the best christmas pageant ever - fbcmf.org · beth--charlie’s older and wiser sister. she’s...
TRANSCRIPT
THE BEST CHRISTMAS PAGEANT EVERTHE MUSICALBOOK & LYRICS BY
Jahnna BeechamMUSIC & LYRICS BY
Malcolm HillgartnerBASED ON THE PLAY BY BARBARA ROBINSON
For perusal purposes only.
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The Best Christmas Pageant Ever: The Musical (1st ed. - 03.27.17) - Copyright © 2017 Jahnna Beecham & Malcolm Hillgartner
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For perusal purposes only.
The Best Christmas Pageant Ever: The Musical, Children’s Theatre of Charlotte, Charlotte, North Carolina (2016). Photo: Donna Bise.
For perusal purposes only.
Much gratitude to Patricia McLaughlin and Adam Burke.
And big bouquets to Margie and Carolyn,
daughters of the amazing Barbara Robinson.
Thank you for trusting us with the Herdmans.
Cast of Characters
The Herdman Kids
RALPH--the oldest and coolest. He’s the enforcer, 13.
IMOGENE--leader of the Herdmans. She’s loud, bossy, and crafty, 12.
LEROY--Ralph’s backup. Very confident in the muscle department, 11.
CLAUDE--scrappy and smart, 10.
OLLIE--a bit of a naïve urchin who follows the older boys’ leads, 9.
GLADYS-- little but fierce. Nothing scares Gladys, 8.
The Bradleys
GRACE--sweet, good-humored, slightly frazzled mom, 35–40ish.
BOB--easygoing dad, wry sense of humor, 35–40ish.
CHARLIE--typical kid brother, says what he thinks, 10.
BETH--Charlie’s older and wiser sister. She’s honest and kind, 11.
Church People
HELEN ARMSTRONG--organized steamroller. She’s always in charge, 40–50ish.
REVEREND HOPKINS--occasionally befuddled, always well-meaning, 40–50ish.
Church Ladies
LUANNE--sassy, tells it like it is, 35–40ish.
BETTY--sweet southerner, calls everyone “honey,” 30–40ish.
For perusal purposes only.
CONNIE--direct, no-nonsense type, 30–40ish.
Kids
ALICE WENDLEKEN--know-it-all. She thinks she’s perfect, 11.
ELMER HOPKINS--preacher’s kid, which means he needs to behave and be nice, 10.
TEDDY SHOEMAKER--wimpy kid with glasses, asks too many questions, 9.
IVY REED--Beth’s earnest friend who is sometimes a goody-goody, 11.
Various kids to play angels and shepherds in the pageant and possibly other kids in lunchroom.
Setting
December 1960s, a small town in Southern Ohio.
Acknowledgments
The Best Christmas Pageant Ever: The Musical opened November 25, 2016 at Children’s Theatre of Charlotte in North Carolina. It was directed by Adam Burke, choreographed by Ron Chisholm, and music-directed by Mike Wilkins. Tom Burch designed sets, Magda Guichard designed costumes, David Fillmore designed lights, and Jason Romney, sound. Hazel Doherty was stage manager. The production featured the following cast:
GRACE BRADLEY Ashley Goodson
BOB BRADLEY Bobby Tyson
CHARLIE BRADLEY Bennett Harris
BETH BRADLEY Arella Flur
RALPH HERDMAN Colin Samole
IMOGENE HERDMAN Carlyn Head
LEROY HERDMAN Rixey Terry
CLAUDE HERDMAN Will Giannuzzi
OLLIE HERDMAN Isa Long
GLADYS HERDMAN Charli Head
For perusal purposes only.
HELEN ARMSTRONG Allison Snow Rhinehardt
CONNIE Tiffany Bear
LUANNE Olivia Edge
BETTY Tracie Frank
REVEREND HOPKINS Dan Brunson
ALICE WENDLEKEN Ryann Losee
IVY REED Laurel Farr
ELMER HOPKINS Wilson Moroz
TEDDY SHOEMAKER Luke Linkel
ENSEMBLE Lydia Farr, Allie Joseph, Max Joseph,Andrew Henriques, Julianna Kantor, Haley Vogel
All production groups performing this play are required to include the following credits on the title page of every program:
The Best Christmas Pageant Ever: The Musical
Book and Lyrics Music and Lyrics
Jahnna Beecham Malcolm Hillgartner
(At 50 percent of author title:)
Based on the Play by Barbara Robinson
Orchestrations and Vocal Arrangements by Deborah Wicks LaPuma
The Best Christmas Pageant Ever:
The Musical
by Jahnna Beecham & Malcolm Hillgartner
BASED ON THE PLAY BY BARBARA ROBINSON
For perusal purposes only.
V œn œbELMER
& œnœn
BETH
V œnœn
REVEREND
& œnœb
ALICE
V œnœn
CHARLIE
&œn
œnHELEN
& œnœn
GRACE
&œn
œnIMOGENE
V œnœn
RALPH
& œnœn
GLADYS
Vœn
œnBOB
& œœœ#
œœœnbnCHURCH LADIES
The Best Christmas Pageant EverVocal Ranges
For perusal purposes only.
The Best Christmas Pageant Ever: The Musical Scenes, Characters, Musical Numbers, and Pages
Act One
Scene 1………………………………………………………......................................1
Reverend Hopkins, Church Ladies, Helen, Kids, Herdmans, Parents
#1 (Track 1) Our Perfect Little Town (Church Ladies) #2 (Track 2) The Horrible Herdmans (Ivy, Elmer, Beth, Teddy, Alice, Charlie, Kids, Reverend Hopkins, Helen, Church Ladies, Herdmans, Parents) #2A (Track 3) Horrible Playout (Instrumental)
Scene 2..........................................................................................................................8
Bob, Grace, Charlie, Beth
Scene 2A…………………………………………...…………………………………14 Helen, Church Ladies, Grace, Charlie, Beth, Bob
#3 (Tracks 4-8) Countin’ On You (Helen, Church Ladies, Grace, Beth, Charlie, Bob) #3A (Track 9) Countin’ Playout (Instrumental)
Scene 3..........................................................................................................................20
Ivy, Alice, Beth, Elmer, Charlie, Ralph, Imogene, Leroy, Claude, Ollie, Gladys, Teddy, Kids
#3B (Track 10) Herdman Entrance (Instrumental) #3C (Track 11) Herdman Shopping (Instrumental) #4 (Track 12) Take My Lunch (Charlie, Beth, Elmer, Alice, Teddy, Herdmans, Kids) #4A (Track 13) Take My Lunch Transition (Instrumental)
Scene 4..........................................................................................................................29
Helen, Grace #4B (Track 14) Perfect Little Town Transition (Instrumental)
For perusal purposes only.
Scene 5..........................................................................................................................31
Herdmans #4C (Track 15) Horrible Transition (Instrumental) Scene 5A.......................................................................................................................33
Grace, Teddy, Alice, Ivy, Beth, Elmer, Herdmans, Kids
#4D (Track 16) Herdman Entrance II (Instrumental) #5 (Tracks 17-18) Hey Mrs. Bradley! (Herdmans, Kids, Grace, Teddy, Ivy, Elmer, Alice #5A (Track 19) Mrs. Bradley Playout (Instrumental) #5B (Track 20) Problem Transition (Instrumental)
Scene 6..........................................................................................................................39 Helen, Church Ladies, Grace
#6 (Track 21) Problem (Helen, Church Ladies, Grace) #7 (Track 22) Baskets For The Needy (Instrumental)
Scene 7........................................................................................................................41
Reverend Hopkins, Church Ladies (#7 (Track 22) Baskets For The Needy cont’d) (Reverend Hopkins, Church Ladies
Scene 7A....................................................................................................................44
Helen, Reverend Hopkins
Scene 7B....................................................................................................................45 Church Ladies
(#7 Baskets For The Needy cont’d) (Track 23) (Church Ladies)
#7A (Track 24) Silent Night Transition (Instrumental)
For perusal purposes only.
Scene 8…......................................................................................................................46 Grace, Kids, Herdmans
(#7A (Track 24) Silent Night Transition cont’d) (Kids, Herdmans) #8 (Tracks 25-27) My Mother Said (Ivy, Beth, Alice, Kid Voices) #9 (Track 28) Problem Reprise (Instrumental) Scene 9…......................................................................................................................52
Helen, Grace, Bob, Charlie
(#9 Problem Reprise cont’d) (Helen, Grace) #10 (Track 29) Maybe (Bob, Grace) #10A (Track 30) Angel Transition (Instrumental)
Scene 10........................................................................................................................56
Beth, Alice, Elmer, Ivy, Charlie, Grace, Herdmans, Kids, Church Ladies, Reverend Hopkins
#11 (Tracks 31-32) Die, Herod, Die! (Herdmans, Kids)
Act Two Scene 11........................................................................................................................66
Church Ladies, Reverend Hopkins, Parents, Kids, Grace, Bob, Beth, Charlie
#12 (Track 33) Baskets For The Needy Reprise (Church Ladies Reverend Hopkins, Kids)
Scene 12........................................................................................................................69
Grace, Beth, Herdmans
#13 (Track 34) The Best Gift Of All (Herdmans) #14 (Track 35) Carol Transition (Instrumental)
Scene 12A.....................................................................................................................76
Bob, Charlie, Beth, Grace
For perusal purposes only.
Scene 12B......................................................................................................................77 Reverend Hopkins, Grace
Scene 13........................................................................................................................79
Grace, Bob, Teddy, Charlie, Ivy, Alice, Reverend Hopkins, Kids
Scene 14.......................................................................................................................82
Grace, Bob, Kids, Herdmans, Reverend Hopkins, Helen, Church Ladies, Entire Company)
#15 (Tracks 36-43) The Pageant (Grace, Kids, Bob, Leroy, Claude, Ollie)
#16 (Tracks 44-45) On A Night Like This (Imogene, Ralph, Herdmans, Kids) #17 (Tracks 46-47) Let There Be Joy (Kids, Grace, Bob, Beth, Alice) #18 (Track 48) Bows (Instrumental)
For perusal purposes only.
ACT I SCENE 1
THE CHURCH (REVEREND HOPKINS is at the pulpit...the CHURCH LADIES are in the choir loft behind the minister being conducted by HELEN ARMSTRONG...the audience is the congregation... lights dim and we hear the music introduction...CHURCH LADIES sing as lights come up) Track 1
#1 OUR PERFECT LITTLE TOWN
CHURCH LADIES WHEN IT’S CHRISTMAS IN OUR PERFECT LITTLE TOWN WHEN THE CRISP WHITE SNOW COMES TUMBLING DOWN EACH CHILD HAS A SMILE NO ONE EVER FROWNS AND EACH BELL THAT IS KNELLED MAKES THE SWEETEST SOUND AND OUR CHRISTMAS STAR GLEAMS LIKE A CROWN WHAT COULD BE MORE PERFECT THAN CHRISTMAS IN OUR PERFECT LITTLE TOWN
REVEREND HOPKINS Thanks to Helen Armstrong for writing that holiday melody for the choir and for arranging last night’s potluck supper. And now I’m told Mrs. Armstrong’s Sunday school class has something to share with the congregation. Helen?
HELEN Thank you, Reverend Hopkins. This week I’ve asked some of our youngest boys and girls to tell you their favorite thing about Sunday school. Ivy?
(spotlight on the STUDENTS)
IVY My favorite thing about Sunday school is the good feeling I get when I go there.
HELEN Very nice, Ivy. Teddy?
TEDDY I like hearing all the stories.
For perusal purposes only.
HELEN I like that, too. Elmer?
ELMER My favorite thing about Sunday school is seeing my friends.
HELEN Good. Alice?
ALICE My absolute favorite thing is the annual Christmas pageant.
HELEN That’s my favorite. Charlie?
CHARLIE Ma’am?
HELEN What is your favorite thing about Sunday school?
CHARLIE The best thing about Sunday school is there are no Herdmans there.
HELEN What did you say?
CHARLIE No Herdmans.
(music intro begins) Track 2
#2 THE HORRIBLE HERDMANS
REVEREND HOPKINS (laughing nervously)
Now Charlie, we must be careful what we say about others.
IVY Yeah, if the Herdmans ever found out, you know what they’d do.
ELMER PUT WORMS IN YOUR SANDWICH
BETH
ANTS IN YOUR PURSE
For perusal purposes only.
TEDDY FLATTEN YOUR TIRES
ALICE AND MUCH MUCH WORSE
REVEREND HOPKINS
Those are terrible things to say.
CHARLIE (protests loudly)
But they’re all true! The Herdmans are the worst kids in the history of the world!
KIDS (conspiratorially)
THE HORRIBLE HERDMANS ARE THE ROTTENEST KIDS JUST WAIT UNTIL YOU HEAR ABOUT THE THINGS THAT THEY DID THEY HIT AND THEY STEAL AND SMOKE SMELLY CIGARS THEY OUGHTA BE ARRESTED AND PUT BEHIND BARS THERE’S NOTHING THAT THOSE KIDS WON’T DO NOTHING THEY WON’T DO TO YOU DON’T FIGHT YOU’RE ALWAYS GONNA LOSE THEY’LL FIND YOU AND THEY’LL POUND YOU ’TIL YOUR FACE IS BLACK AND BLUE
REVEREND HOPKINS They can’t be that bad.
KIDS SIX OF THE HERDMANS ARE LIKE SIXTY OF US THEY BULLY LITTLE CHILDREN THEY SPIT AND THEY CUSS
BOYS
THEY PULL DOWN YOUR GYM SHORTS
GIRLS LOOK UP YOUR DRESS
KIDS WHEN THEY LEAVE A CLASSROOM, IT’S ALWAYS A MESS WHY US WHAT DID WE DO TO THEM WHY US HOW WILL WE GET RID OF THEM HELP PLEASE THERE’S GOT TO BE A WAY
For perusal purposes only.
KIDS (CONT’D) TO RUN THE HERDMANS OUT OF TOWN TO SOMEPLACE FAR AWAY
REVEREND HOPKINS
NOW, CHILDREN THAT’S TOO MUCH THOSE KIDS CAN’T HELP THEMSELVES THEIR MOTHER WORKS SO HARD SHE’S NEVER HOME THEY’RE ALL ALONE
(REVEREND HOPKINS turns to HELEN in hopes she’ll stop the children’s complaining...instead she leads the CHURCH LADIES in agreement)
HELEN You’re so right.
THOSE POOR LITTLE DEARS THEY’RE A TERRIBLE CREW
CHURCH LADIES THE PLACE THEY LIVE IN’S NOT A HOUSE IT’S MORE LIKE A ZOO
HELEN BLESS THEIR HEARTS MUST THEY RUN WILD IN THE STREET WHY CAN’T THEY BE POLITE WHY DO THEY CUSS, LIE, AND CHEAT
CHURCH LADIES BLESS THEM THEY’RE A ROWDY BUNCH DEAR LORD TELL THEM IT’S NOT NICE TO PUNCH PLEASE, PLEASE WILL SOMEONE CALM THEM DOWN BEFORE THOSE LITTLE HERDMANS MAKE A MESS OF OUR TOWN
KIDS & CHURCH LADIES YES OH YES THEY REALLY MAKE A MESS YES OH YES IT’S SUCH A MESS
(the church now opens to reveal the town and the HERDMANS… IMOGENE is pushing a grocery cart filled with stolen Christmas decorations and HERDMANS are riding on the cart and running alongside it)
For perusal purposes only.
IMOGENE Wee! Ride ’em, cowboy!
OLLIE Wait for me, Imogene!
IMOGENE Yer slower than molasses!
RALPH Another Rudolph!
CLAUDE Gimme the nose!
LEROY No! Give it to me!
RALPH Cut it out!
GLADYS That nose is mine!
OLLIE (jumps on the cart)
Go fast, Imogene!
HERDMANS WE’RE THE HORRIBLE HERDMANS AN UNBEATABLE SQUAD
IMOGENE I’m Imogene!
RALPH I’m Ralph!
LEROY I’m Leroy!
CLAUDE I’m Claude!
RALPH, IMOGENE, LEROY, & CLAUDE. HERE’S OLLIE AND GLADYS
OLLIE & GLADYS WE’RE SMALL BUT WE’RE MEAN
For perusal purposes only.
HERDMANS (without GLADYS)
JUST ONE BITE FROM GLADYS CAN SURE MAKE YOU SCREAM
CHURCH PEOPLE & KIDS AND NOW THAT IT’S CHRISTMAS LOOK WHAT THOSE KIDS HAVE DONE
HERDMANS WE LASSOED ALL THE REINDEER IN THE TOWN AND PULLED THEM DOWN
RALPH I WRAPPED UP ELMER HOPKINS
ELMER Dad!
RALPH LIKE A CHRISTMAS TREE IN A STRING OF RED LIGHTS
ELMER Help!
REVEREND HOPKINS Elmer!
LEROY RALPH, GRAB THE CANDY CANES WE’LL HAVE A BIG SWORD FIGHT
(they sword fight with candy canes while ELMER struggles to get loose…GLADYS runs on with Frosty’s snowball “head” and a carrot…the other two snowballs are being tossed around by the other HERDMANS)
GLADYS I PLUCKED OUT FROSTY’S EYES STUCK A CARROT IN HIS CHEST
(the CONGREGATION surrounds the HERDMANS as they sing to each other in the street…REVEREND HOPKINS tries to untie his son, ELMER)
KIDS, CHURCH LADIES & PARENTS SOMEONE OUGHTA MAKE A CITIZEN’S ARREST
For perusal purposes only.
REVEREND HOPKINS YES OH YES A CITIZEN’S ARREST
KIDS, CHURCH LADIES & PARENTS YES OH YES A CITIZEN’S ARREST THE HORRIBLE HERDMANS HAVE RUINED OUR TOWN
(CLAUDE and OLLIE roll out shopping cart with plastic Santa in clown mask and wig)
CLAUDE & OLLIE WE DRESSED UP THE SANTA TO LOOK LIKE A CLOWN
PARENTS THEY’RE A NATURAL DISASTER
KIDS & PARENTS A PLAGUE
CHURCH LADIES, KIDS & PARENTS A STAMPEDING HERD
(HERDMANS pose with stolen Christmas stuff on the cart, raising big candy canes) [SFX: Siren in distance]
MAN (V.O.) Someone set the Stampers’s shed on fire!
WOMAN (V.O.) Who did it?
MAN (V.O.) The Herdmans, who else!
ALL HERDMANS THEY ARE THE WORST KIDS WE ARE THE BEST KIDS IN THE HISTORY IN THE HISTORY OF THE WORLD OF THE WORLD
TRACK 3 #2A HORRIBLE PLAYOUT
For perusal purposes only.
SCENE 2 THE BRADLEY HOME
(Home is decorated for Christmas…there is a dining table, chairs, and poinsettia centerpiece…GRACE is either setting the table with TV dinners or she runs in as the doorbell rings) [SFX: doorbell ringing and ringing and ringing]
BOB (offstage)
Grace! Grace!
GRACE Bob! Stop ringing the doorbell. People will think I locked you out.
BOB (offstage)
I need your help. I can’t open the door.
(GRACE opens door offstage or, depending on the set, onstage)
GRACE Come inside.
(BOB enters, carrying a briefcase, a bag of ice cream, and a newspaper under his arm)
BOB I tried to call but you weren’t home. I bought dessert.
GRACE Ice cream! You’re a saint.
(kisses him…takes ice cream to kitchen)
GRACE We’re having TV dinners.
BOB Again?
GRACE You won’t believe what happened today.
(CHARLIE enters)
CHARLIE Claude Herdman brought his cat to show-and-tell.
For perusal purposes only.
(Setting table, GRACE hands silverware or napkins or plates to CHARLIE to help)
GRACE It was a disaster.
CHARLIE You should have seen it, Dad. The Herdman’s cat shot out of his box and clawed four big long scratches all the way down the blackboard.
BOB Wow.
CHARLIE Then it started scratching kids, and shedding fur, and scattering books and papers everywhere.
BETH (entering)
All the kids were running up and down the halls screaming.
GRACE (handing BETH napkins or glasses for the table)
Here, Beth. Put this on the table.
CHARLIE Then Miss Brandell pulled a coat over her head, grabbed a broom and started swinging and yelling, “Here, kitty-kitty.”
BOB Wish I’d seen that!
GRACE Unfortunately, she broke the aquarium full of sixty goldfish and twenty gallons of water.
(GRACE either exits to get TV dinners or gets them from the sideboard)
CHARLIE It was like a tidal wave.
BETH The Herdman’s cat gobbled up the goldfish, glass and all.
CHARLIE Then it swallowed Ramona Gaffey’s pet hamster—
For perusal purposes only.
BETH & CHARLIE —whole!
BOB What did Ramona do?
BETH She cried so much they had to send her home.
BOB What happened to the Herdman kid?
CHARLIE Nothing. Nothing ever happens to them.
BOB I’ve seen that cat before. Mrs. Herdman walks it on a chain down by the railroad tracks. It’s missing an eye and has that short leg and broken tail.
GRACE The postman thinks it’s a bobcat.
(GRACE puts TV dinners down during the next few lines)
BOB I don’t think you can tame a bobcat.
CHARLIE The Herdmans don’t want to tame it. They just want to make it the meanest cat on the planet.
GRACE Well, I was called in to administer first aid. Then the whole class, including Miss Brandell, was given recess for the rest of the day.
BOB That’s much more exciting than selling insurance.
(CHARLIE and BETH rip foil off their dinner trays)
CHARLIE TV dinners! All right!
(CHARLIE checks out BETH’s and sticks his fork in her dessert)
BETH Charlie, stop! Mom!
For perusal purposes only.
GRACE Charlie Bradley, that’s Beth’s dinner.
CHARLIE I’m starved. Leroy Herdman stole my lunch.
GRACE Again? That’s the third day in a row.
CHARLIE Fourth.
GRACE That’s it! I’m talking to the principal about those Herdmans. They’re a menace.
CHARLIE Please don’t! Ralph would kill me.
GRACE Somebody has to take a stand. They’re bullying everyone.
BOB Who’s Ralph?
CHARLIE Leroy’s brother. He’s mean.
BETH But not as mean as Imogene.
CHARLIE They’re all mean!
BETH And now that Christmas is coming, the Herdmans are getting meaner than ever.
GRACE Christmas!
(leaps up from chair to get flyer) I almost forgot.
BOB Beth, can’t you help Charlie out in the lunchroom?
BETH Me?
BOB You’re the older sister.
For perusal purposes only.
CHARLIE Dad, that’s even worse. Don’t worry. I’ll handle it.
GRACE (reentering with flyer)
This flyer was in the church newsletter. Helen Armstrong is holding auditions for the Christmas pageant this Sunday.
BOB Not anymore she isn’t.
GRACE What are you talking about?
BOB I ran into Ed Armstrong. Helen fell on the ice.
GRACE Oh, no!
BOB She’s in the hospital.
CHARLIE Hooray!
BETH We don’t have to do the pageant!
GRACE That’s terrible.
(swats at them with towel or hand) Someone else will just have to direct the pageant.
CHARLIE Can’t we just stay home this year?
BETH Yeah, and watch Mr. Magoo’s Christmas Carol on TV!
BOB Sounds good to me.
[SFX: phone ring]
GRACE No one’s staying home, and no one’s watching Mr. Magoo.
[SFX: phone ring]
For perusal purposes only.
BETH But it’s just going to be the same old thing. Alice Wendleken will play Mary.
CHARLIE Elmer Hopkins will play Joseph.
[SFX: phone ring]
BOB And I’ll have to go.
For perusal purposes only.
SCENE 2A
THE BRADLEY HOME / HELEN’S HOSPITAL ROOM
(lights up on HELEN in her hospital room with leg and arm in traction and head wrapped in bandage…the CHURCH LADIES [BETTY, CONNIE, LUANNE] are huddled together around Helen’s bed, making assignments…BETTY holds the phone for HELEN)
GRACE Hello?
TRACK 4 #3 COUNTIN’ ON YOU
HELEN GRACE WE HAVE A SITUATION HERE
GRACE Helen?
HELEN A CRISIS DO I MAKE MYSELF CLEAR I SHATTERED MY LEG AND ARM
GRACE No!
HELEN YES, I NEARLY BOUGHT THE FARM AND NOW I’M IN THE HOSPITAL AND I NEED YES I NEED YOUR HELP MY DEAR
GRACE Of course! What can I do?
HELEN Direct the Christmas pageant.
For perusal purposes only.
GRACE Me? Direct? What about Betty?
BETTY Sorry honey.
GRACE Or Luanne?
LUANNE No can do.
GRACE Or Connie?
CONNIE My dance card is full.
TRACK 5 (the family makes frantic “Don’t do it!” gestures as the CHURCH LADIES gather around the phone singing into it like a girl group at a microphone)
CHURCH LADIES WE’RE COUNTIN’ ON COUNTIN’ ON YOU GRACE IT’S A ROLE THAT THE THREE OF US CAN’T FACE NOW IT’S UP TO YOU TO DO THAT PLAY BESIDES WE TOOK THE OTHER JOBS YOU HAVE TO SAY OKAY
BETTY A JOB LIKE THIS IS OH SO EASY
CONNIE A PIECE OF CAKE
LUANNE IT’S A BREEZE
CHURCH LADIES LITTLE KIDS DRESSED UP LIKE LITTLE ANGELS WHAT COULD GO WRONG
GRACE Everything!
(CHARLIE and BETH tug on their MOM, pleading)
For perusal purposes only.
CHARLIE No, Mom!
BETH We’re begging you! Don’t do it.
CHARLIE That pageant’s never any fun.
BOB For them…or me.
GRACE Don’t worry; I’m not going to direct the play.
[SFX: doorbell]
GRACE I’ll take the auction.
(door opens…CHURCH LADIES are standing in the doorway)
CHURCH LADIES No way!
WE’RE COUNTIN’ ON COUNTIN’ ON YOU GRACE YOU’RE THE ONLY ONE TO EVER REPLACE OUR HELEN CAN’T YOU SEE IT’S TRUE NOBODY ELSE CAN DO IT QUITE LIKE YOU-OO
GRACE WAIT THAT JOB TAKES REAL TALENT
LUANNE YES IT TAKES NERVES OF STEEL
BETTY AND GUTS AND HEART AND ALL THOSE SKILLS
CONNIE YOU’RE THE ONE TO GET US UP THAT HILL
CHURCH LADIES WE’RE COUNTIN’ ON COUNTIN’ ON YOU GRACE
GRACE PLEASE DON’T I COULD NEVER REPLACE OUR HELEN I DON’T HAVE A CLUE
For perusal purposes only.
CHURCH LADIES WE DREW STRAWS SO IT HAS TO BE YOU-OO
KIDS No!
(KIDS push CHURCH LADIES out the door…they return, walking in time to music, back to HELEN)
KIDS WE’RE COUNTIN’ ON COUNTIN’ ON YOU MOM CAN’T YOU SEE IT’S GONNA BE A BIG BOMB WE MEAN IT MOM, JUST SAY NO ’CAUSE IF YOU DO THE PLAY WE WON’T GO-OH
GRACE What?! Bob, talk to them.
BOB Oh, no! I’m with the kids. If you do the pageant, then we’re all doing the pageant.
KIDS And we don’t want to do the pageant!
GRACE Well, if that’s how everyone feels—
(HELEN’s bed is turned to face the Bradley home--by a CANDY STRIPER, who’s been holding the phone up to her ear-- or CHURCH LADIES…music stops)
HELEN (into phone)
Not everyone.
TRACK 6 (music begins again…CHURCH LADIES move HELEN’s bed as she sings…they all end up in a general musical comedy area between Helen’s hospital area and the Bradley home)
HELEN GRACE LET ME MAKE ONE THING QUITE CLEAR IT IS ALL YOUR FAULT I’M HERE
GRACE You’re kidding.
For perusal purposes only.
HELEN REMEMBER WHEN YOU SAID YOU’D HELP ME LOAD THE VAN YOU NEVER SHOWED AND HERE I AM
(GRACE gasps in realization)
HELEN You owe me.
TRACK 7
CHURCH LADIES & HELEN WE’RE COUNTIN’ ON COUNTIN’ ON YOU GRACE
BOB & KIDS YOU SHOULD HAVE SAID NO IN THE FIRST PLACE
CHURCH LADIES & HELEN YOU’RE THE ONE WHO HAS TO DO THIS SHOW
GRACE GUYS DON’T YOU SEE I CAN’T SAY NO
(CHURCH LADIES move HELEN out of general area during the next lines, leaving the BRADLEYS by themselves)
CHURCH LADIES & HELEN WE KNEW GRACE
KIDS Aw, Mom!
CHURCH LADIES & HELEN WE COULD COUNT ON YOU GRACE
BOB Really, honey?
CHURCH LADIES & HELEN WE COULD COUNT ON YOU
(as they sing the last refrain GRACE hangs up phone)
GRACE Well that’s it. We’re doing the pageant and auditions are Sunday.
(groan from the KIDS)
For perusal purposes only.
BOB Does that mean I have to go?
GRACE, CHARLIE & BETH Yes!
TRACK 8
TRACK 9 #3A COUNTIN’ PLAYOUT
[SFX: school bell]
For perusal purposes only.
SCENE 3
SCHOOL LUNCHROOM
(KIDS are eating lunch and chattering)
IVY Alice, I heard Beth’s mom is directing the pageant. Has she ever directed a play?
ALICE No, but Mother said we don’t have to worry—Mrs. Armstrong will be giving Mrs. Bradley orders from the hospital.
IVY Mrs. Bradley knows you always play Mary, right?
ALICE I’m sure Mrs. Armstrong will tell her. Oh, there she is.
(BETH enters)
ALICE Beth! Come sit by me and Ivy.
BETH Did you hear? Mrs. Armstrong is in the hospital.
IVY It’s all over school.
ALICE I’m so excited your mom’s going to direct. Now you can be the leader of the angel choir, which is perfect for you!
BETH You really think so? I can barely read music.
ALICE But you just look so angelic. And besides, as Mary, I like to know I have someone I can count on to lead the younger angels in and out and tell them to be quiet when I’m onstage with Baby Jesus.
IVY It’s the shepherds you have to worry about. They’re always whamming each other with their canes.
ALICE That’s true, Ivy, but don’t you think Beth should play the lead angel?
For perusal purposes only.
IVY Of course, Alice!
BETH Don’t worry, Alice. I don’t want to play Mary.
ALICE Beth! I didn’t even think—
BETH You have to play Mary. You’re smart, and neat, and well, so holy-looking.
ALICE (feigning modesty)
I’m not really. But if you really believe that…
IVY & BETH You’re perfect!
TRACK 10 #3B HERDMAN ENTRANCE
(ELMER rushes in, then runs to join CHARLIE)
ELMER The Herdmans are coming!
ALL KIDS (panicked whisper)
The Herdmans!
IVY (to her friends)
Quick, eat your dessert.
(the HERDMANS appear and pose in the doorway of the cafeteria, punctuated by cymbal crash)
RALPH Well lookee here.
(as each HERDMAN kid identifies a food item, the good KIDS clutch the item to their chests or try to eat it fast)
For perusal purposes only.
IMOGENE I smell something good!
LEROY Ham and cheese!
CLAUDE Peanut butter!
OLLIE Fritos!
GLADYS Chocolate milk!
RALPH What are we waiting for? Let’s go shopping!
TRACK 11 #3C HERDMAN SHOPPING
(the HERDMANS dance through the cafeteria like a swarm of locusts…when they move on from each kid, the victims look like they’ve been mugged)
RALPH Gimme that.
CLAUDE That’s mine!
OLLIE Mine!
LEROY Mine!
GLADYS Yes!
(the group surrounds TEDDY)
IMOGENE Fork it over, Teddy.
For perusal purposes only.
TEDDY What?
IMOGENE You know what.
(TEDDY gives her his lunch)
IMOGENE All of it.
TEDDY (shaking his head back and forth)
No!
(IMOGENE slams his head in his lunch box)
TEDDY Okay. Here.
IMOGENE Nice.
(the HERDMANS huddle together to inspect their plunder)
LEROY (to OLLIE)
What’d you get?
OLLIE Get away from me.
RALPH Ollie, show it. Now.
(OLLIE pulls a smashed food packet out of his torn coat pocket)
GLADYS A Hostess cupcake? Give it here.
