow Dog Productions p125(tl), Getty Images/Echo p97, Getty Images/FIFA pp88, 94, Getty Images/Fuse p67, Getty Images/Ciaran Griffin p98(1), Getty Images/Matt Henry Gunther p91(cl), Getty Images/Colin Hawkins p91(tm), Getty Images/Tetra Images p9(cm), Getty Images/Jaunty Junto p85(br), Getty Images/Don Klumpp p69, Getty Images/Time & Life Pictures p103(br), Getty Images/Stuart O’Sullivan p96(bmr), Getty Images/Siede Preis p56(tmlP), Getty Images/Erik Simonsen p18(tl), Getty Images/Image Source pp45(tm), 73(2), 87(tl), Getty Images/SSPL p107, Getty Images/Stockbyte p51(cbm), Getty Images/Supernova p27, Getty Images/Digital Vision p71(tl), Getty Images/VisionsofAmerica/Joe Sohm p70(3), Getty Images/WireImage p8, Getty Images/David Young-Wolff p13(cl); Glow Images/Sozaijiten/Imagenavi p57; Guinness World Records, 2011 p123; Hachette Book Group p21(bml); HarperCollins Publishers Ltd/©2010/Usain Bolt p42(tl), HarperCollins Ltd/©2010/Agatha Christie p43(bl), HarperCollins Publishers Ltd/©2007/J.R.R. Tolkien p21(bl); Hodder & Stoughton p43(br); Image Source pp12, 13(Andy), 13(Emma), 51(ctm), 56(tl), 82(tcr), 82(bcm), 100, 103(tl); Julian Dolman p25; Macmillan p56(tmrr); MACMILLAN AUSTRALIA p82(tcl); MACMILLAN NEW ZEALAND pp42(bm), 45(tr); Photoalto p13(Lisa); Photodisc p39(br); Photospin p19; Photolibrary pp38, p41, Photolibrary/Big Cheese pp31, 82(tm), Photolibrary/Bilderlounge p125(tr), Photolibrary/Monkey Business Images Ltd p9(tr), Photolibrary/Rainer Elstermann p42(tcr), Photolibrary/Denis Gilbert p73(3), Photolibrary/Martin Harvey p71(tr), Photolibrary/Ian Lishman p64(tr), Photolibrary/Sherrie Nickol p56(bmrr), Photolibrary/Graham Oliver p42(br), Photolibrary/81a Productions p40(tmrr), Photolibrary/Thomas Ruffer p42(tcl), Photolibrary/Stockbrokerxtra pp53, 61(1), Photolibrary/Rob White p111(f); Pixtal p9(tl); Press Association with thanks to

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Picador/Marlene Bloom p36(tl); Rex Features p9(tr), Rex Features/Nicholas Bailey p48, Rex Features/Monkey Business Images p104(br), Rex Features/CHI-Photo/Nick Cunard/Rex p23(cr), Rex Features/Rex Features p36(tr), Rex Features/David Fisher p49(tl), Rex Features/OJO Images p26, Rex Features/c.New Line/Everettc p21(bmr), Rex Features/Alex Macnaughton p23(br), Rex Features/Masatoshi Okauchi p59(tl), Rex Features/Sipa Press pp6(tl), 49(tr), Rex Features/Hugh Routledge p96(tmr), Rex Features/Jim Smeal/BEI pp7(tl), 23(tr), Rex Features/Image Source pp14, 56(tmr), Rex Features/c.W.Disney/Everett pp7(tr), 21(br); SCIENCE PHOTO LIBRARY/Chris Butler p19(background), SCIENCE PHOTO LIBRARY/PHILIPPE PSAILA p70(2); Stockdisc pp85(tr), 96(bmll); SuperStock p42(bcl), SuperStock/The Art Archive p20, SuperStock/Hoberman Collection p115(cl), SuperStock/Age Fotostock pp56(br), 82(br), SuperStock/Blend Images p83, Superstock/Eyecandy Images p10(tr), SuperStock/Imagebroket.net pp40(tml), 42(bcmr), 125(tm), SuperStock/Moodboard p9(cl), Superstock/Image Source pp30(tl), 35(tl), 40(tmll), 40(br), SuperStock/Stella Stock p85(cr), SuperStock/Radius p61(2), SuperStock/Cititzen Stock p66, SuperStock/Westend61 p64(br); SWNS.com/Adam Gray pp99(tr, trb); Trinity College Firefighting Home Robot Contest Expert Division, 2011 p101; Wordsworth Editions Ltd/©1992/Charles Dickens p43(tr); WWF p39 (WWF Logo). Commissioned photos by Lisa Payne: pp4, 5, 10, 22, 34, 50, 62, 74, 90, 102, 114. Thanks to Mohsin, Saffron and Terry. The authors and the publishers are grateful for permission to reprint the following copyright material: David Higham Associates for an extract adapted from the short story Dog Star by Arthur C. Clarke, published in Tales of Ten Worlds. Reproduced with permission from David Higham Associates; The Freecycle Network ™ for details from www.freecycle.org, reproduced with permission; United Agents for the poem ‘Flowers’ by Wendy Cope from Two Cures for Love: Selected Poems 1976-2006, Faber & Faber, 2008. Reprinted by permission of United Agents on behalf of Wendy Cope; Doug Savage for an interview, reproduced with permission. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them.

