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THE BRUSSELS ANCIENT ART FAIR 2013
THE BRUSSELS ANCIENT ART FAIR 2013
FROM WEDNESDAY JUNE 5 TILL SUNDAY JUNE 9
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THE BRUSSELS ANCIENT ART FAIR 2013
Wolstraat - Rue aux Laines
Waterloolaan - Bld de Waterloo
Guldenvlieslaan - Av. de la Toison d'Or
Coudenberg
Gare CentraleCentraal Station
Naam
sest
raat
- Ru
e de
Nam
ur
Rue des Minimes
Minimenstr.
Rue de la ChapelleKapellestraat
Rue de R
ollebeekstr.Rue J. Stevensstraat
Rue Lebeaustraat
Rue
de
Rui
sbro
ekst
raat
Rue Blaesstraat
Parc du Palais d’Egmont
Park van het Paleis van Egmont
Rue de
la Porte Rouge
Rodepoortstraat
Rue C
hristine
Christinastraat
C. Hanssens
Rue
Copp
enss
tr.
Rue
des
Sab
lons
str.
Rue
Wat
teeu
str.
Porte de NamurNaamsepoort
P
P
P
Place Royale - Koningsplein
Regentschapsstraat Rue de la Régence PlacePoelaert-
plein
Louise - Louiza
Grote ZavelpleinPlace du Grand Sablon
Kleine ZavelPetit Sablon
Rue
des
Pig
eons
Dui
vens
traa
t
Rue
J. D
upon
tstr
.
Rue de la SamaritainestraatRue de la PailleStrostraat
Rue Saint-AnneSint-Annastraat
Imp. St-JacquesSint-Jacobsgang
Rue du Tem
ple
Tempelstraat
Rue Van M
oerstr.
Rue Haute - Hoogstraat
Rue Ernest Allardstraat
Cercle deLorraineClub vanLotharingen
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51
2
410
8
9
61312
15
1114
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Akanthos Ancient Art Rue Ernest Allard 5
Antiken-Kabinett Rue Ernest Allard 24
Archea Ancient Art Place du Grand Sablon 3
Arteas Rue Ernest Allard 19
Art Loss Register Rue Sainte-Anne 16
Dr. Robert R. Bigler Asian & Egyptian Art Rue Ernest Allard 33
Cybèle Rue des Minimes 27
Roswitha Eberwein Antike Kunst Rue Ernest Allard 24
David Ghezelbash Archéologie Rue Watteeu 21
Galerie Jürgen Haering Rue Ernest Allard 17
Harmakhis Archeologie Rue des Minimes 17
Special art exhibition L’Égypte dessinée by Bruno Cassiers Rue des Minimes 15
Laboratory Ralf Kotalla Rue Sainte-Anne 16
Galerie Günter Puhze GmbH Rue Ernest Allard 31
Galerie Rhéa Rue des Minimes 14
Royal-Athena Galleries Rue des Minimes 3
Dominique Thirion Rue des Minimes 35
ArtConnoisseurs Lectures on archeology Cercle de Lorraine Place Poelaert 6 www.baaf.be
THE BRUSSELS ANCIENT ART FAIR
Vernissage
Wednesday June 5th 3 pm – 9 pm
Exhibition
Thursday June 6th 11 am – 7 pm
Friday June 7th 11 am – 8 pm
Saturday June 8th 11 am – 7 pm
Sunday June 9th 11 am – 5 pm
FROM WEDNESDAY JUNE 5 TILL SUNDAY JUNE 9
ForewordThe beginning of June 2013 represents an important time for the Sablon quarter of Brussels, with the launch of two new events.The first is Asian Art in Brussels (AAB), the new oriental art fair founded and curated by highly acclaimed Italian antique dealer, Carlo Cristi, and supported by a Board of competent and devoted colleagues.Carlo Cristi and myself are on the exact same wavelength, both being exacting and meticulous in our desire for quality at our fairs.Our exhibitors are hand-picked and their pieces are the subject of close verification by a panel of experts, among the greatest “scholars” in their respective disciplines.Impeccable vetting, which primarily protects the collector, is the sine qua non factor in creating a trusting environment for potential purchasers; it also favours good business for our exhibitors. Nowadays, no fair worthy of its name can overlook this.
With the help of two friends handling the public relations and promotion of AAB et BAAF, Mrs. Olga Polunin, Singaporean artist-painter and Mr. Matthieu Wolmark, Parisian journalist and filmmaker, both based in the capital of Europe, Carlo Cristi and I have put a great deal of thought into giving our respective events an additional dimension.This thought process has gone through various stages and finally ended up with the creation of ArtConnoisseurs, for which the first event will take place in June along-side our fairs.ArtConnoisseurs will offer high level lectures within the fields of archaeology and oriental art. There will also be, in the wings of the fairs, a forum, a place where people can network, exchange ideas and expand their knowledge of the arts within the pleasant setting that is Sablon in the month of June. Each year at these events, this cultural, scientific and friendly “platform” will be a place for exhibitions and an increasing number of lectures put on in collaboration with collectors-patrons, experts, scientists as well as Belgian and foreign museum curators, both public and private.Already this year, there will be some 20 lectures freely accessible to all, and which you will be able to attend from 6-8 June during your stay in Brussels.The oriental art presentations will take place in the superb location of the Musical Instruments Museum (MIM) in Brussels, an Art Nouveau masterpiece. Those relating
VettingThe Brussels Ancient Art Fair is considered by many to boast one of the best Vetting Committees for antiquities in the world, with an exceptional panel of renowned experts, art historians, archeologists and Egyptologists.
The members of the Vetting Committee have been very carefully selected to guarantee the quality and the authenticity of all exhibits, including the pieces published in the catalogue.
Pieces are systematically rejected where there is the slightest doubt concerning their authenticity.
Genuine, but overly restored objects are not admitted. Authentic, but poor quality items are rejected too as they are considered “not in the interest of the Fair.”
The primary objective of the Brussels Ancient Art Fair has always been to protect its customers, who can buy from us with confidence.