OLLIE No. It’s mine.
IMOGENE Let him have it, Gladys. You can have some of Sally Martin’s cake from her birthday party.
For perusal purposes only.
CLAUDE How’d you get that?
IMOGENE She gave it to me, just so I wouldn’t go.
(CHARLIE has passed out some carrot sticks but is hoarding his dessert)
LEROY Wait a minute! Charlie’s mom always packs those Rice Crispie Treats.
CHARLIE Oh no!
BETH Charlie, look out!
HERDMANS (circling CHARLIE)
Come on, Charlie … CHARLIE
Back off!
TEDDY You’re surrounded.
HERDMANS Cough it up!
ELMER Run, Charlie, run!
CHARLIE Nooooo!
TRACK 12 #4 TAKE MY LUNCH
CHARLIE I can’t take it anymore!
(KIDS are IVY, ALICE, BETH, TEDDY, and ELMER)
CHARLIE WANT MY LUNCH JUST TAKE IT
For perusal purposes only.
CHARLIE (CONT’D) HERE’S THE BAG GO BREAK IT WILL I CARE NO WAY IT’S JUST A P-B-J SO TAKE MY BAG OF CHIPS OR HAVE A GREAT BIG SIP OF CHOCOLATE MILK OR MAYBE APPLE JUICE IS WHAT YOU NEED
RALPH Careful! It’s a trap!
CHARLIE WHY STOP AT LUNCH YOU KNOW I HAVE A HUNCH YOU WANT MY HOMEWORK TOO OR WOULD YOU LIKE MY SHOES MY SHIRT’S ABOUT YOUR SIZE AND HERE’S THE REAL BIG PRIZE IT’S MY BIKE IF YOU LIKE I DON’T CARE ’CAUSE I’VE GOT A SPECIAL PLACE WHERE I WON’T HAVE TO SEE YOUR FACE AND I CAN HAVE ANYTHING I PLEASE ICE CREAM COOKIES CUPCAKES TWINKIES BY THE BUNCH AND HAWAIIAN PUNCH
IMOGENE What is this place?
CHARLIE KIDS MY SUNDAY SCHOOL SUNDAY SCHOOL IT’S SO VERY COOL CHARLIE HERDMANS MY SUNDAY SCHOOL SUNDAY SCHOOL
CHARLIE YOU KNOW, I START TO DROOL JUST THINKIN’ ABOUT THOSE TREATS THEY MAKE FOR US TO EAT
For perusal purposes only.
CHARLIE KIDS & HERDMANS AT SUNDAY SCHOOL SUNDAY SCHOOL
CHARLIE WHERE THE KIDS ALL RULE HERDMANS KIDS YOUR SUNDAY SCHOOL SUNDAY SCHOOL
RALPH YOU REALLY GET FREE FOOD
IMOGENE LIKE CHERRY COKES WITH ICE
CHARLIE AND PIZZA BY THE SLICE
BETH & CHARLIE SO TAKE MY LUNCH
CHARLIE IT’S MY TREAT
ELMER, ALICE, BETH & CHARLIE TAKE MY LUNCH
CHARLIE I REPEAT
KIDS UNDERSTAND THAT WE’VE GOT BETTER PLANS THAN JUST TO EAT AND RUN IT’S REALLY LOTS OF FUN IN OUR OWN SPECIAL PLACE WHERE WE WON’T SEE YOUR FACE KIDS HERDMANS AT SUNDAY SCHOOL SUNDAY SCHOOL
CHARLIE IT’S SO VERY COOL
For perusal purposes only.
CHARLIE KIDS MY SUNDAY SCHOOL SUNDAY SCHOOL IT’S REALLY KIND OF CRUEL THAT YOU AND ALL YOUR KIN WON’T EVER BE LET IN
KIDS WON’T EVER BE LET IN
(the KIDS shout at the HERDMANS and offer their lunches or throw them at them)
CHARLIE SO TAKE MY LUNCH
ALICE NO TAKE MINE
ELMER TAKE MY LUNCH
TEDDY & BETH NO TAKE MINE
CHARLIE & KIDS UNDERSTAND THAT WE’VE GOT BETTER PLANS WE’RE OFF TO SUNDAY SCHOOL
HERDMANS THAT’S WHERE THE KIDS ALL RULE
CHARLIE AND THE BEST PART OF ALL
CHARLIE & KIDS BEST PART OF ALL
CHARLIE BEST PART OF ALL
KIDS THERE ARE NO
For perusal purposes only.
CHARLIE & KIDS HERDMANS THERE AT ALL
RALPH So when is this Sunday school?
ALICE Sunday. Duh.
LEROY (grabs CHARLIE’s lunch)
See you there, loser!
(HERDMANS exit.)
BETH Charlie Bradley! What have you done?
TRACK 13 #4A TAKE MY LUNCH TRANSITION
For perusal purposes only.
SCENE 4 HELEN’S HOSPITAL ROOM
(lights up to reveal HELEN in her hospital bed…next to her bed is a giant bulletin board that looks like a CSI/Homeland board with strings connecting pictures of Jesus, Mary and Joseph, Elmer and Alice…HELEN gives GRACE the official Christmas pageant overstuffed notebook and then uses a pointer to describe the auditions…GRACE is anxious to leave)
HELEN Don’t be nervous, Grace. Just start the auditions with Mary. Tell the kids how important she is because Mary was the mother of Jesus.
GRACE I know that, Helen.
HELEN Then move on to Joseph. You can tell them God chose Joseph to be Jesus’s dad. But don’t spend too much time on that subject. It can be confusing. Besides Elmer is always Joseph. He knows all about Mary and Joseph.
GRACE But we’re holding auditions. All parts are available.
HELEN Right. And don’t let the Wise Men stand next to the shepherds. They always start hitting each other.
GRACE Helen, I really have to get to the church.
HELEN The angels should not wear makeup or earrings or high heels.
GRACE I’m going, Helen.
HELEN And the baby angels are going to be your biggest problem. Someone has to push them on.
GRACE I mean it.
HELEN Bob could help.
GRACE Very funny. Bye, Helen.
For perusal purposes only.
(GRACE exits)
HELEN (calling after her)
And absolutely no live animals!
TRACK 14 #4B PERFECT LITTLE TOWN TRANSITION
For perusal purposes only.
SCENE 5 CHURCH—AUDITION DAY
(the HERDMANS stand outside the bathroom door at church…wall is decorated with pictures of Jesus…a sign on the wall reads “AUDITIONS FOR THE PAGEANT TODAY”)
IMOGENE So, this is what a church looks like.
GLADYS It’s not that scary.
CLAUDE Where’s the bell?
LEROY Where’s the people?
OLLIE I wanna ring that bell.
RALPH I don’t see any Twinkies.
IMOGENE Me neither.
LEROY Charlie Bradley lied to us.
(ALICE enters)
IMOGENE Hey, Alice! Where are the snacks?
ALICE We’re having Kool-Aid and cookies after the auditions for the pageant, if that’s what you mean.
CLAUDE What’s a pageant?
ALICE It’s a play.
IMOGENE What’s it about?
For perusal purposes only.
ALICE Jesus.
IMOGENE (checking out the church)
Everything here is.
ALICE And it’s about Mary. Mostly it’s about Mary.
IMOGENE Who’s Mary?
ALICE I am. I mean, probably I am. I know the part. And she is the star of the show.
(ALICE exits into the bathroom)
IMOGENE We’ll see about that.
(IMOGENE puts cigar in mouth and grins, as HERDMANS follow ALICE into the bathroom…last one in checks to make sure no adults are following…we hear intense murmuring)
TRACK 15 #4C HORRIBLE TRANSITION
(lights up on center stage)
For perusal purposes only.
SCENE 5A
CHURCH REHEARSAL ROOM
(the KIDS are seated on the floor facing GRACE, who’s giving instructions about the rehearsals, costumes, and auditions in front of a chalkboard full of information...TEDDY keeps frantically raising his hand)
GRACE Okay, kids. Here are the rules of engagement. We have three rehearsals so you have to come to every one. Teddy?
TEDDY What if we get sick?
GRACE You won’t get sick. Which brings me to the lead roles. If you want to be Mary or Joseph you really have to come to every rehearsal. Teddy?
TEDDY What if they get sick?
GRACE They won’t get sick. We’ll be casting those roles today. But remember, all parts are important.
(ALICE enters…she is red-faced and clearly upset…sits down next to IVY)
GRACE Now who would like to play Mary?
(KIDS all look at ALICE)
GRACE Alice?
ALICE (shakes her head and stares at her lap)
No, I don’t want to. No.
GRACE But you always play Mary.
ALICE No!
For perusal purposes only.
TRACK 16 #4D HERDMAN ENTRANCE II
(IMOGENE and the rest of the HERDMANS enter)
CHARLIE (whispers)
Mom! Bad news.
GRACE Why look…it’s the Herdmans.
(the KIDS quickly move to the opposite side of the room, giving the HERDMANS space…TEDDY raises his hand frantically)
TEDDY Mrs. Bradley. Mrs. Bradley!
GRACE What is it, Teddy?
TEDDY I’m gonna be sick.
TRACK 17 #5 HEY MRS. BRADLEY!
IMOGENE HEY MISSUS BRADLEY I WANNA BE IN THE SHOW
HERDMANS HERE’S HOW IT’S GONNA GO
IMOGENE SINCE MARY IS THE STAR I’M GONNA HAVE THAT PART MISSUS BRADLEY
IMOGENE & HERDMANS MISSUS BRADLEY
For perusal purposes only.
IMOGENE PUT ME INTO THE SHOW
KIDS UH-OH WHY WOULD YA WANNA DO IT OH NO YOU’RE GONNA RUE IT
IMOGENE HEY MISSUS BRADLEY RALPH WANTS TO BE IN THE SHOW
HERDMANS HERE’S HOW IT’S GONNA GO
IMOGENE HE WANTS TO BE COOL NOT LOOK LIKE A FOOL MISSUS BRADLEY
IMOGENE & HERDMANS MISSUS BRADLEY
IMOGENE PUT ’IM INTO THE SHOW
KIDS THIS IS BAD IT’S REALLY GONNA HURT US IT’S GONNA BE A THREE-RING CIRCUS
GRACE NOW’S THE TIME FOR ONE OF YOU TO STAND UP LAST CHANCE, WON’T SOMEONE PUT THEIR HAND UP COME ON ALICE ELMER BETH OR TED
KIDS SORRY MISSUS BRADLEY BUT WE’D END UP DEAD
GRACE Well, we need someone to play Mary’s husband Joseph.
For perusal purposes only.
IMOGENE That’s Ralph.
BETH (upset)
Mom!
GRACE Or he could be one of the Three Wise Men.
ALICE & IVY (aghast)
Mrs. Bradley!
OLLIE, LEROY & CLAUDE That’s us.
(group groan filled with “oh no’s”)
GRACE I almost forgot—there is the Angel of the Lord who appears with a message for the shepherds.
ALICE (squeezing her eyes shut)
Not Gladys. Anybody but Gladys.
GLADYS HEY MISSUS BRADLEY I WANNA BE IN THE SHOW HERE’S HOW IT’S GONNA GO I WANNA BE THAT ANGEL THING WITH THE BIG PINK WINGS MISSUS BRADLEY MISSUS BRADLEY PUT ME INTO THE SHOW
KIDS THIS IS BAD A FEDERAL DISASTER GONNA HAUNT US NOW AND EVER AFTER OOOH
ALICE HEY MISSUS BRADLEY I CAN’T BE IN THE SHOW
For perusal purposes only.
TEDDY I REALLY HAVE TO GO.
GRACE What?
IVY MY FAMILY’S LEAVING TOWN
ELMER TOO BAD WE HAVE TO LET YOU DOWN
KIDS MISSUS BRADLEY MISSUS BRADLEY WE CAN’T BE IN THE SHOW
GRACE & HERDMANS NO ONE
GRACE IS GONNA QUIT THIS PAGEANT
GRACE & HERDMANS NO ONE
GRACE IS GONNA LEAVE THIS TOWN NO ONE WILL HAVE A CONFLICT EVER NO ONE IS GONNA LET ME DOWN
(good KIDS all frantically wave their hands to be called on)
ALICE BUT MISSUS BRADLEY TRACK 18
KIDS MISSUS BRADLEY
GRACE YOU’RE ALL IN THE SHOW
For perusal purposes only.
TRACK 19 #5A MRS. BRADLEY PLAYOUT
(KIDS run off as GRACE moves bulletin board off…ALICE pulls BETH downstage)
ALICE Why did your mother let the Herdmans take over our pageant?
BETH Why didn’t you speak up? I thought you wanted to play Mary.
ALICE Imogene told me she was playing Mary and if I even opened my mouth, she would get a pussy willow and jam it so far into my ear it’d come out the other side.
BETH You know she wouldn’t do that.
ALICE She would too! Remember when Ollie had that plant growing in his ear? Ralph did that to him.
BETH They beat on each other all the time, but they wouldn’t do that to you.
ALICE Herdmans will do anything. To anybody. None of us are safe. Your mom should have thrown them out of the room.
BETH Well, that’s just mean.
ALICE Those Herdmans are going to ruin our pageant. And it’s all your mother’s fault!
BETH Alice!
ALICE Wait till Mrs. Armstrong hears about this.
TRACK 20 #5B PROBLEM TRANSITION
For perusal purposes only.
SCENE 6 PHONE TREE AREAS
(HELEN is still in traction in hospital…pinspots come up on individual CHURCH LADIES as they talk to each other on the phone tree)
HELEN WHAT?! Where did they come from? Who let them in?
CONNIE Grace! She just let them take over.
LUANNE And Imogene Herdman is playing Mary?
BETTY Yes. Can you believe it?
LUANNE She’s the mother of Jesus, for Pete’s sake!
CONNIE Where was Reverend Hopkins, I’d like to know?
BETTY He was visiting shut-ins.
HELEN I’m a shut-in. He wasn’t visiting me. Something has to be done about this!
(HELEN starts dialing)
TRACK 21 #6 PROBLEM
[SFX: phone ring]
GRACE Hello?
HELEN PROBLEM WE’VE GOT A PROBLEM GRACE YOU’RE MAKING A MESS OF MY SHOW
GRACE Oh no!
For perusal purposes only.
HELEN OH YES HOW COULD YOU CAST THOSE HERDMANS THAT KIND OF THING WON’T GO YOU CAN’T DEPEND ON THOSE KIDS IT’S AN INDISPUTABLE FACT BUT HOW COULD YOU HAVE KNOWN MY DEAR YOU CAN’T BE BLAMED FOR THAT
GRACE Blamed?
HELEN GRACE YOU MUST REPLACE THEM IT’S THE CHRISTIAN THING TO DO IF NOT THEY’LL LOOK LIKE FOOLS WHEN THEY DON’T COME THROUGH
GRACE WHAT ABOUT THEIR FEELINGS AFTER SUCH A BLOW
HELEN TRUST ME I’M A DIRECTOR THEY—MUST—GO
(hangs up phone)
GRACE Helen? Helen?
TRACK 22 #7 BASKETS FOR THE NEEDY
For perusal purposes only.
SCENE 7 THE CHURCH
(CHURCH LADIES and REVEREND HOPKINS at church preparing food baskets)
REVEREND HOPKINS & CHURCH LADIES BASKETS FOR THE NEEDY BASKETS FOR THE POOR FOOD ENOUGH FOR TWENTY AND A LITTLE MORE SANTA BRINGS THEM TREASURES WE DELIVER JOY EACH ONE PACKED WITH OUR LOVE AND A LITTLE TOY
(REVEREND HOPKINS ducks out of sight, or out of the room, to get more supplies)
LUANNE WHAT’S THE MATTER WITH GRACE
CONNIE SHE MUST BE OUT OF HER MIND
BETTY PUTTING THOSE KIDS IN THE PLAY
REVEREND HOPKINS (pops his head in)
PERHAPS SHE WAS BEING KIND. (exits)
LUANNE HAVE YOU SEEN THOSE KIDS
BETTY YOU KNOW, THEIR MOTHER’S NEVER HOME
CONNIE I’M NOT SURPRISED, THEY’RE A PAIN
For perusal purposes only.
REVEREND HOPKINS (pops his head in)
THOSE KIDS ARE ON THEIR OWN (exits)
CONNIE WHAT HAPPENED TO THEIR FATHER
BETTY HE LEFT YEARS AGO
LUANNE HOPPED ON A FREIGHT NEVER LOOKED BACK
BETTY DO YOU BLAME HIM
CHURCH LADIES NO
(REVEREND HOPKINS reenters, joins CHURCH LADIES as they pack baskets)
REVEREND HOPKINS & CHURCH LADIES A BASKET FOR THE JOHNSONS A BASKET FOR THE KEENS MISSUS SANCHEZ COUNTS ON US AS DOES MISTER GREEN
REVEREND HOPKINS THIS ONE’S FOR THE HERDMANS SEVEN SOULS IN NEED WHO WOULD LIKE TO TAKE IT
LUANNE NOT ME
CONNIE NOT ME
BETTY NOT ME
For perusal purposes only.
REVEREND HOPKINS I see…
(music vamps as scene transitions…REVEREND HOPKINS exits and appears in HELEN’s room with a poinsettia)
For perusal purposes only.
SCENE 7A
HELEN’S HOSPITAL ROOM
HELEN Reverend! I’ve come up with a way to save the pageant.
REVEREND HOPKINS I didn’t know it was in need of saving.
HELEN Take the Herdmans out of the show and put them in concessions.
REVEREND HOPKINS We don’t sell concessions.
HELEN Then have them hand out programs.
REVEREND HOPKINS What programs? We’re putting all our money into baskets for the needy.
HELEN There must be a loophole. They’re not even members of our church.
REVEREND HOPKINS Maybe they’ll join.
HELEN If you’re trying to give me a heart attack, you’re doing a very good job.
REVEREND HOPKINS Then it’s a good thing you’re in the hospital.
(REVEREND HOPKINS punctuates line by putting potted plant in HELEN’s lap, then exits)
For perusal purposes only.
SCENE 7B
THE CHURCH
TRACK 23
(music transitions to CHURCH LADIES…lights out on Helen…CHURCH LADIES sing in a round as they tie bows on baskets)
BETTY, LUANNE & CONNIE BASKETS FOR THE NEEDY BASKETS FOR THE POOR FOOD ENOUGH FOR TWENTY AND A LITTLE MORE SANTA BRINGS THEM TREASURES WE DELIVER JOY EACH ONE PACKED WITH OUR LOVE AND A LITTLE TOY
BETTY Baskets go out next week.
CONNIE Music rehearsal for the pageant tonight.
LUANNE Why rehearse? This is going to be the worst Christmas pageant ever.
TRACK 24 #7A SILENT NIGHT TRANSITION
For perusal purposes only.
SCENE 8 CHURCH REHEARSAL ROOM—FIRST REHEARSAL
(GRACE is trying to teach songs to group…KIDS are holding sheet music…HERDMAN KIDS huddle together and make fun of “Silent Night…” they say “fart” and do fart sounds then pretend like they’re innocent until they get to the verse and then they…let ’er rip…GRACE blows pitch pipe and the kids sing the first word like angels)
KIDS & HERDMANS SILENT
HERDMAN BOYS FART
(fart sound)
KIDS HERDMANS
(HERDMANS louder than KIDS) HOLY DEADLY
HERDMAN BOYS FART
ALICE I’m telling!
HERDMANS SUCH A SMELL WILL STOP YOUR HEART
ALICE Mrs. Bradley!
(while the HERDMANS continue to sing and hold their nose and wave hands in front of their faces, GRACE interjects)
GRACE All right. All right. That’s some joke. Now come on. Come on.
HERDMANS COUGHING AND GAGGING, SEE THEM RUN EATING BEANS IS SO MUCH FUN
(GRACE claps to stop them)
GRACE Good. You’ve learned the tune. Now let’s sing it the right way.
For perusal purposes only.
(GRACE blows pitch pipe again but is interrupted)
RALPH Hey Mrs. Bradley. If this is a play, why aren’t we playing?
LEROY (shoves CHARLIE)
Tag! You’re it.
GRACE Leroy, don’t push.
GLADYS (running around the kids, hitting and kicking them)
No! Duck, Duck, Goose. Duck! Duck! Duck! Duck!
IMOGENE No! Red Light. Green Light.
GRACE We’re singing the Bell song.
OLLIE The dumbbell song!
CLAUDE That’s Ralph’s song.
RALPH Who you calling a dumbbell?
GRACE (blows whistle)
That’s enough. Over here. NOW!
(stunned, the KIDS quickly comply while ALICE, BETH, and IVY huddle off to the side, talking while GRACE either takes them offstage or arranges them in a chorus upstage)
ALICE It’s clear your mom can’t control the Herdmans. That’s what my mom said.
BETH What does your mom know? She’s not even here.
ALICE I tell my mom everything. I write it down.
For perusal purposes only.
BETH That’s pretty sneaky.
ALICE I’m not the sneak. Gladys is. At auditions she took three sips of communion wine.
BETH That’s just grape juice. Everybody knows that.
IVY But it belongs to the church.
TRACK 25 #8 MY MOTHER SAID
ALICE What about the kindergarten Happy Birthday bank?
BETH What about it?
ALICE I shook it and it doesn’t make a sound.
BETH So?
ALICE Last week it made a sound.
BETH What kind of person shakes the Happy Birthday bank?
ALICE A person who cares.
TRACK 26
KID VOICES (continue under)
DING-DONG DING-DONG
IVY MY MOTHER SAID HER MOTHER SAID YOUR MOTHER’S IN OVER HER HEAD
For perusal purposes only.
BETH YOUR MOTHER’S WRONG YOUR MOTHER TOO MY MOTHER KNOWS JUST WHAT TO DO
IVY MY MOTHER SAID
ALICE MY MOTHER TOO
ALICE & IVY YOUR MOTHER HAS NOT GOT A CLUE
BETH YOU TAKE IT BACK
ALICE WHY WHEN I’M RIGHT
(gestures to HERDMANS offstage) SHE PUT THEM IN JUST OUT OF SPITE
BETH THAT ISN’T TRUE MY MOM GAVE YOU ALL A CHANCE BUT YOU WENT AND TURNED SCAREDY-PANTS
ALICE GLADYS PUT A CRAYON IN HER POCKET AND YOUR MOTHER DIDN’T TRY TO STOP IT
BETH THAT’S SUCH A LIE
ALICE YOU KNOW IT’S TRUE
ALICE & IVY THERE’S NOT A THING YOUR MOM’LL DO
IVY SHE LET THEM TAKE ALL THE GOOD PARTS
ALICE WITHOUT A FIGHT
For perusal purposes only.
ALICE & IVY O.S. VOICES THAT WASN’T SMART DING DONG
BETH DON’T BLAME MY MOM IF YOU DING WENT AND LOST YOUR NERVE YOU’RE JUST GETTING WHAT YOU DESERVE
ALICE I THOUGHT WE WERE FRIENDS UNTIL TODAY
BETH FRIENDS WOULD NEVER SAY THE THINGS YOU SAY
ALICE O.S. VOICES THAT ISN’T FAIR DING
IVY WE REALLY CARE DONG
ALICE & IVY I NEVER SAID DING SHE NEVER SAID DONG YOUR MOTHER’S IN OVER HER HEAD DING DONG
IVY IT WAS HER MOM DING
ALICE THAT’S WHAT SHE SAID DONG
And my mom is never wrong.
KID VOICES DING DONG-DING DONG TRACK 27
(the girls stomp off…BETH, who is very upset, shouts to Mom, then exits)
BETH Mom! I need to talk to you!
For perusal purposes only.
TRACK 28 #9 PROBLEM—REPRISE
[SFX: phone ring]
For perusal purposes only.
SCENE 9
THE BRADLEY HOME / HELEN’S PHONE AREA
(GRACE is on the phone, surrounded by boxes of costumes…BOB carries more in…they are shepherd and angel costumes…HELEN is in wheelchair with phone)
HELEN PROBLEM WE’VE GOT A PROBLEM GRACE BUT I CAN SAVE THE SHOW
GRACE Oh, no.
HELEN OH YES THE ANSWER’S VERY SIMPLE JUST LET THE HERDMANS GO THOSE KIDS ARE NOTHING BUT TROUBLE YOU’VE MADE A BIG MISTAKE IT’S CLEAR THAT THIS WAS JUST TOO MUCH TO PUT UPON YOUR PLATE
GRACE Now, wait …
HELEN GRACE YOU MUST REPLACE THEM FOR THE TEAM THE CHURCH THE TOWN
GRACE I CAN’T I WON’T I NEVER WILL I WON’T BACK DOWN
HELEN GRACE DON’T YOU SEE YOU’RE RUINING MY SHOW
GRACE ARE YOU THE DIRECTOR I DON’T—THINK—SO
For perusal purposes only.
(GRACE hangs up)
HELEN Grace? Grace? Grace!!!
(GRACE marches over to BOB)
GRACE That Helen Armstrong makes me so mad!
BOB Why?
GRACE She’s turned everyone against me. Even the kids!
(CHARLIE enters with boxes)
CHARLIE Teddy’s mom heard about the way the Herdmans sang “Silent Night” and she wants to switch churches.
BOB You’re kidding!
GRACE See? They all say I should get rid of the Herdmans.
CHARLIE You should.
GRACE I can’t! It would hurt their feelings.
CHARLIE Why do you care about their feelings? They don’t care about ours!
(CHARLIE slams box down and exits)
BOB Charlie!
(to GRACE) Don’t mind him.
GRACE He’s right. They’re awful.
For perusal purposes only.
BOB The Herdmans?
GRACE Yes! Today Imogene locked herself in the bathroom and Teddy wet his pants.
BOB That’s not good.
GRACE And Leroy and Claude broke the steeple bell.
BOB Wow!
GRACE (getting more and more upset)
Ralph and Gladys stole all the cookies. And that tattletale Alice was in there writing everything down.
BOB They’re just kids. It’ll be okay.
GRACE No, it won’t! The Herdmans really are the worst kids in the history of the world!
(she collapses in chair)
TRACK 29 #10 MAYBE
BOB Honey? Are you okay?
GRACE I don’t know …
MAYBE THEY’RE RIGHT MAYBE IT’S TIME TO GIVE UP THE FIGHT MAYBE I’VE MADE THE BIGGEST MISTAKE MAYBE IT’S TIME TO PUT ON THE BRAKES
BOB MAYBE YOU’RE STRONG
GRACE BUT WHAT IF YOU’RE WRONG
For perusal purposes only.
BOB MAYBE YOU’VE BEEN RIGHT ALL ALONG
GRACE I’M REALLY AFRAID THOSE KIDS WON’T SHINE
BOB MAYBE JUST MAYBE IT’LL BE FINE DON’T YOU SEE GRACE IT ALL COMES FROM YOU GRACE YOU’RE THE GLUE GRACE
GRACE Oh, Bob …
BOB YES IT’S TRUE
GRACE MAYBE IT’S JUST A SMALL TOWN PLAY
BOB MAYBE THINGS WILL BE OKAY
GRACE MAYBE THOSE KIDS NEED SOMETHING NEW
BOB MAYBE WHAT THEY NEED IS YOU
GRACE (hugs him)
Maybe you’re the best husband ever.
BOB Does that mean I still have to go?
GRACE Yes.
(slams turban on his head) TRACK 30
#10A ANGEL TRANSITION
For perusal purposes only.
SCENE 10 CHURCH REHEARSAL ROOM—SECOND REHEARSAL
(the stage is strewn with boxes of costumes labeled “angel wings,” “shepherd robes,” and “animal ears...”BETH and ALICE and the good KIDS are giving the HERDMANS instructions)
BETH The shepherds always stand over here.
ALICE And Mary comes on from there.
BETH With Joseph. And the inn is offstage.
LEROY What’s an inn?
TEDDY It’s like a motel—
ELMER —where people go to spend the night.
CLAUDE What people? Jesus?
ALICE Oh, honestly! Jesus wasn’t even born yet. Mary was great with child.
RALPH Pregnant? Mary was pregnant!
ALICE Don’t say that!!
(lots of snickering…GRACE enters with boxes of stuff she pulled, followed by CHARLIE, who is helping her)
GRACE Okay, team, put a cork in it. We all know Mary was pregnant.
(GRACE exits to get more boxes)
ALICE I don’t think it’s nice to say “pregnant” in church.
For perusal purposes only.
BETH But Mary was.
ALICE I’m not even allowed to say “pregnant” out of church.
ELMER And this is the barn where Mary had her baby.
IVY She wrapped him in swaddling clothes and laid him in a manger—
CHARLIE —because there was no room for them at the inn.
IMOGENE They didn’t have room for Jesus?
ALICE Well, nobody knew the baby was going to become Jesus.
IMOGENE Didn’t Mary know? And what’s the matter with Joseph? Why didn’t he tell the innkeeper? I mean, my god, she was pregnant!
ALICE Stop saying that!
OLLIE What’s a manger? Some kind of bed?
(GRACE enters with more supplies)
GRACE They didn’t have a bed in the barn so they put him in the manger, which was a big feeding trough for the animals.
IMOGENE (outraged)
This is getting worse and worse!
ALICE On the word manger, the angels are supposed to sing.
(BETH, ALICE, IVY start humming “Away in a Manger”…enter CHURCH LADIES)
BETTY Hello, Grace, we wanted to pop in to see how it’s going.
For perusal purposes only.
GRACE What? Oh, we’re just getting started.
IMOGENE (continues to rant)
So Mary wrapped her baby in wadded-up clothes and stuffed him in a feedbox?
CONNIE It sounds like you could use some help.
(ALICE nods vehemently to her mother, CONNIE)
IMOGENE Where was her social worker?
GRACE I can handle it, Connie.
(to IMOGENE) They didn’t have social services in those days.
IMOGENE I guess not!
GLADYS The social worker is at our house every other week.
BETTY We’ll be in the kitchen making applesauce cake.
LUANNE Holler if you need anything.
GRACE (calls to LUANNE as they leave)
Don’t worry, I won’t.
RALPH What kind of story is this anyway?
GRACE It’s the Christmas story. Don’t you know the Christmas story?
(ALICE, BETH, and IVY stop humming)
LEROY Never heard of it.
(ANGELS and the other KIDS start whispering, “They don’t know the Christmas story”)
For perusal purposes only.
CLAUDE What’s the big deal?
BETH Do you think they really don’t know the Christmas story?
IVY I think they don’t.
ALICE Of course not. They’ve never been in a church in their life. They just came for the snacks, which your brother told them we had.
CHARLIE I said I was sorry.
GRACE Okay, then. Everyone come here for a moment.
(KIDS gather on floor around GRACE)
GRACE You see, Jesus is born and the Angel of the Lord—
GLADYS (raising fist in the air)
That’s me!
GRACE That’s right—and the angel tells the shepherds about it and they go visit.
BETH Then King Herod sends Three Wise Men to find baby Jesus.
IVY They follow a star that leads them to Jesus. Then they give him very special gifts.
LEROY Like what?
CHARLIE Gold, frankincense—
TEDDY --and myrrh.
CLAUDE What’s that?
For perusal purposes only.
GRACE A fragrant oil.
RALPH, IMOGENE & GLADYS Oil!?
IMOGENE What kind of cheapo king gives oil for a present?
OLLIE We get better stuff from the firemen.
ELMER It turns out that King Herod is an evil guy who is worried that Jesus will take over and become the king when he grows up.
TEDDY So he wants to kill baby Jesus.
IMOGENE My god, they’re gonna kill a baby?
ALICE Not the Wise Men. King Herod.
RALPH Is that true, Mrs. Bradley?
GRACE Well, yes, it is.
GLADYS Sounds like something straight outta Action Comics.
(KIDS all talk at once… “Did you hear that? Action Comics!” “Jesus isn’t a comic book character...” “Who says?”)
TRACK 31 #11 DIE HEROD DIE!
IMOGENE Shut up, everyone. Shut up!
(this song has sword fighting, pirate moves, lots of swash and buckle…GRACE tries to regain control of the situation and can’t)
For perusal purposes only.
