the cleveland orchestra february 21-24 concerts

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SEASONMusic. Pure + Simple. clevelandorchestra.com

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February 21, 22, 23, 24DVOŘÁK’S NEW WORLD SYMPHONY

T I M E O N Y O U R S I D E

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Table of Contents4 The Cleveland Orchestra

1213SEASON

TA B L E O F C O N T E N T S

THIS WEEK T H E C L E V E L A N D O R C H E S T R A

PA

GE

7 In the News

From the Executive Director . . . . . . . . . . . . . . . . . . 7

From the President . . . . . . . . . . . . . . . . . . . . . . . . . . 25

Orchestra News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27

8 About the Orchestra

Spotlight: Photo of the Week . . . . . . . . . . . . . . . . . 8

Musical Arts Association . . . . . . . . . . . . . . . . . . . . . 11

Music Director . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15

The Cleveland Orchestra . . . . . . . . . . . . . . . . . . . . 22

Meet the Musicians . . . . . . . . . . . . . . . . . . . . . . . . . . 59

Administrative Staff . . . . . . . . . . . . . . . . . . . . . . . . . 60

Student Ticket Programs . . . . . . . . . . . . . . . . . . . . 62

Education & Community . . . . . . . . . . . . . . . . . . . . 63

Severance Hall . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 88

Guest Information . . . . . . . . . . . . . . . . . . . . . . . . . . . 92

35 Concert — Week 14

Concert Previews . . . . . . . . . . . . . . . . . . . . . . . . . . . 33

Program: February 21, 22, 23, 24 . . . . . . . . . . 35

Introducing the Program . . . . . . . . . . . . . . . . . . . . 37

MOZART

Symphony No. 40 . . . . . . . . . . . . . . . . . . . . . . . . 39

DVOŘÁK

Symphony No. 9 (“From the New World”) . . 51

Conductor: Herbert Blomstedt . . . . . . . . . . . . . . 57

48 Support

Sound for the Centennial . . . . . . . . . . . . . . . . . . . . 48

Heritage Society . . . . . . . . . . . . . . . . . . . . . . . . . . . . 66

Endowed Funds . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 69

Corporate Annual Support . . . . . . . . . . . . . . . . . . . 73

Foundation / Government Annual Support . . . 75

Individual Annual Support . . . . . . . . . . . . . . . . . . 76

90 Future Concerts

Concert Calendar . . . . . . . . . . . . . . . . . . . . . . . . . . . 90

Upcoming Concerts . . . . . . . . . . . . . . . . . . . . . . . . 94

Copyright © 2013 by The Cleveland Orchestra and the Musical Arts Association

Eric Sellen, Program Book Editor E-MAIL: [email protected]

Program books for Cleveland Orchestra concerts are produced by The Cleveland Orchestra and are distributed free to attending audience members.

Program book advertising is sold through Live Publishing Company at 216-721-1800

The Musical Arts Association is grateful to the following organizations for their ongoing generous support of The Cleveland Orchestra: National Endowment for the Arts, the State of Ohio and Ohio Arts Council, and to the residents of Cuyahoga County through Cuyahoga Arts and Culture.

The Cleveland Orchestra is proud of its long-term partnership with Kent State University, made possible in part through generous funding from the State of Ohio.

The Cleveland Orchestra is proud to have its home, Severance Hall, located on the campus of Case Western Reserve University, with whom it has a long history of collaboration and partnership.

This program book isprinted on paper thatincludes 50% recycled post-consumer content.

All unused books are recycled as part of theOrchestra’s regular busi-ness recycling program.

These books are printed with EcoSmart certifi ed inks, containing twice the vegetable-based material and one-tenth the petroleum oil content of standard inks, and producing 10% of the volatile organic compounds.

50%

14

CHICAGO CINCINNATI CLEVELAND COLUMBUS COSTA MESA DENVER

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Perspectives from the Executive Director

7Severance Hall 2012-13 7Severance Hall 2012-13

February 2013

Many of you will have seen recent press coverage of this season’s

record-breaking sales revenues and the growing presence of young

audience members here at Severance Hall. The news is encourag-

ing for the Orchestra and all of Northeast Ohio. The Plain Dealer’s

front-page coverage noted that The Cleveland Orchestra “is seeing

attendance and ticket revenue skyrocket, mostly as a result of new

programs aimed at children and students.” In an editorial, Crain’s Cleveland Business

wrote that the Orchestra “deserves bravos for the hard work it and its supporters have

done to secure the future of this ensemble of skilled musicians, who together remain the

city’s most visible global ambassadors.”

These are important steps toward a bright future, and much of the credit belongs to the

staff who work tirelessly in the service of our patrons and artists. This team of dedicated

professionals works behind the scenes every day to ensure that what happens off stage

matches the unsurpassed excellence of the music-making onstage. Staff members (listed

on pages 60- 61 of this book) focus their energies to plan and produce, manage and mar-

ket hundreds of performances, educational programs, and patron events annually.

The planning begins years in advance. Every event — at home in Northeast Ohio and on

the road — involves scores of decisions and details that begin to take shape at least three

years in advance. This month, the fi nal details are being set for the 2013 Blossom Music

Festival and 2013-14 season at Severance Hall in preparation for next month’s season

announcements. At the same time, the programming for 2014-15 is being discussed and

decided, while conductors and soloists are being booked for 2015-16.

For every rehearsal, performance, program, and event, Severance Hall and Blossom

must be prepared to ensure an effi cient and comfortable experience for the artists on-

stage and for you in the audience. From cleaning and climate control to program books

and box offi ce, from fi nance and food service to payroll and parking, every detail is im-

portant. And these days, as we diversify our activities in Northeast Ohio, staff members

throughout the institution are coordinating an increasingly complex puzzle of program-

ming, people, and partnerships.

Fundraising is an essential part of the equation, requiring not only that we ask for your sup-

port, but that we earn your support, and that genuine and grateful thanks are extended to

each and every donor.

Simultaneously, the infrastructure of the institution must be attended to, including the

maintenance and management of Severance Hall’s physical plant, of the organization’s

computer systems, and the Orchestra’s array of equipment, instruments, and music library.

The success of this season — and of future seasons in the months and years to come

— is the result of hard work by many hands. I hope you will join me in expressing grati-

tude to all the dedicated staff members for everything they do, for helping to make The

Cleveland Orch estra the very best right here in Northeast Ohio.

Gary Hanson

U N D E R T H E L E A D E R S H I P of Music Director Franz Welser-Möst, Th e Cleve-

land Orchestra has become one of the most sought-aft er performing ensem-

bles in the world. In concerts at its winter home at Severance Hall and at each

summer’s Blossom Festival, in residencies from Miami to Vienna, and on tour

around the world, Th e Cleveland Orchestra sets standards of artistic excel-

lence, creative programming, and community engagement. Th e partnership

with Franz Welser-Möst, now in its eleventh season — and with a commit-

ment to the Orchestra’s centennial in 2018 — has moved the ensemble forward

with a series of new and ongoing initiatives, including:

the establishment of residencies around the world, fostering creative artistic

growth and an expanded fi nancial base, including an ongoing residency at

the Vienna Musik verein (the fi rst of its kind by an American orchestra);

expansion of education and community programs in Northeast Ohio to

make music an integral and regular part of everyday life for more people; the

2012-13 season includes the launch of an annual Neighborhood Residency pro-

About the Orchestra8 The Cleveland Orchestra

follow the Orchestra on Facebook for weekly historic photos from the archives

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PHOTO OF THE WEEK

SATURDAY INSTRUMENTAL SCHOOL. Music students line up for a photograph in April 1929 at

East Technical High School. The students were part of a program in which Cleveland Orchestra mu-

sicians taught instrument lessons on Saturdays throughout the school year — nearly 3,000 students

took part during the late 1920s and early ’30s. The Orchestra has a long and successful history as

an education partner with schools, colleges, and universities throughout Northeast Ohio.

gram that will bring Th e Cleveland Orchestra to neighborhoods across the region

for an intensive week of special activities and performances. First stop is the Gordon

Square Arts District in Cleveland’s Detroit/Shoreway neighborhood in May 2013;

an ongoing residency in Florida, under the name Cleveland Orch estra Miami,

involving an annual series of concerts and community activities, coupled with an

expansive set of educational presentations and collaborations (based on successful

educational programs pioneered at home in Cleveland);

creative new artistic collaborations, including staged works and chamber music

performances, with arts institutions in Northeast Ohio and in Miami;

an array of new concert off erings (including Fridays@7 and Celebrity Series at

Severance Hall as well as movie, themed, and family presentations at Blossom) to

make a wider variety of concerts more available and aff ordable;

concert tours from coast to coast in the United States, including annual appear-

ances at Carnegie Hall;

regular concert tours to Europe and Asia;

ongoing recording activities, including new releases under the direction of Franz

Welser-Möst, Mitsuko Uchida, and Pierre Boulez, as well as a series of DVD con-

cert presentations of symphonies by Anton Bruckner;

a concentrated and ongoing eff ort to develop future generations of audiences for

Cleveland Orchestra concerts in Northeast Ohio, through research, targeted dis-

counts, social media off ers and promotion, and student ticket programs;

continuing and expanded educational partnerships with schools, colleges, and

universities across Northeast Ohio and in the Miami-Dade community;

additional new residencies at Indiana University and at New York’s Lincoln Cen-

ter Festival;

the return of ballet as a regular part of the Orchestra’s presentations, featuring

performances by Th e Joff rey Ballet; the 2012-13 season featured the Orchestra’s fi rst

fully staged performances of Tchaikovsky’s Th e Nutcracker.

Th e Cleveland Orchestra was founded in 1918 by a group of local citizens in-

tent on creating an ensemble worthy of joining America’s ranks of major sympho-

ny orchestras. Over the ensuing decades, the Orchestra quickly grew from a fi ne

regional organization to being one of the most admired symphony orchestras in

the world. Th e opening in 1931 of Severance Hall as the Orchestra’s home brought

a special pride to the ensemble and its hometown, as well as providing an enviable

and intimate acoustic environment in which to develop and refi ne the Orchestra’s

artistry. Year-round performances became a reality in 1968 with the opening of

Blossom Music Center, one of the most beautiful and acoustically admired outdoor

concert facilities in the United States.

The Orchestra Today 9Severance Hall 2012-13

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Musical Arts Association

NON-RESIDENT TRUSTEES Virginia Nord Barbato (NY) Wolfgang C. Berndt (Austria) Laurel Blossom (SC)

Richard C. Gridley (SC) George Gund III (CA) Loren W. Hershey (DC)

Herbert Kloiber (Germany)Ludwig Scharinger (Austria)

TRUSTEES EX-OFFICIO Faye A. Heston, President, Volunteer Council of Th e Cleveland Orchestra

Beth Schreibman Gehring, President, Women’s Committee of Th e Cleveland Orchestra

Claire Frattare, State Chair, Blossom Women’s Committee

Carolyn Dessin, Chair, Cleveland Orchestra Chorus Operating Committee

Dr. Lester Lefton, President, Kent State University

Barbara R. Snyder, President, Case Western Reserve University

PAST PRESIDENTS D. Z. Norton 1915-21

John L. Severance 1921-36

Dudley S. Blossom 1936-38

Thomas L. Sidlo 1939-53

Percy W. Brown 1953-55

Frank E. Taplin, Jr. 1955-57

Frank E. Joseph 1957-68

Alfred M. Rankin 1968-83

Ward Smith 1983-95

Richard J. Bogomolny 1995-2002, 2008-09

James D. Ireland III 2002-08

HONORARY TRUSTEES FOR LIFE Gay Cull Addicott Francis J. Callahan Mrs. Webb Chamberlain Oliver F. Emerson

Allen H. FordRobert W. GillespieDorothy Humel HovorkaRobert F. Meyerson

TRUSTEES EMERITI Clifford J. Isroff Samuel H. Miller David L. Simon

RESIDENT TRUSTEES George N. Aronoff Dr. Ronald H. Bell Richard J. Bogomolny Charles P. Bolton Jeanette Grasselli Brown Helen Rankin Butler Scott Chaikin Paul G. Clark Owen M. Colligan Robert D. Conrad Matthew V. Crawford Alexander M. Cutler Terrance C. Z. Egger Hiroyuki Fujita Paul G. Greig Robert K. Gudbranson Iris Harvie Jeffrey A. Healy Stephen H. Hoffman David J. Hooker Michael J. Horvitz Marguerite B. Humphrey David P. Hunt Christopher Hyland

James D. Ireland III Trevor O. Jones Betsy Juliano Jean C. Kalberer Nancy F. Keithley Christopher M. Kelly Douglas A. Kern John D. Koch S. Lee Kohrman Charlotte R. Kramer Dennis W. LaBarre Norma Lerner Virginia M. Lindseth Alex Machaskee Robert P. Madison Milton S. Maltz Nancy W. McCann Thomas F. McKee Beth E. Mooney John C. Morley Donald W. Morrison Meg Fulton Mueller Gary A. Oatey Katherine T. O’Neill

The Honorable John D. OngLarry Pollock Alfred M. Rankin, Jr. Clara T. RankinAudrey Gilbert Ratner Charles A. RatnerJames S. Reid, Jr.Barbara S. Robinson Paul RoseSteven M. RossRaymond T. SawyerLuci ScheyNeil SethiHewitt B. Shaw, Jr. Richard K. SmuckerR. Thomas StantonThomas A. WaltermireGeraldine B. WarnerJeffrey M. WeissNorman E. WellsPaul E. Westlake Jr.David A. Wolfort

OFFICERS AND EXECUTIVE COMMITTEE Dennis W. LaBarre, President

Richard J. Bogomolny, Chairman

The Honorable John D. Ong, Vice President

Norma Lerner, Honorary Chair

Raymond T. Sawyer, Secretary

Beth E. Mooney, Treasurer

Jeanette Grasselli Brown Alexander M. Cutler Matthew V. Crawford David J. Hooker Michael J. Horvitz

Douglas A. Kern Virginia M. Lindseth Alex Machaskee Nancy W. McCann John C. Morley

Larry PollockAlfred M. Rankin, Jr.Audrey Gilbert RatnerBarbara S. Robinson

THE MUSICAL ARTS ASSOCIATION as of December 2012

operating Th e Cleveland Orchestra, Severance Hall, and Blossom Music Festival

THE CLEVELAND ORCHESTRA Franz Welser-Möst, Music Director Gary Hanson, Executive Director


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Your Guide to: the orchestra the facilities the concerts the people

2012

F E S T I V A L B O O K

2 012 -2 013 C O N C E RT S E R I E S

Autumn 2012

STATIONBREAK

Fall Forecast Arts and Culture In

Northeast Ohio page 5

Election 2012 Complete Coverage

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Inside WKSU Regina Brett

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Introducing QNew Programs &

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NE Ohio Cultural Milestones

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Franz Welser-Möst Music Director Kelvin Smith Family Endowed Chair The Cleveland Orchestra

T H E 2 01 2 -1 3 S E A S O N marks Franz Welser-Möst’s

eleventh year as music director of Th e Cleveland

Orchestra, with a long-term commitment extend-

ing to the Orchestra’s centennial in 2018. Under his

direction, the Orchestra is acclaimed for its continu-

ing artistic excellence, is enlarging and enhancing its

community programming at home, is presented in a

series of ongoing residencies in the United States and

Europe, continues its historic championship of new

composers through commissions and premieres, and

has re-established itself as an important operatic en-

semble. Concurrently with his post in Cleveland, Mr. Welser-Möst became

general music director of the Vienna State Opera in September 2010.

With a committed focus on music education in Northeast Ohio, Franz

Welser-Möst has taken Th e Cleveland Orchestra back into public schools with

performances in collaboration with the Cleveland Metropolitan School District.

Th e initiative continues and expands upon Mr. Welser-Möst’s active participation

in community concerts and educational programs, including the Cleveland Orches-

tra Youth Orchestra and partnerships with music conservatories and universities

across Northeast Ohio.

Under Mr. Welser-Möst’s leadership, Th e Cleveland Orchestra has established

an ongoing biennial residency in Vienna at the famed Musikverein concert hall and

another at Switzerland’s Lucerne Festival. Together, they have appeared in residence

at Suntory Hall in Tokyo, Japan, and at the Salzburg Festival, where a 2008 residency

included fi ve sold-out performances of a staged production of Dvořák’s opera Rusalka.

In the United States, Mr. Welser-Möst has established an annual multi-week Cleveland

Orch estra residency in Florida under the name Cleveland Orchestra Miami and, in

2011, launched a new biennial residency at New York’s Lincoln Center Festival.

To the start of this season, Th e Cleveland Orchestra has performed fourteen

world and fi ft een United States premieres under Franz Welser-Möst’s direction.

Th rough the Roche Commissions project, he and the Orchestra have premiered

works by Harrison Birtwistle, Chen Yi, Hanspeter Kyburz, George Benjamin,

Toshio Hosokawa, and Matthias Pintscher in partnership with the Lucerne Festi-

val and Carnegie Hall. In addition, the Daniel R. Lewis Young Composer Fellow

program has brought new voices to the repertoire, including Pintscher, Marc-An-

dré Dalbavie, Susan Botti, Julian Anderson, Johannes Maria Staud, Jörg Widmann,

and Sean Shepherd.

Franz Welser-Möst has led a series of opera performances during his tenure

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Music Director 15Severance Hall 2012-13 15Severance Hall 2012-13

Music Director

in Cleveland, re-establishing the Orchestra as an important oper-

atic ensemble. Following six seasons of opera-in-concert presen-

tations, he brought fully staged opera back to Severance Hall with

a three-season cycle of Zurich Opera productions of the Mozart-

Da Ponte operas. He led concert performances of Strauss’s Sa-

lome at Severance Hall and at Carnegie Hall in May 2012.

Franz Welser-Möst became general music director of the

Vienna State Opera in 2010. His long partnership with the com-

pany has included acclaimed performances of Tristan and Isolde,

a new production of Wagner’s Ring cycle with stage director Sven-

Eric Bechtolf, and critically praised new productions of Hin-

demith’s Cardillac and Janáček’s Katya Kabanova and From the

House of the Dead. During the 2012-13 season, his Vienna performances include

Wagner’s Parsifal, Strauss’s Arabella and Ariadne auf Naxos, Puccini’s La Bohème,

and Berg’s Wozzeck.

Mr. Welser-Möst also maintains an ongoing relationship with the Vienna Phil-

harmonic. Recent performances with the Philharmonic include appearances at the

Lucerne Festival and Salzburg Festival, in Tokyo, and in concert at La Scala Milan,

as well as leading the Philharmonic’s 2011 New Year’s Day concert, viewed by telecast

in seventy countries worldwide; he conducted the New Year’s Day concert again at

the start of 2013 and also leads the Philharmonic in a series of concerts at New York’s

Carnegie Hall in March 2013. Across a decade-long tenure with the Zurich Opera,

culminating in three seasons as general music director (2005-08), Mr. Welser-Möst

led the company in more than 40 new productions and numerous revivals.

Franz Welser-Möst’s recordings and videos have won major awards, including

the Gramophone Award, Diapason d’Or, Japanese Record Academy Award, and

two Grammy nominations. With Th e Cleveland Orchestra, he has created DVD

recordings of live performances of Bruckner symphonies, presented in three ac-

coustically distinctive venues (the Abbey of St. Florian in Austria, Vienna’s Musik-

verein, and Severance Hall). With Cleveland, he has also released a recording of

Beethoven’s Ninth Symphony as well as an all-Wagner album featuring soprano

Measha Brueggergosman. DVD releases on the EMI label have included Mr. Wels-

er-Möst leading Zurich Opera productions of Th e Marriage of Figaro, Così fan tutte,

Don Giovanni, Der Rosenkavalier, Fierrabras, and Peter Grimes.

For his talents and dedication, Mr. Welser-Möst has received honors that

include recognition from the Western Law Center for Disability Rights, honor-

ary membership in the Vienna Singverein, appointment as an Academician of the

European Academy of Yuste, a Gold Medal from the Upper Austrian government

for his work as a cultural ambassador, a Decoration of Honor from the Republic of

Austria for his artistic achievements, and the Kilenyi Medal from the Bruckner So-

ciety of America. He is the co-author of Cadences: Observations and Conversations,

published in a German edition in 2007.

16 The Cleveland Orchestra

“The Cleveland Orchestra proved

that they are still one of the world’s

great musical beasts. With Franz

Welser-Möst conducting, this music

. . . reverberated in the souls of the

audience.” —Wall Street Journal

“Cleveland’s reputation as one of the

world’s great ensembles is richly deserved.”

—The Guardian (London)

T H EC L E V E L A N DO R C H E S T R A

Franz Welser-Möst M U S I C D I R E C T O R

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PHOTO COURTESY OF CLEVELAND PUBLIC ART, RYAN DIVITA PHOTOGRAPHER

WWW.CACGRANTS.ORG 216 515 8303

CUYAHOGA ARTS & CULTURE IS PROUD TO SUPPORT

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Franz Welser-Möst and The Cleveland Orchestra,

performing Bruckner’s Fourth Symphony in concert

at Severance Hall in April 2012.

