a HAUGHTON FAIRSM

www.haughton.com2011

The In

terna

tion

al Fin

e Art &

An

tiqu

e Dea

lers Sh

ow

20

11

Thursday October 20: 5.45pm to 9.00pm

Friday October 21: 11.00am to 7.30pm

Saturday October 22: 11.00am to 7.30pm

Sunday October 23: 11.00am to 6.00pm

Monday October 24: 11.00am to 7.30pm

Tuesday October 25: 11.00am to 7.30pm

Wednesday October 26: 11.00am to 7.30pm

Thursday October 27: 11.00am to 6.00pm

The International

Fine Art

and

Antique Dealers

Show

The Park Avenue Armory

Park Avenue at 67th Street

New York, NY 10065

Friday October 21 through

Thursday October 27, 2011

Preview Party benefiting

The Society of

Memorial Sloan-Kettering Cancer Center

Thursday October 20, 2011

a HAUGHTON FAIRSM

ORGANISED BY:-

THE INTERNATIONAL FINE ART AND ANTIQUE DEALERS SHOWDirectors: Brian and Anna Haughton15 Duke Street, St. James’s, London SW1Y 6DB

Telephone (London): 44 (0)20 7389 6555

(New York): 1 212 642 8572

Fax (London): 44 (0)20 7389 6556

www.haughton.com email: info@haughton.com

SHOW OFFICE

Telephone (New York): 1 646 619 6030 (October 17-27)

While The International Fine Art and Antique Dealers Show Ltd, the organisers, the advisory andhonorary vetting committees of The International Fine Art and Antique Dealers Show cannot be heldresponsible for, or warrant, the genuineness or age of any article exhibited, visitors are requestedto note that all articles have been submitted for inspection by a panel of advisers to ensure, as faras possible, that they conform to the regulations laid down, and that all articles are genuinely ofthe period they represent. The organisers and/or their agents cannot be held responsible for anyitems sold at the Show. This is the sole responsibility of the dealer/dealers selling theobject/objects. Please also note that because of the early printing datelines for the catalogue, all illustrations were printed before vetting took place.

Visitors are reminded that all exhibits are for sale.

Acknowledgements:-

We would like to express our gratitude to the following for their help:-

The Park Avenue Armory

John Hamilton of Select Inc.;

Citadel Security Agency;

Our staff: Paul Crane, Felicity Glanville, Magda Grigorian (US Press Officer),

Emma Jane Haughton, Giles Haughton, Anthea Roberts,

Beverly Simpson, Richard Webster

Helena Power Catalogue Advertising

Cadman Creative Design Services Catalogue Design and Production

Phoenix Lithographing Corporation Catalogue Printers

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form or by any means without the prior permission in writing of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser.

© The International Fine Art and Antique Dealers Show Ltd, 2011

Contents

6Organisers’ Welcome

7The Vetting of a Fine Art and Antiques Fair

8The National Antique and Art Dealers Association of America, Inc.

9Memorial Sloan-Kettering Cancer Center

17German and Austrian Eighteenth-Century Sculpture and Decorative Arts:

Recent Acquisitions at The Metropolitan Museum of Art

by Ian WardropperDirector of The Frick Collection, Former Iris & B. Gerald Cantor Chairman of the

Department of European Sculpture and Decorative Arts, The Metropolitan Museum of Art

29Directory of Exhibitors

37Exhibitor Pages

117Advertisements

143Index

144Floorplan to the Show

6

Organisers’ Welcome

We are delighted to welcome you to the 23rd International Fine Art & Antique Dealers Show.

Considered the top international fair in America, The International Fine Art & Antique Dealers Show attracts a

superlative roster of exhibitors, drawn from among the most prestigious and knowledgeable art and antique dealers

in the United States and Europe. The fair takes place each year in October at the start of the Fall art, antiques and

social season in New York City and offers a second-to-none selection of works of art.

Visitors to The International Fine Art & Antique Dealers Show are privileged to be able to view and buy from among

the most important and rarest works of art currently available. The range on offer at the fair is enormously diverse,

spanning continents and millennia, cultures, materials, periods and styles and from antiquities to contemporary.

Over the last 23 years, The International Fine Art & Antique Dealers Show has evolved into more than just a

marketplace for high-end art and antiques. We are delighted that it provides a valuable international meeting ground

for a global community of collectors, curators, dealers and interior designers. For the public and the trade, it has

come to serve as an essential forum —- an exciting blend of culture and commerce through which we hope to

energize future generations of collectors and art lovers.

Every object exhibited at the Fair is rigorously examined and vetted for quality and authenticity, by our honorary

vetting committee so collectors can be assured they can buy with absolute confidence. The honorary vetting

committees are made up of advisers, museum curators and dealers. We are extremely grateful to the committee

members for giving so freely of their knowledge, expertise and time and in particular our Honorary Vetting Committee

Chairman, Edward Munves.

Finally, we look forward to seeing you here again next October to celebrate the 2012 International Fine Art and

Antique Dealers Show, which will take place 19 – 25 October 2012

Brian and Anna Haughton

Directors: The International Fine Art and Antique Dealers Show Ltd

7

The Vetting of a Fine Art and Antiques Fair

What it is and why?

It has long been standard practice at all major international fine art and antique fairs, for all exhibits to be examined

before the opening of the fair by panels of advisers, to ensure that they are accurately described and of a quality to justify

their exhibition at a prestige event.

There are separate Honorary Vetting Committees for each category, such as furniture, clocks, silver, paintings, sculpture

etc., and their membership is drawn from leading authorities in the field and includes many museum curators.

There are two main reasons for vetting.

Firstly, to reassure the public that everything submitted to the Honorary Vetting Committees conforms to the regulations

laid down and that, as far as possible, all items are authentic and of the period stated. As potential purchasers may not

have sufficient expertise themselves in a particular subject or category, this assurance of authenticity will, we hope, give

them the confidence to buy.

Secondly, vetting guarantees to all the exhibitors and to the public that standards are being maintained at a high level. It

is crucial to the commercial and academic success of such an event that its reputation for only having the best in all

categories is never compromised. The integrity of the fair and the reputation of the exhibitors is therefore ensured.

Our thanks to all the members of the Honorary Vetting Committees for their help and co-operation.

Honorary Vetting Committee Chairman

Edward Munves

8

The National Art & Antique Dealers Association of America (NAADAA) is a non-profit trade organization of the

leading dealers in the United States, with specialists in virtually all of the major collecting areas. Since our founding

in 1954, the membership, which is by invitation, has mutually pledged to adhere to the highest standards of

honorable and ethical business practice. All are recognized experts in their fields.

NAADAA is a member of CINOA (La Confédération Internationale des Négociants en Oeuvres d’Art), an international

confederation comprised of thirty-two leading associations of art and antiques dealers, from twenty-two nations.

NAADAA has enjoyed a close association with the International Fine Art and Antique Dealers Show, collaborating

with Brian and Anna Haughton at the show’s inception in 1989. Members not only exhibit, but also lend their

specialized expertise as vetters. This, New York’s first vetted show, revolutionized antiques fairs in America. It is

considered to be among the greatest of fairs, here or abroad, and this year continues the tradition of showing world

class art and antiques to collectors from all over the country and the world in vital, vibrant New York City. The

show is always a highlight of the fall season here.

NAADAA welcomes you to this wonderful show, and invites you to visit our member shops and galleries, easily

identified by the red NAADAA logo. There you will find complimentary copies of our membership directory, or visit

www.naadaa.org. We look forward to meeting you.

James McConnaughy

PRESIDENT

220 EAST 57TH STREET, NEW YORK, N.Y. 10022, USA • TELEPHONE 1 212 826 9707 FAX 1 212 832 9493 • www.naadaa.org

9

Dear Friends:

On this important occasion, it is my pleasure to welcome you to the International Fine Art and

Antique Dealers Show Preview Party. We are extremely grateful for your continued support in

making this evening possible. For the past twenty-three years, we have been proud to host this

prestigious fund-raising party, set against the backdrop of exceptional art and a superb

collection of rare, priceless and coveted objects.

Hope is at the very center of The Society of Memorial Sloan-Kettering Cancer Center’s mission.

The Society – founded in 1946 to raise funds for patient care – is a volunteer organization

dedicated to promoting the well-being of patients while at the same time, providing comfort

and caring to our patients and their families who come to the Center for treatment from all over

the world.

We are grateful to Anna and Brian Haughton for our twenty-three year partnership on this

event. On behalf of The Society, we thank this year’s sponsors of the Preview Party: David

Webb, Fiduciary Trust International, One Kings Lane, Paola Quadretti, and St. John. We also

thank ELLE DECOR for their additional support, as well as Bloomberg, and Rémy Martin and

Cointreau for their in-kind donations.

Your participation and commitment ensures that The Society’s work will continue to play a vital

role in enabling MSKCC to achieve its mission of providing hope and the best cancer care

anywhere to its patients.

Best personal regards,

Dr. Annette U. Rickel

President

10

Memorial Sloan-Kettering Cancer CenterBoard of Overseers

The Society of Memorial Sloan-Kettering Cancer CenterAdministrative Board 2011-2012

Members-At-LargeMuffie Potter AstonMrs. James Halsey BellMrs. Alan J. BlinkenMrs. Andrew M. BlumTory BurchMrs. Bryan J. CareyMrs. Michael CarrNancy CoffeyDianne G. CraryJennifer CreelMrs. Michael J.A. DarlingMrs. Marvin H. DavidsonMrs. Hilary DickWebb EgertonMrs. Thomas M. Fitzgerald IIIRuth G. FleischmannMrs. Lars ForsbergMrs. Christopher P. FullerMrs. Robert M. GardinerMrs. Mark V. GiordanoMrs. Peter S. GregoryMrs. Roger P. Griswold, Jr.Alexia Hamm RyanMrs. Andrew P. HeaneyMelanie HollandMrs. Scott C. JohnstonMrs. Kenneth JosephVictoria Greenleaf KempnerMrs. Michael KennedySuzie Kovner

Mrs. Richard S. LeFrakMrs. Roman Martinez IVMrs. Brian A. McCarthyMrs. S. Christopher Meigher IIIMrs. George F. MossMrs. George K. MossMrs. Richard T. PerkinMrs. Samuel F. Pryor IVMrs. Bambi PutnamMs. Dee Dee RicksShafi RoepersMrs. Louis RoseMrs. Benjamin M. RosenMrs. Elizabeth SavageMrs. Stephen C. Sherrill Mrs. Sean SmithMrs. Paul SorosMrs. Richard J. SterneMrs. Andrew S. ThomasBarbara Dana TollisMrs. Jerome L. VillalbaAlexis Robinson WallerMrs. Douglas A. Warner IIIMrs. Martha WebsterMrs. Thomas E. Zacharias

Sustaining BoardMrs. Andres BausiliMrs. Kevin A. BousquetteMrs. Henry R. BreckMrs. D. Wayne Calloway

Mrs. W. Ward CareyMrs. Edmund M. CarpenterNancy Mulholland ConroyMrs. James F. Curtis IIIMrs. Christopher R. DavisMrs. James H. DeanMr. Thompson DeanAntonia Paepcke DuBrulMrs. Thomas J. Fahey, Jr.Mrs. Lee M. Gammill, Jr.Mrs. Roberto de GuardiolaMrs. Peter K. HillsMrs. John S. HilsonMrs. Ann F. JefferyJulie KammererJeanette W. LoebSuzanne McDonnell LongMrs. Minot K. MillikenMrs. Charles H. MottMrs. Charles D. Peebler, Jr.Mrs. Francois de Saint PhalleMrs. Roy R. PlumEvelyn Angevine SillaLeith Rutherfurd TalamoMrs. Michael L. TarnopolMrs. Cecil WolfsonDebbie Zoullas

Advisory CouncilMrs. Rand V. AraskogMrs. Charles A. Dana, Jr.

Mrs. John R. Drexel IIIMrs. Donald B. MarronMrs. Milton PetrieLinda Gosden RobinsonMrs. H. Virgil Sherrill

Past PresidentsMrs. Coleman P. BurkeMrs. Edwin M. BurkeMrs. William M. CarsonMrs. Walter B. DelafieldMrs. Charles H. DysonMrs. Bruce A. GimbelMrs. William O. HarbachAlison Barr HowardMrs. Peter D. JonesMrs. Kerryn KingMrs. Arie L. KopelmanMrs. Thomas V. LeedsMrs. Derek L. LimbockerJean Remmel LittleMrs. M. Anthony MayMrs. Jay H. McDowellMrs. Frank A. Metz, Jr.Mrs. Bijan Safai

FounderMrs. Edward C. Delafield

Honorary Chairman of the BoardJames D. Robinson III

Chairman of the BoardDouglas A. Warner III

Vice Chairmen of the BoardRichard I. BeattieLouis V. Gerstner, Jr.

PresidentDr. Annette U. Rickel

Vice PresidentsCourtney ArnotMrs. John B. Glass, Jr.Mrs. Thomas S

TreasurerDebra L. Pipines

Assistant TreasurerMrs. Brian Snyder

SecretaryMrs. Paul C. Schorr IV

Assistant SecretaryMrs. Richard A. Miller

Frederick R. AdlerRichard I. BeattieMrs. Edwin M. BurkeMrs. John J. ByrneMrs. Joseph A. Califano, Jr.Stanley F. DruckenmillerAnthony B. EvninRoger W. Ferguson, Jr.Steve ForbesWilliam E. FordRichard N. FosterStephen FriedmanEllen V. FutterPhilip H. Geier, Jr.Louis V. Gerstner, Jr.

Jonathan N. GrayerJohn R. GunnBette-Ann GwathmeyWilliam B. Harrison, Jr.Jane D. HartleyBenjamin W. Heineman, Jr.Mrs. Ann Dibble JordanDavid H. KochMarie-Josée KravisMrs. Evelyn H. LauderMrs. Jean Remmel LittleMrs. John L. MarionPaul A. Marks, M.D.Donald B. MarronJamie C. Nicholls

James G. NivenHutham S. OlayanE. Stanley O’NealBruce C. RatnerDr. Annette U. RickelClifton S. RobbinsJames D. Robinson IIIVirginia M. RomettyBenjamin M. RosenDavid M. RubensteinJack RudinLewis A. SandersFayez S. SarofimNorman C. SelbyStephen C. Sherrill

Peter J. SolomonWilliam C. Steere, Jr.J. McLain StewartScott M. StuartCraig B. Thompson, M.D.Lucy R. Waletzky, M.D.Douglas A. Warner IIISanford I. WeillPeter A. WeinbergJon WinkelriedDeborah C. WrightJeff ZuckerMortimer B. Zuckerman

The Society of MSKCC gratefullyacknowledges the generous support of

David Webb

Fiduciary Trust International

One Kings Lane

Paola Quadretti

St. John

Sponsors of the 2011 Preview Party

With additional support from

elle decor

The Annette Urso Rickel

Foundation, Inc.

is proud to support

The Society of

Memorial Sloan-Kettering

Cancer Center

We are pleased to support

The Society of

Memorial Sloan-Kettering

Cancer Center

Mary and Marvin Davidson

We proudly support

Memorial Sloan-Kettering

Cancer Center

Thank you to the

doctors, nurses, staff,

and

The Society of MSKCC

for their dedication

and hard work.