IMOGENE I WANNA HEAR ABOUT THE BABY AND THE EVIL KING AND MARY AND JOSEPH AND THE ANGEL WITH WINGS
OTHER KIDS THE ANGEL HAD A MESSAGE TO DELIVER THAT NIGHT SHE GAVE THOSE SHEPHERDS A TERRIBLE FRIGHT
HERDMANS BUT WHAT ABOUT THE WISE MEN WHAT ABOUT THE KING WASN’T HE ABOUT TO DO A REALLY BAD THING
GLADYS SHAZAM SAID THE ANGEL WITH THE BIG PINK WINGS
GRACE What?
GLADYS I’VE GOT SOME NEWS AND I’M GONNA SING
ALICE Is she kidding?
GLADYS DIE HEROD DIE SHAZAM LOOK AT ME I’M THE ANGEL OF THE LORD DIE HEROD DIE KERPOW I CAN FLY LIKE AN EAGLE AND I GOT A BIG SWORD
ALICE She had a harp!
SHEPHERDS LOOK AT US WE WANNA FIGHT
BETH & GRACE Fight?
GLADYS FOLLOW ME SHEPHERDS STAY LOW AND TIGHT
ALICE Uh-oh.
HERDMAN BOYS BUT WHAT ABOUT THE WISE MEN WHO CAME FROM AFAR
For perusal purposes only.
KIDS THEY GOT ON THEIR CAMELS AND FOLLOWED THAT STAR
(KIDS are joining in…this is fun…GLADYS and the HERDMANS are tossing out weapons)
HERDMANS & KIDS DIE HEROD DIE SHAZAM DIE HEROD DIE KERPOW DIE HEROD DIE
RALPH (ready to destroy whoever it is)
Hey, who’s playing Herod?
GRACE He isn’t in the play.
LEROY He’s out to kill baby Jesus and he isn’t even in the play?
ALICE He’s never in the play.
IMOGENE Somebody better be Herod. Charlie—be Herod.
CHARLIE Nooooooo!
HERDMAN BOYS Hey, Herod!
BETTER WATCH OUT WE’RE COMING FOR YOU COME ON BOYS WE GOTTA JOB TO DO
GLADYS & IMOGENE TIME FOR SOME ACTION NO TIME TO BOAST
HERDMAN BOYS KERPOW SAID THE WISE MEN THAT GUY IS TOAST
CHARLIE I’m not Herod!
GRACE No one is going to be Herod.
For perusal purposes only.
ALL KIDS (EXCEPT CHARLIE) DIE HEROD DIE KER-SPLAT
CHARLIE They’re going to kill me!
GRACE There’s no Herod!
ALL KIDS (EXCEPT CHARLIE) DIE HEROD DIE TAKE THAT
BETTY Grace, what’s going on?
GRACE We’re rehearsing, Betty.
IMOGENE I’M GONNA HIDE THE BABY BURN DOWN THE INN
(IMOGENE puts her cigar in her mouth and heads for the kitchen door)
BOYS WE’LL TIE UP HEROD
CHARLIE & GRACE No!
BOYS TAKE HIM FOR A SPIN!
GLADYS ALL OF YOU ANGELS, RING THAT BELL IT’S TIME TO SEND HEROD STRAIGHT TO—
(GRACE claps hand over GLADYS’s mouth as CHARLIE yells)
CHARLIE H-E-E-E-L-L-L-L-L-P, Mom!
LUANNE Is that a cigar in Mary’s mouth?
GRACE No! What? Imogene put that out!
For perusal purposes only.
(smoke creeps into the room from the kitchen)
BETTY Smoke! Fire!
CONNIE Call the fire department!
HERDMANS & KIDS DIE, HEROD, DIE!
LUANNE Get the kids out!
REVEREND HOPKINS What’s going on?
BETTY The Herdmans have set fire to the church!
HERDMANS & KIDS DIE HEROD DIE
GRACE Everybody! Don’t panic. Just stay calm!
HERDMANS & KIDS YOU CAN KISS THIS WORLD GOODBYE
[SFX: Distant fire engine sounds] (the HERDMANS are delighted to hear the fire trucks and dance around like demons…a frazzled REVEREND HOPKINS shouts over the chaos)
REVEREND HOPKINS That’s it!
(music stops abruptly) I’m canceling Christmas!
EVERYONE What?!
TRACK 32 (musical finish…blackout)
End of Act I
INTERMISSION (OPTIONAL)
For perusal purposes only.
(if no intermission, CHURCH LADIES, with baskets and/or lanterns, come downstage as scene changes…they are eventually joined by REVEREND HOPKINS and CHURCH KIDS all carrying baskets and candles)
For perusal purposes only.
ACT II SCENE 11
STREET ON THE POORER SIDE OF TOWN
TRACK 33 #12 BASKETS FOR THE NEEDY REPRISE
(music underscores as EVERYONE BUT THE BRADLEYS enter with Christmas baskets and weave their way around the stage to the music of “Baskets for the Needy...”CHURCH LADIES pause to gossip)
LUANNE CAN YOU BELIEVE WHAT HAPPENED
CONNIE IT’S ALL OVER TOWN
BETTY POOR GRACE SHE MUST FEEL AWFUL
CONNIE HE HAD TO SHUT IT DOWN
BETTY CHRISTMAS WON’T BE CHRISTMAS
LUANNE WITHOUT OUR CHRISTMAS PLAY
CONNIE TOO BAD ABOUT THOSE HERDMANS
CHURCH LADIES NOW WE ALL MUST PAY
BETTY WHAT HAPPENS CHRISTMAS SUNDAY
LUANNE I HAVEN’T GOT A CLUE
REVEREND HOPKINS I THINK WE SHOULD PRAY
For perusal purposes only.
CHURCH LADIES YES—LET’S—DO
REVEREND HOPKINS, CHURCH LADIES & KIDS A BASKET FOR THE KEATINGS A BASKET FOR THE REEDS FOOD FOR CHRISTMAS DINNER SO MANY FOLKS IN NEED SANTA BRINGS THEM TREASURES WE DELIVER JOY EACH ONE PACKED WITH OUR LOVE
(pause as the BRADLEYS enter…BOB has a flashlight…GRACE is carrying a basket with a tag that says “Herdmans” on it…the CHURCH LADIES exit in different directions)
REVEREND HOPKINS, CHURCH LADIES & KIDS LA LA LA LA LA
GRACE Did you see that? They’re shunning me.
BOB Grace! They didn’t even see you!
BETH Well, Alice and Ivy saw me and didn’t even say hello.
CHARLIE They think it’s Mom’s fault the church caught fire.
BOB That’s ridiculous. It was just smoke. No one was hurt and nothing was damaged.
GRACE But now the pageant is cancelled.
(they stop in front of a broken-down fence with a “Beware of the Cat” sign on it)
BOB This is the house.
GRACE Are you sure? There’s no number.
For perusal purposes only.
BOB (pointing flashlight at sign)
The sign says “Beware of the Cat.”
BETH Then this is the place.
GRACE We’ll just hurry in and give the Herdmans their basket.
CHARLIE Mom, do I have to go? I’m kind of scared.
GRACE Then you stay here and Beth will come with me.
BOB What should I do?
GRACE Watch out for the cat.
For perusal purposes only.
SCENE 12 THE HERDMAN GARAGE
(lights come up slowly on the Herdmans’ garage, which is filled with old toilets, broken strollers, broken trikes, a tire, and things the kids have collected over the years…there is a bare light bulb hanging over the debris…GRACE and BETH carefully make their way through the debris and call up the stairs that lead to their apartment over the garage)
GRACE Mrs. Herdman?
BETH Ralph? Gladys?
GRACE Anybody home?
BETH I don’t think they’re here. Let’s just leave the basket and go.
(GRACE sets the basket on a rusted, broken wagon and turns to leave, then hears the HERDMANS coming home…ihey are having a heated discussion…GRACE and BETH panic and duck around the side of the garage)
LEROY It’s just not fair!
IMOGENE We didn’t start the fire.
OLLIE Which fire?
IMOGENE The one at the church.
OLLIE Oh, that fire. No we did not.
IMOGENE It was those ladies’ cakes that burned. And they blamed us.
(GRACE and BETH look at each other wide-eyed)
For perusal purposes only.
LEROY Yeah.
RALPH I don’t think one guy can just cancel Christmas.
CLAUDE Who does he think he is, God?
OLLIE I’d like to give him what for.
LEROY Me too.
GLADYS I’d like to sic the cat on him.
ALL HERDMANS Yeah.
GLADYS I really did want to be that angel with the big pink wings.
IMOGENE (picks up the bald baby doll)
I wanted to be Mary. But I wouldn’t have named my baby “Jesus.” What kind of name is that? I would have named him “Buddy.”
CLAUDE That’s way better.
(they pull the light bulb chain and discover the magnificent Christmas charity basket sitting on the wagon…it looks jam-packed with goodies…the ham has a bow on it)
ALL HERDMANS Whoa!
RALPH What’s that?
GLADYS It looks like a baby in a manger.
OLLIE It’s little baby Buddy!
For perusal purposes only.
LEROY No! It’s like a gift from the Three Wise Guys.
(the kids start to approach the basket)
IMOGENE Don’t touch it until Ma sees it. She’s gonna love it.
RALPH Ma won’t care.
LEROY (pushes his brother away)
She will too.
RALPH Don’t push me.
(RALPH and LEROY push each other and crash into GLADYS, who kicks them both)
GLADYS Cut it out, you two.
LEROY Ow! Gladys, that hurt.
(OLLIE grabs CLAUDE’s stocking cap and runs)
CLAUDE Hey, that’s mine!
OLLIE Not anymore.
LEROY You git back here!
RALPH Ollie Herdman! You’re gonna git it!
(IMOGENE is about to follow her brothers when she pauses at the door and turns around and sees GLADYS looking at the basket)
IMOGENE Gladys, you better not get into that basket.
GLADYS I’m not. I just want to look at it.
For perusal purposes only.
TRACK 34 #13 THE BEST GIFT OF ALL
GLADYS All year I dream of this—the perfect Christmas gift.
(GLADYS starts the song, identifying what’s in the basket of food…the rest of the HERDMANS return slowly in the song)
GLADYS A BOX OF MASHED POTATOES A BIG OL’ HAM
IMOGENE A BAG OF DAY-OLD ROLLS TWO KINDS OF JAM
IMOGENE & GLADYS AND FOR ONE MAGIC NIGHT OF THE YEAR
GLADYS NO ONE GETS ANGRY
IMOGENE NO ONE SHEDS A TEAR
IMOGENE & GLADYS AND THE BEST GIFT OF ALL IS OUR BASKET FULL OF CHEER
IMOGENE RALPH LIGHTS A CANDLE
GLADYS MA SINGS A SONG
HERDMANS WE ALL STAND IN A CIRCLE AND TRY TO GET ALONG AND FOR ONE MAGIC NIGHT OF THE YEAR
BOYS NOBODY’S HUNGRY
For perusal purposes only.
GIRLS EVERYONE’S ALL RIGHT
HERDMANS AND THE BEST GIFT OF ALL IS WE’RE TOGETHER TONIGHT
GRACE (to BETH)
LOOK AT THEM THERE’S A LIGHT IN THEIR EYES FULL OF LOVE AND HOPE WHY SHOULD IT COME AS A SURPRISE SOMEHOW I FEEL THAT WE’RE THE ONES WHO LET THEM DOWN TO TELL THEM THEY’RE NOT GOOD ENOUGH FOR OUR LITTLE TOWN
HERDMANS AND FOR ONE MAGIC NIGHT OF THE YEAR
BOYS NOBODY YELLS AT US
GIRLS OR TELLS US THAT WE’RE WRONG
HERDMANS AND THE BEST GIFT OF ALL IS THAT TONIGHT
IMOGENE TONIGHT
HERDMANS WE BELONG
(at the end of the song GRACE and BETH try to sneak away but BETH trips over some junk)
IMOGENE Someone’s spying on us.
For perusal purposes only.
RALPH Who’s there?
LEROY Maybe it’s a possum.
CLAUDE Let’s catch it.
GRACE (guiltily reveals herself)
It’s just us.
IMOGENE Mrs. Bradley!
OLLIE Beth!
IMOGENE (suspicious)
What are you doing here?
BETH We came to deliver your basket from the church.
GLADYS It’s bigger than ever this year.
GRACE Yes…I, uh, also have a message for you kids.
RALPH Are we in trouble?
GRACE No, no. I just want to say we’re doing the pageant after all.
BETH And you’re still in it.
IMOGENE Did that man change his mind?
GRACE Not yet. But he will. Be at the church at 5:00 p.m. tomorrow.
LEROY Do we need a baby Jesus? I can get one from the grocery store. There’s lots of ’em just sitting around in grocery carts.
For perusal purposes only.
GRACE Thank you, Leroy, but that won’t be necessary. Do you kids have a doll?
(IMOGENE holds up the most beat-up shabby doll on the planet…no hair, no clothes…it’s clearly been through six kids)
IMOGENE Just this one.
GRACE He’s perfect.
CLAUDE Do you need a cat?
GRACE Good heavens no. I mean, thank you, Claude, but we don’t. We’ll see you all tomorrow night.
TRACK 35 #14 CAROL TRANSITION
HERDMANS (ALL AT ONCE)
OLLIE IMOGENE GLADYS RALPH CLAUDE LEROY
Yay! We’re doing I get to be Cool! All right! The show it! an angel is on. after all!
For perusal purposes only.
SCENE 12A STREET ON THE POORER SIDE OF TOWN
(BOB and CHARLIE are waiting as BETH and GRACE run out of the Herdmans’s with big news)
BETH Mom’s doing the pageant!
CHARLIE With the Herdmans?
BETH Yeah!
BOB Grace, are you sure?
GRACE I’ve never been so sure of anything in my whole life. Beth! Charlie! Go tell the kids. Bob! Call the parents.
(GRACE starts to head the other direction)
BOB Where are you going?
GRACE To see the Reverend.
BOB So, does this mean I have to—
BRADLEYS Yes!
(GRACE heads for the church…BOB, CHARLIE, and BETH exit the other way)
For perusal purposes only.
SCENE 12B THE CHURCH
(REVEREND HOPKINS at the podium, checking the list to make sure he delivered all the baskets)
GRACE Reverend Hopkins! I’m so glad I caught you!
REVEREND HOPKINS Grace! What’s the matter?
GRACE The Herdmans had nothing to do with the fire last night.
REVEREND HOPKINS Are you sure?
GRACE It was Betty’s applesauce cakes that burnt!
REVEREND HOPKINS And we blamed those kids?
GRACE Which is why we have to do the pageant.
REVEREND HOPKINS But I already alerted the phone tree.
GRACE Then un-alert them.
REVEREND HOPKINS And we’ve got sets to build—
GRACE Yes!
REVEREND HOPKINS And costumes to finish—
GRACE Yes! And only 24 hours to do it in.
REVEREND HOPKINS Then why are we standing here? We’ve got a show to do.
GRACE (hugs the REVEREND really hard and exits)
Thank you!!
For perusal purposes only.
REVEREND HOPKINS Good lord! What have I done?
[SFX: Five rings of the broken church bell]
For perusal purposes only.
SCENE 13 THE CHURCH
(in front of the pageant set, which could be on a wagon pulled on by the KIDS…it’s pageant night…TEDDY comes across the stage wearing his full shepherd costume and a fake beard)
TEDDY Mrs. Bradley? Mrs. Bradley?
(CHARLIE appears in his shepherd outfit panicked, followed by IVY, ALICE, and BETH who are all in a tizzy…they all need GRACE’s help…GRACE enters in white shift, wearing angel wings, carrying a box of supplies)
CHARLIE Mom! The shepherds are clonking each other with their canes.
IVY I can’t find my script. Who took my script?
(GRACE hands her a spare script)
GRACE Here.
(BOB enters carrying a potted plant)
BOB You said I should bring this, but I don’t think it looks anything like a palm tree.
ALICE Someone’s been using my mascara. That’s so unsanitary…
(GRACE hands ALICE a new tube of mascara)
GRACE Take this. It’s new.
BETH Mom, it’s crazy downstairs. I have no idea what I’m supposed to do.
(GRACE hands her halos)
GRACE You and Alice lead the angels onto the stage. Charlie, you lead the shepherds. Bob’s got the Wise Men. Here’s the order.
For perusal purposes only.
(GRACE passes out running-order pages to CHARLIE, BETH, ALICE, and BOB)
REVEREND HOPKINS (pops his head in)
There’s a line halfway around the block!
CHARLIE Mom, I don’t know when the shepherds come on.
GRACE I’ll cue you.
REVEREND HOPKINS I’m letting them in.
ALICE Mrs. Bradley.
GRACE What?
ALICE I brought my Mary costume just in case.
GRACE What are you saying?
TEDDY (enters in shepherd outfit)
Mrs. Bradley!
REVEREND HOPKINS Places, everyone!
(KIDS squeal and bolt for the wings with GRACE starting to follow them)
TEDDY Mrs. Bradley!
GRACE (putting on her own halo)
Everyone take deep breaths. Try to stay calm.
TEDDY Mrs. Bradley!
For perusal purposes only.
GRACE (out of patience)
What is it, Teddy?
TEDDY The Herdmans aren’t here.
GRACE Shoot me now!
(blackout)
For perusal purposes only.
SCENE 14 THE PAGEANT
TRACK 36 #15 THE PAGEANT
(the set is a homemade crèche…there is a manger made of a cardboard box with hay in it…yellow paper stars hang from strings overhead…music: “O Little Town of Bethlehem” plays as lights come up onstage…ANGELS, led by BETH and ALICE, enter and take a position in a half circle around the manger…CHARLIE leads on shepherds... GRACE brings up the rear...ALICE and BETH are downstage…shepherds off to the side tending their sheep)
KIDS & GRACE (NO HERDMANS) O LITTLE TOWN OF BETHLEHEM HOW STILL WE SEE THEE LIE ABOVE THY DEEP AND DREAMLESS SLEEP THE SILENT STARS GO BY YET IN THY DARK STREETS SHINETH AN EVERLASTING LIGHT THE HOPES AND FEARS OF ALL THE YEARS ARE MET IN THEE TONIGHT
(GRACE nods at IVY, who is at the podium)
IVY In the days of Caesar Augustus a decree went out that all the world should be taxed, and Joseph went into Bethlehem with Mary his wife, who was great with child. And while they were there, she brought forth her first-born son, and wrapped him in swaddling clothes and laid him in a manger, because there was no room for them at the inn.
(KIDS are looking around and whispering to each other...GRACE starts them singing “Away in a Manger” accompanied by piano, and then bolts offstage to look for the HERDMANS)
TRACK 37 (music “Away in a Manger”)
GRACE AWAY IN A MANGER
For perusal purposes only.
KIDS & GRACE (NO HERDMANS) NO CRIB FOR A BED
(the KIDS stop singing and hum under following lines until RALPH and IMOGENE appear)
ALICE (whispers loudly to BETH)
I knew this would happen. Those Herdmans chickened out. Now we don’t have a Mary or a Joseph. What are we supposed to do now?
(RALPH and IMOGENE appear on the opposite side of the stage from where GRACE went)
BETH Quiet. Here they come.
(IMOGENE and RALPH step onto the stage, stare out at audience amazed that they are in front of all these people…GRACE steps out from where she left and nods at them…after a few moments of silence, they speak to each other, making up dialogue…it’s not stilted…it’s genuine)
IMOGENE/MARY Oh, Joseph, I don’t know what to do. There’s no bed for our little baby.
RALPH/JOSEPH Yes, there is, Mary. This barn’s full of hay.
(he pats the soft hay in the manger) Look! It’s soft, like a mattress.
(GRACE, IVY--and any other ANGELS that might have been added--and ELMER, CHARLIE, and TEDDY hum one verse of “Silent Night” under the following dialogue)
TRACK 38 (music: “Silent Night”)
ALICE Mary and Joseph aren’t supposed to talk.
BETH Why not? They’re trying to decide what’s best for the baby.
(IMOGENE puts baby Jesus on her shoulder and starts patting his back)
For perusal purposes only.
ALICE Look at that! She’s burping Jesus. That’s just not right.
BETH Maybe he has colic and is fussy just like any other baby.
ALICE But he’s not any other baby.
(IMOGENE puts baby in the manger and a star lights up above their heads…if it hasn’t stopped already, humming stops)
IVY And in that region, there were shepherds in the field, keeping watch over their flocks by night. When lo, an angel of the Lord appeared to them.
TRACK 39 (music: harp arpeggio)
(everyone looks stage right for GLADYS)
IVY Lo! An angel of the Lord appeared to them.
TRACK 40 (music: harp arpeggio) (everyone looks stage left)
IVY (loudly)
An angel of the Lord!
[SFX: footsteps and crash box]
TRACK 41 (music: piano low tremolo) (GLADYS appears, either knocking down kids or leaping on the stage or above the manger)
GLADYS/ANGEL Hey everybody! Unto you a child is born. His name is Jesus and he’s in the barn. Wanna see him?
(the SHEPHERDS, afraid of GLADYS, frantically shake their heads no)
For perusal purposes only.
GLADYS/ANGEL Come on! Come on!
(the SHEPHERDS get up and move to the manger…music transitions to “We Three Kings”)
IVY And Wise Men came from the East to worship the newborn baby.
TRACK 42 (music: “We Three Kings”)
KIDS WE THREE KINGS OF ORIENT ARE BEARING GIFTS, WE TRAVERSE AFAR FIELD AND FOUNTAIN MOOR AND MOUNTAIN FOLLOWING YONDER STAR
(the THREE WISE MEN walk stiffly on as the KIDS sing…they turn, point, and freeze on “following yonder star...”the music plays another verse…KIDS hum under the following dialogue)
ALICE Look at them. They’re not moving.
BETH They’re scared.
ALICE They should be. Look what they’re wearing. They look like Trick or Treat.
(BOB appears in his bathrobe with a towel wrapped around his head like a turban…BOB starts singing a capella, snapping his fingers and swinging the beat)
BOB OH STAR OF WONDER, STAR OF NIGHT COME ON GUYS LET’S GET THIS RIGHT
(THREE WISE MEN join BOB, harmonizing on “perfect light”)
BOB & THREE WISE MEN WESTWARD LEADING STILL PROCEEDING GUIDE US TO THY PERFECT LIGHT TRACK 43
For perusal purposes only.
(piano enters again, and KIDS hum the next verse as BOB and the THREE WISE MEN walk to MARY)
ALICE What have they got? I bet it’s something awful.
BETH Like what?
ALICE Like a burnt offering. You know the Herdmans.
IVY And the Wise Men were bearing gifts.
LEROY (holds up box)
We got mashed potatoes!
CLAUDE (holds up can)
Pork ’n’ beans!
OLLIE (struggles to lift ham)
And a big ol’ ham!
(humming stops)
BETH That’s the Herdmans’ entire food basket from the church.
ALICE What happened to the gold, frankincense, and myrrh?
BETH This is better. Much better!
RALPH/JOSEPH Hey look, Mary! It’s the Three Wise Guys and, uh—
BOB Bob.
IMOGENE/MARY Thank you, Wise Guys and Bob, for bringing my family a ham.
For perusal purposes only.
RALPH We can live on this for a whole month.
ALICE What’s that sticking out of the corner of the basket? That white thing?
BETH It looks like a diaper.
IMOGENE/MARY (holds up the diaper)
And this is something we can really use.
ALICE That’s gross.
(THREE WISE MEN sit down)
ALICE Why are the Wise Men sitting down? They’re supposed to leave.
BETH I guess they’re hungry. Besides, you wouldn’t expect them to just show up, hand over the ham and leave. They came a long way!
(music intro begins the last phrase of “Silent Night”)
TRACK 44 #16 ON A NIGHT LIKE THIS
RALPH/JOSEPH Look, little baby Jesus is getting sleepy.
(IMOGENE puts her finger to her lips and gives the group a gentle ”shhhh!” as they all gather close to IMOGENE/MARY to look at the baby)
IMOGENE (a capella)
ON A NIGHT LIKE THIS WHEN THE WIND WAS STILL A STAR CAME OUT ABOVE A LONELY HILL ON A NIGHT LIKE THIS THERE WAS NOT A SOUND TO BREAK THE PEACE ON THE COLD HARD GROUND
For perusal purposes only.
TRACK 45 (accompaniment enters)
IMOGENE ON A NIGHT LIKE THIS ALL THE WORLD LOOKED DOWN ON A PEACEFUL TOWN CRADLED IN SNOW AND A YELLOW MOON CAST A GLOW THAT FOUND ALL THE MEN AND BEASTS HUDDLED BELOW
IMOGENE & RALPH ’ROUND A SWEET LITTLE BABY LYING IN A MANGER LOOKING UP AT STRANGERS WITH GIFTS IN THEIR HANDS NOT KNOWING HE WAS MEANT TO BE THE HOPE OF HUMANITY BORN TO BRING SOME HARMONY TO A TROUBLED LAND
HERDMANS ON A NIGHT LIKE THIS ALL THE WORLD LOOKED DOWN ON THAT PEACEFUL TOWN CRADLED IN SNOW AND A YELLOW MOON CAST A GLOW THAT FOUND ALL THE MEN AND BEASTS HUDDLED BELOW
HERDMANS & KIDS ’ROUND A SWEET LITTLE BABY LYING IN A MANGER LOOKING UP AT STRANGERS WHO CAME FROM AFAR JUST A CHILD LIKE YOU AND ME FULL OF HOPE AND FULL OF NEED OR WAS HE JUST A RESTLESS SEED FROM A WANDERIN’ STAR
For perusal purposes only.
ALL ON A NIGHT LIKE THIS
IMOGENE ON A NIGHT LIKE THIS
(IMOGENE bends over and kisses the baby)
IVY And on that night, all was calm and all was bright.
(the cast freezes as the light frames them all in a final pose) [SFX: a chime sounds as a star lights up or twinkles overhead] (REVEREND HOPKINS comes onto the stage, clearly moved)
REVEREND HOPKINS Thank you to all the children and Mrs. Bradley. That was…that was something—
(he’s going to say “else” but GLADYS, as the Angel of the Lord, appears over the top of the manger…she likes being the star of the show…the kids all break their poses to look at GLADYS)
GLADYS Hey, everybody! Unto us a child is born!
REVEREND HOPKINS (smiling up at GLADYS)
Let there be joy in the world!
TRACK 46 #17 LET THERE BE JOY
(KIDS sing as they remove costume parts, run off to the sides of the stage—some clonking each other…or just generally goofing around with that “We did it!” energy)
ALL KIDS LET THERE BE JOY JOY JOY JOY IN THE WORLD LET THERE BE PEACE LET THERE BE JOY IN EVERY GIRL IN EVERY BOY LET THERE BE JOY JOY JOY JOY
For perusal purposes only.
ALL KIDS (CON’T) IN THE WORLD
(at intervals in the song, the music vamps, allowing the following vignettes to occur, as the cast merges on stage to form the final tableau--CHURCH LADIES rush onto the stage where the KIDS are already goofing around, while REVEREND HOPKINS tries to get them to stay on the stage for a photo…he has the camera with a flash…each vignette ends with a camera flash)
BETTY (clutching a handkerchief)
Could you believe that was Imogene Herdman up there? She had me in tears.
LUANNE The kids are just so darn cute.
CONNIE And that little Gladys brought a lot of spirit to the Angel.
LUANNE Who was the baby Jesus?
CONNIE That was a doll.
BETTY Oh, I don’t think so, Connie. I’m sure I saw his little hand reach for the rattle.
CONNIE Wait till Helen hears about this. I don’t know what she’s going to think.
(HELEN rolls up in a wheelchair)
HELEN It was the best Christmas pageant ever.
(HELEN gestures for GRACE to join her and takes her hand)
HELEN I knew picking Grace was the right decision.
TRACK 47 (music starts)
For perusal purposes only.
HELEN COME ONE AND ALL
CHURCH LADIES, HELEN & GRACE AND CELEBRATE THIS DAY WITH THOSE YOU LOVE FROM NEAR AND FAR AWAY REACH OUT YOUR HAND AND WELCOME BACK AGAIN
ALL ONE AND ALL LIKE A LONG LOST FRIEND
(music vamps…CHARLIE running up to LEROY)
CHARLIE Hey, Leroy. Don’t forget your food basket.
LEROY That’s a gift. You don’t take back a gift. Want a candy cane?
CHARLIE Sure.
LEROY (whispers)
I gotta whole bag of ’em hid back here. Come on.
(CHARLIE runs off with LEROY…BOB and BETH join GRACE in another area, hugging her)
BETH Mom, you did it!
BOB There’s my Amazing Grace.
GRACE You’re still in your bathrobe.
BOB I’ve talked to the Herdmans and we’re forming a singing group and taking it on the road. The Three Wise Guys and Bob.
(GRACE laughs and kisses BOB on the cheek…camera flash…during this ALICE joins them taking BETH’s hand)
GRACE, BOB, BETH & ALICE LET THERE BE PEACE LET THERE BE JOY IN EVERY GIRL AND EVERY BOY
For perusal purposes only.
GRACE, BOB, BETH & ALICE (CON’T) LET THERE BE JOY JOY JOY JOY JOY IN THE WORLD
(lights up on the HERDMANS and REVEREND HOPKINS who is trying to corral them back with the rest of the cast take a group picture)
REVEREND HOPKINS Thank you, kids, for joining our pageant. I have to say, we’ll miss you next year.
RALPH Don’t worry. From now on, we’re doing the Christmas pageant every year.
GLADYS But next year, I’m playing Mary.
IMOGENE Yeah! The heck you will!
(GRACE steps between GLADYS and IMOGENE as they lunge for each other)
GRACE SO LIFT YOUR HEARTS AND DO NOT TURN AWAY FROM THOSE IN NEED WHO MAY HAVE GONE ASTRAY
ALL REACH OUT YOUR HAND AND WELCOME BACK AGAIN ONE AND ALL LIKE A LONG LOST FRIEND
(final tableau: The BRADLEYS and REVEREND HOPKINS upstage—GRACE and BETH as angels, BOB and CHARLIE as shepherds…the HERDMANS and OTHER KIDS scuffle to get the best spot…the final pose as GLADYS poses in the back with arms held high)
ALL ECHO LET THERE BE LOVE LET THERE BE LOVE LET THERE BE JOY LET THERE BE JOY IN EVERY GIRL IN EVERY GIRL IN EVERY BOY IN EVERY BOY LET THERE BE JOY JOY JOY JOY
For perusal purposes only.
ALL (CON’T) ECHO (CON’T) JOY JOY IN THE WORLD LET THERE BE JOY JOY JOY JOY JOY JOY IN THE WORLD IN THE WORLD IN THE WORLD
TRACK 48 #18 BOWS
End of Play
For perusal purposes only.
For perusal purposes only.
THE BEST CHRISTMAS PAGEANT EVERTHE MUSICALBOOK & LYRICS BY
Jahnna BeechamMUSIC & LYRICS BY
Malcolm HillgartnerBASED ON THE PLAY BY BARBARA ROBINSON
For perusal purposes only.
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œœ œœ[SOLO]TRACK 1
ŒF
Sweetly q = 80
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Œ œœœœœœ
When it's
CHURCH LADIES:
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Christ mas in our
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œœœper fect lit tle town, when the
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œœœœœœ ...œœœ
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G E7
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1. Perfect Little Townfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: Top of Show
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œœœœœœ
œœœ œœœ œœœev er frowns, and each
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œœœœœœ œœœ œœœ
Christ mas star gleams
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œœœ œœœ ˙ œœœœœœ
Christ mas in our
œœœœœ ˙
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- - -
1. Perfect Little Town2
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ELMER: (Last x)
TRACK 2
∑
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Intense and Scary q = 145CUE to CONTINUE:"...you know what they'd do."
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REV: "Those are terrible things to say!"CHARLIE: "But they're all true! The Herdman's are the worst kids in the history of the world!"
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2. The Horrible Herdmansfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner and Beecham
PIANO/VOCAL SCORE
CUE: CHARLIE"No Herdmans."
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Ó Œ ‰ jœThe
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œn œ œ œn Œ ‰ jœsmel ly ci gars, they
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˙ ˙no thing
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œœœ œœœ œ œ œ œ
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2. The Horrible Herdmans2
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œ>‰ jœ>
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œ œ œ œ ˙face is black and blue!
