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Supply Lists

This listing of supplies is organized alphabetically, by instructor name. To locate the list of supplies suggested for your summer arts course, you may search for it 3 ways:

1. Scroll through each page, until you locate your instructor and the correct course.

2. Search the document by pressing Ctrl + F. Enter the four-digit CRN of your course (The CRN- course reference number – is last 4 digits of your course code. For example: ARTS 8014 7024 – 7024 is the CRN)

3. Search the document by pressing Ctrl + F. Enter the last name of your instructor.

NOTE: Supplies purchased for summer arts courses are the responsibility of the student. We recommend students purchase supplies no earlier than 2 weeks prior to the course start date and retain purchase receipts.

For further information, please contact: Heather Cockerline, Continuing Education

Loyalist College 613-969-1913 x.2467 [email protected]

mailto:[email protected]

2016 Summer Arts

Supply List

Current as of: January 29, 2016

Artist/Instructor: Aebischer, Monika Course: Wet Felting: Open Studio Course Code: ARTS 8014 7016

Tool Kit (Purchase complete kit from instructor, or bring your own – depending what you wish to work on). Instructor will need to know in advance how many people wish to have a kit): $70.00

• Bubble wrap ( 36” wide by 72” long) • Bamboo rolling mat (24 – 36” wide and up to 72” long) • Sushi mat (with round reeds) • 1 Block Olive Soap • Template material (polystyrene foam 1/25” thick) at least 36” x 36” • Swimming Noodle (36” wide) (large size) • Ball Brauser (Specialized felting wetting tool) •

Students need to bring:

• Notebook, Pencil, • Waterproof Apron (or extra change of clothes) • 6 or more old large bath towels • Water bucket/mixing bowl (to hold about 3 liters of water) • Large container with lid (must hold 3 liters of water) • Smaller water containers (i.e. large yogurt container with lid) • Scissors for paper • Scissors for fabric/fibre • Sewing needles • Old Bed sheet (or some cotton fabric) • Comfortable shoes – Felting is very much a standing occupation

QUESTIONS? Please contact: Monika Aebischer, instructor: [email protected], 416 504 3665 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Amar, Michael Course: Drawing Basics for Beginners and Beyond Course Code: DRAW 8000 7042 Paper: • 1 pad of white cartridge 18x24 paper • 1 pad of newsprint 18x24 Instructor will add more to the above as the class progresses. Drawing materials: • Compressed charcoal sticks (packaged in 4 sticks) • Natural willow charcoal ( thick or medium...comes in a small box) • Mars lumograph pencils 4B and 6B one of each • Charcoal pencil medium or soft • Kneading eraser • Shading stub two or three thicknesses Other supplies:

• 18x24 drawing board (Home Depot has masonite boards about this size) • 2 large bulldog clips • Straight edge (12 inch or 16 inch ruler) • Knife for sharpening (utility or exacto) • Sand paper block for artists QUESTIONS? Please contact:

Michael Amar, instructor: [email protected] 613-969-6301 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Bailey, Robert

Course: Contemplative Photography Course Code: PHOT 8035 7014

• Camera (SLR or Point and Shoot)

• Tripod

• A USB stick with sample photos (suggested 30 or ten per day) that you think may fit

into the category of contemplative photography. If you do not have 30 pictures, you

can use ones that you take during the class.

QUESTIONS? Please contact:

Robert Bailey, instructor: [email protected] 613 969 8283 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Barker, Hi Sook

Course: Watercolour: Canadian Landscape Course Code: PAIN 8106 7013 and PAIN 8106 7020

• Paper (preferably Arches 140 lb. cold press and Saunders 200 lb. cold press)

• Paints

• Brush (include 2” hake brush)

• Palette (include butcher tray or large white plate)

• Water container

• Paper towel

• Masking tape

• Pencil and eraser

• Board

• Reference photo’s (optional)

• Kraft knife

• Masking fluid


Hi Sook Barker, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Barker, Hi Sook

Course: Glorious Painting in Watercolours Course Code: PAIN 8106 7017 and PAIN 8106 7024

• Paper (preferably Arches 140lb cold press)

• Paints

• Brushes

• Palette (include butcher tray or large white plate)

• Water container

• Paper towel

• Masking tape

• Pencil and eraser

• Board

• Reference photo’s (optional)

• Kraft knife

• Masking fluid


Hi Sook Barker, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Bonin, Donna

Course: Drawing for Painting Course Code: DRAW 8109 7010

Drawing Materials: • Good quality Drawing Paper Pad, 12x16 or larger • Pencils including 2H, H, HB, B, 2B, and 6B • Conte stick. brown or black • Black fine and ultra-fine felt tip marker./ Sharpies are best. • Eraser • Q Tips and a small soft cloth

Reference materials:

• a small can of soup or similar • small pitcher or vase • roll of toilet paper • an apple and a pear • 2 books with a thickness of 100+ pages • photographs or magazine photos of flowers close up, landscapes, and buildings

Painting materials:

• Your favourite paintings supplies for media of your choice • 3-4 pieces of 140lb watercolour paper or canvas boards –size 10x14 to 12x16


Donna Bonin, instructor: [email protected] 613 395 5959 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Bonin, Donna

Course: Watercolour: Painting Light Effects Course Code: PAIN 8135 7023

• Arches 140lb cold press paper, or any rough even textured 140lb paper

• Windsor Newton watercolour paints arranged in the wells of a large pallet. Other brands

of paint are fine but may not produce the “demonstrated” colours.

• a collection of watercolour brushes including #2,4,6,10, and 20 rounds, a ¼” flat, 1” flat

and a large wash brush.

• a large, med, and a small hogs hair brush with short bristles.

• masking fluid and a bar of soap

• several light weight boards on which to tape your paper, masking tape.

• table salt or sea salt.

• a spritzer bottle, a flexible pallet knife, and old bent credit card or similar.

• a sketch book, and collection of sketch pencils to include a 6B, and an eraser.

• a box of tissues

• 2 water containers

Students are encouraged to contact Donna directly, 2-3 weeks prior to the class for specifics on colours and paper sizes.

