sunwoong youm portfolio

PORTFOLIOINTERIOR DESIGN

SUNWOONG YOUM 516.317.4537

[email protected]

001 educational

002 diffa event

003 healthcare

004 retail

005 workspace

006 residential

007 hand drawing

008 furniture design

02-09

10-15

16-23

24-29

30-37

38-45

46-51

52-55

Form Follow FunForm Follow Purpose

Obesity CenterStarbucks In TribecaLinkedin in New York

Johnny Depp’s ResidenceGodfather’s Residence & Duo Restraunt

Snail Chaise & Rock, Scessior and paper Coffe table

table of contents

Table of Contents

1

Introduction

2

Bill de Blasio, a mayor of New York City, has promised

a government-run “universal” pre-k program as a center-

piece of his campaign recently. This project is a reaction

to the universal Pre-K Program by designing a high quality

child care center with various programs. Inspired by chil-

dren’s artwork, the space contains curvy, abstract, and

imaginative forms that can help children more creative.

By following abstract form, children can enjoy every mo-

ment and have fun in the space with their parents.

Child care center services:

• Full & part care : age from infant to Pre-School

(free accepted for Pre-k in order of application)

• High quuality learning programs cover all aspects

of child development (emotional, physical, social, lin-

guistic and cognitive)

• Activity area for parents and children

• Professional counseling for child also for

parenting and nurturing issue

001 FORM FOLLOWS FUN

Client : Harlem CHildren’s Zone CHildCare Center spring 2015. tHesis Course

Classroom view

CLIENT PROFILE

The Harlem Children’s Zone

(HCZ) is a non-profit organization

for poverty-stricken children

and families living in Harlem,

providing free support in the

form of parenting workshops, a

pre-school program, three public

charter schools, and child-ori-

ented health programs for thou-

sands of children and families.

The HCZ is “aimed at doing noth-

ing less than breaking the cy-

cle of generational poverty for

the thousands of children and

families it serves.” The Harlem

Children’s Zone Project has ex-

panded the HCZ’s comprehensive

system of programs to nearly

100 blocks of Central Harlem

and aims to keep children on

track through college and into

the job market.

Form Follows Fun

3

Site

4

217 WEST 125TH ST NEW YORK, NY

This location is in the West Harlem neighborhood in New York. Nearby parks include Hancock Park, Jo-seph Daniel Wilson Garden and Saint Nicholas Play-ground South. The building is composed of 4 levels The main entrance is at corner of the building on the W 125th Street and Frederick Douglass Boulevard. The whole building is construct-ed by steel columns and beams. Having windows on the south side of the build-ing allows abundant natu-ral light into the space.

• Property Type: Commercial & Office Building

• Year Built : 1907

• Stories: 4

• Typical Floor: 10,568 sf

• SF Building Size: 42,768 sf

lobby view

PRIVATEADMINISTRATION

SEMI PRIVATECLASSROOMS

INDOOR PLAYGROUND

PUBLICOPEN CAFE

LOBBY

PRIVATE

PUBLICSEMI

PRIVATE

classroom(Infant)

classroom(younger toddler)

classroom(pre kinder

garden)

classroom(pre school)

classroom(older

toddler

classroom(pre kinder

garden)

Mainlobbyopen cafe

multi purposesports stadium

multipurposeactivity

administration

Indoorplayground

cookingclass room

open area

Diagrams

stacking diagram

bubble diagram

5

Floor plan

6

1st FLOOR PLAN 2nd FLOOR PLAN

Secret playroom viewPlayGround view

CHILDREN BATHROOM

* RECOMMENDATION TEACHER: CHILDREN

INFANT ROOM -2:8YOUNGER TODDLER ROOM - 3:12OLDER TODDLER ROOM - 2:12PRE-K ROOM - 2: 18

1

1

CHILDREN BATHROOM



1

1

3rd FLOOR PLAN 4th FLOOR PLAN

Form Follows Fun

Section perspective

CHILDREN BATHROOM



1

1

CHILDREN BATHROOM



1

1

7

ff&e

8

PlayGround viewmaterial

furniture

Form Follows Fun

bill de blasio,

a mayor of new york city

has promised a government run

“universal pre-k program”

Early education can play

an important role for

“child’s development period”

“education attainment”

9

Introduction

10

Each year, various design schools and cele-

brated design firms in NYC are invited to take

part in DIFFA’s Dining By Design - and event which

challenges these students and designers to cre-

ate inspiring dining installations in an effort to

raise funds and awareness for those suffering

from HIV/AIDS.