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œ œ œ œb œ œ œ œSix of the Herd mans are like
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œ œ œ œ Œ ‰ jœspit and they cuss. They
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œ œ œ œn Œ Œlook up your dress.
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2. The Horrible Herdmans 3
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œb œ œn œjœ œ jœ
When they leave a class room, it's
:KIDS
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˙ ˙Why us?
œœœ œœœ œœœ œœ œ
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‰ œ œ œ œ œ œWhat did we do to them?
œœœ œœœ œœœ œœ œ
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œœœ œœœ œœœ œœ œ
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œ œ œ œ œ œ œHow will we get rid of them?
œœœ œœœ œ œ œ œ
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œ œ œ œ ˙some place far a way!
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Œ œ œ œNow, chil dren,
REV:
˙ ˙
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Eb
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˙ ˙
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˙ ˙
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2. The Horrible Herdmans4
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.œ jœ .œ jœhelp them selves. Their
˙ ˙
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˙ ‰ œ œ œ
They're all a
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lone!
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HELEN: "You're so right!" HELEN:
œœ
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œ œ œ œb ‰ œ œ œpoor lit tle dears, they'rea
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CHURCH LADIES:
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F m C/E
œb œ œ œ œ œ œ œplace they live in's not a house, it's
œœœœbb
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2. The Horrible Herdmans 5
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œ œ œ œ Ómore like a zoo!
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œ> œœ> œ>
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f
œ œ œb ‰ œ œ œBless their hearts, must they run
HELEN:
œœ.
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b .Ó
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subito p
œ œ œ œn Œ ‰ jœnwild in the streets? Why
œœb.
‰Jœœnn. Ó
œn . ‰ Jœn . Ó
F m C/E
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63
œb œ œn œ œ œ œ œcan't they be po lite? Why do they
œœœœbb
.Œ Ó
œb . Œ Ó
Eb
œ œ œ œ œ Œcuss, lie and cheat?
œœœ œœœ œœœœœœœn#
Jœœœœ œœœœ J
œœœœ
œ œ œ œ jœ œ jœ
D 7 ˙ ˙
Bless them,
CHURCHLADIES:
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œ œ œ
Eb
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Œ œ œ œ œ œthey're a row dy bunch.
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œ œ œ
˙ ˙
Dear Lord,œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œ œ œ
G m
œ œ œ œ œ œ œtell them it's not nice to punch.
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œ œ œ
-
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69 ...œœœJœœœ> ‰ œ œ œ
Please, please! Will some oneœœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œ œ œ
Eb
œ œ ˙ ‰ jœcalm them down be
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
.œj
œ œ œ
C m7
œ œ œ œ œ œ œ œfore those lit tle Herd mans make a
œœœ ‰Jœœœ œœœ ‰
Jœœœ
œ ‰ jœ œ ‰ jœ
A dim7
- - - -
2. The Horrible Herdmans6
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œ œ œ œ œ Œmess of our town?
œœœœb œœœœ œœœœœœœœ
˙˙
œ œ œœ œ œ
A dim7/D
œ ‰ Jœ œ ‰ jœ#Yes! Oh yes! They
+KIDS:
œœœ# ‰ Jœœœnb œœœ#n ‰ J
œœœnb
œ‰ jœ œ
‰ jœ
D
œn œ œ œ# œn Œreal ly make a mess
œœœ#n œœœnb œœœ#n œœœnb œœœ#n Œ
œ œ œ œ œŒ
-
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nn
nn
75
œœ ‰jœœ# œœ ‰ jœœ#
Yes! Oh yes! It'sœœœ ‰ Jœœœ# œœœ ‰ J
œœœ#
œ‰ jœ œ
‰ jœ
œœ œœb œœ Ósuch a mess!œœœ œœœbn œœœ Œ œn
œ œ œŒ
œn
~~~~~~~~
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&
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..
..
..
..
..
..77
∑
‰ œœœ‰ œœœ
‰ œœœ# ‰ œœœ
œ œ œ# œ
A m /G#Vamp
∑
‰ œœœ‰ œœœ
‰ œœœ# ‰ œœœ
œ œ œ œ œ œ
D 9/F#C/E
CUE to CONTINUE:"Spin me, Imogene!"
∑
œ ‰ Jœ œ ‰ Jœ#
œœ œ œ
œœ œ œ
F maj7
Ó Œ œ œWe're the
HERDMANS:
œ œ œ œ# œ œœœ#
œŒ
œ œ œ# œ
E7
~~~~
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œ œ œ œ# œ œ œ œHor ri ble Herd mans, an un
œœ œ œœ œœœ# Ó
œ œ œ# œ
A m /G#
œn œ œ œ# Œ ‰ j¿beat a ble squad. I'm
:IMOGENE
œœ œ œœ œœœ# Ó
œ œ œ œ œ œ
C/G D 9/F#
¿ ¿ ¿ ‰ j¿ j¿ Œ j¿I mo gene! I'm Ralph! I'm
:RALPH :LEROY
œœœ Œ œœ Œ
œ Œ œ Œ
F
- - - - - - - -
2. The Horrible Herdmans 7
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¿ ¿ ¿ ¿ Œ ‰ jœLe roy! I'm Claude! Here's
:CLAUDE R, L, C:
œœ Œ œ œ œ œ
œ Œœ œ œ# œ
E
œ œ œ œ# œ œ ‰ œOl lie and Gla dys. We're
:OLLIE, GLADYS
œœ œ œœ œœœ# Ó
œ œ œ# œ
A m /G#
œn œ œ œ# Œ Œsmall but we're mean!
œœ œ œœ œœœ# Ó
œ œ œ œ œ œ
C/G D 9/F#
- --
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œn œ œ œ œ œ œ œJust one bite from Gla dys can
:HERDMANS (except GLADYS)
œœœnn Œ œœ Œ
œn Œ œ Œ
F
œ œjœ œ ‰ Œ
sure make you scream.
œœ ‰ Jœœ œ œ œ
œ Œœ œ# œ
E7
Œ œ œ œAnd now that
CHURCH PEOPLE, KIDS:
˙ ˙
œ œ œ œ œ œ
F
-
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Œ œ œ œit's Christ mas,
˙ ˙
œ œ œ œ œ œ
G
Œ œ œ œlook what those
˙ ˙
œ œ œ œ œ œ
Em
œ œ œ ‰ jœkids have done. We
:HERDMANS
˙ ˙
œ œ œ œ œ œ
F
œ œ œ œlas soed all the
œœ œœ œœ œœ
œœ
œœ
œœ
œœ
D m
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œ œ œ œ
rein deer in the
œœœ œœœœœœ
œœœ
œœ
œœ
œœ
œœ
B dim ˙ ‰ œ œ œ
town and pulled them
œœœœ# œœœœ œœœœ œœœœœœœ œœœ œœœ œœœ
œœ
‰ jœœ
Œœœ
E7 w
down!
œ œb œn œb œn œ œb œœ œb œn œb œn œ œb œ
-
2. The Horrible Herdmans8
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Œ œ# œ œ#I wrapped up
RALPH:
œœœœ##‰ jœœœœ œœœœ œœœœ
œ#œ#
œ œœ
F#m7
Œ œ œ# œ œEl mer Hop kins
œœœœ##‰ jœœœœ œœœœ œœœœ
œ#œ#
œ œ œ
Œ œ# œ œ œ#like a Christ mas
ELMER: "Dad!"
œœœ# ‰ jœœœ œœœ œœœ
œœ
œ œœ
D
œ œ œ œ œ œtree in a string of red
œœœ# ‰ jœœœ œœœ œœœ
œœ
œ œ œ
- - -
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w#
lights!
ELMER: "Help!"
œœœ#‰ jœœœ œœœ œœœ
œœ
œ œœ
A
‰ œ# œ œ œ œ œRalph, grab the can dy canes,
LEROY:
œœœ#‰ jœœœ œœœ œœœ
œœ
œ œ œ
Œ œ# .œJœ
we'll have a
œœœœ### ‰jœœœœ œœœœ œœœœ
œ#œ#
œ œ œ#
C#7
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œ# œ œ ‰ jœbig sword fight! I
GLADYS:
‰ œœ# œ# œœ œœ œ œœ œ
œ#œ#
œ œ œ œ
œ# œ œ œ# œ œ œplucked out Fros ty's eyes, stuck a
œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
‰ jœœ
Œ œœ
D
œ œ œ œ œ Œcar rot in his chest!
œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
‰ jœœ
Œ œœ
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œ# œ œ œ# œ œSome one ought ta make a
:KIDS, CHURCH LADIES, PARENTS
œœœ## œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ#
# ‰ jœœ
Œ œœ
D#dim
œ œ# œ œ œ Œci ti zen's ar rest!
œœœ## œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ#
# ‰ jœœ
Œ œ
œ ‰ Jœ œ ‰ jœ#Yes! Oh yes! A
REVEREND:
œœœ ‰ jœœ œœ‰ jœœ#
œœ
‰ jœ œœ
‰ jœ
E
- - - - -
2. The Horrible Herdmans 9
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œ œ œ œ# œ Œ
ci ti zen's ar rest!
œœ œœ œœ œœ# œœŒ
œœ œ œ
œ œ œœ œ>
œœœ# ‰Jœœœn œœœ# ‰
Jœœœbn
Yes! Oh yes! A
:KIDS, CHURCH LADIES, PARENTS
œœœ# ‰ Jœœœn œœœ# ‰ J
œœœbn
œœ
‰ jœ œ
œ
‰ jœ
œœœn# œœœn œœœ# œœœbn ˙n#ci ti zen's ar rest!œœœn# œœœn œœœ# œœœbn ˙n#
œœ œ œ
œ œ œœ
Œ
Ó Œ ‰ jœThe
Ó˙
œœ
œœ
œœ#
# œœ#
#
- - - - - - ~~~~~~~~~~
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œ œ œ œœ# œœ œœ# œœ œœ#Hor ri ble Herd mans have
...œœœjœœœ#
>œœœ œœœ œœœ œœœ
.œ jœ# >‰ œ jœ
A m E/G#
œœn œœ œœ œœ# œœ ‰ jœru ined our town! We
:CLAUDE, OLLIE
...œœœnjœœœ# >
œœœœœœ
œœœœœœ
.œn jœ# >‰ œ jœ
C/G D 9/F#
œ œ œ œ œ œ œ œdressed up the San ta to
...œœœjœœœ#
>œœœ œœœ œœœ œœœ
.œ jœ# >‰ œ jœ
A m E/G#
- - - - -~~~~~~~&
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œ œ œ œ Œ œ œlook like a clown! They're a
PARENTS:
...œœœnjœœœ#
>œœœ
œœœœœœ
œœœ
.œn jœ# >‰ œ jœ
C/G D 9/F#
œ œ œ œœ# œœ œœ# ‰ œœ#nat ural dis as ter! a
+KIDS:
...œœœ Jœœœ# > œœœ œœœ œœœ œœœ
.
.œœ
jœœ#
#>
‰ œœ
jœœ
A m E/G#
œœn ‰jœœ œœ# œœ œœ#
3
plague! A stam ped ing
: +CHURCH LADIES
œœœn œœœœœœ#> œœœ#
> œœœ#>
3
.
.œœ
n jœœ
œœ#
#>
œœ#
#>
œœ#
#>
3
C/G D 7
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2. The Horrible Herdmans10
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..
..
..
.. ..120 www
herdwwww
œœn
n ‰jœ
œœœ œ
F maj7
∑
∑
œœ ‰
jœœ
œœ œ
VampCUE to CONTINUE:"The Herdmans. Who else?"
∑
∑
œœ ‰
jœœ œ œ# œn œ#
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Œ œ œ œ
They(We) are the
ALL:
œœœœ>
œœ
œœ
œœ
œn >Œ œ œ
F maj7 œ œ œ œ
worst kids in the
œœœ œœœ œœœ œœœ
œ œ œ œ
D m œ œ œ œ
his tory of the
œœœ# œœœ œœœœ œœœœ
œ œ œ œ
E E7
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126 wwwwWorld!
œœœ œœœ œœœ œœœ# > œœœ œœœ œœœ œœœ
.œ jœ# >Œ ‰ jœ
A m /G#wwww
œœœn œœœ œœœ œœœ# > œœœ œœœ œœœ œœœ
.œn jœ# >Œ ‰ jœ
C/G D 9/F#
∑
œn œ œ œ œ œ œ œ
œn œ œ œ œ œ œ œ
∑
œ œ œ œœ Œ
œœœ>
œ œ œ œ Œ œœ>
A m
Immediate Segue
2. The Horrible Herdmans 11
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44
œœœ œœœ œœœ œœœ# œœœ œœœ œœœ œœœTRACK 3
.œ jœ# ‰ œ jœ
A m /G#Intense and Scary q = 145
ƒ
œœœn œœœ œœœ œœœ#œœœ
œœœœœœ
œœœ
.œn jœ# ‰ œ jœ
C/G D 9/F#œœœ œœœ œœœ œœœ# œœœ œœœ œœœ œœœ
.œ jœ# ‰ œ jœ
A m /G#
&
?
..
..
..
..
4œœœn œœœ œœœ œœœ#
œœœœœœ
œœœœœœ
.œn jœ# ‰ œ jœ
C/G D 9/F#œœœ œœœ œœœ œœœ# œœœ œœœ œœœ œœœ
.œ jœ# ‰ œ jœ
A m /G#Safety
œœœn œœœ œœœ œœœ#œœœ
œœœœœœ
œœœ
.œn jœ# ‰ œ jœ
C/G D 9/F#œœ ‰ J
œœn
n œœ ‰ J
œœ#
#
œn Œ œ Œ
F maj7
&
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8œœ
œœ
œœ
œœ#
# œœ œ
œ
œŒ
œŒ
E
œœœŒ œœœ
Œ
œ Œ œ Œ
F maj7rit.
œœœŒ ˙#
œ Œ˙
E
2a. Horrible Playoutfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: Applause Segue
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44
44
44
ÓTRACK 4
Ó
œ> œ>
[GTR, BASS]
Free and Dramatic
.œj
œ œ œ œ œGrace! We have a sit u
HELEN:
www[OPTIONAL: ORGAN]
w>
G m
œ œ ˙a tion here.
GRACE: "Helen?"
www
.˙ œ
Œ ‰ j¿ j¿ ¿ œ œA cri sis! Do I
wwwb
wb
/Gb
- - - -
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œ œ œ ˙make my self clear?
www
.˙ œb
Œœ œ œ œ œI shat tered my
www
w
Bb/F
œ œ œŒ
leg and arm!
www
.˙œ
Œœ œ œ œ
Yes, I near ly
GRACE: "No!"
wwwwn
wn
C 7/E
- - -
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œ œ œŒ
bought the farm
wwww
.˙ œn
‰ jœ œ œ œ œ3
and now I'm in the
wwwb
wb
Eb
œ œ œ ˙hos pi tal.
www
.˙ œ
- -
3. Countin' On Youfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: GRACE "Hello?"
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Œ œ œ ˙And I need
wwwwn
wn
C 7/E
Œ œ œ œ œyes, I need your
wwww
w
.˙ œhelp, my
www
w
F
w"U
dear...
www#U
w
D
CUE to CONTINUE:"My dance card is full"
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∑
TRACK 5
œœn
nJœœ
œœ J
œœ
œœ
œœ
œœ
3 3 3 3
[PIANO]
œœ
œœ
œœ
œœ
œœ
œœ
3 3 3 3
F
60's Girl Group Shuffle q = 140
f
Œ œœœ œœœ œœœ œœœWe're count in' on,
CHURCH LADIES:
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bb
œœœ œœœ œœœ œœœb œœœcount in' on you, Grace.
œœœ œœ œœœ œb œœ œ
œ ‰ jœ œb œ
Ab Eb
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Œ œœœ œœœ œœœ œœœ œœœIt's a role that the
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bbœœœ œœœ œœœ œœœb œœœ
three of us can't face.
œœœ œœ œœœ œb œœ œ
œ ‰ jœ œb œ
Ab Eb
Œ œœœ œœœ œœœ œœœœœœ œœœ
Now it's up to you to
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bbœœœ œœœ œœœ ‰
Jœœœ
do that play! Be
œœ œœœœœœ œœœ œœ
œ œ œ œ
F/A G m
-
3. Countin' on You2
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22 œœœ œœœ œœœ œœœœœœ œœœ œœœ œœœ
sides we took the oth er jobs, you
œœœ Œ œœœ Œ
œœ
Œ œœ
Œ
C m7œœœ œœœ œœœ œœœ
œœœ. œœœ
have to say o ka ay.
œœœ Œ œœœ. œœœ
œœ
Œ œœ. œ
Eb F
‰ œ œ œ œ ‰ jœA job like this is,
BETTY:
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
G m
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œ œ œ œ œ
oh, so ea sy.
œœœ œœ œ œœ œ œœ œ
œ‰ jœ œ œ
Eb
‰ œ œ œ œ Œ
A piece of cake.
CONNIE:
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
G m
œn œ œ Œ
It's a breeze.
LUANNE:
œœœn œœ œœœ œ œœ œ
œ œ œn œ
C /E
œœœ œœœ œœœ œœœ œœœLit tlekids dressed up
CHURCHLADIES:
œœœ œœ œœœ œ œœ œ
œ ‰ jœ œ œ
FG m F
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‰ œœœ œœœ œœœ œœœ œœœlike lit tle an gels.
œœœ œœ œœœ œ œœ œ
œ ‰ jœ œ œ
F G m F
Œ œœœ œœœ œœœ œœœWhat could go wrong?
œœœ œœ œœœ œ œœ œ
œ ‰ jœ œ œ
F G m F
Œ Œ Ó
œœœ œœœ ˙n
GRACE: "Everything!"...(Cont.)
œ œ œ œ
G m/F F/C G
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œœb Œ Œ œœ
œb‰ jœ œ œb
Db
œœbb Œ œœ œœ
œb ‰ jœ œ œb
Gb Ab
œœb Œ Œ œœ
œb‰ jœ œ œb
Db
œœbb œœ œœ œœ
œb œ œb œ
Gb Ab
3. Countin' on You 3
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∑
œœn Œ Œ œœ
œ ‰ jœ œ œ
Bb
∑
œœŒ Œ œœ
œ‰ jœ œ œ
Eb
∑
œœŒ Œ œœ
GRACE..."I'll take the auction."
œb ‰ jœ œ œ
Ab
Œ ¿ ¿
NO WAY!
CHURCHLADIES:
Œ œœœ ˙˙˙
œb Œ œœ
œœ
œœ
3 3
F 7
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Œ œœœ œœœ œœœ œœœWe're count in' on,
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bbœœœ œœœ œœœ œœœb œœœ
count in' on you, Grace.
œœœ œœ œœœ œb œœ œ
œ ‰ jœ œb œ
Ab Eb
Œ œœœ œœœ œœœ œœœ œœœ œœœYou're the on ly one to
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bbœœœ œœœ œœœb œœœev er re place
œœœ œœ œœœ œb œœ œ
œ ‰ jœ œb œ
Ab Eb
- - - - -
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Œ œœœ œœœ œœœœœœ œœœ
Our He len, can't you
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bbœœœ œœœ œœœ Œ
see it's true?
œœ œœœœœœ œœœ œœ
œ œ œ œ
F G mœœœ œœœ œœœ
œœœ œœœ œœœ œœœNo bo dy else can do it
œœœ Œ œœœ Œ
œœ
Œ œœ
Œ
C m7œœœ œœœ œœœ
. œœœquite like you oo.
œœœ Œ œœœ. œœœ
œœ
Œ œœ.
œœ
Eb F
- - - -
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¿ œb œ œ
Wait! That job takes
:GRACE
œœb œœ œœ œœ
œb‰ jœ œ œb
Db
Œ œ œ œb
real tal ent.
œœbb œœ œœœ œœœb
œb ‰ jœ œ œb
Gb Ab
Œ œ œb œ Œ
Yes, it takes
LUANNE:
œœb œœ œœ œœ
œb‰ jœ œ œb
Db
œb œ œ ‰ jœnerves of steel, and
BETTY:
œœœbb œœœ ˙b
œb œ œb œ
Gb Ab
-
3. Countin' on You4
&
&
?
bb
bb
bb
52
œ œ œ ‰ jœguts and heart and
œœn œœ œœ œœ
œ ‰ jœ œ œ
Bb
œ œ œ Œ
all those skills.
œœ œœ œœ œœ
œ‰ jœ œ œ
Eb
Œ œb œ œ œ œ œYou're the one to get us
CONNIE:
œœŒ Ó
œb œ œ œ
Ab
œb œ ˙n
up that hill!
Ó œœ
œœ
œœ#
# œœ
œbŒ œ
œœ
œœ
œ3 3
F 7
&
&?
bb
bb
bb
56
Œ œœœ œœœ œœœ œœœWe're count in' on,
CHURCHLADIES:
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bb
œœœ œœœ œœœ œœœb œœœcount in' on you, Grace.
œœœ œœ œ œœb œ œœ œ
œ ‰ jœ œb œ
Ab Eb
Œ œ œ œ œ
Please, don't! I could
:GRACE
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bb
- -
&
&
?
bb
bb
bb
59
œ œ œ œ
ne ver re place
œœœ œœ œœœ œb œœ œ
œ ‰ jœ œb œ
Ab Eb
Œ œ œ œ ‰ œ
our He len, I
œœœ œœ œ œœœ œœ œ
œ ‰ jœ œ œ
Bbœ œ œ œ Œ
don't have a clue.
œœ œœœœœœ œœœ œœ
œ œ œ œ
F/A G mœœœ œœœ œœœ œœœ œœœ
We drew straws so it
CHURCHLADIES:
œœœ Œ œœœ Œ
œ œ œ œ œ œ
3 3
C m7
- - -
&
&
?
bb
bb
bb
nn# # # # #
nn# # # # #
nn# # # # #
63 œœœ œœœ œœœ œœœ. œœœ
has to be you oo.œœœ Œ œœ. œœ
œ œ œ œ. œ3
Eb F
∑KIDS: "Noooooooooo!!"
œœœ œœœ œœœœœœ œœœ œœœ
3 3
œ œ œ œ œ œ
3 3
C m7
∑
œœœ œœœ œœœœœœ
œ3
œ œ œ œ œ3
Eb F
-
~~~~~~~~
3. Countin' on You 5
&
&
?
# # # # #
# # # # #
# # # # #
66
Œ œ œ œn œWe're count in' on,
:KIDS
œœœn œœ œ œœœ œœ œ
œœn
n ‰ jœœ
œœ œ
B
œ œ œ œ œcount in' on you, Mom.œœœ œœ œ œœn œ œœ œ
œœ
‰ jœœ
œn œ
A E
Œ œ œ œ œ œ œCan't you see? It's gon naœœœ œœ œ œœœ œœ œ
œœ
‰ jœœ
œœ œ
B
œ œ œ œbe a big bomb.œœœ œœ œ œœn œ œœ œ
œœ
‰ jœœ
œn œ
A E
~~~~~~
~- - -
&
&
?
# # # # #
# # # # #
# # # # #
70
Œ œ œ œ œWe mean it, Mom,œœœ œœ œ œœœ œœ œ
œœ
‰ jœœ
œœ œ
B
œœ œœœœ
‰ jœjust say no! 'Cause
œœ œœœœœœ ‰ J
œœœ
œ œ œ ‰ jœ
G#mF#
œ œ œ œ œ Œ
if you do the play—œœœ Œ œœœ Œ
œœ
Œ œœ
Œ
C#m7
œ œ œ. œwe won't go oh!
Ó œœœ. œœœ
Ó œœ. œ
F#E
-
&
?
# # # # #
# # # # #
74
œœn Œ Ó
GRACE: "What?!..." (cont.)
œn ‰ jœ œ œn
G
PŒ œœn œœn œœ
œn ‰ jœ œ œ
A
œœ# Œ Ó
œ ‰ jœ œ œ
F#m
Œ œœ œœ œœ
œ œ œ œ
B
&
?
# # # # #
# # # # #
78 œœœ Œ Œ Œ
œ ‰ jœ œ œ
G#m
Œ œœ# œœ œœ
œ‰ j
œ œ œ
C#œœ Œ Ó
GRACE: "...Well, if that's how everyone feels--"
œ ‰ jœ œ œ
G#m˙# ˙ "
œ œ ˙
C# D#rit.
3. Countin' on You6
&
&
?
# # # # #
# # # # #
# # # # #
82
∑TRACK 6
∑
Ó œ> œ>
[GTR, BASS]
Dramatic - Straight Eighths q = 115
CUE to CONTINUE:HELEN "Not everyone."
F
œ œ œ œ œGrace! Let me make one
:HELEN
www[ORGAN]
w>
G#m
œ œ ˙thing quite clear.
www
.˙ œ
&
&
?
# # # # #
# # # # #
# # # # #
85
Œœ œ œ œIt is all your
wwwbbn
wn
Eflat/G
œ œ œ Œ
fault I'm here.
GRACE: "You're kidding!"
www
.˙ œn
‰œ œ œ œ œ œ œ œ œ
3 3
Re mem ber when you said you'd help me
www
w
B/F#
- -
&
&
?
# # # # #
# # # # #
# # # # #
88
œ œ œ‰ jœ
load the van? Youwww
.˙œ
œ œ œ‰ jœ
ne ver showed– and
wwwwn
wn
F dim7
œ œ ˙here I am!
œœœn œœœ˙##
œnœ ˙#
A E F#rit.
∑U
∑U
∑
HELEN: "You owe me."
-
3. Countin' on You 7
&
&
?
# # # # #
# # # # #
# # # # #
92
∑TRACK 7
œœ J
œœ
œœ J
œœ
œœ
œœ
œœ
3 3 3 3
[PIANO]
œœ
œœ
œœ
œœ
œœ
œœ
3 3 3 3
F#60's Girl Group Shuffle q = 140
f
Œ œœœ œœœ œœœ œœœWe're count in' on,
HELEN, LADIES:
œœœ œœ œ œœœ œœ œ
œœ
‰ jœœ
œœ œ
B
œœœ œœœ œœœ œœœn œœœcount in' on you, Grace.œœœ œœ œ œœn œ œœ œ
œœ
‰ jœœ
œn œ
A E
- -
&
&
&
?
# # # # #
# # # # #
# # # # #
# # # # #
95
∑
Œ œ œ œ œYou should have said
:BOB/KIDS
œœœ œœ œ œœœ œœ œ
œœ
‰ jœœ
œœ œ
B
∑
œ œ œ œ œno in the first place.œœœ œœ œ œœn œ œœ œ
œœ
‰ jœœ
œn œ
A E
Œ œœœ œœœ œœœ œœœœœœ œœœ
You're the one who has to∑
œœœ œœ œ œœœ œœ œ
œœ
‰ jœœ
œœ œ
Bœœœ œœœ œœœ Œ
do this show!∑
œœ œœœ œœœ œœœ œœ
œ œ œ œ
F#/A# G#m
&
&
&
?
# # # # #
# # # # #
# # # # #
# # # # #
99
∑
œ œ œ œ œGuys don't you see? I
:GRACE
œœœ Œ œœœ Œ
œœ
Œ œœ
Œ
C#m7
Ó Œ œœœWe
œ œ œ Œ
can't say no!
œœœ Œ œœœ œœœ
œœ
Œ œœ œ
E F#˙ ˙
knew, Grace,
KIDS: "Aw Mom!"
∑
œœ œ œœ œ œœ œ œœ œ
œœ
‰ jœœ
œœ œ
B
Œ œœœnn œœœ œœœœœœn
we could count on
∑
œœnn œ œœ œ œœ œ œœ œn
œœn
n ‰ jœœ
œœ
œœn
n
G
3. Countin' on You8
&
&
?
# # # # #
# # # # #
# # # # #
103
˙# ˙
you, Grace.
BOB: "Really, Honey?"
œœ# œ œœ œ œœ œ œœ œ
œœ
‰ jœœ
œœ œ
B
Œ œœœnn œœœ œœœœœœn
We could count onœœnn œ œœ œ œœœ œœœn
œœn
n ‰ jœœ
œœ
œœn
n
G Arit.
&
&
?
# # # # #
# # # # #
# # # # #
105
www#U
you.
www#U
w
B/F#
∑U
∑U
∑
CUE to CONTINUE (BUTTON)BOB: "Does that mean I have to go?"GRACE/KIDS: "Yes!"
∑TRACK 8
œœ˘
Œ Ó
œœfl
Œ Ó
Immediate Segue
3. Countin' on You 9
&
?
# # # # #
# # # # #
44
44
œœ œ œœ œ œœ œ œœ œTRACK 9
œœ
‰ jœœ
œœ œ
B
60's Girl Group Shuffle q = 140
f
œœnn œ œœ œ œœ œ œœ œn
œœn
n ‰ jœœ
œœ
œœn
n
Gœœ# œ œœ œ œœ œ œœ œ
œœ
‰ jœœ
œœ œ
B
&
?
# # # # #
# # # # #
4 œœnn œ œœ œ œœœ œœœn
œœn
n ‰ jœœ
œœ
œœn
n
G Arit.
www#
w
B/F# œœ˘
Œ Ó
œœfl
Œ Ó
B
3a Countin' Playoutfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: Segue from #3
ã 44 |U
æ
[DRUM ROLL]TRACK 10
Í
Û>
Œ Ó
f
ã3
Û Û Û≈
Û Û Û Û Û Û[DRUM SOLO - TOM TOMS]
TRACK 11Aggressive "Bo Diddly" Beat q = 117
Û Û Û ≈ Û Û Û Û Û Û
? b .. ..5 .œ œ ‰ Jœ ‰ Jœb œ
[+BASS]
Vamp
.œ œ ‰ Jœ ‰ Jœb œ>
3b. Herdman Entrancefrom "The Best Christmas Pageant Ever:The Musical" Music by Malcolm Hillgartner
Lyrics by Hillgartner and Beecham
PIANO/VOCAL SCORE
CUE: BETH & IVY"You're perfect."
3c. Herdman Shoppingfrom "The Best Christmas Pageant Ever:The Musical"
CUE: RALPH: "Let's go shopping!"
&
&
?
b
b
b
44
44
44
∑CHARLIE: "I can't take it anymore"TRACK 12
Ó Œ œœ>[GUITAR]
.œ œ ‰ Jœ ‰ jœ
œ>[BASS]
F
Bouncy "Bo Diddly" Beat q = 117
∑
Ó Œ œœ>.œ œ ‰ Jœ ‰ j
œœ>
.œ œ œ œ ‰ œ œ œWant my lunch? Just take it.
:CHARLIE
œœ œœ œœ ≈ œœ œœ Ó
.œ œ‰ j
œ‰ j
œ œ
&
&
?
b
b
b
4
.œ œ œ œ ‰ œ œ œHere's the bag, go break it.
œœ œœ œœ≈ œœ œœ
Ó
.œ œ‰ j
œ‰ j
œ œ
C 7
.œ œ œ œ ‰ œ œ œWill I care? No way, it's
œœ œœ œœ≈ œœ œœ
Ó
.œ œ‰ j
œ‰ j
œ œ
D m /E F
.œ œ œ œ œ œ œ œjust a P B J, so
œœ œœ œœ≈ œœ œœ
Ó
.œ œ‰ j
œ‰ j
œ œ
Bb C
- -
&
&
?
b
b
b
7
.œ œ œ œ œ œ œ œtake my bag of chips, or
œœ œœ œœ≈ œœ œœ
Ó
.œ œ‰ j
œ‰ j
œ œ
D m /E F
.œ œ œ œ œ œ œ œhave a great big sip of
œœ œœ œœ≈ œœ
œœœ#Ó
.œ œ‰ j
œ
‰ jœ œ
G m/Bb A
.œ œ œ œ ‰ œ œ œchoc' late milk, or may be
œœ œœ œœ≈ œœ œœn
Ó
.œ œ‰ j
œ‰ j
œ œ
D m /E F
- -
4. Take My Lunchfrom "The Best Christmas Pageant Ever:The Musical"
Music by Malcolm HillgartnerLyrics by Hillgartner and Beecham
PIANO/VOCAL SCORE
CUE: ELMER "Run, Charlie, Run!"CHARLIE "Nooooooo!"
&
&
?
b
b
b
10
.œ œ œ œ ‰ œ œ œap ple juice is what you
œœ œœ œœ≈ œœ œœ
Ó
.œ œ‰ j
œ‰ j
œ œ
Bb C
.˙ Œneed.
