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SUBLIMINAL IMAGES IN JEHOVAHS WITNESSES BOOKS AND MAGAZINES

PART 1

INTRODUCTION

The Watchtower Society has published numerous books and magazines: Knowledge That Leads to Everlasting Life, My Book of Bible Stories, What Does the Bible Really Teach?, etc.

The most popular publications of the Watchtower Society are, however, "The Watchtower" and "Awake!" They are distributed monthly by millions through a worldwide network of congregations of the Watchtower Society. Jehovah's Witnesses work freely distributing these publications.

The founder of the Jehovah's Witnesses was Charles taze Russell. He was born on February 16th, 1852, and died on October 31th (Halloween), 1916. This man believed that the Great Pyramid of Giza had been set (together with the Bible) as a witness of the presence of God. Russell wrote in his book "The Divine Plan of the Ages" that the pyramid measures gave precise data about the weight of the Earth, the distance to the Sun, and the year of Christs Second Coming, which was, 1914. Finally, we have to say that few people know there is a pyramid in Russells tomb:

Left: Pyramid at Charles Taze Russells grave (Charles Russell was the Jehovah's Witnesses founder). Right: Pyramid at another false prophets grave, William Branham, who believed that the word of God came from both the pyramid and the scriptures.

Most of us know that a subliminal message (or a subliminal image) is designed to be able to go below the normal limits of perception.

Although, in general, these messages or images intended to influence the subconscious of people, however, they are also used to enable an exchange of messages that can only be received and understood by people who belong to an specific occult organization.This is the case of the subliminal & satanic images hidden in the Watchtowers publications.

SAMPLES

THE FACE IN THE HAND

The following is one of the best known subliminal images of the Watchtower. This piece of art appears on page 159 of the book "Revelation, Its Grand Climax at Hand":

The piece of art depicts John, the beloved disciple, on the island of Patmos, where he was exiled around 96 AD. The giant character is Jesus Christ glorified. Although apparently there is nothing strange in this painting, a careful observation will reveal the presence of an irregularity in the right hand of the character; a human face:

Why is there a face in the palm of this hand? To answer this question reproduce the explanation given JE Cirlot in his Dictionary of Symbols:

"Another comparable symbolic device is also found commonly in demonic figures: it consists of taking some part of the body that possesses, as it were, a certain autonomy of character or which is directly associated with a definite function, and portraying it as a face. Multiple faces and eyes imply disintegration or psychic decompositiona conception which lies at the root of the demoniacal idea of rending apart" (A dictionary of Symbols, 1962, pag. 96).

FACE ON THE THUMB:

The following picture is on page 13 of "The Watchtower" magazine, issue August 15th, 2007:

Can you see the strange head instead of the thumb?

The following pictured is on page 23 of "The Watchtower" magazine, issue July 1st, 2010:

"THE WATCHTOWER" MAGAZINE, ISSUE JULY 1ST, 2010

Look at the character's left arm:

Can you notice the face that is formed in the fold?

THE FACE ON THE RIGHT HAND

The next image is found on page 17 of the book "You Can Live Forever in Paradise on Earth":

Look at the right hand of Jesus. Do you notice anything strange?

Place this piece of art in a vertical position and the profile of a face will appear:

THE WATCHTOWER: ISSUE JANUARY 1st, 2007

The following image appears on page 22 of "The Watchtower" magazine, issue January 1st, 2007:

Page 22 of "The Watchtower" magazine, issue January 1st, 2007:

MIRRORING IMAGES

However, the strangest type of encrypted images, found in Watchtower publications, are the "mirroring images".These images are the most elaborated (and certainly the most evil). In order to identify them you have to take certain pieces of Jehovahs Witnesses art (as they appear in their publications) and placing a mirror at the center or at the edge of these pieces of art, create new images composed of one-half of each piece viewed forward and backward at the same time sort of the visual equivalent of backwards masking in audio. (It sounds complicated, but its really nothing more than the old funhouse mirror technique a trick some of you might remember from Princes video for When Doves Cry applied to a piece of static art.) And as much as I hate to admit it when viewed in this way, the new images formed really do appear to contain composite images that resemble devils heads, moaning, tortured faces, and psychedelic shapes suggestive of madness and evil.

MIRRORING IMAGES

SAMPLE 1

Look at this piece of art found on page 9 of the magazine "Watchtower" from October 1, 2001:

Place the mirror at the right side of the square and youll get a demons face:

CAIN AND THE ALTAR:The following image is found on page 23 of The Watchtower magazine, issue January 15th, 2002:

It depicts Cain, next to an altar, angry with his brother Abel. This altar, however, hides a secret that only can be revealed by a mirror:

This image appears in some other Watchtower publications. It appears in some of them with more details:

CHTULU

This piece of art is located on page 35 of the book "The knowledge that leads to everlasting life":

Rotate the image 180 degrees and place a mirror on the right side of the face of Jesus, and youll get this evil mirroring image:

This mirroring image depicts Cthulhu; a demon mentioned for the first time by writer H. P. Lovecraft. Lovecrafts work was deeply influenced by witchcraft.

Lovecraft depicts Cthulhu as a gigantic and wholly evil entity worshiped by cultists. Cthulhu's head is depicted as similar to the entirety of a gigantic octopus, with an unknown number of tentacles surrounding its supposed mouth. Compare a common depiction of Cthulhus face with the mirroring image we found on page 35 of the book "The knowledge that leads to everlasting life":

MIRRORING IMAGE IN THE "AWAKE!" MAGAZINE

The picture shown below was published in the "Awake!" magazine (in its August 2009 issue, page 23). The same image is on page 39 of the book "Learn From the Great Teacher." The drawing depicts the episode in which Jesus washed his disciples' feet:

Now place a mirror at the center of this piece of art:

Now, lets see the same piece of art as it appears in the book "Learn From the Great Teacher":

Follow the same procedure and youll get the same result:

This image depicts a demon known in witchcraft as Belphegor:

"WHAT DOES THE BIBLE REALLY TEACH?"

The presence of demonic images (disguised in the literature of the Watchtower) is part of an encrypted satanic cult".The following image is taken from chapter 4 of the book "What the Bible Really Teach?

Here we are Jesus instructing his apostles who pay much attention to his words. To obtain the mirroring image, please, place a mirror on the right edge of this piece of art:

MAGIC, WITCHCRAFT AND SPIRITISM:

These faces with eyes that look at the reader are what is known (in the highest spheres of European witchcraft and magic) as "Watchers" or "Guardians. They represent a form of devils omnipresence, or omniscience. We will cite as an analog example, the Enochian system of magic (a very dangerous witchcraft system where evil spirits are invoked). In this type of magic, brought to public attention by the doctors and magicians John Dee and Edward Kelly in the 16th century, we find the inclusion of Watchtowers or Guardians (Watchers) like complex evocation designs. The Guardians have their origin in the system of Enochian magic which was revealed to John Dee (who was born on July 13, 1527 and died in 1608) and Edward Kelley. According to Dee's diaries, the two men called an "angel" that Kelley saw in an obsidian mirror; Dee recorded the revelations narrated by Kelley (See the work of Robert Turner, Elizabethan Magic, page 24). The use of the mirror in witchcraft, for the invocation of evil spirits, is well known.

END OF PART 1