Michel C. Witmer

The Society of MSKCC

gratefully acknowledges

the in-kind support of

Bloombergand

Rémy Martin®

and

Cointreau®

17

German andAustrian

Eighteenth-CenturySculpture and

Decorative Arts:Recent Acquisitionsat The Metropolitan

Museum of ArtIan Wardropper

Director of The Frick CollectionFormer Iris and B. Gerald Cantor Chairman of the Department of

European Sculpture and Decorative Arts, The Metropolitan Museum of Art

The Department of European Sculpture and Decorative Arts

at the Metropolitan Museum of Art is justly famed for its

French, English, and Italian collections. A series of period

rooms—The Wrightsman Galleries—are filled with some

of the most important decorative arts outside France, and

eighteenth- and nineteenth-century French masters Jean-Antoine

Houdon, Clodion, Jean-Baptiste Carpeaux, and Auguste Rodin,

among many others, are represented by marble, bronze, and

terracotta sculpture at the highest level of quality and in great

depth. Centered on period rooms by Robert Adam, the Annie Laurie

Aitken Galleries display fine British furniture, silver, and ceramics.

Italian Renaissance bronzes and maiolica, as well as important

life size statues enhance the Gubbio Studiolo and the Sagredo

Bedroom, the best Italian fifteenth-century and eighteenth-century

rooms, respectively, in the United States.

Overshadowed by these better-known holdings of the

department, German art has nevertheless been collected

assiduously from the earliest years of the Museum and with

increased zeal during the last decade. At the end of the nineteenth

century, large groups of German textiles, ironwork, medals,

cutlery, and scientific instruments were acquired, more in the spirit

of representing material culture than to mark aesthetic high points.

Beginning in the twentieth century, gifts from private collectors

conferred distinction on our holdings in certain areas. J. Pierpont

Morgan’s gifts of 1917 brought an important group of

Renaissance jewellery and metalwork, Rococo gold boxes, and

superb carvings, such as Hans Daucher’s honestone relief

Allegory of Virtues and Vices at the Court of Charles V, dated

1522. The extensive Mühsam collection of fifteenth- to nineteenth-

century glass, split evenly with the Art Institute of Chicago, entered

the Museum in 1927 with help from the Munsey Fund. The

Museum’s most significant class of German objects—works in

porcelain and pottery—was built up over half a century with gifts

or bequests of a series of stellar collections. The donors included

George B. McClelland (1942); R. Thornton Wilson (1950 and

1954); Judge Irwin Untermyer (1964 and 1970); Lesley and

Emma Sheafer (1974); Mr. and Mrs. Charles Wrightsman

(1976); Jack and Belle Linsky (1982); and Hans Syz (1995).

Many of them were not limited to ceramics: for example, the suite

of furniture made in 1763-64 for Seehof, one of the Prince-Bishop

of Würzburg’s estates, came with the Sheafer bequest and remains

an important example of German decorative arts at the Museum.

Curatorial purchases also brought major pieces of German

furniture into the Metropolitan: for example, in 1905, a Nuremberg

seventeenth-century cupboard (Fassadenschrank) (05.22.2); in

1941, from Neuwied am Rhein, David Roentgen’s rolltop desk of

about 1776-78 (41.82); and in 1989, an Augsburg mirror of

18

Figure 1: View of Gallery of Central Europe, 1700-1800, showing a suite offurniture for Seehof, circa 1763-64.

about 1710 made of various woods and decorated with

tortoiseshell, silver, and ivory (1989.20). By the end of the

1980s, German decorative arts merited a series of spaces called

Central Europe 1700-1800 within the Wrightsman Galleries

(fig.1).

German sculpture entered the collection haphazardly alongside

groups of decorative arts. Together with Judge Untermyer’s

German ceramics, English decorative art, and Italian Renaissance

bronzes came a group of northern European bronzes. The

Linskys’s gift included many ivory and boxwood carvings, a

distinctive German tradition. Yet overall, the collection lacked

examples by many of the foremost German sculptors active from

the end of the seventeenth through the eighteenth century; recently,

efforts have been made to address this shortfall.

When the Bavarian-born sculptor Balthasar Permoser (1651-

1732) returned to Germany in 1690 following fifteen years of

study and work in Italy, he became one of the most celebrated

German Baroque sculptors. Beginning in 1712, in collaboration

with the architect Matthäus Daniel Pöppelmann, he carved

exuberant exterior sculpture at the Zwinger palace in Dresden. His

colossal atlantids and other architectural ornaments supporting the

building facades are highlights of Central European art of this

period; Permoser served the Saxon court well in a variety of

media, ranging from small-scale ivories to life size stone statues.

Little documented work survives from his Italian period to

demonstrate how Permoser’s absorption of the Baroque in

Florence and Rome molded his style, one that would later become

so influential in his native land. Marsyas (fig.2) is dramatic

evidence that the artist paid close attention to the work of

Gianlorenzo Bernini. Twisting violently to one side, the satyr

screams in pain as he is flayed alive, a torture inflicted by Apollo

as punishment for daring to challenge the god to a musical

contest. He squints his eyes half-shut, and every muscle of his

face tightens around his gaping mouth. His torso is framed by the

folds of what appears to be a robe but may, in fact, be torn skin.

One edge of this material curls in to the shape of a grotesque head

in a bizarre counterpoint to the satyr’s contorted face. Even the

hair, which flickers upward in flamelike locks, suggests the heat of

the moment.

Permoser clearly took inspiration from Bernini’s Damned Soul

(circa 1619, Santa Maria di Monserrato, Rome), which similarly

19

Figure 2: Balthasar Permoser, Marsyas, circa 1680-85, marble bust. 27¾ x 16¾ x 9 inches. Rogers Fund and Harris Brisbane Dick Fund, 2002 (2002.468).

shows a man screaming, face muscles taut and hair coursing

wildly. Yet the northern sculptor was unafraid to exaggerate

features to the point of deformity and to carve details in his own

quick manner. While Bernini’s figure regards the fires of hell

openly, the eyes of Permoser’s satyr are so narrowed that he looks

more animalistic than human. In contrast to the hair of the

Damned Soul, each lock of which is perfectly chiselled, much of

Marsyas’s is deliberately left unfinished, lending the work a rough

urgency. The back of the bust is only cursorily carved and has a

square hole, suggesting that a bracket once secured the sculpture

to a wall. Its weathered condition indicates that it was out-of-doors

for part of its history. Since the bust’s exaggerated features read

well from a distance, it is possible that it was placed in a niche

high on a building facade. Toward the end of his career, this

composition still resonated in Permoser’s art. His own Damned

Soul (circa 1725, Museum der Bildenden Künste, Leipzig)

conveys long afterward, the shock he must have felt at his first

confrontation with Bernini’s masterpiece.

One of the best Bavarian Rococo artists, Ignaz Günther (1725-

1775), is known for his painted wooden saints soaring above

church altars. Like many northern sculptors, he often turned to

wood instead of the more common clay or wax, when he wished

to try out initial ideas for a lifesize statue. His small linden-wood

model for the so-called Female Saint of Starnberg (fig.3), was

whittled about 1755, shortly after the artist settled in Munich. The

figure swivels her head and right leg to her left, while her torso and

arms twist in the opposite direction. A scarf falling from the back of

her head and the swinging pleats of her robe accentuate the flurry

of movement. While the statuette’s overall form has a cubistic

massing, Günther chiselled some passages of surprising delicacy.

The saint’s right hand is a blocky form and her right leg is

rendered simply as two planes. But small shavings taken from her

shoulder animate the surface, and the facets that describe locks of

hair and the face resolve from a distance into clearly discernible

features. Like the abbreviations of a pen and ink drawing on paper,

the flicks of the chisel create an abstract impression of form.

20

Figure 3. Ignaz Günther, Model for theso-called Female Saint of Starnberg, circa1755, linden wood statuette. 8⅛ x 4 x 2¾ inches. European Sculptureand Decorative Arts Fund, 2008(2008.28).

Figure 4. Franz Xaver Messerschmidt, A Hypocrite and aSlanderer, circa 1770-83, tin-alloy bust. 14 9⁄16 x 9⅝ x 11⅝ inches. Purchase, European Sculptureand Decorative Arts Fund; Lila Acheson Wallace, Mr. andMrs. Mark Fisch, and Mr. and Mrs. Frank E. Richardson,Gifts, 2010 (2010.24).

Two wooden models for the Female Saint of Starnberg are

known. The other one (Bayerisches Nationalmuseum, Munich) is

slightly more schematic; comparison of the two clarifies the

evolution of Günther’s creative process as he developed the

statue’s form and composition. In the final work (Stadtisches

Heimatmuseum, Starnberg), the sculptor created a more ethereal

body and emphasized the saint’s upward motion. The original

context of the Starnberg statue is unknown, but the saint must

have formed part of an altarpiece, as did so many of Günther’s

works, and there the rhythm of the pose responded to the

movements of the other holy figures.

One of the most intriguing, if enigmatic, sculptors from the

Germanic region was Franz Xaver Messerschmidt (1736-1783).

In a rather florid late Baroque style, he created statues and busts

of the Emperor and Empress as well as other members of the

Imperial Court in Vienna in the 1760s. A 1765 trip to Rome

swayed him to the nascent Neoclassical style. In the early 1770s,

he was denied a prestigious position as professor at the Austrian

academy of fine arts; this misfortune aggravated by what may

have been a mental breakdown, precipitated his departure from

the capital. He sought work in Munich but eventually settled in

Pressburg (now Bratislava), where he remained until his death.

There he concentrated on an obsessive project, a series of

character heads, completing about seventy of them in unique soft-

metal casts or in alabaster. These studies, some clearly self-

portraits, others indirectly so, ranged from straightforward

expressions of mood; to caricatural representations of men

responding to a stimulus—yawning or reacting to a strong odor;

to hyperserious studies of mental, often introspective, states.

A Hypocrite and a Slanderer (fig.4) was given its title when

forty-nine of the busts were first publicly exhibited ten years after

the artist’s death. This balding, blocky man tucks in his chin,

causing wrinkles to form in the flesh of his neck and chest.

Creases of skin radiate symmetrically from his mouth and around

his jowls. Seen from the side, the bust becomes a blunt image of

a rectangular head tipping forward on a socle that evolves into

shoulders. The abstraction of the subject’s concentric wrinkles and

profile coexists with intensely naturalistic details, such as the

stubble of hair meticulously punched into his scalp.

Messerschmidt’s formal experiment in this bust deepens the

disturbing psychological state represented; it is one of the most

powerful and introspective of the series. Recent exhibitions of the

artist’s work have suggested that he was conversant with various

scientific theories of the day, such as the Swiss physiognomist

Johann Kaspar Lavater’s thesis that a person’s character could be

gauged by the shape of his head, or the Viennese physician Franz

Anton Mesmer’s belief that celestial bodies influence human

instincts and that the senses are connected to internal organs,

influencing an individual’s character. The meaning of these works

will no doubt continue to be debated, but it is clear that

Messerschmidt produced one of the most provocative and

forward-looking series of character heads in the history of

sculpture.

One very recent acquisition brings the Museum’s collection of

German sculpture to the end of the eighteenth century. Philipp

Jakob Scheffauer (1756-1808) worked alongside his rival,

Heinrich Dannecker, for the court of Württemberg, carving busts of

Duke Karl Eugen and prominent citizens, as well as creating

decorations for castles around Stuttgart. One of this Neoclassical

sculptor’s specialties was the carving of small-scale marble

reliefs—often illustrating stories from antiquity—for the intimate

chambers favored in private residences of the period. In 1803

Friedrich III, duke of Württemberg, purchased Scheffauer’s Sappho

and Ariadne Abandoned on Naxos to decorate his mahogany-

panelled library at Schloss Monrepos, near Ludwigsburg. Signed

and dated 1794, the bas-relief of Artemisia in Mourning (fig.5)

was clearly intended for such a location, though its first

destination is unknown. In March 1794, Scheffauer wrote to his

mentor Professor Oberthür, that he was seeking a buyer for his

bas-relief of Artemisia. Queen of Caria from 352 to 350 B.C. and

widow of King Mausolus, Artemisia was famous for building the

21

Figure 5. Philipp Jakob Scheffauer, Artemisia in Mourning, 1794, marble relief.19¾ x 11¾ x 2 inches. Purchase, Anna-Maria and Stephen Kellen FoundationGift, 2010 (2010.228).

22

Figure 6. Toilet Service with Leather Case, German (Augsburg), circa 1743-45,silver gilt, hard-paste porcelain and other media; case 16½ x 28 inches.Purchase, Anna-Maria and Stephen Kellen Foundation Gift, in memory of

Stephen M. Kellen, 2005 (2005.364.1-48).

23

Mausoleum, her husband’s tomb, at Halicarnassus, one of the

wonders of the ancient world. Evidently, the queen was still held to

be exemplary in Germany in the early nineteenth century, since

Johann Wolfgang von Goethe’s 1809 novel Die

Wahlverwandtschaften (Elective Affinities) includes a scene at a

party in which one character adopts the role of Artemisia in a

tableau vivant. In Scheffauer’s compact composition, Artemisia’s

robe winds around the urn containing her husband’s ashes, while

her controlled grief is conveyed by the limp arm dangling in the

center of the relief. Scheffauer’s artistic formation owed much to

the example of his teacher in Paris, Augustin Pajou, and to his

study of antiquities in Rome, but he perfected his own exquisite

carving technique to convey his evocations of the ancient world

tinged with a romantic sensibility.

Complementing these significant additions to the Museum’s

collection of sculpture are several recently acquired masterpieces

of German or Austrian decorative art. Chief among them is a

magnificent toilet service made in Augsburg between 1743 and

1745 (fig. 6). Such elaborate sets were often gifts (Morgengabe)

made by a husband to his wife the morning after their wedding.

Named for the French word toile, the tissue or lace on which the

implements of the service would be laid out on a lady’s dressing

table, the toilet service became an important part of the ceremony

of dressing. The largest element was a mirror, but dozens of co-

ordinated boxes, an ewer and basin, candlesticks, écuelles

(covered bowls), brushes, pin cushions, and beakers traditionally

composed the set, along with items specially included to please

the recipient; for example, cups and pots for either coffee or tea

would be added, depending on the intended user’s preference.

Since these services often had to be produced quickly as well as

meet the exacting standards of aristocratic clients, many of the

best goldsmiths would be mobilized to complete them by the

appointed day; in this instance, fourteen maker’s marks have been

identified on the forty-eight pieces. The idea behind toilet services

came from France, and the style of this one also derives from

French ornamental inventions, though clearly marked by the

Augsburg manner. Formal motifs of spiral and S-shaped flutes

connect the various components of the service. Rocaille

formations are highlighted against matted, punched grounds. All

of the pieces fit compactly into their original tooled leather case

with lid and hinged doors. The arms engraved on the cutlery

belong to Philipp Franz Anton Freiherr von Harff zu Dreiborn

(1722-1778), the head of an affluent noble German family. His

granddaughter Maria Charlotte Antonia married Adam Friedrich

Freiherr Schenk von Stauffenberg, who must have given her this

set, which he either purchased or inherited. It remained in the

Stauffenberg family until the late 1990s.

Another work of Augsburg silver is the tureen and stand made

by Bernhard Heinrich Weyhe (1702-1782) in 1769-71 (fig.7).

Besides toilet services, Augsburg goldsmiths, specialized in

Figure 7. Tureen and Stand, German (Augsburg), maker: Bernhard H. Weyhe,1699-71, silver, silver-gilt. Tureen: 10¾ x 18 x 8⅜ inches, Stand: 21 x 12⅝ inches. Wrightsman Fund, 2009 (2009.263a-c).

24

magnificent table decorations. The tureen’s oblong stand

(présentoir) has a raised curvature decorated with floral relief

scrolls and rocaille formations that merge into openwork trellis

handles. The oval tureen is supported by four cast openwork feet.

