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Supplying calligraphers, lettering artists, illuminators, bookbinders, and papercraft enthusiasts worldwide with books, tools, and materials since 1981.

ORDER NOW! toll free: 800-369-9598 v web: www.JohnNealBooks.com

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H119. Deluxe Turned Wood Holder. This beautiful wooden holder has several inlaid

bands, including a wide band of either horn- or amber-colored resin (inlay colors vary). The holder is 7 inches in length, with a graceful tapered design. Choose: Horn or Amber. $49.95. Introductory price $39.95

H120. Wooden Oblique Holder with Adjustable Screw. This new holder works

with most all pointed nibs without further adjustments to the flange. Just rest your nib on the flat tray of the flange and tighten the screw with your fingers to secure the nib in place. The flange concept is similar to the Blackwell Oblique Holder, but with a more traditional staff. The angle of the sturdy flange is already adjusted to lessen pen catches on upstrokes. $49.95

H121. Deluxe Inlaid Wood Oblique Holder. This oblique holder is inlaid with ebony and

imitation ivory. With an approximate diameter of 0.6 inches, this holder is thicker than most turned wood holders. The length is about 7.75 inches, with a Zanerian style tail. $40.00. JNB $32.00

H119. HORN

H119. AMBER

H120

H121

Actual Size

Steno 361Titanium Zebra G Zebra G

N154. Pointed Nib Sampler. One each of 10 of the most popular pointed nibs. These nibs are used for Copperplate and Spencerian writing, as well as for pen & ink drawing. Con-tains Brause 66EF, Brause Rose, Brause Steno, Gillott 303, Gillott 404, Hunt 101, Tachikawa G, Leonardt Principal EF, Nikko G, Zebra G. $14.95

Choose nib:Titanium Zebra G: $8.50Zebra G (steel): $6.00Brause Rose: $6.50Leonardt Principal EF: $7.00

INK CAGE N204. Ink Cage Reservoir + Nib. The Ink Cage is a reservoir for pointed pen nibs, which allows you to write or flourish much longer before re-dipping. The Ink Cage is permanently attached to the nib of your choice. It is not removable or reusable.

Hunt 101: $5.50Gillott 404: $5.00Nikko G: $5.75Brause Blue Pumpkin (Steno 361): $6.00

H117. Left-handed Holder. Finally, an oblique holder for lefties! This holder will help keep the nib to a proper angle, leading to fewer paper snags. The flange is ad-justed to hold the Nikko G (and other similarly sized nibs). If you would like us to adjust to a different nib (66EF, 303, PRIN), please tell us in the “Special Shipping Instructions” of your order. Nib sold seperately. $14.95ea.

Nikko-G

Adjusted Oblique Holder Sizes, and the nibs that they accommodate:66EF: N70-Brause 66EF, N73-Gillott 290, N76-Gillott 1068A, N97-Hunt 512NIKKO: N113-Nikko G, N118-Zebra G, N81-Hiro #40, N90-Brause Steno, N69-Brause Rose, N74-Gillott 404, N98-Hunt 513EF, N137-Tachikawa GPRIN: N120-Principal EF, N77-Hunt 101, N82-Hiro Crown, N86-Hunt 56, N88-Hunt 99, N93-Hunt 22, N102-Gillott 1950303: N72-Gillott 303, N108-Brause 511, N126-Brause 515, N83-Hiro 700, N99-Brause 513

H117

S991. Chamois. Imported, finest quality, select chamois

skins for artists use. Calligraphers use it as lint-free pen wipe. Soft and pliable, it is also perfect for blending and shading pastels, charcoal, and graphite pencils. 3"x4". $3.39 5"x7". $4.39

POINTED NIB SAMPLER

BEAUTIFUL

AND PRACTICAL

OBLIQUE HOLDERS

Left Hand Oblique Holder

3toll free: 800-369-9598 v web: www.johnnealbooks.com ❧

INKWELLS & PEN RESTS S976

S976. Pen Rest with Inkwells. Made of

solid hardwood and holds two wide-mouth, 1 oz glass jars. The pen rest groove runs the entire length and is wide enough for oblique holders. The glass-jars inkwells are held in place with Velcro. We added the second inkwell for those that dip their pens in water periodically or wanted a second color handy. 9"x4.5". Two wood color choices: select Dark or Light. $17.95

S889. Inkwell with Hardwood Base. A 1oz, wide-mouth, glass jar held in a hardwood base. The base helps stabilize the jar, wet ink wipes off with a paper towel, and it look great! Improved design uses Velcro to hold the bottle in place. Jar is same as the 1 oz jar of McCaffery’s Penman Ink. Various hardwoods used for the base. Choose: Light or Dark. $10.00

S893. Hardwood Pen Rest. Wide spacing accommo-dates both straight and oblique holders. Wet ink wipes off finish. 4.75"x.75"x.625". Wood color varies. $5.95

SMALL DINKY DIPSUsed by pointed pen writers to control the depth of the nib when dipped into the ink. 4 small, clear vials with lids in a base. Specify Rectangle 1"x4" or Square 2.75"x2.75".

S934. Small Screw-Top Dinky Dip. Slighter larger than our flip-top dinky dips and more secure. See picture below. With four screw-top vials. $4.50

S935. Screw-Top Dinky Dip Refills. Packet of 8 vials and lids. $3.95

S852. Flip-top Small Dinky Dip. With four flip-top vials. $2.95

S855. Flip-Top Small Dinky Dip Refills. Packets of 8 vials & lids. $2.95

DARK LIGHT

JUMBO DINKY DIPS

S888. Deluxe Jumbo Dinky Dip. Our Jumbo Dinky Dip (S853) with a base of stained and fin-ished hardwood. The new, improved design has a slightly larger hole, allowing the jars to be removed easily. The four 1/2 oz jars are held in place with Velcro so they will stay in place until you want to remove them. (The Velcro can be peeled from the jars and base if desired.) Avail-able in square (3.5") or rectangle (6.5" long x 1.5" wide) and in Dark and Light finish. $11.95 each

S853. Jumbo Dinky Dips.Half-oz. plastic jars hold more ink than our regular Dinky Dips.Wide mouth is good for dipping pointed and broad edge pens. Unfinished base.1-jar Square. 2.75"x2.75". $2.504-jar Square. 3.5"x3.5". $5.954-jar Rectangle. 1.5"x6.5". $5.958-jar Rectangle. 3.5"x6.75". $9.9510-jar Rectangle. 3.5"x8.5". $10.95 12-jar Rectangle. 3.5"x10.25". $11.95 (not pictured)S856. Jumbo Dinky Dip Refills. 8 half-oz. plastic jars with lids. $5.95

S988. Small Plastic Funnel. Measures approx. 60 mm (2.36") wide at the top with a 60° taper to the funnel stem. Internal ribs promote faster flow and external ribs help prevent airlock. Contains up to 50% reused plastic. $1.99. SALE $.99

Screw-Top

Flip-Top

Small Dink Dips

DARK RECTANGLE

LIGHT SQUARE


New Gillott 303The Gillott 303 nib has recently been retooled and the new version has received excellent reviews: better writing quality and much better quality control.

N72. Gillott 303. One

of the most popular nibs for copperplate is now much improved. Good flexibility - not too stiff, not too flexible. Very thin hairlines and good swells. Works for scripts 3/16-1/16". Sharp point, but will work on slightly textured surfaces. Tends to catch on upstrokes. The nib has been retooled to improve reliability and writing quality and has received excellent reviews. $1.19. SALE $.72 10/$6.40 144/$70.56

Zebra G-PensN158. Zebra G Hard Nib.

Treated with a special boron

coating, these pointed nibs are made to be more durable than typical G nibs, perhaps writing twice as long before they need to be replaced. They are also stiffer than the regular Zebra G nibs and require a fair amount more pressure for shaded (swelled) strokes. $3.50 each 10/$3.00 each

N118. Zebra G Nib. $2.00 each

N118-10PK. Pack of 10 nibs. $18.50

N153. Zebra G Titanium Nib. This nib is an upgrade

from the Zebra G (steel) nib (N118), which is made of chrome-plated steel. The titanium version is said to have four times the endurance of the steel version. $4.50 each 5/$4.25ea 10/$3.90ea

N75. Gillott 659. This tiny crowquill nib is good for

x-heights around 1/16". It is more sturdy than other small nibs and less flexible. Can be used

to write on somewhat textured paper. Is smaller and less flexible than the Hunt 108, another crowquill. Because of its tubular shaft, the Gillott 659 requires a special holder, Gillott Holder #51 (H75). $1.29 each. SALE $.99 each 10/$.95 each 36/$.50 each, 144/$.40 each

N152. Hunt 107. This is the finest of the Hunt crowquills, best

suited for long, even lines and cross-hatching. $1.39ea.

Vintage NibsN78-V. Vintage Hunt 103 Nib. This small, flexible,

and somewhat delicate nib needs an extremely light and sensitive touch. The nib is resilient on down strokes, springing back into shape if moderate pressure is used. The Hunt 103 has a similar feel to the Hunt 100 nib, though the Hunt 103 is larger, more flexible, and less fragile than the Hunt 100. It is recommended for use on smooth papers (it has a tendency to catch on more textured papers). Suitable for writing at x-heights of 1/8" or less. Limited stock on these vintage nibs. $2.00 each 10/$1.80 each

N94. Esterbrook 354. A small, flexible sharp point for very

small writing. More flexible and delicate than the Esterbrook 355. $.95 each

N95. Esterbrook 355. This small mapping nib is good for

very small script. It is a bit less flexible than the Esterbrook 354 and better for writing. $.95 each

I28. Ziller Inks. Two new colors now available: Wild Rose Pink and Winter Sky Gray. $6.95 each Pigmented, lightfast, waterproof (acrylic) for dip pens (pointed & broad-edge) & brushes. Clean up pen with Ziller Pen Cleaner, which is specially formulated for pigmented, acrylic inks and has better success than other pen cleaners. New glass jars with metal lid.

I147. Ziller Ink Thickener. Sometimes your acrylic inks, like Ziller, are too thin for the paper (or perhaps you have thinned the ink too much). Add this Ink Thick-ener, one drop at a time, until the ink is thickened again. 1oz glass jar. $3.95

ZillerI28. Pigmented, lightfast, waterproof (acrylic) for dip pens (pointed & broad-edge) & brushes. Stir well before using. Dip nib or brush in ink, wipe off excess ink on jar edge or shake pen. Thin ink with distilled water. Intermixable to create other colors. Clean pen with water and a little ammonia. Glass jars with metal lids.North Wind White. $4.80 Sunflower Yellow. $7.65Prairie Fire Orange. $7.65 Cardinal Red. $8.60 Sweet Grass Green. $8.60Midnight Blue. $8.60 Wild Viola Violet. $8.60 Buffalo Brown. $7.65 Wild Rose Pink. $6.95Winter Sky Gray. $6.95 Soot Black (matte). $6.95 Glossy Black. $6.25 I147. Ziller Thickener. $3.95 SA-I28-S. Ziller Ink Sampler. Set of 10, in ½oz jars. $33.95

I28-S8C. Set of 8 Original Colors: (No Black). Retail $62.15. SALE $55.94

S989. French Curve Set of 3. Made of .080" clear Dunilon plastic that does not warp, discolor, or cloud under normal studio conditions. $8.99

POINTED NIBS

NEW ZILLER COLORS

North Wind White

Sunflower Yellow

Prairie Fire Orange

Cardinal Red

Sweet Grass Green

Midnight Blue

Wild Viola Violet

Buffalo Brown

Soot Black (matte)

Glossy Black

Wild Rose Pink

Winter Sky Gray


POINTED PEN & BRUSHB145. The Zanerian Manual of Alphabets and Engrossing. 1981. 140pp. 8"x10.5". Spiral paper $39.95. JNB $28.00 The first twenty-one pages by E.A. Lupfer provide some of the best Copperplate instruction available. He is a master of the hand. Other engrossing alphabets

are shown, as well as many examples of engrossed pieces. Revised & reissued at intervals since it was first published as Zanerian Alphabets in 1895.

B4023. Calligraphy: Pointed Pencil, Pen, and Brush by Barbara Calzolari and Alessandro Salice. 2016. 255pp. 5.75"x7.75". Hardcover concealed-spiral $24.95 This book will be available later in 2016. You are encouraged to order now. Your card will not be charged for the book until shortly before it

ships. Free media mail shipping (USA only) on pre- publication orders for this title.

A new instructional book for lettering with pencil (monoline Roman majuscules), gel pen

(monoline script), pointed pen (Copperplate), and brush (Barbara’s brush script). Warm up exercises, exemplar alphabets, letter-by-letter instruction, and writing exercises are included. The book starts with an illustrated history of calligraphy with many historical examples, and ends with a gallery of 16 scribes with a bio, a photo, and example or two of their work. Text is in English.

Extra-smooth pad from Japan P64. Maruman Mnemosyne Imagination Pad. A4 Size. 8.3"x11.7". 70 sheets. Delightfully smooth paper. Super for pointed pen work. A favorite of Heather Held: “I can’t recommend it highly

enough! Everyone who tries the paper loves it.” Heather favors the graph pad, which has the graph on one side and is blank on the other. From Japan. Specify: Blank or 5x5mm graph (graph is blank on one side). $15.95 each 2 or more (same or assorted)/$14.95 each

Written with FP135

Now available!B4075. Spencerian Handwriting: The Complete Collection of Theory and Practical Workbooks for Perfect Cursive and Hand Lettering by Platts Roger Spencer. 2016. 144pp. 7.5"x 9.25". Paper $15.95

This presents Spencer’s Theory of

Penmanship and the five accompanying copybooks in one volume, providing examples and instruction, step-by-step lessons, and pages for practice for Spencerian Script, all from Spencer himself. This is not the first reprint of these books, but this title provides them at a lower cost than previously available.

This popular manual is in print again.B4054. Copperplate Calligraphy by Dick Jackson. (1979) 2015. 96pp. 8.5"x11". Paper $12.95

Long out of print, this guide to Copperplate

Calligraphy is considered one of the best books devoted to Copperplate. Contains very detailed and rigid instructions.

Covers the basic strokes of Copperplate, followed by letter-by-letter instruction (numbers too!). Guide sheets are provided. A historical introduction traces the growth of Copperplate from its roots in the French ronde of the seventeenth century to its adaptation by English clerks into their copybooks, and the development of the style known as English Round Hand.

CURSIVE HANDWRITING

SULL’S HANDWRITING SYSTEM

AMER

ICAN

CURSIVE HANDWRITING TAKIN

G PRIDE IN PENMANSHIP

MICHAEL SULL DEBRA SULL

American Cursive Handwriting by Michael Sull with Debra Sull. 2011. 320pp. 8.5"x11". B3303. Reference Edition. Spiralbound. $39.95 B3304. Student Edition. Loose sheets, 3-hole-punched, shrinkwrapped. $34.95

A thorough presentation of traditional penmanship for grades 5-adult. Includes historical background, detailed information on writing position, writing zone, paper movement, and recommended sizes of writing. Contains a teacher guide and the student workbook/copybook. The thorough lesson plan guides the user in a straight-forward, step-by-step progression to improve hand-writing. ACH is similar to Business Writing or the basic, unstressed forms of Spencerian. The student edition is 3-hole punched and shrink-wrapped for shipping. Place the book in your own binder (not supplied) and remove the pages as necessary. Practice on a single sheet on a desk or table, and return the completed sheet to the binder to keep track of your progress.

FP135. Namiki Falcon with Copperplate Flex Nib. Black resin body, adjusted nib, gift box. $360.00

With precise and skillful adjustment, the nib of the

Namiki Falcon is transformed. The point is made finer and the nib is given even more flex, allowing for lightly stressed versions of

Copperplate and Spencerian. While it won’t flex like a Gillott 303, you may find it the perfect pen for correspon-dence and some envelope addressing. This fountain pen is also great for pen-and-ink sketching. Note: Only non-waterproof inks that are made for fountain pens should be used with this fountain pen. Be wary of pigmented inks for fountain pens.


S980. Tran Rolling Art Cart. This rolling cart lets you take your studio on the go, with everything in its place. There are two removeable sections to hold pens, brushes, etc. Four

outside pockets allow easy access to your most frequently used items. On the inside, there are spaces large enough to hold an easel, 14"x17" pad, along with a large 3 ring binder that is included. You can easily move the partitions (attached with velcro). Sturdy wheels and telescoping handle make it easy to bring to workshops, etc. Made of water-repellent nylon. 24" x 18" x 9". Choose color: Hunter Green, Black, Plum, Red, Silver, Taupe, Royal Blue, or Purple. Made in the USA. $165.00 JNB $145.99

S980

Art supplies and writing tools sold separately

S943. Niji Roll-up Pen Pouch. This durable water-resistant canvas pouch will hold 36 pens, pencils, markers, brushes, and similar items. The strap to secure the roll-up uses a snap closure. 19" x 7.75". $5.50

EASEL TOTE / PORTFOLIOUse this soft-sided port-folio to carry your easel, paper pads, or drawing/lap boards to classes and workshops. Waterproof fabric. Can be folded for storage or travel. Carry-ing handle, full-length zipper, and an adjustable shoulder strap. Made in the USA.