The Members of the Brussels Ancient Art Fair Vetting Committee:
Dr. Corinne Besson
Prof. Em. Dr. Herman A. G. Brijder
Dr. Kirsten Konrad
Prof. Dr. Detlev Kreikenbom
Peter Pamminger
Prof. Dr. Klaus Parlasca
Dr. Cyril Thiaudière
Prof. Dr. Winfred van de Put
Prof. Dr. Rainer Vollkommer
Dr. André Wiese
For further information and to read a short biography of each member, please see the “Vetting” section on our website: www.baaf.be
to archaeology will take place in the former palace of the Princes de Merode, home to the prestigious Cercle de Lorraine. I must take this opportunity to thank the Institut Belge des Hautes Etudes Chinoises, the MIM, the Cercle de Lorraine and the Brussels-Capital Region as well as all the members of the Honorary Committee who put their trust in us and without whom this project would not have come to fruition.The full programme of lectures as well as the list of members of the Honorary Committee is available at: www.artconnoisseurs.euIn addition to promoting our disciplines to a wider audience, as well as what Brussels and Belgium has to offer in terms of ancient and oriental art, one of ArtConnoisseurs’ desired objectives is to strengthen the links between the art market and private collectors with science and museums.The Egyptian exhibition which I had the privilege of organising last year at the Cercle de Lorraine for the 10th anniversary of BAAF–in partnership with the Museum August Kestner in Hannover and Antikensammlung Basel und Sammlung Ludwig of Basel–set the tone: public collections owe a great deal to the major collectors of the past, and it is important that this process continues.At a time when museums are the first victims of budget cuts within States, in Belgium and elsewhere, it is imperative that we rekindle and keep the flame of patronage alive, for sponsorship, long term loans, gifts and legacies to the benefit of museums.
The address, 15 Rue des Minimes will play host to the exhibition organised by BAAF, L’Égypte dessinée [Egypt drawn] by Belgian architect Bruno Cassiers, with original drawings reproduced in the magnificent book of the same name, published by Editions Lycaons. This is a real feat presenting the drawings sketched by 19th century Euro-pean travellers to Egypt with his own work, often of the same sites.Unusually, in this foreword I haven’t covered the subject of BAAF very much. The success of this event speaks for itself and the loyalty shown by our exhibitors and our visitors for this event has been second to none.
Just one final thing: be sure not to miss the tribal art fair BRUNEAF, which is also taking place with AAB and BAAF and its very beautiful exhibition of African ivories (Joyaux Lega - Lega Gems).
Jacques Billen Organising committee for the Brussels Ancient Art Fair (BAAF)
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Ciel mes BijouxRue Ernest Allard 5 Brussels
Akanthos Ancient ArtKarl Stimm
1 | Roman beaker with a barbotine decoration of a hunt scene with hounds and hind - Germany/Rhineland, 2nd-3rd century AD - Height: 12 cm
Provenance: Private collection JVB, Netherlands, acquired around 1980.
2 | Horse rider, Magna Graecia with original polychrome - 4th century BC Height: 30 cm Provenance: Private collection K. Vissenberg, Netherlands,
acquired around 1985.
3 | Roman Janiform herme. Eastern Mediterranean region, 1st century AD Height: 87 cm Provenance: Private collection Barbier, acquired around 1980.
Akanthos Ancient ArtOever 7 - 2000 Antwerp - BelgiumT +32 (0)3 2481855 - M +32 (0)486282354 [email protected] - www.akanthos.be
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Galerie SyntheseRue Ernest Allard 24 Brussels
Antiken-KabinettBernd Gackstätter
1 | Roman marble portrait head of young man - 2nd-3th century AD Marble - Height: 10.2 cm
Provenance: English collection, acquired in the 70s.
2 | Mesopotamian stone eye-idol - 4th millenium BC - Stone - Height: 8 cm Provenance: English private collection.
3 | Etruscan stamnos from the Praxias Group - 470-420 BC Terracotta, pseudo-red-figure - Height: 24.4 cm Provenance: Collection Päselt, Karlsruhe, acquired in the 1970s.
Antiken-KabinettGanghoferstrasse 24 - 60320 Frankfurt/Main - GermanyT +49 (0)69 519015 - F +49 (0)69 519026 - M +49 (0)1717124229 [email protected] - www.antiken-kabinett.de
THE BRUSSELS ANCIENT ART FAIR
Exhibiting atGalerie LoreleiPlace du Grand Sablon 3 Brussels
Archea Ancient ArtVincent J. Geerling
Archea Ancient ArtNieuwe Spiegelstraat 37 1 - 1017 DC Amsterdam - The NetherlandsT +31 (0)20 6250552 - F +31 (0) 20 4218768 - [email protected] - www.archea.nl
1 | Terracotta female votive head - Hellenistic, 4th-3rd century BC Height: 16.5 cmThis votive head of a young woman with lively wavy hair and prominent bulbous earrings, has portrait like qualities. Pierced for suspension.Provenance: private collection Belgium, prior to 1993.
2 | Green glass oinochoe with trefoil lip and trailing - Roman, 3rd-4th centuryHeight: 14 cmProvenance: private collection Germany, acquired in the 1970s.
3 | Marble idol - West Anatolia, first half of 3rd millennium BCHeight: 10.7 cmIdol of the Kusura-Beycesultan type with disc-shaped head, elongated neck, the body with stylized arms.Provenance: private collection Germany.
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Galerie Christine Ritter Rue Ernest Allard 19 Brussels
ArteasLaura Bosc de Ganay
1 | A diorite bust of a dignitary - Egypt, 26th Dynasty - Height: 13.5 cm Former old Belgian collection Mme L.
2 | A basalt vase keg with flat base and lip with two perforated side handles Egypt, Nagada II or Ist Dynasty - Few fillings - Height: 15 cm Former collection D., Belgium.
3 | Idiophone, a musical instrument - Phoenician Art, 8th-6th century BC Bronze, green oxidation - Height: 19.2 cm
Composed of two sounding bars with resonators at each end spiralling outwards; the bars are joined by fourteen bronze pins. Each pin inserted through a coiled strap tube, convex on its outer surface.
Provenance: Old Parisian collection Mr. P.F., prior to 1970.
