The Dark Ages(500-1500 A.D.)

So Why So “Dark”? Feudal System The Church & the Monarchy dictated

your life-what money you had went to the church

Little value placed on human life, torture and violence were acceptable

Unsanitary conditions caused many to die from disease

No one trusted anyone (where the modern hand shake originated)

Few people, even kings and emperors could read or write

Skulls of saints used as drinking cups on ceremonial occasions

Upon a death of a holy person the body was often dismembered by frenzied crowd

Peasants/serfs could not be educated and no one could rise above their station

Customary to take a yearly bath in May; men and boys bathed first, then women and children then babies “don’t throw your baby out with the bath water”

Age of Faith Art-a step backwards? No nudes allowed, no

interest in realistic representation, painting all but disappears, sculpture goes flat, correct proportions and anatomy are unimportant-focus on the church and salvation of the soul

In 313AD Emperor Constantine made Christianity legal- to worship one God was now acceptable

All art becomes simple to be understood by the common man, using symbolism because they can’t read

Age of Enlightenment?! During the dark ages barbarians destroyed mush of

the art and architecture which had taken the Empire over 300years to build

When Constantine recognized the Christian church and became Christian himself he banished paganism and barbarianism

Thus, the Christian focus was on the salvation of the soul and theologians believed church members would appreciate and believe in the spiritual beauty through material beauty

Result-rapid evolvement of grand buildings for worship, lavish mosaics, frescoes and stained glass

The Medieval Guildsman The professionalism of the artist made its greatest strides

under the organized ,aster craftsmen of the medieval guilds The irony is that they were largely anonymous The were trained weavers, furriers, carpenters, masons

and sculptors These craftsmen affected medieval life mainly in their

collective capacity, through their ability to control the manufacture and distribution of essential goods

It was the guilds that pulled the craftsman out of the ranks of estate slaves, laborers and serfs to establish associations that could protect their personal freedom, institute higher traditions of work and guarantee their economic survival.

Elements of Art in the Middle Ages 1. Church design-plan on the outside but lavish

inside; meant to instil fear of hell and lure of heaven 2. Subject matter- religious, visual propaganda 3. God and man relationship was emotionless-God

was the all powerful, unwavering judge 4. Style-figures are flat, pattern, no space 5. Composition-simple, symmetrical 6. Colour-bright, often primary colours, lots of gold 7. position of the artist-anonymous craftsman

In the first two centuries after Christ, Christianity grew in popularity pushing out the old notions of the Greek and Roman pantheon and replacing them with another pantheon (all the gods of a people or religion collectively) of the Christian Trinity and Saints.

Art in the early Christian era was heavily influenced by Byzantine style because the Roman Empire was ruled from the East.

The Middle Ages

Middle Ages:• BYZANTINE• ROMANESQUE

• GOTHIC

Now that people could worship in the open, they started using public halls called BASILICAS

Map of the Byzantine Empire

Art of the Byzantine Empire, centered in Constantinople (now Istanbul).

Head of ConstantineRome, ca. 325

Marble H. 37 1/2 in. (95.3 cm)

The focus is on human figures, whose identities reveal three main elements in the formation of the Byzantine empire. Most prominent are the holy figures of the Christian faith--Christ, the Virgin Mary, the saints, and the apostles. Bishops and angels often are portrayed in their company. Central to the political structure was the emperor, who was believed to be divinely sanctioned by God. Art played a vital role in visualizing his powers. Images of cherubs, mythological heroes, gods and goddesses, and personifications of virtues are reflections of the continuing influence of Byzantium's classical heritage.

Byzantium

Byzantine refers to eastern Mediterranean art from AD 330, when Constantine transferred the seat of the Roman Empire to Byzantium (later called Constantinople) until the city’s fall to the Turks in 1453.

The church measures 77 x 79 m. and the impressive huge dome soaring 62 m. above the floor has a diameter of about 33 m.

Byzantine-Central-dome churchHagia Sophia

532-37 AD“holy wisdom”

Emperor Justinian assigned the task of building the structure to two

mathemeticians, Anthemius of Tralles and Isidorus of Miletus. He wanted to build a church as grand as his empire in the great city of Constantinople, the

greatest city in the world for 400 years.

Diagram of domes on cylinder, squinch, pendentive

The dome of the Hagia Sophia (Istanbul) undergoing restoration.

Apse

Portrait of Saint John Chrysostom of Antioch (Hagios Ioannis Chrysostomo)

What does the president think...

Icons

Gloomy images, but absolutely necessary when discussing Byzantine art. Often images of tortured martyrs, were typically rigid, frontal poses with large staring eyes. These small wooden

paintings were believed to possess supernatural powers.

Saint Demetrios is believed to have been a deacon who was killed in Serbia in the late third century while preaching the Christian gospel. His legend grew in the East. During the Middle Byzantine period he began to be represented in military dress, literally as a soldier of Christ. He is known as the patron saint of both the city of Thessalonike, Greece, and the church of Constantinople.