S899. Easel Tote, 20"x26". $19.95S900. Easel Tote with Pocket, 18"x24". Full-length outside pocket, 8"-height. $34.95

Purple

S900

Silver BlackS942. Small Leather Pencil/Pen Pouch.

This small pouch is

made of a very soft black leather. The pouch is 7.5" long with a cylindrical shape. Large enough to hold about 16 pens or markers; can also hold a penholder and small bottle of ink. Zips closed. $12.95

S941. Leather Pencil/Pen Case. This case is made from a soft leather and will hold up to 72 pens/pencils/markers/holders. Double zippers allow easy access to your tools. Choose Color: Black or Antique Brown. $44.95. JNB $33.71

CARTS / CASES / ROLL-UPSS961. Deluxe

Zippered Pen Wallet. This pen wallet is long enough to hold penholders with nibs attached. The case is made of Denier Polyester Fabric, which is water repellant. The elastic bands will hold 8 holders - and there is space for a small nib box to fit under the

elastic! Measurements when closed: 9.5" x 3" x 1.75", when open: 9.5" x 7.5" x 1". Choose color: Black, Plum, Red or Hunter Green. Made in the USA. $19.95


S972

S876

S876. ArtBin Brush Box. 14" x 6" x 1.25". Holds up to 10 long handle brushes or 20 short handle brushes. length 13-5/8". Vented ends. $17.99. JNB $14.95

S972. Pro Art Brush Box.

13" x 3"x 1.25". Holds up to 5 long brushes or 10 short brushes. Interior length 12-5/8".Unvented. $8.99

Use these Brush Boxes to protect your delicate and valuable brushes during storage and transit. The two foam inserts in each box hold your brushes in place. The ArtBin Brush Box has several small holes in the ends for ventilation. (The Pro Art Brush Box is unvented, but holes can be added with a sturdy awl.)

S971

S971. Pro Art Telescoping Brush Holder. Protect and keep brushes clean in storage and while travelling. Twist-and-lock feature allows you to adjust the length from 8.5" to 14". Diameter is 1-5/8". Translucent plastic. Can also be used for penholders. $7.99

S970. Magnetic Artbin Case. Strong

magnet holds a variety of nibs (or other ferrous metal objects) firmly in place, at-hand and separate, even if the case gets jostled. (Mitchell reservoirs are non- magnetic.) The slim case fits in pocket or handbag. 7.37" x 3.62" x .68". $7.99

S973. Black Leather Grain Carry Tube. 4.5" x 36" with shoulder strap. Use this cylindrical case to carry large sheets of paper, to and from classes and workshops, with-out damage. It is constructed of sturdy PVC that is enclosed in an attractive and durable, leather-grain material, with a zipper closure. The adjustable shoulder strap can also function as a handle. Good for storage of paper and art as well. Water-resistant. Made in the USA. $27.95

S963

S963. Fine Leather Roll-up. Slide your pens, brushes, & holders into the compartments,

roll up and secure with the straps, and you’re on your way. Thirteen slots for seventeen or more items. The top flap folds over to hold and protect your writing tools in style. Finely crafted with top grain Serengeti™ cowhide in a warm, chestnut brown tone with contrasting waxed linen stitching. Approximately 11" x 20" flat, rolls to around 4". Slots are each approxi-mately 3.75" deep x 1.5" wide. $110.00

BINS, BOXES, CASES

S788. Pen-Pencil-Marker Box. Use this flat, hinged, clear plastic box for gel pens, colored pencils, markers, penholders, and similar items. 8.5"x4"x1". Made in Israel. $3.95

S788

N200. Classic Nib Tin. Leonardt Pen Company,

Birmingham, England. 2.25"x1.5". $2.95

3/$2.50ea.

S231. Pen & Holder Bin. A thin case of unbreakable clear plastic

with four compartments for nibs and one for holders. 7"x3.5"x1.25". $8.85

N142. Empty Zebra Nib Box. We’ve had several requests for this small, clear, plastic box. Holds 4-8 Chisel Nibs or 9+ pointed nibs. 1-3/4"x7/8"x7/16". $1.00ea. 5/.90ea. 10/.85ea. 20/.75ea. (Nibs sold separately)

LEATHER ROLL-UP

BRUSH STORAGENibs, writing tools, and brushes sold separately

PAPER CARRY TUBE

S231

S200


N155. Luthis Pens. Folded metal pens for expressive writing and formal calligraphy.

The tips are aluminum; the handles are unfinished wood. Approximately 6" long. Five styles are offered; each writes differently. The pens are from Argentina; they are labeled with their Spanish names. $16.95 each. JNB $15.95 each

Butterfly (Mariposa). Has two writing edges.

Moth (Polillita). A smaller version of Butterfly (Mariposa).

Fan (Abanico). The writing edge curve is similar to a standard folded pen or calligraphy ruling pen.

Dragonfly (Libélula). The writing edge has a unique curve that allows you to change writing styles quickly. Carol DuBosch’s favorite of the five.

N155-S4. Luthis Pens, Set of 4. One each of Butterfly, Moth, Fan, and Dragonfly. $67.50. JNB $59.80

Moth XXL (Polilla XXL). This is a larger version of the Moth (Polillita). $18.95. JNB $17.83

Butterfly

Moth

Fan

Dragonfly

Moth XXL

N155. Luthis Pens

N148

“dag

ger”

N148. Tim’s Folded Pen. Each one of these unique pens is a versatile marking tool and a beautiful, handcrafted object. A lesson in sustainability, recycled metal cans are cut, hammered, and formed into the folded nib and combined with a turned hardwood handle and a bit of thin-walled brass pipe. These are truly instruments for expressive writing and drawing. The line width varies with the angle of the pen to the paper. To select your Tim’s Pen, search N148 at johnnealbooks.com, then click on the picture to see the current selection of pens. The drop-down menu will list the pens that are available (pens not listed in the menu have been sold). $38.00 each 2/$36.20 each

Tim’s Pens are beautifully crafted writing tools, and the quality of line is outstanding. –Carol DuBosch, Oregon

I like my new toy a lot! I never was much interested in folded pens, but now I am. –Thomas Hoyer, Germany

Luthis Flat Pens. Chisel-edged pens in wider sizes. The nibs are made from repurposed aluminum litho plates, and the handle is a simple dowel. They write similar to Automatic Pens, but they are a bit more flexible.

N156. Luthis Flat Pens. Specify size: #3 (5mm), #4 (7mm), #5 (11mm), #5a (15mm), #6 (20mm), #6a (25mm). $10.95 eachN156-S6. Set of 6 pens (3,4,5,5a,6,6a). $58.95

N156. Luthis Flat Pen XXL (60mm). A very wide, chisel-edged pen. The nib is made from repur-posed aluminum litho plates and the handle is a simple dowel. This pen has a thicker handle than the smaller Luthis Flat Pens. Specify XXL size. $16.95This one is exciting! Creating a super-wide folded nib is not a simple matter. The wide nib needs a good flow to keep up with the strokes as they are made, which means a lot of ink, but not so much flow that the ink floods out. Fortunately, with this pen, the Luthis people got the balance of ink flow just right. This is the widest broad edge pen I’ve seen! – Carol DuBosch

LUTH

IS P

ENS

XXL Flat Pen


FP140. Slant/Spear Cut Pilot Parallel Pen. A 6.0 mm Parallel Pen with the nib cut at a 45 degree angle, allowing

you to make a wider stroke. Try it for experimenting and gestural work. The pen works better on paper with a bit of tooth. It is cut to a steeper angle than our Left-Hand Pilot Parallel Pens (FP133). You may find our Radius-Cut Pilot Parallel Pen (FP132) easier to use for ruling-pen-like strokes. $17.95. JNB $16.95 each

S382. Monoject 412. Use this plastic syringe to refill Parallel Pen cartridges with bottle ink or for filling dinky dips. Many craft and calligraphy uses. $1.75 2/$1.60ea. 5/$1.50ea.

B3124. Parallel Pen Wizardry by Brenda Broadbent. 2003. 24pp. 8.5"x11". Paper $14.95 This instructional book for the popular Parallel Pen will help you explore this very versatile calligraphy fountain pen.

The Pilot Parallel pen is extremely smooth-writing, offering crisp edges and sharp hairlines. Nib point con-sists of two parallel metal plates and allows for lettering in two sizes. Use the corner edge for sharp, monoline writing or use the broad edge for calligraphic writing. You can produce color-blended letters by touching ink from one pen to a second pen loaded with another color.

All Parallel pens sold by John Neal Books include one red & one black cartridge and a cleaning bladder.

RADIUS-CUT PARALLEL PEN SIZESFP132. Radius-cut Parallel Pen. Three new sizes! For a new writing experience, try these free-flowing, smooth-writing curved pens, created by a master penmaker from 1.5, 2.4, 3.8, and 6.0 mm Pilot Parallel Pens. Specify size. $17.95 each

2.4 mm1.5 mm 3.8 mm 6.0 mm

LEFT-HAND PARALLEL PEN SIZESFP133. Left-Hand Parallel Pens. Finally, a left-oblique Parallel Pen is available! Original Pilot Parallel pens have been ground to the proper angle for left-handers. Specify size: 1.5, 2.4, 3.8, 6.0 mm. $17.95. JNB $16.95 each

2.4 mm1.5 mm 3.8 mm 6.0 mm

FP13

3

3.8 mm

These new Pilot Parallel Pen versions are created by carefully modifying the original Pilot Parallel Pen. Pilot does not warrant them, but John Neal Books does.

2.4 mm 6.0 mm

SCROLL-CUT PARALLEL PEN SIZESFP134. Pilot Parallel Pen Scroll Cut. A new modified Pilot Parallel Pen that allows double-stroke or Scroll writ-ing. Choose: 2.4, 3.8, or 6.0 mm (entire width). JNB $16.95 each

FP13

4

ADDITIONAL PARALLEL PEN SIZES FP68. Pilot Parallel Pens New Sizes. Add these additional pens to your Parallel Pen collection: 1, 2, 3, and 4.5 mm. The 1mm is the perfect size for addressing wedding invitations – though the thick & thin contrast is less than with a dip pen. Specify size. $14.95 eachFP68-S. Pilot Parallel Pens New Sizes, Set of 4. $54.95

1 mm 2 mm 3 mm 4.5 mm

PILOT PARALLEL PENS

FP68

FP13

2

FP67. 3.8 mm

FP124. Converter (Pilot). Use bottled ink in either Parallel or Plumix Pens. Twist-fill mechanism. $6.70

ORIGINAL PARALLEL PEN SIZES FP67. Pilot Parallel Pen. Specify size: 1.5mm, 2.4mm, 3.8mm, 6.0mm. Special Price: $10.00 eachFP67-S. Set of 4 Pens (each with 2 cartridges) and a pack of 12 cartridges (one each of 12 colors). $40.00FP67-SB. Set of 4 Pens plus Parallel Pen Wizardry Book. $54.95FP72. Parallel Pen Mega Pack. All 8 pens, 48 assorted cartridges, & the book. $130.55. JNB $117.50

2.4 mm 3.8 mm 6.0 mm1.5 mm

FP67

PILOT CARTRIDGESFP70. Pilot Pack of 12 Color Cartridges. For Parallel & Plumix Pens. One each of the colors at right. $3.95

FP69. Pilot Pack of 6 Color Cartridges.

For Parallel & Plumix Pens. All one color.

Specify: Black, Blue-Black, Sepia, Violet, Blue, Turquoise, Green, Light Green,

Yellow, Orange, Red, Pink. $2.50 eachBlack

Blue Black

Sepia

Violet

Blue

Turq.

Pink

Red

Orange

Yellow

LightGreen

Green

FP14

0

FP124


M118. Kuretake Fudebiyori Metallic Brush Markers. This marker is water-based pigment, photo-safe, acid-free, lightfast, odorless, and xylene-free. The durable and flexible brush tip allows for bold lines. Choose Color: Silver, Gold, Copper, Light Green, Green, Blue, Violet, Red, and Black (not shown). $2.50 each

M118-S9. Kuretake Fudebiyori Metallic Brush Marker Set of 9. $22.50. JNB $20.25

M119. Sakura Koi Coloring Brush Pens.This brush pen is a favorite of Joanne Fink. Dye based transparent ink blends easily to create a multitude of colors. Vary the pressure on the nib to produce thick or thin lines. Choose color: Red, Vermilion, Rose Red, Iris, Pink, Lilac, Pale Orange, Orange, Deep Yel-low, Yellow, Fresh Green, Yellow Green, Emerald Green, Green, Viridian, Blue Green Light, Peacock Green, Sky Blue, Light Sky Blue, Cerulean Blue, Blue, Purple, Light Purple, Brown, Black. $2.49 each

M119-8. Sakura Koi Coloring Brush Pens, Set of 8. Includes: Red, Orange, Yellow, Emerald Green, Cerulean Blue, Lt. Purple, Purple, Black. $19.99. JNB $17.99

M119-12. Sakura Koi Coloring Brush Pens, Set of 12. Includes: Yellow, Orange, Vermilion, Pink, Rose Red, Light Purple, Cerulean Blue, Emerald Green, Green, Blue, Light Sky Blue. $29.88. JNB $26.99

ZIG COCOIRO Seven New Colors!

Black

Blue Black

Royal Blue

Sepia

Rose Pink

Mint Green

Bordeaux

Cobalt Blue

Cool Gray

Dark Green

Red

Sunset Orange

M88. Zig Cocoiro Lettering Pen (Complete Pen). The tip of this new pen is semi-hard and produces different widths depending on pressure and speed of writing. The ink refill contains the nib and the pen bodies are interchangeable. See sample writing with this pen linked to the product on the JNB website. Very popular at conventions. This item contains one ink refill matched with one body/cap. Choose ink color: Black, Blue Black, Royal Blue, Sepia, Rose Pink, Mint Green, Bordeaux, Cobalt Blue,

Cool Gray, Dark Green, Red, Sunset Orange. $6.50 each

These very popular pens can now be purchased in sets.

Cocorio Lettering Pen Set of 6 . A set Cocoiro Lettering Pens, one of each of 6 ink colors. These are complete pens with both the ink refill (the writing unit) and the pen body. The pen body color corresponds to the ink color. $39.00. JNB $33.15. You save 15%.M89-S6. Original Colors: Ink colors: Black, Blue Black, Royal Blue, Sepia, Rose Pink, Mint Green.M89-S6N. New Colors: Ink colors: Bordeaux, Cobalt Blue, Cool Gray, Dark Green, Red, Sunset Orange.

M89-S12. Cocorio Lettering Pen Set of 12. One each of all 12 ink colors. $78.00. JNB $66.30. You save 15%.

See page 39 of the full JNB 2016 catalog for individual pens, refills, and pen bodies.

Or view the items on the JNB website.

PENS/MARKERSM118

M123-S. Winsor & Newton Pigment Marker Set. 11 dual-tip (oblique chisel and

monoline), with pigmented ink, and blend-able colors. Includes a white blender marker (titanium dioxide) that allows you to build, blend, and soften color. Set contains Lemon Yellow, Winsor Orange (Red Shade), Scarlet, Mauve, Violet Blue Deep, Rose, Neutral Grey 2, Phthalo Teal Light, Burnt Umber, Emerald, and Black. $79.95. SALE $51.99M123. Individual Colors. $7.99

M109. Zig Calligraphy Metallic Marker.

The same high quality as our other Zig makers, but now in bright metallic Gold and

Silver. The markers have 2.0 and 3.5mm tips. Waterproof, archival, looks great on dark paper. $2.78 each

M109-S6. Zig Calligraphy Metallic Set of 6.

One each of

6 colors: Gold and Silver plus Red, Blue, Green, and Violet Metallics. $17.68. JNB $15.91

M113. Zig Emboss Marker: Scroll & Brush. For a raised and glazed effect. $3.49

M103. Vis-a-Vis Wet Erase Marker. This bullet-tip marker bleeds amazing colors when spritzed with water. The marker is available in a few colors, but the black is the only one with an interesting bleed. Thanks to Carol DuBosch for sharing this marker with us. Black. $1.99ea.

M123-S


GALL INK I54. Blots Iron Gall Ink. This hard-to-find ink is available again. 1oz glass jar. $7.95 Blots is the most traditional and oldest formula for Iron Gall ink still being made commercially, albeit the most acidic. It’s derived from the 1540 Palatino formula. The viscosity is perfect. If you

want to pull the hairlines and shades of the old-timers, Blots is the way to go, in my experience. – Nick D’Aquanno

GOLDEN FLUID ACRYLICSI133. Golden Fluid Acrylic. Highly

intense, permanent acrylic colors with a consistency similar to heavy cream, thicker than Golden High Flow Acrylics. Produced from lightfast pigments, not dyes, they offer very strong colors with very thin consistencies. Used by Yukimi

Annand in her workshops. 1oz (30ml) plastic squeeze bottle. Specify Zinc White or Carbon Black. $6.59 each

FLUORESCENT FW ACRYLIC INKS

I13. FW Artist Acrylic Ink. Now available in six fluorescent colors: Blue, Red, Green, Orange,

Pink, and Yellow. $7.70 each. SALE $7.25 each (fluorescent colors only) See page 46 of the full JNB 2016 catalog for more FW Acrylic Inks.