Arteas315 Trafalgar House - Grenville Place - London NW7 3SA - England T +44 2082114775 - F +44 2082114962 - M +33 607587876 [email protected]
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Galerie Pierre Hallet Rue Ernest Allard 33 Brussels
Dr. Robert R. Bigler Asian & Egyptian ArtDr. Robert R. Bigler
Dr. Robert R. Bigler Asian & Egyptian ArtSeestrasse 92 - 8803 Rüschlikon/Zürich - Switzerland T/F +41 (0)44 724 27 37 - M +41 (0)793361459 [email protected] - www.bigler-finearts.com
1 | Funerary mask - Egypt, New Kingdom / Post-Amarna period, late 18th Dynasty, ca. 1320 BC - Wood - Height: 17.8 cmThe style of the finely executed facial features suggests a production of this mask during the reigns of either Tutankhamen or Ay.Provenance: French private collection, acquired in 1970.
2 | Large ushabti of Tjenry - Egypt, New Kingdom, 19th Dynasty, ca. 1280 BCGranodiorite with traces of pigment - Height: 30.6 cmAn important example mentioning several names and titles of members of the same family.Provenance: Private collection, France, acquired ca. 1960.
3 | Relief fragment with hieroglyphic signs - Egypt, New Kingdom, early 18th Dynasty, ca. 1500 BC - Width: 20.2 cmThe style and the extremely fine execution of the hieroglyphs is consistent with those found on reliefs made during the reign of Amenhotep I.Provenance: Private collection, France.
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Centre Yogashram Rue des Minimes 27 Brussels
CybèleJean-Pierre Montesino
1 | Part of a bone box – Egypt, Greco-Roman era - 15 x 9,5 cm Representation of a Naiad with a maritime deity
2 | Mirror – Egypt, 18th Dynasty - Bronze - Height: 15 cm Bronze with green patina, with two falcons on the ends of the handle
3 | Head of a female deity – Rome, 1st-2nd century AD - Height: 25 cm
Cybèle65 bis, Rue Galande - 75005 Paris - France T +33 (0)1 43 54 16 26 - F +33 (0)1 46 33 96 84 - M +33 (0)6 03 03 29 45 [email protected] - www.galerie-cybele.com
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Galerie SynthèseRue Ernest Allard 24 Brussels
Roswitha Eberwein Antike Kunst GöttingenRoswitha and Antonia Eberwein
1 | Predynastic Jar - Egypt, 1st-2nd Dynasty, ca. 3000–2700 BCDiorit - Diameter: 28 cm, Height: 14.7 cm Former French private collection
Lit.: Ali el-Khouli, Egyptian Stone Vessels, Predynastic Period to Dynasty III, Mainz, 1978
2 | Bloc-statue of Amenemhat - Egypt (Medu), New Kingdom, 19th Dynasty Granodiorit - Height: 18 cm, Width: 10 cmInscription: “May the king give a boon, for the god Montu in Medu, that he may give all good things for the Ka of the follower of the king, Amenemhat, justified”Provenance: Former Swiss private collection
Lit.: Dr. Regine Schulz, R., Die Entwicklung und Bedeutung des kuboiden Statuentypus: Eine Untersuchung zu den sogenannten “Würfelhockern.” Hildesheimer Ägyptologische Beiträge 33/34. Hildesheim, 1992
3 | Pyramidion - Egypt (Abydos), late 25th/early26th Dynasty, ca. 700-525 BC Limestone with incised hieroglyphs and scenes carved in sunk relief.All four sides with scenes representing the rebirth of the deceased associated with the solar cycle.Height: 36.8 cm, Width: 30.5 cmFormer French private collection
Lit.: H. de Meulenaere, Pyramidions d’Abydos in JEOL 20 (1967-68), pp. 1-20
Roswitha Eberwein Antike KunstBismarckstrasse 4 - 37085 Göttingen - Germany T +49 (0)55147083 - F +49 (0)55141543 [email protected] - www.antike-kunst-goettingen.de
THE BRUSSELS ANCIENT ART FAIR
Exhibiting atWim Prové AntiquairRue Watteeu 21 Brussels
David Ghezelbash ArchéologieDavid Ghezelbash
1 | Chariot rein ring with a deer - Anatolia, Hittite, mid 2nd millenium BC Bronze - Height: 17 cm
Former French private collection, acquired from the Serres Gallery.
2 | Zoomorphic rython in the shape of a bull. - Near Eastern, Amlash, 11th-9th century BC - Brown terracotta - Dim.: 23 x 28.5 cm
Provenance: Former private collection of Dr. Paul J. Vignos Jr., Chicago, USA, acquired in the 1960s.
3 | Cycladic head - Cycladic, 2600-2500 BC - White marble -Height: 14 cm Provenance: Former Swiss private collection, acquired ca. 1960.
David Ghezelbash Archéologie12 rue Jacob (fond de cour à gauche) - 75006 Paris - FranceT +33 (0)1 46336481 - M +33 (0)6 88233911 [email protected] - www.davidghezelbash.com
THE BRUSSELS ANCIENT ART FAIR
Exhibiting atGalerie RitterRue Ernest Allard 17 Brussels
Galerie Jürgen Haering Jürgen Haering
1 | Lekythos - Attic red-figure - ca. 460 BC - Fired clay - Height: 28.7 cmScythian archer drawing his bow. He is wearing an elaborately patterned short chiton and a pointed helmet with long ear flaps.Provenance: Collection of the late Dr. Walter Imhoff, Bochum, Germany.In 1971 with Münzen und Medaillen A.G., Basel, Switzerland.
2 | Votive head - Western Greek, late 6th century BC - Terracotta Height: 13.5 cmHead of a goddess with almond-shaped eyes and hair arranged in rows of tightly drilled curls.Provenance: Swiss private collection, acquired in the 1970s.
3 | Low Relief - Sabean, 1st century BC - Limestone - Height: 17.5 cmTwo humans standing side by side with arms around each other’s shoulder. Above their heads a crossbeam of a house or temple.Provenance: French private collection, since the 1980s.
Literature: For a similar piece cf.: Yémen – au pays de la reine de Saba, Institut du monde arabe, Paris 1997, p. 169.
