the high renaissance 16 th century italy catholic church is the dominant religious power growing...
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The High Renaissance16th century Italy
•Catholic Church is the dominant religious power•Growing discontent with the Church primarily in the North•Beginning of Martin Luther’s Reformation of the Church•Holy Office of the Inquisition-church court that dealt with heretics-as a reaction to the Reformation efforts•Society of Jesus-Jesuit religious order expands missionary work all over the world
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Leonardoda
Vinci
1452-1519
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Leonardo da Vinci, Study for an Assault Chariot with Scythes, 1485
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Leonardo da Vinci, Study for an
Automobile, 1478
•Worked in Milan under Duke Ludovico Sforza
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Leonardo da Vinci, Vitruvian Man,
c. 1490
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Leonardo da Vinci, Anatomical Studies,
1509-14
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Leonardo da Vinci, The Virgin of the
Rocks, Milan, 1483-86
sfumato
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Leonardo da Vinci, The Last Supper, Santa Maria della Grazie, Milan, 1495-98
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Leonardo da Vinci, Lady with an Ermine,
Milan, 1483-90
•Cecilia Gallerani
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Leonardo da Vinci, Virgin and Saint
Anne with the Christ Child and the Young
Saint John the Baptist,
Milan, 1483-90
•Cartoon•Cartone
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Leonardo da Vinci, Mona Lisa, Florence,
1503-05
Lisa Gherardini del Giocondo
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Monument to Lysicrates,
Classical Greek, 4th century ad
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Raffaello Santi
1483-1520
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Paper/Squidoo/BlogI. Intro
A. Artist title date location
II. DescriptionA. Visual Elements/Principles of
Design
Historical context
A. why it was made, who commissioned it, etc.
Comparison
Conclusion
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Raphael Santi, Madonna of the
Meadows, Florence, 1505
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Raphael, School of Athens, The Vatican, Rome, 1509-11
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Raphael, Galatea,
Villa Farnesina, Rome, 1511
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Michelangelo Buonarroti
1475-1564
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Michelangelo, Pieta, Rome,
1500
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Michelangelo, David,
Florence, 1501-04
Savonarola
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Michelangelo, Interior of the
Sistine Chapel, The Vatican,
Rome
Ceiling:1508-12
The Last Judgment: 1536-41
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Michelangelo, Study for the Interior of the
Sistine Chapel, The Libyan
Sibyl,1511
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Michelangelo, Sistine Chapel Ceiling, The Vatican, Rome,1508-12
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Michelangelo, Sistine Chapel,
The Libyan Sibyl,
1508-12
•Teribilita•Figura Serpentinata
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Michelangelo, Sistine Chapel,
Ignudo,1509
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Michelangelo, The Creation of Adam, 1508-12
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Michelangelo, Moses, Rome,
1513-16
•Pope Julius II
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Michelangelo, The Last
Judgment: 1536-41
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Sofonisba Anguissola, Portrait of the Artist with her Sisters, Cremona, 1555
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Michelangelo, Pieta Rodanini, Rome, 1552-
1564
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Bramante, The Tempietto,
Rome, 1502
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Temple of Hercules, Rome, 142 AD
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Old St. Peter’s Basilica, Rome, ca. 330
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Michelangelo, Design for St. Peter’s, Rome, 1547
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Bramante, Plan for St. Peter’s, 1506
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Bramante, Plan for reconstruction of
St. Peter’s Basilica, Rome, 1506
Michelangelo, Plan for reconstruction of St. Peter’s Basilica,
Rome, 1546
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Michelangelo, Design for St. Peter’s, Rome, 1547
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Carlo Maderno, Plan for reconstruction of St. Peter’s Basilica,
Rome, 1605
Michelangelo’s plan of 1546
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Michelangelo, St. Peter’s Dome and Façade, 1546-64
Carlo Maderno, 1606-12, Facade
Giacomo della Porta, 1590
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New St. Peter’s, Rome
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Giacomo della Porta, Il Gesù,
Rome, 1575-84 •Designed to reflect the significance of the Jesuit order•Combination of old and new elements•More curvilinear forms and ornament•Becomes standard type of church design for the Jesuits throughout the world
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Giovanni Bellini, San Zaccaria
Altarpiece, Venice, 1505
•Water and quality of light in Venice attracted many artists•Oil paint introduced to Venice by Antonello da Messina•Interest in light and perspective•Harmony between the colors
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Parmigianino, Madonna with the
Long Neck, Florence, 1534-40
•mannerism
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Bronzino, Allegory with
Cupid and Venus,
Florence, 1540s
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Giovanni da Bologna,
Rape of the Sabine
Women, Florence, 1581-83
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Palladio, San Giorgio Maggiore, Venice, 1565
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Palladio, San Giorgio Maggiore, Venice, 1565
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Palladio, Villa Rotonda, Vicenza, 1560s
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Pantheon, Rome, 118 AD
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Titian, Pastoral Symphony, Venice, 1510
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Titian, Venus of Urbino, Venice, 1538