FIRST VIOLINSWilliam PreucilCONCERTMASTER

Blossom-Lee Chair

Yoko MooreASSISTANT CONCERTMASTER

Clara G. and George P. Bickford Chair

Peter OttoFIRST ASSOCIATE CONCERTMASTER

Jung-Min Amy LeeASSOCIATE CONCERTMASTER

Gretchen D. and Ward Smith Chair

Takako MasamePaul and Lucille Jones Chair

Wei-Fang GuDrs. Paul M. and Renate H. Duchesneau Chair

Kim GomezElizabeth and Leslie Kondorossy Chair

Chul-In ParkHarriet T. and David L.Simon Chair

Miho HashizumeTh eodore Rautenberg Chair

Jeanne Preucil RoseDr. Larry J.B. and Barbara S. Robinson Chair

Alicia KoelzOswald and Phyllis Lerner Gilroy Chair

Yu YuanPatty and John Collinson Chair

Isabel TrautweinTrevor and Jennie Jones Chair

Mark DummGladys B. Goetz Chair

Alexandra PreucilKatherine BormannYing Fu

SECOND VIOLINSStephen Rose*

Alfred M. and Clara T. Rankin Chair

Emilio Llinas 2

James and Donna Reid Chair

Eli Matthews 1

Patricia M. Kozerefski and Richard J. Bogomolny Chair

Elayna DuitmanIoana MissitsCarolyn Gadiel WarnerStephen WarnerSae ShiragamiVladimir DeninzonSonja Braaten MolloyScott WeberKathleen CollinsBeth WoodsideEmma ShookJeffrey Zehngut

VIOLASRobert Vernon*

Chaillé H. and Richard B. Tullis Chair

Lynne Ramsey1

Charles M. and Janet G. Kimball Chair

Stanley Konopka 2

Mark JackobsJean Wall Bennett Chair

Arthur KlimaRichard WaughLisa BoykoLembi VeskimetsEliesha NelsonJoanna Patterson ZakanyPatrick Connolly

CELLOSMark Kosower*

Louis D. Beaumont Chair

Richard Weiss1

Th e GAR Foundation Chair

Charles Bernard2

Helen Weil Ross Chair

Bryan Dumm Muriel and Noah Butkin Chair

Tanya EllRalph CurryBrian ThorntonDavid Alan HarrellPaul KushiousMartha BaldwinThomas Mansbacher

BASSESMaximilian Dimoff *

Clarence T. Reinberger Chair

Kevin Switalski 2

Scott Haigh1

Mary E. and F. Joseph Callahan Chair

Mark AthertonThomas SperlHenry Peyrebrune

Charles Barr Memorial Chair

Charles CarletonScott DixonDerek Zadinsky

HARPTrina Struble*

Alice Chalifoux Chair

F R A N Z W E L S E R - M Ö S T M U S I C D I R E C TO R Kelvin Smith Family Chair

The Orchestra

T H E C L E V E L A N D


* Principal§ Associate Principal1 First Assistant Principal2 Assistant Principal

FLUTESJoshua Smith*

Elizabeth M. andWilliam C. Treuhaft Chair

Saeran St. ChristopherMarisela Sager 2

Austin B. and Ellen W. Chinn Chair

Mary Kay Fink

PICCOLOMary Kay Fink

Anne M. and M. Roger Clapp Chair

OBOESFrank Rosenwein*

Edith S. Taplin Chair

Mary LynchJeffrey Rathbun 2

Everett D. and Eugenia S. McCurdy Chair

Robert Walters

ENGLISH HORNRobert Walters

Samuel C. and Bernette K. Jaff e Chair

CLARINETSFranklin Cohen*

Robert Marcellus Chair

Robert WoolfreyDaniel McKelway 2

Robert R. and Vilma L. Kohn Chair

Linnea Nereim

E-FLAT CLARINETDaniel McKelway

Stanley L. and Eloise M. Morgan Chair

BASS CLARINETLinnea Nereim

BASSOONSJohn Clouser *

Louise Harkness Ingalls Chair

William HestandBarrick Stees2

Sandra L. Haslinger Chair

Jonathan Sherwin

CONTRABASSOONJonathan Sherwin

HORNSRichard King *

George Szell Memorial Chair

Michael Mayhew §

Knight Foundation Chair

Jesse McCormickHans ClebschAlan DeMattia

TRUMPETSMichael Sachs*

Robert and Eunice Podis Weiskopf Chair

Jack SutteLyle Steelman2

James P. and Dolores D. Storer Chair

Michael Miller

CORNETSMichael Sachs*

Mary Elizabeth and G. Robert Klein Chair

Michael Miller

TROMBONESMassimo La Rosa*

Gilbert W. and Louise I. Humphrey Chair

Richard StoutAlexander andMarianna C. McAfee Chair

Shachar Israel2

BASS TROMBONEThomas Klaber

EUPHONIUM AND BASS TRUMPETRichard Stout

TUBAYasuhito Sugiyama*

Nathalie C. Spence and Nathalie S. Boswell Chair

TIMPANIPaul Yancich*

Otto G. and Corinne T. Voss Chair

Tom Freer 2

PERCUSSIONJacob Nissly*

Margaret Allen Ireland Chair

Donald MillerTom FreerMarc Damoulakis

KEYBOARD INSTRUMENTSJoela Jones*

Rudolf Serkin Chair

Carolyn Gadiel WarnerMarjory and Marc L. Swartzbaugh Chair

LIBRARIANSRobert O’BrienDonald Miller

ORCHESTRA PERSONNELCarol Lee IottDIRECTOR

Karyn GarvinMANAGER

ENDOWED CHAIRS CURRENTLY UNOCCUPIEDDr. Jeanette Grasselli Brown and Dr. Glenn R. Brown Chair

Sidney and Doris Dworkin Chair

Sunshine Chair

The Orchestra

CONDUCTORSChristoph von DohnányiMUSIC DIRECTOR LAUREATE

Giancarlo GuerreroPRINCIPAL GUEST CONDUCTOR,CLEVELAND ORCHESTRA MIAMI

James FeddeckASSISTANT CONDUCTOR

Elizabeth Ring and William Gwinn Mather Chair

Robert PorcoDIRECTOR OF CHORUSES

Frances P. and Chester C. Bolton Chair

1213

SEASONO R C H E S T R A


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From the President

This message from Musical Arts Association president Dennis W. LaBarre is reprinted

from the Association’s recently published Annual Report. Here, Mr. LaBarre off ers an

overview of the progress that The Cleveland Orchestra is making in implementing

changes for a stronger future, as a musical institution devoted to the citizens of North-

east Ohio who created it and have sustained it. The complete Annual Report can be read

by visiting clevelandorchestra.com and clicking on the “Support the Orchestra” section.

AS I RE FLECT on my fi rst three years as president of the Musi-

cal Arts Association, I am moved by both institutional pride and

extraordinary gratitude. I am proud of the continued artistic

vibrancy of The Cleveland Orchestra. I am equally proud of

the progress we are making to successfully evolve beyond a

business model that is no longer sustainable, for us or for our

peer orchestras. But most of all, I am grateful that our progress

forward is based on a demonstrated recognition among all the constituencies that

make up our institutional fabric that we are all in this together.

Despite the challenges ahead, I am confi dent about the future of The Cleveland Or-

chestra. We have an informed and engaged Board of Trustees who relentlessly are

facing our challenges, and making steady increases in their fundraising participation

and personal philanthropy. We have a staff that demonstrates tireless devotion to

the institution’s goals, who are holding down expenses, implementing new innova-

tions, achieving record operating margins, and aggressively supporting our fund-

raising activities. We have musicians who not only sustain the highest artistic stan-

dards, but have increasingly partnered with us in seeking outcomes that will help

The Cleveland Orchestra thrive for years to come. We have a music director who

inspires artistic excellence and also demonstrates a rare vision into all aspects of our

activities in a manner not always found among those who hold similar positions. We

are blessed with the continued devotion and genuine enthusiasm of the Orchestra’s

many patrons and volunteers, and the ongoing generosity of our donors, for which

we are most grateful.

We began a thorough, new analysis of the landscape faced by symphony orchestras

in 2008. The backdrop for this eff ort was the economic distress that has become a

“new normal” and the recognition of inevitable societal and demographic change

aff ecting orchestras, including the aspects of those forces that were most impact-

ful for our own circumstances. These industry-wide realities included structural

and operating defi cits, shrinking audiences, the challenging relationships between

board/leadership and musicians, and the need for multi-year fi nancial planning and

investment capital for innovation.

We have developed and continue to evolve a ten-year plan based on transparent,

rigorous analysis of the hard facts we currently face, rather than rely on historical

wisdom as the basis for decisions. Most importantly, we have identifi ed our chal-

lenges, fi nancial and otherwise, while there is still time for remedy. We are earnestly

From the President

C O N T I N U E S


implementing strategic goals to broaden the audiences and community we serve

and benefi t. This has brought a focus on broader community engagement across

Northeast Ohio, to the importance of the entire concert experience, and to the infl u-

ence of changing social patterns and technologies.

Of equal importance, we have developed a structure of fi nancial disciplines geared

to support a recapitalization of our institution, improve operating margins, and resist

the temptation to satisfy near-term fi nancial needs at the expense of long-term fi nan-

cial stability. The dedication of all constituencies to this objective is clearly refl ected

in our recently completed, successful and cooperative trade agreement negotiations.

Our year-on-year operating defi cit shrank from $2.7 million in FY11 to $180,000 in

FY12 — as a result of success in the special fundraising portion of our Sound for the

Centennial Campaign. In order to continue on track for the future, we must succeed

in sustaining this eff ort over the next three years while building our endowment.

We are making progress toward eliminating concerns for future defi cits, and we are

a third of the way toward securing commitments for the Campaign’s overall endow-

ment goals.

Central to our vision, the justifi cation for all these eff orts begins with the musical ex-

perience. Here at Severance Hall and Blossom, in Miami and New York, and abroad

in Vienna, Paris, and Salzburg, I have had many opportunities to experience The

Cleveland Orchestra’s artistic ascendancy fi rst-hand, and to revel in the musical gifts

they share in each performance. This is an Orchestra worthy of the acclaim it receives

and the pride it inspires. At the same time, the Orchestra is pursuing a variety of pro-

grams, from education and community initiatives to innovations such as Fridays@7

and expanded opera and ballet off erings. Coupled with strong audience develop-

ment eff orts, these initiatives are attracting new audiences that are younger than

ever before.

We are able to off er much only because of our community’s generosity — nearly

13,000 donors gave $17.3 million in FY12 annual support, in addition to endowment

commitments to our comprehensive Campaign. We owe a debt of gratitude to the

people of Northeast Ohio for such extraordinary generosity. We are proud to serve

this community through our performances and education activities, and in doing so

to contribute to the economic growth of our region and serve as a source of com-

munity pride. As one of the region’s most visible ambassadors, we proudly carry the

Cleveland name everywhere we play. I am confi dent that together we are making

steady progress toward long-term institutional and fi nancial health, and toward the

long-term sustainability of this great Orchestra for our great community.

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C O N T I N U E D

Dennis W. LaBarrePresident

From the President

27Severance Hall 2012-13 27Severance Hall 2012-13 Cleveland Orchestra News

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News

Orchestra NewsNewsNews

Orchestra NewsNews

Ticket sales revenue for The Cleveland

Orchestra’s 2012-13 Severance Hall season is

on track to set a new all-time record, driven

by the best-ever ticket sales in November and

December. Along with increased student

attendance across the season, these growth

numbers are encouraging news for the Orch-

estra’s strategic shifts in recent years and for

the ensemble’s future.

“Northeast Ohioans are clearly respond-

ing to the Orchestra’s strategic innovations.

More people are attending a wider variety of

our programs, and the signifi cant increase in

the number of new patrons at Severance Hall

is extraordinary,” says Gary Hanson, Cleveland

Orchestra executive director. “Our commit-

ment to student attendance and a younger

audience is part of a Cleveland Orchestra

renaissance, as we commit to redoubling

our commitment to community service and

Northeast Ohio.”

Front-page coverage in The Plain Dealer

in January noted that The Cleveland Orches-

tra “is seeing attendance and ticket revenue

skyrocket, mostly as a result of new programs

aimed at children and students.” And, in an

editorial, Crain’s Cleveland Business wrote that

the Orchestra “deserves bravos for the hard

work it and its supporters have done to secure

the future of this ensemble of skilled musi-

Orchestra ticket sales setting new recordsSeverance Hall season sales on track to set all-time record;

younger people attending in increased numbers

cians, who together remain the city’s most

visible global ambassadors.”

Sales for the 2012-13 Severance Hall

season, which runs from September through

May, are already 24% ahead of last year at the

same time. Current season ticket sales rev-

enue is on track to achieve an all-time record

of $7.6 million, surpassing the previous record

set in 2000-01, and $1.3 million more than last

season.

The number of students attending Cleve-

land Orchestra concerts at Severance Hall has

more than doubled over the same period last

year. This season, more than 200 students,

on average, are attending every evening sub-

scription concert — at some concerts, stu-

dents have represented 20% of the audience.

New initiatives and promotions are at-

tracting more students to Cleveland Orches-

tra concerts. The Student Frequent FanCard

gives students fl exibility and encourages

frequency of attendance, and the “Under 18s

Free” ticket program for families, launched

at the 2011 Blossom Festival, expanded this

season to Severance Hall. A network of a doz-

en student ambassadors, representing fi ve

area colleges, volunteer their time promoting

student concert-going and help to create a

vital social media presence around The Cleve-

land Orchestra.


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Orchestra NewsNews

I .N M.E .M.O.R. I .A .M The Cleveland Orchestra notes the death

on January 15 of long-time trustee George

Gund III at the age of 75 in California. He was

elected an international trustee of the Musical

Arts Association, the parent nonprofi t orga-

nization of The Cleveland Orchestra, in 1994.

George, along with his brother Gordon, was

owner of the Cleveland Cavaliers basketball team

1983-2005, and a strong supporter of arts institu-

tions in Northeast Ohio, including the Orchestra,

Cleveland Museum of Art, and the Rock and Roll

Hall of Fame and Museum. Our thoughts and

condolences are extended to his family.

Comings and goings As a courtesy to the performers onstage

and the entire audience, late-arriving patrons

cannot be seated until the fi rst break in the

musical program.

Friday Morning concertgoers can enjoy free bus service courtesy of Women’s Committee

The Women’s Committee of The Cleve-

land Orchestra is again sponsoring free bus

service to each of the Orchestra’s Friday Morn-

ing concerts this season. The buses depart

from locations in Akron, Beachwood, Brecks-

ville, and Westlake. A bus pass is required, and

can be reserved along with concert tickets

through the Severance Hall Ticket Offi ce in-

person or by calling 216-231-1111. (Donations

to help defray the cost of this bus service are

also welcome and can be given through the

ticket offi ce).

The season’s fi nal Friday Morning con-

certs are on February 22 (featuring Herbert

Blomstedt conducting Dvořák’s “New World”

Symphony) and May 3 (with Ton Koopman

leading a concert of works by Haydn, Mozart,

and Fischer).

Cleveland Orchestra News

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We thank The Cleveland Orchestra for its commitment to excellence!

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29Severance Hall 2012-13 29Severance Hall 2012-13 Cleveland Orchestra News

Orchestra NewsNews

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The Cleveland Orchestra’s 2013 Blossom Music

Festival has been announced, with complete

details available on the Orchestra’s website. Sea-

son information and series renewals are being

mailed to subscribers to last year’s Festival, and

new series packages are available for purchase

now. Lawn Ticket Books are also for sale now.

Individual tickets for the entire season go on sale

on Tuesday, May 28.

For the 2013 Festival, the Orchestra pres-

ents 19 concerts at Blossom Music Center in

Cuyahoga Valley National Park from July 3 to

September 1. Continuing a 40-year tradition,

the Blossom season begins with “Salute to

America” concerts performed by the Blossom

Festival Band. The band programs on July 3 and

4 are under the direction of Loras John Schissel

and feature post-concert fi reworks.

Music Director Franz Welser-Möst conducts

The Cleveland Orchestra for the Festival’s offi cial

Opening Night on Friday, July 5, plus two ad-

ditional evenings. His programs feature Strauss’s

Four Last Songs, Beethoven’s “Eroica” Symphony,

and Liszt’s fi ery Totentanz, along with excerpts

from operas by Richard Wagner during this 200th

anni versary of the composer’s birthyear.

Highlights of the 2013 Festival season also

include The Joff rey Ballet’s return, on August

17 and 18, in a program celebrating the 100th

anniversary of the world premiere of The Rite of

Spring. Stravinsky’s daring score is matched to a

reconstruction of the work’s original choreogra-

phy by Vaslav Nijinsky and facsimiles of the origi-

nal costumes by Nicholas Roerich. Tito Muñoz

leads The Cleveland Orchestra for these ballet

performances, which also feature works choreo-

graphed by Jerome Robbins and Stanton Welch.

In additional to classical symphonic works,

a variety of popular music will be also featured

at Blossom Festival concerts this summer, rang-

ing from a program of the “Sounds of Simon

& Garfunkel” (July 14), under the direction of

Michael Krajewski, to an evening of show tunes

titled “Broadway’s Leading Men” (July 28), led by

Jack Everly. Cleveland Orchestra chorus direc-

tor Robert Porco conducts highlights from the

Gershwin opera Porgy and Bess (July 21), and

Bramwell Tovey leads an evening of the music of

popular song (August 25), including melodies by

Cole Porter, Jerome Kern, Richard Rodgers, and

Duke Ellington .

In a program sure to delight children of all

ages, the 2013 Festival will close with “Pixar in

Concert” on Labor Day Weekend, August 31 and

September 1. The Cleveland Orchestra performs

selections from thirteen Pixar fi lms, accompany-

ing movie clips projected on large screens. The

evening is led by Hollywood conductor Richard

Kaufman.

A program on July 27 features participants

from Kent/Blossom Music performing in a side-

by-side concert with The Cleveland Orchestra.

Twenty Cleveland Orchestra musicians serve on

the faculty at Kent/Blossom Music, and twenty

alumni of Kent/Blossom Music are now mem-

bers of The Cleveland Orchestra.

The family-friendly “Under 18s Free” ticket

program continues at Blossom, where over

26,000 young people have attended Festival

concerts during the past two summers. This

ground-breaking initiative is made possible

through The Cleveland Orchestra’s Center for Fu-

ture Audiences and additional generous funders.

Series subscriptions are now on sale. For

complete season details and schedule, visit

clevelandorchestra.com.

2013 Blossom Music Festival announcedFestival season features great orchestral works, a special ballet

anniversary, and programs of popular songs and fi lm music


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OrchestraNewsNews

A . R .O.U. N . D T.O.W. NRecitals and presentations featuring Orchestra musicians Upcoming local performances by members

of The Cleveland Orchestra include:

Cleveland Orchestra member Jacob Nissly

(percussion) joins together in a unique concert

featuring two Shaker Heights High School alum-

ni musicians, Luke Rinderknecht and Dinesh

Joseph, on Tuesday evening, March 5. The

program at 7:30 p.m in the Shaker Heights High

School auditorium features works for marimba

and vibraphone by Elliot Cole, Jacob Druckman,

Steve Reich, and Toru Takemitsu. The evening

benefits the Shaker Schools Foundation. Tick-

ets are $30 or $15, with special rates for Shaker

faculty and staff. For further information, call

216-295-4329.

THE CLEVELAND ORCHES TRA

F .A .M. I .L .Y N .E .W.S Please join in extending congratula-tions and warm wishes to: Kim Gomez (violin) and James Gomez,

whose baby girl, Christina Therese Gomez,

was born on February 5.

Silence is golden As a courtesy to everyone aroundyou, patrons are reminded to turn offcell phones and to disengage electron-ic watch alarms prior to each concert.

Family Concert seriescontinues in spring with

“Symphony Under the Sea” after Spooktacular startThe Cleveland Orchestra’s season of FamilyConcerts continues with “Sym-phony Under the Sea” onFriday evening, March8, led by conductorRobert Franz — includ-ing favorite musicalnumbers from Disney’sThe Little Mermaid. And con-tinues with “Fables, Fantasy, andFolkore” on Sunday afternoon, May 12, led byMichael Butterman. Intended for children ages7 and older, the series is designed to introduceyoung people to classical music. In addition toeach one-hour Orchestra concert, the FamilyConcert series features free, pre-concert activi-ties, including an “Instrument Discovery” inwhich children can try playing various instru-

ments.For complete details about the spring

concerts, visit clevelandorchestra.com.

Committed to AccessibilitySeverance Hall is committed to making

performances and facilities accessible to all

patrons. For information about accessibility

or for assistance, call the House Manager at

216-231-7425.


Orchestra NewsNews

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I .N M.E .M.O.R. I .A .M The Cleveland Orchestra notes the death

on January 10 of retired Orchestra violinist

Gino Raff aelli at the age of 87. Raised in south-

west Chicago, he auditioned for

George Szell and joined the Or-

chestra in 1957 and played for 44

years until his retirement in 2001.

During his years with The Cleve-

land Orchestra, he helped found

the International Conference of

Symphony and Opera Musicians

(ICSOM) and served as the labor

group’s fi rst treasurer. He was also

a founding member of Performers and Artists for

Nuclear Disarmament (PAND), and helped that

organization raise funds and awareness through

many local performances. An avid chamber

musician, he served for many years as concert-

master of the Heights Chamber Orchestra. Our

thoughts and condolences are extended to

Gino’s daughter, Giovanna, and family.