Sprays of embossed and cast floral motifs cover the lower part of

the bulging forms and harmonize with the bracket handles.

Crowning the lid is Weyhe’s signature motif, a sculptural finial. A

young lady dressed for hunting sits against a short tree on a rocky

platform; she holds a hooded falcon, while behind her a fox barks.

Falconry was an aristocratic pursuit in which women participated.

The falcon’s prey would have been small birds, a possible allusion

to the game stew served in the tureen at hunting banquets, which

were often elaborate court rituals.

Weyhe’s silver vessels were owned by some of the foremost

patrons of the day. About 1760, for the Prince-Bishop of

Hildesheim, the goldsmith made such a service, part of which is

now in the collection of the Bayerisches Nationalmuseum in

Munich. In the same period when he made the present tureen and

stand Weyhe executed a table service for Adam Friedrich von

Seinsheim, Prince-Bishop of Würzburg and Bamberg, now in the

Royal Schatzkammer in Munich. The Museum’s tureen and stand

lacks an inventory number and may not be part of an extensive

service but rather an individual parade object.

Two pieces of silver recently acquired by the Museum, Ignaz

Joseph Würth’s wine coolers (fig. 8), were certainly part of an

elaborate service, known as the Second Sachsen-Teschen Service.

An exhibition organized recently by Wolfram Koeppe at the

Metropolitan Museum and shown in different form at the

Liechtenstein Museum in Vienna reconstituted that important set of

silver, which Würth began to work on in 1779 and completed in

1781. Dependent leaves cover the stem, which supports the

heavily gadrooned lower body. Lion skins wrap around the center

of the body, as if insulating the cooler’s contents, their tails

amusingly looping to form handles. Thyrsi, panpipes, and

tambourines allude to the Bacchic rites, which wine accompanied.

Grapevines circle the top of the crater-shaped vases. The

sculptural forms and extensive Neoclassical ornamentation seen

on the wine coolers appear in various combinations on the

tureens, écuelles, candlesticks, and many other components of the

service. While its overall style owes much to French Neoclassical

design, a daring interplay of motifs and whimsical sculptural

forms enliven this Viennese interpretation of that style.

A landmark in the history of eighteenth-century decorative arts,

this service was commissioned by Duke Albert Casimir of

Sachsen-Teschen (d. 1822) and his consort, Archduchess Maria

Christina of Austria (d. 1798), sister of Queen Marie-Antoinette

and daughter of Empress Maria Theresa. Created about the time

that the Duke and Duchess were appointed joint governors of the

Austrian Netherlands, the set, originally consisting of dozens of

pieces, reflects the imperial grandeur of their household.

Distinctive statements of Viennese silver craftsmanship, the

Museum’s wine coolers are two of only a handful of pieces from

the service in the United States.

The Metropolitan Museum has deep holdings of German

porcelain, especially of porcelain from Meissen but also the

production of other factories in Germany and Austria. Vessels and

figural compositions of nearly every type can be seen in our

galleries, but until 2002 we lacked an example of porcelain wall

lights. A pair made in the Royal Porcelain Manufactory in Berlin

during the 1760s (fig. 9), were thus a splendid addition to our

collection. The great proponent of the Rococo style in Germany,

Frederick the Great, King of Prussia, established the manufactory

in 1763, and several tour-de-force objects, including chandeliers

and wall lights, were subsequently made for him. The decorations

for his Neues Palais (New Palace) in Potsdam (1763-69)

integrated furnishings with stucco or painted wall treatments in a

highly original fashion. Francophile in his tastes, Frederick

nonetheless promoted a distinct style that came to be known as

Frederician Rococo, favoring high-key colors and asymmetrical

arrangements. It is evident in these wall lights that feature

porcelain backplate shields, which support twisting gilt-bronze

branches terminating in porcelain drip pans and candle sockets.

The naturalistic flowers around and below the brackets are painted

in vibrant hues.

Only one other pair of wall lights in this model is known, in the

Belvedere at Schloss Charlottenburg, Berlin. One of the gilt-bronze

branches of a porcelain chandelier now at Huis Doorn, in the

Netherlands, but originally ordered by Frederick for the Neues

Palais, bears the signature of Pierre Geoffrey, the leading bronze

worker at the Berlin Porcelain Manufactory. Its similarity to the

Metropolitan Museum’s pair of lights helps to date both works to

the period between Frederick’s purchase of the manufactory in

1763 and Geoffrey’s death in 1765. Frederick gave a number of

these sumptuous decorations to courts throughout Europe, and it

seems likely that the Museum’s wall lights were among them.

One final work adds variety and depth to the department’s

Figure 8. Wine Cooler, Austrian(Vienna), maker: Ignaz JosephWürth, 1781, silver. 1115⁄16 x 9⅞inches. Purchase, Anna-Maria andStephen Kellen Foundation Gift, 2002(2002.265.1,2).

25

strong collection of furniture produced by David Roentgen (1743-

1807), who with his father Abraham, managed one of Europe’s

most successful cabinetmaking enterprises. This mechanical

gaming table, dating from 1780-83 (fig. 10) is a superb example

of Roentgen’s Neoclassical style as well as of his imaginative

mechanical inventions. Multifunctional gaming tables were often

seen in houses of the wealthy during the 1700s. In the intimate

salons favored in the last decades of the century, a table that took

up little space, when closed, but could open to perform various

functions was especially appreciated. The triple top of this piece

converts to a card-playing area, to a marquetry chessboard, and

to a writing surface. A spring-driven pop-up box rises to permit

backgammon-playing; compartments slide out to contain game

pieces; and the gate leg adjusts to support the leaves in different

positions. In contrast to the ingenious and elaborate mechanisms

hidden within the table, its ornamentation is simple. Working in

the restrained Neoclassical style, Roentgen banished the fanciful

marquetry seen on earlier furniture, such as his aforementioned

rolltop desk of about 1776-78, in favor of broad passages in

which the grain of mahogany is sufficient decoration, enhanced by

severe gilded moldings and brass and gilt-bronze mounts. Over

the course of his career, Roentgen streamlined the design of his

pieces and simplified component parts for ease of shipping and

reassembly. Roentgen’s tables were sought throughout Europe,

making the gaming table’s installation in the Bordeaux Room in

the Museum’s Wrightsman Galleries entirely appropriate. The full

measure of this cabinetmaker’s sumptuous surfaces, mechanical

ingenuity, and modern approach to furniture assembly will be

evident in an exhibition of his work, scheduled to open in October

2012 at the Museum.

Recent collecting in the department reflects the strength of

regional centers of the arts in Germany and Austria in the

eighteenth century. Works in marble, wood, and metal by artists

associated with Dresden, Munich, Vienna, and Stuttgart have

expanded the range and raised the quality of the sculpture found

in our galleries. In the decorative arts, the most notable advance

has been in the area of silver, as a number of works at the highest

level of achievement have entered the collection. In the fields of

26

Figure 9. Pair of Wall Lights, Germany (Berlin, RoyalPorcelain Manufactory), circa 1765, hard-paste porcelain,

gilt bronze. H. 18½ inches. Wrightsman Fund, 2002(2002.437.1,.2).

27

Figure 10. Mechanical Gaming Table, German (Neuwied am Rhein), maker: David Roentgen, circa 1780-83, oak, walnut, veneered with mahogany,maple, holly; leather; iron and steel fittings; brass and gilt bronze mounts.Overall: 3013⁄16 x 3811⁄16 x 19½ inches. Pfeiffer Fund, 2007 (2007.42.1a-e, .2a-o, aa-nn)

ceramics and furniture, similar additions have deepened already

considerable holdings. Other Museum departments, notably

Drawings and Prints, have recently also made concerted efforts to

acquire German art. Visitors to the Museum can now appreciate

more fully the high points of artistry from this great tradition.

Recent Related LiteratureIan Wardropper, European Sculpture, 1400-1900, in The Metropolitan Museumof Art: Highlights of the Collection, New York: Metropolitan Museum of Art, 2011.Daniëlle O. Kisluk-Grosheide, Wolfram Koeppe, and William Rieder, EuropeanFurniture in The Metropolitan Museum of Art: Highlights of the Collection, NewYork: Metropolitan Museum of Art, 2006.Wolfram Koeppe, Vienna Circa 1780, An Imperial Silver Service Rediscovered,New York: Metropolitan Museum of Art, 2010.Daniëlle Kisluk-Grosheide and Jeffrey Munger, The Wrightsman Galleries ofFrench Decorative Arts, New York: Metropolitan Museum of Art, 2010, pp. 36-37.Metropolitan Museum of Art Bulletin, vol. LXI, no. 2 (Fall 2003), pp. 22, 24-25,26; vol. LXIV, no. 2 (Fall 2006), pp. 40-41; vol. LXV, no. 2, (Fall 2007), p. 34;vol. LXVI, no. 2 (Fall 2008), p. 27; vol. LVIII, no. 2 (Fall 2010), pp. 42, 44.

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29

Exhibitors

30

A La Vieille Russie, Inc. • F1 • page 37

781 Fifth Avenue, New York, NY 10022, USATelephone 1 212 752 1727 www.alvr.com email: alvr@alvr.com

European and American antique jewellery, Fabergé, gold snuffboxes andobjets de vertu, Russian decorative and fine arts, including porcelain,glass, furniture, silver, paintings and icons

Agnew’s • E10 • page 38

35 Albemarle Street, London W1S 4JD, UKTelephone 44 (0)20 7290 9250 Fax 44 (0)20 7629 4359www.agnewsgallery.co.uk email: agnews@agnewsgallery.co.ukGallery personnel: Julian Agnew, Christopher Kingzett, Gabriel Naughton

Old Master paintings and drawings, English paintings and drawings

Luis Alegria • G6 • pages 40-41

Av. Dr. Antunes Guimaraes 142, Porto 4100-073, PortugalTelephone 351 917 600 126 Email: luis.alegria@iol.ptGallery personnel: Luis Alegria

Antiquariaat Forum BV • C2 • page 39

Tuurdijk 16, 3997 MS ‘t Goy-Houten, The NetherlandsTelephone 31 (0)30 6011955 Cell +31 (0) 654680366 Fax 31 (0)30 6011813www.forumrarebooks.com email: info@forumrarebooks.comGallery personnel: Laurens Hesselink

Specialises in colour plate books, early printing, natural history, science,travel and voyages

Apter-Fredericks Ltd • D11 • page 42

265-267 Fulham Road, London SW3 6HY, UKTelephone 44 (0)20 7352 2188 Cell 1 917 696 4063 www.apter-fredericks.com email: antiques@apter-fredericks.comGallery personnel: Harry G. Apter, Guy D. Apter

18th and 19th century English furniture, mirrors, chandeliers, lustres andobjects; Chinese Canton and cloisonné enamel

Ariadne Galleries • D12 • page 43

11 East 76th Street, New York, NY 10021, USATelephone 1 212 772 3388 Fax 1 212 517 7562www.ariadnegalleries.com email: info@ariadnegalleries.comGallery personnel: Torkom Demirjian (President), James, Paul and

Gregory Demirjian

Greek, Roman, Near Eastern, and Asian antiquities

Anne Autegarden • F3 • page 44

100 Rue de Stassart, Brussels 1050, BelgiumTelephone 32 (0)2512 0658 Cell 32 (0)477 228358 Fax 32 (0)2512 0658www.autegarden.com email: info@autegarden.comGallery personnel: Anne Autegarden, Nadine Huyghens

Specialists in Italian design from 1905-1980 and also Belgian, Frenchand American furniture of the 20th century

H. Blairman & Sons Ltd • B16 • page 45

PO Box 6374, London W1A 3UR, UKTelephone 44 (0)20 7493 0444 Fax 44 (0)20 7495 0766www.blairman.co.uk email: blairman@blairman.co.ukGallery personnel: Martin P Levy (Director)

19th century furniture and works of art

J.H. Bourdon-Smith Ltd • B6 • page 46

24 Mason’s Yard, Duke Street, St James’s, London SW1Y 6BU, UKTelephone 44 (0)20 7839 4714 Cell 44 (0)7876 503146 Fax 44 (0)20 7839 3951Email: enquiries@bourdonsmith.co.ukGallery personnel: John H. Bourdon-Smith, Edward J. Bourdon-Smith

Silver specialists in early spoons, collectables and objects from theGeorgian and Victorian periods, with an emphasis on English, Scottishand Irish silver including all the provincial centres of the British Isles

W. M. Brady & Co • D4 • page 47

22 East 80th Street, New York, NY 10075, USATelephone 1 212 249 7212 Fax 1 212 628 6587Email: markcwmbrady.com or lauracwmbrady.comGallery personnel: Mark Brady, Laura Bennett

Old Master and 19th century paintings, drawings and sculpture

Thomas Coulborn & Sons • E5 • pages 48-49

Vesey Manor, Sutton Coldfield, West Midlands B72 1QP, UKTelephone 44 (0) 121 354 3974 Fax 44 (0) 121 354 4614 www.coulborn.com email: jc@coulborn.comGallery personnel: Jonathan Coulborn

Antique furniture and works of art from 18th century to the Regencyperiod, predominantly English but also including Chinese Export,Russian and European

Sandra Cronan Ltd • A14 • page 52-53

First Floor, 16 Albemarle Street, London W1S 4HW, UKTelephone 44 (0)20 7491 4851www. sandracronan.com email: enquiries@sandracronan.comGallery Personnel: Sandra Cronan, Catherine Taylor

Fine antique and period jewels dating from 17th–20th centuries

Directory of Exhibitors

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Galerie Chenel • D6 • page 50

6 Rue de Beaune, 75007 Paris, FranceTelephone 33 (0)14297 4409 Cell 33 (0)607 364384 Fax 33 (0)14297 4417www.galeriechenel.com email: galeriechenel@aol.com Gallery personnel: Ollivier Chenel, Adrien Chenel, Gladys Chenel,

Alain Chenel

Established in Paris for more than 10 years, Galerie Chenel specialises inantiquities with a particular emphasis on Roman sculpture, combiningclassical objects in a contemporary setting.

Daniel Crouch Rare Books • C2 • page 51

4 Bury Street, St James’s, London SW1Y 6AB, UKTelephone 44 (0)20 7042 0240 Cell +44 (0)7766 751391www.crouchrarebooks.com email: info@crouchrarebooks.comGallery personnel: Daniel Crouch

Antique atlases, maps, plans, sea charts, globes and voyages datingfrom the 15th–19th century

Douglas Dawson Gallery • A5 • page 54

400 North Morgan Street, Chicago, IL 60642, USATelephone 1 312 226 7975 Fax 1 312 226 7974www.douglasdawson.com email: info@douglasdawson.com Gallery personnel: Douglas Dawson, Wallace Bowling

Ancient and historic non-western art, from Africa, Asia and the Americas.

Peter Finer • D1 • page 56

38 & 39 Duke Street, St James’s, London SW1Y 6DF, UKTelephone 44 (0)20 7839 5666 Fax 44 (0)20 7839 5777From USA & Canada:Telephone & Fax 1 800 270 7951www.peterfiner.com email: gallery@peterfiner.comGallery personnel: Peter Finer, Redmond Finer

Antique arms, armour and related objects

Gander & White Shipping Ltd

Unit 1, St Martin’s Way, Wimbledon, London SW17 OJH, UKTelephone 44 (0)20 8971 7160 Fax 44 (0)20 8946 8062www.ganderandwhite.com email: oliver.howell@ganderandwhite.comGander & White Shipping Ltd21-44 44th Road, Long Island City, NY 11101, USATelephone 1 718 784 8444 Fax 1 718 784 9337www.ganderandwhite.com email: michael.jaque@ganderandwhite.com

Bernd Goeckler Antiques, Inc. • D9 • pages 58-59

30 East 10th Street, New York, NY 10003, USATelephone 1 212 777 8209 Fax 1 212 777 8302www.BGoeklerAntiques.com email: BGAntiques@mac.com Gallery personnel: Bernd Goeckler, Mike Freels, Sylvanus Shaw,

Katja Hirche, Dane Pressner and Gertie Lurie

High-style European furniture,llighting and decoration from the 20th century.