The NYSID DIFFA team is comprised of four

NYSID students who are chosen and lead by

NYSID professor and DIFFA faculty advisor. The

team had a budget of $2,500.00, a total of one

month for conceptualization and only six days to

build and install. The booth structure and all el-

ements within are designed and fabricated by the

NYSID team.

002 FORM FOLLOWS PURPOSE

sponsored by benjamin moore

diffa dining by design

spring 2015

Form Follows Purpose

11

Concept

concept development

template final rendering

design onCept

tHe Curved vertiCal elements of tHe wall symboliZes embraCe and a seCure womb-like environment to wHomever is in it. tHis said, tHe form follows its purpose- tHat is, to provide sHelter witHout neCessarily being in a totally enClosed environ-ment. tHe projeCt is an exerCise in streamlined minimalism, expressed tHrougH tHe linear elements of tHe walls, furniture, table setting, and even Color. tHe interior Conveys a mood of ligHtness, a sense of Calm-ness- minimal witHout being monastiC or spartan. tHe table, benCHes, and CHande-lier takes its inspiration from tHe linear elements of tHe walls. tHe table setting is transparent, just like tHe walls of tHe room. tHe non- traditional table setting is inspired by a japanese bento box. its trans-parenCy is HigHligHted by tHe illumi-nated table. tHe CHandelier’s glob-ular form takes its Cue from tHe linear motif surrounding it, as well.

12

Using form to create a welcoming environment of comfort, and understanding in support of those suffering from HIV and AIDS.

We understand. We accept. We support.

We are all in this together. You are not alone!

Form follows Purpose

DIFFA Student Design Initiative Design Team: Emma Sawrey, Alexandra Sobolewski, Zhaoxu Vince Tong, Sun Woong Youm Faculty Advisor: Rene Estacio

EmbraceUsing form to create a welcoming environment of comfort, and understanding in support of those suffering from HIV and AIDS.















Embrace

Using form to create a welcoming environment of comfort, and understanding in support of those suffering from HIV and AIDS.















EmbraceEmbrace

Final Concept Board

13

Final installation

14

final installaion

table setting details

15

Introduction

16

A future obesity center will be a mixed use space that will

not only be used to provide a treatment for obesity but also to im-

prove the quality of their life style with high quality environment

and various professional services for obese people. In other word,

it will be a place where they can get one-stop services. It would be

appreciated for patient to meet their needs in more convenient and

easier way without looking around.

This facility will be classified into three areas according to

treatment; surgical, psychological, and physical space. Based on

study of color, purple increases energy, blue reduces stress, and

green enhances health and wellbeing. Three different color will be

used to represent each space and function as a way finding.

Furthemore, major area such as triple high open lounge, yoga,

waiting area and workshop area will have Hudson River view with

natural light in order to take advantage of surrounding and to

provide a calming scenery during therapy or waiting.

Inspired by inspirational images contain many curvy line and

layers, the interior space would have organic form and curved

lines in order to make patients feel natural, playful, and soothing.

Also, they would help to make a space flow and very voluminous

taking up space within the interior.

003 OBESITY CENTER

Client : nyCHeatHCare

fall 2014, ContraCt iii Course

Lounge area view

Obesity center

17

Site & Sketch

18

programming

17 Battery Place New york, NY

• between little west st. & washington st. in financial

District of Manhattan

• designing 18th,19th and 20th floor

• selected space: 10,200 sq.ft each level

• needed total sq.ft by programming: 19,000 sq.ft

• plantiful natural light & incredible harbor view

• quiet side facing north

• utilizing roof garden

• Year completed: 1904;1910

(annex, aka Greater Whitehall)

• Architect: Henry J. Hardenber-

gh; Clinton & Russell (annex)

• Floors: 20; 31(annex)

• Style: neo-Renaissance

• Structural System :