Special thanks to Cleve- land Orchestra musicians

The Board of Trustees extends special

thanks to the members of The Cleveland Or-

chestra for donating their services for several

concerts during the Orchestra’s most recent

weeks in residence in Miami in January. These

donated performances included daytime Edu-

cation Concerts at the Adrienne Arsht Center

for the Performing Arts of Miami-Dade County,

attended by thousands of school children,

as well as the Orchestra’s concert in Naples,

Florida.

“These and other donated services each

year are a meaningful demonstration of the

musicians’ commitment to this institution’s

future,” notes Gary Hanson, executive director.

“The members of The Cleveland Orchestra are

committed to serving the Orchestra’s commu-

nities and presenting music as an important

and vital part of life.”

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Concert Previews Cleveland Orchestra Concert Previews are

presented before every regular subscription con-

cert, and are free to all ticketholders to that day’s

performance. Previews are designed to enrich the

concert-going experience for audience members

of all levels of musical knowledge through a vari-

ety of interviews and through talks by local and

national experts.

Concert Previews are made possible

by a generous endowment gift from

Dorothy Humel Hovorka.

February 21“The Prague Connection” with Paul Burik, president of the Cleveland Chapter

of the Czech and Slovak Society of Arts & Sciences,

in conversation with Rose Breckenridge

February 22, 23, 24“Famous Last Words” with Rose Breckenridge, Cleveland Orchestra Music Study Groups administrator and lecturer

February 28, March 1, 2“Titans and Other Heroes” with Michael Strasser,

professor of musicology, Baldwin Wallace

University Conservatory of Music

March 21, 23“Music of the Night” with Rabbi Roger Klein, The Temple – Tifereth Israel

April 4, 5, 6 “Mozart: Master of Concertos” with Pierre van der Westhuizen,

executive director, Cleveland

International Piano Competition

1213 SEASON

For Concert Preview details, visit clevelandorchestra.com

LEARNING MORE ABOUT THE MUSIC

The Cleveland Orchestra off ers a vari-

ety of options for learning more about

the music before each concert begins.

For each concert, the program book

includes program notes commenting

on and providing background about

the composer and his or her work

being performed that week, along

with biographies of the guest artists

and other information. You can read

these before the concert, at intermis-

sion, or afterward. (Program notes

are also posted ahead of time online

at clevelandorchestra.com, usually by

the Monday directly preceding the

concert.)

The Orchestra’s Music Study

Groups also provide a way of explor-

ing the music in more depth. These

classes, professionally led by Dr. Rose

Breckenridge, meet weekly in loca-

tions around Cleveland to explore the

music being played each week and the

stories behind the composers’ lives.

Free Concert Previews are pre-

sented one hour before most subscrip-

tion concerts throughout the season

at Severance Hall. The previews (see

listing at right) feature a variety of

speakers and guest artists speaking

or conversing about that weekend’s

program, and often include the op-

portunity for audience members to ask

questions.

Concert Previews

Great Cleveland institutions are distinguishedby the relentless pursuit of excellence.

Jones Day is honored to support The Cleveland Orchestra.

2400 lawyers throughout the world. www.jonesday.com

35Severance Hall 2012-13 Concert Program — Week 14

These concerts are sponsored by Jones Day.

The Thursday and Saturday concerts will end at approximately 9:45 p.m.and Sunday afternoon’s performance at about 4:45 p.m.

The Cleveland Orchestra’s Friday Morning Concert Series is endowed by the Mary E. and F. Joseph Callahan Foundation.

* The Friday morning concert is performed without intermission and includes the fourth movement only of the Mozart symphony along with the entire Dvořák symphony. The concert will end at about 12:00 noon.

LIVE RADIO BROADCAST Saturday evening’s concert is being broadcast live on WCLV (104.9 FM). The concert will be rebroadcast as part of regular weekly programming on WCLV on Sunday afternoon, April 7, at 4:00 p.m.

Severance HallThursday evening, February 21, 2013, at 8:00 p.m. Friday morning, February 22, 2013, at 11:00 a.m. *Saturday evening, February 23, 2013, at 8:00 p.m. Sunday afternoon, February 24, 2013, at 3:00 p.m.

Herbert Blomstedt, conductor

1213

SEASON

WOLFGANG A. MOZART Symphony No. 40*(1756-1791) in G minor, K550 1. Molto allegro 2. Andante 3. Menuetto: Allegretto 4. Finale: Allegro assai

INTERMISSION *

ANTONÍN DVORÁK Symphony No. 9 (“From the New World”)(1841-1904) in E minor, Opus 95 1. Adagio — Allegro molto 2. Largo 3. Allegro con fuoco 4. Molto vivace

T H E C L E V E L A N D O R C H E S T R A F R A N Z W E L S E R - M Ö S T M U S I C D I R E C T O R

That’s why last year, the Jewish Federation of Cleveland raised and allocated nearly $127 million to social service, educational and humanitarian organizations that support Cleveland’s Jewish and general communities, as well as those in more than 70 countries around the world. Through the generosity of our donors, the Jewish Federation of Cleveland is Ohio’s largest grantmaking organization.

Together, we do extraordinary things.

For more information, please contact Alan D. Gross at 216.593.2818or [email protected].

Mandel Building · 25701 Science Park DriveCleveland, Ohio 44122 216.593.2900

www.jewishcleveland.org

6148

OF CLEVELANDJewish Federation

37Severance Hall 2012-13 37Severance Hall 2012-13 Introducing the Program

I N T R O D U C I N G T H E P R O G R A M

Centuries&SymphoniesF O R T H I S P R O G R A M , as he did last week, guest conductor Herbert

Blomstedt has chosen two symphonies composed a hundred years apart.

If last week’s pairing brought together an early full

fl ower of Classic Romanticism (Beethoven) with some

distinct forebodings of modernity (Carl Nielsen), this

week’s works, from twenty years earlier in each case,

nobly bring us the Classical era at its apex (Mozart)

alongside the full-throated emotionalism of late 19th-

century Romanticism (Dvořák).

Mozart composed his last three symphonies, Nos.

39, 40, and 41, in the summer of 1788. We don’t know

exactly why he wrote them, but the always practical (and

oft en fi nancially troubled) Mozart surely had prospects for a performance

in which he might gain a share of ticket revenue. Like many of the com-

poser’s ideas for advancing himself, there is little evidence of a successful

outcome (or income) in this case. But what he did advance that summer,

without question, is the shape and style of what a

symphony could be, creating three shining exam-

ples at the pinnacle of his own musical powers. Th is

weekend, we hear the middle sibling of the three.

Dvořák’s Ninth Symphony is also from a ma-

ture artist fully in command of his artistry and mu-

sical vocabulary — written in 1892-93 during the

composer’s brief three years in America, as director

of the National Conservatory of Music in New York

City. In it, he adopts and adapts ideas from the new

world around him, of Native American and African

idioms mixed together with American poetry and

plans for an opera on Hiawatha. And molds them impeccably together as

a musical postcard to his own Czech homeland back in Europe. Nostalgia,

homesickness, wonder, joy, and grandeur are all intermixed to create an

unquestioned masterpiece. —Eric Sellen

With this Saturday’s concert, The Cleveland Orchestra gratefully

honors Parker Hannifi n Foundation for its generous support.

As a member of Kendal at Home and a working artist, Ruth says “I think new insights and richer experiences that you’ve accumulated through the years are important.” With Kendal’s support, Ruth can continue to be a positive influence, and explore exciting new directions.

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39Severance Hall 2012-13 About the Music

T H E R E H A S B E E N A L O T O F S P E C U L AT I O N as to pre-

cisely what went wrong in Mozart’s life between 1785, the apex

of his “golden years,” and the summer of 1788, when he wrote

his last three symphonies.

By 1788, the concert series where Mozart had presented

his great piano concertos had been discontinued. For a variety

of reasons, not all completely understood today, Mozart had

lost the audience support he had previously enjoyed.

In 1786-87, he had an immense success in Prague with

his operas Th e Marriage of Figaro and Don Giovanni (the latter

was written specifi cally for that city), but back home in Vien-

na, things were going downhill fi nancially. Mozart’s appoint-

ment to the relatively minor position of Kammer-Kompositeur

(“Chamber Composer”) at the imperial court did little to im-

prove matters.

Mozart’s family life was also extremely diffi cult. Four of

his children died in infancy, three of them between 1786 and

1788. (Th is left Mozart and his wife, Constanze, with only one

surviving child, Karl Th omas, born in 1784; a second son, Franz

Xaver Wolfgang, who would become a composer, was born in

1791, the last year of Mozart’s life.)

Among the additional reasons that may have contributed

to the deterioration of Mozart’s situation, researchers have also

cited the composer’s gambling habit, household mismanage-

ment by Constanze, and a general tendency of the Mozarts to

live beyond their means.

What is certain is that during the summer of 1788 Mo-

zart started writing heart-rending letters to his friend and fel-

low Freemason, Michael Puchberg, imploring him for rather

large sums of money. In one of these, he was asking Puchberg

for “a hundred gulden until next week, when my concerts in the

Casino are to begin.” Since the letter was written at the time

Mozart was working on what would prove to be his last three

symphonies, there is reason to believe that he intended them

for concerts “in the Casino.” We don’t know exactly where in

Vienna this “Casino” was, but Mozart had previously played

some of his piano concertos there.

Debut performances of Symphonies Nos. 39-41 may or

may not have taken place in the fall of 1788. Because there are

Symphony No. 40 in G minor, K.550composed 1788

by Wolfgang Amadè MOZARTborn January 27, 1756Salzburg

diedDecember 5, 1791Vienna

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no known records of performances, it was long believed that

these symphonies were never heard in concert during the com-

poser’s lifetime. Recently, however, experts have become more

careful and we no longer rule out a contemporary performance

on the basis of missing evidence. Th ere were in fact several

opportunities for Mozart to present these symphonies both in

Vienna and in Germany, where he journeyed in 1789 and again

in 1790. Most important, the fact that the G-minor Symphony

(No. 40) exists in two diff erent manuscript versions — the fi rst

without clarinets, the later one with clarinets added and some

other woodwind detailing changed — strongly suggests that

Mozart either heard the original in performance (leading him

to want to make changes) and/or that he prepared a second

edition for a specifi c occasion when clarinets were defi nitely

going to be part of the ensemble for the performance. Th is

weekend’s Cleveland Orchestra performances are utilizing the

revised scoring, with the addition of clarinets.

S Y M P H O N Y N O . 4 0 I N G M I N O R

Th e opening of the fi rst movement of Mozart’s Symphony

No. 40 in G minor is, in its quiet way, nothing short of a revo-

lution. In the 18th century, symphonies usually started with

a forceful downbeat whose function was somewhat similar to

that of the rising curtain in the theater: “Ladies and gentlemen,

please be silent, the piece has begun!” Th e French even had a

special name for this downbeat: premier coup d’archet (“fi rst

bowstroke”). More than a simple custom, this way of open-

ing a work became one of the defi ning elements of symphonic

style. Dispensing with the premier coup d’archet for this sym-

phony, Mozart started with a lyrical melody. What is even

more unusual, however, is that this lyrical melody is preceded

by almost a full measure of accompanying eighth-notes in the

divided violas. In the 19th century, accompaniment fi gures

without melody were not uncommon — one might think of the

openings of Schubert’s Gretchen at the Spinning-Wheel or his

String Quartet in A minor, the Mendelssohn Violin Concerto,

or many opera arias by Verdi. Th e example they all followed

was Mozart’s G-minor symphony, which may thus be seen as

the symbolic origin of musical Romanticism.

Many writers have felt this symphony — and not only its

fi rst measure — to be Romantic in spirit. Oft en in his earlier

works Mozart had used (albeit with surpassing mastery) me-

Many writers

have felt Sym-

phony No. 40

to be Romantic

in spirit. Often

in his earlier

works, Mozart

had used me-

lodic material

that belonged

to a common

vocabulary of

Classical music.

The themes of

this work, how-

ever, are highly

individualized

and transcend

conventions to

a much great-

er extent than

anything Mo-

zart had writ-

ten before.

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43Severance Hall 2012-13

Mozart entered this Sym-

phony in G minor into the

catalog of his works on July

25, 1788. It is one of three

symphonies he wrote that

summer. There is no record

of performance during Mo-

zart’s lifetime. What is today

known as the Symphony No.

40 (Mozart’s symphonies and

concertos weren’t numbered

until the middle of the 19th

century, when Ludwig Ritter

von Köchel worked to catalog

all the composer’s music

in chronological order) is

sometimes called the “Great”

G-minor symphony to distin-

guish it from Mozart’s earlier

symphony in the same key:

No. 25, K183, also known as

the “Little” G-minor.

This symphony runs

about 25 minutes in perfor-

mance. Mozart’s original

scoring calls for fl ute, 2

oboes, 2 bassoons, 2 horns,

and strings (with divided

violas). This weekend’s

performances are using a

later edition, in which Mozart

added clarinets and made

changes to the oboe parts.

The Cleveland Orchestra

fi rst performed Mozart’s

Symphony No. 40 in its

second season, in November

1919, under Nikolai Sokoloff’s

direction. The most recent

performance was given at the

2009 Blossom Festival, led by

Jayce Ogren.

At a Glance

About the Music

lodic material that belonged to a common vocabulary of Clas-

sical music. Not so in this Symphony in G minor (it was not

given the designation as “No. 40” until many decades aft er the

composer’s death). Th e themes of this work are highly individu-

alized and transcend conventions to a much greater extent than

anything Mozart had written before. Th e symphony contains

dissonances, modulations, and chromatic progressions that

were extremely bold for their time, and revealed new worlds of

expressivity that had not previously been known to musicians.

Individuality, bold innovations, and heightened expressivity

— all three concepts were to become central to the Romantic

aesthetics of music.

At the same time, the symphony preserves a clarity of

form and a balance among its constituent elements that is en-

tirely Classical. We could not fi nd better examples for sonata

form than the fi rst and the last movements; Classical rules and

symmetries are respected throughout.

One of the most exciting parts of the fi rst movement is

the development section, where the famous opening melody

undergoes dramatic transformations and its segments are taken

apart, a technique later adopted by Beethoven. In the course of

about 90 seconds (which is how long it takes to play the devel-

opment section), there is counterpoint, a great deal of contrast

in dynamics and orchestration, and key changes every four

bars or so. Th e section begins and ends with a short descend-

ing scale scored for woodwinds only, making for smooth but

quite noticeable transitions.

Th e theme of the second-movement Andante is intoned by

the string instruments in successive entries (almost, though not

quite, like a fugue). At the repeat of this theme, the woodwinds

add a descending scale motif in thirty-second notes separated by

rests — a special masterstroke that was quoted almost literally

by Haydn in the “Winter” section of his oratorio Th e Seasons.

But Mozart develops the idea diff erently, using it for another

great buildup of tension in the middle of the movement, before

the recapitulation brings back the initial feelings of peace and

serenity.

Th e third movement is one of the most metrically irregu-

lar minuets ever written. Intricacies such as the hemiola (two

3/4 measures rearranged in three 2/4 units) are combined with

dissonant clashes in the harmony and a pungent chromaticism

in the melodic motion. Th e Trio section, in which the tonal-


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ity changes from G minor to G major, is more relaxed, but the

musical articulation remains complex. Th e woodwinds and

two horns all enjoy some great soloistic opportunities.

Unlike many symphonies written in minor keys, Mozart’s

Symphony No. 40 does not switch to the major mode for the

fourth-movement fi nale, but remains in minor to the end.

Th is movement has few equals in the Classical literature for

sheer dramatic power and intensity. One of its most stunning

moments occurs at the beginning of the development section,

where a striking unison passage touches on eleven of the twelve

tones of the Western chromatic scale and briefl y confounds our

sense of tonality. It resolves into an exciting contrapuntal sec-

tion that ends up as far from the home key of G minor as pos-

sible (C-sharp minor). Th e recapitulation (which introduces

some subtle changes in the melody) ends with three strong G-

minor chords that almost sound like cries of despair.

—Peter Laki © 2013

Peter Laki is a musicologist and frequent lecturer on classical music. He is a visiting associate professor at Bard College.

In appreciation of their support, The Cleveland Orchestra and Musical Arts Association

extend a special welcome to American Greetings Corporation, whose guests are enjoying a musical evening at Severance Hall this weekend.

1.800.371.0178www.oberlin.edu/arseries

Sunday, March 3, 4 p.m.

Finney Chapel, Oberlin

Tickets: $15-$42

“One of the towering and most versatilequartets of our time.” — Neue Zuercher Zeitung

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NEXT PERFORMANCE:

Deborah Voigt, soprano

Sunday, March 10

I cannot write in verse, for I am no poet.

I cannot arrange the parts of speech with such

art as to produce eff ects of light and shade,

for I am no painter. Even by signs and gestures

I cannot express my thoughts and feelings,

for I am no dancer. But I can do so by means

of sound, for I am a musician.

—W. A. Mozart, November 1777

‘‘

‘‘

A portrait of Mozart, painted in 1819 by Barbara Kraft, based on paintings created during the composer’s lifetime

T H E C L E V E L A N D O R C H E S T R A

Sound for the Centennial


The Cleveland Orchestra’s artistic health and fi nancial well-being depend on the dedicated and ongoing support of music-lovers throughout Northeast Ohio. The Orchestra’s continued excel-lence in community service and musical performance can only be ensured through ongoing annual support coupled with increased giving to the Endowment and special fundraising.

As the Orchestra approaches its centennial celebration in 2018, the individuals and organiza-tions listed on these pages have made longterm commitments to secure the fi nancial stability of our great Orchestra. This listing represents multi-year commitments of annual and endow-ment support, and legacy gift declarations, as of January 30, 2013.

The Cleveland Orchestra and Musical Arts Association gratefully recognize the transforma-tional support and extraordinary commitment of these individuals, corporations, and founda-tions toward the Orchestra’s future. To join your name to these visionary contributors, please contact Jon Limbacher, Chief Development Offi cer, at 216-231-7520.

Sound for the Centennial Campaign

Gay Cull Addicott Jeanette Grasselli Brown and Glenn R. BrownRobert and Jean* ConradRichard and Ann GridleyThe Louise H. and David S. Ingalls FoundationMr. and Mrs. Douglas A. KernMr. and Mrs. Jon A. Lindseth

Ms. Nancy W. McCannDavid and Inez Myers Foundation The Honorable and Mrs. John Doyle OngThe Payne FundMr. and Mrs. Richard K. Smucker

Art of Beauty Company, Inc.BakerHostetlerMr. William P. Blair IIIMr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMrs. M. Roger ClappEaton CorporationFirstEnergy FoundationForest City Enterprises, Inc.Mr. and Mrs. Michael J. HorvitzThe Walter and Jean Kalberer FoundationMr. and Mrs. Joseph P. KeithleyKeyBankKulas FoundationMr. and Mrs. Dennis W. LaBarreMrs. Norma LernerThe Lubrizol Corporation

The Andrew W. Mellon FoundationMs. Beth E. MooneySally S. and John C. MorleyJohn P. Murphy FoundationNACCO Industries, Inc.Julia and Larry PollockMrs. Alfred M. Rankin, Sr.Mr. and Mrs. Alfred M. Rankin, Jr.Mr. and Mrs. Albert B. RatnerJames and Donna ReidBarbara S. RobinsonThe Sage Cleveland FoundationThe Kelvin and Eleanor Smith FoundationThe J. M. Smucker CompanyJoe and Marlene TootAnonymous

GIFTS OF $5 MILLION AND MORE

Mr. and Mrs. Alexander M. CutlerMaltz Family FoundationAnonymous

GIFTS OF $1 MILLION TO $5 MILLION

GIFTS OF $500,000 TO $1 MILLION

49Severance Hall 2012-13 Sound for the Centennial Campaign

* deceased

Mr. and Mrs. George N. AronoffBen and Ingrid BowmanGeorge* and Becky DunnDr. and Mrs. Hiroyuki FujitaAlbert I. and Norma C. GellerIris and Tom HarvieMr. and Mrs. S. Lee KohrmanMr. Gary A. OateyRPM International Inc.Hewitt and Paula Shaw

Naomi G. and Edwin Z. SingerMs. Ginger WarnerMr. Max W. WendelPaul and Suzanne WestlakeMr. Donald Woodcock

GIFTS OF $100,000 TO $250,000

Randall and Virginia BarbatoJohn P. Bergren* and Sarah M. EvansMr. and Mrs.* Harvey BuchananCliffs Natural ResourcesMr. and Mrs. Matthew V. CrawfordNancy and Richard DotsonSidney E. Frank FoundationDavid and Nancy HookerMrs. Marguerite B. HumphreyJames D. Ireland IIITrevor and Jennie JonesGiuliana C. and John D. KochDr. Vilma L. Kohn

Mr. Clarence E. Klaus, Jr.Mr. and Mrs. Alex MachaskeeMr. Donald W. MorrisonMargaret Fulton-MuellerWilliam J. and Katherine T. O’NeillParker Hannifi n CorporationCharles and Ilana Horowitz RatnerMr. and Mrs. James A. SaksThe Skirball FoundationMr. and Mrs. Jules Vinney* David A. and Barbara Wolfort

GIFTS OF $250,000 TO $500,000

“THE

MEDIUM IS THE MESSAGE.” – Marshall McLuhan, 1911-1980

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THE CREDIT FOR bringing Dvořák to the United States belongs

to Jeanette M. Th urber, wife of a wealthy New York business-

man. Mrs. Th urber (1850-1946), was one of those dedicated

philanthropists to whom the musical life of the United States

has always owed so much. In 1885-86, she founded both the

National Conservatory of Music and the American Opera

Company. One of her greatest achievements was a scholarship

program for minority students, which enabled many African

Americans and Native Americans to become professional mu-

sicians. Another was to persuade Antonín Dvořák to come to

the United States from his native Bohemia and become the di-

rector of the new Conservatory.