INKS

PEARL EX METALLICSI139-S. Pearl Ex Metallic Calligraphy Set. Includes 9 colors (3g jars) that work well with calligraphy nibs: Rose Gold, Solar Gold, True Blue,

Silver, Aztec Gold, Super Russet, Pearl White, Grey Lavender, and Pink Gold – and three jars of gum arabic powder, instructions for mixing, and a list of nibs that work well with Pearl Ex. $19.95. SALE $17.96

I139. Pearl Ex Individual 3 Gram Jars. $2.99 each See johnnealbooks.com for list of colors.

I139-HALF. Pearl Ex Pigments - .5oz / .75oz. Choose color: Solar Gold (.5oz), Rose Gold (.5oz), Brilliant Gold (.75oz), Pink Gold (.75oz), Super Bronze (.75oz), Antique Silver (.75oz), Aztec Gold (.75oz), Pearl White

(.75oz), Silver (.75oz), Super Copper (.75oz). $5.99 each

I139-4. Pearl Ex Pigments - 4oz. Specify Color: Brilliant Gold. $11.99 Rose Gold. $13.99 Solar Gold. $22.99

I85. Gum Arabic Powder. Add distilled water to powder or add to bottled ink directly. 1oz. $3.75 4oz. $12.50See Joi Hunt’s article on using Pearl Ex Pigment Powders for calligraphy ink in Bound & Lettered 13.2.

I139-4

I139-HALF

I139

I139-

S

Bernanke Black Army Green Bad Blue Heron

New Colors! I123.Noodler’s Fountain Pen Ink. Three new colors have been added for a total of 24 colors to choose from.Now available: Bernanke Black, Army Green, and Blue Heron. Bernanke Black is a quick-drying fountain pen ink. Noodler’s fountain pen inks are suitable for dip pens, fountain pens, and the Pilot Parallel Pen. See page 43 of the full catalog or the JNB website for the other colors. Specify color. 3 oz. $12.95 each

Available again, though stock is limited. This ink stick is no longer made. IS05. Mujokokuhin Ink Stick (2.0). Reddish-brown Black. Slight sheen, very smooth flow. Good for small scale writing. Slightly denser black than Gansui and a better value. Made from vegetable oils. Aged 25 years. (This is a larger size stick than offered before.) $65.00

I144. Emperor

Sumi Ink. These new sumi inks, imported from China, are advertised as lightfast and water-resistant, when dry. 1 oz plastic jar, except Gold (.5 ounce). $8.00 each

Black: Densely black, musk-scented, made from pine soot. Can be used for calligraphy as well as for painting.Vermillion: Opaque, flows exceptionally well, and main-tains its rich, vibrant color. Mix in a bit of Sumi black for a beautiful brown.White: opaque, rich white color, flows very well with a dip pen. Requires stirring prior to use.Gold: A beautiful gold, very concentrated, pigment and mica based. Needs to be stirred before use.


S959. Koi Field Sketch/Travel 24-color Watercolor Set.24 half-pan watercolor paints, formulated to blend easily and create an endless

range of colors. A refillable water brush (medium tip) to transport and store water while on the road, 2 dabbing sponges, a detachable palatte. The small, sleek design fits into shirt or jacket pockets, a perfect set for painting on-the-go. $35.95. JNB $28.95

S958. Koi 18-Color Watercolor Tube Set.

Koi’s smooth and vibrantly pigmented colors instantly

respond to water, are quick-drying, and

contain a special bind-ing agent for even brush

suspension. They perform well when applied to wet or

dry paper, allow for versatility in correction and layering,

and give the artist the ability to create washes with soft edges and

dynamic color possibilities. 18-color set with one tube each of: Vandyke brown, ultramarine, purple, deep green, pale orange, cerulean blue, lemon yellow, yellow ochre, deep yellow, burnt sienna, carmine, vermillion hue, yellow green, viridian hue, Prussian blue, cobalt blue, ivory black, & Chinese white. Recommended by Joanne Fink. $45.99. SALE $37.95

S920. Yarka 12 color Watercolor Pan Set. Russian-made, semi-moist, transparent watercolor pans. The colors are very rich so they go a long way, and because they are semi-moist they respond quickly to the brush – all for a great price. Colors: Yellow, Orange, Red, Burgundy, Brown, Black, White, Violet, Emerald Green, Hunter Green, Navy, and Raw Sienna. $8.95

S968

S968. Finetec 12 Color Pearl Set. Made of mica &

corrosion-protected metallic pigments with a gum arabic binder. Can be mixed or overpainted. Lightfast and non-toxic. Mix water into the color with a brush and use the brush to load your pen. 12 pans, 7/8" dia. Silver Pearl, Fine Gold, Shining Pink, Red, Fine Lilac, Red- Violet, Blue Pearl, Blue Silver, Green Pearl, Blue-Green, Bronze, and Red-Brown. $36.50. JNB $26.37

PAINTS / PASTELS

WNG-HC1. W&N Gouache Primary Set. Contains Primary Red, Primary Blue,

Primary Yellow, Ivory Black and Zinc White. An ideal set for color mixing. $48.75. SALE $37.95Upon request Jet Black and/or Permanent White can be substituted for Ivory Black and/or Zinc White.

S957. Chinese Watercolors Set. This inexpensive, 12-color set is recommended by Harvest Crittenden for use on non-permanent pieces like envelopes. The colors, chosen for traditional Chinese painting are brilliant and fully water-soluble like regular watercolor, but with their stronger binder, they are water-resistant once they dry on paper. Includes both semi-transparent and opaque colors that can be mixed with each other or with other watercolors. Colors included: Burnt Sienna, Scarlet, Gamboge Yellow, Chinese White, Vermilion, Cinnabar, Rouge, Carmine Red, Light Green, Blue, Phthalo Blue, Indigo. $7.50

S952. Pan Pastels. Rich, ultra-soft, artist-grade pastels packed in powder form into a small tin or pan. Highest quality pigments are used in a low-dust formulation. The colors mix very easily. The sets come with four different applicators to add easy color to your artwork (make up tools can also be used). Carol DuBosch uses Pan Pastels with the Kuretake Brush Writer to create a special effect. Order in single pans or sets. Single Pans: Magenta, Hansa Yellow, Phthalo Blue. $6.99 eachPrimary Color Set: Permanent Red, Hansa Yellow, Ultramarine Blue, Titanium White, Black. $29.95Shade Color Set: Violet Shade, Ultramarine Shade, Permanent Red Shade, Chromium Oxide Green Shade, Hansa Yellow Shade). $29.95


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S885. Diane Townsend Soft Pastels. Handmade for artists, these are smooth, flowing pastels, rich in pig-ment. They are used and highly recommended by many calligraphers, including Heather Held and Sandy Wagner. Soft form, approx. 1-5/8”long, ½” diameter (dimensions vary some). Set of 12. Choose Metallic or Intense/Primary. $49.95 eachPurchase both sets and save. Only $83.22 for two sets!

S981. Townsend Pastel Embellishing Sets. These handy 2- and 3-color palette sets have

been chosen by Heather Held. She uses these color palettes in embellishing her pen flourishes (see her blog post Pro Tips – Heather Held).Set 1.Terrage Pastels: 163 (light yellow-green), 153 (pale green). $12.50Set 2. Soft Form Pastels: 13 (lavender), 94 (medium pink), 30L (medium blue). $14.50Set 3. Soft Form Pastels: 607 (green metallic), 604 (bronze metallic), 605 (gold metallic). $14.50

S979

S979. Sandpaper Pointer. Repoints blending stumps, pencils, leads, charcoal, and crayons by hand. 12 sheets of sandpaper mounted on a wooden handle. Recommended by Heather Held for use with pastels. $1.99

S978. Pastel Applicator. Ideal for applying and blending Pan Pastels, as well as for use

with pastel sticks, charcoal, and graphite. The sponge tips can be gently rinsed out with warm water, extending

the life of each applicator. You can even use these with watercolors and inks! Comes with

1 handle and 4 replacable heads. $7.95

S974 S974. Fusion Leakproof Airtight Palette.

This palette has 18 slanted

wells and two larger flat ones, both with a special surface

that allows you to see on the palette the

color that you will see on the paper. Airtight means your color stays liquid between sessions. Leak-proof makes it great for travel. Includes removeable clear plastic tray. Locking cover is metallic blue. 5" x 10.5". $24.99 Recommended by Heather Held.

S994. Daniel Smith Extra

Fine Watercolor Dot Card (Heather Held Colors). You receive 30 colors of Daniel Smith Extra-fine Watercolor in sample-size dots applied to cold press watercolor paper. Just work up the paint with a wet brush, and use the color on your small projects. It is a lot of color for a modest price. (Heather Held selected the colors for

use in several of her workshops: The Artful Flourish, The Enchanted Letter, The Enchanted Meadow, and The Victorian Pen.) Contains one dot of each color: Aureolin, Buff Titanium, Burnt Sienna, Burnt Umber, Cobalt Blue, Cobalt Violet, Duo Lapis Sunlight, French Ultramarine, Green Gold, Indigo, Iridescent Gold, Iridescent Jade, Iridescent Topaz, Lemon Yellow, Manganese Blue Hue, Olive Green, Payne’s Grey, Permanent Alizarin Crimson, Quinacridone Coral, Quinacridone Gold, Quinacridone Pink, Rose of Ultramarine, Sap Green, Sepia, Serpentine Genuine, Terra Verte, Titanium White, Ultramarine Turquoise, Ultramarine Violet, Verona Gold Ochre. $10.95

HEATHER HELD

Floral Flourish by Heather Held. Heather shares her technique on the JNB blog: www.jnbooksellerblog.com/pro-tips-heather-held

PL02. Heather Held Colorsoft Pencil Set. Heather favors these pencils. The set has her favorite colors for botanical drawing and effects, including on dark papers. Contains: Bright Lilac, Bright Purple, Deep Fuschia, Pink Lavender, Pea Green, Light Green, Yellow Green, Lincoln Green, Sea Green, Blackberry, Baby Blue, Brown and White. $27.17. JNB $25.27PL01. Individual Pencils. Choose from above. $2.09ea.


I145. Daniel Smith Walnut Ink. This finely pigmented,

rich-sepia colored ink works well with pen and brush. It is more lightfast than some other walnut inks. In washes, the ink handles like a watercolor, with good layering and lifting capabilities. 2 oz bottle. $11.65. JNB $9.32

RICHTONE INKS I127. Richtone Sepia Inks. Four beautiful, vibrant browns: Java,Walnut, Terra Cotta, Eucalyptus. These rich, natural dyes are Lightfast and non- waterproof. Very concentrated. Can be used straight or diluted

with water. 30ml (1oz) plastic bottle. For calligraphy, these inks are best on watercolor paper and other similar, highly-sized papers. $7.95 each

I127-S4. Set of Richtone Sepia Inks. One each of thefour colors. $29.95

S449. Walnut (Color) Ink Crystals. Add distilled water, wait for 25-35 min., & this powder produces a warm, rich walnut-colored ink. The

ink is lightfast, flows well, and is highly recommended by many master scribes. 1 oz. $3.75 2 oz. $6.25 4 oz. $11.25 8 oz. $21.50 16 oz. $40.00S450. Walnut Crystals Jar. This item contains two 1oz jars, each filled with crystals. Simply fill with warm water and mix. You have walnut ink without the hassle of measuring! Non-waterproof. (Buying the crystals alone is more economical.) $2.00

I53-2.5. Walnut Drawing Ink. A rich sepia ink. Thin with water to create a wash. For brush or dip pen. Already liquid. Non-waterproof (but not suitable for fountain pens). 2.5 oz. $8.99. JNB $6.75

I53-10. Walnut Drawing Ink. 10 oz. $22.49. JNB $16.99

I53-DRK. Walnut Ink Darkening Medium.

The darkening medium is not an ink

but an additive to be used to darken the original ink without losing the unique watercolor charac-

teristics or the ability to lift color or lighten areas. The darkening Medium is very heavily pigmented. It can also be used straight from the bottle. However, it is so heavily pigmented that it will behave like a sumi ink and stain the paper and not lift as easily as the original. $8.99. JNB $7.99

I53-2.5

I53-DRK

I121. Higgins Sepia Calligraphy Ink. A warm, reddish-brown colored ink. Non waterproof, dye-based, translucent. Dries quickly to a beautiful matte finish. Recommended for use with brushes, fountain pens and dip-pens, on board or paper. 2.5oz bottle. $4.95. JNB $4.45

WALNUT & SEPIA INKS

I121

I145

M122. Zig Brushables. Doubled-ended marker with two medium-size brush tips.

The second tip is a 50% tint of the first. Use the lighter colored tip to add a shadow to your lettering. Brush tip is 3/8" long. Water-based pigment, lightfast, acid-free. See the JNB website for the full color selection. $3.15 each

S964. 5.5" S964. 4.5"

S966. Needle Tip Awl / Stylus. This piercing tool has a 5/8" tip with a smaller diameter than our other styluses (S579, S235). Wood handle. $2.99

S965. Londonderry Lacing Thread. Thicker lacing thread is great for sewings that show the thread, such as coptic binding. 70m (approx. 76.5 yards), 5 ply thread. Choose color: Ivory or Ash Grey. $6.95 each

IVORY ASH GREY

S891. Alvin French Curve #3371. Popular curves molded of smoke gray-tinted 0.08" thick polystyrene

with double inking edges. Recommended by Harvest Crittenden. $3.50

S964. Cutting/Diagonal Pliers. These pliers for cutting metal are ideal for clipping the end of a Brause 66EF nib to create a very flexible, narrow, and chisel-edged nib. The clipped-end will need to be smoothed with Crocus Cloth (S106) and/or Polishing Paper (S107). Two sizes available; specify 4.5" or 5.5" overall length. $7.50 each


S990. Drafting Brush. Great for studio or classroom use. Horsehair bristles (2.25" long)

with a comfortable handle. Including the handle, the brush is 10" in length. $4.49

GRAPHITES949. ArtGraf Graphite Stick. A unique blend

of graphite and binders allow the stick to be used dry or with water-soluble techniques. You are able to achieve a large range of washes and grays with this stick. $4.50. JNB $3.99

S954. ArtGraf Water-soluble Graphite Tin. This paintable graphite is ready to use with a wet brush. You can create a wide range of graphite grays, from deep gray to more transparent shades. The

graphite binds to paper, yet is erasable. Water-soluble graphite packed in a tin. 20g tin. $18.95. JNB $14.95

Now available in earth tones!S955. ArtGraf Water-soluble Disc. Use this unique disk of intense pigment to apply strokes of color on paper, leaving it dry or using water-soluble techniques. It allows for

a wide range of shades. You can also use a wet brush to collect color directly from the disk. It applies easily yet erases cleanly. 1-5/8" x 1-7/8" x 1/4". In a reusable paper pouch. Specify color (new colors in bold): Carbon Black, Sanguine, Brown, Sepia, Dark Brown, Ochre. $10.95ea. JNB $8.99 each

S955-S6. ArtGraf Earth Tone Disc Set. Set of 6 (in-cludes black). $59.95. JNB $53.94

PL11. Blackwing Pencils. These new pencils from Japan provide a very smooth writing and drawing experience and have been a hit at recent conferences. A brass ferrule holds the replaceable eraser; the clip allows you to vary the eraser length. Choose from three levels of hardness/firmness: Blackwing (soft) is the original pencil and has the softest lead, a black body, and a white eraser. Pearl (balanced) is firmer, has a white body and a black eraser, and is the favorite of Joi Hunt. 602 (firm) has the most firmness, has a gray body and black eraser. Box of 12. $21.95 PL12. Blackwing White Eraser Refills (10 pack). $2.95PL13. Blackwing Long Point Pencil Sharpener. $7.95

BLACKWING PENCILS

PL11. BLACKWING

PL11. PEARL

PL13

“I love the Derwent wash pencils” - Laurie DoctorS858. Derwent Water-soluble Sketching

Pencils. These are similar to water-soluble colored pencils, but

with graphite instead of color. They work

dry, or you can take a water-wet brush and paint with the graphite

marks you have made, creating washes and other effects. These are favorites of several instructors, including Laurie Doctor. Specify: HB, 4B, 8B. $1.99 each

S858

WATER-SOLUBLE GRAPHITE PENCILS

PL11. 602

PL21. Pentel GraphGear 500 Mechanical Pencils. Our most popular mechanical pencil and a favorite with several instructors: Choose from several lead thick-nesses. Specify: .9mm, .7mm, .5mm, .3mm. (.3mm is used by John Stevens, Amity Parks, and others.) $7.09ea.

PL22. Pentel Refill Leads. Tube of 12. Choose: 2H (for guidelines, drawing letters), HB (sketching, drawing letters). .9mm leads 2H, HB. $2.00.7mm leads: 2H. $1.25 .5mm leads. 2H, HB. $2.00 .3mm leads: 2H, HB. $2.00

PL23. Pentel Eraser Refill. Tube of 5. $1.49

PENTEL MECHANICAL PENCIL

S865. Progresso Woodless Graphite Pencil. High-density, lacquer-coated graphite for smooth strokes and excellent laydown properties. These woodless pencils can be sharpened with any pencil sharpener, have a solid, weighty feel, and outlast the standard wood-cased pencils. 7.6mm lead diameter. Koh-i-noor Hardtmuth. A favorite of Kirsten Doty for her drawing classes. Choose 2B, 4B, 6B or HB. $1.45 each

S960. KUM XF Pencil Sharpener. This simple block pencil sharpener is a favorite here at John Neal Books. The high-carbon steel blade sharpens cleanly and easily.

