tapping the muse

1
Tapping the Muse For me, the secret is always the leadthat’s journalist jargon for the opening of a story, the one provocative idea that will capture a reader’s interest. Once I’ve found that gem, the rest of the narrative seems to flow easily from the gray mat- ter in my head down to my fingers pounding on the keyboard. Where do such creative sparks come from? How can we conjure them when- ever we want? And why can that be so infernally difficult to do, anyway? A com- plete understanding isn’t here yet, but neuroscientists are already on the trail of where and how creativity arises. They also have some good news for each of us who has ever struggled to ignite those inventive fires. As it turns out, tapping our own muse may be easier than we think, especially if we learn to make a habit of it. For more, turn to “Unleashing Creativity,” by Ulrich Kraft, on page 16. Renaissance artist-engineer Leonardo da Vinci, renowned for such paintings as the Mona Lisa, seemed to suffer no lack of novel thoughts. In addition to artistic masterpieces, he designed flying machines, canals, a variety of buildings, and tanks. His successes make it clear, however, that imaginative genius isn’t enough to advance a brainchild. In “Leonardo da Vinci, Neuroscientist,” by Jonathan Pevsner, starting on page 84, you’ll see that another critical ingredient is the application of logic and systematic study to a fanciful notion. Leonardowho lived in an era more comfortable with acceptance of prevailing wisdom than with experimentationhad the then unusual idea of examining and re- cording human anatomy for himself. As a result, he leaped beyond his contem- poraries in developing a truer understanding of the brain. We hope you find these and other articles in this issue of Scientific American Mind thought-provoking. And if the articles inspire you to write, please do. M IND THOUGHT IDEAS BRAIN SCIENCE EDITOR IN CHIEF: John Rennie EXECUTIVE EDITOR: Mariette DiChristina ISSUE EDITOR: Mark Fischetti ART DIRECTOR: Edward Bell ISSUE ART DIRECTOR: Patti Nemoto PHOTOGRAPHY EDITOR: Bridget Gerety Small PRODUCTION EDITOR: Richard Hunt COPY DIRECTOR: Maria-Christina Keller ASSISTANT COPY CHIEF: Daniel C. Schlenoff COPY AND RESEARCH: Michael Battaglia, Sara Beardsley, Kenneth Silber, Eugene A. Raikhel, Molly K. Frances EDITORIAL ADMINISTRATOR: Jacob Lasky SENIOR SECRETARY: Maya Harty Many of the articles in this issue are adapted from articles originally appearing in Gehirn & Geist. ASSOCIATE PUBLISHER, PRODUCTION: William Sherman MANUFACTURING MANAGER: Janet Cermak ADVERTISING PRODUCTION MANAGER: Carl Cherebin PREPRESS AND QUALITY MANAGER: Silvia De Santis PRODUCTION MANAGER: Christina Hippeli CUSTOM PUBLISHING MANAGER: Madelyn Keyes-Milch ASSOCIATE PUBLISHER/VICE PRESIDENT, CIRCULATION: Lorraine Leib Terlecki CIRCULATION DIRECTOR: Katherine Corvino FULFILLMENT AND DISTRIBUTION MANAGER: Rosa Davis VICE PRESIDENT AND PUBLISHER: Bruce Brandfon WESTERN SALES MANAGER: Debra Silver SALES DEVELOPMENT MANAGER: David Tirpack WESTERN SALES DEVELOPMENT MANAGER: Valerie Bantner SALES REPRESENTATIVES: Stephen Dudley, Hunter Millington, Stan Schmidt ASSOCIATE PUBLISHER, STRATEGIC PLANNING: Laura Salant PROMOTION MANAGER: Diane Schube RESEARCH MANAGER: Aida Dadurian PROMOTION DESIGN MANAGER: Nancy Mongelli GENERAL MANAGER: Michael Florek BUSINESS MANAGER: Marie Maher MANAGER, ADVERTISING ACCOUNTING AND COORDINATION: Constance Holmes DIRECTOR, SPECIAL PROJECTS: Barth David Schwartz MANAGING DIRECTOR, ONLINE: Mina C. Lux OPERATIONS MANAGER, ONLINE: Vincent Ma SALES REPRESENTATIVE, ONLINE: Gary Bronson MARKETING DIRECTOR, ONLINE: Han Ko DIRECTOR, ANCILLARY PRODUCTS: Diane McGarvey PERMISSIONS MANAGER: Linda Hertz MANAGER OF CUSTOM PUBLISHING: Jeremy A. Abbate CHAIRMAN EMERITUS: John J. Hanley CHAIRMAN: John Sargent PRESIDENT AND CHIEF EXECUTIVE OFFICER: Gretchen G. Teichgraeber VICE PRESIDENT AND MANAGING DIRECTOR, INTERNATIONAL: Dean Sanderson VICE PRESIDENT: Frances Newburg PETER M. FISHER Corbis (from the editor) www.sciammind.com 3 Mariette DiChristina Executive Editor [email protected]

Upload: mariette

Post on 28-Jul-2016

216 views

Category:

Documents


1 download

TRANSCRIPT

Page 1: Tapping the Muse

Tapping the MuseFor me, the secret is always the lead—that’s journalist jargon for the opening of a story, the one provocative idea that will capture a reader’s interest. Once I’ve found that gem, the rest of the narrative seems to fl ow easily from the gray mat-ter in my head down to my fi ngers pounding on the keyboard.

