teaching as a performing art

28
Teaching as a performing art Uncharted Territories of Classroom Interaction Cem Balçıkanlı Gazi University ELT Department [email protected]

Upload: cem-balcikanli

Post on 07-Apr-2015

322 views

Category:

Documents


2 download

TRANSCRIPT

Page 1: Teaching as a Performing Art

Teaching as a performing art Uncharted Territories of Classroom Interaction

Cem Balçıkanlı

Gazi University

ELT Department

[email protected]

Page 2: Teaching as a Performing Art

Map of the Presentation

Defining the issue: Common grounds of teaching and art

Defining the use of drama in ELT

Some important studies

Uncharted territories: Discussion

of possible research areas

Concluding remarks

Page 3: Teaching as a Performing Art

Art or Science?

Eisner (1979) :

"most of those who teach-indeed, even those who study teaching scientifically - often regard their own teaching as an artistic activity" (p. 153).

Page 4: Teaching as a Performing Art

Why a need for taking teacher as an artist, a performer?

We define teaching, identify the models, strategies, approaches and methods for teaching.

We even prepare hundreds of ‘What to do lists’ and commandments with endless items…

Page 5: Teaching as a Performing Art

ULTRA SUPERB WHAT TO DO LIST! You can do it! We hope…

THE PEARLS OF ACADEMIC SUGGESTIONS

Use your voice and body language effectively

Eye contact is very important. However, after three seconds, the emotional transfer begins. So watch out!!!

Try to look confident but do not be threatening

Make them feel that you are for but not against them

BUT HOW?

Page 6: Teaching as a Performing Art

Why a need for taking teacher as an artist, a performer?

“teaching is not like inducing a chemical reaction; it is much more like painting a picture…you must realize that it cannot be all be done by formulas, or you will spoil your work.”

Eisner (1979, p.8).

Page 7: Teaching as a Performing Art

Why a need for taking teacher as an artist, a performer?

Haycraft noted (1999) “Teaching English

successfully is not just a question of method. I have observed many classes where teacher’s techniques were superb, but where the students were reluctant to learn …and the lesson developed like the workings of a machine, functioning in isolation.” (p.6).

Page 8: Teaching as a Performing Art

Why a need for taking teacher as an artist, a performer?

As actors do, teachers must evoke, too; otherwise, the productive educational interaction can be stifled. (Griggs, 2001)

And when stifled, the lesson may develop like the workings of a machine, functioning in isolation.

Page 9: Teaching as a Performing Art

Why a need for taking teacher as an artist Teacher as a performer

Nature of the methodology classes and seminars ( or why is reflective approach popular?)

The dynamic nature of the atmosphere in the classroom

A play with a one player…

Aesthetical aspects of communication

Page 10: Teaching as a Performing Art

Teaching is artistic because

it is spontaneous and unpredictible it can be described by aesthetical norms and

criteria when performed effectively. it cannot be detached from the reactions of

the learners. it aims at acting out a text! it appeals to emotions!

To act is to react…

Page 11: Teaching as a Performing Art

A Clear definition of art

Art is the aesthetical expression of reality. (Aristotle)

Aesthetic ►

Reality ►

Expression ►

CommunicationCommunication

LanguageLanguage

TeachingTeaching

Communicative

Language

Teaching

Communicative

Language

Teaching

Page 12: Teaching as a Performing Art

- Art is nothing but a language!

- Just like any other languages, it is for communication.

- It is inductive and indirect; never orders, but suggests.

- Different from languages, it directly appeals to

emotions of the people!

- Performing arts, including drama, is all about creating

atmosphere in which people can create new thinking

dispositions and attitudes!

- In order to observe and create atmosphere, a performer first

observe her/his emotions carefully.

Page 13: Teaching as a Performing Art

Why a need for arts (acting) in teacher education?

DRAMA AS A FLT TECHNIQUE

DRAMA AS A TEACHER/TEACHING SKILL

Page 14: Teaching as a Performing Art

Communication as the aesthetic component of teaching

“It is by way of communication that art becomes the incomparable organ of instruction, but the way is so remote from that usually associated with education”

Piaget(1934, p.347).

Page 15: Teaching as a Performing Art

Common Grounds – A Broad Beginning

Teachers, like actors, attempt … communicate to groups of people in an audience-like situation, and both the actor and the teacher employ qualities to ……………..………… ; both must come through to the people with whom they work.