The sharpener comes with two replacement blades that are stored on the sharpener itself, so they are handy when you eventually need to replace the blade. (From Germany). $2.75

S990

S991. Chamois. Imported, finest quality, select chamois skins for artists use. Soft and pliable, it is also perfect for blending and shading pastels, charcoal, and graphite pencils. 3"x4". $3.39 5"x7". $4.39


S982. E-ZEL Adjustable Easel System. Use this set of two easel stands to turn any

drawing board or Masonite lap board into a tabletop slanted easel. For a quick slanted light table, use the E-ZEL stands with a plexi sheet and a light source The board/sheet is held using a sample screw mechanism and is adjustable to the angle that you prefer. Rubber tips on the feet of the stands work to keep the board from sliding. The stands are easy to use and portable. Set of two. $60.00. Introductory Price $55.00E-ZEL contains only the two stands. It does not include the plexi. The E-ZEL system can be used with any drawing board, plexi, Masonite, etc.

S160. Frosted Plexiglass for Easel. Choose:Small. 18" x 15-1/2" 1/8" thick. $9.95 Large. 18" x 23-3/8", 1/8" thick. $13.95

S982

S160. LARGE

LIGHT PADS / BOXESS762. Artograph

LightPad. Slim, lightweight and brightly lit with cool LED

technology, this light box is truly portable.

Provides you with up to 30,000 hours of maintenance-free creative

brilliance. The sleek design has a metal frame and fully flat top surface. Comes with a soft protective sleeve. Sizes are illumination area. 6"x9". $104.99. SALE $92.00 9"x12". $157.00. SALE $130.00 12"x17". $259.99. SALE $230.00 17"x24". $364.00. SALE $325.00

S752

S762

S752. Plexi Tabletop Easel. This sturdy frosted plexi easel sits on your table and provides a slanted surface for writing. The lip-free lower edge allows free arm movement. Slide a short fluorescent light fixture under the 3/8"-thick plexi and you have a slanted light box. Three soft bumpers on the un-derside of the lower edge keep the nearly 24"-wide easel in place. This ingenious design by calligrapher Kaye Hanna is one piece of shaped plexi. Easy to transport and set up. 23.75"x16.25". Back is 3.75" high. USA. Light fixture not included. $78.00. JNB $66.30

S939. Wafer Lightbox. Similar to the Artograph Lightpad, but even

thinner – the Wafer Lightbox is only 3/8" thick. The lighted area measures a full 9"x12.5" or 12.5"x17", with the frame the same level as the lighted surface. The top and left side edges

of the frame have a built-in ruler marked in both inches and centimeters. The Wafer’s LED illumination is dimmable, provides an even spread of light from edge to edge, and is very low heat. Uses an AC adaptor (included). From Daylight. Choose from two sizes: 9"x12.5" lighted area (total size 10.5"x14"). $149.99 12.5"x17" lighted area (total size 14"x19"). $249.99 S156. SMALL

S156. LARGE

EASELSS156. Calligraphy Easels. Lightweight, portable easel designed for a table or desk. Folds flat to 1.5" thick for easy carrying. Adjustable to 7 different angles. Can be used as a light table.Small. 16"wide, 19" high. $34.95 Large. 23.5" wide, 17.75" high. $37.95

S160. Frosted Plexiglass for Easels.Small. 18" x 15-1/2", 1/8" thick. $9.95 Large. 18" x 23-3/8", 1/8" thick. $13.95

T-SQUARE / SET SQUARES753. C-Thru Clear T-Square. Calibrated one edge in inches, the other metric. 12". $2.75 18". $5.25Wooden T-Square with Acrylic Edge. S623. 18". $14.50 S692. 24". $16.50S739. Stainless Steel T-Square. 18". $26.95. JNB $24.26 24". $32.65. JNB $29.39

S753

DRAWING BOARDSAirlite Drawing Board. A high quality, lightweight drawing board with a smooth hardwood surface on both sides and two metal edges for use with a T-square. Use flat, with an easel, or as a lapboard. Made in the USA. S690. 18" x 24". $30.99 S697. 20" x 26". $35.99

S985. E-ZEL Stand Storage/Travel Bag. Your E-ZEL stands fit nicely in this brightly

patterned fleece bag with a snap closure, one in each of the two compartments. 8"x8.5". $10.00

S985


PadPucks for slanting the Artograph LightPad S910. PadPucks. 4-pack. Use these to create a slanted LightPad surface. Simple, quick, and easy to use, both individually or stacked to

provide more slant. From Artograph. $19.95

An external battery pack for the Artograph LightPad S909. LightPad Portable Battery Pack. Take your Artograph LightPad anywhere with this long-life lithium-ion portable battery. This

compact battery will power any size LightPad (for 3 to 10 hours, depending on model). Rechargeable (up to 1000 charges) and features a power level meter that shows charge status. The convenient USB port works for charging any 5v USB device, including cell phones. Includes Power supply and LightPad cable. From Artograph. $79.95

LIGHTPAD ACCESSORIES LINERS937. SliderWriter Laser Liner. This amazing tool eliminates the need to draw guidelines by projecting a line using a low-energy laser. No more erasing pencil lines

from envelopes! Use the built-in ruler on the right or 3/4" guide on the left to easily space your lines – or tape on your own custom guide. Included are two large rubber bands that allow simple placement of vertical margins. Especially useful for dark or lined envelopes that are too opaque to use a light box and master guidelines. Note that only one line is projected and will only provide a baseline for your writing. The price includes delivery in the USA-48 (AK, HI, PR: use code S937-AK/HI/PR). NOTE: The usual shipping fees apply to the rest of your order. This item ships separately from the other items in your order. $67.49

BRUSHES

BR54. Loew-Cornell Brush 7100. Chisel edge bristles (golden taklon synthetic). Short

handle. For use with watercolor or acrylics. John Stevens recommends this one-stroke brush as a good substitute for the Rekab sable brush (chisel-edged, round ferrule) that he uses for brush lettering. This one has longer fibers like the Rekab, but has a flat ferrule. Two sizes: ½". $10.99 1". $20.99 (The Loew-Cornell Brush looks like a Winsor & Newton 995 brush, but with much longer bristles.)

S950. Topolino Magnetic Stirrer. If you address envelopes with metallic ink, this

little machine is for you. All metallic inks have a

settling problem. When you first start working, it takes a lot of shaking to get the metallic color evenly mixed in the ink. While you are working, you have to regularly stir the bottle to keep the pigment evenly dispersed. This ingenious device provides a fine solution. You place a Teflon-coated magnetic pellet in a wide-mouthed jar, pour in your metallic ink, and set the jar on the platform of the magnetic stirrer. Turn the dial on the magnetic stirrer, and, as if by magic, your ink is stirred! Leave your ink in the wide-mouth jar with the Teflon-coated pellet, and next time the machine will quickly and effortlessly stir your ink for you. No batteries; the stirrer plugs in. Because of its flat design, you are not limited to one jar size. Includes one magnetic stir bar. $79.25 S951. Stirring Bars. Pack of 5. Coated with a Teflon-like material. $12.50

FP138. Mitchell Calligraphy Starter Set (3 nibs). The William Mitchell 3 Nib Calligraphy starter set is the ideal introduction to Calligraphy for beginners with its smooth writing nibs in 1.2mm, 1.4mm, and 1.8mm nibs. Suitable for most popular writing styles, including Italic, Round Hand, and Uncial. The set includes three international-size (short) black ink cartridges. $10.95

FP131. Pilot Varsity Fountain Pen.

Has a smooth-writing stainless steel nib and is pre-filled, so it is easy-to-use. Choose from seven vibrant colors. (The pens can’t be refilled.) Specify: Red or Green. $3.33 each. SALE $1.25 each

Wow! What a great product! The ink colors are intense. The pens give a very smooth line with absolutely NO skip-ping. They are great for travel and for use in sketchbooks and notebooks. –Kathy Milici

FOUNTAIN/CARTRIDGE PENS

Nalgene Dropper Bottles. Use these leak-proof bottles for airtight storage. They allow you to use liquids without

having to open a jar. Harvest Crittenden uses the 2oz size to store and dispense Instacoll. She can decant a bulk container into these bottles, and it does not dry out (a problem with the wide-mouth contain-ers). Accurately dispenses the liquid one drop at a time.

S897-1/2. ½ oz Nalgene Dropper Bottle. $4.95 S897-2. 2oz Nalgene Dropper Bottle. $4.95 You can also now purchase Instacoll already in the 2oz size (see item code S892).

S897-21"

½"


PL19. Blackwing Colors Colored Pencils.

This brand new pencil has a soft

and smooth color core designed for coloring, a semi-hexagonal barrel like the Blackwing graphite pencils, and a metal end cap for a comfortable, balanced feel. Set of 12 colors: White, Black, Brown, Purple, Dark Blue, Light Blue, Dark Green, Light Green, Yellow, Orange, Red, Pink. $19.95

PL16. Albrecht Durer Watercolor Pencils. Watercolor Pencils recommended for Bob

Hurford’s IAMPETH 2016 class “Fun with Wax and Water-soluble Color Pencils.” Choose the following colors: Cadmium Yellow, Deep Red, Grass Green, Indian Red, Light Phthalo Blue, Orange Glaze. $2.85 each

S930. Masters Brush Cleaner. A brush cleaner and preserver for all types of brushes. Recommended by John Stevens and others. Good for everyday use. Just wet the brush and work up a lather on the hard cake of the cleaner. Can also

work wonders on old brushes caked in paint or ink. Jacqueline Sullivan suggests using this brush cleaner to get acrylic paint out of your clothes, but always test on a hidden part of the garment first. 2.5 oz in a 2.5"-diameter plastic tin. $8.29

COLORED PENCILSBRUSHES

I146. Tresser’s Gum Ammoniac

Liquid. This traditional size for metal leaf comes in liquid form, ready to use for flat gilding. Gum Ammoniac retains its tack for several hours. There is not need to activate it with your breath

(as is done with traditional raised gilding methods). The liquid is naturally brownish, but you can change the color with a bit of paint or ink. Made in the USA from imported solid gum ammoniac. 1 oz. plastic jar. $7.50

GILDING

Now available in smaller sizes.S983. Kolner Miniatum Ink. This thinner version of Minatum of is a favorite of Rosemary Buczek. Write with a broad-edge or pointed nib with Miniatum Ink, then apply gold leaf. Dries flexible, making it ideal for work on vellum and paper. Comes with instructions. Choose size: 1/2oz in plastic jar. $10.951oz in glass jar. $19.9550ml in plastic jar. $27.95

S992. Double Water Cup.

This water cup / brush washer has two separate compartments, each with its own lid. The entire lid pops off to refill, while the small lids, one on each compartment, can be

opened/closed independently. Approximately 3.25" x 2.25" x 3.25h" overall. $3.99

E30. Alvin Jumbo

Eraser. This large, soft, white plastic eraser is a good substitute for the Staedtler Mars Grande,

which is no longer available in the United States. Use it to erase pencil lines or carve its smooth surface to make your own rubber stamps. 3" x 1.5" x 5/8". $2.50

M104. Pentel Hybrid Technica Pen. This fine tip (metal tip) pen is both lightfast and

waterproof. Available only in black. Choose size: .3mm, .4mm, .5mm, .6mm. $2.99 each. JNB $2.75 each

M104-S4. Pentel Hybrid Technica Set of 4. One of each size. $11.96. JNB $10.93

PL20. Pentel 8-color Automatic Pencil. This amazing mechanical pencil contains one lead each of Red, Blue, Brown, Orange, Yellow, Light Green, Pink, and Light Blue. It is easy to switch from color to color – but you do need to read the instructions! The thick leads (2.0mm diam-eter) produce dramatic, bold lines of consistent density. Refillable with Pentel CH2 lead. $24.95 JNB $19.99

BR59. Silver Ruby Satin Triangle Brush. Wedge-shaped brush with a triangular ferrule

and resilient, synthetic bristles. Short handle. Phyllis Macaluso: “This triangle brush is a miracle tool for creating quick little watercolour motifs for envelopes or any hand-lettered piece. It is a great watercolour brush for beginners. With a few simple strokes, it is possible for everyone to create beautiful florals and foliates.” A replacement for the Loew-Cornell Miracle Wedge Brush, which is no longer made. Specify size: X-Small $17.80 Medium $22.15 Large $25.15

LARGE

MEDIUM

X-SMALL

S983. 50ml


P80. Rhodia Ice Notepad. Highly

recommended for pointed pen work. Non-bleeding, bright white, smooth satin finish, 80gsm (22lb), acid-free, pH neutral paper. Micro-perforated to provide a clean edge when you tear out the sheet. Very similar to the regular Rhodia Pads (P74, P75, P53, P54, P55;

page 27 of full catalog), but with gray lines/graph. Some say the paper is also smoother. Choose Lined or Graph. 4" x 6". $3.25 6" x 8.25". $5.75 8.25" x 11.3". $9.00

PADS / PAPERS

P78. Fabriano Studio 90lb

HP Watercolor Pad. A low cost, high-value pad with acid-free, 90lb(200gsm) paper with 25% cotton content and is both surface and internally sized. 9"x12". 20 sht pad. $11.95. JNB $10.1675 sht pad. $42.95. JNB $36.51

P77. Canson

Foundation 90lb CP Watercolor Pad. This low-cost pad contains 15 sheets of acid-free, 90lb (185gsm), cold press paper that is

easy to rework (cold press paper has a slight texture).The paper is ideal for calligraphy, experimenting with light washes, perfecting techniques, and for combining wet and dry media. 12"x18". $13.60 JNB $12.95

P79. Pacon Basic Black Lined

Paper. 150 loose sheets, 8"x10.5". This paper is made for gel pens, but can be used for practicing calligraphy with white or metallic inks. The paper is fairly soft and suitable for practice and fun things, rather than finished pieces. The lines are “wide

rule” printed in white on black paper. $4.39

P58. Black Artagain Drawing Paper Pad. Use gel roller pens, metallic gouache, or opaque white ink for dramatic effects. With its smooth surface, this paper is very popular pointed pen enthusiasts. Made with 30% post consumer fiber. Judy Melvin recommends this paper for the “Bleach & Pastels” technique

described in her book Art Expose (B3041. $4.95). Unlike the current Arches Cover Black, this paper bleaches to a light color. Well-suited for soft pastels and color pencils.

RULERS

S821. Linex Super Ruler. Highly recommended by Reggie Ezell. Precision divided in mm & inches. Non-skid strips raise edges slightly for ruling while holding firmly to paper. Imported from Europe. $14.50

S871. Clear Plastic Grid Ruler with Metal Cutting Edge Heavy-duty transparent

plastic ruler. One edge is beveled for drawing lines, the other has a stainless steel edge for easy cutting. Useful for both light and dark papers. Includes centering scale. Ruler is graduated in 16ths of an inch. Recommended by Annie Cicale. 12". $6.50 18". $10.25

S798. C-Thru Graph Ruler. 8sq/inch grid, beveled edge, clear. 2"x12". $3.25

S725. C-Thru Graphic Arts 18" Ruler. In addition to measuring in inches or picas, this

clear ruler has a centering feature, which you can use to find the center of a line of calligraphy. $3.95

S984. C-Thru

Protractor Ruler. 6" clear plastic ruler with inches and millimeters, protractor/slant lines, and 8sq/in grid. 6" x 1.5". Now labeled “Westcott” instead of “C-Thru”. $1.50

S425. 18" Aluminum Centering Ruler. One side is a centering ruler with zero at the

center, and the measurements (in inches) extending in both directions. The other side is a regular ruler, one edge in inches, the other in millimeters. $6.75

Stainless Steel Ruler. Flexible, cork back.S270. 12". $3.89S271. 18". $5.89

S574. 12" Wood Ruler with Metal Edge. $2.00

S798

60lb (160gsm), acid-free, and made with 30% post consumer fiber. From Strathmore. 24 sheets. Specify Size: 9"x12". $9.39. JNB $8.96 12"x18". $15.89. JNB $15.17

P84. Strathmore Artagain Assorted Tints Pad. The same smooth paper in nicely mottled colors. Includes four sheets each of Beachsand Ivory, Desert Rose, Storm Blue, Moonstone, Gotham Gray and Steel Gray. From Strathmore. 24 Sheets. 9"x12". $9.65


PAPERKhadi White Rag Paper. This paper from India is a handmade sheet and does not look as refined as European mouldmade watercolor papers, such as Arches or Fabriano Artistico.

(Its slightly irregular dimensions may be the reason its edges/corners are often bumped.) Christopher Haanes has introduced it to North American scribes through his workshops in the US and Canada.“I particularly like the Khadi’s White cotton rag paper, both in smooth and rough.” - Christopher Haanes, Norway

PS103. Khadi White Rag Paper. 210gsm (100lb). Handmade from 100% long-fibered cotton rag, giving the paper exceptional strength and durability. Surface-sized with gelatin. Acid free. For calligraphy, drawing, watercolor. 22"x30". Available in a Rough or Smooth (Cold Press) finish. $5.95 each

For more sheets of fine papers, see pages 24 & 25 in the JNB full catalog.

