the children's writers and illustrators group presentation on author visits

26
WHAT’S THE POINT OF AUTHOR VISITS? For schools and libraries wondering whether to organise an author or illustrator visit

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Page 1: The Children's Writers and Illustrators Group Presentation on Author Visits

WHAT’S THE

POINT

OF AUTHOR

VISITS?

For schools and libraries wondering whether

to organise an author or illustrator visit

Page 2: The Children's Writers and Illustrators Group Presentation on Author Visits

WE GO TO GREAT LENGTHS TO INSPIRE READERS…

Mary Hoffmanin fetching headgear

Page 3: The Children's Writers and Illustrators Group Presentation on Author Visits

OUR SURVEY OF SCHOOLS

In 2013, the Society of Authors carried out a

survey of schools to assess the value of author visits.

• 154 schools responded: 94 secondaries and 60 primaries

• Reporting 1,471 author visits

This is what they told us…

Page 4: The Children's Writers and Illustrators Group Presentation on Author Visits

AUTHOR VISITS WORK!

• 99.4% considered author visits to be “high priority and valuable in encouraging reading for pleasure and/or creative writing”

• Many used the word “vital”

• 99.5% believed that every type of pupil/school would benefit

Page 5: The Children's Writers and Illustrators Group Presentation on Author Visits

Nicola Morgan cuts off legs(without anaesthetic!)

Page 6: The Children's Writers and Illustrators Group Presentation on Author Visits

RESPONDENTS’ OWN WORDS

“Encourage reading for pleasure”

“Inspired pupils”

“Increased library use”

“Increased reading diversity”

“Built confidence – especially in reluctant readers”

“Broadening knowledge of literature”

“Develop ownership of books”

Page 7: The Children's Writers and Illustrators Group Presentation on Author Visits

WE RISK HUGE DANGER FOR READERS

Daniel Blythe pleads with a Cyberman

Page 8: The Children's Writers and Illustrators Group Presentation on Author Visits

VISITS BOOST READING FOR PLEASURE…“There is no doubt that author visits can encourage

reading for pleasure.”

“[Meeting an author] engages the pupils in a ‘hands-on’ experience that can enhance their love of

books…”

“The opportunity for pupils to meet and converse with an author plays a crucial part in the promotion of

reading”

Page 9: The Children's Writers and Illustrators Group Presentation on Author Visits

READING IS OBVIOUSLY PLEASURE

Miriam Moss and

happy faces

Page 10: The Children's Writers and Illustrators Group Presentation on Author Visits

INSPIRE PUPILS…

“Pupils become enthused not only for reading and writing, but with one author/illustrator, enthused about illustrating. Following her visit the teachers

developed the book’s themes and with success embedded it into the yearly planning.”

“Nothing inspires, engages and heartens kids more than meeting a ‘proper’ author.”

Page 11: The Children's Writers and Illustrators Group Presentation on Author Visits

Year 9 boy after an author visit

“I didn’t know reading could be COOL!”

Page 12: The Children's Writers and Illustrators Group Presentation on Author Visits

IMPROVE LIBRARY USE…

“Visits have sent [library] borrowing

through the roof.”

“There are often ‘new faces’ seen in the library

after an author event…”

Page 13: The Children's Writers and Illustrators Group Presentation on Author Visits

…AND BENEFIT RELUCTANT AND SEN READERS

Many respondents spoke of “a notable growth in confidence” of SEN pupils:

“Reluctant readers start visiting the library and many start on a journey which they did not know existed

and which lasts a lifetime.”

“Sometimes an understanding of the inspiration behind a story will motivate a previously reluctant reader to pick

up a book.”

Page 14: The Children's Writers and Illustrators Group Presentation on Author Visits

…AND THEY ARE FUN!

Sarah McIntyre enjoying herself

Page 15: The Children's Writers and Illustrators Group Presentation on Author Visits

MORE THAN JUST A VISIT

Schools used many ways of enabling author contact:

• Patron of reading / reading champions

• Collaborating with literary festivals

• Collaborating with regional book awards

• Residencies and extended relationships

• Skype sessions

Page 16: The Children's Writers and Illustrators Group Presentation on Author Visits

Sarah McIntyre opens minds

Page 17: The Children's Writers and Illustrators Group Presentation on Author Visits

DOES OFSTED NOTICE?

Only 11% said that Ofsted took notice of author visits, but when they do they respond very positively. Of the 11%, most had been inspected recently, suggesting that Ofsted are taking more notice.

The Society of Authors is pressing Ofsted on this; inspectors’ guidelines from Sept 2012 have increased focus on “schools as reading environments”.

Page 18: The Children's Writers and Illustrators Group Presentation on Author Visits

POSITIVE REACTIONS FROM OFSTED

• Don Valley Academy used as best practice case study by Ofsted and in Moving English Forward. Librarian said author visits a factor.

• Private school citation in Good Schools Guide 2012 praised regular schedule of events.

“…The inspectors were highly impressed”

• Lesson including author visit recorded as “outstanding”.

Page 19: The Children's Writers and Illustrators Group Presentation on Author Visits

WHAT ABOUT FUNDING?

Authors are paid for work with schools; they are self-employed and most earn little from writing. But schools have tight budgets. A day may cost at least £500 including expenses.

“They are expensive but if the author costs £400 and 400 children have the opportunity to listen […] that’s only £1 a head”

Page 20: The Children's Writers and Illustrators Group Presentation on Author Visits

SO, HOW DID SCHOOLS FUND EVENTS?

• Lateral thinking – overlap with history, PSHE, SEN or gifted and talented budgets?

• Create a book week/festival – may attract extra funding

• Charge parents a small amount?

• Combine with nearby schools

• Collaborate with bookshops

• Use pupil premium

• Make contacts with publishers – they may pay expenses if a new book is out

Page 21: The Children's Writers and Illustrators Group Presentation on Author Visits

Alan Gibbons encourages monkey business

Page 22: The Children's Writers and Illustrators Group Presentation on Author Visits

USING BOOK-SELLING

One way to generate funds for events is to be creative with book-selling. This benefits everyone: pupils, schools, authors.

Some authors reduce fees if book-selling is well promoted. If authors’ books don’t sell, it might affect future publishing deals, so they’ll try to help.

Page 23: The Children's Writers and Illustrators Group Presentation on Author Visits

HOW TO ORGANISE AN EVENT

• Plan 6-12 months ahead – experienced authors get booked early

• Talk to colleagues who have done this before

• Think carefully about what type of event you want

• And what type of author/illustrator – read their websites

• Invite the author; discuss fee and content

• Plan details carefully; enthuse staff and pupils

• Keep in close contact with the author

• Enjoy the day!

• Encourage follow-up activities with pupils

Page 24: The Children's Writers and Illustrators Group Presentation on Author Visits

INSPIRATIONAL LEARNING

Caroline Lawrence in action

Page 25: The Children's Writers and Illustrators Group Presentation on Author Visits

YES, AUTHOR VISITS WORK!

“…positive impact on all areas of literacy: reading, writing, speaking and listening.”

“The children were enthralled with the visits and I find it tragic that schools cannot afford to promote reading in

this way.”

Page 26: The Children's Writers and Illustrators Group Presentation on Author Visits

USEFUL SOURCES OF INFORMATION (AND AUTHORS…)

For further information about how to contact authors, listings, resources, rates and advice on how to run a successful visit, download these FREE guides from the SoA website:

• SoA Guidelines for Schools Organising an Author Visit

• SoA Guide to Author Fees for Talks in Schools

• SoA Report on Author Visits in Primary and Secondary Schools

bit.ly/SoAauthorvisits