Michael Goedhuis • D3 • page 57

Flat 3, 61 Cadogan Square, London SW1X 0HZ, UKTelephone 44 (0)20 7823 1395 Cell 44 (0)7760 625 375Fax 44 (0)20 7823 2794 www.michaelgoedhuis.com email: london@michaelgoedhuis.com Gallery personnel: Michael Goedhuis, Joanna Sparber, Guilia Derege

Chinese contemporary ink painting, Archaic & later Chinese Bronzes,Japanese Bronzes

Bernard Goldberg Fine Arts, LLC • B15New York , USATelephone 1 212 813 9797 Fax: 1 212 813 9876www.bgfa.com email: info@bgfa.com

American paintings, drawings, watercolours and sculpture from1900–1950

Dr Jörn Günther Rare Books AG • A8/9 • page 60

Mosboden 1, 6063 Stalden, SwitzerlandTelephone 41 41 669 7000 Fax 41 41 669 7001www.guenther-rarebooks.com email: info@guenther-rarebooks.com Gallery personnel: Dr Jörn Günther

Medieval and Renaissance manuscripts, miniatures, incunabules andillustrated early printed books

Hancocks • B2 • page 61

52 & 53 Burlington Arcade, London W1J OHH, UKTelephone 44 (0)20 7493 8904 Fax 44 (0)20 7493 8905www.hancocks-london.com email: info@hancocks-london.comGallery personnel: Stephen Burton, Duncan Semmens

Antique and 20th century jewellery especially from major European andAmerican houses,as well as selected fine silver and objets d’art

Brian Haughton Gallery • E1 • pages 62-65

15 Duke Street, St James’s, London SW1Y 6DB, UKTelephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556www.haughton.com email: gallery@haughton.comGallery personnel: Brian Haughton, Paul Crane

English and Continental ceramics

Directory of Exhibitors

32

Jeffrey Beal Henkel • J1

82 Poor Farm Road, Pennington, NJ 08534, USATelephone 1 609 306 4996 Cell 1 609 306 4996Fax 1 609 537 1287Email: henkel.Jeffrey@gmail.comGallery personnel: Jeffrey Beal Henkel

Garden objects and statuary

Hostler Burrows • C4 • page 66

104 Franklin St, New York, NY 10013, USATelephone 1 212 343 0471 Fax 1 212 343 0472www.hostlerburrows.com info@hostlerburrows.comGallery personnel: Kim Hostler, Juliet Burrows

20th century furniture, decorative arts, specialising in studio ceramicswith an emphasis on Scandinavian

Hyde Park Antiques, Ltd • D8 • page 67

836 Broadway, New York, NY 10003, USATelephone 1 212 477 0033 Fax 1 212 477 1781www.hydeparkantiques.com email: info@hydeparkantiques.comGallery personnel: Bernard Karr, President

Founded in 1965, specialising in the finest 18th and early 19th centuryEnglish furniture, sporting art, 18th century Chinese export porcelainand English ceramics

Hyland Granby Antiques • B13 • page 68

PO Box 457, Hyannis Port, MA 02647, USATelephone 1 508 771 3070 Cell 1 508 878 4400 Fax 1 508 778 4842www.hylandgranby.com email: alan@hylandgranby.comGallery personnel: Alan Granby, Janice Hyland

18th and 19th century maritime artifacts and paintings, includingwoodcarvings such as eagles, cannons, ship clocks, etc.

Il Quadrifoglio SRL • D7 • page 69

Via Carlo Pisacane 40, 20129 Milan, ItalyTelephone 39 02 2951 80 31 Cell 39 3353 71907www.galleriailquadrifoglio.it email: ilquadrifogliomilano@libero.itGallery personnel: Augusto Brun, Marco Brun, Pilar Pandini

17th and 18th century Italian furniture and works of art

Japonesque • E3 • page 70

824 Montgomery Street, San Francisco, CA 94133, USATelephone 1 415 391 8860 Cell 1 415 533 5151Fax 1 415 391 3530 Email: koichihara@earthlink.netGallery personnel: Koichi Hara

Japanese and international contemporary works of art and antiques

Jane Kahan Gallery • G3 • page 71

922 Madison Avenue, New York, NY 10021, USATelephone 1 212 744 1490 Fax 1 212 744 1598www.janekahan.com email: janekahan@janekahan.comGallery personnel: Jane Kahan, Charles Mathes

20th century European and American Masters: paintings, prints,sculpture, ceramics, tapestries

Kentshire • A3/4 • pages 72-73

700 Madison Avenue, New York, NY 10065, USATelephone 1 212 421 1100 Cell 1 646 704 3224 Fax 1 212 421 1180www.kentshire.com email: info@kentshire.comGallery personnel: Robert Israel, Fred Imberman, Matthew Imberman,

Ellen Israel, Marcie Imberman, Carrie Imberman

18th and early 19th century English furniture and objects. Antique and20th century jewellery

Keshishian • A15 • page 74

73 Pimlico Road, London SW1W 8NE, UKTelephone 44 (0)20 7730 8810 Fax 44 (0)20 7730 8803andBy appointment in New YorkTelephone 1 212 956 1586www.keshishiancarpets.com email: info@keshishiancarpets.comGallery personnel: Arto Keshishian, Eddy Keshishian

Antique carpets (European and Oriental). European tapestries andneedlework. 20th century arts and crafts, art deco carpets, modernmaster tapestries

Jack Kilgore & Co, Inc • E11 • page 75

154 East 71st Street, New York, NY 10021, USATelephone 1 212 650 1149 Fax 1 212 650 1389www.kilgoregallery.com email: info@kilgoregallery.comGallery personnel: Jack Kilgore, Kay Fausel

Old Masters, specialising in 16th and 17th century Dutch and Flemishpaintings and 19th century European

Koopman Rare Art • D10 • page 76

The London Silver Vaults, 53-64 Chancery Lane, London WC2A 1QS, UKTelephone 44 (0)20 7242 7624 Cell 44 (0)783629 5309Fax 44 (0)20 7831 0221www.koopmanrareart.com email: enquiries@koopmanrareart.comGallery personnel: Lewis Smith, Timo Koopman

Antique silver and objets d’art

Directory of Exhibitors

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Gallery Lefebvre • B11 • pages 78-79

15 Rue du Pré aux Clercs, 75007 Paris, FranceTelephone 33 14548 1813 Cell 33 69802 1813 Fax 33 14548 0469www.gallery-lefebvre.com email: gallerylefebvre@gmail.comGallery personnel: Romain Lefebvre, Hillary Keeguin, Yana Mihailuka

20th century decorative arts: furniture, paintings, sculpture andphotography

Martin Du Louvre • E7 • page 77

69 rue du Faubourg Saint Honoré, 75008 Paris, FranceCell 33 (0)68017 5101 Fax 33 (0)1 40170810www.martindulouvre.com email: info@martin.du.louvre.comGallery personnel: David Le Louarn

19th an 20th century paintings, drawings, sculpture and photography

H.M. Luther • G1 • page 80

The Carlyle, 35 East 76th Street, New York, NY 10021, USATelephone 1 212 439 7919 Fax 1 212 439 0966andGreenwich Village, 61 East 11th Street, New York, NY 10003, USATelephone 1 212 505 1485 Fax 1 212 505 0401www.hmluther.com email: info@hmluther.comGallery personnel: Daniel Harrison, Scott Vanderhamm, James Harrison,

Jean Tucker

18th, 19th and 20th century European and Asian furniture, decorationsand works of art; Russian and Swedish; French and Italian; Chineseand Japanese

MacConnal-Mason Gallery • G5 • page 81

14 & 17 Duke Street, St James’s, London SW1Y 6DB, UKTelephone 44 (0)20 7839 7693 Fax 44 (0)20 7839 6797www.macconnal-mason.com email: fineart@macconnal-mason.comGallery personnel: David L. Mason OBE, David M. Mason,

Marcus Halliwell, Simon Carter

19th and 20th century British and European paintings and sculpture,including 19th century Dutch romantic, Victorian and British sportingpaintings, Post-Impressionist and modern British paintings

Maison Gerard • G2 • pages 82-83

43 & 53 East Tenth Street, New York, NY 10003,USATelephone 1 212 674 7611 Fax 1 212 475 6314www.maisongerard.com email: home@maisongerard.comGallery Personnel: Gerard Widdershoven, Benoist F Drut,

Christopher Knight, Margaret S Kim, Heather Kristensen

Specialising in fine 20th century and contemporary European furnitureand decorative arts.

Mallett Inc • E12 • pages 84-85

929 Madison Avenue at 74th Street, New York, NY 10021, USATelephone 1 212 249 8783 Fax 1 212 249 8784www.mallettantiques.com Gallery personnel: Henry Neville, João Mãgalhaes and Gutierrez-Folch

18th and 19th century English and Continental furniture, glass, works ofart, fine paintings and watercolours

Lillian Nassau LLC • G8 • page 86

220 East 57th Street, New York, New York 10022, USATelephone 1 212 759 6062 Cell 1 917 863 5649Fax 1 212 832 9493www.lilliannassau.com email: info@lilliannassau.comGallery Personnel: Arlie Sulka, Eric Silver

Tiffany Studios lamps, glass, ceramics, windows and metalwork;European and American decorative arts and sculpture of the late 19thand early 20th century; mid-century modern furniture

Jill Newhouse • C6 • page 87

4 East 81st Street, New York, NY 10028, USATelephone 1 212 249 9216 Fax 1 212 734 4098www.jillnewhouse.com email: maildrop@jillnewhouse.comGallery personnel: Jill Newhouse, Christa Savino

Specialising in works on paper by Modern Masters

Frank Partridge • E6 • page 88

7 Thurloe Square, London SW7 2TA, UKTelephone 44 (0)20 7225 3654 Cell 44 (0)7801 480548 Fax 44 (0)20 7581 9387www.frankpartridge.org email: mail@frankpartridge.netGallery personnel: Frank Partridge, Susan Partridge

English and French furniture;French clocks

Ronald Phillips Ltd • B3/4 • pages 90-91

26 Bruton Street, London W1J 6QL, UKTelephone 44 (0)20 7493 2341 Fax 44 (0)20 7495 0843www.ronaldphillipsantiques.com email: advice@ronaldphillips.co.ukGallery personnel: Simon Phillips, Christopher Johnstone

18th and 19th century English furniture, clocks, barometers, glass andworks of art

Directory of Exhibitors

34

Phoenix Ancient Art • E2 • page 89

47 East 66th Street, New York, NY 10065, USATelephone 1 212 288 7518 Cell 1 917 570 7318 Fax 1 212 288 7121www.phoenixancientart.com www.e-tiquities.com Email: info@phoenixancientart.comand6 rue Verdaine, 1211-3 Geneva, SwitzerlandTelephone 41 (0)22 318 8010 Fax 41 (0)22 310 0388www.phoenixancientart.com email: paa@phoenixancientart.comGallery personnel: Hicham Aboutaam, Emily Davis (New York);

Ali Aboutaam, C.Michael Hedqvist (Geneva)

Art from Western civilisations, including the ancient Mediterranean,Mesopotamia, Egypt and the Islamic world, as well as Byzantium andEuropean works of art

Galerie Du Post-Impressionnisme • A12 • pages 92-93

14 Avenue Matignon, Ile de France, 75008 Paris, FranceTelephone 33 (0)15624 0708 Cell 33 (0)60772 1640Fax 33 (0)1 4634 8983www.postimpressionnisme.net email: info@postimpressionnisme.netGallery personnel: Camille Meyneng, Director, Claire Marc, Assistant

Director, Alexandre Mibus, Assistant Director

The gallery represents the post-Impressionist movements, including worksfrom the Fauvist and Pointillist movements, as well as works froml’école de Pont-Aven and the Nabis group

Potterton Books • B7 • page 94

The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UKTelephone 44 (0)1845 501218 Fax 44 (0)1845 501439www.pottertonbooks.co.uk email: ros@pottertonbooks.co.ukGallery personnel: Clare Jameson

International booksellers of new and unusual out of print titles,specialising in architecture, design, interior decoration, antiques andthe fine and decorative arts

Primavera Gallery NY • F7 • page 95210 11th Avenue (25th Street) Suite 800, New York, NY 10001, USATelephone 1 212 924 6600 Fax 1 212 924 6602www.primaveragallery.com email: contact@primaveragallery.com Gallery personnel: Audrey Friedman, Haim Manishevitz

20th century decorative arts movements including furniture, glass,ceramics, silver and metal, sculpture, paintings. Fine jewellery from1800 – contemporary

Raffety & Walwyn Ltd • B1 • page 96

79 Kensington Church Street, London W8 4BG, UKTelephone 44 (0)20 7938 1100 Cell 44 (0)7768 096869Fax 44 (0)20 7938 2519www.raffetyantiqueclocks.com email: raffety@globalnet.co.ukGallery personnel: Nigel Raffety, Howard Walwyn

Selected British and Continental 17th and 18th century tall case andbracket clocks, barometers and period furniture

James Robinson, Inc. • F2 • page 97

480 Park Avenue at 58th Street, New York, NY 10022, USATelephone 1 212 752 6166 Fax 1 212 754 0961www.jrobinson.com email: info@jrobinson.comGallery personnel: Mrs Joan Boening

Antique and period jewellery, antique English silver, antique porcelain andglass, handmade sterling silver flatware

Samina • A16 • page 98

By appointment only33 St James’s Square, London SW1Y 4JS, UKTelephone 44 (0)20 3170 6076/78 Cell 44 (0)7775 87960 Fax 44 (0)20 7286 3633Email: saminainc@hotmail.comGallery personnel: Dr Samina Khanyari, Chantel Spar

Rare, collectable Indian jewels: from the Royal Moghal and DeccanCourts. 17th and 19th Century. Objects of jewelled arts from India17th–19th century (some exclusive pieces of modern contemporaryIndian jewellery)

Bernard J Shapero Rare Books • B8/9 • pages 100-101

32 St George Street, London W1S 2EA, UKTelephone 44 (0)20 7493 0876 Fax 44 (0)20 7495 5010www.shapero.com email: rarebooks@shapero.comGallery personnel: Bernard Shapero, Pierre Yves Guillemet, Lucinda Boyle,

Philip Blackwell

Antiquarian rare books, maps, prints and photographs, specialising intravel, colour plate, natural history, architecture, Russia andincunabula

S.J. Shrubsole Corp • A6/7 • page 99

104 East 57th Street, New York, NY 10022, USATelephone 1 212 753 8920 Fax 1 212 754 5192www.shrubsole.com email: inquiries@shrubsole.com

Antique English, Irish and American silver; Antique jewellery and glass

The Silver Fund • C5 • page 102

Telephone 1 917 447 1911www.thesilverfund.com email: michael@thesilverfund.com Gallery Personnel: Michael James, Jason Laskey, Joshua Burcham