Galerie Jürgen Haering Marienstrasse 13 - 79098 Freiburg - Germany T +49 (0)76125330 - F +49 (0)7612927425 - M +49 (0)1752437489 [email protected]
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Harmakhis Archeologie Rue des Minimes 17 Brussels
Harmakhis ArcheologieJacques Billen
Harmakhis ArcheologieRue des Minimes 17 - 1000 Brussels - BelgiumT +32 (0)2 511 65 39 - F +32 (0)71 81 31 64 - M +32 (0)475 650 285 [email protected] - www.harmakhis.be
1 | Male head of a statue - Egypt, Old Kingdom, 4th-5th dynasty, ca. 2575-2325 BC - Polychrome limestone - Height: 8 cm
Provenance: Belgian private collection 1 | Large alabastron - Egypt, Late Period, 27th dynasty, 525-404 BC Alabaster - Height: 41 cm Provenance: French art market. 2 | Taweret - Egypt, 26th-30th dynasty, 664-343 BC Vitreous paste, similar to Egyptian blue - Height: 10.1 cm Provenance: Belgian private collection.
4 | Pataikos (Sarpot-mui-sro) - Egypt, Third Intermediate Period, 1070-664 BC Glazed steatite - Height: 8.8 cm Provenance: Belgian private collection.
THE BRUSSELS ANCIENT ART FAIR
Exhibiting atHarold t’Kint de RoodenbekeRue Ernest Allard 31 Brussels
Galerie Günter Puhze GmbHGünter Puhze
Galerie Günter Puhze GmbHStadtstrasse 28 - 79104 Freiburg - GermanyT +49 (0)761 25476 - F +49 (0)761 26459 - M +49 (0)171 201 28 [email protected] - www.galerie-puhze.de
1 | Wooden statuette of a lady - Middle Kingdom, 11th/12th Dynasty Height: 82 cm
Published: Catalogue Holger Termer, Kunst der Antike 1, Hamburg 1978 Nr. 1 C14 analysis confirming the age of the wood (compatible with the date of the statue) and X-ray computed tomography, showing all areas affected by restorations.
2 | Hydria - Attic, ca. 540 BC - Height: 38 cmFrench family collection formed between 1900 and 1920
3 | Aphrodite - Roman, 1st century AD - Height: 26.8 cm - Bronze
Provenance: Collection Louis de Clercq (1836-1901), France
Published: A. de Ridder, Collection de Clercq, Catalogue III: Les Bronzes (1905) no. 17
THE BRUSSELS ANCIENT ART FAIR
Exhibiting atGalerie Mam Muti Rue des Minimes 14 Brussels
Galerie RhéaMichael G. Petropoulos
Galerie RhéaStadelhoferstrasse 38 - 8001 Zürich - Switzerland T +41 (0)44 252 06 20 - F +41 (0)44 252 06 26 - M +41 (0)79 407 38 00 [email protected] - www.rheagallery.com
1 | Rosso antico (marmo mandolato type) bust of young Dionysos Roman, 1st century AD - Height: 17 cm; Width: 10 cm; Depth: 7 cm Provenance: Swiss private collection, bought at Donati, Lugano, ca. 1980.
2 | Accomplished head of a statuette of the “Herakles Farnese” type Hellenistic, ca. 2nd/1st century BC - Height: 6.5 cm
Fine white crystalline marble Provenance: Swiss private collection from the 1980s. 3 | Roman bronze steelyard weight in form of the bust of a wrestler Late 1st/early 2nd century AD - Weight: 1125 g corresponding to exactly
3.5 Roman lb. - Height: 10.85 cm An exceptional portrait of a character, wearing a head cloth and
a phallic necklace. Provenance: Nancy Mallen Collection, London, 1972.
THE BRUSSELS ANCIENT ART FAIR
Exhibiting at Galerie Arts 4 Rue des Minimes 3Brussels
Royal-Athena Galleries Dr. Jerome M. Eisenberg
1 | Hellenististic Bronze Athena (Minerva) wearing a horned helmet and a long peplos tied under her breasts, her raised left hand once held a scepter or spear and in her right hand is a phiale. Possibly a syncretistic representation of Athena as a genus loci (guardian deity of a particular place).3rd-2nd Century BC - Height: 18.5 cmInlaid silver eyes. Variegated green and reddish-brown patina. Extremely fine style.Provenance: Private Swiss collection, acquired in the 1970s.
Royal-Athena Galleries 153 East 57th Street - New York, NY 10022 - U.S.A. T +1 2123552034 - F +1 2126880412 - M +44 (0)7771787597 [email protected] - www.royalathena.com
3 | An important Cycladic marble
idol of a reclining female of
the early Spedos type
Early Bronze Age II,
ca. 2600-2500 BC.
Height: 24.6 cm
An elegant stylized nude
figure, her arms are folded
beneath her breasts, her
slender lyre - shaped head
with wedge-shaped nose
and long oval neck; incised
details, with traces of red
pigment and strong root
marks.
Provenance: Collection of
Vivian and David Campbell ,
Toronto, Canada, acquired
in the mid-1980s;
Sotheby’s New York,
7 December 2005, lot 43;
private collection,
Amsterdam, the Netherlands.
Published: Masterpieces of Cycladic Art, New York, 1989, no. 14.
2 | Egyptian Middle Kingdom
large limestone relief of
Senusret standing at left,
as a son, wearing a kilt and
shoulder length wig, before
a larger-scale offering table
from which hang the lolling
head of a throttled water bird
as well as the hoofed foot
from a calf’s leg. The six
hieroglyphs of his name appear
above his extended right arm;
red, black, and faint blue paint
remain.
12th Dynasty, ca. 1991-1778 BC
Height: 83 cm; Width: 36 cm
Provenance: A.A. collection,
Israel; in the U.K. since 1970.
THE BRUSSELS ANCIENT ART FAIR
Exhibiting atDominique ThirionRue des Minimes 35 Brussels
Dominique Thirion Ars AntiquaDominique Thirion
Dominique ThirionRue des Minimes 35 - 1000 Brussels - BelgiumT +32 (0)2 503 50 21 - F +32 (0)2 503 50 22 - M +32 (0)477 465 907 [email protected] - www.thirion-ancient-art.com
1 | Veliocassi - Gallia Belgica, Vexin region, AV quarter stater, ca. 80-60 BC
Stylized human head left, hair depicted by parallel lines and three locks falling on the neck and cheek gashed by a ribbon tattoo.
Horse led right by a charioteer whose chariot is represented by a wheel under the horse’s tail.