Aft er a long round of negotiations, Dvořák arrived in the

United States in 1892, for what would be a stay of three years.

He was accompanied by his wife, two of his six children, and a

secretary. His duties at the Conservatory were not very demand-

ing. He had to teach composition three mornings a week and

conduct the student orchestra on two aft ernoons. Th is schedule

left him enough time for conducting at public concerts as well

as composing.

Mrs. Th urber later claimed it was at her suggestion that

Dvořák fi rst started to work on his Symphony in E minor. As

she recollected: “He used to be particularly homesick on steamer

days when he read the shipping news in the Herald. Th oughts of

home oft en moved him to tears. On one of these days I suggested

that he write a symphony embodying his experiences and feelings

in America — a suggestion which he promptly adopted.

Th is prompting would hardly have suffi ced, had Dvořák

himself not felt ready to “embark” on a new symphony. But em-

bark he did, and when the score was fi nished the next spring,

he made the following inscription on the last page of the man-

uscript: “Praise God! Completed 24th May 1893 at 9 o’clock in

the morning. Th e children have arrived at Southampton (a cable

came at 1:33 p.m.).” Th e four children Dvořák had left behind

joined their parents in New York a few days later. Th us, both

the beginning and the end of this symphony’s composition seem

to be connected with ships leaving and arriving.

Much ink has been spilled over the question as to whether

Symphony No. 9 (“From the New World”)in E minor, Opus 95composed 1892-93

by AntonínDVOŘÁKborn September 8, 1841Nelahozeves, Bohemia

diedMay 1, 1904Prague


Kulas Series of Keyboard Conversations® with Jeffrey Siegel 24th Season 2011-2012

Presented by Cleveland State University’s Center for Arts and Innovation

Sunday, October 2, 2011A Beethoven Bonanza! The many

moods of genius!

Sunday, November 20, 2011The Romantic Music of Franz Liszt

Sunday, March 4, 2012Rochmaninoff and Tchaikovsky

Sunday, March 6, 2012A musical love triangle: Robert, Claraand Johannes!

Masterly

Enthralling

Charming

Scintillating

All concerts begin at 3:00 pm at Cleveland State University’s Waetjen Auditorium, Euclid Ave. and E. 21st St. For more information call 216.687.5018 or visit www.csuohio.edu/concert series/kc

“An afternoon of entertaining talk and exhilarating music.” - The Washington Post


moods of genius!


Sunday, March 4, 2012Rochmaninoff and Tchaikovsky


series/kc

a


moods of genius!



moods of genius!


y 6, 2012

Presented by Cleveland State University’s Center for Arts and Innovation

Kulas Series of Keyboard Conversations®with Jeffrey Siegel

25th Anniversary Season 2012-2013

MasterlyB

EnthrallingB

CharmingB

Scintillating

“An afternoon of entertaining talk and exhilarating music.”

–The Washington Post

All concerts begin at 3:00 pm at Cleveland State University’s Waetjen

Auditorium, Euclid Ave. and E. 21st St.For more information call 216.687.5018

or visit www.csuohio.edu/concertseries/kc

Sunday, October 14, 2012Spellbinding Bach

Sunday, November 11, 2012Free Family Concert!Music for the Young and Young at Heart presented in honor of Mr. Siegel’s 25th anniversary at Cleveland State University

Sunday, January 27, 2013Claude Debussy: Clair de lune, Fireworks and Beyond!

Sunday, March 24, 2013Schubert in the Age of the Sound Bite

Sunday, April 28, 2013Bach and the Romantics


the E-minor Symphony incorporates any melodies Dvořák heard

in the United States, and whether the symphony is “American” or

“Czech” in character. Dvořák’s interest in both Negro spirituals

and American Indian music was evident, but he actually knew

very little about the latter and, as far as the former was con-

cerned, relied mainly on a single source of information. Harry

T. Burleigh, an African-American student at the Conservatory,

who later became a noted composer and singer, performed many

spirituals (and also Stephen Foster songs) for Dvořák, who was

very impressed. Still, Dvořák’s knowledge of American musi-

cal traditions must have remained limited. Th e composer did

not claim to have used any original melodies, trying instead to

“reproduce their spirit,” as he put it in an interview published

three days before the symphony’s premiere.

We will understand what Dvořák meant by this if we com-

pare the famous english horn solo from the symphony’s slow

second movement with the spiritual “Steal Away,” which was

probably among the songs Dvořák had heard from Burleigh.

Many years later, H.C. Colles asked Burleigh to sing to him

the songs he had sung to Dvořák, and noted that “the sound of

the english horn resembled quite closely the quality of Burleigh’s

voice.” Both melodies share the same rhythmic patterns and the

same pentatonic scale. It is no wonder that Dvořák’s melody

was subsequently adopted as a spiritual in its own right under

the title “Goin’ Home,” with words provided by one of Dvořák’s

New York students, William Arms Fisher. Several other melo-

dies in the symphony have similar songlike shapes, suggesting

folk inspiration. One instance where a possible model has been

identifi ed is the fi rst movement’s second theme, which is strongly

reminiscent of the spiritual “Swing Low, Sweet Chariot.”

Another link between the “New World” Symphony and

the New World has to do with an aborted opera project based

on Th e Song of Hiawatha. It was another one of Mrs. Th urber’s

suggestions that Dvořák write an opera on Longfellow’s poem,

with which he had long been familiar, having read it in Czech

translation 30 years before. Th e opera never quite got off the

ground, but it has recently been shown that the slow movement

of the symphony was conceived with Minnehaha’s Forest Funeral

from Hiawatha in mind. Additionally, the Scherzo movement

was inspired by the dance of Pau-Puk-Keewis from Hiawatha.

Discussions of the ethnic background of Dvořák’s themes

should not, however, divert the attention from other aspects

Dvořák wrote his “New World”

Symphony in New York City

between December 1892 and

May 1893. He added the sub-

title Z Nového světa, meaning

“From the New World,” in

November 1893, shortly

before the work’s premiere at

Carnegie Hall by the New York

Philharmonic conducted by

Anton Seidl.

This symphony runs about

45 minutes in performance.

Dvořák scored it for 2 fl utes

(second doubling piccolo), 2

oboes (second doubling english

horn), 2 clarinets, 2 bassoons,

4 horns, 2 trumpets, 3 trom-

bones, tuba, timpani, percus-

sion (cymbals and triangle),

and strings.


fi rst performed the “New

World” Symphony in April

1920 under Nikolai Sokoloff,

and it has been a regular part

of the Orchestra’s repertoire

ever since. The most recent

performances took place in

November 2009, conducted by

Bertrand de Billy.

At a Glance

phot

o: P

ocke

tAce

s

www.carnegie-capital.com

54 The Cleveland OrchestraAbout the Music

of this symphony that are at least equally compelling. Because

beautiful melodies alone, whatever their provenance may be, do

not a symphony make. In his Ninth, Dvořák proved not only

his supreme melodic gift s, but also his mastery in organizing his

melodies into coherent and well-balanced musical structures.

Th e opening horn theme of the fi rst movement, already

hinted at in the preceding slow introduction, serves as a unifying

gesture that returns in each of the symphony’s movements. In

the second-movement Largo, it appears at the climactic point in

the faster middle section, shortly before the return of the english

horn solo. In the third-movement Scherzo, it is heard between

the Scherzo proper and the movement’s Trio section; this time,

the energetic brass theme is transformed into a lyrical melody

played by the cellos and the violas. Between the Trio and the re-

capitulation of the Scherzo, the theme resumes its original charac-

ter. Th e same melody can also be found in the fourth-movement

fi nale shortly before the end, in a coda that incorporates quota-

tions from the second and third movements as well. Th us, the

ending of the symphony, then, combines the main themes from

all four movements in a magnifi cent synthesis.

—Peter Laki

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Guide to Fine Schools

Other fine schools advertising in The Cleveland Orchestra’s Severance Hall programs include:

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Cleveland Institute of Music216-791-5000

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The Oberlin Conservatory of Music440-775-8413


Herbert BlomstedtSwedish-American conductor Herbert Blomstedt has been leading orchestras for

more than half a century. Known throughout the world and especially associated

with the San Francisco Symphony, Leipzig Gewandhaus Orchestra, and Dresden

Staatskapelle, Mr. Blomstedt fi rst conducted Th e Cleveland

Orchestra in April 2006. Prior to two weeks of concerts

here at Severance Hall this month, his most recent perfor-

mances with the Orchestra were in October 2010.

Born in Springfi eld, Massachusetts, to Swedish par-

ents, Herbert Blomstedt began his musical education at the

Royal Academy of Music in Stockholm and at the Univer-

sity of Uppsala. He later studied conducting at the Juilliard

School, contemporary music in Darmstadt, and renais-

sance and baroque music at the Schola Cantorum Basilien-

sis. He also worked with Igor Markevich in Salzburg and

Leonard Bernstein at Tanglewood.

Mr. Blomstedt is conductor laureate of the San Fran-

cisco Symphony, where he served as music director (1985-

95). He was subsequently music director of Hamburg’s NDR Symphony Orchestra

(1996-98), and of Leipzig’s Gewandhaus Orchestra (1998-2005). He made his pro-

fessional conducting debut with the Stockholm Philharmonic Orchestra in 1954,

and subsequently served terms as music director of the Danish Radio Symphony

Orchestra, Oslo Philharmonic, Swedish Radio Symphony Orchestra, and Staatska-

pelle Dresden prior to coming to San Francisco.

In recent years, Herbert Blomstedt has been named honorary conductor of

the Bamberg Symphony Orchestra, Leipzig Gewandhaus Orchestra, NHK Sym-

phony, and the Danish and Swedish radio symphony orchestras. In addition, he

has guest conducted many of the world’s great orchestras, including the Berlin

Philharmonic, London Philharmonic, Royal Concertgebouw Orchestra, and the

orchestras of Boston, Chicago, Los Angeles, New York, and Philadelphia.

Herbert Blomstedt’s discography features over 130 works with the Dresden

Staatskapelle, as well as the complete works of Carl Nielsen with the Danish Ra-

dio Symphony. His recordings with the San Francisco Symphony are available on

Decca. His collaborations with other ensembles, including the Leipzig Gewand-

haus Orchestra, can be heard on Decca, Deutsche Grammophon, and RCA Red

Seal. Mr. Blomstedt is recording the complete Bruckner symphonies with the Ge-

wandhaus Orchestra for the German label Querstand.

Herbert Blomstedt’s honors include membership in the Royal Swedish Mu-

sic Academy. In 2003, he received the Grosses Bundesverdienstkreuz from the

German Federal Republic.

Conductor


The Musical Arts Association gratefully acknowledges the artistry and dedication of all the

musicians of The Cleveland Orchestra. In addition to rehearsals and concerts throughout

the year, many musicians donate performance time in support of community engagement,

fundraising, education, and audience development activities. We are pleased to recognize

these musicians, listed below, who have volunteered for such events and presentations dur-

ing the 2010-12 and 2012-13 seasons.

Musician Appreciation

Appreciation


Charles Bernard

Katherine Bormann

Charles Carleton

Hans Clebsch

Patrick Connolly

Ralph Curry

Marc Damoulakis

Maximilian Dimoff

Scott Dixon

Bryan Dumm

Mark Dumm

Tanya Ell

Ying Fu

Kim Gomez

Miho Hashizume

Joela Jones

Alicia Koelz

Stanley Konopka

Mark Kosower

Paul Kushious

Jung-Min Amy Lee

Takako Masame

Eli Matthews

Sonja Braaten Molloy

Jacob Nissly

Peter Otto

Chul-In Park

Joanna Patterson Zakany

Henry Peyrebrune

Alexandra Preucil

Lynne Ramsey

Marisela Sager

Jonathan Sherwin

Emma Shook

Joshua Smith

Barrick Stees

Trina Struble

Brian Thornton

Isabel Trautwein

Carolyn Gadiel Warner

Stephen Warner

Richard Weiss

Robert Woolfrey

Derek Zadinsky

Jeff rey Zehngut



RICHARD KINGhorn

BORN: West Islip, Long Island, New York

WHY A MUSICIAN: Loved it and was good at it.

ROLE MODEL: My father.

CLEVELAND ORCHESTRA HIGHLIGHT: Playing Strauss’s opera Der Rosenkavalier.

FREE TIME: Spending time with family, running, working on my old car.

ON MY MP3 PLAYER: Don’t have one.

FAVORITE ORCHESTRAL WORK: Richard Strauss’s Till Eulenspiegel.

Meet the MusiciansCleveland Orchestra musicians parti-

cipate in a variety of community and

education activities beyond the weekly

orchestral concerts at Severance Hall.

These activities include masterclasses

and recitals, PNC Musical Rainbows, the

Learning Through Music school partner-

ship program, and coaching the Cleve-

land Orchestra Youth Orchestra.

PHOTOGRAPHS BY ROGER MASTROIANNI

Meet the Musicians

PETEROTTOviolin

BORN: Regensburg, Germany

ROLE MODELS: Pierre Boulez, for the grace-ful way in which he combines razor-sharp intellect with heart; Madonna, for control-ling every aspect of her own existence while still being culturally relevant.

ON MY MP3 PLAYER: Radiohead, Lady Gaga, Anne-Sophie Mutter, Pink Martini.

WHY A MUSICIAN: I was better at playing the violin than I was at anything else;

I am a musician by default.

FREE TIME: I like to read, watch movies, and exercise.

FAVORITE ORCHESTRAL WORK: Schoenberg’s Five Pieces for Orchestra

SCOTTHAIGHbass

BORN: Oak Park, Illinois

ROLE MODELS: My teacher. People with positive attitudes.

ON MY MP3 PLAYER: Don’t have one.

WHY A MUSICIAN: When I was a teenager, I couldn’t imagine doing anything else!

FREE TIME: Exercise and practice.

FAVORITE ORCHESTRAL WORK: I can’t decide. I like most of the orchestral repertoire.


Administrative Staff as of February 10, 2013

EXECUTIVE OFFICEGary Hanson EXECUTIVE DIRECTOR

Rosemary Klena EXECUTIVE ASSISTANT

ORCHESTRA OPERATIONSGary Ginstling GENERAL MANAGER

Cherilyn Byers ADMINISTRATIVE ASSISTANT

Julie Kim DIRECTOR OF OPERATIONS

Amy Gill ORCHESTRA OPERATIONS MANAGER

Artistic AdministrationMark Williams DIRECTOR, ARTISTIC PLANNING

Randy Elliot ASSISTANT ARTISTIC ADMINISTRATOR

Barb Bodemer DRIVER

Orchestra PersonnelCarol Lee Iott DIRECTOR

Karyn Garvin MANAGER

Marla Bentley ORCHESTRA PERSONNEL ASSISTANT

Stage Joe Short STAGE MANAGER

Gil GerityThomas HoldenJohn RileyDon Verba STAGEHANDS

ChorusJill Harbaugh MANAGER

Rachel Novak ASSISTANT TO THE MANAGER

Education & Community ProgramsJoan Katz Napoli DIRECTOR

Sandra Jones MANAGER, EDUCATION & FAMILY CONCERTS

Erika Richter EDUCATION & COMMUNITY PROGRAMS COORDINATOR

Ashley Smith MANAGER, CLEVELAND ORCHESTRA YOUTH ORCHESTRA

CLEVELAND ORCHESTRA MIAMIHolly Hudak MANAGING DIRECTOR

Montserrat Balseiro PATRON DEVELOPMENT & EDUCATION MANAGER

Etain Elisabeth Connor DEVELOPMENT OFFICER

Pratima Raju ASSOCIATE DEVELOPMENT OFFICER

SALES & COMMUNICATIONSRoss Binnie CHIEF MARKETING OFFICER

SalesJulie Stapf DIRECTOR OF SALES

Ryan Buckley DIGITAL MARKETING & WEBSITE MANAGER

David Szekeres INTERIM PUBLICATIONS MANAGER

Timothy Parkinson COMMUNICATIONS ASSOCIATE

Jerry Golski GROUP SALES MANAGER

ResearchAdriane Smith PATRON SYSTEMS MANAGER

Ticket Offi ceTimothy Gaines TICKET OFFICE MANAGER

Joan Eppich ASSOCIATE MANAGER

Mary Ellen Campbell ASSISTANT MANAGER

Monica Berens SUBSCRIPTION REPRESENTATIVE

Patrick ColvinJoclyn MadeyCindy AdamsTraci ShillaceMary Ellen Snyder CUSTOMER SERVICE REPRESENTATIVES

CommunicationsAna Papakhian DIRECTOR

Christine Honolke MEDIA RELATIONS MANAGER

Deborah Hefl ing ARCHIVIST

Program Book Eric Sellen EDITOR

SEVERANCE HALLMary Ann Makee DIRECTOR OF FACILITIES MANAGEMENT & OPERATIONS

Laura Clelland ADMINISTRATIVE ASSISTANT

Building OperationsCharles László BUILDING OPERATIONS MANAGER

Janet Montagino ADMINISTRATIVE ASSISTANT

Steve Skunta SENIOR BUILDING ENGINEER

Scott MillerRobert NockChristopher DowneyMichael Evert BUILDING ENGINEERS

Shelia BaughGeorge FelderMichelle Williams DOOR PERSONS

Quinn Chambers HALL STAFF & CLEANING SUPERVISOR

Steven WashingtonPauletta Hughes HALL STAFF LEAD

Antonio AdamsonKervin HintonDwayne JohnsonJerome KelleyDarrell SimmonsDwayne Taylor HALL STAFF

Glynis SmithRenee Pettway CLEANING PERSONS

Facility SalesBob Bellamy FACILITY SALES MANAGER

Concerts & Special EventsErin Patton Graziani MANAGER

Jennifer Masters ASSOCIATE MANAGER

House ManagementJudith Diehl HOUSE MANAGER

Adam Clemens ASSOCIATE HOUSE MANAGER

RetailLarry Fox STORE MANAGER

Pauline KivachGretchen KolovichHelen Douglas SALES ASSOCIATES


Administrative Staff


PHILANTHROPY & ADVANCEMENTJon Limbacher CHIEF DEVELOPMENT OFFICER

Colleen Halpin SENIOR DEVELOPMENT ASSOCIATE

Leadership GivingTim Mann DIRECTOR, LEADERSHIP DEVELOPMENT

Ellen Bender LEADERSHIP GIVING OFFICER

Bryan de Boer LEADERSHIP GIVING OFFICER

Grace Sipusic MAJOR GIFTS OFFICER

Hayden Howland MANAGER, LEADERSHIP GIVING

Jessica Thomas INDIVIDUAL GIVING COORDINATOR

Bridget Mundy LEGACY GIVING OFFICER

Institutional GivingAnizia Karmazyn DIRECTOR OF DEVELOPMENT, INSTITUTIONAL GIVING

Leah Hostetler DEVELOPMENT ASSOCIATE

David Welshhans DEVELOPMENT OFFICER, CORPORATE & FOUNDATION RELATIONS

Erin Gay DEVELOPMENT OFFICER, FOUNDATION & CORPORATE RELATIONS

Patricia Camacho Hughes DEVELOPMENT MANAGER, STEWARDSHIP

Development OperationsSuzanne Richardson de Roulet MANAGER, DEVELOPMENT COMMUNICATIONS

Emily Szy MANAGER, SPECIAL EVENTS & DONOR SERVICES

Lori Cohen COMMUNITY LEADERSHIP LIAISON

Anne Soulé RESEARCH ANALYST

Jim Reynolds DEVELOPMENT DATABASE COORDINATOR

Severance Hall11001 Euclid AvenueCleveland, OH 44106

Administrative Offi ces216-231-7300

Ticket Offi ce216-231-1111or 800-686-1141

Group Sales216-231-7493

Education &Community Programs216-231-7355

Media Relations216-231-7476

Archives216-231-7356

Individual Giving216-231-7562

Institutional Giving216-231-8011

Legacy Giving216-231-8006

Volunteers216-231-7557

Severance HallRental Offi ce216-231-7421

Cleveland Orchestra Store216-231-7478

Administrative Staff

c l e ve l a ndo r c he s t r a . c om

FINANCE & ADMINISTRATIONJames E. Menger CHIEF FINANCIAL OFFICER

Shirley Rundo ADMINISTRATIVE ASSISTANT

Faith Noble CONTROLLER

Barbara S. Snyder ACCOUNTING MANAGER

Carolann Oravec PAYROLL MANAGER

Heather Poston SENIOR ACCOUNTANT

Mary Stewart-McGovern ACCOUNTING ANALYST

Christina Dutkovic ACCOUNTING ASSOCIATE

Information TechnologyDavid Vivino DIRECTOR

Randy Conn DATABASE ANALYST

Theresa Henderson NETWORK ADMINISTRATOR

MailroomJim Hilton SUPERVISOR

Lomack Gray MAILROOM CLERK

Human ResourcesMichelle Vectirelis DIRECTOR

Charise Reid HUMAN RESOURCES COORDINATOR

Connie Pomeroy HUMAN RESOURCES ASSOCIATE


Student Ticket Programs “Under 18s Free,” Student Advantage membership,

and Student Frequent FanCard off er aff ordable access

to Cleveland Orchestra concerts all season long

Th e Cleveland Orchestra is committed to developing one of the youngest audiences

of any orchestra in the country. With the help of generous contributors, the Orch-

estra has expanded its discounted ticket off erings through several new programs. In

the opening two months of the current Severance Hall season, student attendance has

doubled from last season, with nearly 20% of the audience being students experiencing

Cleveland Orchestra concerts through these various programs and off ers.