In most cases, large sheets of paper must be shipped separately from other items. For this reason, there is a separate Paper Shipping Charge. PAPER SHIPPING: USA 48: Flat rate of $12.00, regardless of the quantity of sheets ordered. AK, HI, PR: Based on actual cost; minimum is $14.00. If shipping costs are more than $14.00, we will email you the cost for your okay. (APO and FPO: based on actual cost; minimum is $12.00.)

P103. Pack of Pad Paper Samples. $3.00 Samples of 8 different types of papers, great for all levels of calligraphy. One page each from the following pads:

P21. Light Grid JNB: Best for work for reproduction. P21. Dark Grid JNB: Best for student use in classrooms. P01. Copperplate Grid: Light blue with slant lines. P10. Boris Layout: Popular for beginning classes and for Copperplate for reproduction. P32. Canson Pro-Layout Marker: Black guidelines under the sheet are easily seen even without a light table. Higher quality than the Boris. Highly recommended. P39. Cotton Comp: Takes ink without bleeding or feathering. A step up from the regular Marker Layout. A Sheila Waters favorite.P36. Clairefontaine Blank (Triomphe): Extra white, super smooth. 23lb vellum finish paper. P64. Maruman Mnemosyne Imagination Blank Pad: Delightfully smooth paper. Super for pointed pen work. A favorite of Heather Held. P76. Strathmore Writing Pad, Blank and Lined: Enough tooth for broad-edged pen, but also smooth enough for pointed pen. Teachers, you may add the sample pack above (P103) to your order at no charge. If you order online, type: “Free P103 for Teachers” in the SPECIAL INSTRUCTIONS field on the SHIPPING ADDRESS page. The free P103 will not be reflected on your total but will be adjusted once the order is processed. Please pay using a credit card; if you pay online with PayPal, you will be charged for the P103. We can’t adjust PayPal payments because PayPal processes the payments immediately.

STRATHMORE WRITING.Just out, this is a wonderful paper for pen work. It has enough tooth for broad-edged pen, but is also smooth enough for pointed pen, and it is made to take liquid ink without bleeding! Heather Held designed the logo for the paper and worked with Strathmore on the paper qualities. Natural White, 25% cotton, wove finish. Pads and journal/sketchbooks are available blank or lined (with dotted, light blue lines.). While the name is the same, this is a different and much better paper for calligraphy than the Strathmore Writing that is used for printing letterhead.

P76. Strathmore Writing Pad. 50 sheets. Save 25%!6"x8". Specify lined or blank. $7.95 SALE $5.968.5"x11".Specify lined or blank. $9.95 SALE $7.46

PA76. Strathmore Writing Envelopes. Pack of 25. #6 (4.75"x6.5"). $11.99. JNB $8.99 #9 (3.875"x8.875"). $12.99. JNB $9.74

PA77. Strathmore Writing Softcover Journal. 128 pages. Save 30%!5.5"x8". Specify lined or blank. $20.49. SALE $14.347.75"x9.75". Specify lined or blank. $25.49. SALE $17.84

PA78. Strathmore Writing Hardcover Journals. 160 pages. Save 30%!5.5"x8.5". Specify lined or blank. $21.79. SALE $15.258.5"x11". Specify Lined or blank. $31.15. SALE $21.81

P83. Strathmore Calligraphy (Series 400). Cream color, laid finish, 20 lb (75gsm) paper for calligraphy and pen & ink drawing. Acid-free.The reverse side is smoother than the front. 8.5"x11". 50 sheets. $7.19

For pads & soft cover journals see pages 26 & 27 of JNB full catalog.

PS106. Speedball Arnhem 1618. 100% rag, acid-free. Semi-smooth, vellum finish. Internally & externally

sized. 22"x30". 90lb. 245gsm. 2 deckles. Made by Schut Papier, a mill near Arnhem, Holland, that has made fine paper since 1618. White. $4.00 sheet

This printmaking paper was a hit at the two Cheerio Calligraphy Retreats last fall. Samples were provided to several participants and to the instructors, and all reported that it was an excellent paper for calligraphy. Angie Vangalis felt it is superior to Rives BFK (and is less expensive). The surface has a smoother finish, making it suitable for pointed pen work.


S975. Swarovski Crystals. Packet of 36, 1.8mm each.Clear, diamond-like Swarovski crystal sparkles with extraordinary brilliance. Its unique sparkle and shine give each design an unforgettable appearance. Each piece contains 12 facets with a foil backing. The rhine-stones can be set with a fine-point glue pen, scrapbook-ing glue dots, or with any thick craft glue. $4.95

S967. Adhesive Gems. These colorfuls gems are adhesive-backed for easy use. Each color pack comes with a light and a dark shade of the same color. Carefully peel the gem off the backing and attach to your paper project. We sent envelopes to Minnesota and Florida, and all of the gems stayed attached! Choose: Red, Yellow, Green, Blue, Purple, White, or Brown. 2"x5.75" sheet, 88 assorted size gems. $2.95

GEMS/CRYSTALS

JOHN STEVENS

Calligraphy, Letter Art, Design

A profusely illustrated, full-color retrospective of John

Stevens’ work with letterforms. Includes calligraphy and

lettering – artworks, personal work, experimental work,

commissioned work – as well as graphic work and type

design. His body of work spans paper to stone, books to walls, hand-lettering to type and the

digital realm. In the text, John presents his approach to a design or work and his

thoughts on letterforms, and continues with a discussion on tools, teaching,

design, and writing in general. Using his body of work as example, he makes the case that barriers between fine arts and

graphic arts are mostly irrelevant.

B2982. Scribe: Artist of the Written Word

by John Stevens. 2013. 264 pp. 8.5" x 11.25". Hardcover $49.95

THIS CATALOG supplement features new books and supplies not in our full catalog. When searching for a product by the code number, do not enter a period after the code number. If you are having trouble finding an item on our website, please give us a call or send us an email.

WANT TO VISIT US?While we are a mail order operation, you can shop in person.

Please contact us for directions and other info. We are not usually open on weekends, but may be able to accommodate

you if your plans do not permit a weekday visit.

For more books, tools, & materials visit

www.johnnealbooks.com

To view a PDF copy of the

full John Neal, Bookseller

2016 catalog, please

click here.


NEW ARRIVALS: BOOKSCALLIGRAPHY

B4130. ABC for Adults by Christopher Haanes. 2014. 65pp. 5.5"x7-5/8". Paper $30.00

In this beautiful little book, each of

our 26 letters gets a 2-page spread. On the left page are large Roman and Italic forms, majuscule and minuscule, formal and ruling-pen-written.

Below those is the letter written in five scripts, from Uncial to Copperplate. On the right page is Christopher’s musing on the letter, sometimes with an adult theme (hence the title), followed by a history of the letter from its Phoenician roots. Included in the back is a timeline, a diagram showing the terms for letter parts, and a bibliography. Each copy is signed, in pencil, on the title page. Very limited quantity available.

B4151. Art in the Alphabet: A History of the Evolution of Hand Lettering by Lewis F. Day. 2016. 228pp. 5"x8". Paper $19.95

This grand compi- lation, originally

published in 1910 as Alphabets Old and New, presents more than 250 alphabets, from classical Roman capitals to modern (in 1910) forms. Among the selection of modern alphabets

are samples that offer evidence of how the surface – wood, stone, leather, mosaic – and the writing instrument – chisel, needle, brush, stylus, pen – can affect the character of the lettering. An introductory essay traces the evolution of the Latin alphabet.

B4146. Calligraphy: A Compre-hensive Guide to Beautiful Lettering by Jane Sullivan. 2016. 120pp. 8.25"x11". Hardcover $19.99

Introduces nine major calligraphic styles, with

detailed diagrams and tips for writing each letter. Sub-sections include histories of each alphabet,

step-by-step tutorials for embellishing your calligraphy, and ways to showcase your elegant lettering. Full color photographs and illustrations throughout.

B4126. Calligraphy for Everyone, 3rd edition. by Leonid Pronenko. 2016. 320pp. 7.6"x11.4". Hardcover $25.79. This book is due December 2016. Preorder your copy now. Your credit card won’t be charged until the book ships. PayPal orders are charged at time of order; for delayed payment with PayPal, email your order.

I have a copy of the second edition of this book (2011), and it is a joy to behold. While I

don’t read Russian, the hundreds of reproductions of calligraphy, lettering, and calligraphic art – mostly from the last 25 years of the twentieth century – are enough. There are examples from everyone from Alice to Zapf (along with some little-seen works from Russian scribes), filling the vast majority of the 300-plus pages of calligraphic eye candy. It is a picture book – lavishly illustrated is certainly an apt description. The printing is superb, full color throughout, on creamy, uncoated stock. It looks and feels like a book that would cost two or three times a much. I don’t think you will be disappointed. The text is in Russian, so I can’t tell you much about it. A brief history of calligraphy is followed by a section on calligraphic types. The last chapter seems to be about correspondence and has examples of letters to Pronenko, mostly in English, from Martin Jackson, Albert Kapr, Hermann Zapf, Kargeorg Hoefer, Sidney Day, GSE Briem, Tim Girvin, Serrit Noordij, Rick Cusik, among others (there are also some greeting cards in this section).

B4128. Alice: A Survey of the Calligraphy of Alice by Jerry Kelly. 2016. 8"x11.5". Hardcover $60.00. This book is

due December 2016. Free media mail shipping on pre-publication orders (USA only). Preorder your copy now. Your credit card won’t be charged until the book ships. Note: for delayed payment with PayPal, email your order; do not order through our website.

Alice Koeth, known professionally simply as Alice, is one of the most respected calligra-

phers in the world today, though relatively few of her works have been published in book form. The vast majority of her graphic output remains unseen and uncollected. This book, compiled, with Alice’s active participation, has over 140 illustrations, showing the depth and breadth of her artistry. Jerry’s introduction and Donald Jackson’s eloquent appreciation set her work in context. Most works are illustrated in color, many are presented full-page. Over a career spanning more than 60 years, Alice’s artistry exemplifies taste, technique, wit, and her own

unique graphic style. A keen understanding of craft, respect for tools, and interest in historical forms have contributed to her command of various calligraphic styles, written with extraordinary skill. Best known are her masterful posters for The Morgan Library from the 60s & 70s, which have been graciously photographed by the Morgan for this book. More of her graphic work was created for a wide assortment of clients – commercial enterprises, publishers, universities, organizations, and individuals.


B4141. Classic Book Jackets: The Design Legacy of George Salter by Thomas Hansen. 2004. 200pp. 8.2"x9.8". Paper $35.00. SALE $24.50

For more than forty years, George Salter’s

beautifully drawn and lettered covers served as elegant

windows onto the works of authors as Albert Camus, John Dos Passos, Jack London, and Thomas Mann. Salter had the rare ability to reduce the illustrated dust-jacket – a new part of the book package – to its essential elements. He could visually evoke – with typography, calligraphy, and pictorial imagery – the contents of any given book.

MIKE GOLD B4123. Lines to Live By: Thoughts on being a 21st-century calligrapher by Mike Gold. 32pp. 8"x8". Paperbound $15.00

Commercial artist and lettering

designer Mike Gold shares his thoughts making contemporary lettering, accompanied by 44 beautiful, full-color examples of his calligraphic compositions.

B4148. A History of Writing: From Hieroglyph to Multimedia edited by Anne-Marie Christin. 2002. 403pp. 10"x11". Hardcover $70.00. SALE $25.00

A total of fifty-eight lavishly illustrated

chapters that analyze the role of the image in the history of writing, with detailed commentaries from a team of leading specialists. Together they explain the evolution of more than 30 key scripts and alphabets and their numerous derivatives. The scope of the material, along with extensive documentation, make this an essential contribution to existing scholarship on this fascinating subject. Illustrated throughout in color and black and white.

B4139. Letter by Letter: An Alphabetical Miscellany by Laurent Pflughaupt. 2008. 160pp. 7"x8.5". Paper $24.95. SALE $17.47

Graphic designer and calligrapher Laurent

Pflughaupt analyzes each letter of the Roman alphabet in detail, tracing its origin, evolution, and

form, as well as discussing its important abbreviations, symbols, and associated meanings. Arranged in alphabetical order, twenty-six entries offer a wealth of facts about each letter, establishing correspondences between letters and elements borrowed from a variety of different fields of study, ranging from traditional paleography, phonetics, and graphic arts to the more arcane areas of musicology, esotericism, and even Eastern philosophy. In addition to a glossary, timelines and images allow us to visualize the letters during the different historical eras, giving the reader an apprecia-tion of their successive metamorphoses. Written as an homage, this lovingly illustrated book takes abroad

approach to the modern alphabet, allowing the reader to see letters anew, in a fresh and lively manner guaranteed to inform and enchant anyone interested in typography and language.

B4138. Lettering and Type: Creating Letters and Designing Typefaces by Bruce Willen and Nolen Strals. 2009. 144pp. 7"x8.5". Paper $24.95. SALE $9.95

Authors and designers Bruce Willen and

Nolen Strals examine classic design examples as well as

exciting contemporary lettering of all stripes—from editorial illustrations to concert posters to radical conceptual alphabets. Lettering and Type is ideal for anyone looking to move beyond existing typography and fonts to create, explore, and use original or customized letterforms. This latest addition to the best-selling Design Briefs series features a foreword by Ellen Lupton and hundreds of images and examples of work by historical and contemporary designers, artists, and illustrators, including Marian Bantjes, Stefan Sagmeister, Matthew Carter, Christoph Niemann, Steve Powers (ESPO), House Industries, Christian Schwartz, Margaret Kilgallen, James Victore, Abbott Miller, Sibylle Hagmann, Ed Fella, and many more. Throughout the book, interviews with type designers, artists, and graphic designers provide real-world perspective from contemporary practitioners.

MASSIMO POLELLOB4131. Works by Massimo Polello. 6.25"x6.25". 2008. 48pp (including covers). Single sheets bound with a metal post. $25.00

A collection of works, each

accompanied by one or more greatly enlarged detail images.

The very brief text is in English and Italian, the captions in English. Includes artist statement, brief recent bio, and a list of awards and exhibitions. Very limited supply.

B4129. Traité de la Peinture: Extraits (Treatise on Painting: Excerpts) by Leonardo de Vinci. Calligraphy by Massimo Polello. 2008. 80pp. 6.25"x12.75". Paper $25.00

Each spread presents a passage from Leonardo’s

Treatise on Painting in both French and Italian, each with a calligraphic initial letter, along with a work by Massimo. Limited number of copies in stock now; more to come later.

For more books, tools & materials visit www.johnnealbooks.com


B4144. Practical Letter Book by J.H. Kaemmer. 2016. 160pp. 10.5"x9". Paper $19.95

Published in 1911 as a resource for

sign painters, this is a wonderful compendium of

alphabets and letters. The 140 plates feature numerous historical and modern (for 1911) styles from throughout Europe, including sans serif, slab serif, & shadow letters, pointed pen scripts, Versal and Blackletter (Gothic) forms. Most are full alphabets. Numerals are shown over seven pages.

B4137. Shadow Type: Classic Three-Dimensional Lettering by Steven Heller and Louise Fili. 2014. 352pp. 7"x9.8". Paper $40.00. SALE $20.00

This book presents a broad spectrum of

examples of relief and shadow lettering – from advertising, shop signs, billboards, posters,

type-specimen books – drawn from the nineteenth to the mid-twentieth century, a particularly rich period for these kinds of letters. The selections are from the United States, Italy, France, Germany, and the United Kingdom as well as a few from other countries. This collection is packed full of ideas and inspiration – you will find a surprising number of ways to give depth to letters.

HANS SCHMIDTB4107. Buchstäblich: Hans Schmidt, Arbeiten von (Work from) 1992-1998. 1998. 34pp. 8.25"x10.25". Paper $23.50

Displays 28 letterworks, both

on paper and sculptural. Includes introduction by Javis Lauva. The title is, perhaps, a play on words:

Buchstäblich is the German word for “literally” and Buchstaben is German for “letters,” hence “literally letters,” an apt description of Schmit’s art. Text in German.

B4108. Hans Schmidt: Arbeiten (Work) 1998-2001. 40pp. 8.25"x10.25". Paper $23.50

Displays 32 letterworks, both

on paper and sculptural. Includes brief artist’s statement (Selbstgesprach) and bio. Text in German.

B4109. Hans Schmidt: Vom Linearen zum volu-minösen (from linear to voluminous). 48pp. 8.25"x10.25". 2008. Paper $29.00

Displays around 50 pieces,

including woodcuts and other works on paper; books; and relief works,

sculptural works in metal, wood, and ceramics. Covers work from 1992 to 2007. Introduction by Stefan Soltek and a brief bio of Schmidt. Text in German.

BOOK ARTS /BOOKBINDING/ ARTISTS’ BOOKS/JOURNALS

B4149. Australian Artists Books by Alex Selenitsch. 2009. 121pp. 8.75"x9". Paper $39.95. SALE $14.95

Respected Melbourne-based

poet and architect Alex Selenitsch provides an informative examination of

the entire collection of artist books held by the National Gallery of Australia, highlighting 20 books from the collection. Includes over 135 illustrations, discussions of

JOHN STEVENSB4150. Mastering Broad Brush Capitals and Related Letterforms by John Stevens. 8.5"x11". Approx 128pp. Spiral-bound, Paperback.