1.74 g. LT 7018 var.; S. Scheers Danicourt 169 var.; S. Scheers, Les monnaies d’or des Aulerci Eburovices, Acta Archeologica Lovaniensa, 19 (1980), pl. II, 12; Moneta V, 138, DT 2393 var.
For the new attribution to the Veliocassi, see Pierre-Marie Guihard, Alliances monétaires et activités fluviales chez les Véliocasses et les Aulerques Eburovices entre les IIe et Ier siècles av. J.-C. Revue Belge de Numismatique, CLVII (2012), pp. 179-206.
2 | Venus pudica - Roman North Africa, beginning of the 3rd century ADTerracotta - Height: 23.5 cm.The goddess stands in the center of a kiosk topped by a scallop-shaped canopy. The base of this sanctuary is engraved with the inscription VENVS SACR.
3 | Pair of eagle fibulae - Merovingian Europe, 6th century AD Bronze - Height: 3 cm
Intact (except for one catch). Beautiful brown patina. Provenance: From the collection K.S. (Cologne).
Cf. Archeologija Franzii, Cat. Leningrad, 1982, 98f, nr. 299.
THE BRUSSELS ANCIENT ART FAIR
Holding office at JulienRue Sainte-Anne 16 Brussels
The Art Loss RegisterWilliam Webber
The Art Loss RegisterFirst Floor - 63-66 Hatton Garden - London EC1N 8LE - United Kingdom T +44 (0)207841 5780 - F +44 (0)207841 5781 [email protected] - www.artloss.com
Collectors, Museumsand the Art TradeThe Art Loss Register (ALR) has over 382,000 stolen art
and antiques on its database and has returned over £160m
worth of items to their rightful owners.
It aims to identify and recover stolen and missing works of
art,deter art theft, reduce the trade in stolen art and protect
art collections against loss.
Recovered by ALR
Bouilloire et Fruits, Cézanne
Oil on canvas
The ALR provides a research service to buyers and
sellers of art; subject to the results, an ALR certificate
is provided. To set up a search account please visit
www.artloss.com and select ‘Search to see if an item
is lost or stolen’. Stolen and missing works of art and
antiques may be registered via our website, please
select ‘Register a lost or stolen item’. Items will remain
on the Register until such time as they are recovered.
As a deterrent to theft and to avoid unauthorised
sales, large private and public collections may be
registered with the ALR. These items will be checked
against private and public sales worldwide. To register
a collection, please visit our website and select
‘Register a possession’ or contact your nearest office
for further information.
The Art Loss Register
63-66 Hatton Garden, London EC1N 8LE
T:+44 (0)20 7841 5780 E: [email protected]
BRUSSELS ANCIENTART FAIR 2013
THE BRUSSELS ANCIENT ART FAIRTHE BRUSSELS ANCIENT ART FAIR
Exhibiting at JulienRue Sainte-Anne 16 Brussels
Laboratory Ralf Kotalla Ralf Kotalla
Worldwide oldest private laboratory
specialized for genuine TL analyses
Sampling – scientific evaluation and documentation
Since 1979
Safe, well-founded, precise
Quick and discreet
Only service – no sales
Laboratory Ralf Kotalla
Kätzling 2 - D-72401 Haigerloch - Germany
T 49 (0) 747495360 - F 49 (0) 7474953610 - M 49 (0) 171 622 85 21
[email protected] - www.kotalla.de
AMONg THE SPEAKERS IN ANCIENT ART AND ARCHAEOLOgYOrganized by Brussels Ancient Art Fair (BAAF)
Claire Derriks (Belgium) Professor at the Royal Institute of History of Art in Brussels,President of the International Committee for Egyptology(CIPEG) of the International Council of Museums, CuratorEmeritus of the Musée Royal de Mariemont.
Dr Mark Merrony (United Kingdom /France) Archaeologist, curator of Musée d’Art Classique de Mouginsand editor-in-chief of Minerva, the international magazine ofAncient art and Archaeology.
Dr Sidney Goldstein (USA) Ancient Glass specialist, Ex-Chief Curator of the CorningMuseum of Glass (USA), Ex-Curator of Ancient and Islamicart at the Saint Louis Art Museum (USA).
Dr Cyril Thiaudière (France)Degree in Ancient History and Archaeology and formerscholar of the Institut Français d’Archéologie Orientale.Associate researcher at the Ecole Pratique des HautesEtudes, Sorbonne, Paris.
Dr Corinne Besson (France)Specialist in jewelry and Associate researcher at theUniversity of Lattes-Montpellier/CNRS.
Mr Vincent Euverte (France) Egyptologist and founder of the “Projet Rosette”.
Dr Eugène Warmenbol (Belgium) Archaeologist and Egyptologist, he teaches at the UniversitéLibre de Bruxelles and holds the chair in European Protohistory.
Mr Massimo Mosconi (Italy) Numismatist and antiquities collector.
Mr Jan Koek (The Netherlands) Founder of the Egyptological association“Mehen,Studiecentrum voor het Oude Egypte”.
Maître Alexandre Pintiaux (Belgium) Lawyer, visiting professor at the Université Libre deBruxelles, specialist of art law.
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SART CONNOISSEURSBRUSSELS June 5-9, 2013
A rendezvous with Art,Knowledge and Beauty
ArtConnoisseurs is a cultural andscientific event which consists of a series of expert conferences onArchaeology and Asian Art givenby renowned collectors, scholars and museum curators from Europeand from all over the world, anArtConnoisseurs club to meet andexchange and an art exhibition.
The Conferences for Asian Art willbe held at the Musical Instruments Museum (MIM) and those forArchaeology at the Cercle deLorraine.
Info, Videos, Committee of Honour,Program and more on:
www.artconnoisseurs.eu
Mr Lucien Viola (USA/France/Morocco). Art historian from the Institute of Fine Arts of New YorkUniversity, Dealer and collector. Founder of the Museumof Ancient Moroccan art in Marrakech.
Dr François de Callataÿ (Belgium) Numismatist, Director of the Cabinet des Médailles de laBibliothèque Royale de Belgique.
Mr Guido Creemers (Belgium) Curator of Gallo-Romeins Museum Tongeren.
Dr Lunsingh Scheurleer (The Netherlands)Archaeologist. Former Curator of AllardPierson Museum in Amsterdam.