Where do such creative sparks come from? How can we conjure them when-ever we want? And why can that be so infernally diffi cult to do, anyway? A com-plete understanding isn’t here yet, but neuroscientists are already on the trail of where and how creativity arises. They also have some good news for each of us who has ever struggled to ignite those inventive fi res. As it turns out, tapping our own muse may be easier than we think, especially if we learn to make a habit of it. For more, turn to “Unleashing Creativity,” by Ulrich Kraft, on page 16.

Renaissance artist-engineer Leonardo da Vinci, renowned for such paintings as the Mona Lisa, seemed to suffer no lack of novel thoughts. In addition to artistic masterpieces, he designed fl ying machines, canals, a variety of buildings, and tanks. His successes make it clear, however, that imaginative genius isn’t enough to advance a brainchild. In “Leonardo da Vinci, Neuroscientist,” by Jonathan Pevsner, starting on page 84, you’ll see that another critical ingredient is the application of logic and systematic study to a fanciful notion. Leonardo—

who lived in an era more comfortable with acceptance of prevailing wisdom than with experimentation—had the then unusual idea of examining and re-cording human anatomy for himself. As a result, he leaped beyond his contem-poraries in developing a truer understanding of the brain.

We hope you fi nd these and other articles in this issue of Scientifi c American Mind thought-provoking. And if the articles inspire you to write, please do.

MINDTHOUGHT • IDEAS • BRAIN SCIENCE

E D I T O R I N C H I E F : John RennieE X E C U T I V E E D I T O R : Mariette DiChristina I S S U E E D I T O R : Mark Fischetti

A R T D I R E C T O R : Edward Bell I S S U E A R T D I R E C T O R : Patti Nemoto P H O T O G R A P H Y E D I T O R : Bridget Gerety Small P R O D U C T I O N E D I T O R : Richard Hunt

C O P Y D I R E C T O R : Maria-Christina Keller A S S I S T A N T C O P Y C H I E F : Daniel C. SchlenoffC O P Y A N D R E S E A R C H : Michael Battaglia, Sara Beardsley, Kenneth Silber, Eugene A. Raikhel, Molly K. Frances

E D I T O R I A L A D M I N I S T R A T O R : Jacob Lasky S E N I O R S E C R E T A R Y: Maya Harty

Many of the articles in this issue are adapted from articles originally appearing in Gehirn & Geist.

A S S O C I A T E P U B L I S H E R , P R O D U C T I O N : William Sherman M A N U F A C T U R I N G M A N A G E R : Janet Cermak A D V E R T I S I N G P R O D U C T I O N M A N A G E R : Carl Cherebin P R E P R E S S A N D Q U A L I T Y M A N A G E R : Silvia De SantisP R O D U C T I O N M A N A G E R : Christina Hippeli C U S T O M P U B L I S H I N G M A N A G E R : Madelyn Keyes-Milch

A S S O C I A T E P U B L I S H E R / V I C E P R E S I D E N T, C I R C U L A T I O N : Lorraine Leib Terlecki C I R C U L A T I O N D I R E C T O R : Katherine Corvino F U L F I L L M E N T A N D D I S T R I B U T I O N M A N A G E R : Rosa Davis

V I C E P R E S I D E N T A N D P U B L I S H E R : Bruce Brandfon W E S T E R N S A L E S M A N A G E R : Debra Silver S A L E S D E V E L O P M E N T M A N A G E R : David Tirpack W E S T E R N S A L E S D E V E L O P M E N T M A N A G E R : Valerie Bantner S A L E S R E P R E S E N T A T I V E S : Stephen Dudley, Hunter Millington, Stan Schmidt

A S S O C I A T E P U B L I S H E R , S T R A T E G I C P L A N N I N G : Laura Salant P R O M O T I O N M A N A G E R : Diane Schube R E S E A R C H M A N A G E R : Aida Dadurian P R O M O T I O N D E S I G N M A N A G E R : Nancy Mongelli G E N E R A L M A N A G E R : Michael Florek B U S I N E S S M A N A G E R : Marie Maher M A N A G E R , A D V E R T I S I N G A C C O U N T I N G A N D C O O R D I N A T I O N : Constance Holmes

D I R E C T O R , S P E C I A L P R O J E C T S : Barth David Schwartz

M A N A G I N G D I R E C T O R , O N L I N E : Mina C. Lux O P E R A T I O N S M A N A G E R , O N L I N E : Vincent MaS A L E S R E P R E S E N T A T I V E , O N L I N E : Gary BronsonM A R K E T I N G D I R E C T O R , O N L I N E : Han Ko

D I R E C T O R , A N C I L L A R Y P R O D U C T S : Diane McGarvey P E R M I S S I O N S M A N A G E R : Linda Hertz M A N A G E R O F C U S T O M P U B L I S H I N G : Jeremy A. Abbate

C H A I R M A N E M E R I T U S : John J. Hanley C H A I R M A N : John Sargent P R E S I D E N T A N D C H I E F E X E C U T I V E O F F I C E R : Gretchen G. Teichgraeber V I C E P R E S I D E N T A N D M A N A G I N G D I R E C T O R , I N T E R N A T I O N A L : Dean SandersonV I C E P R E S I D E N T : Frances Newburg P

ET

ER

M.

FIS

HE

R C

orb

is

(from the editor)

www.sc iammind.com 3

Mariette DiChristinaExecutive Editor

[email protected]