STUDE NT ADVANTAGE PROGRAM

Th e Orchestra’s ongoing Student Advantage Program provides opportunities

for students to attend Orchestra concerts at Severance Hall through discounted

ticket off ers. Membership in the Student Advantage Program is free.

A new Student Frequent FanCard was introduced this season. Priced at $50,

the FanCard off ers students unlimited single tickets (one per FanCard holder) to

weekly Classical Subscription Concerts all season long.

“UNDE R 18s FRE E ” FOR FAMILIE S

Introduced for Blossom Music Festival concerts two summers ago, the “Un-

der 18s Free” for families program now includes select Cleveland Orchestra concerts

at Severance Hall each season. Th is program off ers free tickets (one per regular-

priced adult paid admission) to young people ages 7-17 to the Orchestra’s Fridays@7,

Friday Morning at 11, and Sunday Aft ernoon at 3 concerts.

All of these programs are supported by Th e Cleveland Orchestra’s Center for

Future Audiences and the Alexander and Sarah Cutler Fund for Student Audi-

ences. Th e Center for Future Audiences was created with a $20 million lead en-

dowment gift from the Maltz Family Foundation to develop new generations of

audiences for Cleveland Orchestra concerts in Northeast Ohio.

Student Ticket Programs

63Severance Hall 2012-13 Education & Community

The Cleveland Orchestra: Serving the Community Th e Cleveland Orchestra draws together traditional and new programs in music education and community involvement to deepen connections with audiences throughout Northeast Ohio

THE CLE VE L AND ORCHE STRA has a long and proud history of sharing

the value and joy of music with citizens throughout Northeast Ohio. Education

and community programs date to the Orchestra’s founding in 1918 and have re-

mained a central focus of the ensemble’s actitivities for over ninety years. Today,

with the support of many generous individual, foundation, corporate, and govern-

mental funding partners, the Orchestra’s educational and community programs

reach more than 70,000 young people and adults annually, helping to foster a love

of music and a lifetime of involvement with the musical arts. On these pages, we

share photo graphs from a sampling of these many programs. For additional in-

formation about these and other programs, visit us at clevelandorchestra.com

or contact the Education & Community Programs Offi ce by calling 216-231-7355.

Franz Welser-Möst leads a concert at John Adams High School. Through such In-School Performances

and Education Concerts at Severance Hall, The Cleveland Orchestra introduced more

than 4 million young people to symphonic music over the past nine decades.

PH

OT

OG

RA

PH

Y B

Y R

OG

ER

MA

ST

RO

IAN

NI



El Sistema@Rainey performing at Severance Hall. The initiative is an intensive after-school orchestral music program launched in September 2011 by Cleveland Orchestra violinist Isabel Trautwein and Cleveland’s Rainey Institute. Modeled after the national Venezuelan program El Sistema (“the system”), the initiative emphasizes community-based orchestra training from a young age, with a focus on making music fun and inspiring young musicians with a passion for music and for life. The Cleveland Orchestra and education partner Conn-Selmer are the offi cial providers of instruments for the El Sistema@Rainey program, with instrument support from Royalton Music for El Sistema@Rainey Summer Camp.

Cleveland Orchestra bassist Mark Atherton with classroom students at Cleveland’s Mayfair Elementary School, part of the Learning Through Music program that fosters the use of music and the arts to support general classroom learning.

Through the PNC Musical Rainbows series at Severance Hall, Cleveland Orchestra musicians introduce nearly 10,000 preschoolers each year to the instruments of the orchestra.

Education & Community


O R C H E S T R A

Cleveland Orchestra fl utist Marisela Sager working with pre-school students as part of PNC Grow Up Great, a program utilizing music to support pre-literacy and school readiness skills.

T H A N K Y O UThe Cleveland Orchestra’s Education & Community programs are made

possible by many generous individuals and organizations, including:

PROGRAM FUNDERSThe Abington Foundation

The Eva L. and Joseph M. Bruening FoundationCleveland Clinic

The Cleveland FoundationConn-Selmer, Inc.

Cuyahoga Arts & CultureDominion Foundation

The Harry K. Fox and Emma R. Fox Charitable FoundationThe Giant Eagle Foundation

Muna & Basem Hishmeh FoundationInvacare Corporation

Martha Holden Jennings FoundationKeyBank

The Laub FoundationThe Lincoln Electric Foundation

The Lubrizol CorporationThe Nord Family Foundation

Ohio Arts CouncilOhio Savings Bank

PNCThe Reinberger Foundation

Albert G. & Olive H. Schlink FoundationThe Sherwin-Williams Foundation

The South Waite FoundationSurdna Foundation

Thomas H. White Foundation, a KeyBank TrustThe Edward & Ruth Wilkof Foundation

Women’s Committee of The Cleveland Orchestra

ENDOWMENT FUNDS AND FUNDERSHope and Stanley I. Adelstein

Kathleen L. BarberMr. Roger G. Berk

In memory of Anna B. BodyIsabelle and Ronald Brown

Dr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRoberta R. Calderwood

Alice B. Cull Memorial FundMr. and Mrs. Charles B. Emrick, Jr.

Charles and Marguerite C. GalanieMr. David J. Golden

The George Gund FoundationDorothy Humel Hovorka

Mr. James J. HummerFrank and Margaret Hyncik

Walter and Jean Kalberer FoundationAlfred Lerner In-School Performance Fund

Mr. and Mrs. Stanley A. MeiselChristine Gitlin Miles

Mr. and Mrs. David T. MorganthalerMorley Fund for Pre-School Education

Pysht FundThe Ratner, Miller, and Shafran Families

and Forest City Enterprises, Inc.In memory of Georg Solti

The William N. Skirball EndowmentJules and Ruth Vinney Youth Orchestra Touring Fund

Anonymous

More than 1,200 talented young musicians have performed as members of the Cleve- land Orchestra Youth Orchestra in the quarter century since its founding in 1986.

65Education & Community

66 The Cleveland OrchestraLegacy & Planned Giving

Lois A. AaronLeonard AbramsShuree Abrams*Gay Cull AddicottStanley and Hope AdelsteinSylvia K. AdlerGerald O. AllenNorman and Marjorie* AllisonGeorge N. Aronoff Herbert Ascherman, Jr.Jack and Darby AshelmanMr. and Mrs. William W. BakerRuth Balombin*Mrs. Louis W. Barany*D. Robert* and Kathleen L. BarberJack BarnhartMargaret B. and Henry T.* BarrattNorma E. BattesRev. Thomas T. Baumgardner and Dr. Joan Baumgardner Fred G. and Mary W. BehmDr. Ronald and Diane BellBob BellamyJoseph P. BennettMiss Ila M. BerryHoward R. and Barbara Kaye BesserDr.* and Mrs. Murray M. BettDr. Marie BielefeldMr. Raymond J. BillyDr. and Mrs. Harold B. Bilsky*Robert E. and Jean Bingham*Claudia Bjerre William P. Blair IIIFlora BlumenthalMr. Richard J. Bogomolny and Ms. Patricia M. KozerefskiMr. and Mrs. Charles P. BoltonKathryn Bondy*Loretta and Jerome* BorsteinMr. and Mrs.* Otis H. Bowden IIRuth Turvy Bowman*Drs. Christopher P. Brandt and Beth Brandt SersigMr. D. McGregor Brandt, Jr.David and Denise BrewsterRichard F. Brezic*Robert W. Briggs Dr. Jeanette Grasselli Brown and Dr. Glenn R. BrownRonald and Isabelle Brown*Mr. and Mrs. Clark E. Bruner*Harvey and Penelope* BuchananRita W. BuchananJoan and Gene* Buehler

Gretchen L. BurmeisterStanley and Honnie BuschMilan and Jeanne* BustaMrs. Noah L. Butkin*Mr. and Mrs. William C. ButlerMinna S. Buxbaum*Gregory and Karen CadaRoberta R. Calderwood*Jean S. CalhounHarry and Marjorie M. CarlsonJanice L. CarlsonDr. and Mrs. Roland D. CarlsonBarbara A. Chambers, D.Ed.Ellen Wade Chinn*NancyBell CoeKenneth S. and Deborah G. CohenRalph M. and Mardy R. CohenVictor J. and Ellen E. Cohn Robert and Jean* ConradMr. and Mrs. Gerald A. ConwayJames P. and Catherine E.* ConwayRudolph R. CookThe Honorable Colleen Conway CooneyJohn D. and Mary D.* CorryDr.* and Mrs. Frederick S. CrossMartha Wood CubberleyDr. William S. Cumming*In Memory of Walter C. and Marion J. CurtisMr. and Mrs. William W. CushwaHoward CutsonMr. and Mrs. Don C. DanglerMr. and Mrs. Howard J. DanzingerBarbara Ann DavisCarol J. DavisCharles and Mary Ann DavisWilliam E. and Gloria P. Dean, Jr.Mary Kay DeGrandis and Edward J. DonnellyNeeltje-Anne DeKosterCarolyn L. DessinWilliam R. DewMrs. Armand J. DiLellioJames A. Dingus, Jr.Dr. and Mrs. Richard C. DistadMaureen A. Doerner and Geoff rey T. WhiteGerald and Ruth DombcikHenry and Mary DollMr.* and Mrs. Roland W. DonnemNancy and Richard DotsonMrs. John DrollingerDrs. Paul M. and Renate H. DuchesneauGeorge* and Becky Dunn

Warren and Zoann Dusenbury* Mr. and Mrs. Robert DuvinPaul and Peggy EdenburnRobert and Anne EibenEsther and Alfred M. Eich, Jr.Mr. and Mrs. Ramon Elias*Roger B. EllsworthOliver and Mary EmersonLois Marsh EppPatricia EspositoMargaret S. Estill*Dr. Wilma McVey Evans* C. Gordon and Kathleen A.* EwersPatricia J. FactorSusan L. FaulderDr. and Mrs. Frederick Fennell*Mrs. Mildred FieningGloria and Irving B. FineR. Neil FisherJules and Lena Flock*Joan Alice FordDr. and Mrs.* William E. ForsytheMr.* and Mrs. Ralph E. FountainJ. Gilbert and Eleanor M. FreyArthur and Deanna FriedmanMr.* and Mrs. Edward H. FrostDawn FullHenry S. FusnerDr. Stephen and Nancy GageCharles and Marguerite C. Galanie*Barbara and Peter GalvinMr. and Mrs. Steven B. GarfunkelDonald* and Lois GaynorBarbara P. Geismer*Albert I. and Norma C. GellerCarl E. Gennett*John H.* and Ellen P. GerberFrank and Louise GerlakDr. James E. GibbsIn Memory of Roger N. Giff ordDr. Anita P. Gilger*S. Bradley GillaughMr. and Mrs. Robert M. GinnFred and Holly GlockRonald* and Carol GodesWilliam H. Goff Mr. and Mrs. Henry J. GoodmanJohn and Ann GoskyMrs. Joseph B. Govan*Elaine Harris GreenRichard and Ann GridleyNancy Hancock Griffi thDavid E.* and Jane J. Griffi thsDavid G. Griffi ths*

Th e Heritage Society honors donors who support the Orchestra through their

wills, life income gift s, or other types of deferred giving. Th e following listing of

members is current as of October 2012. Th e Cleveland Orchestra and Musical

Arts Association thank those members below in bold who have declared to us

their specifi c estate intentions. For more infor ma tion, please call Bridget Mundy,

Legacy Giving Offi cer, at 216-231-8006.


H E R I T A G E S O C I E T Y

Legacy & Planned GivingLegacy & Planned Giving

67Severance Hall 2012-13 Legacy & Planned Giving 67

Ms. Hetty Griffi thsMargaret R. Griffi ths*Bev and Bob GrimmJudd and Zetta Gross*Candy and Brent GroverMrs. Jerome E. Grover*Thomas J.* and Judith Fay GruberMr. and Mrs. David H. GunningMr. and Mrs. William E. GuntonJoseph E. Guttman*Mrs. John A Hadden Jr.Richard and Mary Louise HahnJames J. HamiltonKathleen E. HancockDouglas Peace Handyside*Holsey Gates HandysideNorman C. and Donna L. HarbertMary Jane HartwellWilliam L.* and Lucille L. HasslerPeter and Gloria Hastings*Mrs. Henry Hatch (Robin Hitchcock)Virginia and George HavensGary D. HelgesenClyde J. Henry, Jr.Ms. M. Diane HenryWayne and Prudence HeritageRice Hershey*T. K. and Faye A. HestonGretchen L. HickokMr. and Mrs.* Daniel R. HighEdwin R. and Mary C. Hill*Ruth Hirshman-von Baeyer*Mr.* and Mrs. D. Craig HitchcockBruce F. Hodgson Goldie Grace Hoff man*Mary V. Hoff manFeite F. Hofman MDMrs. Barthold M. HoldsteinLeonard* and Lee Ann HolsteinGertrude S. Hornung*Patience Cameron HoskinsElizabeth HosmerDorothy Humel HovorkaDr. Randal N. Huff Mrs. Marguerite B. Humphrey Adria D. Humphreys*Ann E. Humphreys and Jayne E. SissonKaren S. HuntRuth F. IhdeMr. and Mrs. Jonathan E. IngersollPamela and Scott IsquickMr. and Mrs.* Cliff ord J. Isroff Mr. and Mrs. Donald M. Jack, Jr.Carol S. JacobsMilton* and Jodith JanesJerry and Martha* JarrettMerritt JohnquestE. Anne JohnsonNancy Kurfess Johnson, M.D.Paul and Lucille Jones*Mrs. R. Stanley Jones*William R. Joseph*

David and Gloria KahanJulian and Etole KahanDrs. Julian* and Aileen KassenMilton and Donna KatzPatricia and Walter* KelleyBruce and Eleanor KendrickMalcolm E. KenneyNancy H. KieferCharles M. and Janet G. Kimball*Mr. Kevin F. KirkpatrickMrs. Virginia KirkpatrickJames and Gay KitsonMr. Clarence E. Klaus, Jr. Julian H. and Emily W. Klein*Mary Elizabeth and G. Robert Klein*Thea Klestadt*Gilles and Malvina KlopmanPaul and Cynthia Klug Martha D. KnightMr. and Mrs. Robert KochVilma L. KohnElizabeth Davis Kondorossy*Mr. and Mrs. James G. Kotapish, Sr.LaVeda Kovar*Margery A. KowalskiBruce G. Kriete*Mr. and Mrs. Gregory G. KruszkaThomas and Barbara Kuby Eleanor and Stephen KushnickMr. and Mrs. Dennis W. LaBarreJames I. LaderMr. and Mrs. David A. LambrosDr. Joan P. Lambros*Mrs. Carolyn LamplMrs. Samuel H. LamportLouis LaneCharles and Josephine Robson Leamy FundTeela C. LelyveldMr. and Mrs. Roger J. LerchGerda LevineDr. and Mrs. Howard LevineBracy E. LewisMr. and Mrs. Thomas A. LiederbachRuth S. LinkDr. and Mrs. William K. LittmanJeff and Maggie LoveDr. Alan and Mrs. Min Cha LubinAnn B. and Robert R. Lucas*Miss Anne M. LukacovicKate LunsfordMr. and Mrs. Thomas E. Lynch* Patience Cameron HoskinTerry and Pat MacDonaldJerry MaddoxMrs. H. Stephen Madsen Alice D. MaloneMr. and Mrs. Donald Malpass, Jr.Lucille Harris MannMr. and Mrs. Richard A. ManuelClement P. MarionMr. Wilbur J. Markstrom*Dr. and Mrs. Sanford Marovitz

David C. and Elizabeth F. Marsh Duane and Joan* MarshFlorence Marsh, Ph.D.* Mr. and Mrs. Anthony M. MartincicKathryn A. MatesDr. Lee Maxwell and Michael M. Prunty Alexander and Marianna McAfeeNancy B. McCormackMr. William C. McCoyMarguerite H. McGrath* Dorothy R. McLeanJim* and Alice MecredyJames and Viginia MeilMr. and Mrs.* Robert F. MeyersonBrenda Clark MikotaChristine Gitlin MilesCharles B. and Christine A. MillerEdith and Ted* MillerMr. Leo Minter, Jr.Mr. and Mrs. William A. MitchellRobert L. MoncriefMs. Beth E. Mooney Beryl and Irv MooreAnn Jones MorganMr.* and Mrs. Stanley L. MorganGeorge and Carole MorrisMr. and Mrs. Thomas W. MorrisMr. and Mrs.* Donald W. MorrisonDrs. Joan R. Mortimer and Edward A.* Mortimer, Jr.Florence B. MossSusan B. MurphyDr. and Mrs. Clyde L. Nash, Jr.Deborah L. Neale David and Judith NewellRussell H. Nyland*Charles K. Laszlo and Maureen O’Neill-LaszloKatherine T. O’NeillMr. and Mrs. John D. OngAurel Fowler-Ostendorf*Ronald J. ParksNancy and W. Stuver ParryMrs. John G. PeggDr. and Mrs. Donald Peniero Mary Charlotte PetersMr. and Mrs. Peter Pfouts*Janet K. Phillips*Florence KZ PollackJulia and Larry Pollock Victor and Louise Preslan*Mrs. Robert E. Price*Lois S.* and Stanley M. ProctorMr. David C. PrughLeonard and Heddy RabeM. Neal RainsMr. George B. RamsayerJoe L. and Alice* RandlesMrs. Alfred M. Rankin, Sr.Mrs. Theodore H. Rautenberg*Dr. Sandford Reichart*


H E R I T A G E S O C I E T Y


LISTING CONTINUES


James and Donna ReidMrs. Hyatt Reitman*Mrs. Louise Nash Robbins*Dr. Larry J.B.* and Barbara S. RobinsonDwight W. RobinsonMargaret B. Babyak* and Phillip J. RoscoeDr. Eugene and Mrs. Jacqueline RossHelen Weil Ross*Marjorie A. RottHoward and Laurel RowenProfessor Alan Miles Ruben and Judge Betty Willis Ruben Florence Brewster RutterMr. James L. Ryhal, Jr.Renee SabreenMarjorie Bell SachsVernon SackmanSue SahliMr. and Mrs. James A. SaksMr. Larry J. SantonStanford and Jean B. SarlsonSanford Saul Family James Dalton SaundersPatricia J. SawvelRay and Kit SawyerRichard Saxton*Morris and Alice SayreIn Memory of Hyman and Becky SchandlerRobert ScherrerSandra J. SchlubMs. Marian SchluembachRobert and Betty SchmiermundMr. and Mrs. Richard M. SchneiderLynn A. Schreiber*Jeanette L. SchroederCarol* and Albert Schupp Mr. Frank SchultzRoslyn S. and Ralph M. SeedNancy F. SeeleyEdward SeelyOliver E. and Meredith M. SeikelRussell Seitz*Eric SellenAndrea E. SenichThomas and Ann SepulvedaElsa Shackleton*B. Kathleen ShampJill Semko ShaneDavid Shank Dr. and Mrs. Daniel J. ShapiroNorine W. SharpNorma Gudin ShawElizabeth Carroll ShearerDr. and Mrs. William C. SheldonFrank * and Mary Ann SherankoKim SherwinMr. and Mrs. Michael Sherwin

Reverend and Mrs. Malcolm K. ShieldsRosalyn and George SievilaMr. and Mrs. David L. SimonDr.* and Mrs. John A. SimsNaomi G. and Edwin Z. SingerLauretta SinkoskyH. Scott Sippel and Clark T. Kurtz Ellen J. SkinnerRalph* and Phyllis SkufcaJanet Hickok SladeAlden D. and Ellen D.* SmithMargaret C. Smith*Mr.* and Mrs. Ward SmithM. Isabel Smith*Nathan Snader*Sterling A.* and Verdabelle SpauldingSue Starrett and Jerry SmithBarbara J. Stanford and Vincent T. Lombardo Lois and Thomas Stauff erWillard D. Steck*Merle Stern Dr. Myron Bud and Helene* SternMr. and Mrs. John M. StickneyNora and Harrison Stine*Mr. and Mrs. Stanley M. StoneMr. and Mrs. James P. StorerMr. and Mrs. Ralph E. StringThe Irving Sunshine FamilyVernette M. Super*Mr.* and Mrs.* Herbert J. SwansonIn Memory of Marjory SwartzbaughLewis Swingley*Lorraine S. SzaboNorman V. TagliaferriSusan* and Andrew TaltonFrank E. Taplin, Jr.*Charles H. Teare and Cliff ord K.* KernMr. Ronald E. TearePauline Thesmacher*Dr. and Mrs. Friedrich ThielMrs. William D. Tibbetts*Mr. and Mrs. William M. Toneff Alleyne C. ToppinJanice and Leonard TowerDorothy Ann TurickMr. and Mrs. Robert A. UrbanRobert and Marti VagiRobert A. ValenteJ. Paxton Van SweringenMary Louise and Don VanDykeElliot Veinerman*Nicholas J. Velloney*Steven VivarrondaHon. William F.B. Vodrey Pat and Walt* WahlenMrs. Clare R. WalkerJohn and Deborah WarnerMr. and Mrs. Russell Warren

Charles D. Waters*Etta Ruth WeiglLucile WeingartnerEunice Podis Weiskopf*Max W. WendelWilliam Wendling and Lynne WoodmanMarilyn J. WhiteAlan H. and Marilyn M. WildeElizabeth L. Wilkinson*Helen Sue* and Meredith WilliamsCarter and Genevieve WilmotMiriam L. and Tyrus W.* WilsonMr. Milton Wolfson* and Mrs. Miriam Shuler-WolfsonNancy L. WolpeMrs. Alfred C. WoodcockMr. and Mrs.* Donald WoodcockDr. and Mrs. Henry F. Woodruff Marilyn L. WozniakNancy R. WurzelMichael and Diane WyattMary YeeLibby YungerDr. Norman ZaworskiWilliam L. and Joan H. ZieglerCarmela Catalano ZoltoskiRoy J. Zook*Anonymous (97)


H E R I T A G E S O C I E T YBe forever a part of what the world is talking about!