Icon with Saint DemetriosByzantine, second half of the 10th century Ivory7 3/4 x 4 3/4 (19.6 x 12.2 cm)The Metropolitan Museum of Art,

Byzantine Mosaics

Unlike the Romans who used opaque marble cubes, Byzantine artists used reflected glass cubes to create

mosaics that sparkled. Their surface was uneven to reflect even more light. Byzantine mosaics are found on walls

and ceilings-especially on church domes and apse. Romans used mosaic mainly in private homes. Subjects were religious, and larger cubes created a more stylized

design, as opposed to the Romans who used minute pieces to create a more realistic image.

The Battle of Issus, Pompeii c.80 BCE

The Battle of Issus, Pompeii c.80 BCE

Justinian and Attendants c.547 San Vitale, Ravenna

Miracle of Loaves and FishesLocation: Sant' Apollinare Nuovo c.540

Christ between two angels, St. Vitalis, Bishop EcclesiusLocation: San Vitale c.540

Theodora and attendantsLocation: San Vitale c.540

Romanesque 1050-1200With the Roman Catholic faith firmly established, a wave of

church construction occurred. Builders borrowed elements from Roman architecture, such as rounded arches and columns, giving rise to the term Romanesque. Yet because Roman building were timber roofed and prone to fire, medieval artisans began to roof

churches with stone vaulting. In this system, barrel vaults resting on piers could span large openings. Pilgrimages were in vogue at the time, so church architecture took into account the hordes of

tourists visiting the shrines of sacred bones, garments and splinters of the true cross brought back by the crusaders.

Reliquaries held these sacred artifacts.

St. SerninToulouse France c.1080-1120

Floorplan of St. SerninToulouse France c.1080-1120

The church of St. Sernin at Toulouse (c. 1075-1120) is one of the best-preserved examples of the pilgrimage plan churches.

• the nave (the highest part of the roof) surrounded by the aisles and crossed by the transept

• Trancept-the crossing, surmounted by a tall tower

• the apse, (the semicircular or polygonal termination to the choir or aisles of a church) with the ambulatory providing a passage around the monks' area for the pilgrims

• the chapels off the apse and transepts, where relics were often on view for for the pilgrims

St. SerninToulouse France

c.1080-1120

The nave of St. Sernin showing barrel vaults

Diagram of barrel (or groin)vaults

example of reliquary

The Last Judgement from Autun Cathedral c.1130-1135 (Burgundy)Realism yields to moralism. Bodies, distorted to fit the masonry niche, were elongated with

expressions of intense emotion.

Suicide of Judas1120-30StoneCathedral of Saint-Lazare, Autun

Dream of the Magi1120-30StoneCathedral of Saint-Lazare, Autun

Eve, Giselbertus from Autun Cathedral. 1120-1132

Illuminated manuscripts

Made from vellum (calfskin) or parchment (lambskin)

manuscripts were considered sacred objects containing the

word of God. Covers were made of gold and studded with precious stones. Until

printing was developed in the fifteenth century, these

manuscripts were the only form in existence, preserving not only religious teachings, but also classical literature.

Book of KellsIlluminated gospel produced by Irish monks. (760-820)

St. John theEvangelist, fromthe Gospel Book ofAbbot Wedricus. c.1147. Tempera onVellum*St. John and storiesfrom his life.*Hand above him(Eagle) representGod.*Influenced byByzantine and Celticart.

Gothic Art 1200-1500Height and Light

The pinnacle of Middle ages artistic achievement was the Gothic Cathedral (“stone bibles”). Medieval builders created intricate structures with soaring interiors unprecedented in the world of

architecture.

Communal devotion to the buildings was

so intense that everyone participated in construction. Lords

and Ladies in worshipful silence worked alongside

buthchers and masons. Buildings were so elaborate

that costruction took ages, sometimes centuries, which

explains why some seem a hodge-podge of successive styles.

Chartres Cathedral, France 1194-1260

Floor plan of Chartres Cathedral

Architectural Differences

Two engineering breakthroughs: ribbed vaults and external supports called flying buttresses, allowed builders to forgo solid walls with small windows for skeletal walls

with huge stained glass windows flooding the interior with light.

Ribbed vault

Apse Buttresses

South Flying Buttresses

North Portal

Nave

The windows at Chartres measure over 25,000’ in total area. Illustrating the bible, these windows are like a giant illuminated

manusscript.

Rose Window

Samaritan Glass

Zodiac window

Tapestry

Weavers in the middle ages created highly refined tapestries minutely detailed with scenes of contempoary life. Large wool and silk hangings used to cut drafts , decorated stone walls in chateus

and churches. Huge scale paintings were placed behind the warp of a loom in order to imitate the design in cloth.

The Unicorn in captivity c.1500

The Lady and the Unicorn"To My One Desire"Flanders   ca:~1510