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Workbook Designed by eMC Design Ltd. Illustrated by Adrian Barclay p99; Humberto Blanco pp4, 18; Kevin Hopgood pp7, 24, 27, 33, 37, 45, 48, 58, 59, 60, 69, 76, 77, 104; Julian Mosedale pp8, 16, 35, 38, 46, 57, 65, 75, 87, 89; Martin Sanders pp124, 138; Rory Walker pp17, 37, 53, 56, 63, 68, 76, 83, 88, 93, 102. Cover design by Stephen Strong Cover images from Brand X, Creatas, DigitalStock/ Corbis, Digital Vision, Getty, Image Source, Macmillan Publishers Ltd/Lisa Payne, Photodisc, Photospin, Rubber Ball, Stockbyte, SUPERSTOCK. Picture research by Victoria Townsley-Gaunt The author and publishers would like to thank the following for permission to reproduce their photographs: Alamy/Ingvar Björk p100(8), Alamy/Sylvie Bouchard p101(1), Alamy/filmfoto-02 p101(2), Alamy/David J. Green – Lifestyle p76, Alamy/Anthony Hatley p149, Alamy/D. Hurst p101(8), Alamy/Juice Images p97(7), Almy/Ruslan Kudrin p100(5), Alamy/Coyote-Photography.co.uk p101(3), Alamy/Bubbles Photolibrary p147, Alamy/Andalucia Plus Image bank p103(3), Alamy/Niels Poulsen p103(6), Alamy/Chuck Mason p92, Alamy/Chris Ryan p97(3); Courtesy of Apple p141(br); The Big Bang Fair pp138(cl,tr, background), 139(t); ComStock p100(10); Corbis pp20, 129, 133(br), Corbis/Bettmann p42, Corbis/John Bryson/Sygma p126(tl), Corbis/JESUS CASO/epa pp126(background), 127(t), Corbis/cultura p103(1), Corbis/Deborah Feingold p129(b), Corbis/Glowimages p100(6), Corbis/Dimitri Iundt/TempSport p103(10), Corbis/JLP/Jose L. Pelaez p144, Corbis/Helen King p97(1), Corbis/Jutta Klee P142(tr), Corbis/moodboard p97(4), Corbis/Ocean p103(8), Corbis/Andy Rain/epa p133(tr), Corbis/Paul Souders p34, Corbis/Shannon Stapleton/Reuters p132(background), Corbis/Tomas Rodriguez p150, Corbis/Max Wanger p50; DIGITAL VISION pp3,105(l, r); Facebook p140(Facebook logo); Friends of the Earth p32(cr); Getty Images pp30, 70, 73, 82, 126(t), 128(background), 129(tr), 132(tr), 133(tl), 135(tl), P136(cr), 140(tr), Getty Images/AFP pp14, 66, Getty Images/Kevin Clogstoun p52, Getty Images/Stewart Cohen Pictures p97(8), Getty Images/John Cumming p148, Getty Images/Andrew Dernie p100(9), Getty Images/Tim Dolan Photography p142(cm), Getty Images/Richard Elliott p74, Getty Images/Europe p103(4), Corbis/Victor Fraile p72, Getty Images/PAUL JARIS p10, Getty Images/Dorling Kindersley p102(6), Getty Images/TIME & LIFE Images p124(cl), Getty Images/Jason LaVeris 135(cr), Getty Images/Ryan McVay p36, Glow Images/