QUESTIONS? Please contact: Donna Bonin, instructor: [email protected] 613 395 5959 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Bretschneider, Anni Course: Exploring the Magic of Watercolour Course Code: PAIN 8066 7044

• Artist quality paints • Artist quality brushes, ranging from large to small • 140 lb. or 200 lb. artist quality paper (sheets or blocks) • Support boards • Two containers for water • Masking tape • HB pencils and white eraser • Ruler • Scissors • Hard bar or liquid soap • Tissues and/or paper towel roll • Small terry towel • Masking fluid or Frisket • Items for scraping (palette knife or old credit card) • Various sizes of natural sea sponges • Small jar of course salt • Spray bottle • Sketchbook with watercolour paper (90 lb. or more)

NOTE: Supplies purchased for this course are the responsibility of the student. We suggest students purchase supplies no earlier than 2 weeks prior to the course start date. In the event that a class has to be cancelled, students will be notified 2 weeks prior to the course start date. QUESTIONS? Please contact: Anni Bretschneider, instructor:

Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467


2016 Summer Arts

Supply List


Artist/Instructor: Cameron, Donnah

Course: Painting on Location in the County Course Code: PAIN 8022 7021

• Set of artist quality watercolour paints (refer to Donnah’s List of Colours on second page). It is not necessary to have all colours. A limited pallet is recommended.

• Paper - Arches 140 lb. cold press watercolour paper or 200 lb. Saunder’s Waterford cold press watercolour paper (you could use a good quality pre stretched block of watercolour paper).

• A surface to tape or stretch your paper on. (Gator board is best) or you could use corrugated plastic. Don’t choose anything heavy, you have to carry it.

• Easel and chair (for on location) • 2 pencils HB, H or 2H • 1 artist eraser • A roll of paper towel • 1 sponge for wiping your brush on • 2 med. Size water containers (a jug of water for on location painting ) • 1 #6, #14 and a larger round watercolour brush • 1 med. size mop brush • One 1 inch flat watercolour brush ( 1”clear handled gold sable series 850 is best) or

similar • One larger flat brush to apply water • 1 #6 rigger or liner • 1” masking tape (Scotts 3M) • 1 spray bottle • 1 fine permanent black ink pen (for ink and wash when on location sketching)

Cont’d

2016 Summer Arts

Supply List


Donnah’s Colours Limited Palette Colours for Travelling

WINSOR & NEWTON: • French Ultramarine • Cobalt Blue • Quinacridone Gold • Burnt Sienna • Raw Sienna • Yellow Ochre • Winsor Violet

• Cobalt Turquoise Light • Scarlet Lake or Cadmium Red • Permanent Magenta • Neutral Tint • Titanium White left in tube or

“Bleed Proof” White in a jar

HOLBIEN: • Indian Yellow • Opera • Compose Green Light • Peacock Blue • Royal Blue • Lavender • Leaf Green • Phthalo Blue

• Phthalo Green • Cadmium Yellow Light or Lemon

Yellow • Aureolin Yellow • Alizarin Crimson • Daniel Smith: Pyrole Orange • Transparent Pyrole Orange


Donnah Cameron, instructor: [email protected] 905-895-2053 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Cole, Tina

Course: Rug Hooking – Open Studio Course Code: RUGH 8021 7030 Students will need to bring:

• Their own project • Hook • Hoop/frame

Handouts will be given in class! QUESTIONS? Please contact:

Tina Cole, instructor: [email protected] 613 967 2660 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Collins, Peggy

Course: Digital Illustration and Painting Techniques Course Code: ARTS 8143 7009 Come with a few projects in mind - because we will hit the ground running. Prior to class we will have some online/email introductions and instruction on how to prepare for the course. You will need a tablet or tablet monitor (portable) or an Ipad and stylus (or comparable). We will explore Photoshop, Painter and if you have an Ipad, Procreate and all the possibilities these softwares have to offer. Some familiarity with computers is recommended. QUESTIONS? Please contact:

Peggy Collins, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Collins, Peggy

Course: The Art of Story Illustration Course Code: ARTS 8055 7007 Students are asked to bring:

• an edited story - one they have written or a folktale (or any story in the public domain) • all drawing implements including:

- Paper, - Translucent rag paper, - Pencils and erasers, - Ink, - Textures (fabrics) - Anything they like to paint with or on. - If students wish to work all digitally, they will need a laptop/drawing tablet, or

even an iPAD. QUESTIONS? Please contact:

Peggy Collins, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Copeman, Elaine

Course: Rug Hooking: Passion for Paisley Course Code: RUGH 8020 7032

• Paisley pattern – a pattern of your choice or you may purchase a pattern from Elaine

prior to the class. Elaine has 4 designs available on linen backing at a cost of $45

(approx. size 12x18). Please email her for details.

• Hoop or Frame

• Cutter

• Hook

• Scissors

• Wool

Elaine will have some wool available for purchase to supplement their stash and there will also be a vendor on site. Elaine will also provide a supply of embellishment yarns and fibers. QUESTIONS? Please contact:

Elaine Copeman, instructor: [email protected] 416 785 1617 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Gagnon, Marc L

Course: Painting Dry Brush Watercolour Course Code: PAIN 8100 7012

• Tubes of water colours: various colours • Water colour pallet with a large open mixing area, or sheet of white Plexiglas 8”x10” • Various brushes: - round bristle stencil brushes various sizes • Flat bristle brushes 1”, 1.5”, 2”, 2.5” • Inexpensive synthetic fibre flat brushes • “Escoda” brand Round Elephant Series 3/000 (THIS BRUSH IS OPTIONAL) • Paper towels • Sheets of 140lb cold and hot press paper • Photos of painting subject • Water containers • Spray bottle


Marc Gagnon, instructor: [email protected] 905 987 5218 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Gagnon, Marc L

Course: Painting Streetscapes Course Code: PAIN 8127 7022

• Numerous reference photographs of streetscapes

• Watercolour paints, various colours including: blues, reds, yellows, earth tones

• 140 pound cold press watercolour paper – full or half sheet size

• Sketch paper, coloured pencils, markers-various colours

• Straight edge

• Drafting tracing paper: roll 12 inches long or 8.5”x11” sheets

• Various watercolor brushes

• Clear acetate sheet 8.5”x11”+/-

• Coloured pencils of various colours

• Water container, spray bottle

• Palette for watercolour

• Paper towels


Marc Gagnon, instructor: [email protected] 905 987 5218 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Ivankovic, Ljubomir

Course: Abstract Painting - Large Format Course Code: PAIN 8132 7008

• Canvas: size 30 "x40", 30 "x60", 40 "x40" or larger. (Minimum 2 stars)

• Colors: acrylic or oil paints of your choice

• Soft brushes with synthetic or natural hair (I suggest "Nobel" in China or "LIQUITEX" free

style)

• Flat brushes 2 "to 4" (minimum of 4 brushes)

• Round brushes # 3 to # 8 (2 or 3 brushes)

• Those who use Oil paints also need acrylic colors such as: Raw umber or sepia, white,

orange and Liquin.