LISTING CONTINUED

Th e lotus blossom is the

symbol of the Heritage Society.

It represents eternal life and

recognizes the permanent benefi ts

of legacy gift s to Th e Cleveland

Orchestra’s endowment.

Said to be Elisabeth Severance’s

favorite fl ower, the lotus is found as

a decorative motif in nearly every

public area of Severance Hall.

*deceased

Legacy & Planned Giving


Generous contributions to the endowment have been made to support specifi c

artistic initiatives, education and community programming and performances,

facilities maintenance costs, touring and residencies, and more. Named funds can

be established with new gift s of $250,000 or more. For information about making your

own endowment gift to the Orchestra, please call 216-231-7438.

Endowed Funds funds established as of October 2012

ARTISTIC endowed funds support a variety of programmatic initiatives ranging

from guest artists and radio broadcasts to the all-volunteer Cleveland Orchestra Chorus.

Artistic CollaborationKeithley Fund

Artist-in-ResidenceMalcolm E. Kenney

Young ComposersJan R. and Daniel R. Lewis

Friday Morning ConcertsMary E. and F. Joseph Callahan Foundation

International TouringFrances Elizabeth Wilkinson

Cleveland Orchestra Chorus Jerome and Shirley GroverMeacham Hitchcock and Family

Concert PreviewsDorothy Humel Hovorka

Radio BroadcastsRobert and Jean Conrad

UnrestrictedWilliam P. Blair III Fund for Orchestral ExcellenceJohn P. Bergren and Sarah S. EvansMargaret Fulton-Mueller FundVirginia M. and Jon A. Lindseth

American Conductors FundDouglas Peace HandysideHolsey Gates Handyside

Severance Hall Guest ConductorsRoger and Anne ClappJames and Donna Reid

Cleveland Orchestra SoloistsJulia and Larry Pollock Family Fund

Guest ArtistsThe Eleanore T. and Joseph E. Adams FundMrs. Warren H. CorningThe Gerhard FoundationMargaret R. Griffi ths TrustThe Virginia M. and Newman T. Halvorson FundThe Hershey FoundationThe Humel Hovorka FundKulas FoundationThe Payne FundElizabeth Dorothy RobsonDr. and Mrs. Sam I. SatoThe Julia Severance Millikin FundThe Sherwick FundMr. and Mrs. Michael SherwinSterling A. SpauldingMr. and Mrs. James P. StorerMrs. Paul D. Wurzburger

Endowed Funds

CENTER FOR FUTURE AUDIENCES — Th e Cleveland Orchestra’s Center for Future

Audiences, created with a lead gift from the Maltz Family Foundation, was established

to develop new generations of audiences for Th e Cleveland Orchestra.

Center for Future AudiencesMaltz Family Foundation

Student AudiencesAlexander and Sarah Cutler Fund


Endowed Funds listing continues


70 The Cleveland OrchestraEndowed Funds

SEVERANCE HALL endowed funds support maintenance of keyboard instruments

and the facilities of the Orchestra’s concert home, Severance Hall:

Keyboard MaintenanceWilliam R. DewThe Frederick W. and Janet P. Dorn FoundationMr. and Mrs. Richard A. ManuelVincent K. and Edith H. Smith Memorial Trust

OrganD. Robert and Kathleen L. BarberArlene and Arthur HoldenKulas FoundationDescendants of D.Z. NortonOglebay Norton Foundation

Severance Hall PreservationSeverance family and friends

EDUCATION AND COMMUNITY endowed funds help support programs that deepen con-

nections to symphonic music at every age and stage of life, including training, performances, and

classroom resources for thousands of students and adults each year.

Education ProgramsAnonymous, in memory of Georg SoltiHope and Stanley I. AdelsteinKathleen L. BarberIsabelle and Ronald BrownDr. Jeanette Grasselli Brown and Dr. Glenn R. BrownAlice B. Cull MemorialFrank and Margaret HyncikJunior Committee of The Cleveland OrchestraMr. and Mrs. David T. MorgenthalerJohn and Sally Morley Education FundThe William N. Skirball Endowment

Education Concerts WeekThe Max Ratner Education Fund, given by the Ratner, Miller, and Shafran

families and by Forest City Enterprises, Inc.

In-School PerformancesAlfred M. Lerner Fund

Classroom ResourcesCharles and Marguerite C. Galanie

Cleveland Orchestra Youth Orchestra The George Gund FoundationChristine Gitlin Miles, in honor of Jahja LingJules and Ruth Vinney Touring Fund

Musical RainbowsPysht Fund

Community ProgrammingMachaskee Fund

Endowed Funds continued from previous page


BLOSSOM MUSIC CENTER and BLOSSOM FESTIVAL endowed funds support the

Orchestra’s summer performances and maintenance of Blossom Music Center.

Blossom Festival Guest ArtistDr. and Mrs. Murray M. BettThe Hershey FoundationThe Payne FundMr. and Mrs. William C. Zekan

Blossom Festival Family ConcertsDavid E. and Jane J. Griffi ths

Landscaping and MaintenanceThe Bingham FoundationEmily Blossom family members and friendsThe GAR FoundationJohn S. and James L. Knight Foundation


Conservatory of MusicJorge Amaral, MM, BM; BW Professor of Guitar is pleased to host these artists at Baldwin Wallace University. All events are free and open to the public.

Michael KudirkaInstructor of Guitar, Interlochen Arts AcademyMarch 1: Master Class, Kulas Musical Arts Bldg., Chamber Hall, 4-6 pmMarch 2: Guest Recital, Boesel Musical Arts Center, Fynette Kulas Music Hall, 8 pm

Stephen AronProfessor of Classical Guitar, Oberlin College and Akron UniversityMarch 20: Master Class, Kulas Musical Arts Bldg., Rm. 318, 4:30-7:30 pm

Petrit CekuGold Medal Winner of the 2012 Parkening International Guitar CompetitionApril 11: Master Class, Kulas Musical Arts Bldg., Chamber Hall, 3-5 pmApril 12: Guest Recital, Boesel Musical Arts Center, Fynette Kulas Music Hall, 7 pm

April 13: Young Virtuosos from Mr. Amaral’s private studio, BaltimoreHarshal Shah, Boesel Musical Arts Center, Kadel Family Music Hall, 6 pmKatie Cho, Boesel Musical Arts Center, Fynette Kulas Music Hall, 7 pm

Baldwin Wallace University does not discriminate on the basis of race, creed, age, disability, national origin, gender or sexual orientation in the administration of any policies or programs.

Jorge Amaral, internationally

acclaimed soloist, adjudicator and performer with DUO AMARAL

www.jorgeamaral.com

Be a part of one of Northeast Ohio’s classic summer traditions. Reserve your space in the

2013 Blossom Festival programs.

Call John Moore at 216-721-4300 for a proposal tailored to your

unique advertising needs.


8233

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The Partners in Excellence program

salutes companies with annual contri-

butions of $100,000 and more, exem-

plifying leadership and commitment to

artistic excellence at the highest level.

PARTNERS IN EXCELLENCE$300,000 AND MORE

KeyBankThe Lubrizol CorporationNACCO Industries, Inc.The J. M. Smucker Company

PARTNERS IN EXCELLENCE$200,000 TO $299,999BakerHostetlerEaton CorporationFirstEnergy FoundationForest City Enterprises, Inc.PNC

PARTNERS IN EXCELLENCE$100,000 TO $199,999Google, Inc.Medical Mutual of OhioParker Hannifin Corporation

$50,000 TO $99,999

Exile LLCJones DayQuality Electrodynamics (QED)Raiffeisenlandesbank

Oberösterreich (Europe) The Sage Cleveland FoundationAnonymous

$25,000 TO $49,999Bank of AmericaDix & EatonThe Giant Eagle FoundationNorthern Trust Bank of Florida (Miami)Park-Ohio Holdings Corp.The Plain DealerRPM International Inc.Squire, Sanders & Dempsey (US) LLPThompson Hine LLP

$2,500 TO $24,999Akron Tool & Die CompanyAkronLife MagazineAmerican Fireworks, Inc.American Greetings CorporationBDIBrouse McDowellEileen M. Burkhart & Co LLCBuyers Products Company

Cedar Brook Financial Partners, LLCThe Cleveland Wire Cloth & Mfg. Co.The Cliffs FoundationCommunity Behavioral Health CenterConn-Selmer, Inc.Consolidated Graphics Group, Inc.Dealer Tire LLCDollar BankDominion FoundationErnst & Young LLPEvarts-Tremaine-Flicker CompanyFeldman Gale, P.A. (Miami)Ferro CorporationFirstMerit BankFrantz Ward LLPViktor Kendall, Friends of WLRNGallagher Benefit ServicesGenovese Vanderhoof & AssociatesGreat Lakes Brewing CompanyGross BuildersHahn Loeser + Parks LLPHouck Anderson P.A. (Miami)Hunton & Williams, LLP (Miami)Hyland SoftwareThe Lincoln Electric FoundationLittler Mendelson, P.C.C. A. Litzler Co., Inc.Live Publishing CompanyMacy’sMaterion CorporationMiba AG (Europe)MTD Products, Inc.Nordson CorporationNorth Coast Container Corp.Northern HaserotOatey Co.Ohio CATOhio Savings Bank, A Division

of New York Community BankOlympic Steel, Inc.Oswald CompaniesPolyOne CorporationThe Prince & Izant CompanyRichey Industries, Inc.Satch Logistics LLCSEMAG Holding GmbH (Europe)The Sherwin-Williams CompanyStern Advertising AgencySwagelok CompanyTriMark S.S. KempTrionix Research Laboratory, Inc.Tucker EllisUlmer & Berne LLPUnited Automobile Insurance

Company (Miami)Ver Ploeg & Lumpkin, P.A. (Miami)Ricky & Sarit Warman —

Papa John’s Pizza (Miami)WCLV FoundationWestlake Reed LeskoskyThe Avedis Zildjian CompanyAnonymous (3)

Annual Supportgifts of $2,500 or more during the past year, as of December 20, 2012

Cumulative GivingJOHN L. SEVERANCESOCIETY

$5 MILLION AND MORE

KeyBank

$1 MILLION TO $5 MILLION

BakerHostetlerBank of AmericaEaton CorporationFirstEnergy FoundationForest City Enterprises, Inc.The Goodyear Tire

& Rubber CompanyThe Lubrizol Corporation /

The Lubrizol FoundationMerrill LynchNACCO Industries, Inc.Parker Hannifin CorporationThe Plain DealerPNC BankPolyOne CorporationRaiffeisenlandesbank

Oberösterreich (Europe) The Sage Cleveland Foundation

The J. M. Smucker Company

The Severance Society recognizes

generous contributors of $1 million

or more in cumulative giving

to The Cleveland Orchestra.

Listing as of December 2012.

Corporate Annual Support

The Cleveland Orchestra gratefully acknowledges and salutes these corporations for their generous support

toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.


Corporate Support


browse class & event listings online www.case.edu/lifelonglearning Tel: 216.368.2090

The Laura & Alvin Siegal Lifelong Learning program at Case Western Reserve University provides

high-quality lifelong learning opportunities for adults who want to cultivate their ongoing intellectual curiosity.

OFF-CAMPUS CLASSES & EVENTS IN YOUR NEIGHBORHOOD

EXERCISE YOUR MIND

Nathan Englander is the

author of the critically

acclaimed collection

What We Talk About When We Talk About Anne Frank, as well

as the internationally

bestselling story

collection For the Relief of Unbearable Urges, and

the novel The Ministry of Special Cases (all

published by Knopf/

Vintage).

His short fiction and

essays have appeared

in The New Yorker, The New York Times, The Atlantic Monthly, and The Washington Post, as well

as The O. Henry Prize Stories and numerous

editions of The Best American Short Stories.

Translated into more

than a dozen languages,

Englander was selected

as one of “20 Writers for

the 21st Century” by The New Yorker.

NATHAN ENGLANDER

TUESDAY MARCH 12

SPRING PROGRAMMING HIGHLIGHTS

SENIOR SCHOLARS – Spring topics include: Women’s Work: Myths and Realities (Professor Dorothy Miller);

American Pulp Fiction (Professor William Marling);

Revolutions (Presented by the Baker-Nord Center for

Humanities); The Decline of the Middle Ages (Professor

Brazil Today: an Opera in Five Acts

(Professor Don Ramos). Classes held at the College Club:

Tuesday, Wednesday or Thursday afternoons.

VISITING SCHOLARS – including: Political Scientist

Dr. Guy Ben-Porat (Ben-Gurion University, Israel);

Rabbi Steve Greenberg

Learning and Leadership, and the first openly gay

Orthodox Rabbi) & Professor Vivian Mann (director of

ACE (The Association for Continuing Education) Programs include Discussion

Day April 15; Annual Meeting with

Professor Michael Scharf (CWRU School

of Law) and OFF-CAMPUS STUDIES in

locations throughout Northeast Ohio.

DISTINGUISHED LECTURE SERIES – Including: Chief

Rabbi of Poland Michael Schudrich; Professor

S. Gurock; Professor Robert M. Seltzer; Professor Haya

Bar-Itzhak & Professor Christine Hayes.

SCHOLARS ON THE CIRCLE – Spring programs in

partnership with the Cleveland Museum of Art, Western

Reserve Historical Society, The Music Settlement, and

Kelvin Smith Library.

and Hebrew language courses and

programs (all levels).

. . . for the love of learning

Events co-sponsored by Cuyahoga County Public Library

Foundation/Government Annual Support

$1 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents through

Cuyahoga Arts and CultureThe Andrew W. Mellon FoundationThe Kelvin and Eleanor

Smith Foundation

$250,000 TO $499,000Kulas FoundationThe Miami Foundation,

from a fund established by the John S. and James L. Knight Foundation (Miami)

John P. Murphy FoundationDavid and Inez Myers FoundationOhio Arts Council

$100,000 TO $249,999Sidney E. Frank FoundationGAR FoundationThe George Gund Foundation

$50,000 TO $99,999The George W. Codrington

Charitable FoundationMartha Holden Jennings FoundationThe Mandel FoundationMyra Tuteur Kahn Memorial Fund

of The Cleveland FoundationJohn S. and James L. Knight FoundationElizabeth Ring Mather

and William Gwinn Mather FundNational Endowment for the ArtsDonald and Alice Noble Foundation, Inc. The Payne FundSurdna Foundation

$20,000 TO $49,999The Abington FoundationAkron Community FoundationThe Helen C. Cole Charitable TrustThe Mary S. and David C.

Corbin FoundationThe Gerhard Foundation, Inc.Ann and Gordon Getty FoundationThe Margaret Clark Morgan FoundationThe Frederick and Julia Nonneman

FoundationThe Nord Family FoundationPeacock Foundation, Inc. (Miami)The Sisler McFawn Foundation

Annual Supportgifts of $2,000 or more during the past year, as of December 20, 2012

The Cleveland Orchestra gratefully acknowledges and salutes these Foundations and Government agencies for their

generous support toward the Orchestra’s Annual Fund, benefit events, tours and residencies, and special projects.

$2,000 TO $19,999Ayco Charitable FoundationThe Ruth and Elmer Babin FoundationThe Batchelor Foundation, Inc. (Miami)The Bernheimer Family Fund

of The Cleveland FoundationBicknell FundEva L. and Joseph M. Bruening FoundationThe Collacott FoundationMary and Dr. George L. Demetros

Charitable TrustElisha-Bolton FoundationFisher-Renkert FoundationThe Harry K. Fox and Emma R. Fox

Charitable FoundationFunding Arts Network (Miami)The Helen Wade Greene Charitable TrustThe Hankins FoundationThe Muna and Basem Hishmeh FoundationRichard H. Holzer Memorial FoundationThe Kangesser FoundationThe Kridler Family Fund

of The Columbus FoundationThe Jean Thomas Lambert FoundationThe Laub FoundationVictor C. Laughlin, M.D.

Memorial Foundation TrustThe G. R. Lincoln Family FoundationMiami-Dade County Department

of Cultural Affairs (Miami)Paintstone FoundationThe Charles E. & Mabel M. Ritchie

Memorial FoundationThe Leighton A. Rosenthal

Family FoundationSCH FoundationAlbert G. & Olive H. Schlink FoundationHarold C. Schott FoundationJean C. Schroeder FoundationKenneth W. Scott FoundationThe Sherwick FundLloyd L. and Louise K. Smith

Memorial FoundationThe South Waite FoundationThe Taylor-Winfield FoundationThe George Garretson Wade Charitable TrustThe S. K. Wellman FoundationThe Welty Family FoundationThomas H. White Foundation,

a KeyBank TrustThe Edward & Ruth Wilkof FoundationThe Wuliger FoundationAnonymous (2)

Cumulative GivingJOHN L. SEVERANCESOCIETY

$10 MILLION AND MORE

The Cleveland FoundationCuyahoga County residents

through Cuyahoga Arts & Culture

Kulas FoundationMaltz Family FoundationState of OhioOhio Arts CouncilThe Kelvin and Eleanor

Smith Foundation


John P. Murphy Foundation


Ann and Gordon Getty Foundation

GAR FoundationThe George Gund FoundationThe Louise H. and David S.

Ingalls FoundationMartha Holden Jennings

FoundationKnight Foundation

(Cleveland, Miami)The Andrew W. Mellon FoundationDavid and Inez

Myers FoundationNational Endowment for the ArtsThe Payne FundThe Reinberger Foundation

The Severance Society recognizes

generous contributors of $1 million

or more in cumulative giving

to The Cleveland Orchestra.

Listing as of December 2012.


Foundation & Government Support


INDIVIDUAL GIFTS OF $500,000 AND MORE

Daniel R. and Jan R. Lewis (Miami)

INDIVIDUAL GIFTS OF $200,000 TO $499,999

Irma and Norman Braman (Miami) Francie and David Horvitz

Family Foundation (Miami) The Walter and Jean Kalberer Foundation Mrs. Norma Lerner and The Lerner Foundation Susan Miller (Miami) Ms. Ginger Warner (Cleveland, Miami)


Mr. and Mrs. Joseph P. KeithleyDr. and Mrs. Herbert Kloiber (Europe)Peter B. Lewis and Janet Rosel (Miami)Mr.* and Mrs. Herbert McBride Mr. and Mrs. Albert B. Ratner Janet and Richard Yulman (Miami)


Mr. and Mrs. Douglas A. Kern The Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr.


Sheldon and Florence Anderson (Miami)Mr. William P. Blair III Mr. Richard J. Bogomolny

and Ms. Patricia M. Kozerefski Mr. and Mrs. Alexander M. CutlerHector D. Fortun (Miami) Mr. and Mrs. Michael J. HorvitzJames D. Ireland III Mr. and Mrs. Dennis W. LaBarre R. Kirk Landon and Pamela Garrison (Miami) Toby Devan LewisMs. Beth E. MooneyJames and Donna ReidBarbara S. Robinson Mr. and Mrs. Richard K. Smucker Barbara and David Wolfort Anonymous

Individual Support

The Cleveland Orchestra and Musical Arts Association gratefully recognize the individuals

listed here, who have provided generous gifts of cash or pledges of $2,500 or more to the

Annual Fund, benefit events, tours and residencies, and special annual donations.


Lifetime GivingJOHN L. SEVERANCE SOCIETY

$10 MILLION AND MORE

Daniel R. and Jan R. Lewis (Miami, Cleveland)


Mr. Richard J. Bogomolny

and Ms. Patricia M. Kozerefski

Mr. and Mrs. Alexander M. Cutler

Mrs. Norma Lerner

and The Lerner Foundation

Mrs. Alfred M. Rankin

Mr. and Mrs. Albert B. Ratner


Irma and Norman Braman (Miami) Mr. and Mrs. Francis J. CallahanMrs. Anne M. ClappMr. George Gund IIIFrancie and David Horvitz (Miami)Mr. and Mrs. Michael J. Horvitz Mr. James D. Ireland III The Walter and Jean Kalberer Foundation Mr. and Mrs. Joseph P. Keithley Mr. and Mrs. Dennis W. LaBarre Susan Miller (Miami) Sally S. and John C. Morley The Family of D. Z. NortonThe Honorable and Mrs. John Doyle Ong Mr. and Mrs. Alfred M. Rankin, Jr.Charles and Ilana Horowitz RatnerJames and Donna Reid Barbara S. Robinson Anonymous (2)

The Severance Society recognizes generous contributors

of $1 million or more in lifetime giving to The Cleve-

land Orchestra. As of December 2012.