20th century silver and design, including Georg Jensen & Jean Puiforcat

Directory of Exhibitors

35

The Sladmore Gallery • C1 • page 103

57 Jermyn Street, St James’s, London SW1Y 6LX, UKTelephone 44 (0)20 7629 1144 Fax 44 (0)207 495 3668www.sladmore.com email: edward@sladmore.comandSladmore Contemporary32 Bruton Place, Mayfair, London W1J 6NW, UKGallery personnel: Edward Horswell, Gerry Farrell, Nona Horswell

European bronze sculpture 1830 – 1930

Somlo Antiques • B10 • page 104

35-36 Burlington Arcade, London W1J 0QB, UKTelephone 44 (0)20 7499 6526 Fax 44 (0)20 7499 0603www.somlo.com email: mail@somlo.comGallery personnel: George Somlo, Sandi Somlo

Vintage wristwatches and antique pocket watches

Peter Szuhay • F8 • page 105

Grays, 58 Davies Street, London W1K 5LP, UKTelephone 44 (0)20 7408 0154www.peterszuhay.com email: peter@peterszuhay.comGallery personnel: Peter Szuhay

European silver and works of art

TAI Gallery • F5 • page 106

1601 B Paseo de Peralta, Santa Fe, New Mexico 87501, USATelephone 1 505 984 1387www.taigallery.com email: gallery@taigallery.comGallery personnel: David Halpern, Everett Cole

Since 1978, visually dazzling museum quality Japanese bamboo art andtextiles from around the world. In 2006 Tai added the field ofcontemporary Japanese photography to its collections

Tambaran Gallery • F6 • page 107

5 East 82nd Street, New York, NY 10028, USATelephone 1 212 570 0655 Fax 1 212 744 1256www.tambaran.com email: m.zarember@tambaran.comGallery personnel: Maureen Zarember, Owner/Director

Ancient art from Africa, Oceania and The Americas

Erik Thomsen • E9 • page 108

23 East 67th Street, New York, NY 10065, USATelephone 1 212 288 2588 Fax 1 212 535 6787www.erikthomsen.com email: info@erikthomsen.comGallery personnel: Erik Thomsen, Cornelia Thomsen, Dieuwke Eijer

Japanese fine art from the 14th to the early 20th century, specialising inscreens, paintings, lacquers and ceramics

Tomasso Brothers Fine Art • A2 • page 109

Bardon Hall, Weetwood Lane, Leeds, West Yorkshire, LS16 8HJ, UKTelephone 44 (0)113 275 5545 Fax 44 (0)113 275 5565 www.tomassobrothers.co.uk email: info@tomassobrothers.co.ukGallery personnel: Raffaello Tomasso, Tobias Desmet

European sculpture, paintings and decorative Arts pre 1820

Axel Vervoordt • D2/5 • pages 110-111

Kasteel van’s-Gravenwezel, St Jobsteenweg 64, B-2970’s-Gravenwezel, Belgium

andKANAAL Stokerijstraat 19, B-2110 Wijnegem, BelgiumTelephone 32 3 355 3300 Fax 32 3 355 3301www.axel-vervoordt.com email: info@axel-vervoordt.comGallery personnel: Axel Vervoordt, Boris Vervoordt, Robert Lauwers,

Philip Feyfer

Eclectic combination of East and West with high quality works of artranging from Egyptian stone vessels, through Renaissance bronzesand 18th century furniture to contemporary paintings

Wartski • A1 • pages 112-113

14 Grafton Street, London W1S 4DE, UKTelephone 44 (0)20 7493 1141 Fax 44 (0)20 7409 7448www.wartski.com email: wartski@wartski.comGallery personnel: Geoffrey Munn, Katherine Purcell, Kieran McCarthy

Antique jewellery, works of art by Carl Fabergé, English and Continentalsilver, objets de vertu

Wick Antiques Ltd • G7 • page 114

Fairlea House, 110-112 Marsh Lane, Lymington, Hampshire S041 9EE, UK

Telephone 44 (0)1590 677 558www.wickantiques.co.uk email: charles@wickantiques.co.ukGallery personnel: Charles Wallrock

18th and 19th century English and European furniture and works of art

Yates • Trebosc• Van Lelyveld • A11 • page 115

PO Box 580, Lenox Hill Station, New York, NY 10021, USATelephone 1 212 879 7758 Fax 1 212 794 4680www.dcyates.com email: info@dcyates.comand8 rue des Moulins, Paris, FranceGallery personnel: David Yates, Constance Yates, Alfred Van Lely Veld,

Olivier Trebosc

European sculpture, medals and paintings

Directory of Exhibitors

36

37

A La Vieille Russie, Inc. F1

78l Fifth Avenue, New York, NY 10022, USATelephone 1 212 752 1727

www.alvr.com email: alvr@alvr.com

A La Vieille Russie and Parmigiani Fleurier present Mechanical Wonders: The Sandoz Collection October 26 to November 26, 2011 at A La Vieille Russie.

Featuring early 19th century Swiss gold and enamel automatonsnuff boxes, watches, magicians, and animals, alongsideFabergé masterpieces, as well as contemporary interpretations byParmigiani Fleurier of watches in the Sandoz Collection. Inaddition, the catalogue raisonné of the Collection will bepresented for the first time.

The Imperial Peacock Egg by Fabergé, presented to the DowagerEmpress Maria Feodorovna in 1908.Photograph ©2011 Fondation Edouard & Maurice Sandoz (FEMS)Pully, Suisse, all rights reserved. Photography: Renaud Sterchi.

38

Agnew’s E10

35 Albemarle Street, London W1S 4JD, UKTelephone 44 (0)20 7290 9250 Fax 44 (0)20 7629 4359www.agnewsgallery.co.uk email: agnews@agnewsgallery.co.uk

Jean Josephe Xavier Bidauld(1758-1846)Extensive Landscape with DeerCanvas, unlined, 14½ x 19 inches (37.2 x 49.3 cm)Signed and dated 1827

Bidauld was a pupil of Joseph Vernet before he moved toRome in 1785. He stayed in Italy for five years where he isassociated with French neo-classical painters such as LouisGauffier, Nicolas Antoine Taunay and Guillaume Lethiére.

On his return to France Bidauld travelled extensively exhibitingregularly at the Paris Salon where he won the gold medal in 1812. Heenjoyed official patronage under Louis XVIII painting two large workson subjects from French history for the Galerie de Diane inFontainbleau. Bidauld is an important transitional figure as his directpainting of the countryside, often en plein air, anticipates Corot andthe subsequent development of pure landscape painting.

This picture was painted in 1827, when Bidauld is known to havebeen working in the Vaucluse. It is also the year of his son’s weddingto Justine-Sophie de Gaulle, great aunt of the future General de Gaulle.

39

Antiquariaat Forum BV C2

Tuurdijk 16, 3997 MS ’t Goy-Houten, The NetherlandsTelephone 31 (0)3060 11955 Cell 31 (0)654680366 Fax 31 (0)30 6011813

www.forumrarebooks.com email: info@forumrarebooks.com

Gerard van Spaendonck (1746-1822)Tulipe des Jardin/Tulipa gesnerianaL. (Flemish baquette)

A very impressive stipple engraving,printed in colour à la poupée andfinished by hand. One of the 24coloured stipple engravings fromVan Spaendonck’s Fleures Dessinéesd’Áprès Nature that will be onexhibition 14⅛ x 21¼ inches (36 x 54 cm)

Published:Published in Paris, in a very limitednumber of copies, between 1799and 1801

40

Luis Alegria G6

Av. Dr. Antunes Guimaraes 142, Porto 4100-073, PortugalTelephone 351 917 600 126email: luis.alegria@iol.pt

One of a pair of Pietra Dura panelsFlorence or Naples, 17th Century47⅝ x 37 inches (121 x 94 cm)Comprising two vases with flowers and birds made with pietra dura (lapis lazuli,rosso antico, mother of pearl, giallo antico and different types of agate) Belgian black,marble (paragone) and white marble.

The decoration is very similar to the panels of the chapel at the Medici Villa del PoggioImperiale and are today in the Museum of the Opificio delle Pietre Dure de Florencia

41

Luis Alegria G6

AnnunciationNorthern, Spain mid 16th centuryWood, original polychromeStrong Italian influence47¼ x 36¼ inches (120 x 92 cm)

42

Apter-Fredericks Ltd D11

265-267 Fulham Road, London SW3 6HY, UKTelephone 44 (0)20 7352 2188 Cell 1 917 696 4063www.apter-fredericks.com email: antiques@apter-fredericks.com

A superb pair of George III giltwood bergeres commissioned by the 2nd Earl Spencer either forSpencer House, London or Althorp, Northamptonshire.English, circa 1791

43

Ariadne Galleries D12

11 East 76th Street, New York, NY 10021, USATelephone 1 212 772 3388 Fax 1 212 517 7562

www.ariadnegalleries.com email: info@ariadnegalleries.com

Lower torso of a crouching AphroditeHellenistic, GreekCirca late 2nd – 1st century BCMarbleHeight: 4¾ inches (12 cm) Length: 6½ inches (16.5 cm)

Provenance:Ex-European private collection, since 1972

This is the Crouching Aphrodite of Rhodes, captured at the moment she emerges from herbath. Lush, curvy, and smooth, the work’s glossy surface highlights her full, rounded hips,soft belly, and delicate pubis. An intimate masterpiece of ancient Greek art, this is theessence of womanhood in all its glory.

44

Anne Autegarden F3

100 Rue de Stassart, Brussels 1050, BelgiumTelephone 32 (0)2512 0658 Cell 32 (0)477 228358 Fax 32 (0)2512 0658www.autegarden.com email: info@autegarden.com

Design by Pietro Chiesa – Gio Ponti for Fontana ArteRare Mappamondo table lamp on a wood base, the glass bowl is indark yellow glass and the continents are in a shiny white thick glass Circa 1930-40, ItalyHeight: 11¾ inches (30cm) Diameter: 13¾ inches (35 cm)

45

H. Blairman & Sons Ltd B16

PO Box 6374, London W1A 3UR, UKTelephone 44 (0)20 7493 0444 Fax 44 (0)20 7495 0766

www.blairman.co.uk email: blairman@blairman.co.uk

‘Pier Commode’Designed and manufactured by George Bullock (1782/83-1818)English (London), circa 1818Goncalo Alves (?) and ebony with parcel-gilt columns; gilt base metal mounts, brassinlay and gilt-brass grilles and mounts; the top of Mona marble. The velvet of later date.Height: 35¼ inches (89.5 cm)Width: 61 inches (156 cm)Depth: 22 inches (57 cm)

Provenance:Possibly Christie’s The Whole of the Finished Stock of that highly ingenious Artist, Mr George Bullock, December, on the premises, 3-5th May 1819, day 2, lot 44, bt Phillips for £27.6s; [….] a deceased estate, Angus, Scotland

46

J.H. Bourdon-Smith Ltd B6

24 Mason’s Yard, Duke Street, St James’s, London SW1Y 6BU, UKTelephone 44 (0)20 7839 4714 Cell 44 (0)7876 503146 Fax 44 (0)20 7839 3951email: enquiries@bourdonsmith.co.uk

A pair of George IV silver and parcel-gilt naturalisticcandlesticks formed of three swans in water, the basesresting on shell feet. They were made in London in 1827 byJohn Bridge (Goldsmith & Jeweller to the King) and bear thesignature “RUNDELL BRIDGE ET RUNDELL AURIFICES REGISLONDINI” on their basesHeight: 6⅞ inches (17.5 cm)Weight: 61½ oz (1913 g)

They are based on a design by Harriet, Duchess ofSutherland (1765-1839), an amateur landscape painter andengraver and were first made by Rundells in 1825-6 withseveral versions being produced in silver as well as in giltbronze

The 7th Earl of Plymouth (1785-1833) owned an identicalpair of 1825-6

47

W M Brady & Co D4

22 East 80th Street, New York, NY 10075, USATelephone 1 212 249 7212 Fax 1 212 628 6587

email: mark@wmbrady.com or laura@wmbrady.com

Paul Desiré Trouillebert (Paris 1829-1900)Bouquet of VioletsSigned on the card, centre right, Trouillebert; also signed andinscribed, verso, à Madame Zimmer/Hommage del’auteur/Trouillebert 6⅛ x 8¾ inches (16 x 22.2 cm)

Provenance:Madame Zimmer, Paris

48

Thomas Coulborn & Sons E5

Vesey Manor, 64 Birmingham Road, Sutton Coldfield, West Midlands B72 1QP, UKTelephone 44 (0)121 354 3974 Fax 44 (0)121 354 4614www.coulborn.com email: jc@coulborn.com

A pair of Spanish neoclassical gilt-gesso and pink marble Bilbao wall mirrorsNorthwestern Spain, circa 1800-09Label of the importer Bernard Cermenati of Newburyport, Massachusetts, circa 1805-10Height: 53 inches (135 cm)Width: 24½ inches (62 cm)

Provenance: Imported and retailed by Bernard Cermenati (Newburyport, Massachusetts)circa1805-1809Collection of Judge Arthur Beane Sr and his wife Mimi Clarke.By descent to Arthur Beane Jr

49

Thomas Coulborn & Sons E5

A George II scarlet and gilt-japanned secretaire cabinet attributed to Giles GrendeyEnglish, circa 1735Height: 81 inches (206 cm) Width: 41¼ inches (105 cm) Depth: 22 inches (56 cm)

Provenance:Acquired by Vivian Smith, 1st Lord Bicester, Weald Hall, Essex (circa 1910) and thence by descent

50

Galerie Chenel D6

6 Rue de Beaune, 75007 Paris, FranceTelephone 33 (0)14297 4409 Cell 33 (0)607 364384 Fax 33 (0)142 974417www.galeriechenel.com email: galeriechenel@aol.com

Roman marble head of Hermes, Andros Farnese TypeI – II century ADMarbleHeight: 13¾ inches (35 cm) Width: 7⅞ inches (20 cm)

Provenance:Private Swiss Collection since 1960

51

Daniel Crouch Rare Books C2

4 Bury Street, St James’s, London SW1Y 6AB, UKTelephone 44 (0)20 7042 0240 Cell 44 (0)7766 751391

www.crouchrarebooks.com email: info@crouchrarebooks.com

Claudius PtolemaeusCosmographia – the first atlas illustrated with woodcutmaps and the earliest map to bear a signature1482

52

Sandra Cronan Ltd A14

First Floor, 16 Albemarle Street, London W1S 4HW, UKTelephone 44 (0)20 7491 4851www.sandracronan.com email: enquiries@sandracronan.com

A fine Belle Époque diamond and natural Oriental pearl choker or pair of bracelets, platinumFrench, circa 1910

53

Sandra Cronan Ltd A14

Robert KochAn important Art Nouveau plaque brooch/natural pearl choker, depicting a landscape in SpringEnamel, black opal and diamondsGerman, circa 1901

Literature:C. Holme, ed., The Studio 1901-2 (London 1902), German chapter, plate 1a

54

Douglas Dawson Gallery A5

400 North Morgan Street, Chicago, Ill 60642, USATelephone 1 312 226 7975 Fax 1 312 226 7974www.douglasdawson.com email: info@douglasdawson.com

Standing Figure (detail)Veracruz, MexicoCirca 550-950 ADEarthenwareHeight: 20 x11 x 6 inches (50.80 x 27.94 x 15.24 cm)

55

Finch & Co B15

Suite 744, 2 Old Brompton Road, London SW7 3DQ, UK

Telephone 44 (0)20 7413 9937 Cell 44 (0)7768 236921

www.finch-and-co.co.uk email: enquiries@finch-and-co.co.uk

A fine Flemish South Netherlands lateGothic carved ivory standing figure ofthe Virgin and Christ Child mounted onan old velvet covered standLate 14th – early 15th CenturyHeight: Figure: 7 inches (18 cm) Stand: 10 inches (25.5 cm)

56

Peter Finer D1Antique Arms & Armour

38 & 39 Duke Street, St James’s,London SW1Y 6DF, UKTelephone 44 (0)20 7839 5666 Fax 44 (0)20 7839 5777From USA & Canada 1 800 270 7951 (24 hrs)www.peterfiner.com email: gallery@peterfiner.com

A finely etched composite North Germanthree-quarter field armour made for the Court of Julius, Duke of Brunswick-Wolfenbüttel, Brunswick Circa 1562-3

Provenance:Historic collections of the Dukes of Brunswicksuccessively at Schloss Blankenburg andSchloss Marienburg

57

Michael Goedhuis D3

Flat 3, 61 Cadogan Square, London SW1X 0HZ, UKTelephone 44 (0)20 7823 1395 Cell 44 (0)7760 625 375 Fax 44 (0)20 7823 2794

www.michaelgoedhuis.com email: london@michaelgoedhuis.com

Wei Ligang (b.1964)Frozen River – Tiger No. 12010Ink and acrylic on paper79½ x 48½ inches (202 x 123 cm)Signed: lower right handcorner

58

Bernd Goeckler Antiques, Inc. D9

30 East 10th Street, New York, NY 10003, USATelephone 1 212 777 8209 Fax 1 212 777 8302www.BGoecklerantiques.com email: BGAntiques@mac.com

59

Accordion Doors depicting ‘The Hunt’ and ‘Chamois’ scenes,from a set of three doors.Pierre Dunand (1914–1996) 1950-1955 SignedPolychrome lacquer and shellacHeight: 112⅛ inches (285 cm)Width: 92⅞ inches (236 cm)

Provenance: Commissioned by Jules Leleu (1883–1961)

Literature:Félix Marcilhac’s Jean Dunand: His Life and Works. Harry N. Abrams,1991, doors pictured on page 339.