Dr René Preys (Belgium)Egyptologist. Chairman of Egyptologica a.s.b.l. Visitingprofessor at the Katholieke Universiteit Leuven.
Mr Luc Watrin (France)Archaeologist and Egyptologist.
Mrs Florence Doyen (Belgium)Egyptologist. Managing Director of Egyptologica a.s.b.l.
Dr Annie Verbanck-Piérard (Belgium) Curator of the department of classical archaeology atMusée Royal de Mariemont.
Dr. Marie-Cécile Bruwier (Belgium)Egyptologist and Scientific Curator of Musée Royal deMariemont, Morlanwelz.
EXHIBITION
L’Egypte dessinée [Egypt drawn] at Rue des Minimes 15, 1000 Brussels
A selection of the original drawings by the Belgianarchitect Bruno Cassiers, from his book of the samename, a confrontation between drawings by 19th centurytravelers to Egypt and his own work, often of the samesites.
SPEAKERS IN ASIAN ARTOrganized by Asian Art in Brussels (AAB) and Institut des Hautes Etudes Chinoises (IBHEC)
Dr Pratapaditya Pal (USA/India)Former Curator of Boston Museum, Los AngelesCounty Museum of Art, Norton Simon Museum of Art,Art Institute of Chicago and prolific author about the artsof the Indian subcontinent, the Himalayas and SouthEast Asia.
Mr David Pritzker (USA)Specialist in Tibetan bronzes, researcher on HimalayanArt at the University of Oxford, Curator of the RubinMuseum exhibition on Nepal “From the Land of the Gods:The Art of the Kathmandu Valley”.
Dr Irka Hajdas (Switzerland)Specialist in radiocarbon dating (14C) and Senior Research Specialist at the laboratory of Ion BeamPhysics at ETH Zurich since 2001.
Mr Max Rutherston (United Kingdom)Expert of Netsuke and Japanese art, he was a specialistat Sotheby's for 10 years, head of department for 5 yearsand is the current President of Asian Art in London.
Prof François Picard (France)Specialist of Music. Researcher and professor in Paris(Sorbonne), Senior Visiting Fellow of the InternationalInstitute of Asian Studies in Leiden, member of IBHECand many diverse scientific associations linked withMusic and Asia.
ARTCONNOISSEURS is the cultural project of Asian Art in Brussels (AAB) and Brussels Ancient Art Fair (BAAF) developed by Brussels International Art Promotion and Logistics (BIAPAL)
ASIAN ART IN BRUSSELS
double page bis_Mise en page 1 23/04/13 16:59 Page1
The Brussels Ancient Art Fair 11
Special art exhibitionL’Égypte dessinée by Bruno Cassiers
15, rue des Minimes, 1000 Brussels From Wednesday June 5 till Sunday June 9, 2013The author will present his book (Éditions Lycaons asbl)during the exhibition
www.baaf.be
11
pub expo dessins égypte.indd 1 16/04/13 11:22
Program of lectures 6 & 7 June at the mIm, rue montagne de la cour 2 - 1000 Brussels
Pratapaditya Pal the story of tibetan thankga painting : from rags to riches.
François Picard la place des temples dans la circulation des musiques en chine.
David Pritzker the royal nomadic court of the tibetan kings.
Max Rutherston how hate turned to love... the powerful impact of netsuke.
Irka Hajdas radiocarbon dating on ”old” and ”young“.
exhIBItors
astamangala
Buddhist art
carlo cristi
gisèle croës
carlos cruanas
duchange & riché
Karim grusenmeyer
nayef homsi
Jacques how-choong
Kitsune Japanese art
Kyoto gallery
galerie lamy
helena markus
farah massart
mingei arts gallery
renaud montméat
John siudmak asian art
Wei asian arts
michael Woerner
June 5 to 9 2013
pub AAB pour cta BAAF-buffle.indd 1 19/04/13 12:39
Exposition accompagnée d’un catalogue illustré
chez Millon et Petits Papiers
BRUNEAFWorld’s largest Tribal Art Fair
XXIII
Save the dateJanuary 22nd - 26th 2014
www.bruneaf.com
June 5th - 9th 2013
WINTERBSA LON4
In the autumn 18 top international dealers in classical, Egyptian and Near Eastern antiquities gather again in the elegant setting of the Wenkenhof – a lavish baroque residence in Riehen, on the outskirts of Basel. Quality is the key word, not only in objects and expertise but in context too. Set in a magnificent park, the Reithalle Wenkenhof has proved to provide the perfect ambience for a November fair. All participants are member of the International Association of Dealers in Ancient Art (IADAA) and follow a strict code of ethics concerning the authenticity and provenance of the objects they sell. Lunch or a refreshment at the BAAF Bistro completes the experience.
Please visit our website for more information; www.baaf.chB
AA
F 2013BASEL ANCIENT ART FAIR
the
the ancient art event
10 years
November8–13
ART FAIR25 JAN--02 FEB 2014TOUR&TAXISBRUSSELS
GUEST OF HONOUR: ROYAL MUSEUM FOR CENTRAL AFRICA / TERVUREN
“MEHEN, STUDIECENTRUM VOOR HET OUDE EGYPTE”
Wie of wat is ‘’Mehen’’? Mehen, Studiecentrum voor het oude Egypte, opgericht door Bep Koek-Overvest en Jan Koek, is een zelfstandige stichting die geen winstoogmerk heeft. Het studiecentrum ontplooit allerlei activiteiten die er met name op gericht zijn om de kennis over het faraonische Egypte te versprei-den aan iedereen die hier belangstelling voor heeft. Uit de opbrengsten van deze activiteiten ondersteunt Mehen de studie over het oude Egypte, o.a. met de Mehen-scriptieprijs voor Egyptologie. Als u deze doelstelling wilt ondersteunen, wordt dan donateur van Mehen voor mini-maal € 25,– per jaar. Echtparen betalen € 35,– per jaar. Donateurs krijgen korting op de meeste activiteiten van Mehen en hebben gratis toegang tot de jaarlijkse Mehen-dag. Het bankrekeningnummer is 67.19.36.387 t.n.v. B.J. Koek-Overvest e/o J.G. Koek te Elst (U).