For 25$, Ljubomir offers a set of 5 brushes which are ideal for the workshop.


Ljubomir Ivankovic, instructor: Heather Cockerline, coordinator: [email protected], 613 969 1913 x2467


2016 Summer Arts

Supply List


Artist/Instructor: Jones, Stewart

Course: Drawing for Animation Course Code: DRAW 8000 7035

• Conte ( or charcoal) • Generals charcoal pencils (or any dry medium preferred) • Bulldog clips (x2) • Drawing pads (18”x24” or larger – newsprint or white bond) • Utility knife ( for sharpening ) • Nu-Pastel (optional) • Any materials students may already be comfortable drawing with


Stewart Jones, Instructor: [email protected] 416 702 2610 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Kaiser, Karen

Course: Rug Hooking: Dyeing for Application to Hooking Course Code: RUGH 8018 7018I supply the dyes, water, electricity etc. The students buy a sampler kit from me for $25.00 (That includes linen backing and black wool for outlining) and extra wool for the project. They need to bring their hooking frames/hoops and hooks. QUESTIONS? Please contact:

Karen Kaiser, instructor: [email protected] 613-966-2658 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Kent, Valerie

Course: Abstract Acrylics Course Code: PAIN 8130 7029

• Acrylic Paints Heavy body, soft body or fluid as desired

• Brushes/palette knife/ acrylic palette or foam trays

• Water container

• Canvases Your selection – enough for 4 days. Sizes as desired.

• Magazines, i.e. national geographic and landscape photographs

• Scraping/scratching materials: Old credit card, picks, combs, etc

• Spattering materials: Toothbrush etc.

• Acrylic matte gel, plastic knife, small yogurt container

• Bits of interesting papers, text, cardboard, cheese cloth or other light fabric,

• Wool, string etc.

• Optional-Various gels may be brought: string gel, impasto, crackle paste etc.

(check out your art supplier)


Valerie Kent, instructor: [email protected] 905-881-9580 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Kent, Valerie

Course: Watercolour Abstracts Course Code: PAIN 8119 7015

• Watercolour Paints • Brushes • Water container • Support for paper such as Masonite, Cardboard, Foam Core • 200 lb. or more watercolour paper 3 sheets 22 x 30 inches Saunders, Winsor Newton,

Curry’s • Magazines, i.e. national geographic, and photographs as resources • Ruler, masking tape, • Scraping/scratching materials: credit card, picks, combs, plastic knives • Spattering materials: Toothbrush … • Optional Items:

o Acrylic matte gel, plastic knife, small yogurt containers o Interesting papers, text, cardboard, cheese cloth or other light fabric, photos o Wool, string ,white tissue paper, hand-made paper, found paper, plastic knives,

stamping items, anything that will leave a pattern or texture o Various gels may be bought; (not required) string gel, impasto, etc.

*If you want to do image transfers bring photocopies of images (remember text comes out backwards) * Canvas optional as desired. Sizes also optional. QUESTIONS? Please contact:

Valerie Kent, instructor: [email protected] 905-881-9580 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Lepper, Bruce

Course: Carving and Painting an Indigo Bunting Course Code: WOOD 8008 7028 There is a $30 materials fee payable to the instructor on the first day of class. This fee includes a B&W carving pattern, a colour pattern for painting reference, tupelo cut-out, glass eyes, bird feet kit, and wood sealer. As well as the use of paints supplied by instructor. Note: Extra tupelo cut-outs available for sale upon request. Students should bring whatever supplies you are used to working with. The following is suggested: For Carving

• Reference photos • High speed rotary power tool (i.e. Fordom, preferred, Dremel or other). Plus, finer

power carver (i.e. Gesswein, Ram, NSK, etc.) • Various carving bits (i.e. Kutzal, Typhoon, diamond, green and white stones) in cylinder,

taper, ball, and flame shapes. Specifically, you will need ½” diameter Kutzal or Typhoon cylinders with ¼” shafts for use with the Fordom for roughing out of the bird. All other bits will be with either 3/32” or 1/8” shafts in the shapes described above.

• Callipers and small ruler with millimetre markings • Pencil and eraser • Wood burner and pens (i.e. small and medium skew, plus ‘Guge tip’ for defining feather

shapes) For Painting

• Brushes suitable for painting with acrylics, especially #’s 2, 4, 6, round pointed brushes (watercolour), plus a 1” white bristled brush (oil painting) for applying gesso

• Pallet or tray to mix colours on • Small clear containers with lids for holding mixed colours • Water container • Hair dryer • Paper towel • White gesso • Painting stick for holding bird while painting CON’T

2016 Summer Arts

Supply List


7064 Carving and Painting a Indigo Bunting - page 2 of 2 Optional

• Desk lamp, • Optivisor magnifier, • 2-part epoxy putty (Aves Apoxy Clay). The instructor will have this material for use. • Sandpaper in fine grits • Suitable base (of student’s choosing) for mounting bird


Bruce Lepper, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Manley, Lucy

Course: Alla Prima: Landscapes in Oil Course Code: PAIN 8144 7045

Oil Paint (Large tubes):

• BLUE- Ultramarine, Cerulean

• RED- Alizarin Crimson, Cadmium red light & medium, Cadmium Orange

• YELLOW- Lemon Yellow, Cadmium yellow light & medium

• OTHERS- Yellow green, Yellow ochre, Raw sienna, Burnt sienna

• WHITE- Titanium white

Acrylic Paint:

• Large black tube of black acrylic – mars black – to tone canvas

Supplies:

• Odorless mineral spirits for mixing paint and cleaning brushes (please no turpentine!!) If

using water-soluble oil paint, then water for cleaning brushes and water-mixable linseed

oil for mixing paint is necessary.

• Brush cleaning container and a small dipping cup, cloth rags (T-shirt material is best) and

paper towels, plastic table cover.

Brushes:

• Long flat bristle brushes in various sizes from small, medium and large (e.g. #3, #6, #8,

#10 and more); palette knife, a large flat brush for toning/staining canvas. Brush sizes

depend on the size of canvas you are using. Again, bring your own favourite brushes.

Cont’d

2016 Summer Arts

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Canvas:

Stretched canvas, canvas board or prepared Masonite or wood panels are suitable.

Bring a variety of sizes as square, rectangle, long. Size depends on how quickly you

work; if you are fast, a larger size is best and vice versa… sizes that you feel comfortable

to handle in order to complete a painting in 1 or 2 sessions.4 Canvases small sizes: e.g.