RALPH: "Careful! It's a trap!"
Ó Œ œœ>
.œ œ‰ j
œ‰ j
œœ>
F
Ó Œ ‰ jœWhy
Ó Œ œœ>
.œ œ‰ j
œ‰ j
œœ>
- -
&
&
?
b
b
b
13
.œ œ œ œ ‰ œ œ œstop at lunch? You know, I
œœ œœ œœ ≈ œœ œœ œœ œœ œœ œœ
.œ œ‰ j
œ‰ j
œ œ
.œ œ œ œ ‰ œ œ œhave a hunch you want my
œœ œœ œœ≈ œœ œœ œœ œœ œœ œœ
.œ œ‰ j
œ‰ j
œ œ
C 7
&
&
?
b
b
b
15
.œ œ œ œ ‰ œ œ œhome work, too, or would you
œœ œœ œœ≈ œœ œœ œœ œœ œœ œœ
.œ œ‰ j
œ‰ j
œ œ
D m /E F
.œ œ œ œ ‰ œ œ œlike my shoes? My shirt's a
œœ œœ œœ≈ œœ œœ œœ œœ œœ œœ
.œ œ‰ j
œ‰ j
œ œ
Bb C
.œ œ œ œ ‰ œ œ œbout your size, and here's the
œœ œœ œœ≈ œœ œœ œœ œœ œœ œœ
.œ œ‰ j
œ‰ j
œ œ
D m /E F
- -
&
&
?
b
b
b
18
.œ œ œ œ œ œ œreal big prize, It's my
œœ œœ œœ≈ œœ
œœœ# œœ œœ œœ œœ
.œ œ‰ j
œ
‰ jœ œ
G m/Bb A
.œ œ œ œ œ œ œ œbike, if you like, I don't care
œœ œœ œœ≈ œœ œœ œœ œœ œœ œœ
.œ œ‰ j
œ‰ j
œ œ
D m
œ œ .œ jœ'cause I've got a
œœ œœ œœ≈ œœ œœ œœ œ
[PIANO Enters:]
.œ œ œ œ œ œ
Bb C~~~~~~
4. Take My Lunch2
&
&
?
b
b
b
21
œ œ œ ‰ œ œ œspec ial place, where I won't
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
ww
D m
œ œ œ œ œ ‰ jœhave to see your face, and
œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ
ww#
#
C#dim
œ œ œ œ œ œ œI can have a ny thing Iœœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
ww
F/C
~~~~~~
- - -
&
&
?
b
b
b
24
.˙ Œplease.
œœœn œœœ œœœ œœœ œœœ œœœ œœœ œœœ
wwn
n
G/B
œ œ œ œ œ œ ŒIce cream, coo kies, cup cakes,
œœœb œœœœœœ œœœ
œœb
b œ œ œœ
Bb
œ œ œ œ ˙Twin kies by the bunch,
œœœn œœœœœœ œœœn
œœn
n œ œ œœ
B dim7
- - -
&
&
&
?
b
b
b
b
27
œ œ œ œ œ ˙and Ha wai ian Punch!
:CHARLIEIMOGENE: "What is this place?"
∑
œœœ œœœ œœœœœœ
b œœœœœœ
3 3
œœ
œœ
œœ
œœ
œœ
œœ
3 3
C C 7
Œ Œ Œ œMy
∑
œœœ œœœ œœœ œœœ
.
.˙˙
œ
.œ jœ ˙Sun day School!
Ó œœ œœSun day
KIDS:
∑
œœ
‰ jœœ
œœ œ
CF
Œ œ œ œ œ œ œIt's so ve ry cool, my
˙ ÓSchool!
œœœ. œœœ
. œœœ. œœœ
. œœœ œœœœœœ
œœ.
‰ jœœ
œœ œ
F
- - -
-
-
4. Take My Lunch 3
&
&
&
?
b
b
b
b
31
.œ Jœ ˙Sun day School!
Ó œœ# œœSun day
HERDMANS:
∑
œœ
‰ jœœ
œœ œ
A D m/E
Ó Œ ‰ jœYou
˙ ÓSchool?
œœœ# . œœœ. œœœ
. œœœ. œœœn œœœ# œœœ#
œœ.
‰ jœœ
œœ œ
A
œ œ œ œ œ œ œ ‰ jœknow, I start to drool just
∑
œœœb‰
jœœœ œœœœœn œœœ
œœ
‰ jœœ
œœ
œœ
œœ
Bb
-
-
&
&
?
b
b
b
34
œ œ œ œ œ œ œ ‰ jœthin kin' a bout those treats they
:CHARLIE
œœœn ‰jœœœ œœœ
œœœ œœœ
œœn
n ‰ jœœ
œœ
œœ
œœ
B dim7
œ œ œ œ œ œ ˙make for us to eat!
œœœœb œœœœœœœ
œœœ œœœ œœœ3
3
œœ
œœ
œœ
œœ
œœ
œœ
3 3
C 7
Ó Œ œAt
˙˙ Œ
œ
œœ
œœb
b œœ
œœ
~~~~~~
~~
- -
&
&
&
?
b
b
b
b
37
.œ jœ ˙Sun day School!
:CHARLIE
Ó œœ œœSun day
KIDS/HERDMANS:
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
‰ jœœ
œœ œ
F
Œ œ œ œ œ œWhere the kids all rule!
˙ Œ ‰ jœSchool! Your
HERDMANS:
œœœ. œœœ
. œœœ. œœœ
. œœœ œœœœœœ
œœ.
‰ jœœ
œœ œ
Ó œœ# œœSun day
KIDS:
.œ Jœ ˙Sun day School!œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
‰ jœœ
œœ œ
A D m/E
~~~~~~
~~
-
- -
-
4. Take My Lunch4
&
&
&
?
b
b
b
b
40
˙ ÓSchool?
Ó Œ ‰ jœYou
RALPH:
œœœ# . œœœ. œœœ
. œœ. œœœn œœœ# œœœ#
œœ.
‰ jœœ
œœ œ
A
Ó Œ ‰ jœLike
IMOGENE:
œ œ œ œ œ œ œ Œreal ly get free food?
œœœb‰ J
œœœ œœœœœn œœœ
œœ
‰ jœœ
œœ
œœ
œœ
Bb
œ œ œ œ œ œ ˙cher ry Cokes with ice?
Ó Œ ‰ jœAnd
CHARLIE:
œœœn‰ J
œœœ œœœœœ œœœ
œœn
n ‰ jœœ
œœ
œœ
œœ
B dim
-
-
&
&
&
?
b
b
b
b
43
∑
œ œ œ œ œ œ ˙piz za by the slice!
:CHARLIE
œœœœb œœœœœœœ
œœœ œœœ œœœ3
3
œœ
œœ
œœ
œœ
œœ
œœ
3 3
C 7
Ó Œ ‰ jœSo
BETH:
Ó Œ ‰ jœSoœ
œœœ
œœ
œœ
˙˙
‰ jœœ
≈ œœ
œœ
.œ œ œ œ>Ó
take my lunch.
.œ œ œ œ>‰ œ œ œ
take my lunch. It's my treat!
...œœœ œœ œœ œœœ>
Ó
.
.œœ œ œ œ
œ>‰ jœ œ
F
-
&
&
&
?
b
b
b
b
46
.œ œ œ œ>‰ ‰ Œ
Take my lunch!
+ELMER, ALICE
.œ œ œ œ>‰ œ œ œ
Take my lunch! I re peat.
...œœœ œ œ œœœ>
Ó
.
.œœ œ œ œ
œ>‰ j
œ œ
C
.œ œ œ œ ‰ œ œ œUn der stand that we've got
:KID GIRLS
.œ œ œ œ ‰ œ œ œUn der stand that we've got
:KID BOYS
..œœ œœ œœ œœœ>
Ó
.
.œœ œ œ œ>
‰ jœ œ
D m /E F
-
- -
- -
4. Take My Lunch 5
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48
.œ œ œ œ>‰
œ œ œbet ter plans than just to
.œ œ œ œ> ‰ œ œ œbet ter plans than just to
....œœœœ
œœœœœœœœ
œœœ> Ó
.œ œ œ œ>
‰ jœ œ
Bb C
.œ œ œ œ>‰ œ œ œ
eat and run, It's real ly
.œ œ œ œ>‰ œ œ œ
eat and run, It's real ly
...œœœ œœœ œœœ œœœ>
Ó
.
.œœ œ œ œ>
‰ jœ œ
D m /E F
.œ œ œ œ>
Œ œ œlots of fun In our
.œ œ œ œ>
Œ œ œlots of fun In our
....œœœœ
œœœœœœœœ œœœ# > Ó
.œ œ œ œ>‰ jœ œ
G m/Bb A
-
-
-
-
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51
.œ œ œ œ œ œ œ œown spec ial place, where we won't
.œ œ œ œ œ œ œ œown spec ial place, where we won't
..œœ œœ œœ œœœn Œ œœœ
.œ œ œ œ Œ œ
D m F
œ œ œ ‰ jœsee your face at
œ œ œ ‰ Jœ
see your face at
œœœ œœœœœœ œœœ
œ œ œ œ
Bb C
-
-
4. Take My Lunch6
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53
..œœ jœœ ˙Sun day School!
:KIDS
Ó œœ œœSun day
HERDMANS:
∑
∑
œœ
‰ jœœ
œœ œ
F C
∑
˙ ÓSchool?
Œ œ œ œ œ œ œIt's so ve ry cool, my
CHARLIE:
œœœ. œœœ
. œœœ. œœœ
. œœœ œœœœœœ
œœ
‰ jœœ
œœ œ
F
Ó œœ# œœSun day
∑
.œ Jœ ˙Sun day School!
∑
œœ
‰ jœœ
œœ œ
A D m/E
˙ ÓSchool!
∑
Ó Œ ‰ jœIt's
œœœ# . œœœ. œœœ
. œœœ. œœœn œœœ# œœœ#
œœ
‰ jœœ
œœ œ
A
-
-
-
-
-
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57
œ œ œ œ œ œ œ ‰ jœreal ly kind of cruel that
:CHARLIE
œœœb‰
jœœœ œœœœœn œœœ
œœ
‰ jœœ
œœ
œœ
œœ
Bb
œ œ œ œ œ œ œ ‰ jœyou and all your kin won't
œœœn ‰jœœœ œœœ
œœœ œœœ
œœn
n ‰ jœœ
œœ
œœ
œœ
B dim7
-
4. Take My Lunch 7
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59
Œ ‰ jœœ œœ œœ œœ œœ œœWon't e ver be let
KIDS:
œ œ œ œ œ œ ˙e ver be let in!
œœœœb œœœœœœœ
œœœ œœœ œœœ3
3
œœ
œœ
œœ
œœ
œœ
œœ
3 3
C 7
˙ Óin!
Ó Œ ‰ jœSoœ
œœœ
œœ
œœ
˙˙
‰ jœœ
≈ œœ
œœ
Ó ‰ œ œ œNo, take mine!
ALICE:
.œ œ œ œ Ótake my lunch!
CHARLIE:
œœ œ œœ œœ œ œœ œœœ>
Œ
.œœ ‰ jœ œ> œ œ
F
-
-
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62
Ó ‰ œ œ œNo, take mine!
BETH:
.œ œ œ œ ‰ œ œ œTake MY lunch! No, take mine!
:ELMER TEDDY:
œœ œ œœ œœ œ œœ œœœ>
Œ
.œœ ‰ j
œ œ> œ œ
C
.œ œ œ œ ‰ œ œ œUn der stand that we've got
:KID GIRLS
.œ œ œ œ ‰ œ œ œUn der stand that we've got
:KID BOYS
œœ œ œœ œœ œ œœœœœœ>
Œ
.œ œ‰ jœ œ> œ œ
D m /E F
.œ œ œ œ ‰œ œ œ
bet ter plans We're off to
.œ œ œ œ ‰ œ œ œbet ter plans. We're off to
œœ œ œœ œœ œœœœ ‰
Jœœœ œœœ
.œ œ‰ j
œ‰ j
œ œ
Bb C
- -
-
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-
4. Take My Lunch8
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65
.œ œ œ œÓ
Sun day School,
:KIDS
.œ œ œ œ ÓSun day School
Ó ‰ œ œ œThat's where the
HERDMANS:
œœ œ œœ œœ œ œœ ‰Jœœœ œœœ
.œ œ‰ jœ ‰ jœ œ
D m /E F
∑
Ó Œ œ œand the
CHARLIE:
.œ œ œ œ Ókids all rule,
œœœ œœœœ œœœ œ
œœœ# ‰Jœœœ# œœœ#
.œ œ‰ j
œ‰ j
œ œ
G m/Bb A
-
-
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67
∑
.œ œ œ œ ˙best part of all!
Ó .œ œ œ œBest part of
œœ œ œœ œœ œ œœœ ‰jœœœ œœœ
.œ œ‰ jœ
‰ jœ œ
D m
Ó ‰ œ œ œThere are no
.œ œ œ œ ˙Best part of all!
˙ Óall
œœ œ œœ œœ œ œœœ ‰Jœœœ œœœ
.œ œ‰ jœ
‰ jœ œ
4. Take My Lunch 9
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...˙ œœœHerd mans
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
.
.œœ
jœœ
œœ
œœ
Bb
˙ Œ œœœthere at
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
.
.œœ
jœœ
œœ
œœ
C
wwwall!
:KIDS/CHARLIE
Ó Œœœœ>
.œ œ ‰ jœ ‰ jœ œ>
F
www
Ó Œœœœ>
.œ œ ‰ jœ ‰ jœ œ>
-
&
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b
b
73 œœœ œœœ œœœ ≈œœœ œœœ Œ
œœœ>
.œ œ ‰ jœ ‰ jœ œ>
Bb/Fœœœ>
Œ Ó
œœ>
Œ Ó
F
Segue
4. Take My Lunch10
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∑TRACK 13
∑
.œ œ‰ j
œ‰ j
œb œ
[BASS+DRUMS]
Bouncy "Bo Diddly" Beat q = 117
∑
Ó Œœ
.œ œ‰ j
œ‰ j
œb œ
f
.œ œ œ œ ‰ œ œ œ[ALTO SAX]
œœ œ œœ œœ œ œœ œœœ>
Œ
.œœ ‰ jœ œ> œ œ
F
f
~~~~~~~
&
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4
.œœ œ
œ ‰ œ œ œ
œœ œ œœ œœ œ œœ œœœ>
Œ
.œœ ‰ j
œ œ> œ œ
C
.œ œ œ œ ‰ œ œ œ
œœ œ œœ œœ œ œœœœœœ>
Œ
.œ œ‰ jœ œ> œ œ
D m /E F.œ œ ‰ Jœ
œ œ œ œ
œœ œ œœ œœ œœœ ‰
Jœœœ œœœ
.œ œ‰ j
œ‰ j
œ œ
Bb C
&
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b
b
b
7 .œ œ ‰ Jœ œ œ œ œ
œœ œ œœ œœ œ œœ ‰Jœœœ œœœ
.œ œ‰ jœ ‰ jœ œ
D m /E F
.œ œ ‰ jœ œ œ œ œ
œœœ œœœœ œœœ œ
œœœ# ‰Jœœœœ œœœœ
.œ œ‰ j
œ‰ j
œ œ
G m/Bb A
.œ œ ‰ jœ ‰ œ œ œ
œœ œ œœ œœ œ œœœ ‰jœœœ œœœ
.œ œ‰ jœ
‰ jœ œ
D m
4a. Take My Lunch Transitionfrom "The Best Christmas Pageant Ever:The Musical" Music by Malcolm Hillgartner
Lyrics by Hillgartner and Beecham
PIANO/VOCAL SCORE
CUE: BETH "Charley Bradley what have you done?"
&
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..
..
..
..
.. ..10 .œ œ ‰ Jœ ‰ œ œ œ
œœœ œœœ œœœ ≈ œœœœœœ Ó
œœ
œœ
œœ
≈ œœ
œœ
‰ jœ œ
Bb C
œ Œ Ó
Ó Œ œœœ
.œ œ ‰ jœ ‰ jœb œ
FSafety
∑
Ó Œ œœœ>
.œ œ ‰ jœ ‰ jœb œ>
4a. Take My Lunch Transition2
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44
44
œ œ[CLARINET]
TRACK 14
Œ
Œ
Easy q = 85
œ œ œ œ
œœœ œœœ œœœ œœœœœœ œœœ œœœ œœœ
œ ‰ jœ œ ‰ Jœ
CD m
F
œ œ œ œ œ œ œ
œœœ œœœ œœ œœ œœœ œœœ œœœ œœœ
œ œ œ ‰ jœ
Em G 7 C /B
&
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3œ œ .œ
Jœ
œœœ œœœ œœœ œœœœœœ œœœ œœœ œœœ
œ ‰ jœ œ ‰ Jœ
A m Em
œ œ œ ‰ Jœ
œœœ# œœœ œœœ œœœœœœ œœœ œœœ œœœ
œ œ œ œ ‰ jœ
E7 A m
œ œ œ œ œ œ
œœ œ œœ œ œœ# œ œœ œ
œ ‰ jœ.œ Jœ
F D 7
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6œ œ œ œ œ
œœ œ œœ œ˙˙
œ œ ˙
C A m/Bœ# œ œ œ# œ œ
˙˙#
˙˙˙##
˙ ˙#
E F#dim7
œ œ U
œ œ# œ œ ˙U
œ œ ˙
D m/FEm/G /A
rit.
4b. Perfect Little Town Transitionfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: HELEN: "Nurse!"
&
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Ó Œ œTRACK 15
ww>
@
Ominously q = 100
F
....œœœœ
Jœœœ#
# ˙˙
.œjœ# jœ œ jœ
A m /G#...
œœœJœœœ#
# ˙˙˙
.œjœ# jœ œ jœ
D 9/F#A m7œ œ œ œ œ œ œ# œ
.œjœ jœ œ j
œ
F
&
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5
œ œ œ œ œœœ
œ œ œ œ
E ....œœœœ
Jœœœ#
# ˙˙
.œjœ# jœ œ jœ
A m /G#...
œœœJœœœ#
# ˙˙˙
.œjœ# jœ œ jœ
D 9/F#A m7
˙ ˙˙˙U
˙ ˙
FMaj7 E7
P
rit.
ã .. ..9
Û ‰JÛ Û Û
[DRUM SOLO]
TRACK 16Rock q = 140
CUE to CONTINUE:GRACE: "What is it Teddy?"
Vamp
Û>
Œ Ó
Segue
4c. Horrible Transitionfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: IMOGENE"We'll see about that."
4d. Herdman Entrance IICUE: GRACE "But you always play Mary." ALICE: "No."
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44
44
Œ .TRACK 17
œ œn œ
œ œn œ
Rock q = 140
f
œ œ œ œ œn
Hey Mis sus Brad ley!
IMOGENE:
œ>
Œ ‰ œ œn œ
œ> Œ ‰ œ œn œ
A m
Ó ‰ œ œ œI wan na
œb œ œn œ> Ó
œb œ œn œ> Ó
- - -
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# # #
# # #
# # #
3
œ œ œ œ Œ . jœbe in the show. Here's
:HERDMANS
Ó ‰œœœ# œ œ
œœ œ# œ
œœœ œ œ
F#m
F
œ œ œ œ œ ‰ jœhow it's gon na go: Since
:IMOGENE
œœœ Œ ‰œœœ œ œ
œœ œ œ
œœœ œ œ
œ œ œ œ œ œ œ œMa ry is the star, I'm gon na
œœœ Œ Ó
œœ œ œ
œœœ œ œ
- - -
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6
œ œ œ œ œ œ
have that part. Mis sus Brad
œœœ œœœœœœ Œ
œœ œ œ œ
œœ
œ
œ œ .˙ley!
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
D
Ó ‰ jœ œMis sus
+HERDMANS:
œœn œ œœ œœ œœ œ œ
œ œœ œ œ œ
DG/D
w
Brad
...œœœ Jœœœ œœœ œœœ
œœ
œ œœ
œ
A 6/E
- - --
5. Hey Mrs. Bradley!from "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: TEDDY "I'm gonna be sick"
&
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10
œ œ œ œ œ œ œley! Put me in to the show.
:IMOGENE
œœœ Œ Ó
œœ
Œ Ó
E
Œ œœœ œœœ‰ jœœœ
Uh oh! Why
:KIDS
œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
A
œœœ œœœ œœœ œœœ œœœœœœ Œ
would ya wan na do it?
œœœ œœœ œœœ œœœ Jœœœ ...œœœ
œ ‰ Jœœ œ
D 6 E6
- - -
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Œ œœœ œœœ‰ jœœœ
Oh no! You're
œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
A
œœœ œœœ œœœœœœ Œ Œ
gon na rue it!
œœœ œœœ œœœ œœœ ‰ œ œn œ
œ ‰ Jœ ‰ œ œn œ
D 6 E6
f
œ œ œ œ œn
Hey Mis sus Brad ley!
IMOGENE:
œœ>
Œ ‰ œ œn œ
œ> Œ ‰ œ œn œ
A m
- - -
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Ó ‰ œ œ œRalph wants to
œb œ œn œ> Ó
œb œ œn œ>Ó
œ œ œ œ Œ . jœbe in the show. Here's
:HERDMANS
Ó ‰œœœ# œ œ
œœ œ# œ
œœœ œ œ
F#m
F
œ œ œ œ œ ‰ jœhow it's gon na go: He
IMOGENE:
œœœ Œ ‰œœœ œ œ
œœ œ œ
œœœ œ œ
-
5. Hey Mrs. Bradley!2
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œ œ jœ œ ‰ œwants to be cool, not
œœœ Œ Ó
œœ œ œ
œœœ œ œ
œ œ œ œ ‰ œ œ œ
look like a fool, Mis sus Brad
œœœ œœœ œœœœœœ œœœ
œœœ œ œ
œœ œ œ œ
œœ
œ
œ œ .˙ley!
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
D
&
&
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# # #
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22
Ó ‰ jœ œMis sus
+HERDMANS:
œœn œ œœ œœ œœ œ œ
œ œœ œ œ œ
DG/D
w
Brad
...œœœ Jœœœ œœœ œœœ
œœ
œ œœ
œ
A 6/E
œ œ œ œ œ œ œley! Put 'im in to the show.
:IMOGENE
œœœ Œ Ó
œœ
Œ Ó
E
- - -
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25
Œ œœœ œœœ œœœ‰ jœœœ
This is bad, it's
:KIDS
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
A
œœœ œœœ œœœ œœœ œœœœœœ Œ
real ly gon na hurt us.
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œ ‰ Jœœ œ
D 6 E6
‰ œœœ œœœ œœœ ...œœœjœœœ
It's gon na be a
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
A
- - -
5. Hey Mrs. Bradley! 3
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œœœ œœœ œœœœœœ Œ
three ring cir cus!
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œ ‰ Jœœ œ
D 6 E6
Œ œ œ œ œ œNow's the time for one
:GRACE
œœœ ‰ Jœœœ Ó
œœ ‰
jœœ Œ ‰ jœ
F#m /E
œ œ œ œ œ œof you to stand up.
œœœ ‰ Jœœœ Ó
œœ ‰
jœœ Œ ‰ jœ
F#m /E
- -
&
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Œ œ œ œ œnLast chance, won't some
œœœ ‰ Jœœœ Œ ‰ J
œœœn
œœ
‰ jœœ
Œ ‰ jœn
D G
œ œn œn œ œ œone put their hand up?
œœœ œœœn œœœ œœœ œœœ œœœ
œ œn œœ
œœ
D
Œ œ œ œ œ œ œCome on, A lice, El mer
œœœ ‰ Jœœœ Ó
œœ ‰
jœœ Œ ‰ jœ
F#m /E
œ œ œ ÓBeth or Ted?
œœœ ‰ Jœœœ Ó
œœ ‰
jœœ Œ ‰ jœ
F#m /E
- - -
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œœœn œœœ œœœ œœœ œœœ œœœ œœœSor ry, Mis sus Brad ley
:KIDS
˙nœn œ œ œ
œn œ œ œ
G
Œ œœœn œœœ œœœ œœœbut we'd end up
œ œ œn œ œ œ œ œ
œœn
n œœ
œœ
œœ
D
www#dead.
œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œ œ œ œ œ œ œ œ
E E6
- - -
5. Hey Mrs. Bradley!4
&
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..
..
..
38œœœ>
Œ Ó
œœ
Œ Ó
E
œœn ‰ Jœœ œœ ‰ J
œœ
GRACE: "Well we need someone to play..." (cont.)
œn ‰ jœ œ œ
C
P
Play 3x
œœnn œœ œœœn œœœ œœœ œœœ œœœ
œn œ œn œ œ
F Gœœœ ‰
Jœœœ œœœ ‰
Jœœœ
œ ‰ Jœ œ œ
A
&
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# # #
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42 œœœ ‰Jœœœ œœœ ‰
Jœœœ
œ ‰ Jœ œ œ
D œœœn ‰ Jœœœ œœœ ‰ J
œœœ
œn ‰ Jœ œ œ
G œœœn œœœ ‰œœœ# ˙
...ALICE: "Not Gladys. Anyone but Gladys."
œn œ ‰ œ ˙
/D E ˙‰ œ œn œ
˙ ‰ œ œn œf
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œ œ œ œ œn
Hey Mis sus Brad ley!
:GLADYS
œ>Œ ‰
œ œn œ
œ> Œ ‰ œ œn œ
A m
Ó ‰ œ œ œI wan naœb œ œn œ>
Ó
œb œ œn œ> Ó
œ œ œ œ ‰ Œ jœbe in the show. Here's
Ó ‰ œœœ œ œ
œœ œ œ
œœœ œ œ
F#m
F
- - -
&
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49
œ œ œ œ œ œ œ œhow it's gon na go: I wan na
œœœ Œ ‰ œœœ œ œ
œœ œ œ
œœœ œ œ
œ œ œ œ œ œ œbe that an gel thing with the
œœœ Œ ‰ œœœ œ œ
œœ œ œ
œœœ œ œ
œ œ œ œ œ œ œpink spark ly wings. Mis sus Brad
œœœ Œ ‰ œœœ œœ œœ
œœ œ œ œ
œœ
œ
- - - -- -
5. Hey Mrs. Bradley! 5
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# # #
# # #
# # #
52
œ œ .˙ley!
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
D
Ó ‰ jœ œMis sus
œœ œn œœ œœœ œœœ œ œ
œ œœ œ œ œ
DG/D
w
Brad
...œœœ Jœœœ œœœ œœœ
œœ
œ œœ
œ
A 6/E
œ œ œ œ œ œ œley! Put me in to the show.
œœœ Œ Ó
œœ
Œ Ó
E
- - --
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&
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# # #
# # #
# # #
56
Œ œœœ œœœ œœœ‰ jœœœ
This is bad, a
KIDS:
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
A
œœœ œœœ œœœ œœœ œœœœœœ Œ
fed e ral dis as ter!
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œ ‰ Jœœ œ
D 6 E6
Œ œœœ œœœ œœœ œœœ œœœGon na haunt us
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
A
- - - - -
&
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# # #
# # #
# # #
nnnbb
nnnbb
nnnbb
59
œœœ œœœ œœœ œœœ œœœœœœ œœœ
now and ev er af ter,
œœœ Œ Ó
œœ Œ ‰ œ œ œ
D 6 E6
wwwnnOooh!
œœn œœn œœn œœ
œœn
n œœ
œœ
œœ
œœ
œœ
œœ
œœ
F
wwwnn
œœœnn œœœœœœn œ
œn œ
œœœ
œœn
n œœ
œœ
œœ
œœ
œœ
œœ
œœ
- -
5. Hey Mrs. Bradley!6
&
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bb
bb
bb
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62
œ œ œ œ œb
Hey Mis sus Brad ley!
:ALICE
∑
œ>Œ ‰ œ œb œ
œœ>
Œ ‰ œ œb œ
Bbm
f
Ó Œ œb œI can't
∑
œn œb œb œ> Ó
œn œb œb œ> Ó
œ œ œ œ Óbe in the show.
Ó Œ ‰ jœI
TEDDY:
Ó ‰ œœœn œ œ
œœ œn œ
œœœ œ œ
G m
F
- -
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bb
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65
Ó . ‰ jœMy
GRACE: "What?"IVY:
œ œ œ œ œ Œ
real ly have to go.œœœ Œ ‰ œœœ œ œ
œœ œ œ
œœœ œ œ
œ œ œ œjœ ‰ Œ
fam 'ly's lea ving town.
Ó ‰ œ œ œToo bad we
ELMER:
œœœ Œ ‰ œœœ œ œ
œœ œ œ
œœœ œ œ
Ó ‰ œ œ œ
Miss sus Brad
:GIRLS
œ œ œ œ œ œ œ œ
have to let you down. Miss sus Brad
:BOYS
œœœ Œ ‰ œœœ œœ œœ
œœ œ œ œ
œœ
œ
- - - -
- - -
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68
œ œ .˙ley!
œ œ .˙ley!
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œ œœ
œ
Eb
Ó ‰ Jœ œMis sus
Ó ‰ Jœ œMis sus
œœ œb œœ œœœ œœœ œ œ
œ œœ œ œ œ
Ab/Eb Ebw
Brad
w
Brad
...œœœ Jœœœ œœœ œœœ
œœ
œ œœ
œ
Bb6/F
œ œ œ œ œ œ œley! We can't be in the show.
œ œ œ œ œ œ œley! We can't be in the show.
œœ Œ Œ œ œ
œœ Œ Œ œ
œœœ
F
- - -
- - -
5. Hey Mrs. Bradley! 7
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72
Œ œ œ ‰ jœNo one! Is
:GRACE
Œ œ œ ŒNo one!
:HERDMANS
œœœœœœ> œœœ
>Œ
œœ.
œœ.
œœ.
œœ.
G m
œ œ œ œ œ œgon na leave this pa geant!
∑
˙ ˙
œœ.
œœ.
œœ.
œœ
œœ
Œ œ> œ> œ œ œ
No one! Is gon na
Œ œ> œ> ŒNo one!
œœ#œœœ
# > œœœ>
Œ
œœ#
#.
œœ.
œœ.
œœ.
F#aug
œ œ œ œ œleave this town
∑
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#.
œœ.
œœ.
œœ
œœ
- - -
&
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bb
bb
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76
Œ œ> œ> œ œ œNo one will have a
œœœnœœœ> œœœ
>Œ
œœn
n.
œœ.
œœ.
œœ.
Bb/Fœ œ œ œ œ
con flict, e ver!
˙ ˙
œœ.
œœ.
œœ.
œœ œ
œ
œ œ ‰ œ œ œNo one! Is gon na
œœœ ...˙
œœn
n œœ
œœ
œœ
Edim7rit.
œ œ U
let me down.
œœœœœœœ
˙˙
U
œ œ ˙˙
U
G mEb7 D m/F
-- -
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80
Ó œ œ œ œ
But Mis sus Brad
ALICE:
∑
∑
a tempo
œ œ .˙
ley!
TRACK 18
œœ œ œ œ œœ œ œ œ
œœ
œœ
œœ
œœ
EbÓ Œ œ œ
Mis sus
KIDS:
œœ œ œ œ œœ œ œ œœ
œœ
œœ
œœ
œœ
- - -
5. Hey Mrs. Bradley!8
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bb
bb
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83
w
Brad
œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œœ
œœ
œœ
G m/F
œ ‰ Jœ œ œ œ œley! You're all in the show!
:GRACE
œœœ Œ Ó
œœ Œ ‰ œ œ œ>
F
∑
Œœœ>
Ó
Œ œœ>
Ó
Bb
Immediate Segue
-
5. Hey Mrs. Bradley! 9
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44
44
44
œ œ œ[TENOR SAX]TRACK 19
Œ .
Œ .
Rock q = 140
f
œ œ œ œ œ œ œ
œœ œ œ œ œœ œ œ œ
œœ
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Eb
f
œ œ œ œ œ œ œ
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V
&
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œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœ
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F
Œœ>
Ó
Œœœ>
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Œ œœ>
Ó
Bb
5a. Mrs. Bradley Playoutfrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: Segue from #5
&
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86
..
..