Steel Skeleton Frame

• New York City Landmark: 2000

exam room

lab

pharmacy

doctor’s office

prep&recovery

operating room

sterizing room

phychology office

big workshop

conference

yoga room

aqua therapy

treatment gym

personal training

locker(w/m)

nutritionist office

Chiropractic

Conceptual Sketch & development

transportation and estimated time

bubble diagram stacking diagram

noisy level sun path

local bus stopsubway stationpaid parking lotentrance

estimated time

LOBBY

NUTRITIONIST OFFICE

RECEPTION

CONSULTANT ROOM

PERSONAL TRAINING

PHARMACY

LIBRARYCHIROPRACTIC

OFFICE

YOGA

LAB

FAMILY WAITING AREA

STAFFLOUNGE

EXAMROOM

CONFERENCE

FILING ROOM

CONFERENCE LOCKER

DIRECTORASSISTANCE

SMALLWORK SHOP

PREP &RECOVERY

NURSESTATION

FILING ROOM

MARKET

DIRECTOR

BIG WORKSHOP

OPERATINGROOM

STERILIZINGROOM

OUTREACH

NON STERLIE

STERLIE SUPPLY

TREATMENTGYM

DIRECTOR

LEVEL 3

LEVEL 2

LEVEL1

ROOF TOP

PSYCHOLOGY DOCTORS

LAB

PHARMACY

FILINGROOM

FILINGROOM

nonsterile

ENTRANCE

LOBBY

LOCKER

FAMILY WAITING

CORRIDOR

CORRIDOR

EXAMROOM

INFOR-MATION

NURSE STATION

TREATMENT

GYM

PERSONAL TRAINING

SMALLWORKSHOP

PSYCHOLOGY DOCTOTOR’S

OFFICE

ASSISTANCEDIRECTOR

MARKETDIRECTOR

OUTREACH

DIRECTOROFFICE

STAFF LOUNGE

OPERATING ROOM

PREP&RECOVERY

DOCTOR’SOFFICE

STERILESUPPLY

STERILIZINGROOM

BIG WORK SHOP AREA

SMALLWORK SHOP

CONFERENCEROOM

STERILECORRIDOR

public

semi public

private

major adjancecy

minor adjancecy

adjancecy

Diagrams

10am

7am

12pm

3pm

7pm

19

Floor Plan

20

19th FLOOR PLAN

18th FLOOR PLAN

20th FLOOR PLAN

reception area view

Obesity Center

Gym area view

Exam area view

21

Section

22

Enlarged plan of exam room

key plan of section

section1 section 2

staff lounge viewexam room view

1

1

2

2

Obesity center

axonometric view

family waiting area view

23

Starbucks uses design it has developed a strategy that allows it to

balance regularly changing design themes with a consistent set of brand

values, and uses design as a way of aiding the delivery of a consistent

service experience to its customers. in consideration of the location

where is a film industry district, i would like to propose a space where

films can be showing in the future store. the targeted customers are

people who are engaged in firm industry and students studying in film

making, screen writing, acting, and art. in the proposed space with big

projector screen, they gather together to have a chance to enjoy oth-

ers’ work, discuss about it, and get inspired.

the firms, which are showing in the future store, would be spon-

sored by tribeca enterprises, a host company of tribeca film festival.

many independent firm makers and “transmedia” creators who employ an

innovative, interactive, web-based or multi-platform approach to story

creation from all over the world have joined the tribeca film festival.(

it annually have opened submissions of feature-length and short films.

it also welcomes submissions for their “transmedia” program that re-

cently launched at the 2013 festival called tribeca storyscapes. this

program, which includes an award, celebrates new trends in digital me-

dia.) so, showing films can arrest attention from movie people to learn

of new trend or other culture and can attract customers.

004 STARBUCKS IN TRIBECA

Client : starbuCks

retail

spring 2014, ContraCt ii Course

Introduction

24

Starbucks

25

Site & Sketch

26

NEW PROPOSED PROGRAM

• targeted people in film industry & students studying in film making• showing independent movie & trendy movie clip• big screen projector in screening room

Between Film institute & New York Academy of Art on W Broadway and Franklin St.

Sitting area view

Conceptual Sketch

Floor plan

Ground floor plan entrance view

Mezzanine floor plan Mezzanine view

27

FF&E

28

FURNITURE

MATERIAL

SECTION1 SECTION 2

Section & Axonometric

AXONOMETRIC VIEW

29SECTION 2

introduction

30

LinkedIn is a social networking website for people in professional

occupations. The goal of the site is to allow users to make ‘’Con-

nections’’ with other people they know, have done business with, or

trust professionally. Based on web based format, it is largely used as

job-hunting and recruiting platform. It is the world’s largest profes-

sional network on the Internet with 250 million members in over 200

countries and territories around the globe.