11x14, 12x12, 12x16

4 Canvases large sizes: e.g. 24x24, 24x30, 10x30, 12x24

Easel:

• Easels are available in the classroom. Tables and chairs will be available.

Miscellaneous:

• Smock or old shirt, small sketch book, pencil or felt pen

• Hand out reference photos and a sketch for the subject of the painting will be available.

Daily demos and critiques. Painting directly on toned (black) canvases as well as some

on white canvases in the direct method of Alla Prima.


Lucy Manley, instructor: [email protected] 705 295 4674 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: McCabe, Claudia Jean

Course: Painting Magical Florals Course Code: PAIN 8141 7037

• Paints - please feel free to bring any brand of professional fluid and/or heavy body

acrylics you have, your preference.

Claudia’s Basic Palette includes Primary Magenta, Primary Yellow, Primary Cyan, Titan Buff, Titanium White and Carbon Black. There is no need at all to duplicate my palette, and feel welcome to bring any of your favorite professional paint colours in addition to this list.

• Brushes - large brushes, plus old watercolour brushes (all sizes) are great. • Palette knives and any other utensils with which to push paint around. • Paper/canvas • 5 sheets of 140-lb. hot press paper or 5 sheets of Terraskin • As many canvasses as you would like (size, your choice) • Other:

o Sketch book, pencil/pen o Apron o Paper towels o Palette (an old cookie sheet, or styrofoam tray approx 8”x16” or closest with a

roll of tin foil) o Plastic sheets to protect table and floor ($ store shower curtains are great!) o Plastic containers for water o Spray bottle o An open mind, a free spirit, and a sense of adventure!


Claudia McCabe, instructor: [email protected] , 613 476 3391 Heather Cockerline, coordinator: [email protected], 613 969 1913 x2467



2016 Summer Arts

Supply List


Artist/Instructor: Pignat, Caroline

Course: Writing Workshop: Chasing Your Tale Course Code: WRIT 8046 7043 There are no specific materials required for this course. QUESTIONS? Please contact:

Caroline Pignat, instructor: Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467


2016 Summer Arts

Supply List


Artist/Instructor: Purdon, Doug

Course: Drawing and Painting Aircraft at 8 Wing Trenton Course Code: PAIN 8142 7038 Oil Paint ( Artist’s quality recommended): Recommended brands: Winsor & Newton, Old Holland, Gamblin

• Cadmium Yellow - Light • Cadmium Red – Medium • Titanium White ( Large Tube 120ml) • Permanent Rose

• Ivory Black • French Ultramarine • Pthalocyanine Blue • Burnt Umber

This a basic list of colours. Bring any additional colours if you have them. The genuine Cadmiums can be substituted with (Hues) but hues will not perform as well as genuine cadmium colours. Mediums & Solvents

• Odourless Mineral Spirits • Winsor & Newton Liquin Original • Linseed oil

WATER MIXABLE OILS - If you wish to use Water Mixable Oil Colours the colours are the same but you will have to substitute LIQUIN with either ARTISAN OIL PAINTING MEDIUM or ARTISAN FAST DRYING MEDIUM. MINERAL SPRITS can be substituted with ARTISAN THINER and you can replace Linseed Oil with ARTISAN LINSEED OIL. DO NOT USE NATURAL BRISTLE BRUSHES as they are damaged by water, use ARTISAN BRUSHES that at specially designed for Water Mixable Oils. Surfaces: Oil colour can be used on either canvas boards or stretched canvas. These surfaces need no further preparation. These are available in a selection of sizes at all art stores. As it is a five day workshop you should bring a selection of canvases. Recommended sizes 12 x 16, 16x20, 18x24 or 22x 28 inches. Larger sizes are difficult to use in the classroom. You should also bring a at least two 9x12 inch canvas boards for studies and a Fredrix Canvas pad 9x12 inches to use for rough studies or colour pools.

2016 Summer Arts

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Brushes: Brushes for oils should be made of natural bristle. Don’t buy acrylic brushes as they will not work properly with oils. W&N ARTISAN brushes are an exception as they are designed for oils. You should have at least one flat brush around 1” wide and a selection of filberts, brights, and flats, size 4 and 8. A small watercolour round size #4 or #6 is handy for details. Miscellaneous:

• Paper towels • Apron • Pencils • Pallet – Wooden pallets are

recommended rather than paper pallets.

• Pallet Knife • Reference material – Either

photographs or sketches. • Paper or Sketch Book • Container for your mineral spirits.

Container for used mineral spirits (DO NOT POUR SOLVENT DOWN THE DRAIN)

NOTE OIL PAINT MY ONLY BE USED AT LOYALIST COLLEGE OR OUT DOORS AT THE RCAF MUSEUM.

THEY CAN NOT BE USED IN THE MUSEUM BUILDING. NOTE: Loyalist College doesn’t have a good supply of easels so it is recommended that you bring your own. Many art stores have them on sale during the summer and they are quite affordable. I find that the ones made off-shore aren’t as well made but do usually last for while before giving problems. There is an art store in Belleville, BARRETT’S ART & OFFICE SUPPLIES, 314 Front Street, Belleville. They are open until 5:30pm so you can easily purchase supplies that you might forget. MICHAEL’S also has a store in town but unless they have products on sale the prices are usually close to list with a very small discount if any.

Always remember that we are guests of the RCAF and it is through their generosity that we

are being allowed to work at this museum. QUESTIONS? Please contact:

Doug Purdon, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

Supply List



Course: Oil Painting - Traditional Course Code: PAIN 8021 7011

• Oil paint (artist’s quality recommended) in the following colours (though you may bring additional colours): Cadmium Red Medium, Cadmium Yellow Light, Permanent Rose, French Ultramarine, Pthalocyanine Blue, Ivory Black, Burnt Umber, Titanium White (large tube)

• Odorless Mineral Spirits (if using water mixable oils, substitute with artisan thinner) • Linseed Oil (if using water mixable oils, substitute with artisan linseed oil) • Winsor & Newton Liquin Original (if using water mixable oils, substitute with artisan oil

painting medium or artisan fast drying medium) • Natural brushes (at least one 1” flat brush and a wide selection of filberts, brights, and

flats (if using water mixable oils, substitute with acrylic brushes) • Watercolour round brush (size #4 or #6) • Stretched canvas or canvas boards (a selection, in sizes 12”x16”, 16”x20”, or 22”x28”) • At least 4 canvas boards for studies (9”x12”) • Fredrix Canvas pad for rough studies or colour pools (9”x12”) • Paper towels • Pencils • Apron • Wooden pallet • Pallet knife • Reference material (photographs or sketches) • Paper or sketchbook • Container for used mineral spirits (solvents are not to poured down the drain) • Easel





