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Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

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Page 1: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

Technical Art Historyand its Sources

STITAH 2011Conservation Center of the Institute of Fine Arts

New York University

Michele Marincola

Page 2: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola
Page 3: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

Sources

• The object itself

• Information from the artist

• Realia

• Contemporary information not directly related to the research subject

• Modern studies: analysis, secondary literature and reconstructions

Page 4: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

The Object Itself

Page 5: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

Information from the Artist

Edgar Degas, Sketchbook, ca. 1880 and later, The Morgan Library and Museum

Page 6: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

Attrib. to Thomas da ModenaSketchbook, 1360-80The Morgan Library and Museum

Page 7: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

Realia

Jackson Pollack’s studio, The Springs, Long Island

Page 8: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

Contemporary Information

Page 9: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola

Modern StudiesSecondary Literature and

Reconstructions

Page 10: Technical Art History and its Sources STITAH 2011 Conservation Center of the Institute of Fine Arts New York University Michele Marincola