œœ œœ œœ œ œ œTRACK 20
∑
Bright and Bouncy q. = 110
Fœ>
jœœŒ jœœ
jœ ‰ ‰ œ Jœ
A mVamp as needed for scene change
Œ jœœŒ jœœ
jœ ‰ ‰ œ Jœ
&
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..
..
4
Œ jœœ‰
œ œjœ ‰ ‰ .œ
..œœ ..œœ
.œ .œ
F G jœœœ‰ ‰ Œ ‰
HELEN: "WHAT!"...
jœ ‰ ‰ Œ ‰
A m
5b. Problem Transitionfrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: ALICE "Wait untilMrs. Armstrong hears about this!"
&
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86
86
..
..
..
..
œ>
jœœŒ jœœ
TRACK 21
jœ ‰ ‰ œ Jœ
A m
Bright and Bouncy q. = 110
Œ jœœŒ jœœ
jœ ‰ ‰ œ Jœ
Œ jœœ‰
œ œjœ ‰ ‰ .œ
CUE to CONTINUE: [Phone ring] Grace "Hello?"
..œœ ..œœ
.œ .œ
F G
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.œ .œProb lem!
:HELEN
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
A m
Œ .œ œ# œ
We've got a
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
.œ .œprob lem,
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
.œ Œ jœGrace. You're
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
œ œ œ œ œ œmak ing a mess of my
Œ jœœœœŒ jœœœœ
jœ ‰ ‰ jœ ‰ ‰
F 6
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.œ Œ jœshow! Oh
GRACE: "Oh no!"
Œ jœœœœ ....œœœœ
Œjœ
œ..
œœ
.œ Œ jœyes! How
Œ jœœœœ ....œœœœ
Œjœ
œ..
œœ
œ jœ œjœ
could you cast those
Œ jœœœœŒ jœœœœ
jœ ‰ ‰ jœ ‰ ‰
jœ œ Œ jœHerd mans? That
Œ jœœœœŒ jœœœœ
jœ ‰ ‰ jœ ‰ ‰
œ jœ œ jœ
kind of thing won't
‰ œ œ œ œ œ
jœ ‰ ‰ œ Jœ
-
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15
.œ#Œ j
œgo. You
..œœ# ..œœ
.
.œœ
.
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E
œj
œ œ œ# œcan't de pend on those
œ œ œ œ œ œ
.
.œœ
.
.œœ
A m
œ‰
œ jœkids, it's an
œ œ œ œ# œ œ
.
.œœ
.
.œœ
E/B
œ jœ œ œ œin dis pu ta ble
œ œ œn œ œ œ
.
.œœ
.
.œœ
C
.œ Œ jœfact. But
œ œ œ œ œ œ
.
.œœ
.
.œœ
D
- - - - -
6. Problemfrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: HELEN "Something has to be done about this!"
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20
œ jœ œjœ
how could you havejœœœ#
>‰ ‰ Œ .
jœœ>
‰ ‰ Œ .
E
œ jœ œ jœknown, my dear, you
∑
Œ . .œ
œ jœ œjœ
can't be blamed forjœœœ# ‰ ‰ Œ .
jœœ
‰ ‰ Œ .
.œ Œ ‰
that.
GRACE: "Blamed?"
œœ œ œ œ œ œ#
∑
œ jœ œjœ
Grace, you must re
Œ jœœœŒ jœœœ
jœ ‰ ‰ jœ ‰ ‰
F
-
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25
œ jœ œ Jœb
place them, it's the
Œ jœœœŒ jœœœ
jœ ‰ ‰ jœ ‰ ‰
œJœb œ jœ
Chris tian thing to
Œ jœœœŒ jœœœ
jœ ‰ ‰ jœ ‰ ‰
.œ Œ jœdo. If
Œ jœœœŒ jœœœ
jœ ‰ ‰ jœ ‰ ‰
œ# jœ œjœ
not, they'll look like
Œ jœœœ# Œ jœœœjœ# ‰ ‰ Jœ ‰ ‰
D 7
.œ œ jœfools when they
Œ jœœœ# Œ jœœœjœ# ‰ ‰ œ Jœ#
-
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.œ .œdon't come
...œœœ...œœœ
.
.œœ
.
.œœ
G
.˙#through.
...œœœ# ...œœœ
.
.œœ#
# ..
œœ
Eœ
Jœ œ Jœ
What a bout their
:GRACE
œœ jœ œœ jœ
.
.œœ .œ
A m
.œ .œfeel ings
œœ jœ œœ jœ
.
.œœ .œ
œJœ œ jœ
af ter such aœœ jœ œœ jœ
.
.œœ .œ
F
.œ Œ .
blow?œœ jœ œœ jœ
.
.œœ .œ
---
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œ jœ œ œ œTrust me, I'm a di
:HELEN
...œœœ Œ .
.
.œœ
Œ .
E7
œ# jœ Œ .
rec tor.
Œ ....œœœ#
Œ ...
œœ
œ> ‰ Œ .
They...œœœ Œ .
.
.œœ
Œ .
F
œ> ‰ Œ .
must...œœœ Œ .
.
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Œ .
G
.˙>
go!œ œ œ œ œ œ
.
.œœ .œ
A m
∑GRACE: "Helen? Helen?!"
.œ>
Œ .
.
.œœ>
Œ .
Immediate Segue
- -
6. Problem2
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86
..
..
..
..
Œ jœœŒ jœœ
TRACK 22
jœ ‰ ‰ œ Jœ
A mBright and Bouncy q. = 110
[Scene Change]Œ jœœ
Œ jœœjœ ‰ ‰ œ Jœ
Œ jœœ‰
œ œjœ ‰ ‰ .œ
..œœ ..œœ
.œ .œ
F G
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œ jœ œjœ
Bas kets for the
:LADIES/REV
jœœœ‰ ‰ Œ jœœœ
jœ ‰ ‰ Œ jœ
C
.œ .œnee dy,
jœœœ‰ ‰ Œ .
jœ ‰ ‰ .œ
œ Jœ œ jœbas kets for the
jœœœ‰ ‰ Œ jœœœ
jœ ‰ ‰ Œ jœ
F G
.œ Œ .
poor.
...œœœ...œœœ
.œ .œ
C G
œjœ œ
jœFood e nough for
jœœœ‰ ‰ Œ jœœœ
jœ ‰ ‰ Œ jœ
C
.œ .œtwen ty
jœœœ‰ ‰ ...œœœ
jœ ‰ ‰ .œ
- - - - -
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œjœ œ jœ
and a lit tle
...œœœ ...œœœ
.œ .œ
G 7
.œŒ .
more.
...œœœ...œœœ
.œ .œ
C G
œ jœ œjœ
San ta brings them
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
C
.œ .œtrea sures,
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
œ Jœ œ jœwe de li ver
Œjœœœ Œ
Jœœœ
jœœ ‰ ‰
jœœ ‰ ‰
F G
- - - - -
7. Baskets for the Needyfrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: GRACE: "Helen? Helen?"(Segue from #6)
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16
.œ Œ .
joy.
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
C
œjœ œ
jœEach one packed with
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
.œ .œour love
Œjœœœ œ œ œ
jœœ
‰ ‰ jœœ
‰ ‰
œjœ œ jœ
and a lit tle
œœ jœœœ jœ
jœ ‰ ‰ jœ ‰ ‰
G
.œŒ ‰
toy.
...œœœ ..œœ
.
.œœ
.
.œœ
C G/B
-
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œj
œ œ œ# œWhat's the mat ter with
:LUANNE
Œ jœœŒ jœœ
jœœ
‰ ‰ jœ‰ ‰
A m
.œŒ jœ
Grace? She
:CONNIE
Œ jœœ Œ jœœjœ ‰ ‰ .œ#
E
œ jœ œ œ œmust be out of her
Œ jœœŒ jœœ
jœ ‰ ‰ jœ‰ ‰
A m
.œŒ ‰
mind.
Œ jœœ Œ jœœjœ ‰ ‰ .œ
E
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œ œ œ œ œ œPut ting those kids in the
:BETTY
Œ jœœŒ jœœ
jœ ‰ ‰ jœ ‰ ‰
C
.œ Œ jœplay? Per
:REVEREND
Œ jœœ Œ jœœ
Jœ ‰ ‰ jœ ‰ ‰
D m
œ œ œ œjœ
haps she was be ing
jœœ ‰ ‰ Œ .
jœœ
‰ ‰ Œ .
E7
.œ Œ ‰
kind.
Œ . ..
œœ
Œ . ..
œœ
- --
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29
œ jœ œjœ
Have you seen those
:LUANNE
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
F
œ jœ œ Jœ
kids? You know, their
:BETTY
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
œJœ œ jœ
mo ther's ne ver
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
.œ Œ jœhome. I'm
CONNIE:
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
- -
7. Baskets for the Needy2
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33
œ# jœ œ œ œnot sur prised, they're a
Œjœœœ# Œ
jœœœ
jœ# ‰ ‰ œ Jœ#
D 7
œ ‰ Œ jœpain. Those
REVEREND:
Œjœœœ# Œ
jœœœ
jœ# ‰ ‰ œ Jœ#
œ jœ œ jœkids are on their
œ œ œ œ œ œ
.œ..
œœ
G
.œ# Œ jœown. What
CONNIE:
Œ . ..
œœ>
Œ . ..
œœ>
E subito p
-
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œJœ œ Jœ
hap pened to their
Jœœœ ‰ ‰ Œ .
Jœ ‰ ‰ Œ .
A m
subito p
.œ .œfa ther?
Œ ....œœœ
Jœ
‰ ‰ Œ .
œJœ œ jœ
He left years a
:BETTY
Jœœœ ‰ ‰ Œ .
Jœ
‰ ‰ Œ .
F
.œ Œ ‰
go.
Œ ....œœœ
Jœ ‰ ‰ Œ .
œ œ œ .œHopped on a freight.
:LUANNE
Jœœœ# ‰ ‰ Œ .
Jœ ‰ ‰ Œ .
E
∑
Œ . ..œœ#
Œ . .œ
- - -
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œ œ œ .œNe ver looked back.
Jœœ ‰ ‰ Œ .
Jœ ‰ ‰ Œ .
F
Œ ‰ ‰ œ œDo you
BETTY:
Œ . ..œœ
Œ ..œ
.˙blame
..˙
.˙
G
.œ# Œ .
him?
Jœœœ# ‰ ‰ Œ .
Jœ# ‰ ‰ Œ .
E/G#
.œ Œ ‰
NO!
:LADIES
œ œ œ œ œ œ
.œ.œ
A mf
f
Œ ‰ Œ jœA
LADIES/REV:
.œ>
Œ .
.œ>
Œ .
-
7. Baskets for the Needy 3
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œ jœ œjœ
bas ket for the
jœœœ‰ ‰ Œ jœœœ
jœ ‰ ‰ Œ jœ
C
F
.œ œ jœJohn sons, a
jœœœ‰ ‰ Œ .
jœ ‰ ‰ .œ
œ Jœ œ jœbas ket for the
jœœœ‰ ‰ Œ jœœœ
jœ ‰ ‰ Œ jœ
F G
.œ Œ ‰
Keens.
...œœœ...œœœ
.œ .œ
C
œjœ œ
jœMis sus San chez
jœœœ‰ ‰ Œ jœœœ
jœ ‰ ‰ Œ jœ
œjœ .œ
counts on us,
jœœœ‰ ‰ ...œœœ
jœ ‰ ‰ .œ
- - - - -
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œjœ œ jœ
as does Mis ter
...œœœ ...œœœ
.œ .œ
G
.œŒ ‰
Green.
...œœœ ..œœ
.
.œœ
.
.œœ
C G/B
œ jœ œ#jœ
This one's for the
:REVEREND
Œ jœœŒ jœœ
jœœ
‰ ‰ jœ‰ ‰
A m
.œ .œ#Herd mans,
Œ jœœ Œ jœœjœ
œ‰ ‰ .
.œœ
E
œ Jœ œ Jœ
se ven souls in
Œ jœœŒ jœœ
jœœ
‰ ‰ jœ ‰ ‰
C
- - -
&
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60 .œ Œ ‰
need.
Œ jœœ Œ jœœ
jœœ
‰ ‰ jœ ‰ ‰
D m
œ Jœ œ Jœ
Who would like to
jœœ ‰ ‰ Œ .
jœœ
‰ ‰ Œ .
E7
œ œ ‰ Œ jœtake it? Not
LUANNE:
Œ ....œœœ#
Œ ..œ
p
œ ‰ œ œ ‰ œme! Not me! Not
:CONNIE
Jœœ Œ J
œœ Œ
Jœœ Œ J
œœ Œ
F
œ ‰ ¿ .¿me! I see.
:BETTY :REV
Œ .Jœœ>
Œ
Œ . jœœ>
Œ
A m
f
&
?
65
Œ jœœŒ jœœ
jœ ‰ ‰ œ Jœ
A m
PŒ jœœ
Œ jœœjœ ‰ ‰ œ Jœ
Œ jœœ‰
œ œjœ ‰ ‰ .œ
..œœ ..œœ
.œ .œ
F Grit.
..œœU Œ ."
.œ Œ .
7. Baskets for the Needy4
&
?
70
Œ jœœŒ jœœ
TRACK 23
jœ ‰ ‰ œ Jœ
A m
P
CUE to CONTINUE: REV: "Then it's a good thing you're in the hospital."
Œ jœœŒ jœœ
jœ ‰ ‰ œ Jœ
Œ jœœ‰
œ œ
jœ ‰ ‰ .œ
..œœ ..œœ
.œ .œ
F G
&
&
&
&
?
74
œ jœ œjœ
Bas kets for the
:BETTY
∑
∑
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
C
F
.œ .œnee dy,
œ jœ œjœ
Bas kets for the
:LUANNE
∑
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
œ Jœ œ jœbas kets for the
.œ .œnee dy,
œ jœ œjœ
Bas kets for the
:CONNIE
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
.œ Œ .
poor.
œ Jœ œ jœbas kets for the
.œ .œnee dy,
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
œjœ œ
jœFood e nough for
.œ Œ .
poor.
œ Jœ œ jœbas kets for the
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
- - - -
- - -
- - -
&
&
&
&
?
79
.œ .œtwen ty
œjœ œ
jœFood e nough for
.œ Œ .
poor.
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
œjœ œ jœ
and a lit tle
.œ .œtwen ty
œjœ œ
jœFood e nough for
œœ jœœœ jœ
jœ ‰ ‰ jœ ‰ ‰
G
.œŒ .
more.
œjœ œ jœ
and a lit tle
.œ .œtwen ty
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
C
œ jœ œjœ
San ta brings them
.œŒ .
more.
œjœ œ jœ
and a lit tle
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
- - -
- - -
- - -
7. Baskets for the Needy 5
&
&
&
&
?
83
.œ .œtrea sures,
œ jœ œjœ
San ta brings them
.œŒ .
more.
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
œ Jœ œ jœwe de li ver
.œ .œtrea sures,
œ jœ œjœ
San ta brings them
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
.œ Œ .
joy.
œ Jœ œ jœwe de li ver
.œ .œtrea sures,
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
œjœ œ
jœEach one packed with
.œ Œ .
joy.
œ Jœ œ jœwe de li ver
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
.œ .œour love
œjœ œ
jœEach one packed with
.œ Œ .
joy.
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
- --
- - - -
- - - -
&
&
&
&
?
88
œjœ œ jœ
and a lit tle
.œ .œour love
œjœ œ
jœEach one packed with
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
.œŒ ‰
toy.
œjœ œ jœ
and a lit tle
.œ .œour love
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
∑
.œŒ ‰
toy.
œjœ œ jœ
and a lit tle
œœ jœœœ jœ
jœ ‰ ‰ jœ ‰ ‰
G∑
∑
.œŒ ‰
toy.
...œœœ ..œœ
.
.œœ
.
.œœ
C G/B
-
-
-
&
?
..
..
..
..
92
Œ jœœŒ jœœ
jœœ
‰ ‰ jœ‰ ‰
CVamp
CUE to CONTINUE: LUANNE: "This is going to be the worst Christmas Pageant ever."
Œ jœœ ..œœ>jœ
œ‰ ‰ .œ>
A m Fœ œ œ œ œ œ
.œ.œ
A m
.œfl
Œ .
.œ>
Œ .Immediate Segue
7. Baskets for the Needy6
&
?
43
43
˙ œœTRACK 24
˙ œœ
G
With Gentle Dignity
F
..œœ Jœ œ
˙ œœ
G 7
...˙
œ œ œ
C...˙
.˙
/G
œœ œ œœ
˙ œœ
C
.œ jœ œœ
˙˙
œœ
G 7
.˙
œ œ œ
Crit.
..˙U
.U
G
[GRACE blows "G"on her pitch pipe]
&
V
9
.œjœ œ
Si lent
:KIDS
∑
A Cappella
.¿Fart!
:RALPH
.¿(Fartnoise)
:LEROY, CLAUDE
.œjœ œ
Ho ly
:KIDS
∑
∑ALICE: "I'm telling!"
.¿(Fartnoise)
:HERDMANS
∑
˙ œ
Such a
:RALPH, LEROY, CLAUDE
∑
˙ œ
smell will
∑ALICE: "Mrs Bradley!"
˙ œ
stop your
∑
.˙
heart
- -
&17
œ œ œCough ing and
GRACE: "All right. All right. That's some joke. Now come on. Come on.:HERDMANS (8vas)
.œJœ œ
gag ging,
.œjœ œ
see them
.˙run.
˙ œEat ing
.œJœ œ
beans is
.œjœ œ
so much
.˙fun- -
7a. Silent Night Transitionfrom "The Best Christmas Pageant Ever:The Musical" Traditional
Lyrics by Hillgartner and Beecham
PIANO/VOCAL SCORE
CUE: SEGUE from #
&
?
#
#
43
43
œ œ œ œTRACK 25
∑
Slow and Sinister q = 105
P
œ œ œ œ
∑
œ œ œ œ
∑
œ œ œ œU "
∑
CUE to CONTINUE:ALICE "A person who cares"
#
#
#
5
∑TRACK 26
∑
œ# œn œ
With Urgency q = 180
F
.>Ding
:O.S. VOICES
**
œ œ œ œ
.˙
.>dong,
œ œ œ œ
.˙
.>ding
œ œ œ œ
.˙
.>dong
œ œ œ œ
.˙
#
#
#
#
10
œ œ œ œMy moth er said
:IVY
.>Ding
:O.S. VOICES
œ œ œ œ
.˙[+BASS]
œ œ œ œher moth er said
.˙
œ œ œ œ
.˙
œ œ œ œyour moth er's in
.˙
œ œ œ œ
.˙
œ œ œ œov er her head.
.>dong
œ œ œ œ
.˙
- - - -
8. My Mother Saidfrom "The Best Christmas Pageant Ever:The Musical"
Adapted from "The Carol of the Bells"
PIANO/VOCAL SCORE
CUE: IVY "But it belongs to the church."
**Close down to the "ng" immediately, to mimic a bell ringing
&
&
&
?
#
#
#
#
14
œ œ œ œYour moth er's wrong,
:BETH
.>Ding
œ œ œ œ..˙
œ œ œ œyour moth er too!
.˙
œ œ œ œ
..˙
œ œ œ œMy moth er knows
.˙
œ œ œ œ
..˙
œ œ œ œjust what to do!
.>dong
œ œ œ œ
..˙
- - -
#
#
#
#
18
œ œ œ œMy moth er said.
:IVY
.>Ding
œ œ œ œ
.
.˙
œ œ œ œMy moth er too.
:ALICE
.>dongœ œ œ œ
..˙
œ œ œ œYour moth er has
:BOTH
.>Ding
œ œ œ œ
.
.˙
œ œ œ œnot got a clue.
.>dongœ œ œ œ
..˙
- - -
#
#
#
#
22
œ œ œ œYou take it back!
:BETH
.>Ding
œœ œ œ œœ
œ œ œ
œ œ œ œWhy, when I'm right?
:ALICE
∑
œœ œ œ œœ
œ œ œ#
œ œ œ œShe put them in
∑
œœ œ œ œœ
œ œ œ
œ œ œ œjust out of spite.
œ# œn œDing dongœœ œ œ œœ
œ# œn œ
8. My Mother Said2
&
&
&
?
#
#
#
#
26 œ œ œ œ œ
That is n't true! My
:BETH
.>ding
...˙
œœ
œœ
œœ
F
œ œ œ œ œmom gave you all a
∑
...˙
œœ
œœ
œœ
œ œ œ œ œchance, but you went and
∑
...˙
œœ
œœ
œœ
œ œ œ œturned scare dy pants.
∑
œœ>Œ Œ
œ>Œ Œ
f
- - -
#
#
#
30
œ œ# œ# œ œ œGla dys put a cray on
:ALICE
œ œ# œ# œ œ œ
œœ
Œ œœ
F
œ œ œ œin her pock et,œ œ œœ œœ
œœ
Œ œœ
œ œ# œ# œ œ œand your moth er did n't
œ œ# œ# œ œ œ
œœ
Œ œœ
œ œ œ œtry to stop it.œ œ œœ œœ
œœ œ œ
- -- - -
#
#
#
34
œ œ œ œThat's such a lie!
:BETH
œ œ œ œ
œ œ œ
œ œ œ œYou know it's true.
:ALICE
œ œ œ œ
œ œ œ
œ œ œ œThere's not a thing
:ALICE, IVY
œ œ œ œ
œ œ œ
œ œ œ œyour mom 'll do.
œ œ œ œ
œ œ œ
-
8. My Mother Said 3
&
&
&
?
#
#
#
#
38
œ œ œ œShe let them take
:IVY
∑
œœ œ œ œœ
œ œ œ
œ œ œ œall the good parts.
∑
œœ œ œ œœ
œ œ œ#
œ œ œ œWith out a fight.
:ALICE
∑
œœ œ œ œœ
œ œ œ
œ œ œ œThat was n't smart.
:BOTH
œ# œn œDing dong
:O.S. VOICES
œœ œ œ œœ
œ# œn œ
- -
#
#
#
#
42 œ œ œ œ œ
Don't blamemy mom if
:BETH
.>ding...˙
œœ
œœ
œœ
œ œ œ œ œyou went and lost your
∑
...˙
œœ
œœ
œœ
œ œ œ œ œnerve, you're just get ting
∑
...˙
œœ
œœ
œœ
œ œ œ œwhat you de serve.
∑
œœ>Œ Œ
œ>Œ Œ
--
#
#
#
√
46
œ œ# œ# œ œ œI thought we were friends un
:ALICE
œ œ# œ# œ œ œ
œ Œ ŒP
œ œ œ œtil to day
œ œ œœ œœ
Œ Œ œ
œ œ# œ# œ œ œFriends would ne ver say the
:BETH
œ œ# œ# œ œ œ
œ Œ Œ
œ œ œ œthings you say
œ œ œœ œœ
œ# œn œ
- - -
8. My Mother Said4
&
&
&
?
#
#
#
#
50
œ œ œ œThat is n't fair!
:ALICE
.>Ding
:O.S. VOICES
œ œ œ œ
.F
œ œ œ œWe real ly care.
:IVY
.>dong
œ œ œ œ
.˙
œ œ œ œI ne ver said.
:BETH
.>ding
œ œ œ œ
.˙
œ œ œ œShe ne ver said
.>dong
œ œ œ œ
.˙
- - - -
#
#
#
#
54
œ œ œ œyour moth er's in
.>Ding
œ œ œ œ
.˙
Molto rit.
œ œ œ œov er her head.
.>dong
œ œ œ œ
.˙
œ œ œ œIt was her mom.
:IVY
.>ding
œ œ œ œ
.˙
œ œ œ œThat's what she said.
:ALICE
.>dong
œ œ œ œ
.˙
- -
#
#
#
58
Ó .UALICE: "And my mom is never wrong."
Ó .U
.
.˙˙
U
>
˙>
œœ>Ding dong
:O.S. VOICES
∑
∑
Freely
..˙>
ding
∑
∑
.>dong
∑TRACK 27
Œ œ œ œ œ
a tempo
f
∑
Œ œœ>
Œ
œœœ>
ŒSegue
8. My Mother Said 5
&
?
86
86
..
..
..
..
œœ œœ œœ œ œ œTRACK 28
∑
Bright and Bouncy q. = 110
œ jœœŒ jœœ
jœ ‰ ‰ œ Jœ
A mVamp
Œ jœœŒ jœœ
jœ ‰ ‰ œ Jœ
Œ jœœ‰
œ œ
jœ ‰ ‰ .œ
CUE to CONTINUE: GRACE "Who is it?"
..œœ ..œœ
.œ .œ
F G
&
&
?
6
.œ .œProb lem!
:HELEN
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
A m
Œ .œ œ# œ
We've got a
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
.œ .œprob lem,
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
.œ Œ jœGrace. But
Œ jœœŒ jœœ
jœ ‰ ‰ Jœ ‰ ‰
œ jœ œjœ
I can save the
Œ jœœœœŒ jœœœœ
jœ ‰ ‰ jœ ‰ ‰
F 6
- -
&
&
?
11
.œ Œ jœshow. Oh
GRACE: "Oh no!"
Œ jœœœ ...œœœ
Œjœ
œ..
œœ
.œ Œ jœyes! The
Œ jœœœ ...œœœ
Œjœ
œ..
œœ
œ jœ œjœ
an swer's ve ry
Œ jœœœœŒ jœœœœ
jœ ‰ ‰ jœ ‰ ‰
jœ œ Œ jœsim ple, just
Œ jœœœœŒ jœœœœ
jœ ‰ ‰ jœ ‰ ‰
œ jœ œ jœ
let the Herd mans
‰ œ œ œ œ œ
jœ ‰ ‰ œ Jœ
-- - -
9. Problem—Reprisefrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: BETH "Mom! I needto talk to you!"
&
&
?
16
.œ#Œ j
œgo. Those
..œœ# ..œœ
.
.œœ
.
.œœ
E
œj
œ œ œ# œkids are no thing but
œ œ œ œ œ œ
.
.œœ
.
.œœ
A m
œ œ‰ Œ jœ
trou ble, you've
œ œ œ œ# œ œ
.
.œœ
.
.œœ
E
œ jœ œjœ
made a big mis
œ œ œn œ œ œ
.
.œœ
.
.œœ
C
.œ Œ jœtake. It's
GRACE: "Now wait..."
œ œ œ œ œ œ
.
.œœ
.
.œœ
D m
- - -
&
&
?
21
œ jœ œjœ
clear that this wasjœœœ# ‰ ‰ Œ .
jœœ
‰ ‰ Œ .
E
œ jœ œ jœjust too much to
∑
Œ . .œ
œ jœ œjœ
put up on yourjœœœ# ‰ ‰ Œ .
jœœ
‰ ‰ Œ .
.œ Œ ‰
plate.
œœ œœ# œœ œ œ œ
∑
œ jœ œjœ
Grace, you must re
œœ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
F
--
&
&
?
26
œ jœ œ Jœb
place them for the
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
œJœb œ jœ
team, the church, the
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
.œ Œ jœtown. I
GRACE:
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
œ# jœ œjœ
can't, I won't, I
jœœœ#>
‰ ‰ Œ .
jœ# >‰ ‰ Œ .
D 7/F#œ œ œ ‰ jœ
ne ver will, Ijœœœ# >
‰ ‰ Œ .
jœ>‰ ‰ Œ .
/A
-
9. Problem—Reprise2
&
&
?
31
.œ .œwon't back
...œœœ>...œœœ>
.
.œœ>
.
.œœ>
G
.˙#down.
œ# œ œ œ œ œ
.
.œœ#
# ..
œœ
E
.œ œ Jœ
Grace, don't you
:HELEN
œœJœ
œœJœ
jœœ
‰ ‰ jœ‰ ‰
A m
.œ .œ
see? You'reœœ
Jœœœ
Jœ
jœœ
‰ ‰ jœ‰ ‰
œJœ œ jœ
ru in ing myœœ
Jœœœ
Jœ
jœœ
‰ ‰ jœ
‰ ‰
F
.œ .œshow!œœ
Jœœœ œœ œœ
jœœ
‰ ‰ jœ
‰ ‰
- -
&
&
?
37
Œ jœ œ œ œAre you the di
GRACE:
Jœœ# ‰ ‰ Œ .
jœœ
‰ ‰ Œ .
E
œ# jœ Œ jœrec tor? I
Œ . ....œœœœ#
Œ ...
œœ
E7
.œ>Œ .
don't—
...œœœ>
Œ .
.
.œœ>
Œ .
F
.œ>Œ .
think—
...œœœ>
Œ .
.
.œœ>
Œ .
G
.˙
so! [GRACE hangs up]œ œ œ œ œ œ
.œ.œ
A m
∑
.œfl
Œ .
.œfl
Œ .
- -
9. Problem—Reprise 3
&
&
?
43
43
43
∑BOB: "Honey? Are you okay?" GRACE: "I don't know..."
œœ œ œœ
TRACK 29
.˙
C
Simply q = 140
P
∑
.
.˙#
.˙
D
∑
œœ œ œœ
.˙
C
∑
.
.˙#
.˙
Djœ .œ# œ
May be they're
GRACE:
œœ œ œœ
.˙
C
.˙right.
.
.˙#
.˙
D
∑
œœ œ œœ
.˙
C
-
&
&
?
8
∑
.
.˙#
.˙
D
jœ .œ# œMay be it's
œœ œ œœ.˙
C
˙ œtime to
.
.˙#
.˙
D
Jœ .œ œgive up the
œœ œ œœ
.˙
CM7
˙# Œfight.
...˙#
œ# œ œ#
Djœ .œ# œ
May be I've
..˙
œ œ œ
Em
˙ œ#made the
..˙b
œb œ œb
/Eb
- -
&
?
&
?
15
œ œ# œbig gest mis
:GRACE
∑
...˙
œ œ œ
G/D
˙ Œtake.
∑
....˙˙n#
.˙#
A 9/C#
œ œ œMay be it's
∑
...˙˙n
.˙n
CM7
˙ œtime to
∑
...˙˙
œ œ œ
jœ .œ# œput on the
∑
..˙
œ œ# œ
C
˙# Œbrakes.
∑
.
.˙#œ# œ# œ
B
∑
Jœ.œ# œ
May be you're
BOB:
Œ ˙
˙ œ
C
F
- - -
-
10. Maybefrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: GRACE "...worst kidsin the history of the world."
&
?
&
?
22
Œ Œ œBut
˙ Œstrong.
..˙#n
.˙n
Djœ .œ œ
what if you're
∑
Œ ˙
˙ œ
C
˙ Œwrong?
∑
..˙#
.˙
D
∑
Œ œ# œ
May be
Œ ˙
˙ œ
C
∑
˙ œ
you've been
..˙#
.˙
D
∑
œ .œJœ
right all a
Œ ˙
˙ œ
CM7
Ó œ#I'm
.˙#
long?
..˙#
œ# œ œ#
B
--
&
?
&
?
29
œ œ# œreal ly a
∑
œœ œ œœ
.˙
Em
˙ œ#fraid those
∑
œœb œn œœ
.˙b
/Eb
˙ œkids won't
∑
œœ œn œœ
.˙
G/D
˙ Œshine.
∑
....˙˙n#
.˙#
A 9/C#
∑
œ œ Œ œ
May be— Just
œœn œ œœ.˙n
C
∑
œ œ Œ Œmay be—
œœ œ œœ.˙
∑
Jœ .œ# œ
It' ll be
œœ œ œœ.˙
- -
- -
?
&
?
36
œ Œ œ œ
fine. Don't you
:BOB
.
.˙#
œ œ œ
D
.˙see,
...˙
œ œ œ œ œ œ
G
.˙Grace?
∑œ œ œ
Ó œIt
...˙
œ œ œ œ œ œ
C/G
œ œ œ
all comes from
œ œ œœ œ œ
10. Maybe2
?
&
?
41
.˙you,
...˙
œ œ œ œ œ œ
G
.˙Grace.
∑œ œ œ
∑
...˙
œ œ œ œ œ œ
C/G
Œ .œ JœYou're the
∑œ œ œ
.˙b
glue,
œb œ œb
œb œb œb
Ab
.˙Grace.
œb œœœb
œb œb œb
&
?
&
?
47
∑GRACE: "Oh, Bob."