2016 Summer Arts

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Course: Watermedia Course Code: PAIN 8043 7047 ACRYLIC:

• Cadmium Red – Medium • Cadmium Yellow - Light • Permanent Rose • Pthalocyanine Blue

• French Ultramarine • Ivory Black • Burnt Umber • Titanium White ( Large Tube 120ml)

This a basic list of colours. Bring any additional colours if you have them. The genuine Cadmiums can be substituted with (Hues) but hues will not perform as well as genuine cadmium colours. Mediums Acrylic painting medium (either gloss or mat) Surfaces: Acrylics can be used on either, canvas boards, stretched canvas or watercolour paper. These surfaces need no further preparation. Brushes: Brushes for acrylic should be synthetic. Don’t use good quality oil or watercolour brushes as the acrylic paint will ruin them. You need a selection of sizes and shapes. The most popular are flats and filberts. Miscellaneous:

• Paper towels • Apron • Pencils • Paper pallets • Pallet Knife

• Reference material – Either photographs or sketches.

• Paper or Sketch Book • Water container.

WATERCOLOUR Paint: (Artist’s quality recommended): Recommended brands: Winsor & Newton, Rowney, Holbein

• Winsor Red • Winsor Yellow / Lemon Yellow • Permanent Rose • New Gamboge

• French Ultramarine • Pthalocyanine Blue • Burnt Sienna

This a basic list of colours. Bring any additional colours if you have them. CON’T

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Mediums & Primers Removable Masking Fluid (optional) Surfaces: For this class you should bring at least 5 sheets of paper. There are several brands of paper the ones I recommend are: Arches, Waterford or Fabriano (Artistico). I find that the ‘rough’ paper in these brands allows the colours to break on the paper but you can still achieve good detail. I personally on work on 300lb paper as it doesn’t need stretching. You should also bring a 12” x 16” pad of watercolour paper 140 lb for quick studies and roughs. Winsor & Newton Cotman or Saunder’s Bockingford are good quality and value. You should have a drawing board slightly larger than your paper so you can tape your paper down before working. I don’t recommend watercolour blocks as they are overpriced and since most are either 90 or 140 .lb the paper tend to cockle and cause problems in larger sizes. You will also need a sketchbook. It should be at least 11 x 14. An excellent one is made by EN TOUR artist Products It has the ‘Robert Bateman’ name on the cover. Brushes: You should bring a selection of watercolour rounds and flats and also some larger brushes for washes. Sable brushes are the best but are expensive. The W&N Sceptre II are a mixture of nylon and sable and offer good value for the money. Their Cotman brand is synthetic and while not suitable for large washes perform well when painting smaller areas. Goat hair mop brushes are good for applying large washes or wetting paper and are quite reasonable. Miscellaneous:

• Paper towels / Tissues • Apron • Pencils ( 2H / HB / 2B )

Watercolour Pallet or butchers tray • Water container • Spray bottle • Reference material – Either

photographs or sketches • Paper or Sketch Book • Gum eraser • Masking tape • Drawing board (Gatorboard or

Polycore are good alternatives as they are strong and lightweight)





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Artist/Instructor: Robinson, Martha

Course: Canvas and Colour: Beginning with Oils Course Code: PAIN 8109 7036

A materials fee of $25 payable to the instructor on the first day includes: • One canvas paper pad for exercises: Canson Canva-paper 9 x 12" 10 sheets • Liquin (medium) 200 ml in a glass receptacle. • Odourless spirits or Limonene solvent 100 ml in a glass receptacle.

Supports: The Canva-paper pad is an already prepared surface that will allow you to get started right away. I will have additional pads on hand (for purchase) in case students run out and I will show examples of other surfaces and surface preparation. If you would like to bring alternate surfaces to paint on, such as a cradled wood panel, masonite panel, or canvas you may do so. Wood, masonite, raw canvas or even bristol board must be prepared with gesso. I would suggest about 16 x 20 inches as a maximum size. Palette: You may use a traditional wood palette, a small plexiglas sheet, a commercial palette tear-off pad, or wax paper. Wax paper is the easiest clean up, and least expensive. Miscellaneous: Lint free rags (very old clean cotton pillowcases or flannel shirts), paper towels, pliers (for opening paint tubes) glass jars (jelly size with lids). Masking tape (buff or black, NOT green or blue painter’s tape), black or brown pencil crayons and eraser, scissors. Brushes: There are a vast number of shapes (brights, rounds, flats, filberts and fans), sizes and materials to choose from in brushes produced for oil painting. If you would like to learn about brushes I suggest the website for Rosemary and Company as a good resource (https://www.rosemaryandco.com). My preference is for synthetic mongoose, but white taklon and golden synthetic are also good inexpensive choices. Aboveground Art has two brands of synthetic moongoose, Curry’s has Princeton #6300 synthetic brushes, Stevenson’s has Oron, you should be able to find what you need at most retailers. I suggest purchasing three brushes: a small round nylon size 0,1 or 2 for detail, and short flats, known as brights in sizes 4 and 6 in synthetic mongoose or nylon to start you off. If you have a selection of brushes already you may not need to purchase anything, but you can email any questions you may have about your brushes.

https://www.rosemaryandco.com/

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Paint: I recommend Stevenson’s oil paints(available from Stevenson’s) or M. Graham (available at Curry’s) They are both great value brands, and I have found the pigment quality to be second to none. Some colours (cerulean blue is a good example) have a synthetic version, usually labelled ‘hue’ which is less expansive but comparable to the more expensive pigment. If you have any questions about colour or brand of paint please feel free to email. Colours: Titanium White Cadmium Red Middle or Naphthol Red (M. Graham) Permanent Alizarin Hue Cadmium or Azo Yellow Lemon or Hansa Yellow (M. Graham) Cadmium Yellow Middle

Cobalt Blue Deep Hue Phthalo(cyanine) Blue Ultramarine Blue Burnt Umber Burnt Sienna Raw Sienna (or Yellow Ochre) Optional: Iron Oxide or Ivory Black Cerulean Blue