Pre-publication price $27.50 and free media mail shipping (USA only) on orders placed by 12/31/2016.

Note: Publication date has not been set. It may be up to a year (or more) before the book ships.While the publication date has not yet been set, you can preorder your copy now to take advantage of the pre-publication

offer. Your credit card will not be charged until shortly before the book ships. If you wish to pay with PayPal, you must email your order to [email protected] for delayed payment, rather than ordering on the John Neal Books website.

In this practical book, John Stevens shares his brush knowledge with exercises

developed and refined over many years of teaching brush lettering workshops. He introduces you to the brush and how it contrasts with the pen. You learn how to prepare, hold, and load your brush; how the brush moves when you change angles and make curves and other turns; and basic strokes, joins, special strokes. You explore texture and rhythm. From the angular Neuland, you move on to a rounded Roman Capital form. From there, you move to extensive instruction for the Trajan letterforms, including a full-size exemplar alphabet. Final chapters take your letters into words and works, and present a gallery full of inspiration.


artists’ books by Ian Burn, Robert Jacks, Bea Maddock, and Mike Parr. The author also provides an in-depth analysis of works by 16 other artists.

B4125. Don Etherington: Design Bindings, A Retrospective. 2016. 96pp. 8.5"x11". Paper $29.95

A catalogue and appreciation of

Etherington’s achievements over his long and distin-guished career, printed for a retrospective exhibition at HEC Montreal. Includes

introductory words by Don Etherington, Jonathan Tremblay (President of ARA Canada), and Maureen Clapperton, and an essay by John MacKrell. In addition to color illustrations and descriptions of the bindings in the exhibition, the catalogue also shows bindings not in the exhibition, as well as custom bindings by Don’s friends, students, and colleagues of his earlier book Book Binding and Conservation: A Sixty Year Odyssey of Art and Craft.

B4140. Ladies of Letterpress: A Gallery of Prints by Jessica White and Kseniya Thomas. 2015. 192pp. 11.1"x14". Paper $40.00. SALE $20.00

Presents work from over 80 presses with

a woman at the helm. You get to see an amazing range of pieces, from greeting cards

to broadsides and posters, printed in a variety of type, lettering, and illustration styles. Each piece is accompa-nied by details of paper, inks, and press used in its printing, along with a profile of its printer. The photography and printing are superb, often showing the paper texture and the bite of the printing into the sheet. An unusual feature is that all the pages are perforated, so you can detach and post or frame any of the 80 full-page examples. There are also four interviews with proprietors of these inventive establishments.

B4136. The Sketchbook Project World Tour by Steven Peterman. 2015. 224pp. 8.2"x10.2". Paper $30.00. SALE $15.00

Destined to go down as one of the era’s most

astonishing global art projects, the Brooklyn Art Library’s Sketchbook Project has, in less

than a decade, amassed more than thirty thousand sketchbooks submitted by people of all ages and artistic abilities from more than 130 countries. Bursting with color, vivid imagery, and bouts of whimsy mixed with deeply intimate insights, the sketchbooks capture the texture of personal experience in a dizzying variety of illustrative styles and layouts that run the gamut from street portraits to stream-of-consciousness doodles, comics, and pop-ups. This volume presents the most compelling, surprising, and visually stunning examples from this one-of-a-kind artistic treasury.

B4111. Waters Rising: Letters from Florence by Sheila Waters. 2016. 496 pages. 7.25"x10.5". Hardcover & DVD $45.00

Renowned calligra-pher Sheila Waters

recounts the story of the role that her husband Peter Waters (1930–2003) played as the person in charge of organizing the monumental efforts to save

severely damaged books in the Biblioteca Nazionale Centrale di Firenze (National Library, Florence) after the devastating flood in 1966 fifty years ago. In addition to letters and Sheila’s narrative diary and timeline of events, Randy Silverman, Head of Preservation, University of Utah, has written a thought-provoking introduction that puts those conservation efforts into the context of today’s practices. Also, Valerii P. Leonov has written an appreciation of Peter’s assistance in the aftermath of a fire in 1988 that ravaged the Library of the Russian Academy of Sciences. The accompanying DVD features a digital remastering of Roger Hill’s film Restoration of Books, Florence, 1968.

ENVELOPESB4124. Snail Mail: Rediscovering the Art & Craft of Handmade Correspondence by Michelle Mackintosh. 2015. 224pp. 6.5"x9". Hardcover $19.95

Snail Mail reintro- duces the lost

pleasure and art of personal correspondence, beautiful presentation, and manners to

today’s world of instant communication. It aims to bring back handwritten communication in one beautifully illustrated and perfectly proper little package. Inspired by Japanese stationery and letter-writing culture, Michelle Mackintosh introduces the reader to the charm of the handwritten letter, personalized packages, and handcrafted stationery. Beautifully illustrated and complete with cutout postcard designs, papercraft, and rubber stamp templates, Snail Mail is full of equally useful and whimsical advice, like how to say “thank you” in a letter and other old-school etiquette; how to take time and reflect on your life through writing; how to improve and celebrate your own handwriting; how to make your own paper; how to romance someone the old-school way; how to make pen friends and DIY beautiful invitations for any occasion. It’s time to take back the written word!

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ILLUMINATIONB4120. Beginning Illumination: Learning the Ancient Art, Step by Step by Claire Travers. 2016. 80pp. 8.5"x11". Hardcover $24.99

Starts with a short history of illumina-

tion with photos from medieval masterpieces, then you are introduced to the materials and basic techniques. You learn the

proper ways of preparing vellum, selecting pigments, gilding, and using color. Next, the steps of illuminating are clearly taught in detail, step by step. Discusses borders, human faces, flourishes, dragons and other creatures, and much more. This copiously illustrated guide offers you all the information you need to begin the fascinating ancient art of illumination, and then to improve your skills.

B4147. Caporali Missal: A Masterpiece of Renaissance Illumination by Stephen N. Fliegel. 2013. 130pp. 9"x11.5". Paper $24.95. SALE $12.50

The Caporali Missal, a sumptuous and

important Renaissance missal – or service book for the priest at the altar – was illuminated by the

Caporali brothers for the Franciscan community in the hillside town of Montone, near Perugia, in 1469. This exhibition catalog celebrates this important manuscript, recently acquired by the Cleveland Museum of Art, with exquisite reproductions that bring the illuminated pages to life. Additional works by the Caporali brothers and relevant art from the museum’s and other collections elucidate the history, style, content, function, and authorship of the missal. Illustrations of a chalice and a paten, a chasuble, and a processional cross enhance the religious and aesthetic context of the manuscript. A series of essays by eminent scholars examine the influence of Florentine artists on the Caporali brothers and explore the spiritual life of the Franciscan community and the history of the friary at Montone.

B4145. Illuminated Letters Sketchbook by Jane Sullivan. 2016. 160pp. 6.3"x8.5". Hardcover $12.95

Learn how to illuminate your

writing like the scribes of the past! Bring letters to life with plant and animal motifs, swirling vines and leaves,

graceful arabesques and flourishes, fantastical imagery, and more. Draw creatures cavorting across the page as Gothic illuminators did, or create the knotwork seen in famous Celtic manuscripts. Step-by-step tutorials, tips for creating striking effects, and blank letterforms you can illuminate yourself make this the perfect modern-day guide to the medieval art of beautiful writing. Includes an elegant spring-green ribbon bookmark with which to keep your place.

QUOTATIONSB4143. Unlocking the Words: A Book of Quotes. Collected and compiled by Gay Ayers. 2016. 100pp. 8.5"x11". Paper $19.95

Over the years, calligrapher Gay

Ayers has recorded phrases and longer texts that have caught her attention: adages, aphorisms, clichés, epigrams,

verses of poetry, and prose passages – words of wit and wisdom (and occasionally stupidity). Most, but not all, are identified or attributed, some with the name of the work they come from. The passages are presented in categories, from “Aging & Birthdays,” “Art,” and “Architecture” to “Trees,” “Wind,” and “Women.” Sprinkled among quotes from more widely known personages are words of calligraphers, including Nancy Culmone, Karlgeorg Hoefer, Michael Hughey, Lloyd Reynolds, Carl Rohrs, Peter Thornton, and Hermann Zapf.

CREATIVITYB4113. Art Before Breakfast by Danny Gregory. 2015.160pp. 6.5"x8.5". Flexi-binding $19.95

Packed with the signature can-do

attitude that makes beloved artist Danny Gregory a creativ-ity guru to thousands across the globe, this unique guide serves up a hearty helping of

inspiration. For aspiring artists who want to draw and paint but just can’t seem to find time in the day, Gregory offers 5- to 10-minute exercises for every skill level that fit into any schedule – whether on a plane, in a meeting, or at the breakfast table – along with practical instruction on techniques and materials, plus strategies for making work that’s exciting, unintimidating, and fulfilling. Filled with Gregory’s encouraging words and motivating illustrations, this book teaches readers how to develop a creative habit and lead a richer life through making art.

B4017. Take Time. 2014. 100pp. Paper $14.95 B4018. Take Time for Joy. 2014. 80pp. Paper $14.95 Two small quote books

complied by Julie Ranieri to help you use wisdom and creativity to connect to your joy. Each page features a brief quote inside a simple, hand-drawn frame graphic

by Joanne Fink. Judy Ranieri, MA, is a California-based creativity coach, workshop leader, joy facilitator, wisdom circle leader, and spiritual alchemist. Each book is 4"x6" and is spiral-bound.


Books & DVDsBOOKBINDING

B4079. The Art and Craft of Handmade Books: Revised and Updated by Shereen LaPlantz. (2001) 2016. 128pp. 8.25"x11". Paper $19.95.JNB $17.95

This innovative approach to book-

binding explains an array of creative techniques that elevate handmade books into extraor-

dinary works of art. Easy-to-follow, well-illustrated directions explain how to make pop-up panels, pages that “explode” from the spine, slipcases, tassels, and other distinctive features. A full-color photo gallery offers further inspiration for enhancing and personal-izing projects. From the author of Cover to Cover, which is also now available in an updated edition. Shereen started and published the first two issues of the maga- zine Bound & Lettered (then called Taballae Ansata).

B3372. Kurt Londenberg Bucheinbände. [Offenbach am Main, Klingspor-Museum]. 1965. 95pp. 25 illustrations, 2 in color. 7.75"x10". Paper $20.00. SALE $10.00

Twenty-five designer bindings are described

with accompanying full-page photos. Many other bindings are listed with descriptions, but no photos. Text in German. Some of the pages have stuck to the following page, and there is some damage when they are pulled apart.

B4100. Marí Emily Bohley: Letter & Book Arts / Schrift & Buchkunst 2002-2015. 2016. 84pp. 8.25"x8.25". Paper $18.95

Filled with wonderful photos of Bohley’s works. Introduction by Ewan Clayton. Text in

English and German. Full-color throughout.

CALLIGRAPHYB4097. Complete Calligraphy Skills by Vivien Lunniss. 2015. 192 Pages. 7.75"x9". Paper $22.99

Includes a history of

calligraphy, from its early beginnings to its 21st-century revival; the essential tools and materials needed to get

started; an overview of the basic principles, letter parts and weights, pen angle, and more; and exercises for 20 calligraphic hands, from Uncials and Anglo-Saxon scripts, to Roman capitals, Gothic, and even modern, freeform, drawn lettering. More than 300 full-color illustrations. In addition to the instruction and model alphabets with ductus (stroke sequence and direction), there are online videos that demonstrate selected letters from the hand. Smartphone QR codes and URLs are provided, but it may be easier to search Vivien Lunniss on YouTube.

B4077. Learn to Draw Calligraphy Nature by Andrew Fox. 2016. 76pp. 6.25"x8.25". Hardcover $14.99

In his first book, Andrew Fox showed us

how to make animals with just a few strokes of a calligraphy pen.

Now he shares again, this time with a fun series of minimalistic nature drawings. From acorns, beetles, daffodils, and hedgehogs to snowflakes and clouds, the drawings are simple to create and easily recognizable (some more than others). For children of all ages; good for entry-level artists. Includes pad & calligraphy marker.

B4047. Learn to Draw Calligra-phy Animals: 30 unique creations by Andrew Fox. 2015. 76pp. 6.25"x7.75". Hardcover $14.95 With just a few strokes of a calligraphy pen, London-based designer and illustrator Andrew Fox helps you to create a fun series

of 30 minimalistic animals. From cats, dinosaurs, crabs, horses, and birds, the animals are simple to create and easily recognizable. Kit includes book, calligraphy marker, and paper.

ANDREW FOX

DECORATED ENVELOPESAvailable again! Limited supply! B4020. The Pony Express, First Edition: A Collection of Decorated Envelopes for Legacies 2005. 30pp. 7"x8.5". Paper $9.99

This collection of artful envelopes is from the first Legacies conference, which was held in 2005. The booklet features more than 140 envelopes from creative scribes from all over the world.

Also available: B4019. The Pony Express, Second Edition: A Collection of Envelopes for Legacies II. 2014. 24pp. 7"x8.5". Paper $9.99 This new assemblage of

artfully addressed and delightfully decorated envelopes will give you ideas

and inspiration to calligraphi-cally create your own envelope excitement!


B4104. De Collectie: Letters, Tekens, Symbolen by Jan Broes. 2015. 168pp. 9.5"x11". Hardcover $49.95

Filled with calligraphic

works, most full-page or nearly so, with many large details. Includes works on paper and cut in stone by European lettering artists,

including multiple works by Werner Schneider, Elmo van Slingerland, Hans Schmidt, Jean-Claude Lamborot, and Heinz Schumann, as well as work by John Stevens. Text is in Dutch, French, & German. Designed by Elmo van Slingerland.

SHEILA WATERSB2769. Foundations of Calligraphy by Sheila Waters. 2006. 126pp. 9"x11.25". Concealed spiral binding. Now in its third printing. Hardcover $35.00 In the 110 pages of exemplar alphabets, instruction, and hints, Sheila shares with you the knowledge she has gathered

over her decades of study and practice. She provides insightful analysis of forms and constructions and helps you learn and work toward mastery of the alphabets. The presentation is honed by her vast experience teach-ing calligraphers how to advance their skills and art. Sheila Waters is not only a master scribe, but a master teacher. She has made both her life’s work. Chapters include Basics & Beyond, Analysis & Practice, Design & Layout, Conception to Completion, and Applying Design Principles. Foundational, Blackletter, Gothic Cursives, Uncial & Half Uncial, Carolingian, Italic, and Italic Varia-tions are covered with thorough instruction for each. Foundational and Italic receive particular attention.

before-published) of the letters and letter-work of Luca Barcellona, an internationally-known calligrapher, designer, and graffiti artist. Luca uses both historical letterforms and contemporary, original ones in striking and expressive compositions. Includes an interview by Chaz Bojórquez. Over 400 full-color illustrations. Text by Luca Barcellona, Giovanni De Faccio, and Nicola “DeeMo” Peressoni. Luca’s work was featured in Letter Arts Review issue 23-3.

LUCA BARCELLONA B4102. Take Your Pleasure Seriously by Luca Barcellona. 2016. 240pp. 9"x13". Paper $60.00

Features commissioned work and personal pieces in

hundreds of images (many never-

Luca Barcellona shatters the boundaries as he

blends his street sensibility with fine penmanship.

– Letter Arts Review

The hardcover edition of Take Your Pleasure Seriously (B3870. $99.00) is now out-of-print, but a few copies are still available.

DENISE LACH B3244. Calligraphy by Denise Lach. 2009. 192pp. 9.25"x10.25". Paper $22.50 Now available in paperback. This striking and original book is a gallery of Denise Lach’s calligraphic work and tech-

niques. She presents the tools she uses in her work, each with illustrative examples: broad edge nibs, Automatic pens, Pilot Parallel pen, and music nib (for writing the notes, not the 5-line staff the notes are placed on), plus reed pens & bamboo pens, felt-tip pens, and brushes. There are multi-page sections on using the ruling pen, cola pen (made from an aluminum soda can), and pipettes as lettering tools.

B4083. Journeys in Calligraphy: Inspiring Scripts from Around the World by Denise Lach. 2015. 192pp. 9.25"x10.2". Hardcover $37.50

Alphabets are the

perfect springboard for calligraphic

experimentation. From India to Ethiopia, Tibet and beyond, Lach has travelled widely in the world of script. Here, she documents complex and simple characters, playful shapes and vibrant colors, which she then translates into her own visual art. She demonstrates the exciting design possibilities offered by script: you can repeat, turn, mirror, and rotate letters; you can also experiment with rhythms, contrasts, colors, and line widths.

We are continuously adding new books and supplies to our inventory. Sign up on the JNB website for our monthly

eNewsletter to be notified about new merchandise, or read the latest eNewsletter by clicking the link on the top left

corner of our website. We also post a monthly PDF supplement to our full catalog on our website.