∑
˙bb œœœ
œb œb œb
Db/Ab∑
Œ œb œb
Yes, it's
BOB:
œœœbb œb œ
œb œ œb
Ó .U
.˙nU
true.
...˙U
.
.˙˙
C
œ œ œbMay be it's
GRACE:
∑
œœb œb œœ
.˙b
Db
P
˙ œjust a
∑
...˙bb
.˙b
Eb/Db˙ œb
small town
∑
œœb œb œœ
.˙b
Db
.˙play.
∑
...˙bb
.˙b
Eb/Db
∑
Œ œ œb
May be
œœb œb œœ
.˙b
Db
-
-
&
?
&
?
55
∑
˙b œb
things will
...˙bb
.˙b
Eb/Db
∑
˙ œb
be o
œœb œb œœ.˙b
Db
∑
.˙
kay.
...˙bb˙b œb
Eb/Db
œb œ œMay be those
∑
œœb œ œœ.˙
F m
.˙kids
∑
œœbn œ œœ
.˙n
F m/E
œb œ œneed some thing
∑
œœbb œ œœ
.˙b
Ab/Eb.U
new.
∑
....˙˙b
.˙
D dim7
-
- -
10. Maybe 3
?
&
?
62
œb œ œb œ
May be what they
:BOB
...˙bb
.˙b
Dbrit.
˙ œ
need is
...˙bb
.˙
Eb.˙
you.
..˙n
.˙
F
∑
...˙
.˙
Segue
-
10. Maybe4
&
&
?
b
b
b
44
44
44
˙ œ œ œ œ[CLARINET]
TRACK 30
˙ œœœœ# œœœœ œ œ œ œ œ#
F D
Grandly
f
˙ œ œ œ œ
˙ œœ œœ
œ œ œ œ œ œ
G m C
˙ œ œ œ œ
˙ œœ œœ
œ œ œ œ œ œ
F Bb
&
&
?
b
b
b
4
.œ jœ ˙
...œœœjœœœ œœœ œœœ
œ œ œ œ
C
œ œ œ œ
œœœ œœœ œœœœœœ
œ œ œ œ
F C F Bb
˙ ˙
˙ ˙
.œj
œ œœ
F C
&
?
b
b
7
˙ œ œ œ œ
˙ œ œ#
F D
F
Simply
˙ œ œ œ œ
˙ œ œ
G m C
˙ œ œ œ œ
˙ œ œ
F Bb
.œ jœ ˙
˙ œ œ
C
œœ œœ œœœœ
œ œ œ œ
F Bbrit.
www#
w
A
10a. Angel Transitionfrom "The Best Christmas Pageant Ever:The Musical"
Traditional
PIANO/VOCAL SCORE
CUE: BOB "...I still have to go?"GRACE "Yes"
&
&
?
44
44
44
∑TRACK 31
œœ œœ œœ œœb>
‰œœ>
jœœ
œ œ œ œb >‰ œ>
jœ
C Bb F
Honkytonk Rock q = 155
f
∑
IMOGENE: "Shut up, everyone. Shut up!"
œœ œœ œœ œœb>
‰œœ>
jœœ
œ œ œ œb >‰ œ>
jœ
C Bb F
∑
œœ œœ œœ œœb>
‰œœ>
jœœ
œ œ œ œb >‰ œ>
jœ
C Bb F
Ó ‰ œ œ œI wan na
IMOGENE:
œœ
œœ
œœ
œœœb >‰ ‰ Œ
œ œ œ œb >‰ ‰ Œ
C Bb
-
&
&
?
5
œb œ œ œ œ œ œ œhear a bout the ba by and the
œœœbŒ Ó
œœ
œœ
œœ
œœ
C 7
jœb œjœ Œ ‰ jœ
e vil king, and
Œ ≈ œ# œœb œœ œ œn œœœb>
œœ
œœ jœb œ
jœ>
Bb F C 7
œb œ jœ œ jœ œ œbMa ry and Jo seph and the
∑
œœ
œœ
œœ
œœ
- - - - -
&
&
?
8
œb œ œ œ‰ jœ
an gel with wings. The
:OTHER KIDS
Œ ‰ ≈ Rœb œœn œb œ œœœb
>
œœ
œœ jœb œ j
œb >
Bb F Bb
œ œ œ œ œ œ œ œan gel had a mes sage to de
∑
œbœb
œœ
œœ
œœ
œ œ œ œb ‰ jœli ver that night, she
Œ ≈ œ# œœb œœ œ œn œœœb>
œbœb
œœ jœ œ
jœ>
F C
- - - - -
11. Die Herod Die!from "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: GLADYS "...something straight outta Action Comics!"
&
&
?
11
œb œ œ œ œgave those shep herds a
∑
œœ
œœ
œœ
œœ
œb œ œ œ‰ jœ
ter ri ble fright. But
HERDMANS:
œœœ
b œœœ
œœœ
œœœ
œœœ
œœœ
œœœ
œœœ
œ œ œ œ œ œ
C 7
œ œ œb œ œ œwhat a bout the Wise Men?
œœœbb‰ jœœœ
œœœb ‰ jœœœ
œb‰ jœ œb ‰ jœ
Eb Ab
- - - -
&
&
?
14
œb œ œ œ œ ŒWhat a bout the King?
œœœbb‰ jœœœ
œœœb ‰ jœœœ
œb‰ jœ œb ‰ jœ
Eb Ab
œ œ œ œ œ œ œb œWas n't he a bout to do a
œœœbb‰ jœœœ
œœœb ‰ jœœœ
œb‰ jœ œb ‰ jœ
Eb Ab
œb œ œ œ ‰ j¿real ly bad thing? Sha
GLADYS:
œœœbb‰ jœœœ
œœœb ‰ jœœœ
œb‰ jœ œb ‰ jœ
Eb Ab
- - - - -
&
&
?
17
¿ œ œ œ œb œ œzam! said the an gel with the
œœœbb Œ Ó
œœb
b ‰ jœ œb ‰ jœ
Eb7 Ab
œb œ œ Œbig white wings.
GRACE: "What?!"
∑
œb‰ jœ œb ‰ jœ
Eb Ab
œ œ œ œ œ œI've got some news and
...˙ œœœœœ œ œ œ
F
-
11. Die, Herod, Die!2
&
&
?
20
œb œ œ œn ˙I'm gon na sing!
ALICE: "Is she kidding?"
œœœb œœœ œœœ œœœn œœœ œœœ œœœ œœœ
œb œ œ œ œ œœ
œ
Bb G
∑
œœ Œ
˙œœ Œ Œ
œb œ
˙ Jœ œb Jœ
Die, He rod, die!
:GLADYS
˙ jœœœ œœœbjœœœ
˙j
œ œbj
œ
C Bb C
Œ œb œ œ ŒSha zam!
Œ œœœ> œœœ
> œœœ Œ
Œ œ>
œ>
œœ œ œb
- - -
~~~~~~~~~
&
&
?
24
Œ œ œb œ œ œLook at me, I'm the
œœb œœ œœ œœ œœ œœ œœ œœ
œbœb
œœ
œœ
œœ
Ab
œ œ œ œb œ ŒAn gel of the Lord!
œœb œœ œœ œœb œœœœœœ
œbœb
œ œb œ œ
Bb Eb F
˙ Jœ œb Jœ
Die, He rod, die!
˙ jœœœ œœœbjœœœ
˙j
œ œbj
œ
C Bb C
Œ œb œ Œ œb œKer pow! I can
Œ œœœ> œœœ
> œœœ Œ
Œ œ>
œ>
œœ œ œb
- - -
&
&
?
28
œ œ œ œ œb œ œfly like an ea gle and I
œœb œœ œœ œœ œœ œœ œœ œœ
œbœb
œœ
œœ
œœ
AbM7
œb œ œ œ ˙got a big sword.
œœb œœœb ‰ œœœ ˙
œb œb‰ œ œ œ œ
Bb Eb F
∑ALICE: "She had a harp--"
Ó Œ ‰ ≈ rœb
œb œb ‰ œ œ œ œ
Bb Eb F
-
11. Die, Herod, Die! 3
&
&
?
31
Œœ œb œ
ŒLook at us,
:SHEPHERDS
œœ œœ œœ œœ œœ œœ œœ œœ
œœ
œœ
œœ
œœ
F
œ œ œ œb >Ó
we wan na fight.
BETH & GRACE: "Fight?"
œœ œœ œœ œœJœœœbb œœœ J
œœœ
œœ
œœ
jœœ
œœb
bjœ
œ
C m7 Eb F 7
œ œb œ œ œ œ
Fol low me, Shep herds, stay
:GLADYS
œœ œœ œœ œœ œœ œœ œœ œœ
œœ
œœ
œœ
œœ
F
- - -
&
&
?
34 œb œ œ ‰ jœblow and tight. But
ALICE: "Uh-oh..."
:HERDMANS
œœ œœ œœ œœJœœœbb œœœ J
œœœ
œœ
œœ
jœœ
œœb
bjœ
œ
C m7 Eb F 7
œ œb œ œ œb œ œwhat a bout the Wise Men who
œœ ‰Jœœ œœb ‰
Jœœ
œœ ‰ Jœ œ ‰ jœ
œ œ jœb .œb ‰ jœcame from a far? They
KIDS:
œœ ‰Jœœ œœb ‰
Jœœ
œ ‰ Jœ œ ‰ jœ
- -
&
&
?
37
œ œ jœ œ jœ œgot on their ca mels and
œœœ# œ œ œ œ œ œ
œœ
œœ
œœ
œœ
D 7
œœ œœ œœ ˙fol lowed that star!
œœ œœ œœ œ œ œ œ
œœ
œœ
œœ
œœ
G
œœ Œ Ó
œœ Œ
˙œœ Œ Œ
œb œ
f
- -
~~~~~~~~~~~
11. Die, Herod, Die!4
&
&
?
40
˙ Jœ œb Jœ
Die, He rod, die!
:HERDMANS, KIDS
œœ
œœ
œœ
œœœb >‰
œœœ>
Jœœœ
œ œ œ œb >
‰ œ>jœ
C Bb F
Œ œœb œœ œœ ŒSha zam!
œœ
œœ
œœ
œœœb >‰
œœœ>
Jœœœ
œ œ œ œb >
‰ œ>jœ
C Bb F
˙ Jœ œb Jœ
Die, He rod, die!œœ
œœ
œœ
œœœb >‰
œœœ>
Jœœœ
œ œ œ œb >
‰ œ>jœ
C Bb F
Œ œœb œœ œœ ŒKer pow!
œœ
œœ
œœ
œœœb >‰
œœœ>
Jœœœ
œ œ œ œb >
‰ œ>jœ
C Bb F
- - - -
~~~~~~
~~
&
&
?
..
..
..
..
.. ..44
˙ Jœ œb Jœ
Die, He rod, die!
œœ œœ œœ œœb>
‰œœ>
jœœ
œ œ œ œb >
‰ œ>jœ
C Bb F
Ó ÓRALPH: "Hey, who's playing Herod?"
œœ œœ œœ œœb>
‰œœ>
jœœ
œ œ œ œb >‰ œ>
jœ
C Bb F
∑
∑
œ œ œ œb ‰ œ jœ
C Bb FVamp
Cue to Continue: Charlie "Nooooo!"
P
-
&
&
?
47
Ó Œ ŒWISEMEN: "Hey, Herod!"
œ>Œ Œ ‰ ≈ R
œb
œœ>
Œ Ó
C
F
œ œ œ œ œBet ter watch out, we're
:WISEMEN
œœ œb œ œ œœn œœb œœ œœ
œœ
œœ
œœ
œœ
F 7
œ œ œ œb œ Œcom ing for you.
œœ œœ œœb œœ œœ œœ
œœ
œœ jœ
œœœb
bjœ
œ
C Eb F
--
11. Die, Herod, Die! 5
&
&
?
50
œb œ œ jœ œ jœCome on, boys, we got ta
œœ œœb œ œœn œœb œ œœn œœb
œœ
œœ
œœ
œœ
F 7
œb œ œŒ
job to do.
œ œœ œb œ œœbn œœ
œœ
œœ jœ
œœœb
bjœ
œ
C Eb F
œ œ Jœ œb œ ‰Time for some ac tion,
:GLADYS, IMOGENE
œœ ‰Jœœ œœb ‰
Jœœ
œœ ‰ Jœ œ ‰ jœ
F 7
- -
&
&
?
53
œ œ œb œb Œ ‰ j¿No time to boast! Ker
:WISEMEN
œœ ‰Jœœ œœb ‰
Jœœ
œ ‰ Jœ œ ‰ jœ
¿ œ jœ œ œpow! said the Wise Men,
œœœ# œœœ œœœ œœœ
œœ
œœ
œœ
œ#œ#
D 7 /E /F /F#
œ œ œ œ>Ó
That guy is toast!
œœ œœ œœ œœ œœ œœ œœ œœ
œœ
œœ
œbœb
œnœn
G /A /Bb /B
-
&
&
?
56
∑
œœ>
Œ Ó[DRUM FILL]
œœ>
Œ Ó
Ó . Œ
CHARLIE: "I'm not Herod!"GRACE: "No one is going to be Herod!"
Ó˙
Ó Œœb œ
f
˙ œ œb ‰ œ
Die, He rod, die!
:ALL KIDS (except CHARLIE)
˙ jœœœ œœœbjœœœ
˙j
œ œbj
œ
C Bb C
Œ œœb œœ œœ Œker splat!
Œ œœœ> œœœ
> œœœ Œ
Œ œ>
œ>
œœ œ œb
- -
~~~~~~~~~~~
11. Die, Herod, Die!6
&
&
?
60
∑CHARLIE: "They're gonna kill me!" GRACE: "There's no Herod!"
œœb œœ œœ œœ œœ œœ œœ œœ
œbœb
œœ
œœ
œœ
Ab
F
∑
œœb œœ œœ œœb œœœœœœ
œbœb
œ œb œ œ
Bb Eb F
˙ œ œb ‰ œ
Die, He rod, die!
˙ jœœœ œœœbjœœœ
˙j
œ œbj
œ
C Bb C
f
Œ œœb œœ œœ ŒTake that!
Œ œœœ> œœœ
> œœœ Œ
Œ œ>
œ>
œœ œ œb
-
&
&
?
64
∑
BETTY: "What's going on?" GRACE: "We're rehearsing, Betty."
œœb œœ œœ œœ œœ œœ œœ œœ
œbœb
œœ
œœ
œœ
Ab
F
Œ Œ ‰ œ œ œbI'm gon na
IMOGENE:
œœb œœœb ‰ œœœ> ˙
œb œb‰ œ> œ œ œ
Bb Eb F
œ œ œ œb Œhide the ba by,
œœb œœn œœ œœb œœn œœ œœb œœnœœ
œœ
œœ
œœ
F 7
-~~~~~~~~~~~~~~~~
&
&
?
67
œ œ œ œb œ ‰ jœœbbburn down the Inn. We'll
BOYS:
œœ œœb œœn œœ œœb œœœœ
œœ
jœœ
œœb
bjœ
œ
C m Eb F
œœ œœ œœ œœbbŒ
tie up He rod,
CHARLIE & GRACE: "No!"
œœb œœn œœ œœb œœn œœ œœb œœnœœ
œœ
œœ
œœ
F 7
œœ œœ œœ œœ œœbb Œtake him for a spin!
œœ œœb œœn œœ œœb œœœœ
œœ
jœœ
œœb
bjœ
œ
Eb FC m
-
11. Die, Herod, Die! 7
&
&
?
70
œ œ œ œb œ œ ŒAll of you an gels,
:GLADYS
œœ‰ jœœ œœb ‰ jœœ
œœ ‰ Jœ œ ‰ jœ
F 7
œb œ œ ‰ Jœ
ring that bell! It's
œœ>Œ Œ
œœ>
œ> Œ Œœ>
œ œ œ œ œtime to send He rod
œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œœ
œœ
œœ
D 7
œ œ Óstraight to—
CHARLIE: "Heeeeelllllp, Mom!"
œœ
œœ#
# œœn
n œœ
œœb
b œœ
œœb
b œœ
œ œ# œn œ œb œ œb œ
G
--
&
&
?
..
..
..
..
.. ..74
∑
œœœ>
Œ Ó
œœ>
Œ Œ œb œP
∑
∑
œ œ œ œb ‰ œ jœ
Vamp
CUE to CONTINUE:CONNIE "Call the fire department!"
&
&
?
76
˙ œ œb ‰ œ
Die, He rod, die!
:ALL KIDS
˙ jœœœ œœœbjœœœ
˙j
œ œbj
œ
C Bb C
f
∑
LUANNE: "Get the kids out!" REV: "What's going on?" BETTY: "The Herdmans set fire to the church!"
Œ œœœ> œœœ
> œœœ Œ
Œ œ>
œ>
œœ œ œb
∑
œœb œœ œœ œœ œœ œœ œœ œœ
œbœb
œœ
œœ
œœ
Ab
F
∑
œœb œœ œœ œœb œœœœœœ
œbœb
œ œb œ œ
Bb Eb F
-
11. Die, Herod, Die!8
&
&
?
80
˙ œ œb ‰ œ
Die, He rod, die!
˙ jœœœ œœœbjœœœ
˙j
œ œbj
œ
C Bb C
f
∑GRACE: "Everybody, don't panic! Just stay calm!"
Œ œœœ> œœœ
> œœœ Œ
Œ œ>
œ>
œœ œ œb
∑
œœb œœ œœ œœ œœ œœ œœ œœ
œbœb
œœ
œœ
œœ
Ab
F
Óœ œ
You can
œœb œœœb ‰ œœœ> ˙
œb œb‰ œ> œ œ œ
Bb Eb F
-
&
&
?
84
.˙ œkiss this
œœœ# œœœ œœœ œœœ œœœ œœœ œœœ œœœ
œœ
œœ
œœ
œœ
D 7
..˙ œœworld good
œœœ œœœ œœœ œœœ œœœb œœœ œœœ œœœ
œœ
œœ
œœ
œœ
G 7
wwwbye!œœ œœ œœ œœb >
‰œœœ>
Jœœœ
œ œ œ œb >‰ œ>
jœ
C Bb F
ƒ
˙˙
‰ J¿ ¿
That's it!
REV:
œœ œœ œœ œœb >‰ J
œœœ>
Œ
œ œ œ œb >‰ jœ>
Œ
C Bb F
-
&
?
88
∑U
∑
REV: I'm cancelling Christmas!"ALL: "What?!?!"
œœœ>œœœ œœœb œœœ>
Ó
TRACK 31
œ> œ œb œ>Œ œœ
œ>
Bb CC
∑
www
U
@ End Act One
11. Die, Herod, Die! 9
&
?
86
86
..
..
..
..
œœ œœ œœ œ œ œTRACK 33
Œ .œ œ# œ#
F
Dark and Ominous q. = 100
...˙
.œ.œ
A m
...˙
.œ .œ
∑
.œ.œ
Safety
∑
.œ .œ
&
&
?
6
œj
œ œj
œ
[CLARINET]
..˙
.œ.œ
.œ .œ
..˙
.œ .œ
œj
œ œj
œ
...œœœ ...œœœ
.œ .œ
F B dim
.˙
...œœœ ...œœœ
.œ .œ#
A m E9/G#
œj
œ œj
œ
..˙
.œ.œ
A m
.œ .œ
...œœœ ...œœœ
.œ .œ
Em
œ Jœ œJœ
...œœœ...œœœ
.œ .œ
F B dim
&
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13 .˙
...œœœ# ...œœœ
.œ .œ#
E E9/G#œ Jœ œ Jœ
œœ œ œ œ
œ œ œ
.
.œœ
.
.œœ
A m .œ .œ
œœ œ œ œ
œ œ œ
.
.œœ .
.œœ
œ Jœœ
Jœ
œœ œ œ œ
œ œ œ
.œ .œ
F /G .˙
œœ œ œ œœ œ œ#
.œ .œ
A m E7
œ Jœ œ Jœ
œœ œ œ œ
œ œ œ
.
.œœ
.
.œœ
A m
12. Baskets for the Needy Reprisefrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: Applause Segue from #11or Top of Act II
&
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19 .œ .œ
œ œ œ œ œ œ
.
.œœ
.
.œœ
E7
œ Jœ œJœ
...˙
.
.˙˙
F
Œ . Œ jœCan
LUANNE:
...œœœ# ..œœ
.
.œœ .
.œœ
E E7/B
œj
œ œ#j
œyou be lieve what
Œ jœœŒ jœœ
jœœ
‰ ‰ jœ‰ ‰
A mFaster q. = c 112
jœ œŒ .
hap pened?
Œ jœœ Œ jœœ
jœ ‰ ‰ .œ#
E7
- -
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Œ jœ œ œ œIt's all ov er
CONNIE:
Œ jœœŒ jœœ
jœ ‰ ‰ jœ‰ ‰
A m
.œŒ jœ
town. Poor
BETTY:
Œ jœœ Œ jœœ
jœ ‰ ‰ .œ
E7
œ jœ œjœ
Grace! She must feel
Œ jœœŒ jœœ
jœ ‰ ‰ jœ ‰ ‰
C
jœ œ Œ jœaw ful. He
CONNIE:
Œ jœœ Œ jœœ
Jœ ‰ ‰ jœ ‰ ‰
D m
œ œ œ œhad to shut it
jœœ ‰ ‰ Œ .
jœœ
‰ ‰ Œ .
E7
- -
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29
.œ Œ ‰
down.
Œ . ..
œœ>
Œ . ..
œœ>
œ jœ œjœ
Christ mas won't be
:BETTY
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
F
œ jœ Œ Jœ
Christ mas With
:LUANNE
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
œJœ œ jœ
out our Christ mas
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
.œ Œ jœplay. Too
CONNIE:
Œ jœœœŒ jœœœ
jœ ‰ ‰ œ Jœ
- - - -
12. Baskets for the Needy Reprise2
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34
œ# jœ œjœ
bad a bout those
Œjœœœ# Œ
jœœœ
jœ# ‰ ‰ œ Jœ#
D 7/F#
.œ .œ
Herd mans.
Œjœœœ# Œ
jœœœ
jœ# ‰ ‰ œ Jœ#
œœœ Jœœœ œœœ J
œœœNow we all must
:LADIES
œœœ Jœœœ œœœ J
œœœ
.
.œœ
.
.œœ
G...œœœ# Œ jœ
pay. What
BETTY:
...œœœ# ..
œœ>
Œ . ..
œœ>
E
- -
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38
œ Jœ œ Jœ
hap pens Christ mas
œœ jœ œœ jœ
jœœ
‰ ‰ jœ‰ ‰
A m
Jœ œ Œ jœ
Sun day? I
LUANNE:
œœ jœ œœ jœ
jœœ
‰ ‰ jœ‰ ‰
œJœ œ jœ
have n't got a
œœ jœ œœ jœ
jœœ
‰ ‰ jœ
‰ ‰
F
.œ Œ jœclue. I
œœ jœ œœ jœ
jœœ
‰ ‰ jœ
‰ ‰
œ œ œ .œthink we should pray.
REV:
...œœœ Œ .
.
.œœ
Œ .
E7
- - -
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∑
Œ . ...œœœ#
Œ . .œ
...œœœ Œ .
Yes!
LADIES:
...œœœ Œ .
.œ Œ .
F
...œœœ# Œ .
Let's
...œœœ# Œ .
.œ# Œ .
E-6/G#
...˙
do!
œ œ œ œ œ œ.œ .œ
A m
Œ ‰ Œ jœA
REV, LADIES, KIDS:
jœ>
‰ ‰ Œ .
jœ>‰ ‰ Œ .
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48
œ jœ œjœ
bas ket for the
jœœœ‰ ‰ Œ jœœœjœ ‰ ‰ Œ jœ
C
.œ œ jœKea tings, a
jœœœ‰ ‰ Œ .
jœ ‰ ‰ .œ
œ Jœ œ jœ
bas ket for the
jœœœ‰ ‰ Œ jœœœ
jœ ‰ ‰ Œ jœ
F G
.œ Œ .
Reeds.
...œœœ...œœœ
.œ .œ
C G
œjœ œ
jœFood for Christ mas
jœœœ‰ ‰ Œ jœœœjœ ‰ ‰ Œ jœ
C
.œ œ jœdin ner, so
jœœœ‰ ‰ ...œœœjœ ‰ ‰ .œ
- - - - -
12. Baskets for the Needy Reprise 3
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54
œjœ œ jœ
ma ny folks in
...œœœ ...œœœ
.œ .œ
G 7
.œŒ .
need.
...œœœ ..œœ
.
.œœ
.
.œœ
C G
œ jœ œjœ
San ta brings them
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
C
.œ .œtrea sures,
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
œ Jœ œ jœ
we de li ver
Œjœœœ Œ
Jœœœ
jœœ ‰ ‰
jœœ ‰ ‰
F G
.œ Œ .
joy.
Œjœœœ Œ
jœœœjœ
œ‰ ‰ jœ ‰ ‰
C
- - - - -
&
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..
..
..
..
..
..60
œjœ œ
jœEach one packed with
Œjœœœ Œ
jœœœ
jœœ
‰ ‰ jœ ‰ ‰
.œ .œour love
Œjœœœ œ œ œ
jœœ
‰ ‰ jœœ
‰ ‰
∑
jœ‰ ‰ j
œ‰ ‰
jœ ‰ ‰ jœ ‰ ‰
Vamp
∑
jœb
‰ ‰ jœ
‰ ‰
jœb ‰ ‰ jœ ‰ ‰
[Bradleys enter with basket]
&
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..
..
..
..
..
..64
œjœ œ jœ
La la la la
Jœœœ ‰ ‰
Jœœœ ‰ ‰
jœ ‰ ‰ jœ ‰ ‰
C G
.œŒ .
la...
GRACE: "Did you see that?"...(Cont.)
œ œ œ œ œ œ
.œ .œ
C G/B
∑
Œ jœœŒ jœœ
jœœ
‰ ‰ jœ‰ ‰
A m
Vamp rit.∑
Œ jœœ ..œœjœ
œ‰ ‰ .œ
F
CUE to CONTINUE: BOB "This is the house."
∑
..˙
.˙
A m
∑
.œ.Œ .
.œ.Œ .
12. Baskets for the Needy Reprise4
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44
44
44
∑
GLADYS: "All year I dream of this—theperfect Christmas gift..."
[TRACK 34]
œœ œ œ œ œ
œœ
œ œ œ
[GUITAR - Country-Style Finger Picking. Improvise to Taste]
˙ ˙
C F
Gently Rolling Folk Feel q = 80
P
Ó Œ ‰ jœA
GLADYS:
œœ œ œ œ œ
œœ œ œ œ
˙ ˙
C F
œ œ œ œ œ œ œ Œ
box of mashed po ta toes,
œœ œ œ œ œ œ œ
œœ œ œ œ
œ œ œœ
C F
- -
&
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4
‰ . rœ œ œ œ œ Œ
a big ol ham.
œœ œ
œ œ œ œœ
œ œ œ œœ œ œ
œœ œ œ
G C G/B
‰ ≈ rœ œ œ œ œ œ œ œA bag of day old rolls
IMOGENE:
œœ œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ œœ
A m Em
-
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6
‰ œ œ œ œ ‰ œ œ
Two kinds of jam! And for
:BOTH
œ œ œ œ œ œ œœ œ œ œ œ
œœ œ
œ
F G
œ œ œ œ œ œ œone ma gic night of the year,
œœ œ œ
œœ œ œ
œœ œ œ
œœ œ œ
.œj
œ .œj
œ
F C
˙ Ó
œœ œ œ œ
œ œ œ œ œ œ œ œ
œ œ œ œ[BASS ENTERS]
G/B A m
-
13. The Best Gift of Allfrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: GLADYS "I'm not. I just want to look at it."
&
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42
42
42
9
‰ œ œ œ œ œ œ Œ
No one gets an gry,
:GLADYS
œœ œ œ œ œ
œœ œ œ œ œ
.œj
œ .œj
œ
F C
œ œ œ œ œ œ œ œNo one sheds a tear, and the
:IMOGENE :BOTH
œœ œ œ œ œ
œœ œ œ œ œ
.œj
œ .œj
œ
F C
œ œ œ œ ‰ œ œbest gift of all Is our
œœ œ œ
œ œ œœ œb œ œ œ œ
œ œ œœ
A m C C 7
- -
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42
42
42
44
44
44
12
œ œ œ œ œbas ket full of
œœ œœ
œ œ
D m G
œŒ Ó
cheer.
œœ œ œ œ œ
œœ
œ œ œ
.œj
œ ˙
C F
F
∑
œœ œ œ œ œ
œœ œ œ œ
.œj
œ .œj
œ
C F
-
&
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15
‰ jœ œ œ œ œ œ Œ
Ralph lights a can dle,
:IMOGENE
œœ œ œ œ œ œ œ
œœ œ œ œ
œ œ œœ
C F
‰ jœ œ œ œ œ ‰ . rœ
Ma sings a song, We
:GLADYS HERDMANS:
œœ œ
œ œ œ œœ
œ œ œ œœ œ œ
œœ œ œ
G C G/B
œ œ œ œ œ œ œ ‰ œall stand in a cir cle and
œœ œ œ œ œ œ œ
œ œ œ œ œ œ
œ œ œœ
A m Em
--
13. The Best Gift of All2
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18
.œ œ œ œ œ œ ‰ œ œ
try to get a long. And for
œ œ œ œ œ œ œœ œ œ œ œ
œœ œ
œ
F G
œ œ œ œ œ œ œone ma gic night of the year,
œœ œ œ
œœ œ œ
œœ œ œ
œœ œ œ
.œj
œ .œj
œ
F C
˙ Ó
œœ œ œ œ
œ œ œ œ œ œ œ œœ œ œ œ
G/B A m
- -
&
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21
‰ jœ œ œ œ œ œ Œ
No bo dy's hun gry,
BOYS:
œœ œ œ œ œ
œœ œ œ œ œ
.œ Jœ .œj
œ
F C
œ œ œ œ œ œ ‰ œ œEv' ry one's all right. And the
:GIRLS :HERDMANS
œœ œ œ œ œ
œœ œ œ œ œ
.œ Jœ .œj
œ
F C
- - - - -
&
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42
42
42
44
44
44
23
œ œ œ œ œ œ œ œbest gift of all is we're to
œœ œ œ
œ œ œœ œ
œ œ œ œœ œ œ
œ
A m C/G F C
œ œ œ œ œge ther to night
œœ œœ
œ œ
D m G
- --
13. The Best Gift of All 3
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44
44
25
œŒ Ó
œœ œœ œ œ œœ œ œ œ œ
[PIANO ENTERS]
.œj
œ œœ
C F
∑
œœ œœ œ œ œœ œ œ œ œ œ
.œj
œ œœ
C F
Œ œ œ œ œ œ œ
Look at them, there's a
:GRACE
˙˙˙ œœœœ œ œ œ œ
.˙ œ
Em7
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28
œ œ œ œ Œ
light in their eyes,˙ œœœ œ œ œ
.˙ œ
F
œ œ œ œ œ ‰ jœ œ œ œ
full of love and hope, Why should it
˙˙˙ œœœœ œ œ œ œ œ
.˙ œ
Em7
&
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30
œ œ œ œ œ# œ ‰ jœcome as a sur prise? Some
œœœ# œ œ œ œ œ œ œ œ œ œ
.œJœ œ
œ œ œ
A
œ œ œ œ œ œ œ Œ
how I feel that we're the ones
œœœ œœœ œ œœœ œœœ œ
.œ jœ .œ jœ
D m7 Em7
F
‰ jœ œ œ œ œ ‰ jœwho let them down, to
œœœ œœ œ œœœ# œœ œ
.œ jœ .œ# jœ
F D 7/F#
- -
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42
42
44
44
44
33
œ œ œ œ œ œ œ œ œtell them they're not good e nough for
œœ œ œœ œœœ œ œœ œ
.œ jœ .œ jœ
G G 7
‰ Jœ œ œ ˙
our lit tle town.