Suppliers: All of these suppliers can fill orders by mail, online or by telephone. Stevenson is a Canadian company that is not as well-known but has a stellar reputation for the price and quality of its paint. For the other stores I have specified brands or type of material. Student discounts are often available on full priced items at these three retailers. If you do online price comparisons you will see that the big box retailer in craft and art supplies sells the same materials for double the price of these specialty retailers. Stevenson Paints, Warden Ave near the 401, Toronto http://www.dlstevenson.ca Aboveground Art Supplies, McCaul Street , Toronto https://www.abovegroundartsupplies.com Curry’s Art Supplies, Thickson Road and Dundas (Hwy 2), Whitby and other locations. https://www.currys.com QUESTIONS? Please contact: Martha Robinson , instructor: [email protected] 905 885 0691 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467

https://www.abovegroundartsupplies.com/



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Course: Fibre, Wool and Watercolour: Working with Colour Course Code: PAIN 8144 7034 A general note: This course is a little unusual in that we will be exploring colour mixing and theory in watercolour but participants may also choose to finish some exercises using fabric scraps or yarn if they are available to you. You are welcome to call or email the instructor (Martha 905 885 0691 or [email protected]) about the suitability of your supplies before going out to purchase any items listed. Please read over the list carefully. For the fairly new to watercolour I have suggested a very economical brand of paint, and a good inexpensive paper that performs well. Drawing media:

• Pencil and eraser are your choice of brand and hardness/softness. A water soluble crayon or pencil (in a light colour) for underdrawing or planning can be helpful but is not required.

• Ruler and scissors, paper towel, cutting board and rotary cutter (if working with fabric) • Small misting bottle for wetting palette.

Support/paper: I highly recommend Canson Montval, 140 lb. cold press, a cellulose (but archival) watercolour paper that comes in a variety of different sized pads, either coil bound or as blocks, which are inexpensive and great for class work—the paper performs like a rag watercolour paper and the colour sits up nicely on the page [Note: do not buy Canson XL, as it does not stand up well to washes]. Please bring one half sheet of a 200 or 300 lb. cold press watercolour paper—if you find this difficult to obtain, please contact me. Brushes: There are a large variety of synthetic Gold Sable or similar nylon/taklon brushes on the market, or synthetic/sable mix which are entirely suitable and reasonably priced (Escoda is a good brand in the under $20 price range). If you are interested in augmenting your brush selection, buy a relatively large size (#12 or 10 round), and #8, and #6. If you regularly use any of these please bring them (but they are not necessary to buy for this class): A small stiff bristled acrylic flat brush for scrubbing out; smaller watercolour rounds like a #4 for detail; a worn watercolour brush for drybrush textures, a three quarter or one inch wash brush; a rigger(or liner).

CON’T


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Paint: Participants are welcome to use whatever brand of paint they prefer, although I would not recommend Cotman. This colour list is a suggestion, and you may chose to make substitutions. I have written a brief description of each hue to help with any substitutions from your own palette. Unless otherwise stated I use Stevenson (S) watercolours, supplemented with a few M Graham (MG, available at Curry’s), Winsor Newton (WN) or Holbein (H) pigments. You will need a warm and a cool each of red, yellow and blue from the list below or your own brands/hues (six primaries in total). These are the essentials: Cadmium Yellow Middle: A warm yellow. (S) Lemon Yellow: A basic cool yellow, Stevenson. Winsor Newton Lemon is not recommended. Hansa yellow is acceptable. Cadmium Red Middle: Light warm red. Essential for mixing flesh tones, terracotta. (S) Naphthol red from M. Graham is suitable. Alizarin Crimson: a deep slightly rosy red, useful for mixing purples, and pale cool pinks. French Ultramarine (WN) or Ultramarine blue (S or MG): a deep warm blue and/or Winsor(WN) or Phthalo blue(S): a deep cooler blue and/or Cerulean blue: Thus is an expensive blue, so only bring it if you already have it. Other colours to bring if you have them: Burnt umber: A dark brown, also useful for mixing dark grey. (S) Burnt sienna: a light reddish brown, for mixing, accenting reds, mixing terracottas. (WN, or MG transparent red iron oxide) Cobalt blue(S): a blue midway in temperature, also used for mixing greys, but not a strong mixer. Greens: Hooker's or Sap Green: mid-value greens from the tube for mixing skin tones. As a general tool on the palette, if you want to have one green on your palette, Viridian will give you lots to work with for mixing. Raw Sienna: Similar to Yellow Ochre, but more transparent. (S) You are welcome to bring all of the paint colours that you currently own for discussion. Non-essential hues which I use: Holbein Opera Rose, Winsor Newton Light Red, M Graham Neutral Tint, Stevenson’s Quinacridone Violet. I may discuss these in class but they are not necessary to purchase. Water container: At least one, ideally two and pint sized or larger. Mason jars, ice cream tubs etc. Palette: You will need some type of mixing surface. If you do not already have a palette or palettes in your supplies, a good alternative mixing surface for watercolour, in class or at home, is an old enamel butcher's tray, or several white china dollar store dinner or fondue plates.

2016 Summer Arts

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Tape: White paper low tack tape is available at art supply stores or beige masking tape. Traditional brown paper tape for stretching watercolour paper if you use it. Please do not bring the green or blue painterʼs edging tape available in most paint departments. Sketchbook: Handouts will be provided but a sketchbook for recording exercises will be essential. It does not have to be a new book. It is a good way to document tips and techniques, make notes on class discussions and critiques of your work, and later on can be inspiring to look back on. Examples will be on hand. If you intend to do smaller exercises in your sketchbook it will be essential to bring a watercolour sketch book, and there are many options on the market today. IF planning to do colour swatching samples using yarn, fibre or fabric: You will need to bring bristol of some kind for mounting your fibre and fabric samples and some way of fixing your samples to the board (you may have a glue you regularly use, or want to sew the examples to the boards) Camera: an asset for recording work in progress. Suppliers: All of these suppliers can fill orders by mail, online or by telephone. Stevenson is a Canadian company that is not as well known but has a stellar reputation for the price and quality of its paint. For the other stores I have specified brands or type of material. Student discounts are often available on full priced items at these three retailers.

If you do online price comparisons you will see that the big box retailer in craft and art supplies sells the same materials for double the price of these specialty retailers.

Stevenson Paints, Warden Ave near the 401, Toronto http://www.dlstevenson.ca

Aboveground Art Supplies, McCaul Street , Toronto

https://www.abovegroundartsupplies.com

Curry’s Art Supplies for M. Graham paints, Thickson Road and Dundas (Hwy 2), Whitby and other locations. https://www.currys.com


Martha Robinson , instructor: [email protected] 905 885 0691 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467

http://www.dlstevenson.ca/

https://www.abovegroundartsupplies.com/

https://www.currys.com/



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Course: Gel Transfer: Magic and Mayhem Course Code: PAIN 8116 7040 The Gel transfer materials fee will be $25 payable to the instructor on day 1.