60

New Testament, in LatinIlluminated manuscript on vellumItaly, Verona, first quarter of 13th centuryDimensions: sheet size 193 x 115 mm. 244 leaves

1 full-page miniature of thecrucifixion, 2 large historiatedinitials showing St Peter andSt Paul, and 26 decoratedinitials in elaborateornamental designs sometimesformed of dragons or othercreatures, all in colours onburnished gold grounds.

Manuscripts containing the entireNew Testament first appeared at theend of the 12th century, in theregion between France and NorthernItaly. The present codex is related toa group of manuscripts probablymade in Verona in the first quarterof the 13th century.

The illumination is purelyRomanesque. Full-page Crucifixionminiatures, common inSacramentaries, are exceedinglyrare in Bibles. With its combinationof Byzantine influence andGermanic elements the manuscriptis an important witness to the stateof the arts in the 13th century inVerona when the pictorial arts werein a state of flux.

Provenance:1.Probably written in Verona, andstill in use in the 14th century. Ithad reached England by 1900when it was rebound.

2.James P.R. Lyell (1871-1949),his ms. 49, bought on 20 March1942 from Rosenthal; after abequest to the Bodleian, theresidue of his manuscriptswere purchased by Messrs.Quaritch; their cat. 699 (1952).

3.Harry Lawrence Bradfer-Lawrence(† 1965), his ms. 22, formerly ondeposit at the Fitzwilliam Museum,sold en bloc to Quaritch.

4.Lawrence Witten, Connecticut,consigned by him to Sotheby’s, 5December 1989, lot 76.

Dr Jörn Günther Rare Books AG A8/9

Mosboden 1, 6063 Stalden, SwitzerlandTelephone 41 41 669 7000 Fax 41 41 669 7001www.guenther-rarebooks.com email: info@guenther-rarebooks.com

61

Hancocks B2

52 & 53 Burlington Arcade, London W1J OHH, UKTelephone 44 (0)20 7493 8904 Fax 44 (0)20 7493 8905

www.hancocks-london.com email: info@hancocks-london.com

Marquise diamond ringCirca 1950’s 12.24ct D VS 2 Type Ila

CartierA geometric design diamond strap bracelet London circa 1935,

Auger FrèresAn open-work diamond and emerald strap bracelet Paris circa 1930

62

Brian Haughton Gallery E1

15 Duke Street, St James’s, London SW1Y 6DB, UKTelephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556www.haughton.com email: gallery@haughton.com

An extremely important pair of St. Cloud seaux a bouteilles, decorated in the famille verte palette with long robedChinese courtiers, the reverse with four ‘Ho Ho Birds’ on banded hedges, flowering bamboo and branches of floweringprunus, the Kylin or Dragon handles coloured in red and yellow with black markings.Circa 1720-30Height: 7 inches (8 cm)Handle to handle: 10 inches. (26 cm)

There is a single similar example in the Musée National de la Ceramique Sèvres, illustrated by Bertrand Rondot, The Saint Cloud Manufactory, circa 1690-1766, the colour frontispiece, the handles of that example are lion masks.

63

Brian Haughton Gallery E1

Exhibited:Exposition de La Porcelaine Française de 1673 a 1914, November 1929, Pavillionde Marsan, Palais du Louvre. No. 95.

Illustrated:Porcelain Française du XVII au milieu du XIX siècle, Paul Alfassa and JacquesGuerin- edited by Albert Levy, pl. 11, fig. A.

64

Brian Haughton Gallery E1

15 Duke Street, St James’s, London SW1Y 6DB, UKTelephone 44 (0)20 7389 6550 Fax 44 (0)20 7389 6556www.haughton.com email: gallery@haughton.com

An extremely rare and important pair ofBow owls, with naturalistically colouredbeaks, talons and plumage, perched ontree stumps applied with brightlycoloured flowers, both resting on modernormolu bases.Circa 1755-58Height: 8 inches (20.5 cm)

65

Brian Haughton Gallery E1

Literature:See: Frank Stoner, Chelsea, Bow andDerby Porcelain Figures, pl. 105.Yvonne Hackenbroch, Chelsea andother English Porcelain, in the IrwinUntermeyer Collection, pl. 78, fig. 259.A pair with similar ormolu mounts soldat Christies New York 18th March2005, from the Estate of Mrs. CharlesW. Engelhard, lot 150

66

Hostler Burrows C4

104 Franklin St, New York, NY 10013, USATelephone 1 212 343 0471 Fax 1 212 343 0472www.hostlerburrows.com email: info@hostlerburrows.com

Wilhelm Käge(1889-1960)Farsta studio vasesCirca 1955 Incised and glazed stonewareHeight: 6 – 14 inches (6 – 35.7 cm)

67

Hyde Park Antiques, Ltd D8

836 Broadway, New York, NY 10003, USATelephone 1 212 477 0033 Fax 1 212 477 1781

www.hydeparkantiques.com email: info@hydeparkantiques.com

An important pair of George III satinwood and marquetry demi-lune commodes in the manner of Mayhew and InceCirca 1780Height: 36 inches (91.44 cm)Width: 48 inches (121.92 cm)Depth: 24½ (62.48 cm)

Provenance:The collection of the Late Mrs John E Revensky, 1957Acquired from JJ Wolfe (Antiques) Ltd., September, 1973

Literature:F Lewis Hinckley, Metropolitan Furniture of the Georgian Years,New York, 1988, p.166, plate 132

68

Hyland Granby Antiques B13

PO Box 457, Hyannis Port, MA 02647, USATelephone 1 508 771 3070 Cell 1 508 878 4400 Fax 1 508 778 4842www.hylandgranby.com email: alan@hylandgranby.com

Tim ThompsonThe AftermathAmerica’s Cup 1937 Oil on canvas Height 30 inches (76.20 cm) Width 48 inches (121.92 cm)

Il Quadrifoglio D7

Via C. Pisacane 40, 20129 Milan, ItalyTelephone 39 02 2951 8031

Cell 39 335 371907 www.galleriailquadrifoglio.it

email: ilquadrifogliomilano@libero.it

An exceptional pair of North Italian Scagliola panels, richlydecorated with white inlays on a black background18th centuryThey are composed of an external decoration running around thefour sides, decorated with putti at play, to each corner there are fourcartouches depicting figures in fantasy scenery. In the centre, threecartouches with classical scenes framed in leafy motifs.50 x 25¼ x 1⅜ inches (127 x 64 x 3.5 cm)

70

Japonesque E3

824 Montgomery Street, San Francisco, CA 94133, USATelephone 1 415 391 8860 Cell 1 415 533 5151 Fax 1 415 391 3530email: koichihara@earthlink.net

IZUMI Masatoshi (b. 1938)Kyusoku—Rest (2010)Mixed media sculptureJapanese Aji-granite stoneworksand black pine timberswith granite basesLength: 29½ ft (899 cm)

71

Jane Kahan Gallery G3

922 Madison Avenue, New York, NY 10021, USATelephone 1 212 744 1490 Fax 1 212 744 1598

www.janekahan.com email: janekahan@janekahan.com

Pablo PicassoVase Azteque aux quatre visages (Aztec Vase with Four Faces) R 4021957Edition Picasso ceramic vase19⅝ x 10⅝ inches (50 x 27 cm)

72

Kentshire A3/4

700 Madison Avenue, New York, NY 10065, USATelephone 1 212 421 1100 Cell 1 646 704 3224 Fax 1 212 421 1180www.kentshire.com email: info@kentshire.com

An antique gold and enamel scarab bracelet in the Egyptian Revival style withmulticoloured enamel lotus leaves centering on a blue faience scarab, in 18kMarcus & Co, United StatesCirca 1880

73

Kentshire A3/4

A George II pine side table, the design in the manner of Matthias Lock and attributed to Henry Flitcroft; with Grand Tourquarter-veneered Egyptian alabastro fiorito top

Provenance:The late Graham Baron Ash, Esq., Wingfield Castle, Diss, Norfolk

Circa 1750Height: 35½ inches (90 cm)Width: 65 inches (165 cm)Depth: 29 inches (73.7 cm)

74

Keshishian A15

73 Pimlico Road, London SW1W 8NE, UKTelephone 44 (0)20 7730 8810 Fax 44 (0)20 7730 8803andBy appointment in New YorkTelephone 1 212 956 1586www.keshishiancarpets.com email: info@keshishiancarpets.com

An exceptionally rare Arts and Crafts carpet made byAlexander Morton & Co., Killybegs, Donegal, IrelandCirca 190013 ft x 10ft 8 inches (399 x 317 cm)

Literature: The Art Journal, 1905, p.12

75

Jack Kilgore & Co, Inc. E11

154 East 71st Street, New York, NY 10021, USATelephone 1 212 650 1149 Fax 1 212 650 1389

www.kilgoregallery.com email: info@kilgoregallery.com

Vilhelm Kyhn(Copenhagen 1819–1903 Fredericksberg)Girl at a WindowOil on canvas16⅞ by 25¼ inches (43 x 64 cm)Signed with monogram upper right: ‘VK’

Provenance:Anonymous sale, Copenhagen, Museumbygningen Kunstaukioner, March 5, 1998,lot 16; there purchased by Private collection, United States

76

Koopman Rare Art D10

The London Silver Vaults, 53-64 Chancery Lane, London WC2A 1QS, UKTelephone 44 (0)20 7242 7624 Cell 44 (0)783629 5309 Fax 44 (0)20 7831 0221www.koopmanrareart.com email: enquiries@koopmanrareart.com

The Charles Mercer silver-gilt ewer and basinCharles II: London, circa 1667Maker’s mark ‘DR’ on dish; the ewer with maker’s mark ‘HW’, an escallop below, for Henry WelchHeight (of ewer): 9 inches (23 cm)Weight (ewer): 29 oz 5 dwt (914 g); (dish) 85 oz 10 dwt (2,659 g)

The arms are those of Mercer impaling Stewart for Sir James Mercer of Aldie, a burgess of Perth, who married in 1648, Jean eldest daughter of Sir Thomas Stewart of Grantully.

Literature:Jewel Office records of warrants to the Master of the Jewel Office, Public Record Office, LC5/107, p. 119.

77

Martin du Louvre E7

69 rue du Faubourg Saint Honoré, 75008 Paris, France

Cell 33 (0)68017 5101 Fax 33 (0)1 40170810

www.martindulouvre.com email: info@martindulouvre.com

Alfred Janniot (1889–1969)EléganceCirca 1933Original atelier plaster for the figure of Elegance, a detail of the monumental relief, Friendship between America and France forthe Maison Française (Fifth Avenue facing Saint Patrick’s Cathedral), Rockefeller Center, New York CityArmed, patinated plaster99 x 48 x 11 inches (253 x 118 x 28 cm)

Provenance:The collection of Wallace Harrison, architectof Rockefeller Center, the United Nations Building,and Lincoln Center, New York; The Grey Art Gallery, New York University ArtCollection donation of Mr. & Mrs. Harold Diamond,1982.

Literature:The plaster is described and illustrated in the JanniotFoundation publication, Alfred Auguste Janniot,1889-1969, page 60-61, Somogy editions d’art,Paris, 2003. (ISBN 2-85056-654-3)

The present relief by Janniot is the original plaster foran element of the monumental bronzerelief, Friendship between America and France,adorning Le Maison Française on Fifth Avenueat Rockefeller Center. One of Janniot’s mostimportant achievements, it was commissioned byDavid Rockefeller in 1933, at Aristide Maillol’ssuggestion.

The plaster was originally owned by WallaceHarrison, architect of Rockefeller Center. Afterpassing into private hands, it was donated tothe Grey Art Gallery, New York University. The plasterwas featured in an exhibition entitled “Paris - NewYork”, which took place from October 3, 2008through February 22, 2009 at the Museum of theCity of New York.