Annual Supportgifts during the past year, as of December 20, 2012

Individual Annual Support76 The Cleveland Orchestra

Individual Annual Support


Mr. and Mrs. Daniel M. Bell (Miami)Dr. and Mrs. Wolfgang Berndt (Europe) Blossom Women’s CommitteeMr. and Mrs. Charles P. Bolton The Brown and Kunze FoundationJeanette Grasselli Brown and Glenn R. Brown Robert and Jean* Conrad Do Unto Others Trust (Miami)Mr. and Mrs. Geoffrey Gund George Gund Trevor and Jennie Jones Elizabeth B. Juliano (Cleveland, Miami) Giuliana C. and John D. Koch Foundation

(Cleveland, Miami) Dr. Vilma L. KohnMr. and Mrs. S. Lee Kohrman Charlotte R. KramerMs. Nancy W. McCann Sally S. and John C. Morley Julia and Larry Pollock Mrs. Alfred M. Rankin, Sr.Charles and Ilana Horowitz Ratner Luci and Ralph* ScheyMary M. Spencer (Miami)Mr. and Mrs. Franz Welser-Möst


Dr. and Mrs. Hiroyuki Fujita Junior Committee of The Cleveland OrchestraDavid and Jan LeshnerMr. and Mrs. Jon A. LindsethMr. and Mrs. Edward A. LozickMargaret Fulton-Mueller Mrs. Jane B. NordMr. and Mrs. James A. RatnerHewitt and Paula Shaw Richard and Nancy Sneed (Cleveland, Miami) Paul and Suzanne Westlake


Gay Cull AddicottMr. and Mrs. William W. Baker Jill and Paul Clark Bruce and Beth Dyer Esther L. and Alfred M. Eich, Jr. Dr. Edward S. Godleski Andrew and Judy Green Gary Hanson and Barbara Klante Mr. and Mrs. Jack HoeschlerRichard and Erica Horvitz (Cleveland, Miami)Mrs. Marguerite B. Humphrey William J. and Katherine T. O’Neill

Dr. and Mrs. Ronald J. Ross Steven and Ellen Ross Mr. and Mrs. James A. SaksMarc and Rennie SaltzbergRaymond T. and Katherine S. SawyerDr. and Mrs. Neil SethiR. Thomas and Meg Harris Stanton Mr. and Mrs. Donald Stelling (Europe)Mr. Gary L. Wasserman

and Mr. Charles A. Kashner (Miami)Women’s Committee of The Cleveland OrchestraAnonymous gift from Switzerland (Europe) Anonymous


Randall and Virginia Barbato

Jayusia and Alan Bernstein (Miami)

Scott Chaikin and Mary Beth Cooper

Mr. and Mrs. Peter O. Dahlen

George* and Becky Dunnlistings continue

Gay Cull Addicott

William W. Baker

Ronald H. Bell

Henry C. Doll

Judy Ernest

Nicki Gudbranson

Jack Harley

Iris Harvie

Brinton L. Hyde

Randall N. Huff

David C. Lamb

Raymond T. Sawyer

Barbara Robinson, chair

Robert Gudbranson, vice chair

Ongoing annual support gifts are a critical compo-

nent toward sustaining The Cleveland Orchestra’s

economic health. Ticket revenues provide only a

small portion of the funding needed to support

the Orchestra’s outstanding performances, educa-

tional activities, and community projects.

The Crescendo Patron Program recognizes gener-

ous donors of $2,500 or more to the Orchestra’s

Annual Campaign. For more information on the

benefits of playing a supporting role each year,

please contact Hayden Howland, Manager of

Leadership Giving, by calling 216-231-7545.

Crescendo Annual Campaign Patrons




Colleen and Richard Fain (Miami)

Jeffrey and Susan Feldman

Mr. Allen H. Ford

Richard and Ann Gridley

Mrs. John A Hadden Jr.

Jack Harley and Judy Ernest

Mary and Jon Heider (Cleveland, Miami)

Tati and Ezra Katz (Miami)

Jonathan and Tina Kislak (Miami)

Robert M. Maloney and Laura Goyanes

Mr.* and Mrs. Arch J. McCartney

Mr. Thomas F. McKee

Miba AG (Europe)

Lucia S. Nash

Mr. Gary A. Oatey

Brian and Patricia Ratner

David and Harriet Simon

Mr. Joseph F. Tetlak

Rick, Margarita and Steven Tonkinson (Miami)

LNE Group – Lee Weingart (Europe)

Anonymous


Mr. and Mrs. David J. Carpenter Judith and George W. Diehl Joyce and Ab* GlickmanMr. and Mrs. Jeffrey Healy Mrs. David Seidenfeld Mr. and Mrs. Alfred Umdasch (Europe)

INDIVIDUAL GIFTS OF $10,000 TO $12,499Mr. and Mrs. George N. Aronoff Marsha and Brian Bilzin (Miami) Dr. Christopher P. Brandt and Dr. Beth Sersig Mr. D. McGregor Brandt, Jr.Augustine* and Grace CaliguireMr. and Mrs. R. Bruce CampbellRichard J. and Joanne ClarkMartha and Bruce Clinton (Miami)Mr. and Mrs. William E. ConwayMrs. Barbara CookBruce Coppock and Lucia P. May (Miami)Mr. and Mrs. Matthew V. Crawford Mr. Peter and Mrs. Julie Cummings (Miami)Mr. and Mrs. Robert P. DuvinMike S. and Margaret Eidson (Miami) listings continue


Leadership Council The Leadership Council salutes those

extraordinary donors who have pledged to

sustain their annual giving at the highest level

for three years or more. Leadership Council

donors are recognized in these Annual Support

listings with the Leadership Council symbol

next to their name:

Dr. and Mrs. Lloyd H. Ellis Jr.Ms. Dawn M. FullFrancisco A. Garcia and Elizabeth Pearson (Miami)Mr. and Mrs. Richard T. GarrettAlbert I. and Norma C. Geller Mr. and Mrs. Robert W. GillespieRobert K. Gudbranson and Joon-Li KimJeffrey and Stacie HalpernSondra and Steve HardisDavid and Nancy Hooker Joan and Leonard HorvitzMr. and Mrs. Christopher Hyland Mr. and Mrs. Donald M. Jack, Jr.Allan V. Johnson Janet and Gerald Kelfer (Miami) Mrs. Elizabeth R. Koch Tim and Linda Koelz Mr. and Mrs. Richard A. ManuelMr. and Mrs. Stanley A. MeiselEdith and Ted* MillerMrs. Sydell L. MillerThe Estate of Walter N. MirapaulElisabeth and Karlheinz Muhr (Europe)Brian and Cindy MurphyMr. and Mrs. William M. Osborne, Jr. Mr. and Mrs. George M. Rose Mr. and Mrs. David A. RuckmanMr. Larry J. Santon Dr. E. Karl and Lisa SchneiderRachel R. Schneider Mr. and Mrs. Oliver E. SeikelKim Sherwin Mr. and Mrs. Steven SpilmanLois and Tom Stauffer Mrs. Blythe SundbergDr. Russell A. TrussoTom and Shirley Waltermire The Wells Family Foundation, Inc.Sandy and Ted Wiese Anonymous

INDIVIDUAL GIFTS OF $7,500 TO $9,999Laurel Blossom Dr. and Mrs. Jerald S. BrodkeyDr. Thomas Brugger and Dr. Sandra RussEllen E. & Victor J. Cohn Supporting Foundation Mr. Owen ColliganMr. and Mrs. Edward B. Davis Henry and Mary Doll Nancy and Richard DotsonKathleen E. HancockMary Jane Hartwell Iris and Tom Harvie Mrs. Sandra L. HaslingerAmy and Stephen Hoffman Pamela and Scott Isquick Joela Jones and Richard WeissJudith and Morton Q. Levin Mr. Jeff LitwillerMr. and Mrs.* Robert P. Madison Mrs. Robert H. MartindaleMr. and Mrs. Thomas B. McGowan Mr. Donald W. Morrison Pannonius Foundation Douglas and Noreen Powers

listings continued

1-866-UH4-CARE | 1-866-844-2273UHhospitals.org/musicandmedicine

© 2011 University Hospitals NEU 00262

The Center for Music & Medicine

University Hospitals Center for Music and Medicineis proud to support The Cleveland Orchestra.

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Rosskamm Family TrustPatricia J. Sawvel Carol* and Albert SchuppDr. Gerard and Phyllis SeltzerNaomi G. and Edwin Z. Singer Family Fund Mrs. Gretchen D. SmithMr. and Mrs. Donald W. Strang, Jr.Mrs. Marie S. StrawbridgeBruce and Virginia Taylor Anonymous (3)

INDIVIDUAL GIFTS OF $5,000 TO $7,499Susan S. AngellMr. and Mrs. Albert A. AugustusMr. and Mrs. Dean Barry Mr. Jon Batchelor (Miami)Fred G. and Mary W. BehmDrs. Nathan A. and Sosamma J. Berger Mr. William BergerDr.* and Mrs.* Norman E. Berman Dr. and Mrs. Eugene H. BlackstonePaul and Marilyn* BrentlingerMr. Robert W. BriggsFrank and Leslie Buck Mr. and Mrs. William C. Butler Ms. Maria Cashy Drs. Wuu-Shung and Amy Chuang Dr. William & Dottie Clark Mrs. Lester E. Coleman Mr. and Mrs. Gerald A. ConwayCorinne L. Dodero Foundation

for the Arts and Sciences Mr. and Mrs. Ralph DaugstrupMrs. Barbara Ann Davis Ms. Nancy J. Davis (Miami)Mr. and Mrs. Thomas S. DavisMr. and Mrs. Terry C. Z. EggerDr. and Mrs. Robert ElstonMary and Oliver Emerson Dr. D. Roy and Diane A. FergusonChristopher Findlater (Miami)Joy E. GarapicMr. David J. GoldenMr. and Mrs. Henry J. GoodmanMr. and Mrs. Randall J. GordonHarry and Joyce Graham Mr. Paul Greig David and Robin GunningClark Harvey and Holly SelvaggiIn memory of Philip J. HastingsHenry R. HatchRobin Hitchcock HatchBarbara Hawley and David GoodmanJanet D. Heil*Anita and William HellerT. K. and Faye A. HestonBob and Edith Hudson (Miami)Mr. James J. Hummer Mr. and Mrs. Brinton L. HydeRudolf D. and Joan T. Kamper Andrew and Katherine KartalisMilton and Donna* Katz Dr. and Mrs. William S. KiserMrs. Justin Krent

Mr. James and Mrs. Patricia KrohngoldMr. and Mrs. Peter A. Kuhn Mr. and Mrs. Arthur J. Lafave, Jr.David C. LambShirley and William Lehman (Miami) Mr.* and Mrs. Leo LeidenLarry and Christine LeveyMr. and Mrs. Adam Lewis (Miami)Mrs. Emma S. LincolnHeather and Irwin LowensteinMr. and Mrs. Alex Machaskee Ms. Jennifer R. MalkinMr. and Mrs. Morton L. MandelAlan Markowitz M.D. and Cathy PollardAlexander and Marianna C.* McAfee Claudia Metz and Thomas Woodworth Drs. Terry E. and Sara S. MillerMr. and Mrs. William A. Mitchell Ann Jones MorganRobert Moss (Miami)Mr. Raymond M. MurphyMr. and Mrs. Stephen E. MyersMr. and Mrs. Herbert Newman Richard and Kathleen NordMr. Henry Ott-HansenMr. J. William and Dr. Suzanne PalmerClaudia and Steven Perles (Miami)Nan and Bob Pfeifer Dr. and Mrs. John N. Posch Lois S.* and Stanley M. ProctorMs. Rosella PuskasMr. and Mrs. Thomas A. QuintrellDrs. Raymond R. Rackley and Carmen M. Fonseca Mr. and Mrs. Roger F. RankinMs. Deborah ReadPaul A. and Anastacia L. RoseDr. Tom D. Rose Mr. and Mrs. Robert C. RuhlMrs. Florence Brewster Rutter David M. and Betty Schneider Linda B. SchneiderLarry and Sally Sears Mr. Eric Sellen and Mr. Ron SeidmanMrs. Frances G. ShoolroyMarjorie B. Shorrock Laura and Alvin A. SiegalDavid Kane Smith Jim and Myrna SpiraGeorge and Mary Stark Charles B. and Rosalyn Stuzin (Miami)Ms. Lorraine S. Szabo Mr. and Mrs. Paul A. Teel, Jr. Mr. and Mrs. Bill Thornton Mr.* and Mrs. Robert N. TromblyDon and Mary Louise Van Dyke Bill Appert and Chris Wallace (Miami)Mr. and Mrs. Fred A. Watkins Dr. and Mrs. Leslie T. Webster, Jr.Dr. Edward L. and Mrs. Suzanne WestbrookTom and Betsy WheelerCharles WinansAnonymous (6)

listings continue


listings continued



Dr. and Mrs. D. P. AgamanolisMr. and Mrs. Robert H. BakerMs. Delphine BarrettMrs. Joanne M. BearssMr. and Mrs. Jules BelkinDr. Ronald and Diane BellSuzanne and Jim BlaserDr. Ben H. and Julia BrouhardDr. and Mrs. William E. CappaertMs. Mary E. ChilcoteDrs. Mark Cohen and Miriam VishnyDiane Lynn CollierMarjorie Dickard ComellaPete and Margaret DobbinsPeter and Kathryn EloffMr. Brian L. Ewart

and Mr. William McHenryPeggy and David* FullmerMrs. Joan Getz (Miami)Robert N. and Nicki N. GudbransonMr. Robert D. HartMatthew D. Healy and Richard S. AgnesHazel Helgesen and Gary D. HelgesenMs. Rosina Horvath

Mr. David and Mrs. Dianne HuntDr. and Mrs. Scott R. InkleyDonna L. and Robert H. JacksonMr. and Mrs. Richard A. JanusHelen and Erik JensenDr. Gilles and Mrs. Malvina KlopmanDr. James and Mrs. Margaret KreinerRonald and Barbara LeirvikMr. and Mrs. Irvin A. LeonardDr. Alan and Mrs. Joni LichtinAnne R. and Kenneth E. LoveRobert and LaVerne* LugibihlElsie and Byron LutmanJoel and Mary Ann MakeeMartin and Lois MarcusSusan and Reimer MellinDr.* and Mrs. Hermann Menges, Jr.Dr. Susan M. MerzweilerMr. and Mrs. Peter R. OsenarMrs. Ingrid PetrusMr. and Mrs. John S. PietyMr. and Mrs. Richard W. PogueIn memory of Henry PollakWilliam and Gwen Preucil

Dr. Robert W. ReynoldsMrs. Charles RitchieAmy and Ken RogatFred Rzepka and Anne Rzepka

Family FoundationBob and Ellie ScheuerMs. Freda SeavertCharles Seitz (Miami)Ginger and Larry ShaneMr. Richard ShireyDr. Marvin and Mimi SobelMr. and Mrs. William E. SpatzHoward Stark M.D.

and Rene Rodriguez (Miami)Mrs. Barbara Stiefel (Miami)Dr. Elizabeth SwensonMr. and Mrs. Leonard K. TowerRobert and Marti VagiMr. and Mrs. Mark Allen WeigandMr. Peter and Mrs. Laurie WeinbergerRobert C. WepplerRichard Wiedemer, Jr.Nancy V. and Robert L. Wilcox



Ms. Nancy A. AdamsStanley I. and Hope S. AdelsteinNorman and Rosalyn Adler

Family Philanthropic FundMr. Gerald O. AllenNorman and Helen AllisonMr. and Mrs. Robert J. AmsdellRev. Dr. and Mrs. Kenneth J. AndersonMr. and Mrs. Jeffrey R. AppelbaumMr. and Mrs. Stanley H. Arkin (Miami)Geraldine and Joseph BabinMr. Roger G. BerkKerrin and Peter Bermont (Miami)Barbara and Sheldon BernsJulia and David Bianchi

(Cleveland, Miami)Carmen Bishopric (Miami)Bill and Zeda BlauMr. Doug BletcherMr. and Mrs. Dennis A. BlockJohn and Anne BourassaLisa and Ron BoykoMrs. Ezra BryanJ. C. and Helen Rankin ButlerMs. Mary R. Bynum

and Mr. J. Philip CalabreseMrs. Millie L. CarlsonMr. and Mrs. Frank H. CarpenterLeigh CarterMr. and Mrs. James B. ChaneyDr. and Mrs. Ronald ChapnickMs. Suzan ChengDr. and Mrs. Chris ChengelisMr. and Mrs. Homer D. W. ChisholmMr. and Mrs. Robert A. ClarkMr. and Mrs. Stanley Cohen (Miami)Mr. and Mrs. David J. Cook

Dr. Dale and Susan CowanMrs. Frederick F. DannemillerCharles and Fanny Dascal (Miami)Jeffrey and Eileen DavisMrs. Lois Joan DavisDr. Sharon DiLauro-PetrusDr. and Mrs. Richard C. DistadMs. Maureen A. Doerner

and Mr. Geoffrey T. WhiteMr. George and Mrs. Beth DownesMs. Mary Lynn DurhamGeorge* and Mary EatonDavid and Margaret EwartHarry and Ann FarmerCarl and Amy FischerScott Foerster, Foerster and BohnertJoan Alice FordMrs. Amasa B. FordMr. Randall and Mrs. Patrice FortinMr. Monte Friedkin (Miami)Marvin Ross Friedman

and Adrienne bon Haes (Miami)Arthur L. FullmerRichard L. FurryJeanne GallagherBarbara and Peter GalvinMrs. Georgia T. GarnerBarbara P. Geismer*Mr. Wilbert C. Geiss, Sr.Dr. Kevin and Angela GeraciAnne and Walter GinnMr. and Mrs. David GoldbergMr. and Mrs. David A. GoldfingerDr. and Mrs. Ronald L. GouldMr. and Mrs. Robert T. GrafNancy Green (Miami)Mr. and Mrs. Brent R. Grover

The Thomas J. and Judith Fay Gruber Charitable Foundation

Nancy and James GrunzweigMr. Davin and Mrs. Jo Ann GustafsonDr. Phillip M. and Mrs. Mary HallNorman C. and Donna L. HarbertMr. and Mrs. George B. P. HaskellMr. and Mrs. Jerry HerschmanMr. Robert T. HexterDr. and Mrs. Robert L. HinnesMr. and Mrs. Edmond H. HohertzThomas and Mary HolmesDr. Keith A. and

Mrs. Kathleen M. HooverMark and Ruth Houck (Miami)Dr. Randal N. Huff

and Ms. Paulette BeechMs. Charlotte L. HughesMs. Luan K. HutchinsonRuth F. IhdeDr. Michael and Mrs. Deborah JoyceBarbara and Michael J. KaplanDr. and Mrs. Richard S. KaufmanRev. William C. KeeneMr. Karl W. KellerElizabeth KelleyAngela Kelsey

and Michael Zealy (Miami)The Kendis Family Trust:

Hilary & Robert Kendis and Susan & James Kendis

Bruce and Eleanor KendrickMr. James KishNatalie KittredgeFred and Judith KlotzmanEllen Brad and Bart Kovac


listings continue


listings continued

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Dr. Ronald H. Krasney and Ms. Sherry* Latimer

Mr. Donald N. KrosinMr. and Mrs. S. Ernest KulpMrs. Carolyn LamplMr. and Mrs. Israel LapciucKenneth M. LapineAnthony T. and Patricia A. LauriaMr. Jin-Woo LeeMichael and Lois A. LemrDr. Edith LernerDr. Stephen B. and

Mrs. Lillian S. LevineRobert G. LevyMr. Jon E. Limbacher

and Patricia J. LimbacherIsabelle and Sidney* LobeHolly and Donald LoftusMartha Klein LottmanMary LoudMarianne Luedeking (Miami)Herbert L. and Rhonda MarcusDr. and Mrs. Sanford E. MarovitzDavid and Elizabeth MarshMr. and Mrs.* Duane J. MarshMrs. Meredith T. MarshallDr. Ernest and Mrs. Marian MarsolaisMr. Julien L. McCallJim and Diana McCoolWilliam and Eleanor McCoyMs. Nancy L. MeachamMr. James E. MengerStephen and Barbara MessnerMr. Stephen P. MetzlerMr. and Mrs. Roger Michelson (Miami)MindCrafted SystemsMs. Barbara A. MorrisonJoan Katz Napoli

and August NapoliRichard B. and Jane E. NashMr. David and Mrs. Judith NewellMort and Milly Nyman (Miami)Richard and Jolene O’Callaghan

Nedra and Mark Oren (Miami)James P. Ostryniec (Miami)Mr. and Mrs. Robert D. PaddockDeborah and Zachary ParisDr. Lewis and Janice B. PattersonDr. Roland S. Philip

and Dr. Linda M. SandhausDr. Marc and Mrs. Carol PohlMr. Richard and Mrs. Jenny ProeschelK. PudelskiDr. James and Lynne RambasekMs. C. A. ReaganAlfonso Conrado Rey (Miami)David and Gloria RichardsMichael Forde RipichDr. Barbara RisiusCarol Rolf and Steven AdlerDr. and Mrs. Michael Rosenberg (Miami)Michael and Roberta RusekDr. Harry S. and Rita K. RzepkaNathan N. and Esther Rzepka

Family Philanthropic FundBunnie Joan Sachs Family FoundationDr. and Mrs. Martin I. SaltzmanMs. Patricia E. SayMr. Paul H. ScarbroughMr. James SchutteDr. John Sedor and Ms. Geralyn PrestiLee G. and Jane SeidmanDrs. Daniel and Ximena SesslerHarry and Ilene ShapiroNorine W. SharpDr. and Mrs. William C. SheldonDr. Howard* and Mrs. Judith SiegelMs. Linda M. SmithMr. and Mrs.* Jeffrey H. SmytheMrs. Virginia SnappMs. Barbara SnyderMr. John C. Soper

and Dr. Judith S. BrennekeMr. John D. SpechtMr. and Mrs.* Lawrence E. StewartStroud Family Trust

Dr. Kenneth F. SwansonMr. Taras G. Szmagala Jr.Mr. Nelson S. TalbottKen and Martha TaylorGreg and Suzanne ThaxtonMr. Karl and Mrs. Carol TheilParker D. Thomson Esq. (Miami)Mr. and Mrs. Robert J. TomsichMr. and Mrs. Lyman H. TreadwaySteve and Christa TurnbullMiss Kathleen TurnerRobert A. ValenteBrenton Ver Ploeg (Miami)Mr. and Mrs. Joaquin Vinas (Miami)Mr. and Mrs. Les C. VinneyDr. Michael Vogelbaum

and Mrs. Judith RosmanRicky and Sarit Warman

– Papa John’s Pizza (Miami)Mr. and Mrs. Joseph F. WasserbauerMs. Laure A. WasserbauerPhilip and Peggy WasserstromEric* and Margaret WayneMr. and Mrs. Jerome A. WeinbergerMrs. Mary Wick BoleDr. Paul R. and Mrs. Catherine WilliamsDr. and Mr. Ann WilliamsRichard and Mary Lynn WillsMichael H. Wolf

and Antonia Rivas-WolfMr. Robert Wolff

and Dr. Paula SilvermanRad and Patty YatesFred and Marcia ZakrajsekMr. Kal Zucker

and Mrs. Mary Frances HaerrAnonymous (10)

member of the Leadership Council (see page 78)

* deceased

The Cleveland Orchestra is sustained through the support of thousands of generous patrons,

including members of the Crescrendo Patron Program listed on these pages. Listings of all

annual donors of $300 and more each year are published in the Orchestra’s Annual Report,

which can be viewed online at CLEVELANDORCHESTRA.COM

For information about how you can play a supporting role for The Cleveland Orchestra’s

ongoing artistic excellence, education programs, and community partnerships, please

contact our Philanthropy & Advancement Office by calling 216-231-7545.