De activiteiten bestaan uit lezingen, cursussen, studiedagen en reizen. Sinds 1991 hebben Bep en Jan Koek succesvolle (thema)reizen georganiseerd naar Egypte en naar vele egyp-tologische collecties in musea in Europa en de Verenigde Staten van Amerika. Ook verzorgt Mehen al ruim twintig jaar lezingen over het oude Egypte met onderwerpen op allerlei gebied, met als specialisme de religie van de oude Egyptenaren.Wilt u een lezing op maat of een reis naar eigen wens, ook voor kleine groepen, laten organiseren? Neemt u dan eens contact op met ‘’Mehen, Studiecentrum voor het oude Egypte’’.
Wat betekent ‘’Mehen’’?De naam Mehen betekent ‘’De Gekronkelde’’ en is een reusachtige slang. Al vanaf de predynastieke tijd is het Mehenspel bekend (zie foto). Het was niet alleen een spel, maar het Mehenspel was in het Oude Rijk ook een hulp-middel om herboren te worden. Vanaf het 7e uur in het zogenoemde onderwereldboek ‘’het Amdoeat’’ (vanaf het Nieuwe Rijk) kronkelt Mehen om de kajuit van de zonne-bark van Ra (zie het logo). Mehen beschermt de zonnegod tegen allerlei gevaren op zijn tocht door het hiernamaals, het werkgebied van Mehen. Hopelijk strekt Mehen zijn bescherming ook uit over het studiecentrum en allen die deelnemen aan de (studie)reis door het oude Egypte.
Voor meer informatie: www.mehen.nl | [email protected] | 0318 - 47 16 89
THE BRUSSELS ANCIENT ART FAIR
GALLO-ROMAN MUSEUMKielenstraat 15 • B-3700 Tongeren
www.galloromeinsmuseum.be
K!DSPROOF
Until 25 August 2013, the Gallo-Roman Museum will provideunique insight into the Etruscans. The family-friendly exhibition ‘The Etruscans - Una storia particolare’ tells the story of their more or less forgotten culture in a very accessible way.
High quality Etruscan objects, all from reputable Europeanmuseums, are on display in an atmospheric contemporary setting. Multimedia and workshops make the exhibition particularly suitable for children.
An initiative of theprovince of Limburg
één kleur:
Logo Klasse
UNTIL 25 AUGUST 2013
GRM_Baaf.indd 1 26/03/13 17:09
Volume 24 Number 1
Giuseppe Eskenazi London’s leading Chinese antiquities dealer celebrates 50 years of working in the art market
JANUARY/FEBRUARY 2013
The oldest temples in the world at Göbekli Tepe
Turkish mystery
Exciting discoveries at a site in Russia
Phanagoria
Following in a saint’s footsteps
Sri Lanka’s Buddhist past
On the St Paul Trail
Roman ChesterFortress at the edgeof the empire M
INER
VAM
AGA
ZIN
E.CO
M
Culturaltriangle
Volume 24 Number 3
What plans does Global Heritage Fund’s new Diretcor Vince Michael have to save the world’s cultural sites?
MAY/JUNE 2013 MINERVAMAGAZINE.COM
100 years of excavating Uruk
City of Gilgamesh
Warriors of the PlainsGeorge Catlin’s stunning portraits
of Native American peoples
Consulting the oracle in
Ancient Greece
Signs and omens
Head caseFlinders Petrie,archaeology and race
Volume 24 Number 2
Internationally acclaimed sculptor Antony Gormley reveals the deep infl uence of ancient art on his work
MARCH/APRIL 2013
The birth of the artistic imagination
Ice Age art
What did Ashurbanipal listen to at his feasts?
Music from Mesopotamia
Shake, rattle and rollA shuddering history
of earthquakes
MINERVAMAGAZINE.COM
Solving Solutré in prehistoric France
Rock of ages
Under theLife and death in Pompeii and Herculaneum
volcano
Min_BAAF_Mar_13.indd 1 28/03/2013 16:49
ABONNEZ-VOUS gratuitement à notre eNEWSLETTER www.tribalartmagazine.com Ou suivez-nous sur www.FACEBOOK.com/ta.tribalart
Retrouvez-nous chez Vasco Books 48, rue des Minimes pour
découvrir nos offres spéciales!
TribalBruneafETE2013_19x22_TribalBruneafETE2013 29/03/13 17:33 Pagina 1
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EXPOMUSICDANCE
THEATREFILM
LITERATURE...
AOA (Online 2012) for BAAF.indd 1 2013/3/27 3:23:37 PMBaaf Brussles 2013 catalogue Trim: 190mm x 220mm H)
Step into the world of Asian Art Newspaper with our new website … some things are familiar, like the four free articles every month, other things
are brand new like our Twitter and Facebook feed. Use our search engine to browse the free content going back to 2006, or discover Asian Contemporary Voices, a new project, where we are publishing interviews
with many of the influential artists who have appeared in the newspaper over the years. In our shop, you can buy print or digital, current or back issues,
get our annual CD of issues, subscribe or renew a subscription. There’s also a link to our apps – New York and London guides.
annual books reviews since 2004.
Print Subscriptions UK £45, Rest of Europe £50, Rest of World £55 (US$90).
A digital only annual subscription is just £30 (US$48).
Asian Art Newspaper, PO Box 22521, London W8 4GT, UK tel +44 (0)207 229 6040, fax +44 (0)20 7084 7713,
Keep up to date with the Asian and Islamic Art Worlds
ASIAN ART
asianartnewspaper.com
Save 25% on a print subscription:email [email protected], quoting Brussels 13.
From the ancient to contemporary, Asian Art Newspaper offers you a snapshot of what’s happening in the world of Asian and Islamic art around the globe.
Each month there’s our news section, an interview with a prominent or emerging artist, special features, as well reviews of major exhibitions, auctions, art and
antiques fairs and events. We also include the performing arts, film and books to link the past with the future.
Tendencias del Mercado del Arte is created for a reader whose passion is acquiring and living with art, antiques and fi ne collectibles 10 times per year you experience everything you need to know about art, from Ancientto Contemporary The authoritative magazine in Spanish for art collectors, publishes the news regarding the important auctions, art and antiques fairs worldwide With intelligent in-depth articles on everything from the visual arts to museums, galleries, photography and design, each issue also carries an exclusive feature.
www.tendenciasdelarte.com
THE ESSENTIAL GUIDE
FOR ART COLLECTORS
To advertise Call: +44 (0) 20 7961 0105
Published monthly since 1925, Apollo offers you the greatest diversity of any art magazine – covering everything from antiquities to contemporary art.International in scope, every edition brings you authoritative guidance on
collecting, reviews and previews of exhibitions worldwide, plus interviews with major collectors and important personalities from the art world.