LinkedIn wants a corporate co-working office space for the New

York branch to provide a community of professionals in order for them

to make connections by meeting others in person. The idea of connec-

tion becomes the inspiration for the overall design and involves con-

nectivity through a matrix of geometric shapes. This was accomplished

by creating a series of smaller “NODE” components linked by circula-

tion and each node accommodates public or social activity areas fused

with open workspace. Connecting different node heights does not only

function as vertical circulation, but allows people to maintain visual

connection.

005 LINKEDIN

cafe node view

Client: LinkedinworkplaCe

spring 2014, ContraCt ii Course

Linkedin

31

Site & Sketch

32

135w 18th st New York NY

in the Chelsea Neighborhood of

Manhattan, NYCity

18 19 19

20

12

10

14

112

3

4

13

1

12

17

16

16

UP

9

6

6

6

5

77

8

8

15

15

1st FLOOR PLAN

Concept development

MEZZANINE FLOOR PLAN

Floor plan

OPEN TO BELOW

24

23

22

18 19 19

5

5

5

216

6

6

7

7

8

15

1515

14

Conceptual Sketch

2nd FLOOR PLAN

1

2

3

4

5

6

7

8

RECEPTION NODE

WAITING NODE

LUNCH NODE

CAFE NODE

OPEN WORK AREA

PROJECT ROOM

DROPIN ROOM

COPY ROOM

17

18

19

20

21

22

23

24

MAIL STAGING ROOM

PANTRY

REST ROOM

MOTHER ROOM

OPERATIONDEPARTMENT

EXCUTIVE DEPARTMENT

BRANCH MANAGER OFFICE

ADMINISTRATION

9

10

11

12

13

14

15

16

TRAINING ROOM

LARGE MEETING ROOM

MEDIUM MEETING ROOM

SMALL MEETING ROOM

PRIVATE OFFICE FOR GROUP

PRIVATE PHONE CALL AREA

INFORMAL MEETING AREA

TEMP OFFICE

33

MEZZANINE FLOOR PLAN

Linkedin

34

Meeting Node view

Workspace view

lunch node view

Mezzanine view

Linkedin

Waiting node top view

35

FF&E

36

Section 1

Section 2 Axnometric & Nodes view

Material Furniture

Section & Axonometric

37

Introduction

38

Johnny Depp, a famous male actor on the screen, his perfor-

mance and his life experience has great depth. This residence is visually

simple, but the longer you look you can perceive the depth and the com-

plexity of line, shape, and composition. The inspiration for this project

was taken from the simple geometric elements in Kandinsky’s artwork.

The entire house acts as a white canvas with bursts of primary colors

used in the lighting and textiles throughout the space.

006 JOHNNY DEPP’S RESIDENCE

Client: Johnny DeppresidenCe

fall 2013, residential iii

Living room view

Johnny Depp’s Residence

39Living room view


40

Kitchen & Dining room view

Floor plan

12345

ENTRANCEGALLERY RECEPTIONBICYCLE STORAGEADA BATHROOMGALLERY

1112131415

CHILDREN’S ROOMCHILDREN’S BATHROOMMASTER BEDROOMMASTER BATHROOMMASTER CLOSET

161718

GRANDFATHER’S BEDROOMGRANDFATHER’SLIVING ROOMROOF GARDEN

678910

DINING ROOMKITCHENLAUNDRY ROOMLIVING ROOMLIBRARY

1st floor

2nd floor

3rd floor

Roof top floor

1st floor plan 2nd floor plan 3rd floor plan roof top floor plan

41

Section

42 Master bedroom furniture Grand father’s room furniture

Section 1 Section 2

Living & Dining room Furniture Children’s room Furniture

Grand father’s room view

Furniture

43

44Master bedroom view Children’s bedroom view

Master bethroom view


45


Hand Drawing

46

007 HAND DRAWING

godfatHer’s residenCe

summer 2013, residential iiduo restaurant

spring 2012, interior design iv

Godfather’s Residence

47

Hand Drawing

48

Godfather’s Residence

49

Hand Drawing

50

Duo Restaurant

51

Snail Chaise

52 perspective view 2

SKETCH

008 FURNITURE DESIGN

INSPIRATION MATERIAL

snail CHaise roCk, sCissor and paper Coffee table

fall 2014, furniture design Course

Furniture Design

53

TOP VIEW LEFT ELEVATION

FRONT VIEW RIGHT ELEVATION

VERTICAL SECTION

1'-6" 0'-10"