This includes: Golden Acrylic Soft Gel Matte Medium 8 oz and Gamblin PVA Size 8 oz

Please bring the following supplies with you: • Pencil, eraser, ruler, scissors and/or X-acto knife with small cutting surface • Water-soluble crayon or pencil in light colour for under drawing (helpful, not required) • 140 lb. or greater hot press watercolour paper • Other surfaces such as canvas boards, masonite panels, or wood surface if you wish to

experiment • Water container, at least one • Fluid Matte Medium or Matte Medium for regular painting (bring it if you have it, but

you do not need to purchase) • Acrylic brushes: #4 for detail and #10 or #12 round • Small flat ½ inch-1 inch brush for applying medium • Acrylic and watercolour paints (your preference). Suggestions for colours are as follows:

Golden Bone Black or Ivory Black, Titanium White, Burnt Umber, Burnt Sienna, French Ultramarine or Ultramarine Blue, Cobalt Blue, Cerulean Blue, Winsor or Pthalo Blue, Hooker’s Green or Sap Green, Viridian, Raw Sienna, Cadmium Yellow Middle, Lemon Yellow, Cadmium Red Middle, Alizarin Crimson, Violet.

• Palette • Cantech Edgepro Tape • Sketchbook • Non-essentials such as paper towel, sponges, camera, apron

Martha will be sending an instruction sheet to each participant prior to the class start. Please ensure Loyalist has your up to date email address. QUESTIONS? Please contact: Martha Robinson , instructor: [email protected] 905 885 0691 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



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Artist/Instructor: Scott Davis, Wendie

Course: Rug Hooking: Bordering on Brilliant Course Code: RUGH 8019 7033 Upon registration, please contact Wendie directly and she will provide you with an introductory student letter. There is a little prep work required before class begins, which will be explained in her letter. Wendie’s contact information is below. Email is best. As to hooking supplies, bring all the usuals:

• Backing to suit your cut of wool or yarn or alternative fibre with lots of room around your little hooked area

• Hooking materials • Any embellishments you might like to add to your mat • Cutter • Scissors • Hook

In addition, please bring the following with you:

• Sketching paper - sheets or a book, whichever you prefer • Colour pencils or colour markers (so you can play with your design)


Wendi Scott Davis, instructor: [email protected] 705-378-5497 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



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Artist/Instructor: Sookrah, Andrew

Course: Brushstrokes for Better Result Course Code: PAIN 8139 7025 Materials List (suggested, I will also have some of these with me, and I am happy to share) Reference Images, as appropriate Please Note: This course is for Oil and Acrylics (instruction could be provided for watercolour, if necessary) If working with Oil Paints (suggested) Ultramarine Blue, Cobalt Blue, Raw Sienna, Burnt Sienna, Burnt Umber, Cadmium Red, Cadmium Yellow, Lemon yellow, Jenkins Green, Sap Green, Paynes Grey, Mars Black, Titanium White, Flake White, Neutral Grey. (And any other colours of your choice) Surface Stretched canvas or board, 12 x 18 or larger (space may be limited, so please be mindful of larger sizes), prepared with Acrylic gesso. If you wish to work smaller, please bring smaller sizes. Canvas sheets (available in pads for sketching and practice) I will bring some of these Media Odorless Spirits (no turpentine, please) Walnut Oil (or similar, preferably not Linseed Oil) Brushes A variety of long handled oil brushes including several different sizes of flats, filberts and rounds. (As well as old, ratty brushes, they will be used for texturing). Drawing Pencils – HB, 2H or charcoal, sepia pencils, etc Sketch pad Support Rags, Containers with lids for media, Disposable palettes (or reusable, your choice)

Cont’d

2016 Summer Arts

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If working with Acrylics (Heavy Body or Fluid) Paints (suggested) Ultramarine Blue, Cobalt Blue, Cerulean Blue, Anthraquinone Blue, Burnt Sienna, Burnt Umber, Cadmium Red, Lemon Yellow, Quinacridone Gold, Cadmium Yellow, Thalo Green, Sap Green, Green Gold, Thalo Turquoise, Dioxanine Purple, Paynes Grey, Mars Black, Titanium White, Flake White, Neutral Grey, Titan Buff. (And any other colours of your choice) Surface Stretched canvas or board, 12 x 18 or larger (space may be limited, so please be mindful of larger sizes), prepared with Acrylic gesso. If you wish to work smaller, please bring smaller sizes. Canvas sheets (available in pads for sketching and practice) As an alternate; watercolour paper (300 lb, with or without gesso) Media Acrylic Medium Retarder (Only of required) Brushes A variety of long handled acrylic brushes including several different sizes of flats, filberts and rounds. (As well as old, ratty brushes, they will be used for texturing) Drawing Pencils – HB, 2H or charcoal, sepia pencils, etc Sketch pad Support Rags, Containers for water, Photographic reference, Disposable palettes (or reusable, your choice) If working with Watercolour Paints (suggested) Ultramarine Blue, Cobalt Blue, Cerulean Blue, Manganese Blue Hue, Cadmium Red, Cadmium Yellow, Naples Yellow, Jenkins Green, Hookers Green, Sap Green, Burnt Sienna, Burnt Umber, Raw Sienna, Raw Umber, van dyke brown, sepia, Paynes Grey, Mars Black, (and any other colours of your choice) Watercolour paper, single sheets or in pre-stretched pads, with at least one sheet each of cold and hot pressed.

Cont’d

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Media Friskit (or other brand name) for masking areas Flow medium, drying extenders only if desired. OTHER MATERIALS Paper towel roll Please bring your own containers for water. Masking tape A board to support your paper Brushes Assorted sizes and shapes (as well as old, ratty brushes, they will be used for texturing) Canvas stretched or sheets (available in pads for sketching and practice) Drawing Pencils – HB, 2H Sketch pad Support Rags Containers for water Photographic reference Watercolour palette QUESTIONS? Please contact:

Andrew Sookrah, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

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Artist/Instructor: Sookrah, Andrew