Elliot Eisner (1968,362)

enhance communicationenhance communication

?

toto

Page 16: Teaching as a Performing Art

Enhancing Communication – The nature of nonverbal communication

Experts estimate that at least %65 of the meaning in any social context is conveyed nonverbally.

As for classroom setting, Kellogg and Lawson (1993) claim that %82 of teachers’ communication is nonverbal.

(Burgoon, Buller and Woodwall, 1989)

Page 17: Teaching as a Performing Art

A Finding of Jeremy Harmer One hour course of 100 language teachers were recorded on

video.

They watched themselves and gave reflections to Harmer.

Only 8 of them were aware of their nonverbal communication.

The reflection of the rest?

A Paper presented by J.Harmer at 41st IATEFL Congress, Aberdeen,UK

%82 of teachers’ communication is nonverbal!

Page 18: Teaching as a Performing Art

In the pursuit of teaching as an art

Ivie, Flora and Short (2001) carried out a research on the definition of the teaching by asking teachers to make a choice among 8 quotation of prominent scholars.

Four of the quotations expressed the view that teaching is a science. The other four quotations asserted that teaching is an art.

287 teachers expected to choose the definition best describes the teaching.

Page 19: Teaching as a Performing Art

The Studies on Acting & Teaching

Stanislawski – The Acting Method

Remains theoretical…

More ‘What to do lists…’

Page 20: Teaching as a Performing Art

An interesting stance…

 TESOL practitioners are, as individuals in the particular circumstances of their own classrooms, acting as artists in the exercise of their craft. They are not scientists seeking to eliminate variety in the interests of establishing generalities. They are not technologists seeking to exploit the findings of science by manipulation. As artists, they react to variety and give shape and meaning to it, and they do so by reference to the principles of their craft.

(Widdowson, 2000:4)

Page 21: Teaching as a Performing Art

A Metaphor based on Widdowson’s Proposal

Syllabus = PLAY SCRIPT

Teacher = ACTOR & ACTRESS

Page 22: Teaching as a Performing Art

Points to Ponder

Can we lead language teachers to an awareness on nonverbal communication?

Are teachers systematically taught on the nature and dynamics of nonverbal communication?

Do the current syllabuses of ELT Departments help the teacher trainees develop awareness and skills on encoding and decoding the right nonverbal messages?

Page 23: Teaching as a Performing Art

The Uncharted Territories…Theoretical Framework

What are the ways in which teaching is like the arts?

How can schools of education reorganize teacher education along artistic lines?

Is the current picture of the teaching literature shaped by the nature of the current understanding of the research methods and conventions, or just the contemporary stance of the scholars?

Page 24: Teaching as a Performing Art

The Uncharted Territories…Research for Enhancing Practice

Nature and dynamics of stage synesthesis in classes – How to create the right atmosphere and

observe & manipulate the existing one?

Identifying some certain acting techniques to be used in ELT classes

Implementing the principles of an acting method to teacher training to raise self-awareness on nonverbal communication, atmosphere conducting and effective use of body language and voice.

Page 25: Teaching as a Performing Art

Effects of nonverbal communication in teaching

Consciousness in non-verbal communication (as a teacher) and motivation types and levels of the students

Consciousness in non-verbal communication (as a teacher) and teaching para-language of the L2

Effective use of nonverbal communication and classroom conduct

The Uncharted Territories…Research for Enhancing Practice

Page 26: Teaching as a Performing Art

Effects of nonverbal communication in teachingHow more gets communicated than is said –

implementing humanistic teaching via some strategies of nonverbal/nonlinguistic communication

A research on identification of the universals of effective nonverbal/nonlinguistic communication in ELT classes

The Uncharted Territories…Research for Enhancing Practice

Page 27: Teaching as a Performing Art

Conclusion

We can’t think of making use of effective teaching materials, syllabuses and so on without an effective teacher.

Taking teaching as a performing art may lead us to do more research on the HOWS so as to realize the WHATS of teaching.

In order to find out some lists of HOWS, we need to do some research and then some adjustments in teacher education.

Page 28: Teaching as a Performing Art

THANK YOU FOR YOUR KIND ATTENTION

Dr.K.Sinan ÖzmenGazi UniversitesiC-Blok C122Beşevler/Ankara

[email protected]