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Klaus Mellenthin p40(b), Getty Images/Joos Mind p101(7), Getty Images/Stock Montage/Contributor p12, Getty Images/PhotoAlto p90, Getty Images/Popperfoto p22, Getty Images/Philip and Karen Smith p142(br), Getty Images/Plush Studios p100(2), Getty Images/SuperStock p62, Getty Images/Thinkstock p54, Getty Images/Adrian Weinbrecht p145; Greenpeace p128(Greenpeace logo); Image Source p97(2); MACMILLAN AUSTRALIA pp103(9), 137(br); Macmillan Publishers Ltd/Dean Ryan p141(bl); Photolibrary/Corbis p44(r), Photolibrary/Datacarft co Ltd p127(b), Photolibrary/EPA/Andy Rain p130(t), Photolibarary/Fancy p101(9), Photolibrary/FSI Fontshop International GmbH p102(10), Photolibrary/Universal History Archives p132(tl), Photolibrary/Loop Images p4, Photolibrary/Ojo Images p97(10), Photolibrary/Ian Murray p40(t), Photolibrary/Museum of London pp128(cr), 130(l), Photolibrary/Cusp RM p103(5), Photolibrary/Britain on View pp134(background), 135, Photolibrary/Digital Vision p101(4), Photolibrary/John Woodworth p136(t, background); Pixtal p32(background); Press Association Images/Arthur Edwards/The Sun/PA Archive p134(r), Press Association Images/PA/PA Wire p134(l); Random House Group pp126(br, tm, tr, mb); Rex Features/Daniel Allan/Mood Board p97(6), Rex Features/Ted Blackbrow/Daily Mail p137(tr), Rex Features/Monkey Business Images p94, Rex Features/Rick Colls p135(br), Rex Features/Jack Dawes/Evening Standard p137(tl), Rex Features/Stephen Lock p130(br), Rex Features/Daily Mail pp124(t), Rex Features/Col Pics/Everett pp141(tl, cl), Rex Features/Voisin/Phanie p80, Rex Features/John Powell p143, Rex Features/Linda Priestley/Solent News p64, 125(t), Rex Features/Alex Segre p103(7), Rex Features/Ray Stevenson p131(tl), Rex Features/RICHARD YOUNG p131(tr); Stockbyte p97(9); SuperStock/Fancy Collection pp100(1, 3), SuperStock/Fotosearch p101(5), SuperStock/age Fotostock pp100(4), 103(2), SuperStock/Hemis fr p44(l), SuperStock/Glasshouse Images p100(7), SuperStock/Tetra Images p97(5), Superstock/Photononstop p84, SuperStock/SOMOS p146, SuperStock/Steve Vidler p131(br); Tuenti p140(Tuenti logo); Wordsworth Editions Ltd p23; Victoria Museum Australia p125(cl). The authors and the publishers are grateful for permission to reprint the following copyright material: David Higham Associates for an extract adapted from the short story Dog Star by Arthur C. Clarke, published in Tales of Ten Worlds. Reproduced with permission from David Higham Associates; The Freecycle Network ™ for details from www.freecycle.org, reproduced with permission; United Agents for the poem ‘Flowers’ by Wendy Cope from Two Cures for Love: Selected Poems 1976-2006, Faber & Faber, 2008. Reprinted by permission of United Agents on behalf of Wendy Cope;

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Doug Savage for an interview, reproduced with permission. These materials may contain links for third party websites. We have no control over, and are not responsible for, the contents of such third party websites. Please use care when accessing them. Teacher’s Resources Note to Teachers Permission to copy The material in this book is copyright. However, the publisher grants permission for copies to be made without fee on those pages marked with the photocopiable symbol. Private purchasers may make copies for their own use or for use by classes of which they are in charge; school purchasers may make copies for use within and by the staff and students of the school only. This permission does not extend to additional branches of an institution, who should purchase a separate master copy of the book for their own use. For copying in any other circumstances, prior permission in writing must be obtained from Macmillan Publishers Limited. Designed by Blooberry Design Ltd. Cover design by Stephen Strong Picture research by Victoria Townsley-Gaunt The authors and publishers would like to thank the following for permission to reproduce their photographs: Interface basics Corbis p11, Corbis/Max Wanger p29; Getty pp17, 41. Vocabulary and grammar consolidation and extension worksheets Getty Images/Richard Boll p17. Culture and CLIL worksheets Alamy/Yuri Arcurs p31(r), Alamy/D Hurst p35(r); Corbis/John Bryson/Sygma p5(t),Corbis/Romain Cintract/Hemis p15(l), Corbis/Tetra Images p31(l), Corbis/Jean-Pierre Lescourret p15(m), Corbis/John Springer Collection p19(l); Getty Images pp9; 21(l), 25, 33; Macmillan Publishers Ltd/Dean Ryan p35(l); Photolibrary/Britain on View p21(r); Press Association Images/PA/PA Archive p21(ml), Press Association Images//The Sun/PA Archive/Arthur Edwards p21(mr); Random House Group p5(cl, cr, b); Rex Features/Ted Blackbrow