INDIVIDUAL GIFTS OF $2,500 TO $3,499 CONTINUED


listings continued

The Cleveland Orchestra’s catalog of recordings

continues to grow. The newest DVD features Bruckner’s

Eighth Symphony recorded live at Severance Hall under

the direction of Music Director Franz Welser-Möst in 2010

and released in May 2011. And, released in

2012, Dvořák’s opera Rusalka on CD, recorded

live at the Salzburg Festival. Writing of the

Rusalka performances, the reviewer for

London’s Sunday Times praised the perform -

ance as “the most spellbinding account

of Dvořák’s miraculous score I have ever

heard, either in the theatre or on record.

. . . I doubt this music can be better played than by the

Clevelanders, the most ‘European’ of the American or-

chestras, with wind and brass soloists to die for and a

string sound of superlative warmth and sensitivity.”

Other recordings released in recent years

include two under the baton of Pierre Boulez

and a third album of Mozart piano concertos

with Mitsuko Uchida, whose fi rst Cleveland

Orchestra Mozart album won a Grammy Award

in 2011.

R E C O R D I N G Sg r e a t g i f t i d e a s


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H A I L E D A S O N E O F the world’s most

beautiful concert halls, Severance Hall

has been home to Th e Cleveland Or-

chestra since its opening on February 5,

1931. Aft er that fi rst concert, a Cleve-

land newspaper editorial stated: “We

believe that Mr. Severance intended

to build a temple to music, and not a

temple to wealth; and we believe it is his

intention that all music lovers should be

welcome there.” John Long Severance

(president of the Musical Arts Associa-

tion, 1921-1936) and his wife, Elisabeth,

donated most of the funds necessary to

erect this magnifi cent building. De-

signed by Walker & Weeks, its elegant

Georgian exterior was constructed to

harmonize with the classical architec-

ture of other prominent buildings in

the University Circle area. Th e interior

of the building refl ects a combination

of design styles, including Art Deco,

Egyptian Revival, Classicism, and Mod-

ernism. An extensive renovation, resto-

ration, and expansion of the facility was

completed in January 2000. In addition

to serving as the home of Th e Cleveland

Orchestra for concerts and rehearsals,

the building is rented by a wide variety

of local organizations and private citi-

zens for performances, meetings, and

gala events each year.

11001 Euclid AvenueCleveland, Ohio 44106C L E V E L A N D O R C H E S T R A . C O M

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Severance Hall88 The Cleveland Orchestra


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C O N C E R T C A L E N D A R


90 The Cleveland OrchestraConcert Calendar

W I N T E R S E A S O NThursday February 21 at 8:00 p.m.Friday February 22 at 11:00 a.m.Saturday February 23 at 8:00 p.m.Sunday February 24 at 3:00 p.m.THE CLEVELAND ORCHESTRAHerbert Blomstedt, conductor

MOZART Symphony No. 40 DVOŘÁK Symphony No. 9 (“From the New World”) Sponsor: Jones Day

Thursday February 28 at 8:00 p.m.Friday March 1 at 8:00 p.m.Saturday March 2 at 8:00 p.m.THE CLEVELAND ORCHESTRAChristoph von Dohnányi, conductor

HENZE Suite from The BassaridsMAHLER Symphony No. 1 (“Titan”)

Sponsor: PNC

Thursday March 7 at 7:00 p.m.THE CLEVELAND ORCHESTRAconducted by Franz Welser-Möst with CLEVELAND ORCHESTRA YOUTH ORCHESTRAJames Feddeck, conductorCLEVELAND ORCHESTRA YOUTH CHORUSLisa Wong, directorCLEVELAND ORCHESTRA CHILDREN’S CHORUSAnn Usher, directorEl SISTEMA@RAINEY MUSICIANSled by Isabel Trautwein

SPECIAL SHOWCASE CONCERTMAKE MUSIC!Franz Welser-Möst and The Cleveland Orchestra shine a spotlight on the importance of music education with this special Showcase Concert featuring all of the Orchestra’s youth ensembles performing together for the fi rst time in the Orchestra’s history! The Showcase Concert is part of Make Music!, a new effort aimed at encouraging people of all ages to come together and make music!

Friday March 8 at 7:00 p.m.THE CLEVELAND ORCHESTRARobert Franz, conductorwith the Singing Angels

FAMILY CONCERT SYMPHONY UNDER THE SEA

Submerge yourself in wet, watery, wonderful music featuring Disney’s beloved theme to The Little Mermaid, Handel’s Wa-ter Music, and much more! Come along as we go under the sea and let the waves of enchanting music wash over you as Severance Hall is transformed into an aquatic auditorium for a family evening to remember!

Sponsor: The Giant Eagle Foundation

Sunday March 10 at 7:00 p.m.CLEVELAND ORCHESTRA YOUTH ORCHESTRAJames Feddeck, conductorCLEVELAND ORCHESTRA YOUTH CHORUSLisa Wong, director

TCHAIKOVSKY Symphony No. 5 BRAHMS Nänie HANSON Song of Democracy

S P R I N G S E A S O NThursday March 21 at 8:00 p.m.Saturday March 23 at 8:00 p.m.THE CLEVELAND ORCHESTRAAlan Gilbert, conductor

RAVEL Mother Goose (complete ballet music) MAHLER Symphony No. 7

Friday March 22 at 10:00 a.m.Saturday March 23 at 10:00 a.m.Saturday March 23 at 11:00 a.m.

PNC MUSICAL RAINBOW THE FABULOUS FLUTE Marisela Sager, fl ute

30-minute programs for ages 3 to 6.

Thursday April 4 at 8:00 p.m.Friday April 5 at 8:00 p.m.Saturday April 6 at 8:00 p.m.THE CLEVELAND ORCHESTRAMitsuko Uchida, piano and conductor

MOZART Piano Concerto No. 17 MOZART Divertimento in B-fl at major MOZART Piano Concerto No. 25 Sponsor: Quality Electrodynamics (QED)

CLEVELAND ORCHESTRA TICKETS PHONE 216-231-1111 800-686-1141 clevelandorchestra.com

O R C H E S T R A 1213SEASON


Thursday April 11 at 8:00 p.m.Friday April 12 at 8:00 p.m.Saturday April 13 at 8:00 p.m.Sunday April 14 at 3:00 p.m.THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorRobert Walters, oboe d’amoreRebecca Nelsen, sopranoNicholas Phan, tenorStephen Powell, baritoneCleveland Orchestra ChorusCleveland Orchestra Children’s Chorus

BACH Concerto in A major, BWV1055ORFF Carmina Burana

Sponsor: KeyBank

Thursday April 18 at 8:00 p.m.Saturday April 20 at 8:00 p.m.Sunday April 21 at 3:00 p.m.THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorFrank Peter Zimmermann, violin

SHEPHERD Tuolumne [WORLD PREMIERE]

SHOSTAKOVICH Violin Concerto No. 1DVOŘÁK Symphony No. 6

Thursday April 25 at 8:00 p.m.Friday April 26 at 8:00 p.m.Saturday April 27 at 8:00 p.m.THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorMalin Hartelius, sopranoMaximilian Schmitt, tenorLuca Pisaroni, baritoneCleveland Orchestra Chorus

HAYDN The Seasons Sponsor: BakerHostetler

Friday April 26 at 10:00 a.m.Saturday April 27 at 10:00 a.m.Saturday April 27 at 11:00 a.m.

PNC MUSICAL RAINBOWTHE VIRTUOSO VIOLIN

Beth Woodside, violin30-minute programs for ages 3 to 6.

Concert Calendar

I N T H E S P O T L I G H T

For a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts, visit www.clevelandorchestra.com.

DOHNÁNYICONDUCTSMAHLER’S FIRSTThursday February 28 at 8:00 p.m.Friday March 1 at 8:00 p.m.Saturday March 2 at 8:00 p.m.THE CLEVELAND ORCHESTRAChristoph von Dohnányi, conductor

The Cleveland Orchestra’s music director

laureate returns to lead formative works

from two important and vital composers.

The First Symphony, nicknamed “Titan,” is

the start of Mahler’s impassioned explo-

ration of life’s meaning, told in music of

incredible vibrancy and depth. The concert

begins with a set of orchestral highlights

from Hans Werner Henze’s opera The Bas-

sarids, a work for which Dohnányi led the

world premiere in 1966. Sponsor: PNC

92 The Cleveland Orchestra92 The Cleveland Orchestra

11001 Euclid Avenue, Cleveland, Ohio 44106 C L E V E L A N D O R C H E S T R A . C O M

AT SEVERANCE HALLCONCERT DINING AND CONCESSION SERVICE Severance Restaurant at Severance Hall is open for pre-concert dining. For reservations, call 216-231-7373, or make your plans on-line by visit-ing opentable.com. Concert concession service of beverages and light refreshments is available before most concerts and at intermissions in the Smith Lobby on the street level, in the Bogomolny-Kozerefski Grand Foyer, and in the Dress Circle Lobby.

FREE PUBLIC TOURS Free public tours of Severance Hall are offered on select Sundays during the year. Free public tours of Severance Hall are being offered this season on October 14, November 25, February 10 and 24, and May 5 and 26. For additional information or to re-serve you place for these tours, please call the Sever-ance Hall Ticket Offi ce at 216-231-1111. Private tours can be arranged for a fee by calling 216-231-7421.

THE CLEVELAND ORCHESTRA STORE A wide variety of items relating to The Cleve-land Orchestra — including logo apparel, compact disc recordings, and gifts — are available for pur-chase at the Cleveland Orchestra Store before and after concerts and during intermission. The Store is also open Tuesday through Friday from 11 a.m. to 6 p.m. Cleveland Orchestra subscribers receive a 10% discount on most items purchased. Call 216-231-7478 for more information, or visit the Store online at clevelandorchestra.com

ATM — Automated Teller Machine For our patrons’ convenience, an ATM is located in the Lerner Lobby of Severance Hall, across from the Cleveland Orchestra Store on the ground fl oor.

QUESTIONS If you have any questions, please ask an usher or a staff member, or call 216-231-7300 during regular weekday business hours, or email to [email protected]

RENTAL OPPORTUNITIES Severance Hall, a Cleveland landmark and home of the world-renowned Cleveland Orchestra, is the perfect location for business meetings and confer-ences, pre- or post-concert dinners and receptions, weddings, and social events. Exclusive catering pro-vided by Sammy’s. Premium dates are available. Call the Facility Sales Offi ce at 216-231-7420 or email to [email protected]

BEFORE THE CONCERTGARAGE PARKING AND PATRON ACCESS Pre-paid parking for the Campus Center Ga-rage can be purchased in advance through the Tick-et Offi ce for $14 per concert. This pre-paid parking ensures you a parking space, but availability of pre-paid parking passes is limited. To order pre-paid parking, call the Severance Hall Ticket Offi ce at 216-231-1111. Parking can be purchased for the at-door price of $10 per vehicle when space in the Campus Cen-ter Garage permits. However, the garage often fi lls up well before concert time; only ticket holders who purchase pre-paid parking passes are ensured a parking space. Overfl ow parking is available in CWRU Lot 1 off Euclid Avenue, across from Sever-ance Hall; University Circle Lot 13A on Adelbert Road; and the Cleveland Botanical Garden.

FRIDAY MATINEE PARKING Due to limited parking availability for Friday Matinee performances, patrons are strongly en-couraged to take advantage of convenient off-site parking and round-trip shuttle services available from Cedar Hill Baptist Church (12601 Cedar Road). The fee for this service is $10 per car.

CONCERT PREVIEWS Concert Previews at Severance Hall are present-ed in Reinberger Chamber Hall on the ground fl oor (street level), except when noted, beginning one hour before most Cleveland Orchestra concerts.

Guest Information

9393Severance Hall 2012-13 93Severance Hall 2012-13 Guest Information

AT THE CONCERTCOAT CHECK Complimentary coat check is available for concertgoers. The main coat check is located on the street level midway along each gallery on the ground fl oor.

PHOTOGRAPHY, VIDEO, AND AUDIO RECORDING Audio recording, photography, and videogra-phy are strictly prohibited during performances at Severance Hall. As courtesy to others, please turn off any phone or device that makes noise or emits light.

REMINDERS Please disarm electronic watch alarms and turn off all pagers, cell phones, and mechanical devices before entering the concert hall. Patrons with hearing aids are asked to be attentive to the sound level of their hearing devices and adjust them accordingly. To ensure the listening pleasure of all patrons, please note that anyone creating a disturbance of any kind may be asked to leave the concert hall.

LATE SEATING Performances at Severance Hall start at the time designated on the ticket. In deference to the comfort and listening pleasure of the audience, late-arriving patrons will not be seated while music is being performed. Latecomers are asked to wait quietly until the fi rst break in the program, when ushers will assist them to their seats. Please note that performances without intermission may not have a seating break. These arrangements are at the discretion of the House Manager in consulta-tion with the conductor and performing artists.

SERVICES FOR PERSONS WITH DISABILITIES

Severance Hall provides special seating op-tions for mobility-impaired persons and their com-panions and families. There are wheelchair- and scooter-accessible locations where patrons can remain in their wheelchairs or transfer to a concert seat. Aisle seats with removable armrests are also available for persons who wish to transfer. Tickets for wheelchair accessible and companion seating can be purchased by phone, in person, or online. As a courtesy, Severance Hall provides wheel-chairs to assist patrons in going to and from their seats. Patrons can arrange a loan by calling the House Manager at 216-231-7425 TTY line access is available at the public pay phone located in the Security Offi ce. Infrared As-sistive Listening Devices are available from a Head Usher or the House Manager for most performanc-

es. If you need assistance, please contact the House Manager at 216-231-7425 in advance if possible. Service animals are welcome at Severance Hall. Please notify the Ticket Offi ce when purchasing tickets.

IN THE EVENT OF AN EMERGENCY Emergency exits are clearly marked throughout the building. Ushers and house staff will provide instructions in the event of an emergency. Contact an usher or a member of the house staff if you re-quire medical assistance.

SECURITY For security reasons, backpacks, musical instru-ment cases, and large bags are prohibited in the concert halls. These items must be checked at coat check and may be subject to search. Severance Hall is a fi rearms-free facility. No person may possess a fi rearm on the premises.

CHILDREN Regardless of age, each person must have a ticket and be able to sit quietly in a seat through-out the performance. Season subscription concerts are not recommended for children under the age of seven. However, Family Concerts and Musical Rainbow programs are designed for families with young children. Cleveland Orchestra Youth Orchestra performances are recommended for older children.

TICKET SERVICESTICKET EXCHANGES Subscribers unable to attend on a particular concert date can exchange their tickets for a dif-ferent performance of the same week’s program. Subscribers may exchange their subscription tickets for another subscription program up to fi ve days prior to a performance. There will be no service charge for the fi ve-day advance ticket exchanges. If a ticket exchange is requested within 5 days of the performance, there is a $10 service charge per concert. Visit clevelandorchestra.com for details and blackout dates.

UNABLE TO USE YOUR TICKETS? Ticket holders unable to use or exchange their tickets are encouraged to notify the Ticket Offi ce so that those tickets can be resold. Because of the demand for tickets to Cleve land Orchestra perfor-mances, “turnbacks” make seats available to other music lovers and can provide additional income to the Orchestra. If you return your tickets at least 2 hours before the concert, the value of each ticket will be treated as a tax-deductible contribution. Patrons who turn back tickets receive a cumulative donation acknowledgement at the end of each cal-endar year.

94

U P C O M I N G C O N C E R T S


The Cleveland Orchestra94 The Cleveland Orchestra

ALAN GILBERTCONDUCTS MAHLERThursday March 21 at 8:00 p.m.Saturday March 23 at 8:00 p.m.THE CLEVELAND ORCHESTRAAlan Gilbert, conductor

Alan Gilbert, former assistant conductor of

The Cleveland Orchestra and now music director

of the New York Philharmonic, returns to lead

Mahler’s Seventh Symphony, nicknamed “The

Song of the Night.” This epic, fi ve-movement

work opens with the repeated echoes of a boat’s

oars dipping into a lake — and continues across

a musical journey from shore to shore, through

night to the glorious sunrise of day. Here Mahler

captures life’s authenticity and elation, heartfelt

pain and immeasurable beauty. The concert

begins with Ravel’s delightful ballet score for

Mother Goose.

Please Note: Following the instructions of his doctors, Pierre Boulez has reluctantly withdrawn from his scheduled appearances with The Cleveland Orchestra for this weekend. Alan Gilbert, music director of the New York Philharmonic, has graciously agreed to step in to lead these concerts.

See also the concert calendar listing on pages 90-91, or visit The Cleveland Orchestra online for a complete schedule of future events and performances, or to purchase tickets online 24/ 7 for Severance Hall concerts.

TICKETS 216-231-1111 clevelandorchestra.com

At Severance Hall . . .

Upcoming Concerts

CARMINA BURANAThursday April 11 at 8:00 p.m.Friday April 12 at 8:00 p.m.Saturday April 13 at 8:00 p.m.Sunday April 14 at 3:00 p.m.THE CLEVELAND ORCHESTRAFranz Welser-Möst, conductorRobert Walters, oboe d’amoreRebecca Nelsen, sopranoNicholas Phan, tenorStephen Powell, baritoneCleveland Orchestra ChorusCleveland Orchestra Children’s Chorus

Carl Orff ’s joyous Carmina Burana bursts forth

like a boisterous street festival — fi lled with

great music, marvelous mayhem, and delightful

merriment. This modern-day Canterbury Tales

comes complete with lusty hymns to spring-

time, animated drinking songs, and a swan’s

anguishingly ironic farewell to life (on a barbe-

cue spit!). The evening opens with a concerto

by J.S. Bach, for oboe d’amore.

Sponsor: KeyBankNew!

If you want to changeYOUR COMMUNITY,

be that change.

Isabel Trautwein, Cleveland OrchestraFirst Violinist, Program Director, Dreamer& Doer, Local Hero.Longing to share the experience of making music with children who had never been to Severance Hall, Isabel launched a strings program at the Rainey Institute in the Hough neighborhood. Now there’s a waiting listto learn how to play classical music. You, too, can play a part in creating lasting change within the Cleveland community by making a donation to the Cleveland Foundation — dedicated to enhancing the lives of all Clevelanders now and for generations to come.

Support your passions.Give through the Cleveland Foundation.Please call our Advancement Team at 1.877.554.5054

ClevelandFoundation.org

the cleveland orchestra february 21-24 concerts

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