1'-6"1'-6"

3'-3"

1'

1'-6"

1'-2"

1'

1'-1012"

1'-2"

1'0'-3"

1'

0'-10"0'-7" 1'-9"

1'-6"

0'-512"

3'-3"

1'-414"

1'-112"

0'-2"

1'-512"

1'-5"

1'-2"

1'-412"

2'-0"

0'-9"

2'-11"

0'-1"

2'-8"

1'-5"

9'-512"

0'-7"1'-7" 0'-5"1'-512"

0'-512" 0'-51

2" 0'-512"

0'-112" 0'-03

4"

1'-512" 1'-51

2"

0'-034" 0'-21

4" 0'-112" 0'-11

2"

0'-6" 0'-7" 0'-7"

9'-512"

2'-6"

1'-312" 1'-7"

3'-3"

2'-6"

0'-512" 0'-41

2"

0'-2"

0'-512" 0'-51

2"

0'-112"

0'-1"

1'-3"

1'-9"

1'-6"

9'-512"

1'-7"1'-2"

0'-412"

1'-612"

0'-1"

1'-3"

2'-6"

3'-3"0'-1"

0'-512"

0'-1012"

0'-5"

1'-5"

UPHOLSTERY

MUSLIN

MEDIUM DENSITY FOAM

GLUED INTO WOOD

SOLID WOOD FRAME

FURNITURE GLIDE

UPHOLSTERY

MUSLIN

MEDIUM DENSITY FOAM

GLUED INTO WOOD

SOLID WOOD FRAME

1'-6" 0'-10"

1'-6"1'-6"

3'-3"

1'

1'-6"

1'-2"

1'

1'-1012"

1'-2"

1'0'-3"

1'

0'-10"0'-7" 1'-9"

1'-6"

0'-512"

3'-3"

1'-414"

1'-112"

0'-2"

1'-512"

1'-5"

1'-2"

1'-412"

2'-0"

0'-9"

2'-11"

0'-1"

2'-8"

1'-5"

9'-512"

0'-7"1'-7" 0'-5"1'-512"

0'-512" 0'-51

2" 0'-512"

0'-112" 0'-03

4"

1'-512" 1'-51

2"

0'-034" 0'-21

4" 0'-112" 0'-11

2"

0'-6" 0'-7" 0'-7"

9'-512"

2'-6"

1'-312" 1'-7"

3'-3"

2'-6"

0'-512" 0'-41

2"

0'-2"

0'-512" 0'-51

2"

0'-112"

0'-1"

1'-3"

1'-9"

1'-6"

9'-512"

1'-7"1'-2"

0'-412"

1'-612"

0'-1"

1'-3"

2'-6"

3'-3"0'-1"

0'-512"

0'-1012"

0'-5"

1'-5"

UPHOLSTERY

MUSLIN

MEDIUM DENSITY FOAM

GLUED INTO WOOD

SOLID WOOD FRAME

FURNITURE GLIDE

UPHOLSTERY

MUSLIN

MEDIUM DENSITY FOAM

GLUED INTO WOOD

SOLID WOOD FRAME

1'-6" 0'-10"

1'-6"1'-6"

3'-3"

1'

1'-6"

1'-2"

1'

1'-1012"

1'-2"

1'0'-3"

1'

0'-10"0'-7" 1'-9"

1'-6"

0'-512"

3'-3"

1'-414"

1'-112"

0'-2"

1'-512"

1'-5"

1'-2"

1'-412"

2'-0"

0'-9"

2'-11"

0'-1"

2'-8"

1'-5"

9'-512"

0'-7"1'-7" 0'-5"1'-512"

0'-512" 0'-51

2" 0'-512"

0'-112" 0'-03

4"

1'-512" 1'-51

2"

0'-034" 0'-21

4" 0'-112" 0'-11

2"

0'-6" 0'-7" 0'-7"

9'-512"

2'-6"

1'-312" 1'-7"

3'-3"