Course: The Figure in the Landscape Course Code: PAIN 8137 7027 Materials List (suggested, I will also have some of these with me, and I am happy to share) Reference Images, as appropriate Please Note: This course is for Oil and Acrylics (instruction could be provided for watercolour, if necessary) If working with Oil Paints (suggested) Ultramarine Blue, Cobalt Blue, Raw Sienna, Burnt Sienna, Burnt Umber, Cadmium Red, Cadmium Yellow, Lemon yellow, Jenkins Green, Sap Green, Paynes Grey, Mars Black, Titanium White, Flake White, Neutral Grey. (And any other colours of your choice) Surface Stretched canvas or board, 12 x 18 or larger (space may be limited, so please be mindful of larger sizes), prepared with Acrylic gesso. If you wish to work smaller, please bring smaller sizes. Canvas sheets (available in pads for sketching and practice) I will bring some of these Media Odorless Spirits (no turpentine, please) Walnut Oil (or similar, preferably not Linseed Oil) Brushes A variety of long handled oil brushes including several different sizes of flats, filberts and rounds. (As well as old, ratty brushes, they will be used for texturing). Drawing Pencils – HB, 2H or charcoal, sepia pencils, etc Sketch pad Support Rags, Containers with lids for media, Disposable palettes (or reusable, your choice)

Cont’d

2016 Summer Arts

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If working with Acrylics (Heavy Body or Fluid) Paints (suggested) Ultramarine Blue, Cobalt Blue, Cerulean Blue, Anthraquinone Blue, Burnt Sienna, Burnt Umber, Cadmium Red, Lemon Yellow, Quinacridone Gold, Cadmium Yellow, Thalo Green, Sap Green, Green Gold, Thalo Turquoise, Dioxanine Purple, Paynes Grey, Mars Black, Titanium White, Flake White, Neutral Grey, Titan Buff. (And any other colours of your choice) Surface Stretched canvas or board, 12 x 18 or larger (space may be limited, so please be mindful of larger sizes), prepared with Acrylic gesso. If you wish to work smaller, please bring smaller sizes. Canvas sheets (available in pads for sketching and practice) As an alternate; watercolour paper (300 lb, with or without gesso) Media Acrylic Medium Retarder (Only of required) Brushes A variety of long handled acrylic brushes including several different sizes of flats, filberts and rounds. (As well as old, ratty brushes, they will be used for texturing) Drawing Pencils – HB, 2H or charcoal, sepia pencils, etc Sketch pad Support Rags, Containers for water, Photographic reference, Disposable palettes (or reusable, your choice)

2016 Summer Arts

Supply List


If working with Watercolour Paints (suggested) Ultramarine Blue, Cobalt Blue, Cerulean Blue, Manganese Blue Hue, Cadmium Red, Cadmium Yellow, Naples Yellow, Jenkins Green, Hookers Green, Sap Green, Burnt Sienna, Burnt Umber, Raw Sienna, Raw Umber, van dyke brown, sepia, Paynes Grey, Mars Black, (and any other colours of your choice) Watercolour paper, single sheets or in pre-stretched pads, with at least one sheet each of cold and hot pressed. Media Friskit (or other brand name) for masking areas Flow medium, drying extenders only if desired. OTHER MATERIALS Paper towel roll Please bring your own containers for water. Masking tape A board to support your paper Brushes Assorted sizes and shapes (as well as old, ratty brushes, they will be used for texturing) Canvas stretched or sheets (available in pads for sketching and practice) Drawing Pencils – HB, 2H Sketch pad Support Rags Containers for water Photographic reference Watercolour palette QUESTIONS? Please contact:

Andrew Sookrah, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

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Artist/Instructor: Thompson, Vivien

Course: Rug Hooking: Woven Wonders Course Code: RUGH 8022 7046

• Hook, scissors, hoop or frame

• Sewing items

• 2 contrasting colours of textured wool ( herringbone, tweed, even spot dye, marbleized

wool, no plaid ) 1/4 yd each

• Fabric for a lining

• Piece of cardboard or plastic sheet to stabilize bottom

• Matching yarn for whipping

• Beads, shells with a hole,

• New Sharpie marker

• Pencil crayons

• HB pencil and a pen

Vivien will have some wool available for purchase. Notes and instructions booklet, plus 3 patterns for $40. QUESTIONS? Please contact:

Vivien Thompson, Instructor: Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467


2016 Summer Arts

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Artist/Instructor: Wallace, Victoria

Course: Acrylics: Material Exploration and the Artistic Vo Course Code: PAIN 8140 7026 Students please bring:

• A range of round and flat acrylic brushes in a variety of sizes (approx. 3 – 4 of each type) Round from #1 - #10, Flat from ½” – 1 ½” in either synthetic sable or hog/bristle – your choice

• 2 – 4 palate knives • 1 or 2 graphite pencils • 1 or 2 pieces of black charcoal • Micron black archival ink pens (pigma markers) in sizes 05 and 08 � Soft Pastels (not oil)

a few colours or a small kit • Apron • Sketchbook (any size) • Rags • Pencil sharpener • Eraser • Plastic containers for water • Low-tack painter’s tape (blue or green)

Optional • Old pantyhose • Stencils • Black ink • Photocopies of your own photos (instructor will also bring some) • Found materials for collage: wire, string, seeds, etc. (instructor will also bring some)

There will be a $46 material fee payable to the instructor on the first day of class. This fee includes one litre of acrylic medium per day, gessoed unstretched canvas, precut gessoed masonite panels, acrylic paints, acrylic paper. All items will be prepared in advance so students have multiple substrates to work on each day throughout the week. QUESTIONS? Please contact:

Victoria Wallace, instructor: [email protected] 705 745 6587 Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



2016 Summer Arts

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Artist/Instructor: Wood, Sharlena

Course: Acrylic Mixed Media: Patterns in Nature Course Code: PAIN 8138 7019

• Acrylic or watercolour paint - bring a rainbow!

• If bringing acrylics, please bring - Dry Media Ground or a clear, matte acrylic medium (ie.

clear gesso, matte polymer medium) and a piece of white matboard/stiff board (or wide

colour shaper if you have one).

• 4-6 surfaces to work on, any size. Sanded pastel paper or solid supports are best, such

as illustration boards (Medium Tooth Finish), birch panels or watercolour paper that can

be later framed or mounted (140lb is OK, 200lb and higher is even better - feel free to

prepare in advance old watercolour paintings that are prepared to re-use). No canvas

please.

• Variety of brushes for your paint

• Paint palette

• Charcoal pencil 6B , a white eraser and a soft lead pencil sharpener

• Soft pastels - round sticks, or pastel pencils

• Spray bottle

• Paper towel roll and lots of rags

• Water containers

• Table covers

Reference: Bring your own reference, photo or printed image of an animal, or a sketchbook to

work out ideas for imaginary creatures! Optional: General Charcoal Powder (sold in a 6oz jar)

Sharlena will be sharing her jar.


Sharlena Wood, instructor: [email protected] Heather Cockerline, coordinator: [email protected] 613 969 1913 x2467



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