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/Daily Mail p27, Rex Features/Personality Byline: Billy Farrell Agency p1, Rex Features/c.20thC.Fox/Everett p19(r); SuperStock/Steve Vidler p15(r). The author(s) and publishers are grateful for permission to reprint the following copyright material Interface basics Humberto Blanco pp 4, 7, 9, 13, 27, 37, 45; Clive Goodyer p 1; Kevin Hopgood p 14; Julian Mosedale pp 15, 19, 21, 25, 31, 39, 39, 43, 49; Andrew Painter p 3; Rory Walker pp 35, 51. Vocabulary and grammar consolidation and extension worksheets Humberto Blanco pp 3, 5, 7; Kevin Hopgood pp 16, 17, 19; Julian Mosedale pp 13, 15, 21, 23, 29, 35; Andrew Painter pp 1, 6, 8; Rory Walker pp 24, 25, 27. Culture and CLIL worksheets Adrian Barclay p 2; Julian Mosedale p 11; Martin Sanders p 3.

CultureWatch Videos The producers and publishers wish to thank: Atomic Pizza, Oxford; Blackbird Leys Leisure Centre, Oxford; Cheney School, Oxford; First Great Western Railways; Helen & Douglas House, Oxford Jane Smith, King Alfred’s School, Wantage; King Alfred’s School, Wantage Lidl, Oxford; Oxford City Council; Vue Cinemas; Cogges farm, Witney; Val and Lauraat Cogges Farm, Witney; Oxford City council; Pegasus Theatre, Oxford; Soundworks, Oxford; Study vox fm, East Hendred; Abi Coulson Cover images supplied by: Alamy, Digitalstock, Getty, Pixtal, Goodshoot, Stockbyte, Superstock Media supplied by: Alamy, Audio Network, Battersea Dogs Home, Bananastock, Bbc, Brand X Pictures, Caroline Milligan, Clip Canvas, Corbis, Www.Cornish-Language.Org, Creatas, Crufts Digital Vision, Framepool, Film Extract From Shakespeare's Globe © Illuminations 2005, Getty, Getty/Sky News, The Globe Theatre, Glow Images, Image 100, Imagesource, Itn Source, James Tomlin, Jane Austen House Museum, Macmillan Publishers Ltd, Macmillan Australia, Mary Evans, Matthew Greetham, Photodisc, Photodisc/Getty Images, Rex Features, Rspca, School Of Scottish Studies, Science Photo Library, Stockbyte, Superstock Sketches written by: Bruce Windwood, Meryl Wilford & Rob Maidment Documentaries written by: Rob Maidment ¬ James Tomalin

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Documentaries narrated by: Joe Jameson & Fenella George Sound – Sketches: Rob Lacey & Ian Windsor Camera: Steve Weiser, Steve Cassidy, Rory Mckellor & Jon Young Assistant Producer: Sam Cooper & Gemma Callaghan Producer: James Tomalin & Vanessa Marshall Director – Sketches: Rob Maidment & Davide Broscombe Literature Cast in order of appearance Hannah Katy Allen Nathan Will Beckerleg Jack Omar Kent Language Cast in order of appearance Dan David Perkins Stephanie Catherine Hamilton Emily Katie Bucholtz Appearance Cast in order of appearance Louisa Connolly Burnham Silvia Gonzalez Penny Lambton Shop assistant James Maynard Tom Stevens Greg Sheffield Ben Jones Zara Swanton Kate Stevens An Oxford Digital Media production for Macmillan Publishers Limited ©Macmillan Publishers Limited 2013

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CultureWatch Photocopiables Stills provided by: Alamy / Leonid Nyshko; AP; Dogs Home; Brand X Pictures; ComStock; Corbis; Creatas; Crufts; Digital Vision; Framepool; Getty; Glow Images; Illuminations Media; ImageSource; ITN; Jane Austen Museum; John Foxx Images; Macmillan Australia; Macmillan Mexico / Cheri Zamazing; Macmillan Publishers Ltd.; Macmillan South Africa; Mary Evans Picture Library; ODM; PhotoAlto; Photodisc; RSPCA; Rex Features; Superstock.