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Eugène-Robert Pougheon (1886-1955)Fantasy, Young Women with a GazelleSigned and dated 1929 on the lower rightOil on canvasHeight: 53⅛ inches (135 cm)Width: 34½ inches (87.5 cm)

Provenance:Architect’s Michel Roux-Spitz’s former collection, for his rue Guynemerapartment in Paris

Exhibited:Salon des Artistes Français in 1929

Bibliography:Appears in: Salon des Artistes Français Catalogue 1929, p.44; Revue de l’artancient et modern no 307, June 1929, p.40 Michel Roux-Spitz, Réalisations,vol. I 1924-1932, plate 26 and 29

Gallery Lefebvre B11

15 Rue du Pré aux Clercs, 75007 Paris, FranceTelephone 33 1 45 48 18 13Cell 00 33 6 98 02 18 13 Fax 00 33 1 45 48 04 69www.gallery-lefebvre.com email: gallerylefebvre@gmail.com

79

80

H.M. Luther G1

The Carlyle, 35 East 76th Street, New York, NY 10021, USATelephone 1 212 439 7919 Fax 1 212 439 0966

Søren Berg and Knud Andersen forRoyal CopenhagenAn exceptional pair of Danish bronzemounted porcelain vasesCirca 1925Height: 13 inches (33.02 cm)Diameter: 8 inches (20.32 cm)

A rare if not unique Italian 10 armcobalt and frosted glass chandelier Marked: Vetreria Fratelli Toso Murano

Circa 1930Height: 38 inches (96.52 cm) Diameter: 31 inches (78.74 cm)

Two Italian illuminated glass framedmirrors, Model 2044 by Max Ingrand for Fontana ArteCirca 1961Diameter: 29½ inches (74.93 cm) Depth: 5 inches (12.70 cm)

Jeanne GrutA Danish large and rare faience reliefBlue Fish, CoelacanthWith mark for Royal CopenhagenAluminia1964Height: 18 inches (45.72 cm)Width: 45½ inches (115.57 cm)Depth: 6 inches (15.24 cm)

A fine pair of Japanese gilt metalmounted and lacquer hasami-bako(robe chests)Edo Period, 19th centuryHeight: 14½ inches (36.83 cm)Width: 24 inches (60.96 cm)Depth: 17½ inches (44.45 cm)Height with later stand: 20 inches(50.8 cm)a

Greenwich Village, 61 East 11th Street, New York, NY 10003, USATelephone 1 212 505 1485 Fax 1 212 505 0401www.hmluther.com email: info@hmluther.com

81

MacConnal-MasonGallery G5

14 & 17 Duke Street, St James’s, London SW1Y 6DB, UK

Telephone 44 (0)20 7839 7693Fax 44 (0)20 7839 6797

www.macconnal-mason.comemail:

fineart@macconnal-mason.com

Eugene von Blaas(Austrian, 1843-1932)The Apple SellerSignedOil on panel30 x 17 inches (76.2 x 43.2 cm)

ProvenancePrivate collection, EU, acquired inItaly, circa 1900

82

Maison Gerard G2

43 & 53 East Tenth Street, New York, NY 10003, USATelephone 1 212 674 7611 Fax 1 212 475 6314www.maisongerard.com email: home@maisongerard.com

Hervé van der Straeten (b.1965)Mirroir VoltigeA patinated and polished bronze bull’s eye MirrorBronze and glassMonogrammed: HVLimited edition of 40France 2010Height: 47 inches (119.38 cm)Width: 44 inches (111.76 cm)

83

Maison Gerard G2

Jean Dupas (1882–1964)A pair of exceptional verre églomisé panels from the Chariot of Thetis mural inthe Grand Salon of the S.S. Normandie

The Grand Salon of the ocean liner S.S. Normandie had four murals designedby Jean Dupas and executed by Jacques Charles Champigneulle: The Rape ofEuropa, The Chariot Poseidon, The Birth of Aphrodite and The Chariot of Thetis.Glass with gold, silver, platinum and palladium leafFrance 1934Height: 49 inches (124.46 cm) Width: 63½ inches (161.29 cm)

Literature :Louis-Rene Vian. Arts Décoratifs à Bord des Paquebots Français: 1880–1960.Paris: Editions Fonmare, 1992. p.192-99.

Bruno Foucart, Charles Offrey, François Robichon, Claude Villers. Normandie:L’Épopée du Géant des Mers. Paris: Editions Herscher, 1985. p. 67-73.

A large section from the mural The Chariot Poseidon is in the permanentcollection of the Metropolitan Museum of Art, New York

84

Mallett Inc. E12

929 Madison Avenue at 74th Street, New York, NY 10021, USATelephone 1 212 249 8783 Fax 1 212 249 8784www.mallettantiques.com

One of a pair of exceptionally rare mahoganyGothick card tables inlaid with satinwood andholly crockets, the finely figured top withkingwood fan. England, circa 1790

Height: 29½ inches (75 cm) Width: 39 inches (99 cm) Length/depth: 19⅓ inches (49 cm)

85

Mallett Inc. E12

An outstanding Regence ormulumounted Boulle pedestal clockAttributed to Bernard Van Risenburgh I,mechanism by François RabbyFrance, circa 1715Height: 113 inches (287 cm)Width: 27½ inches (69.9 cm)Depth: 11½ inches (29.2 cm)

Provenance: The Viscounts Hampden, HampdenHouse, London;The Marquises of Linlithgow, HopetounHouse, Scotland

86

Lillian Nassau LLC G8

220 East 57th Street, New York, NY 10022, USATelephone 1 212 759 6062 Cell: 1 917 863 5649 Fax 1 212 832 9493www.liliannassau.com email: info@lilliannassau.com

Tiffany Studios Pony Wisteria LampCirca 1905

87

Jill Newhouse C6

4 East 81st Street, New York, NY 10028, USATelephone 1 212 249 9216 Fax 1 212 734 4098

www.jillnewhouse.com email: maildrop@jillnewhouse.com

Alexander Calder (American, 1898-1976)Circles and Pyramid Composition, 1971Gouache on paperSigned lower right: Calder ‘7129 × 42½ inches (73.7 × 108 cm)

88

Frank Partridge E6

7 Thurloe Square, London SW7 2TA, UKTelephone 44 (0)20 7225 3654 Cell 44 (0)7801 480548 Fax 44 (0)20 7581 9387www.frankpartridge.org email: mail@frankpartridge.net

A George III polychrome-decorated padouk, sycamore, holly and marquetrydemi-lune commode attributed to Mahyew and Ince, circa 1775Width: 50 inches (126 cm) Height: 35 inches (89 cm)Depth: 22 inches (54 cm)

89

Phoenix Ancient Art E2

47 East 66th Street, New York, NY 10065, USATelephone 1 212 288 7518

Cell 1 917 570 7318 Fax 1 212 288 7121

www.phoenixancientart.com www.e-tiquities.com

email: info@phoenixancientart.comand

6 rue Verdaine, 1211-3 Geneva, Switzerland

Telephone 41 (0)22 318 8010 Fax 41 (0)22 310 0388

www.phoenixancientart.com email: paa@phoenixancientart.com

Bronze mirrorGreek, Magna Graecia525–500 BCHeight: 11¾ inches (30 cm) Depth: 5⅜ inches (13.7 cm)

Provenance:Ex collection H Palivoda, Geneva, Switzerland; collected in the1950’s

This bronze mirror is supported by an exquisitely cast nude malefigure. The back of the disc is embellished with finely inciseddecoration. The figure, which would have been attached to a base,stands upright with the left foot placed slightly forward, and thuscopies the pose of early Archaic Greek marble kouroi and smallerbronze statuettes of kouroi. Like these sculptures of early Archaicdate, the form of this nude male figure marks the beginningdevelopment of the human figure in Greek art. The aesthetic appealand early date of such a high quality work of art place it among thefinest and rarest of these mirrors known from South Italy andmainland Greece.

90

Ronald Phillips Ltd B3/4

26 Bruton Street, London W1J 6QL, UKTelephone 44 (0)20 7493 2341 Fax 44 (0)20 7495 0843www.ronaldphillipsantiques.com email: advice@ronaldphillips.co.uk

A magnificent George III mahogany breakfront library bookcaseattributed to Thomas ChippendaleEnglish, circa 1770Height: 113½ inches 288 (cm) Width:106 inches (269 cm)Depth: 26½ inches (67.5 cm)

Provenance: Available on request

llustrated: Percy Macquoid and Ralph Edwards, The Dictionary ofEnglish Furniture, 1954. Vol. I, p. 90, fig. 30

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Ronald Phillips Ltd B3/4

A George III carved giltwood chimney pieceattributed to Matthias LockEnglish, circa 1755Height: 128 inches (325 cm)Width: 86 inches (218 cm)

Provenance: Available on request

Illustrated:Country Life, Mark Girouard, ‘Stedcombe Manor’,Devon, 26th December 1963. p 1739, Fig 4.Judith Miller, ‘Furniture’, London, 2005, p118.Terrence Davis, 'Rococo - A Style Of Fantasy',London 1973, p. 28, ill.15.

92

Galerie du Post-Impressionnisme A12

14 Avenue Matignon, Ile de France, 75008 Paris, FranceTelephone 33 (0)1 56 24 07 08 Cell 33 (0)6 07 72 16 40Fax 33 (0)1 46 34 89 83www.postimpressionnisme.net email: info@postimpressionnisme.net

Emile-Othon Friesz (1879-1949)Le Port de Honfleur, 1905Oil on canvas18⅛ x 15 inches (46 x 38 cm)Signed, dated and inscribed lower right

Provenance: Private Collection, Paris, France

Literature: Odile Aittouarès, Emile Othon Friesz: Catalogue raisonné de l’oeuvrepeint, Paris, Edition Aittouarès, 1995, reproduced under no. 12, p.53

93

Galerie du Post-Impressionnisme A12

Henri Manguin (1874-1949)Nu au Turban Rouge, JeanneCirca 1907Signed: Manguin, lower rightWatercolour on paper21⅜ x 28⅜ inches (54.3 x 72 cm)

Provenance:Private collection, Paris, France Collection André Level, Marseilles, France

This watercolour was a preliminary study for the oilpainting ‘Nu au turban rouge, Jeanne, 1907’. (No. 252 from the catalogue raisonné de l’œuvrepeint d’Henri Manguin).

The authenticity of this work has been confirmedby both Claude Holstein-Manguin and Marie-Caroline Sainsaulieu.

94

Potterton Books B7

The Old Rectory, Sessay, Thirsk, North Yorkshire, YO7 3LZ, UKTelephone 44 (0)1845 501218 Fax 44 (0)1845 501439www.pottertonbooks.co.uk email: ros@pottertonbooks.co.uk

Passion for MeissenMarouf CollectionThe publication of the Said and Roswitha Marouf Collection focuses the viewer’seye on the magnificent art works of the Meissen porcelain manufactory

95

Primavera Gallery NY F7

210 11th Avenue (25th Street), Suite 800, New York, NY 10001, USATelephone 1 212 924 6600 Fax 1 212 924 6602

www.primaveragallery.com email: contact@primaveragallery.com

Raymond TemplierCirca 1925Signed: R. Templier18k, turquoise, onyx and diamonds2 inches x 2 inches (5.1 cm)

96

Raffety & Walwyn Ltd B1

79 Kensington Church Street, London W8 4BG, UKTelephone 44 (0)20 7938 1100 Cell 44 (4)7768 096869Fax 44 (0)20 7938 2519 www.raffetyantiqueclocks.com email: raffety@globalnet.co.uk

Sam Aldworth, Strand, London.A fine William and Mary periodwalnut and gilt-mounted baskettop bracket timepiece with pullquarter repeat on 2 bells Circa: 1695Height: 16 inches (41 cm)

97

James Robinson, Inc. F2

480 Park Avenue at 58th Street, New York, NY 10022, USATelephone 1 212 752 6166 Fax 1 212 754 0961

www.jrobinson.com email: info@jrobinson.com

Twentieth century jewellery

98

Samina A16

By appointment only 33 St James’s Square, London SW1Y 4JS, UKTelephone 44 (0)20 3170 6078/78 Cell 44 (0)7775 872960 Fax 44 (0)20 7286 3633email: saminainc@hotmail.com

A Jade mirror backMughal, North India17th/18th century

Carved from nephrite jade (greyish green),of round form with cusped edges, the centralmedallion is exquisitely carved with sprayingnarcissus on a golden velvet background.The reverse with remains of mirror

99

S.J. Shrubsole A6/A7

104 East 57th Street, New York, NY 10022, USATelephone 1 212 753 8920 Fax 1 212 754 5192

www.shrubsole.com email: inquiries@shrubsole.com

A suite of George II antique English silver candelabra and candlesticksLondon 1755/6 by John CafeHeight of candelabra: 19 inches (50.8 cm)Weight: 158 oz.

100

Bernard J Shapero Rare Books B8/9

32 St George Street, London W1S 2EA, UKTelephone 44 (0)20 7493 0876 Fax 44 (0)20 7495 5010www.shapero.com email:rarebooks@shapero.com

Very rare early English printing by William Caxton

Saint BonaventuraSpeculum vite Cristi [...] Myrroure of the blessyd lyf of Jhesu Cryste.Translated into Middle English by John Morton and edited by William CaxtonCaxton, Westminster, circa 1490142 leaves with twenty-six woodcuts in a beautful blue-morocco binding by Kalthoeber

Only 5 known complete copies in institutions worldwide

101

Bernard J Shapero Rare Books B8/9

Magnificent Edward LearplatesJohn GouldThe British Birds of Europe

Published:By the author, London,[1832]-37. 5 volumes,folio (54.4 x 36.5 cm),448 hand-colouredlithographed plates, list ofsubscribers, list of plates.Contemporary half morocco gilt

A Fine copy of the firstedition of this celebratedwork.Gould’s Bird’s of Europe isnotable for the contributionof Edward Lear, whoproduced 67 of the plates.Lear’s participationtransformed the work of MrsGould, which in theHimalayan Birds was littlemore than a continuation ofeighteenth-centuryproductions, into dynamicand expressive works of art

102

The Silver Fund C5

Telephone 1 917 447 1911www.thesilverfund.com email: michael@thesilverfund.com

Incredibly rare Georg Jensen Art deco wine coolerDesigned by Harald NielsenCirca, 1930.Sterling silver, Denmark

103

The Sladmore Gallery, London C1

57 Jermyn Street, St James’s, London SW1Y 6LX, UKTelephone 44 (0)20 7629 1144 Fax 44 (0)207 495 3668

andSladmore Contemporary

32 Bruton Place, Mayfair, London W1J 6NW, UKwww.sladmore.com email: edward@sladmore.com

Rembrandt Bugatti (Italian, 1884–1916)A fine quality, early twentieth century impressionistic bronze model of a walking panther

This sculpture was cast in bronze by the lost wax process at the Hébrard Foundry, Paris.Before casting it was signed and stamped in the wax: ‘R. Bugatti,A. A. Hébrard Cire Perdue’, and has a dark brown patina with reddy brown undertones.Length: 20½ inches (52 cm)Height: 8 inches (20.3 cm)

104

Somlo Antiques B10

35-36 Burlington Arcade, London W1J 0QB, UKTelephone 44 (0)20 7499 6526 Fax 44 (0)20 7499 0603www.somlo.com email: mail@somlo.com

Cartier – 18 carat yellow gold bracelet watchwith blue enameled bezel and lugsEuropean Watch & Clock movement Made circa 1920. Cartier Paris

Cartier Santos – 18 carat yellow gold case withblack enameled bezel and lugs European Watch & Clock movementMade circa 1920. Cartier Paris

105

Peter Szuhay F8

Grays, 58 Davies Street, London W1K 5LP, UKTelephone 44 (0)20 7408 0154

www.peterszuhay.com email: peter@peterszuhay.com

Marx MerzenbachSmall silver gilt cup and cover in the shapeof a pear, sitting on top of a branch withleaves also in silver, cold painted green Augsburg, Germany circa 1660 Height: 6¾ inches (17 cm)

106

TAI Gallery F5

1601 B Paseo de Peralta, Santa Fe New Mexico 87501, USATelephone 1 505 984 1387www.taigallery.com email: gallery@taigallery.com

Katsushiro Soho, born 1934Living National Treasure of JapanSpring Breath, 2008Madake and rattanSenshu-ami and tessen-amiDiameter: 16 inches (40.6 cm) Height: 12 inches (30.5 cm)

107

Tambaran Gallery F6

5 East 82nd Street, New York, NY 10028, USATelephone 1 212 570 0655

Fax 1 212 744 1256www.tambaran.com

email: m.zarember@tambaran.com

Jina stone headUttar Pradesh – North India 8th–9th centurySandstoneHeight: 10 inches (25.4 cm)

Provenance:Private Collection, New York (1990)

108

Erik Thomsen E9

23 East 67th Street, New York, NY 10065, USATelephone 1 212 288 2588 Fax 1 212 535 6787www.erikthomsen.com email: info@erikthomsen.com

Tosa School, early Edo Period (1615-1868)Full Moon Rising over the Musashino Plain, with Shikishi poem cards17th century, JapanDetail from a six-panel folding screenInk, mineral colours, silver wash and gold leaf on paperHeight: 67¼ × 144½ inches (171 × 367 cm)

109

Tomasso Brothers Fine Art A2

Bardon Hall, Weetwood Lane, Leeds, West Yorkshire, LS16 8HJ, UKTelephone 44 (0)113 275 5545 Fax 44 (0)113 275 5565

www.tomassobrothers.co.uk email: info@tomassobrothers.co.uk

Adamo Tadolini (1788-1868)Aeneas, Anchises and AscaniusTerracottaHeight: 10⅞ (27.8 cm)

110

Axel Vervoordt D2/5

Kasteel van’s-Gravenwezel, St Jobsteenweg 64, B-2970’s-Gravenwezel, Belgium

KANAAL Stokerijstraat 19, B-2110 Wijnegem, BelgiumTelephone 32 3 355 3300 Fax 32 3 355 3301www.axel-vervoordt.com email: info@axel-vervoordt.com

Egyptian priest’s headEnd Late Period – Ptolemaic Period, Circa 4th century BCBasaltHeight: 10 inches (25.5 cm)

Provenance:Private collection, acquired end of the 1970’s

111

Axel Vervoordt D2/5

Anish Kapoor (°1954)Untitled2011Artist’s inventory AK11-013Stainless steel and gold platedDiameter: 49¼ inches (125 cm)

Provenance:Studio of the artist

112

Wartski A1

14 Grafton Street, London W1S 4DE, UKTelephone 44 (0)20 7493 1141 Fax 44 (0)20 7409 7448www.wartski.com email: wartski@wartski.com

A rare gold and cloisonné enamelled necklace inthe Japanese taste designed and mounted by Alexis Falize, the enamels by Antoine TardParis, circa 1869 Diameter of each pendant: 1¾ inches (3 cm)

Only two other examples are known to havesurvived to date, preserved in the Victoria and Albert Museum and Ashmolean Museum collections and acquired at the ExpositionUniverselle in Paris in 1867.