Instructional Calligraphy DVDs from Reggie Ezell for beginning and intermediate students. Each video is approximately 60 minutes (except as noted) and covers “all aspects” of the topic. Reggie has

taught calligraphy for over 30 years, and his yearlong courses have been among the most highly regarded

and sought after in the U.S. and Canada. These DVDs are formatted for North American DVD players. $15.00 each SPECIAL OFFER: Order four or more of Reggie’s instructional DVDs (in any

assortment) and the price is only $12.00 each. DVD59. Basic Blackletter (approx 70 min.).

DVD55. Italic Minuscules. DVD56. Carolingian Minuscules (approx 30 min.). DVD57. Pointed Brush Basics. DVD58. Basic Romans. DVD63. Drawn Romans (3hrs).

REGGIE EZELL DVD63. Drawn Romans DVD by Reggie Ezell. $15.00

This 3-hour instructional DVD is geared towards beginner and intermediate

calligraphers. It shows, in detail, the drawing, start to finish, of every letter. The easy to follow, sequential process, for basing these forms on the broad edge pen is clearly articulated during the delineating and touching up these letterforms in pencil.See page 3 of the full JNB 2016 catalog for Reggie Ezell Portfolios (B4070), guides which complement the DVDs, and his Guidelines for Calligraphy (GL08).

B4096. His Hands Magic: Michael Renton (1934 - 2001). 2015. 142pp. 6.5"x8.7". Paper $29.95

Includes six essays on

Michael Renton’s life and work as a lettercarver, calligrapher, signwriter, wood engraver, illustrator, artist, designer, and printer, and a catalog

of his extensive range of work. Contributors include Harriet Frazer, John Nash, Angela Lemaire, Simon Langsdale, and Simon Brett. Over 120 illustrations.

KAZ TANAHASHIB4081. Heart of the Brush: The Splendor of East Asian Calligraphy by Kazuaki Tanahashi. 2016. 432pp. 7"x10". Paper $27.95. JNB $24.95

This book is a comprehensive and

accessible introduction to the history and art of calligraphy as it’s been practiced for centuries in China, Japan, and elsewhere

in Asia. It is a beginner guide to developing an appreciation for Asian calligraphy and for giving Asian calligraphy-creation a try. It is also for those who just wants to browse through and exult in lovely examples. The heart of the book, “Master Samples and Study,” presents 150 characters—from action to zen—each in a two-page spread. On each verso page the character is

presented in three different styles, each one chosen for its beauty and identified by artist when possible. The character’s meaning, pronunciation (in Chinese, Japanese, Korean, and Vietnamese), etymology, the pictograph from which it evolved, and other notes of interest are included. At the bottom of the page the stroke order is shown: the sequence of brush move-ments, numbered in their traditional order. On each facing recto page is Kaz’s own interpretation of the character, full page.

B4071. Nice Rendition: Cheryl Wheeler’s Lyrics in Calligraphy. 2010. 159pp. 9.25"x12.25". Hardcover $40.00

In this book, 60 artists have

interpreted the words of 73 Cheryl Wheeler songs. Cheryl’s striking lyrics, of love and all the rest of life, some

serious and others lighthearted, become visual on the pages of this book through the pens of talented calligraphers, including Gemma Black, Barbara Close, Georgia Deaver, Carol DuBosch, Ward Dunham, Connie Furgason, Mike Gold, Mike Kecseg, Sherie Loveler, Judy Melvin, Carol Pallesen, and Sharon Zeugin. Let the book astound you with its breadth of imagery, but also in its depth of intensity. For a special treat, watch and listen to Cheryl on YouTube as she performs a song while you view its calligraphic rendition. Full-color throughout. The book was put together by Carole March and Aimee Michaels.


DVD60. Western Calligraphy Goes East by Denis Brown. $24.99 includes shipping in the USA.

In a series of half-hour segments, Denis Brown documents the production of large-scale works created while working in a stu-

dio in China: a 17-foot-long artwork with Chinese and Western calligraphy and eight floor-to-ceiling installation pieces featuring his custom glass techniques.

These latter works feature enlarged floral imagery behind layers of writing engraved on glass and clear acrylic sheets, making rich textural compositions.

Techniques shown include various styles of Western and Chinese calligraphy, painting, glass engraving, and several kinds of experimental gilding. Denis

Brown narrates the episodes, explaining his processes. He also shares what it was like working alone without Chinese language skills in a poor suburb of Beijing, relating some of the difficulties and problems he encoun-

tered. A short epilogue finishes the story. There are also 55 minutes of extra features for a total running time of over 5 hours. Note: This video is for watching on the computer (Mac or PC), which allows for higher resolution. The DVD is not compatible with TV and DVD players. No subtitles. For full High Def, minimum screen resolution

required is 1024 x 768 pixels (HD video can be scaled down for screens smaller than 1920 x 1080 pixels).

Also available!DVD54. Italic Rhythm to Polyrhythmic Calligraphy: Expanding Writing Dynam-

ics DVD. Be coached by a master and bring your calligraphy to life. Learn vital gestures, thanks to video, as well as letterforms. Nine hours of instruction,

demonstrations, and inspiration in a two-disc set. Includes 12 guide sheets as printable PDFs. Standard edition. $59.95. Price includes USA shipping. Please note: the DVDs are for computer playback only.

DENIS BROWN

B4105. On Softer Ground: Paintings, Poems, and Calligraphy by Sherrie Lovler. 2015. 64pp. 8.25"x8.25". Hardcover $24.95

In this beautiful book, Sherrie Lovler pairs her poetry with her paintings, which often

have calligraphic elements. On Softer Ground is the result of a seven-year artistic journey. The book is a 2016 medal winner for Most Outstanding Book Design from Independent Publisher Book Awards (IPPYs) .

B3408. Two As One: Poems from a New Love by Sherrie Lovler and Anthony Lawlor. 2011. 64pp. 7.75"x8.75". Hardcover $18.95. SALE $9.00 In this beautiful, sensuous book, a romance unfolds in poems, prose, and calligraphy. The twelve calligraphic works, drawn from the essence of the poems, are displayed full page and in enlarged details. A wonderful blend of text and image. Full-color throughout.

SHERRIE LOVLER Also Available:

Sign up for the John Neal Books e-newsletter.Sign up for our monthly eNewsletter, filled with all the things you love – new books, tools, and

materials, as well as any specials we might be having! Sign up on the JNB homepage on the left-hand side. Click ‘Current eNewsletter’ and then click the link that says ‘please sign up here!’ You may also

email a request to [email protected].


Now available!B4068. Hermann Zapf: Thoughts & Sketches, 1941-1945. 2015. 160pp. 8.5 "x6.25". Hardcover $75.00 Free media mail ship-ping (USA only) on this title through 9/30/16.

The Sketchbooks of Hermann Zapf. This facsimile edition reproduces three early

sketchbooks of Hermann Zapf, actual size, printed in full-color from scans made directly from the originals, utilizing fine-line screen offset lithography on archival uncoated paper. Seventy-one compositions – each a small masterpiece – indicate the breadth of Hermann Zapf ’s artistic abilities during this period. Watercolor paintings, pen and pencil sketches, and, above all, gems of calligraphic art exhibit his wide capabilities and formidable skill. A treasure trove for lovers of the letter arts, the notebooks are key to understanding Zapf ’s future achievements in calligraphy and typography. As in the sketchbooks, the artwork will be on right-hand pages only, with backs blank but reproduced in full-color to approximate the sketchbook paper, some with brief captions. Bound in one volume, sewn binding, covered in imported cloth. 12-page introduction by Jerry Kelly. Set in Palatino Nova fonts.

LR29-3. Letter Arts Review Vol.29, No.3. Hermann Zapf Tribute issue. 2015. 64pp. 8.5"x11". Paper $14.50 Full of color images, with a good deal of heretofore unpub-lished material. Articles include “Remembering Hermann Zapf” by Jerry Kelly; “The Lessons we learned” by Rick Cusick, Marsha Brady, Larry Brady, Luca Barcellona, Julian

Waters, and Ina Saltz; “Notes from class: 1980,” a reproduc-tion of selected class notes taken by Ina Saltz.For more Hermann Zapf books, see page 5 of the JNB Full 2016 Catalog or see the Hermann Zapf page on the JNB website: johnnealbooks.com/zapf.

HERMANN ZAPFB4142. Manuale Calligraphicum. 2016. 60pp. 8-7/8" x 11-3/8". Hardcover $195.00 This small-format volume of calligraphy

is by a select group of students of Hermann Zapf from his advanced calligraphy classes,

held at the Rochester Institute of Technology (RIT) and that he taught starting in 1979 and ending with 1988. The works are done in the manner of Pen and Graver, as a tribute to their teacher. The contributors are Larry Brady, Marsha Brady, Annie Cicale, Rick Cusick, Claude Dieterich A., Reggie Ezell, Peter Fraterdeus, Kris Holmes, Jerry Kelly, Peter Noth, Marcy Robinson, Ina Salz, Steven Skaggs, John Stevens, and Julian Waters. Designed by Jerry Kelly and typeset in his Rilke Roman and Italic typefaces, printed two-color letterpress on Hahnemühle paper by Bradley Hutchinson, and bound in paper over boards with a vellum spine. Published by the Cary Graphic Arts Collection at RIT. Limited to 325 copies. Copies will start being available late this fall and will be sent out as the binder completes copies. Preorder your copy now at johnnealbooks.com/zapf, where there is a link to the book’s prospectus. Your credit card will not be charged until shortly before the book ships. Online credit card orders: Your card is not charged when you submit orders online. Note: if you wish to pay with PayPal, you must email your order for delayed payment rather than ordering through our website.

B4122. Palatino: The Natural History of a Typeface by Robert Bringhurst. 2016. 296pp. 5.6"x9". Hardcover $65.00

Bringhurst takes Palatino, likely the most

widely known of Hermann Zapf faces, and traces its development as it transforms from hot metal, through film setting, and into the

digital world. Included with the text are over 200 color illustrations. The book covers Palatino and its extended family, from Linotype to Palatino Sans and beyond. The book is a convincing argument that artists who create letters can, and should, be judged by the same standards and held in the same esteem as musicians and painters. Accompanying the book is an eight-page signature, printed letterpress directly from handset foundry and Linotype hot metal type by Jerry Kelly.

H E R M AN N ZA P FA L I F E I N L E T T E R S

S C R I P S I T V O L 3 8 N O 2 & V O L 3 7 N O 1 2 0 1 6 W A S H I N GTO N C A L L I G R A P H E R S G U I L D B4127. Scripsit 37.2 & 38.1 (Double Issue): Hermann Zapf: A Life in Letters. 2016. 72pp. 8.5"x11". Paper $28.00

72-page memorial tribute to Hermann

Zapf (1918-2015), compiled, written, and designed by Julian Waters. Nearly 200 illustrations. Chapters: Early Years, First Steps

in Calligraphy, The Wartime Sketchbooks, Pen and Graver, Das Blumen ABC, Early Calligraphic Typefaces, Palatino, Optima, Gudrun Zapf von Hesse, Manuale Typographicum, Typographic Variations, Book Design, Graphic and Calligraphic Art, Hallmark Film, Hallmark

Lettering Manual, Rotring Calligraphy Manual, Hallmark Typefaces, Hunt Roman, Zapf Civilete, Non-Latin Scripts, Orbis Typographicus, Designs for ITC, Early Digital Types, Zapf Renaissance, Zafino, Sgraffitto.

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B4101. Schreiben mit Hand und Herz: Kalligrafische Erfahrungen (Writing with Hand & Heart: Calligraphic Experiences). 2016. 144pp. 8.25"x11.7". $49.00

In books and seminars, Gottfried

Pott has taught the art of calligraphy for 30 years. In this new and very personal book, Pott describes his calligraphic

experience. Covering many years, he takes you on a journey into his creative process, discussing individual works. With the keyboard as the main means for transmitting text, one can approach the text in an individual and authentic way. And freed from the task of informing, the scribe concentrates on interpreting the text. This writing by hand intensifies the confrontation with the words. Thought becomes visible action. Attention is given to the moment. The letter refuses to always fit to a narrow purpose. The text becomes image.Unlike, his earlier books, the relationship between text and calligraphic artwork in this book is very intensive. The text, illustrations, and the book’s design create an integrated whole. It is a passionate statement, visual and verbal, for the power of writing by hand. German text. 100 calligraphic works are shown.

Also by Gottfried Pott:

B2743. Kalligraphie: Erste Hilfe und Schrift-Training mit Muster Alphabeten by Gottfried Pott. 2005. 112pp. 8.75"x12". Paper $29.95 While the text is in German, there are plenty of exemplar alphabets and examples of Pott’s work to make it a valuable addition to your library. Includes

Italic, Roman, Carolingian,Uncial, a variety of Blackletter alphabets, brush and ruling pen writing. It is beautifully designed and printed with many full color illustrations, but on a smooth, uncoated, off-white paper. A definite for Pott fans.

B2907. Kalligrafie: Intensiv-Training by Gottfried Pott. 2006. 136pp. 8.75"x12.25". Paper $37.50 This second instructional volume provides instruction on additional hands, explores experimental calligraphy, tech-niques of manual embossing, and covers the cultural development

of writing. Full of illustrations. Text in German only.

See pages 4 and 5 of the full JNB 2016 Catalog for more from Gottfried Pott, including B3377. Calligraphic Symphonies.

B4103. Signs of Italy: Outdoor Lettering Up and Down the Boot by James Clough. 2015. 248pp, 12"x8.5". Hardcover $75.00

Before typefaces and fonts dominated the scene, there were no printed manuals for

signwriters and no standardization of letterforms for commercial signs in Italy. This detachment from standard models and the craftsmanship and creativity of the signmakers and designers are what make Italian signs so extraordinary, and provide such a variety of original letterforms. Whimsical, intuitive, humorous, improvised, elegant: Italian signs are a mirror of Italian society. From the ornate Tuscan style of the 19th century to the eccentric letters of Art Nouveau, from grandiose architectural lettering of the 1930s to the exquisite surviving examples of the old signwriters, from fascist ghost signs to lettering on manhole covers, the book takes you on a fascinating lettering tour of Italy. Over 300 full-color photos.

B4099. Textual Art: Inspirations and Techniques for Creating Art with Calligraphy by Simon Sonsino. 2015. 104pp. Hardcover $40.00

Simon shares his approach to

abstract letterform, showing you simple but striking techniques for creating your own calligraphic art he provides some instruction and illustrative examples for each of the 10 techniques. Along with many works by Simon, you are also treated with work by some of the world’s leading contemporary calligraphers: Gemma Black, Yukimi Annand, Thomas Ingmire, Denis Brown, and Yves Leterme. Full-color throughout. Signed. Limited stock.

Anne

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B4008. 26 Words: Exploring the DNA of Language. 2013. 62pp. 8.25"x11.75". Paper $27.50 Brings together writers from 26 and lettering artists from Letter Exchange to explore the verbal and visual representation of language. Twenty-six writer/lettering artist pairs have

collaborated to bring to life an eclectic selection of words. Each pair randomly chose a word to represent each letter of the alphabet by inserting a knife in a dictionary. The book presents an exhilarating and enlightening journey in words, exploring their power to inspire our imaginations. Presented in two and three dimensions, the works are as varied as the imaginations of the writers and artists involved: in turns thought-provoking, profound, exciting, and exuberant.

B3966. Japanese Alphabet: The 48 Essential Characters by Gabriele Mandel and Isao Hose. 2007. 148pp. 7.75"x9.5". Hardcover $29.95. SALE $9.99

This clear and concise guide to the various Japanese writing systems presents all of the characters (kana) in the traditional order, shown in both the hiragana

and katakana versions. Each character is given its own page, which graphically indicates the correct sequence for the individual strokes; provides voiced and unvoiced variants; and presents the Chinese ideogram from which it was derived, the Roman transliteration, and the character in several typefaces.


B4058. Have a Little Pun: An Illustrated Play on Words by Frida Clements. 2015. 80pp. 6"x8". Hardcover $14.95. JNB $11.95

This book of puns playfully combines colorfully detailed flora and fauna drawings

with hand-lettered wordplay. Honey, bee yourself! Gopher it. Don’t be koi. Each pun is lettered in the same style, a narrow, typographic, slanted roman cap.

TYPEB2818. Anatomy of a Typeface by Alexander Lawson. 2002. 432pp. 6"x9". Paper $24.95. SALE $14.95

This book, written for the

lay person, is a great and thorough introduction to type and historical typefaces. Lawson explores the vast territory of types, their development and uses, and their antecedents and

offspring, with precision, insight, and clarity. Contains exhaustive research, drawings, and synopses of typefaces. This book is an essential addition to anyone’s typographic library.

ZENTANGLEB4051. 500 Tangled Artworks: A Showcase of Inspired Illustrated Designs by Beckah Krahula. 2014. 176pp. 8.75"x9". Paper $24.99. SALE $14.95

This curated collection of tiles

from skilled tanglers delivers exciting, beautiful, and experimental tangle art, sure to inspire you as you create your own designs. Includes basic instruction. Krahula is the author of One Zentangle a Day.

B4003. The Beauty of Zentangle: Inspirational Examples from 137 Tangle Artists Worldwide by Cindy Shepard, CZT, Suzanne McNeill, CZT. 2013. 184pp. 8.5"x11". Paper $24.99. SALE $19.95

In this extensive gallery of Zentangle

art, you will see the zendless possibilities for creative tangling applications, from classic tile art to origami, jewelry, card-making, décor, quilting, ceramics, and more.