‰ œœœ œœœ œœœ ˙
w
rit.Œ œ œ
And for
HERDMANS:
˙
[PIANO OUT]
˙
a tempo
- -
13. The Best Gift of All4
&
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44
44
44
36
œ œ œ œ œ œ œone ma gic night of the year,
œœ œ œ œ œ
œœ œ œ œ œ
.œ Jœ.œ Jœ
F C
P
˙ Ó
œœ œ œ œ
œ œ œ œ œ œ œ œœ œ œ œ
G/B A m
‰ jœ œ œ œ œ œ ‰ jœNo bo dy yells at us. Or
BOYS: GIRLS:
œœ œ œ œ œ
œœ œ œ œ œ
.œ Jœ .œj
œ
F C
- --
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œ œ œ œ œ œ œ œtells us that we're wrong And the
:HERDMANS
œœ œ œ œ œ
œœ œ œ œ œ
.œ Jœ .œj
œ
F C
œ œ œ œ œ œ œ œbest gift of all is that to
œœ œ œ
œ œ œœ œ œ
œ œ
œ œ œœ
A m C F Em
˙ Œ ‰ . rœ
night, To
IMOGENE:
œœ œ œ œ œ
œœ
œœ œ œ
.œ Jœ ˙
D m
- -
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42
42
42
44
44
44
42
.œ œ œ jœ ‰ œ œ œnight We be long.
:HERDMANS
œœ œ œ
œœ ˙
.œ Jœ ˙
G
˙Ó
œœ œ œ œ œ
œœ
œ œ œ.œ
Jœ œ œ
C F
rit.
∑
˙
˙
G
∑
ww
w
C
-
13. The Best Gift of All 5
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44
44
..
..
..
..
www
TRACK 35
.œ jœ œ œ
CVamp
Building, with hope q = 130
www
.œ jœ œ œ
F/C
CUE to CONTINUE:GRACE "I've never been so sure of anything in my whole life"
..
..
..
..
#
#
43
43
3 œœœ œœœœœœ œ œ œ
.œ jœ .œ Jœ
C F œœœ œœœœœœ œ œ œ
.œ Jœ.œ Jœ
C/G F/A œœœ œœœœœœ œ œ œ
.œJœ œ œ
C F/A /G ww
œœ œ œ
GSafety
CUE to CONTINUE:BOB "Does this mean I have to - "BRADLEYS "Yes!"
#
#
43
43
7
œ œ œ œ œ œ
.˙
With Urgency q = 170
f
œ œ œ œ œ œ
.˙
œ œ# œ# œ œ œ#
.˙
rit.
œ œ œ# œ# œ œ
.˙
#
#
..
..
..
..
11 œ œ œ œ[CAROL OF THE BELLS]
.˙
Vamp
P
a tempo
œ œ œ œ
.˙
œ œ œ œ
.˙
CUE to CONTINUE:GRACE "And only 24 hours to do it in."
œ œ œ œ
.˙
14. Carol Transitionfrom "The Best Christmas Pageant Ever:The Musical"
Music by Malcolm Hillgartnerand adapted from "The Carol of the Bells"
PIANO/VOCAL SCORE
CUE: GRACE"We'll see you all tomorrow night."
&
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#
#
15 œœ œ œ œœ
œ œ œ
œœ œ œ œœ
œ œ œ#
œœ œ œ œœ
REV: "Then why are we standing here? We've got a show to do!"GRACE: "Thank you!"
œ œ œ
œœ œ œ œœ
œ# œn œ
#
#
19œœœ œœœ œœœ œ œ
˙˙
œœ
ƒ
œœ œœ œœ œœ œœ
˙˙
œœ
œœ œœ œœ œœ œ
˙˙
œœ
œœ œ œ œ
œœ Œ Œ
œ œ# œ# œ œ œ
œœ
Œ œœ
#
#
44
44
24 œ œ œœ œœ
œœ
Œ œœ
œ œ# œ# œ œ œ
œœ
Œ œœ
œ œ œœ œœ
œœ œ œ
œ œ œ œ
.˙
.˙
.˙
rit.œ œ œ œ
.˙
.˙
.˙
#
#
44
44
31
Ó œœœœ#
[HARK THE HERALD]
TEDDY: "Mrs Bradley! Mrs Bradley!"...
w
Freely
P
..œœ#Jœœ##
œœœœ#
w
œœ# ..˙##
w
14. Carol Transition2
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b
b
b
44
44
44
Œ
œœœ
TRACK 36
œ
O Little Town of Bethlehem q = 85
F
∑
œœ œœ œœ#nœœ
˙ ˙
∑
œœ œœ œœ
œœ œ
œœ# ˙ œœ
∑
œœ œœœn..œœ
jœœbœœ œœ œ .œ Jœ
Ó Œ œO
KIDS, GRACE: (No Herdmans)
wwww
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b
b
b
5
œ œ œ# œlit tle town of
˙ œœ#nœœ
˙ œ œ
œ œ œ œBeth le hem, how
œœ# œœn ˙œœ# ˙ œ
œ œ œ œ œstill we see thee
˙ ˙
˙ ˙
.˙ œlie. A
...˙ œœ
œ œ œ œ
œ œ œ œ
bove thy deep and
œœ œœ ˙#
œ œb ˙
- - - -
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b
b
b
10
œ œ œ œdream less sleep the
˙˙ ˙
œ œ œ œ
œ œ œ .œ jœsi lent stars go
œœ œ œ ...œœœjœ
œœ œ# œ œœ
.˙ œby. Yet
wwwœ œ ˙
œ œ œ œin thy dark streets
˙ œœ œœ˙ œœ œœn#
˙ œ œshin eth an
˙# ˙˙ œ
œ
œ œ œ œev er last ing
œ œ œ œœ
œ œ œ œ
- - - - - -
15. The Pageantfrom "The Best Christmas Pageant Ever:The Musical"
[Piano Solo]
TraditionalAdditional Music by Malcolm Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: GRACE"Shoot me now!"
&
&
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b
b
b
16
.˙ œLight; The
...˙# œœ
œ œ# œ œn
œ œ œ# œhopes and fears of
˙ œœ#nœœ
˙˙
œ œ œœ
all the years are
œœ œœ œœ
œœ œ
œœ# ˙ œœ
œ œ .œ jœmet in thee to
œœ œœn..œœ
jœœbœœ œœ œ .œ Jœ
wnight.
ww
œ œ œ œ
-
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b
b
21
œœ œœ œœ#nœœ
IVY: "In the days of Caesar Augustus a decree..."
˙ œ œ
œœ# œœn ˙œœ# ˙ œ
œœ œ œ ˙
˙ ˙
...˙ œœ
œ œ œ œ
&
?
b
b
n#
n#
43
43
25
œœ œœ œœœ# œ
œ œb ˙
œœœ œ œœ œ
œ œ œ œ
œœ œ œ ...œœœjœ
œœ œ# œ œœ
rit.
www"
œ œ ˙
15. The Pageant2
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#
#
43
43
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29
∑TRACK 37
Œ Œ œ
∑
Away In A Manger q = 95
CUE to CONTINUE:Grace gestures to keep going.
∑
œœœ œ œœ˙ œœ
Œ Œ œ
A
:GRACE
˙ œœ
œ œ œ
.œJœ œ
way in a
..œœJœœ œœ
œ œ œ
œ œ œman ger, no
:KIDS
œœ œœ œœ
œ œ œ
œ œ œcrib for a
œœ œœ œœ
œ œ œ
˙ Œbed.
˙ œœ
œ œ œ
- -
&
&
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#
#
#
36
.œjœ œ
(hum)
ALICE: "I knew this would happen"...(Cont.)
..œœjœœ œœ
œ œ œ
œ œ œ
œœœœ œœ
œ œ œ
œ œ œ
œœ œ œœ
œ œ œ
˙ œ
(hum)
˙ œœ
œ œ œ
.œJœ œ
..œœJœœ œœ
œ œ œ
œ œ œ
œœ œœ œœ
œ œ œ
&
&
?
#
#
#
nbb
nbb
nbb
42
œ œ œ
œœ œœ œœ
œ œ œ
˙ œ(hum)
˙ œœ
œ œ œ
.œJœ œ
.
.œœ
jœœ œœ
œ œ œ
œ œ œBETH: "Quiet. Here they come."
œœ œœ œœ
œ œ œ
œ œ œ
œœœ œ œœ
˙ œ
rit.
.˙ "
.
.˙ "
..˙ &
CUE to CONTINUE:RALPH: "Look! It's soft like a mattress"
15. The Pageant 3
&
&
&
bb
bb
bb
48
∑ALICE: "Mary and Joseph aren't supposed to talk..." (cont.)TRACK 38
∑
œ œ œ
Silent Night q = 90
P
∑
∑
œ œ œ
.œjœ œ
(hum)(hum)
KIDS:
..œœ Jœœ œœ
œ œ œ
.˙
..˙
œ œ œ
.œjœ œ
..œœ Jœœ œœ
œ œ œ
.˙
..˙
œ œ œ?
&
&
?
bb
bb
bb
54
.˙
(hum)˙ œœ
œ œ œ
.˙
.
.˙
œ œ œ
.˙
˙ œœ
œ œ œ
.˙
..˙
œ œ œ
.˙(hum)˙ œœ
œ œ œ
.œ jœ œ
..œœJœœ œœ
œ œ œ
.œjœ œ
..œœ Jœœ œœ
œ œ œ
.˙
..˙
œ œ œ
&
&?
bb
bb
bb
62
.˙(hum)
˙ œœ
œ œ œ
.œ jœ œ
..œœJœœ œœ
œ œ œ
.œjœ œ
..œœ Jœœ œœ
œ œ œ
.˙
..˙
œ œ œ
.˙(hum)˙ œœ
œ œ œ
.œ jœ œ
.
.œœ Jœœ œœ
œ œ œ&
&
&
&
bb
bb
bb
nn# # #
nn# # #
nn# # #
44
44
44
68
.˙
..˙
œ œ œ
.˙
...˙
.˙
œ œ œAh
[IMOGENE puts Baby in Manger and Star Lights up]
œœ œ œ
œ œ œ
.œ jœ œ
.
.œœ Jœ œ
œœ œ
.˙"
..˙ "
.˙?
CUE to CONTINUE:IVY "When lo, an angel of the Lord appeared to them."
15. The Pageant4
&
&
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# # #
# # #
# # #
44
44
44
73
∑ "TRACK 39
œœœœ
œœ œœœœ
œœ˙U "3 3
[OPTIONAL: HARP]
∑
Angelic Flourish!CUE to CONTINUE:IVY: "Lo! An angel of the Lord!"
f
∑ "TRACK 40
œœœœ
œœ œœœœ
œœ˙U
"3 3
∑
CUE to CONTINUE:IVY: "An angel of the Lord!"SFX: Crash Box and Foot Steps
&
&
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# # #
# # #
# # #
nnn#
nnn#
nnn#
43
43
43
75
∑UTRACK 41
∑U
wwn
nU
æƒ
GLADYS: "Hey Everybody! Unto you a child is born. His name is Jesus and he’s in the barn.
Wanna see him? Come on! Come on!"
∑TRACK 42
∑
Ó Œ œ œn
∑
œ œ œ œ œn œ œ œwwn
n
G 7
∑
œn œn œ œ œ œ œ œ
ww
∑
œ œ œ œ œn œ œ œ
œn œ œn œn
rit.
IVY: "Then came Wise Men from the east to worship the newborn baby"
∑
œ œn œ œ œ œn œ œ
œ œ œn œ
&
&
?
#
#
#
43
43
43
81
∑
œœœœ œ
˙ œ
We Three Kings q = 130
∑
˙ œœ#
˙ œ
∑
..˙
..˙
˙ œWe three
:KIDS
˙ œœ
˙˙ œœ
˙ œkings of
˙ œ
˙ œœ
œ œ œO ri ent
œœ# œ œœ
˙˙
œœ
.˙are
..˙
..˙
˙ œbear ing˙ œœ
˙˙ œœ
- - -
15. The Pageant 5
&
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#
#
#
89
˙ œgifts, we
˙ œ
˙ œœ
œ œ œtra verse a
œœ# œ œœ
˙˙
œœ
.˙far
..˙
..˙
˙ œField and
˙ œœ˙ œœ
˙ œfoun tain,
˙ œœ
˙ œ
˙ œmoor and
˙ œœ˙ œ
œ œ œmoun tain
œ œœ œœœ œœ œœ
- - - -
&
&
?
#
#
#
96
œ œ œFol low ing
œ œ œ
˙ œ
˙ œyon der
˙ œœ#
˙ œ
.˙star.
..˙
..˙
˙ œ(hum)
ALICE: "Look at them. They're not moving."
˙ œœ
˙˙ œœ
˙ œ
˙ œ
˙ œœ
œ œ œ
œœ# œ œœ
˙˙
œœ
.˙
..˙
..˙
- --
&
&
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#
#
#
103
˙ œ(hum)
BETH: "They're scared."
˙ œœ
˙˙ œœ
˙ œ
˙ œ
˙ œœ
œ œ œ
œœ# œ œœ
˙˙
œœ
.˙
..˙
..˙
˙ œ(hum)
ALICE: "They should be. Look what they're wearing.
˙ œœ˙ œœ
˙ œ
˙ œœ
˙ œ
&
&
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#
#
#
44
44
44
109
˙ œ
˙ œœ˙ œ
œ œ œThey look like Trick or Treat."
œ œœ œœ
œ œœ œœ
œ œ œ(hum)
œ œ œ
˙ œ
˙ œ
˙ œœ#
˙ œ
.˙"
..˙"
..˙
CUE to CONTINUE:Bob Appears
15. The Pageant6
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44114
˙ ˙Oh!
:BOBA Capella, Swung and Jazzy
œ œ œ œStar of won der,
œ œ ˙Star of night.
œ œ œ œCome on guys, let's
œ œ ˙get this right.-
&#
43119
œ œ œ œWest ward lead ing,
:+KINGSœ œ œ œ
still pro ceed ing
œ œ œ œGuide us to thy
˙ ˙per fect
rit.
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light.- - - - -
&
&
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#
#
#
43
43
43
124
∑TRACK 43
∑
œ œ# œ#
Straight
˙ œ(hum)
:KIDSALICE: "What have they got?...(cont.)
..˙
œ œ œ
˙ œ
..˙
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œ œ œ
..˙
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.˙
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˙ œ(hum)
..˙
œ œ œ
˙ œ
..˙
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œ œ œ
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&
&
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#
#
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132
.˙
..˙
œ œ œ
.˙(hum)
..˙
œ œ œ
HUMMING OUT ON CUE: OLLIE "And a big ole ham!"
.˙
..˙
œ œ œ
.˙
..˙
œ œ œ
œ œ œ
œœ œ œ
œ œ œ
œ œ œ(hum)
..˙
.˙
rit.
˙ œ
.
.˙
œ œ œ
Immediate Segue
.˙
..˙
.˙
15. The Pageant 7
& 43 44˙ œ
[CLARINET]TRACK 44Freely
.œ jœ œ#
RALPH: "Look, little baby Jesus is getting sleepy."
.˙ .˙ œ œ œ .œj
œ œ .˙
"U
& 448
Œœ œ œ œ
On a night like
:IMOGENE
wthis
Œ œ œ œ œ
when the wind was
wstill
Œ œ œ œ
a star came
wout
&14
‰œ œ œ œ œa bove a lone ly
whill.
Œœ œ œ œ
On a night like
wthis- -
&18
Œ œ œ œ œ
there was not a
wsound
Œ œ œ œ
to break the
wpeace
Œœ œ œ œon the cold hard
&
&
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42
42
42
44
44
44
23
wground.
TRACK 45
‰œ
œ œ‰
œ œ œ
[GUITAR]
˙ ˙
[BASS]
C
Folk, simple and direct q = 128
P
Ó Œ œ œOn a
‰œ
œ œ‰
œœ œb
˙ œ œ œ
C 7
œ œ œ œ œnight like this all the
‰œ
œ œ‰
œœ œ
˙ ˙
F
œb œ
world looked
Œ œœœb
œbœ
Bb
w
down
‰œ
œ œ‰
œœ œ
˙˙
F
16. On A Night Like Thisfrom "The Best Christmas Pageant Ever:The Musical"
Music by M. HillgartnerLyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: BETH"They came a long way!"
PIANO TACET
&
&
?
42
42
42
28
Œ œ œ œb œ
on a peace ful
‰œ œ œ ‰ j
œœœb
˙ œbœ
Bb
˙ œ œ œtown cra dled in
‰œ
œ œ ‰œ
œ œ
˙ ˙
F
wsnow,
‰œb
œ œb‰
œœ œ
˙b ˙b
Eb
Ó Œ œ œAnd a
‰œ
œ œ‰
œ œ œ
˙ œ œ
C
œ œ œ œ œyel low moon cast a
‰œ
œ œ‰
œœ œ
˙ ˙
F
- - -
&
&
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42
42
42
44
44
44
33
œb œ
glow that
Œ œœœb
œbœ
Bb
w
found
‰œ
œ œ‰
œœ œ
˙˙
F
Œ œ œ œb œ
all the men and
‰œ œ œ ‰ j
œœœb
˙ œbœ
Bb
˙ œ œ œbeasts hud dled be
‰œ
œ œ ‰œ
œ œ
˙ ˙
F
wlow
‰œ œ œ ‰
œ œ œ
˙˙
G
- -
&
V
&
?
38
Œœ œ œ œ œ
'round a sweet lit tle
:IMOGENE
Œ œ œ œ œ œ'round a sweet lit tle
RALPH:
ww
.˙œ œ
˙ œ œŒ
ba by.
˙ œ œ Œ
ba by.
‰œ œ œ
‰œ
œ œ
˙ ˙
C
Ó œ œ œ œLy ing in a
Ó œ œ œ œLy ing in a
‰œ
œ œ‰
œœ œ
˙ ˙
˙ œ œ Œ
man ger
˙ œ Œ
man ger
‰œ œ œ
‰œ
œ œ
˙ ˙
- - - -
- - - -
16. On A Night Like This2
&
V
&
?
42
Ó œ œ œ œlook ing up at
Ó œ œ œ œlook ing up at
‰œ
œ œ‰
œœ œ
˙ œ œ
˙ œ œ Œ
stran gers
˙ œ Œ
stran gers
‰œ
œ œ‰
œœ œ
˙˙
G
Œ ‰ jœ œ œ œ
with gifts in their
Œ ‰ jœ œ œ œwith gifts in their
‰œ
œ œ‰ œ œ œ
˙ œ œ
whands.
whands.
‰œ œ œ
‰œ
œ œ
˙ ˙
C
Œœ œ œ œ œ
Not know ing he was
Œ œ œ œ œ œNot know ing he was
‰œ œ œ
‰œ
œ œ
˙ œ œ
- - -
- - -
&
V
&
?
47
.œ jœ œ œŒ
meant to be
.œ jœ œ œ Œ
meant to be
‰œ œ œ
‰œ
œ œ
˙ ˙
Œ ‰ jœ œ œ œthe hope of hu
Œ ‰ jœ œ œ œthe hope of hu
‰œ
œ œ‰
œœ œ
˙ ˙
.œ jœ œ œ Œ
man i ty
.œ Jœ œ Œ
man i ty
‰œ œ œ
‰œ
œ œ
˙ ˙
Œœ œ œ œ
born to bring some
Œ œ œ œ œ
born to bring some
‰œ
œ œ‰
œœ œ
˙ œ œ
.œ jœ œ œ Œ
har mo ny
.œ Jœ œ Œ
har mo ny
‰œ
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˙˙
G
- - - - -
- - - - -
&
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42
42
42
42
44
44
44
44
52
Œœ œ œ œ œto a trou bl ed
Œ œ œ œ œ œto a trou bl ed
‰œ
œ œ‰ œ œ œ
˙ œ œ
wland.
wland.
‰œ œ œ
‰œ
œ œ
˙ ˙
C
Ó Œ œ œœOn a
HERDMANS:
Ó Œ œ œ
On a
‰œ
œ œ‰
œœ œb
˙ œ œ œ
C 7
œœ œœ œœ œœ œœnight like this all the
œ œ œ œ œ
night like this all the
‰œ
œ œ‰
œœ œ
˙ ˙
F
œœb œœworld looked
œ œ
world looked
Œ œœœb
œbœ
Bb
- -
- -
16. On A Night Like This 3
&
V
&
?
44
44
44
44
57
˙ Ó
down
˙ Ó
down
‰œ
œ œ‰
œœ œ
˙˙
F
Œ œ œ œœb œœon that peace ful
Œ œ œ œ œ
on that peace ful
‰œ œ œ ‰ j
œœœb
˙ œbœ
Bb
˙ œ œ œtown cra dled in
˙ œ œb œ
town cra dled in
‰œ
œ œ ‰œ
œ œ
˙ ˙
F
wwbsnow
wb
snow
‰œb
œ œb‰
œœ œ
˙b ˙b
Eb
˙ Œ œ œœand a
˙ Œ œ œ
and a
‰œ
œ œ‰
œ œ œ
˙ œ œ
C
- -
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&
V
&
?
42
42
42
42
44
44
44
44
62
œœ œœ œœ œœ œœyel low moon cast a
œ œ œ œ œ
yel low moon cast a
‰œ
œ œ‰
œœ œ
˙ ˙
F
œœb œœglow that
œ œ
glow that
Œ œœœb
œbœ
Bb
˙ Ó
found
˙ Ó
found
‰œ
œ œ‰
œœ œ
˙˙
F
Œ œ œ œœb œœall the men and
Œ œ œ œ œ
all the men and
‰œ œ œ ‰ j
œœœb
˙ œbœ
Bb
˙ œ œ œbeasts hud dled be
˙ œ œb œ
beasts hud dled be
‰œ
œ œ ‰œ
œ œ
˙ ˙
F
- - -
- - -
&
V
&
?
# #
# #
# #
# #
67
wlow
wlow
‰œ œ œ ‰
œ œ œ
˙˙
G
Œœ œ œ œ œ
'round a sweet lit tle
:+KIDS
Œ œ œ œ œ œ'round a sweet lit tle
www˙ Œ œ œ
A
˙ œ œŒ
ba by.
˙ œ œ Œ
ba by.
‰œ œ œ ‰
œœ œ
˙ ˙
D
Ó œ œ œ œly ing in a
Ó œ œ œ œ
ly ing in a
‰œ
œ œ‰
œœ œ
˙ ˙
˙ œ œ Œ
man ger
˙ œ Œ
man ger
‰œ œ œ ‰
œœ œ
˙ ˙
- -- -
- - - -
16. On A Night Like This4
&
V
&
?
# #
# #
# #
# #
72
Ó œ œ œ œlook ing up at
Ó œ œ œ œ
look ing up at
‰œ
œ œ‰
œœ œ
˙ œ œ
˙ œ œ Œ
stran gers
˙ œ Œ
stran gers
‰œ
œ œ‰
œœ œ
˙˙
A
Œœ œ œ œ
who came from a
Œ œ œ œ œwho came from a
‰œ
œ œ‰ œ œ œ
˙ œ œ
˙ Ó
far.
˙ Ó
far.
‰œ œ œ ‰
œœ œ
˙ ˙
D
Œœ œ œ œ œ
Just a child like
Œ œ œ œ œ œJust a child like
‰œ œ œ ‰
œœ œ
˙ ˙
- - -
- - -
&
V
&
?
# #
# #
# #
# #
77
.œ jœ œ œŒ
you and me
.œ jœ œ œ Œ
you and me
www
w
Ó œ œ œ œfull of hope and
Ó œ œ œ œ
full of hope and
www
w
..œœjœœ œœ œœ Œ
full of need
.œ Jœ œ Œ
full of need
www
w
Œ ‰ jœ œ œ œ œor was he just a
Œ ‰ jœ œ œ œ œ
or was he just a
www
w
..œœjœœ œ œ Œ
rest less seed
.œ Jœ œ Œ
rest less seedwww
w
A
-
-
&
V
&
?
# #
# #
# #
# #
82
Œœ œ œ œ œ
from a wan der in'
Œ œ œ œ œ œfrom a wan der in'
www
˙ œ œ
rit.
˙ Ó
star?
˙ Ó
star?..˙ œœ
.˙œ
D
Œ œ œ œœ œœOn a night like
Œ œ œ œ œ
On a night likewww
w
Slow and Free
wwthis.
w
this.
∑
∑
Œ œ œ œ œU ,
On a night like
IMOGENE:
∑
∑
∑
wthis.
∑
∑
∑
- -
- -
16. On A Night Like This 5
&
&
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44
44
44
∑TRACK 46
œœœ ...œœœ œœ ..œœJœœ
œœ
.
.œœ
œœ
.
.œœ jœ
C
Majestic!
f
Ó ‰ œ œ œLet there be
KIDS:
œœ œœ ˙
œ œ ˙
C/G G
œ œ œ œjoy, joy, joy, joy,
œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
œœ
œœ
œœ
œœ
C D m Em F
&
&
?
4
˙ ‰ œ œ œjoy in the
˙ Ó
˙˙ Ó
G
wworld.
œœœ‰ jœœœ œœœ œœœ
œ œ œ œ œ
C F/C
Bright q = 130
∑
œœœ‰ jœœœ œœœ œœœ
œ œ œ œ œ
C F/C∑
œœœ‰ jœœœ œœœ œœœ
œ œ œ œ œ
C F/CÓ ‰ œ œ œ
Let there be
œœ œœ œœ œœ œœœ>
Œ
œ œ œ œ œ>Œ
G
&
&
?
9
˙‰ œ œ œ
peace, let there be
œœ œ œ œœ œœ œ œ œ
.œjœ œ œ œ
C
F
˙ ‰ œ œ œjoy in ev 'ry
œœ œ œ œœ œœ œ œ œ
.œ Jœ œ œ œ
G
˙ ‰ œ œ œ
girl, in ev 'ry
œœ œ œ œœ œœ œ œ œ
.œ Jœ œ œ œ
A m
˙ ‰ œ œ œboy! Let there be
...œœœ#jœœœ œœœ œ œœœ œ
œ œ œ œ# œ œ
D /F#
--
17. Let There Be Joyfrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: REVEREND "Let there be joy in the world!"
&
&
?
..
..
..
..
.. ..13
œ œ œ œjoy, joy, joy, joy,
œœ œœ œœ œœ
œ œ œ œ
C D m Em F
˙ ‰ œ œ œjoy in the
œœ œ œ œœœ>
Ó
.œ Jœ> Ó
G
wworld.
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STOP after LINE:HELEN "I'll tell you what I think."
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17
∑U
∑U
∑U
CUE to CONTINUEHELEN: "...picking Grace was the right decision."
Ó ‰ œ œ œCome one and
:HELENTRACK 47
œœœ ...œœœ œœ œœœ>
Œ
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.
.œœ
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f
˙‰
œ œ œall! And ce le
+LADIES, GRACE:
œœœ œœ œ œœ œœ œ
.œjœ œ ‰ jœ
C
F
--
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20
œ œ œ œ œ œbrate this day with those you
œœœ œœ œ œœ œœ œ
.œ jœ .œjœ
F C
˙‰
œ œ œlove from near and
œœ œœ œ œœ œœ œ
.œjœ œ ‰ jœ
œœœ œœœ œœœ œœœ ‰ œœœ œœœ œœœfar a way, Reach out your
œœœ œœœ‰ œœœ œœœ œ œœ œ
œ œ ‰ œ œ œ
F C G
-
17. Let There Be Joy2
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˙ ‰œ œ œ
hand and wel come
œœ œœ œ œœ œœ œ
.œjœ œ ‰ jœ
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œœœ œœœ œœœ œœœ Œ œ œback a gain, one and
ALL:
œœ œœ ‰ œœœ œœœ œ œœ œ
œ œ ‰ œ œ œ
F G A m
œ œ œœœœ œœœ
all, like a long lost
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..
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friend.
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CUE to CONTINUE:BOB: "...3 Wise guys and Bob."
Ó ‰ œ œ œLet there be
GRACE, BOB, BETH, ALICE:
œœ œœ œœ œœ œœœ>
Œ
œ œ œ œ œ>Œ
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˙‰ œ œ œ
peace, let there be
œœ œ œ œœ œœ œ œ œ
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˙ ‰ œ œ œjoy, in ev 'ry
œœ œ œ œœ œœ œ œ œ
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˙ ‰ œ œ œ
girl, and ev 'ry
œœ œ œ œœ œœ œ œ œ
.œ Jœ œ œ œ
A m
--
17. Let There Be Joy 3
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˙ ‰ œ œ œboy! Let there be
...œœœ#jœœœ œœœ œ œœœ œ
œ œ œ œ# œ œ
D /F#
œ œ œ œjoy, joy, joy, joy,
œœ œœ œœ œœ
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C D m Em F
˙ ‰ œ œ œjoy in the
œœ œ œ œœœ>
Ó
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wworld.
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36 œœœ œœœ œœœœœœ
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CUE to CONTINUE:IMOGENE "The heck you will!"
œœœ œœœ œœœœœœ
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Ó ‰ œ œ œSo lift your
GRACE:
œœœœœœœ
œœœœœœ
.œ jœ œœ
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A/A
˙ ‰ œ œ œhearts and do not
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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D
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‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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˙ ‰ œ œ œneed who may have
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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œ œ
œ œ œ œ œ œgone a stray, Reach out your
:ALL
œœœ œœœ œœœ œœœœ œ œ œ
G D A
˙ ‰ œ œ œhand and wel come
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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--
17. Let There Be Joy4
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œœ œœœ# œœœ œ œnback a gain, one and
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D A
˙ ‰ œ œ œfriend. Let there be
GROUP 1:
...˙ œœœœœ
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˙ ‰ œ œ œlove, Let there be
‰ œ œ œ ˙Let there be love
:GROUP 2
œœ œ œ œœ œ œ œœ œ
.
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˙ ‰ œ œ œjoy in ev 'ry
‰ œ œ œ ˙Let there be joy
œœ œ œ œœœ œ œ œœ œ..
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A
˙ ‰ œ œ œ
girl in ev 'ry
‰ œ œ œ œ œ œ œ
in ev 'ry girl, in ev 'ry
œœ œ œ œœ œ œ œœ œ..
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B m
--
- -
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52 ˙ ‰ œ œ œboy! Let there be
˙ Óboy!
œœœ# œœœœœœœœ
œœœœ
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œ œ œ œjoy, joy, joy, joy,
∑
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D Em F#m G
˙ ‰ œ œ œjoy Let there be
œ .œ œ ˙Joy in the world!
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A
17. Let There Be Joy 5
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œ œ œ œjoy, joy, joy, joy,
˙ œ œJoy in the
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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D Em F#m G
˙ œ œjoy in the
˙ œ œworld in the
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wwwn
world!
:ALL
...œœœnjœœœn œœœ
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Immediate Segue
17. Let There Be Joy6
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44
Ó ‰ œ œ œ
[ALTO SAX]TRACK 48
Ó˙
¿> ¿> œ œ œ œ
[DRUMS]
"Let There Be Joy"Double Time Feel q = 130
ƒ
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‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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~~~~~~~~~~~
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˙‰ œ œ œ
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D Em F#m G
18. Bowsfrom "The Best Christmas Pageant Ever:The Musical" Music by M. Hillgartner
Lyrics by Hillgartner & Beecham
PIANO/VOCAL SCORE
CUE: Segue from #17
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˙ ‰ œ œ œLet there be
[OPTIONAL VOCALS]
∑
œœ œ œ œœœ>
‰ œ œ œ
.œ Jœ>
Ó
œ œ œ œjoy, joy, joy, joy,
∑
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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œœ
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D Em F#m G
Repeat as DesiredAdd Hand Claps on 2 & 4 and Tambourine! Perhaps Percussion only at first, then all Instruments for last time
˙ ‰ œ œ œjoy! Let there be
œ .œ œ ˙Joy in the world!
[LAST TIME ONLY]
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œ œ œ œjoy, joy, joy, joy,
˙ œ œJoy in the
‰ œœœ ‰ œœœ ‰ œœœ ‰ œœœ
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œœ
œœ
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D Em F#m G
˙ œ œin the
˙ œ œworld in the
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A
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wwwn
world!
:ALL
...œœœnjœœœn œœœ
œœœ
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n œ œœ
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C
œœœ Œ œœœn œœœIn the
˙nœœœn œœœ
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n œ œœ
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wwwworld!˙
Jœœœ œœœn
Jœœœ
˙ jœ œnjœ
D("Die Herod Die")
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18. Bows2