2'-6"

0'-512" 0'-41

2"

0'-2"

0'-512" 0'-51

2"

0'-112"

0'-1"

1'-3"

1'-9"

1'-6"

9'-512"

1'-7"1'-2"

0'-412"

1'-612"

0'-1"

1'-3"

2'-6"

3'-3"0'-1"

0'-512"

0'-1012"

0'-5"

1'-5"

UPHOLSTERY

MUSLIN

MEDIUM DENSITY FOAM

GLUED INTO WOOD

SOLID WOOD FRAME

FURNITURE GLIDE

UPHOLSTERY

MUSLIN

MEDIUM DENSITY FOAM

GLUED INTO WOOD

SOLID WOOD FRAME

PERSPECTIVE VIEW1

PERSPECTIVE VIEW2 TOP VIEW

PERSPECTIVE VIEW1

121,89

121,89

46,04

9,91

4,83

9,91

9,91

9,91

121,90

10,13

4,68

10,13

9,88

9,62

10,13

4,68

10,13

9,88

9,62

19,5027,19

4,56

4,75

42,55 12,70 36,81

2,92

22,18

2,54 6,05

28,24 33,81

121,89

17,79 37,48 8,61 58,02

R4,85R11,60

28,73 35,63 6,32 46,644,56

9,911,59

1,59

4,83

9,91

9,91

9,91

12,70

49,23

14,74

9,8717,16

7,46

12,70

5,0817,78

49,23

7,38

17,22

9,84

34,43

12,70

5,0117,71

R60,96

1,591,59

46,04 46.04

46,04 46,04

FELT FURNITURE GLIDE

RECYCLED GLASS

REPURPOSED WOODPLANKS FROM FLOORING& WALL PANELS

CLEAR RUBBER BUMPER

Rock, Scissor And Paper Coffee Table

54

INSPIRATION MATERIAL

FRONT VIEW

RIGHT VIEW

BACK VIEW

LEFT VIEW

VERTICAL SECTION

121,89

121,89

46,04

9,91

4,83

9,91

9,91

9,91

121,90

10,13

4,68

10,13

9,88

9,62

10,13

4,68

10,13

9,88

9,62

19,5027,19

4,56

4,75

42,55 12,70 36,81

2,92

22,18

2,54 6,05

28,24 33,81

121,89

17,79 37,48 8,61 58,02

R4,85R11,60

28,73 35,63 6,32 46,644,56

9,911,59

1,59

4,83

9,91

9,91

9,91

12,70

49,23

14,74

9,8717,16

7,46

12,70

5,0817,78

49,23

7,38

17,22

9,84

34,43

12,70

5,0117,71

R60,96

1,591,59

46,04 46.04

46,04 46,04


RECYCLED GLASS


CLEAR RUBBER BUMPER

121,89

121,89

46,04

9,91

4,83

9,91

9,91

9,91

121,90

10,13

4,68

10,13

9,88

9,62

10,13

4,68

10,13

9,88

9,62

19,5027,19

4,56

4,75

42,55 12,70 36,81

2,92

22,18

2,54 6,05

28,24 33,81

121,89

17,79 37,48 8,61 58,02

R4,85R11,60

28,73 35,63 6,32 46,644,56

9,911,59

1,59

4,83

9,91

9,91

9,91

12,70

49,23

14,74

9,8717,16

7,46

12,70

5,0817,78

49,23

7,38

17,22

9,84

34,43

12,70

5,0117,71

R60,96

1,591,59

46,04 46.04

46,04 46,04


RECYCLED GLASS


CLEAR RUBBER BUMPER

121,89

121,89

46,04

9,91

4,83

9,91

9,91

9,91

121,90

10,13

4,68

10,13

9,88

9,62

10,13

4,68

10,13

9,88

9,62

19,5027,19

4,56

4,75

42,55 12,70 36,81

2,92

22,18

2,54 6,05

28,24 33,81

121,89

17,79 37,48 8,61 58,02

R4,85R11,60

28,73 35,63 6,32 46,644,56

9,911,59

1,59

4,83

9,91

9,91

9,91

12,70

49,23

14,74

9,8717,16

7,46

12,70

5,0817,78

49,23

7,38

17,22

9,84

34,43

12,70

5,0117,71

R60,96

1,591,59

46,04 46.04

46,04 46,04


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