John Neal, Bookseller Gift Certificates are available in any

amount from $5 to $5,000

M122. Zig Brushables. Doubled-ended marker with two medium-size brush tips.

The second tip is a 50% tint of the first. Use the lighter colored tip to add a shadow to your lettering. Brush tip is 3/8" long. Water-based pigment, lightfast, acid-free. See the JNB website for the full color selection. $3.15 each

S895. Proportional Scale. Great for scaling up or reducing dimensions for a project, as well as for photos, artwork, and layouts. Match one of the original dimen-sions with its new one on the second wheel,

and you have the new measurements for all the dimensions in a project – with no math required. 5" diameter. $4.95

S891. Alvin French Curve #3371. Popular curves molded of smoke gray-tinted 0.08" thick polystyrene

with double inking edges. Recommended by Harvest Crittenden. $3.50

S964. Cutting/Diagonal Pliers. These pliers for cutting metal are ideal for clipping the end of a Brause 66EF nib to create a very flexible, narrow, and chisel-edged nib. The clipped-end will need to be smoothed with Crocus Cloth (S106) and/or Polishing Paper (S107). Two sizes available; specify 4.5" or 5.5" overall length. $7.50 each

S966. Needle Tip Awl / Stylus. This piercing tool has a 5/8" tip with a smaller diameter than our other styluses (S579, S235). Wood handle. $2.99

S965. Londonderry Lacing Thread. Thicker lacing thread is great for sewings that show the thread, such as coptic binding. 70m (approx. 76.5 yards), 5 ply thread. Choose color: Ivory or Ash Grey. $6.95 each

S964. 5.5" S964. 4.5"

MISCELLANEOUS

IVORY ASH GREY


Zenspirations Coloring Books by Joanne Fink. Add pattern to the pre-printed designs, and then add color with colored pencils, markers, gel pens, or watercolors. Pages are printed on one side only on high-quality, extra-thick paper, and are perforated for easy removal and display. 2014. 64pp. 8.5"x10.9". $9.99 each B3993. Flowers. 28 whimsical flower designs for com-bining simple strokes with playful patterns. B3992. Abstract & Geometric Designs. 28 expressive abstract designs for combining simple strokes with playful patterns. B3994. Inspirations: Designs to Feed Your Spirit. 28 uplifting and encouraging designs for combining simple strokes with positive messages and playful patterns.

Two new volumesIn these two new Zenspirations books, you now have 16 colorful pages of easy-to-follow

artistic advice on coloring and adding design elements, with an array of beautifully colored samples showing how col-oring enthusiasts around the globe have interpreted the designs. 8.5"x11".$9.99 each

B4073. Birds & Butterflies by Joanne Fink. 2015. 32 pages of enchanting bird and butterfly designs that are just waiting for your creative touch.

B4074. Expressions of Faith. 2015. 32 pages of faith-centered affirming messages that combine text and illustration to use as a springboard for your creativity.

B3897. Zenspirations: Dangle Designs by Joanne Fink. Expanded Workbook Edition. 2013. 35pp. 8.5"x11". Paper $8.99 Another fun book that turns doodles into designs to decorate your paper craft projects and your art works with dangle patterns. Joanne demystifies the patterning process and shows how simple it is to create richly textured dangles by breaking down the design into component parts.

B3438. Zenspirations by Joanne Fink. 2011. 52pp. 8.5"x8.5". Paper $16.99 Shows you how to turn simple lines into attractive designs through exercises that build on each other. Joanne’s passion is contagious, and her doodled shapes will inspire you to have fun with the process. You will find intriguing ideas for filling borders, edges, and spaces with creative flourishes – some using letters and words.

JOANNE FINK

B4001. With God All Things Are Possible by Joanne Fink. 2013. 64pp. 6"x6". Hardcover $10.99 Warm words of inspiration and encouragement are set to life on the pages of this unique gift book. By combining the

beautiful art of calligraphy with heartfelt sentiments that gently move through themes such as “believing in your dreams,” “trusting in the Lord,” and “living with passion,” readers are inspired to celebrate each new day with a hopeful heart and a joy for living. This uplifting book can be a sweet gift between friends, a dear word of encouragement for the graduate, or a breath of fresh air for the heavyhearted.

ZENSPIRATIONS

B4094. When You Lose Someone You Love by Joanne Fink. 2015. 112pp. 3 5/8" x 5 1/2". Paper $12.95

An illustrated book of excerpts from the grief journals Joanne Fink kept after her

husband died unexpectedly three years ago. The book provides a way for those grieving to connect with someone further along in the process, which Joanne found to make a difference for her. It helps to know that you are not alone, that there will be days when you feel overwhelmed, nights when you can’t sleep, and times when waves of sadness wash over you unexpectedly. The book is her gift of comfort, offering hope without sugar-coating the challenges of losing a loved one.


B3401. The World Encyclopedia of Calligraphy: The Ultimate Compendium on the Art of Fine Writing – History, Craft, Technique, compiled & edited by Christopher Calderhead and Holly Cohen. 2011. 320pp. 10"x10". Hardcover $35.00. SALE $19.95

Both a step-by-step guide and a sumptuous visual tour, this book features 55 living scripts,

including Uncial, Carolingian, Gothic, Italic, Modern Roman, and Copperplate for the Latin alphabet, as well as Arabic, Greek & Cyrillic, Korean, Hebrew, Indic Scripts, Japanese, and Tibetan. Along with a presentation of each hand, you learn of its origins, traditions, and unique characteristics. It’s a great reference and belongs in every serious calligrapher’s library.

Sale Books Limited Quantities CALLIGRAPHY

B2473. Aathegither: The Works of Howard Glasser 2001. 32pp. 5.5"x8.5". Paper. Signed. $15.00. SALE $12.00

Small catalog of logotypes, papercuts,

broadsides, and typeface design for an exhibit in the fall of 2001. Foreword by Paul Shaw. Introduc-tion by Glasser. Set in calligraphic

based, digital types designed by Glasser.

B4026. Letterwriting in Renaissance England. 2005. 216pp. 9"x12". Paper $50.00. SALE $14.23

We have many books on the formal hands and the

books great and small that they were used in. However, there is much less for the general reader on the everyday use of the handwritten

word in correspondence. This book fills part of that gap. There are short discussions of tools, letter writing manu-als, the letter and social signals, use of secretaries, love and friendship, and the postal “system.” There are wonderful examples with thorough descriptions, providing further insight into the subject.

B4049. Handmade Type Workshop: Tips, Tools & Techniques for Creating Custom Typography by Charlotte Rivers. 2011. 175pp. 7.5"x10.2". Paper $29.95. SALE $9.99

This book covers a wide range of lettering and

alphabets: illustrated or hand-drawn; printed, stitched, or cut; ones digitally drawn; three-dimensional ones; and ones that use photography. Profile and gallery spreads alternate with tutorial spreads. There is a lot of fun in the book – letters to delight your eye and to give you ideas to try. The tutorials are an excellent addition.

BOOKBINDINGB3904. Journal Your Way: Designing & Using Handmade Books by Gwen Diehn. 2013. 180pp. 9"x9". Paper $17.95. SALE $13.46

This book celebrates the art of making and

using a personalized journal. Inspiring images showcase a rich variety of working journals and introduce longtime journal-keepers through their pages. Also, nine recipients of customized, handcrafted journals from Gwen share their own pages. Two additional insert booklets, “Bookbinding Essentials” and “Choose Your Own Bookbinding Adventure,” explain basic techniques and guide you on your journaling adventure. This is a paperback version of Live & Learn: Real Life Journals.

B3229. Bookbinding & Conservation: A Sixty-Year Odyssey of Art and Craft by Don Etherington. 2010. 180pp. 8.5"x11". Hardcover $49.95. SALE $39.96

Don Etherington began bookbinding at the age

of thirteen and went on to study bookbinding and design at the London School of Printing. This autobiography takes you through his lifelong journey of bookbinding and conservation, including his teaching and his journey from Europe to the US, where he became Training Officer and Assistant Restoration Officer at the Library of Congress in 1970. This account of his personal and professional life includes his generous contribution to the conservation effort in Florence, Italy, following the great flood that caused incredible damage to thousands of books. Etherington’s work can be found in collections worldwide. Includes numerous personal photographs and a gallery of Etherington’s fine bindings.

B3326. Handmade Books by Ray Hemachandra. 2010. 204pp. 5"x5". Paper $12.95. SALE $5.00

This book presents an inspiring gallery

of bookmaking today, with artists’ books, hand-bound

books, and leather-tooled covers. The books feature handmade papers and bindings that show the potential of the form. Contributors include Jeanne Germani, David Hodges, Laura Wait, and a host of others.

B3444. Handmade Photo Albums: Complete Instructions for Making 18 Fun and Creative Designs by Tami Porath. 2007. 110pp. 8"x10.5". Paper $19.95. SALE $6.00

Use these albums for photos or adapt Tami’s

techniques and ideas for journals and other binding projects. Step-by-step photos accompany the detailed instruction.


B3451. Peter Pan: A Pop-up Adaptation of J.M. Barrie’s Original Tale by Robert Sabuda. 2008. 14pp. 10.3"x8.3". Hardcover $29.99. SALE $14.94

Impish Peter Pan leaps out of the page in

Robert Sabuda’s faithful adaptation of the classic

children’s tale, while tiny Tinker Bell spins around him. Master paper engineer Sabuda presents a half-dozen dramatic pop-up spreads here, with smaller pop-up illustrations appearing in the many side-flap pages that open out with the story: a silhouetted Mrs. Darling appears in a window, knife-wielding pirates tangle with Indians, and Hook himself disappears down the hollow tree into Peter’s lair, while a deathly skull emerges from Peter’s poisoned cup.

B2795. Recollections: A Life in Bookbinding by Bernard C. Middleton. 2000. 126pp. 7.25"x10.25". $39.95. SALE $8.00

Middleton’s story begins at trade school, then as an

indentured apprentice, and then his first job (at the British Library).

As a young man, he becomes manager at the famed Zaehnsdorf ’s and then, on his own, becomes one of the world’s foremost book restorers. This warm, personal story is well-illustrated, including many examples of his inspired bindings. (80 are shown, with 46 in color.) Middleton’s extensive library of books on bookbinding is now at the Cary Library at Rochester Institute of Technology.

EXPRESSIVE TECHNIQUES B3044. Art Exposé: A Collection of Techniques for Creative Expression by Judy Melvin. 2008. 20pp. 8.25"x8.25". Paper $14.95. SALE $4.95

Judy has put her workshop notes into

book form. It’s a book of how to make beautiful artwork using the techniques for creative expression that she teaches. Full color. Includes: Sumi Ink & Sink Art, Sumi Ink & TECH Ink, Gesso, Pastels & Stencils, Bleach & Pastels, and Walnut Ink.

PAINTING/COLORB4021. The Brilliant History of Color in Art by Victoria Finlay. 2014. 128pp. 9"x10.15".Hardcover $24.95. SALE $22.49

This is no drydiscussion of

pigments, but rather an engag-ing and entertaining explora-tion around the colors artist use

and how they came to be. The author tells of Cleopatra and purple, Napoleon and the graphite pencil, cobalt blue and forged Vermeers, and much more as she brings us into her quest to uncover the origins and science of color. All is related in the warm conversational style that helped make Finlay’s earlier book on color so popular. But unlike that earlier book, this rich narrative is illus-trated in full-color throughout – with 166 major works of art, most from the collections of the Getty Museum.

POP-UPB3403. The Christmas Alphabet: Deluxe Anniversary Edition Pop Up Book by Robert Sabuda. 2004. 14pp. 7.75"x10.25". $22.95. SALE $12.23

Twenty-six alphabetical Christmas pop-ups, each presented behind a simple colored flap

with an initial letter.

SARA MIDDAB4060. A Bowl of Olives: On Food and Memory By Sara Midda. 2014. 128pp. 5.5"x7.5". Hardcover $18.95. JNB $17.50

Sara Midda is a watercolorist

whose delicate and beautiful paintings shine like jewels, evoking the sweet purple of a blackberry or the silvery

greens and gnarled burnt umber of an olive grove. She is a collagist, weaving together photographs, line drawings, her personal swatches – all the hues of a spice cabinet, or the sensations of a picnic, the colors of the breeze, sunshine, laughter, the cooling grass. And she is a poet, in love with words that sing, like podding and wicker, nettle and snug.

B3189. Sara Midda’s South of France: A Sketchbook. 2008. 144pp. 5.4"x7.4". Hardcover $22.95. JNB $19.13 From Sara Midda, the min-iaturist whose acclaimed In & Out of the Garden evoked all the pleasures of an English gar-den, comes a wondrous sketch

book from a year spent in the South of France. An artist’s personal journal carried everywhere and crammed with drawings and notions and thoughts both surprising and whimsical.

B2772. In & Out Of The Garden by Sara Midda. 1981. 128pp. 6.25"x8.25". Hardcover $23.50. JNB $19.58 The most elegant and subtle of books to give and to have, it evokes the English gardens of Sara Midda’s childhood, sowing the imagination with

glorious images. Dozens and dozens of illustrations and tender reflections recall a hut in the wood, or a topiary maze, a summer day spent podding peas, or an herb patch that yields Biblical fragrances. Ruby-red radishes are the jewels of the underworld. Myriad colors fall upon warm green moss. Painted with Sara Midda’s fine brush, it is a book of lasting enchantment.


LETTERCARVINGB3375. Memorials by Artists: A Guide to Commissioning Memorials by Nicholas Sloan with Harriet Frazer. 2008.

44pp. 8"x8". Paper $20.00. SALE $10.00 This guide to commissioning letter cutting presents more than 80 color photos of

contemporary memorials and markers from the UK. Includes information on wording, kinds of stone & surfaces, style, drawings, figurative carving, the back of the stone, legibility, weathering, fixing the stone in the ground, and tablets, plaques & other forms of memorials.

B3366. Art & Memory: New Perspectives on Memorial Art. 2009. 32pp. 8"x10.5". Paper $20.00. SALE $10.00

A fully illustrated catalogue of 54 new

works of lettercarving with a memorial theme. Full of color illustrations.

S459. Letter Carving Dummy. This mallet (hand hammer) has a hardened steel, round strik-ing surface. 4.25"-4.5" hardwood handle. Used in Tom Perkins’ letter-cutting work-shop at Cheerio. Choose: 1lb. $45.95 1.5lb. $51.95

B3376. Memorials by Artists for young people, children and babies: A practical guide by Harriet Frazer & Hilary Meynell. 2005. 80pp. 8.75"x8.25". Paper $20.00. SALE $10.00

Has over 70 color photographs of letter

carving, ranging from headstones, tablets and pebbles to stone seats and bird baths, in stone, slate & wood, from traditional and classical

to unusual and uplifting contemporary work. Includes drawings for a few projects.

HAMMERS

S459B3367. Art & Memory in the Churchyard edited by

Christine Oestreicher. 2010. 64pp. 5.75"x8.25".

Paper $20.00. SALE $10.00

Presents 24 contemporary lettercarving works on a

memorial theme. Includes an artist’s statement for each work, plus articles on Good

Design, Epitaphs, the Art & Craft of Lettercarving,

Memorial Arts Charity, Garden of Remembrance monuments, & more. Packed with full-color photos.

LETTERCARVING CHISELSS799. Univers ** Lettercarving Chisels. Hard and tough carbide (TCT). Recommended by Tom Perkins for his letter carving workshop at Cheerio. For slate and other stone. Specify size. 1

4mm. $34.95 15mm. $36.95 6mm. $37.95 7mm. $38.95 18mm. $39.95 10mm. $40.95 12mm. $43.50 15mm. $45.50 18mm. $46.95 20mm. $46.95

S799-S7. Univers Lettercarving Chisel Set. Set of 7 chisels: 4, 6, 8, 10, 12, 15, & 20mm plus a TCT Scribe. With a soft canvas tool roll for easy and safe storage. $249.00

B4011. Cutting into the Workshop by Lottie Hoare, Lida Lopes Cardozo Kindersley, and Thomas Sherwood. 2013. 136pp. 5"x7.5". Paper $24.95 Tells the story of David Kindersley and his workshop, from his youth and apprenticeship with Eric Gill through his remarkable work into the second half of the 20th century.

B4012. Remembered Lives by David Meara and Lida Lopes Cardozo Kindersley. 2013. 84pp. 5"x7.5". Paper $24.95 Personal memorials make up a wonderful heritage, from Westminster Abbey to the smallest village church, commemorating the great as well as the humble, pleasing both those who believe and those who don’t. This title

offers an illustrated account of how memorials come to be placed in churches, both of the stones being cut and of dealing with the church machinery for getting there.

B4013. Twelve Letters on a Grand Scale: The Sainsbury Wing Inscriptions by Michael Harvey. 2013. 50pp. 8.25"x8.25". $24.95 Presents the process of the design and cutting of an inscription in a new wing

added to the National Gallery in London. Filled with sketches and diagrams and full-color photos.

View a PDF copy of our full catalog (2016):

www.johnnealbooks.com/catalog_request

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