Whatever your passion, it’s reflected in Apollo.
To subscribe nowCall: +44 (0)1795 592884 or 1-800-567-5835 (USA)
quoting AGCA13 or visit: www.apollo-magazine.com/AGCA13
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THE INTERNATIONAL ART MAGAZINE
TEFAFSPECIAL
ISSUE
MARCH 2013 £5.95
Lifting the Lid
on the new-look Rijksmuseum
Plus . Carl Andre Interview . Francis Bacon and Food . Murillo at Dulwich
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ANTIQUITIES
ISSUE
THE INTERNATIONAL ART MAGAZINE
FEBRUARY 2013 £5.95
In Fine Feather Egyptian artefacts from the Gandur
collection
Plus . Etruscan Sarcophagi . Miniature Sculpture . The Art of Swords
Apollo-Feb-cover-FINAL.indd 1 15/1/13 09:57:44
apollo_BAAF_13.indd 1 28/3/13 10:07:37
The bust of Nefertiti is one of the most famous sculptures in the world, but for many years the ancestry and life of the wife of Akhenaten remained shrouded in mystery.
Hermann A. Schlögl describes what we know today about this shadowy queen. He shows that, as co-regent of Akhenaten having equal rank, she played a decisive role in implementing his religious revolution, and clarifi es the family lineage of Nefertiti on the basis of a new DNA analysis.
Hermann A. Schlögl is an emeritus professor of Egyptology at the University of Fribourg.
Verlag C.H.Beck, Munich, 2012.ISBN 978-3-406-63725-4€ 8,95128 pageswww.beck.de
The bust of Nefertiti is one of the most famous sculptures in the world, but for many years the ancestry and life of the wife of Akhenaten remained shrouded in mystery.
Hermann A. Schlögl describes what we know today about this shadowy queen. He shows that, as co-regent of Akhenaten having equal rank, she played a decisive role in implementing his religious revolution, and clarifi es the family lineage of Nefertiti on the basis of a new DNA analysis.
Hermann A. Schlöglprofessor of Egyptology at the University of Fribourg.
pub Schlögl.indd 1 19/04/13 14:59
A selection of Belgian museums with archaeological collections
Musées Royaux d’Art et d’Histoire - Koninklijke Musea voor Kunst en GeschiedenisParc du Cinquantenaire - Jubelpark 101000 BrusselsTel: +32 (0)2 741.72.11Website: www.kmkg-mrah.beOpen: Tue-Fri 9.30-17.00Sat-Sun 10.00-17.00
The largest collections of Classical, Egyptian and Near-Eastern archaeology in Belgium.
Musée de Louvain-la-NeuvePlace Blaise Pascal 11348 Louvain-la-NeuveTel: +32 (0)10 47.48.41Website: www.muse.ucl.ac.beOpen: Mon-Fri 10.00-18.00Sun 14.00-18.00
Small but interesting collections of Classical, Egyptian and Near-Eastern archaeology.
Musée Royal de MariemontChaussée de Mariemont 1007140 MorlanwelzTel: +32 (0)64 21.21.93Website: www.musee-mariemont.beOpen: Tue-Fri 10.00-18.00
Very important collections of Classical, Egyptian and Near-Eastern archaeology. Located in a wonderful park.
Gallo-Roman MuseumKielenstraat 15B-3700 TongerenTel.: +32 (0)12 670330E-mail: [email protected] Website: www.galloromeinsmuseum.beOpen: Tue-Fri 9.00-17.00Sat-Sun and public holidays 10.00-18.00
Important collection of Gallo-Roman and Merovingian archaeology, beautifully displayed.
Museum aan de Stroom (MAS)Hanzestedenplaats 12000 AntwerpenTel: +32 (03) 338.44.44E-mail: [email protected]: www.mas.beOpen: Tue-Sun 10.00-17.00
Antwerp and the world through objects from 5 continents, including the Egyptian collections formerly in the Vleeshuis.
THE BRUSSELS ANCIENT ART FAIR
International Association of Dealers in Ancient Art
Code of Ethics – an extract from Article 11 of the Rules of the IADAA
1 The members of IADAA undertake to the best of their ability to make their purchases in good faith.
2 The members of IADAA undertake not to purchase or sell objects until they have established to the best of
their ability that such objects were not stolen from excavations, architectural monuments, public institutions
or private property.
3 The members of IADAA refuse to dismember and sell separately parts of one complete object.
4 The members of IADAA undertake to the best of their ability to keep objects together that were originally meant
to be kept together.
5 The members of IADAA undertake to the best of their ability to keep photographic records prior to repair and
restoration, to be honest and open by describing in writing the amount of repair and restoration undertaken to
a prospective purchaser.
6 Members guarantee the authenticity of all objects they offer for sale.
7 Members of IADAA undertake to the best of their ability to inform the Administrative Board about stolen goods
and thefts. They also undertake to co-operate with international and national agencies involved with the recovery
of stolen goods.
8 It is a condition of membership that all members undertake to check items which are to be sold at a price
of € 5,000 or over (or local currency equivalent) with the Art Loss Register or with a stolen art register which
is recognised by the Board, unless the item has already been checked.
9 IADAA condemns illegal use of metal detectors.
More information about IADAA and its views on collecting antiquities can be found on the IADAA website
www.iadaa.org
The Brussels Ancient Art Fair
is organised by
BAAF Organisation asbl
Rue des Minimes 17
1000 Brussels - Belgium
www.baaf.be
Board of BAAF Organisation asbl:
Jacques Billen
Dominique Thirion
Coordination:
Bénédicte Duhaut
Graphic design:
Geluck-Suykens, Brussels, Belgium
Make-up:
Raymond Aubry
Printer:
Crousse Graphic s.p.r.l.
With special thanks to:
Transport: Ziegler Expo logistics, Brussels, Belgium
Box heads: Jo Bogaert Perennials, Kampenhout, Belgium
Legal adviser: Marc Matthys, Brussels, Belgium