113

Wartski A1

A set of six silver goblets by CarlFabergé in the Japanese taste.Workmaster: Alexander Wäkeva. Moscow, 1899-1908.Height: 3.94 inches (10 cm)

114

Wick Antiques Ltd G7

Fairlea House, 110-112 Marsh Lane, Lymington, Hampshire S041 9EE, UKTelephone 44 (0)1590 677 558www.wickantiques.co.uk email: charles@wickantiques.co.uk

The Chatsworth ‘Monkey’ centre tableThe lobed hexagonal black lacquer top of this extraordinary centre table isprofusely decorated in blue and bright pink aoga i (mother-of-pearl) with threescenes showing abundantly flowering trees and birds in landscapes. The basecomprises the painted silk crepe trunk of a tree supported by three furry monkeyswearing brocade coats and harnesses. Japanese, circa 1850.Height: 28½ inches (72 cm) Diameter: 47½ inches (121 cm)

Provenance:William Spencer Cavendish, 6th Duke of Devonshire (1790-1858), by repute,purchased at the Great Exhibition, 1851.

Literature:Photographed in The Oak Room in the late 19th Century, The Duchess ofDevonshire, The House - A portrait of Chatsworth, London 1982, p.165 and TheDuchess of Devonshire, Chatsworth - The House, London 2002, p108 where it isdescribed as ‘An octagonal table supported by three mangy stuffed monkeys wasbought from the Great Exhibition of 1851. Its top glints with mother of pearl’ [in The Oak Room] (op. cit. p. 109).

Footnote:The top of this unique table is of Nagasaki aogai lacquer, which has appliedpigments overlaid with thin layers of mother-of-pearl, to brilliant effect. In 1851London’s Great Exhibition attracted over six million visitors to view 14,000exhibits from all parts of the globe. It was the vision of Prince Albert and HenryCole (the first Director of the Victoria and Albert Museum). The architect of the‘Crystal Palace’ was Joseph Paxton the 6th Duke's gardener. Paxton was knightedfor this extraordinary piece of design and the Duke took great satisfaction in hisprotégé’s achievement. He not only attended the formal opening in May 1851 buttook every opportunity to visit the building as it was being erected and its displaysarranged. As James Lees-Milne writes: The Duke took one by one Harriet (hisniece The Duchess of Sutherland), his brother, Black Rod (Sir Augustus Clifford),his sister Lamb (Caroline St. Jules, the hon. Mrs George Lamb), Caroline Norton,The (Marquis and Marchioness of ) Normandy(s), Lady Newburgh,(Lord) Erskine, and anyone he could enlist to share his delight and enthusiasm.(Sotheby’s, Chatsworth, The Attic Sale, London, 2010)

115

Yates • Trebosc • Van Lelyveld A11

PO Box 580, Lenox Hill Station, New York, NY 10021, USATelephone 1 212 879 7758 Fax 1 212 794 4680

www.dcyates.com email: info@dcyates.comand

8 rue des Moulins, 75001 Paris, France

Dominique Maggesi (Carrara 1807–1892 Bordeaux)Portrait of Docteur A ***MarbleSigned D MAGGESI and dated 1844Inscribed: all’amicizia25 × 14½ inches (63.5 × 36.8 cm)

116

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Rare Louis XV slant top desk attributed toBVRB (Bernard van Risenburgh.) The desk is

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18th Century French and Italian Furniture, Porcelain, Sculpture, Clocks and Works of Art

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53 EAST 77th STREET NEW YORK, NY 10075 (212) 717-6600www.dalvabrothers.com

INTERIOR DESIGN

Photo: Durston Saylor

Edwin Hale Lincoln, Wild Flowers of New England Photographed from Nature, 400 plates in 8 volumes, Pittsfield, 1910-1914. Estimate $40,000 to $60,000. At Auction December 13.

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SWANNGALLERIES.COM

REGULAR AUCTIONS OF

Rare Books

Autographs & Manuscripts

Maps & Atlases

Photographs & Photobooks

Prints & Drawings

Vintage Posters

African-American Fine Art

T H E WO R L D ’ S B E ST D E A L E R S A R E O N .com

David Webb Amethystand Diamond Cuff Bracelet, 1985

Model 1969 Mirrorby Fontana Arte, 1960s

Traina-NorellBlack Satin Cocktail Dress, 1950s

Etching Series, 2010Ross Bleckner

Simone d’Aillencourt pour ArachnéeGeorges Dambier, 1959

Neoclassical SetteeCirca 1770

Helsinki, Finland, 1979Arno Rafael Minkkinen

CastConcrete Chairs, 1950s

Hans WegnerOriginal Signed Folding Chair, 1950s

Tiffany & Co. Art DecoCarved Emerald Pandant, 1930s

Smiling Blond, 2010Marjorie Strider

Important Cabinetby Paolo Buffa, 1920s

ChromeTable Lamp, 1970s

Model ofAston Martin DBR1

Nite-PI-1, 2007Ed Moses

Ceramic Sculptureby Merete Rasmussen, 2010

Painted and Parcel-Gilded Armchairs18th Century

Set of WoodGeometrical Drawing Forms, 1920–1930

Oscar Heyman & BrothersRuby and Diamond Ring, circa 1965

Gerald Genta Octo QuattroRetro Chronograph

NIKKI FIELD KEVIN B. BROWN

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KEVIN B. BROWN ������%�&������'�����'����&����(��)���/+. 22, 223-�$�4�� ���5�1����������#�� ��#�$�4������5���� ��#

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the best of culture, travel & art de vivreFal l 2011

$5.9

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Can

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No.99

THE DESIGN ISSUE The Bouroullec Brothers + Pleyel’s Piano Forte + Seats for the Seats of Power

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THE MANHATTAN ART& ANTIQUES CENTERWWW.THE-MAAC.COM

1050 SECOND AVENUE, AT 55TH STREET, NEW YORK, NY 10022TEL: 212.355.4400 | FAX: 212.355.4403 | E-MAIL: info@the-maac.com

French gilt-bronze double dial calendar clock, c. 1885. H. 15".

SUNDIAL NYCTEL: 212.593.2323

www.SundialNYC.com

French oil on panel by Joseph Bernard (1864-1933).H. 23"; W. 14 1/4".

RDM FINE ARTTEL: 917.447.3344

www.RDMFineArt.com

One of a pair of Chinese Export Yung Chengenamelled plates, c. 1735. Dia. 9".

SUCHOW & SEIGEL ANTIQUESTEL: 212.888.3489

Email: asuchow@nyc.rr.com

Tiffany & Co. sterling silver tea kettle with stand and burner, c. 1869-1891.

ALTER SILVER GALLERY CORPTEL: 212.750.1928

Email: altersilvergallery@verizon.net

French silver mounted crystal ewer,19th century. H. 10".

SAM'S ANTIQUESTEL: 917.566.5330

Email: isaac_sam126@yahoo.com

German sculpture of Saint Michael, ivory and wood, early 19th century. H. 26".

HADASSA ANTIQUESTEL: 212.751.0009www.Hadassa.com

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Art Antiques London13-20 June, 2012

Incorporating the renownedInternational Ceramics Fair & Seminar

a HAUGHTON FAIRSM

Albert Memorial West Lawn, Kensington Gardens, London SW7The West Lawn is next to the The Albert Memorial and directly opposite The Royal Albert Hall.

Tel: 44 (0)20 7389 6555 www.haughton.comSM

The Park Avenue Armory, Park Avenue at 67th Street, New York, NY 10065

October 19–25, 2012Daily: 11am-7.30pm. Sunday & Last Day: 11am-6pm. Admission $20

Preview Party benefiting The Society of Memorial Sloan-Kettering Cancer Center.

October 18, 5.45-9pm

All items strictly vetted for authenticity and condition a HAUGHTON FAIRSM

A La Vieille Russie, Inc. ....................................................37Agnew’s .........................................................................38Antiquariaat Forum BV .....................................................39Alegria, Luis ..............................................................40-41 AntikDekor Magazine ....................................................138Antiques & Fine Art Magazine ........................................130Antiques, The Magazine .................................................134Apollo .........................................................................136Apter-Fredericks Ltd .......................................................42Art Antiques London .....................................................141Ariadne Galleries ............................................................43Autegarden, Anne ............................................................44Blairman & Sons Ltd, H. ..................................................45Bonhams .....................................................................129Bourdon-Smith Ltd., J.H. ................................................46Brady & Co., W.M. ..........................................................47Carlyle, The ..................................................................120Chenel, Galerie ...............................................................50Coulborn & Sons, Thomas ..........................................48-49Cronan Ltd, Sandra ......................................................52-53Crouch Rare Books, Daniel ...............................................51Cullman & Kravis, Inc. ...................................................121Dalva Brothers Inc .........................................................119Dawson Gallery, Douglas .................................................54 Doyle New York ............................................................120Fine Art Connoisseur ......................................................132Finer, Peter .....................................................................561stdibs ........................................................................126France Magazine ..........................................................128Fund for Park Avenue, The ..............................................124Gander & White Shipping Ltd ..........................................139Goeckler Antiques Inc., Bernd ......................................58-59Goedhuis, Michael ..........................................................57Günther Rare Books, Dr. Jörn ...........................................60Hancocks ......................................................................61Haughton Gallery, Brian ..............................................62-65Hostler Burrows ..............................................................66Hyde Park Antiques .........................................................67Hyland Granby Antiques ..................................................68International Fine Art & Antique Dealers Show, The ...................142International Herald Tribune ............................................140Il Quadrifoglio .................................................................69Japonesque ....................................................................70Kahan Gallery, Jane ........................................................71Kentshire ...................................................................72-73Keshishian ........................................................................74

Kilgore & Co., Inc., Jack ....................................................75

Koopman Rare Art .............................................................76

Landa, J.C. ....................................................................131

Lefebvre, Galerie .........................................................78-79

Louvre, Martin du ............................................................77

Luther, H.M. ...................................................................80

MacConnal-Mason Gallery ...............................................81

Maison Gerard Ltd. ....................................................82-83

Mallett Inc. ................................................................84-85

Manhattan Art & Antiques Center, The ...............................135

National Antique & Art Dealers Association of America, Inc. .................................................118

Nassau LLC, Lillian ...........................................................86

Newhouse, Jill ................................................................87

Partridge, Frank ..............................................................88

Phillips, Ltd., Ronald ..................................................90-91

Phoenix Ancient Art .........................................................89

Post-Impressionisme, Galerie du .................................92-93

Potterton Books ..............................................................94

Primavera Gallery NY ........................................................95

Raffety & Walwyn Ltd .......................................................96

Robinson Inc., James ......................................................97

Samina .........................................................................98

Shapero Rare Books, Bernard J. ..............................100-101

Shrubsole, S.J. ...............................................................99

Silver Fund, The ............................................................102

Sladmore Gallery, London ................................................103

Somlo Antiques ............................................................104

Sotheby’s International Realty .........................................127

Stark & Darius Antique Rugs .........................................133

Shamris, Andrianna ......................................................123

Swann .........................................................................125

Szuhay, Peter ..............................................................105

TAI Gallery ...................................................................106

Tambaran Gallery .........................................................107

Thomsen, Erik ..............................................................108

Tomasso Brothers Fine Art ................................................109

Vervoordt, Axel ......................................................110-111

Wartski .................................................................112-113

Wells Fargo Insurance Services .....................................137

Wick Antiques Ltd .........................................................114

Yates • Trebosc • Van Lelyveld .......................................115

Index

143

FAIRENTRANCE

PARK AVENUE

JaponesqueE3

Raffety & Walwyn Ltd B1

Ronald Phillips LtdB3/4

WartskiA1

KentshireA3/4

W.M. Brady & Co.

D4

Axel VervoordtD2/5

Michael GoedhuisD3

Brian HaughtonGallery

E1

Phoenix Ancient Art E2

Dou

glas

Daw

son

Gal

lery

A5S.

J.Sh

rubs

ole

A6

/7D

r Jör

n G

ünth

erRa

re B

ooks

AG

A8/9

Il QuadrifoglioD7

Galerie ChenelD6

Ariadne Galleries, Inc.

D12

Mallett Inc.E12

Frank Partridge E6

Thomas Coulborn & Sons

E5

Hyde Park Antiques, Ltd

D8

Apter- Fredericks LtdD11

Bernd Goeckler Antiques, Inc.

D9Koopman Rare Art

D10

Jack Kilgore & Co., Inc.

E11

Erik ThomsenE9

Martin du LouvreE7

Jeffrey Beal Henkel

J1

Maison Gerard LtdG2

H.M. Luther G1

A La VieilleRussie, Inc.

F1James

Robinson, Inc.F2

Jane Kahan GalleryG3

Lillian Nassau LLCG8

Primavera Gallery, NYF7

Anne Autegarden F3

Luis AlegriaG6

Wick Antiques LtdG7

Tambaran GalleryF6

TAI GalleryF5

Yate

s •

Treb

osc

• va

n Le

lyve

ld

A11

Gal

erie

du

Post

- Im

pres

sion

nism

eA1

2

Sand

ra

Cron

an L

td

A14

Kesh

ishi

anA1

5Sa

min

aA1

6

The Sladmore Gallery

C1

Daniel Crouch Rare Books

&Antiquariaat Forum BV

C2

Hostler BurrowsC4

The Silver FundC5

Jill NewhouseC6

H. Blairm

an &

Sons Ltd B16

Bernard Goldberg

Fine Arts, LLCB

15

Hyland G

ranby Antiques

B13

Galerie Lefebvre

B11Bernard J Shapero

Rare BooksB8/9

Potterton Books B7

J.H.

Bourdon-Smith

LtdB6

HancocksB2

Tomasso Brothers Fine Art

A2

MacConnal-Mason Gallery

G5

Agnew’sE10

Somlo

AntiquesB10

RESTAURANT & BAR

Peter FinerD1

Peter SzuhayF8

a HAUGHTON FAIRSM

www.haughton.com2011

The In

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