the -isms continue: realism and impressionism

20
The -Isms Continue: Realism and Impressionism Chapter 20 Day 2 of 3 Rebekah Scoggins Art Appreciation March 7, 2013

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The -Isms Continue: Realism and Impressionism. Chapter 20 Day 2 of 3. Rebekah Scoggins Art Appreciation March 7, 2013. Realism. A style of art and literature that depicts ordinary existence without idealism, exoticism, or nostalgia - PowerPoint PPT Presentation

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Page 1: The -Isms Continue:            Realism and Impressionism

The -Isms Continue: Realism and Impressionism

Chapter 20 Day 2 of 3

Rebekah Scoggins

Art Appreciation

March 7, 2013

Page 2: The -Isms Continue:            Realism and Impressionism

RealismA style of art and literature that depicts ordinary

existence without idealism, exoticism, or nostalgia Dissatisfied with the Neoclassicist’ and

Romantics’ attachment to mythical, exotic, extraordinary, and historical subjects.

Believed that art should deal with human experience and observation.

Saw dignity of ordinary things and common life. Often highlighted the underrepresented, the

lower classes; or scenes people were sometimes uncomfortable viewing.

Page 3: The -Isms Continue:            Realism and Impressionism

Gustave Courbet. The Stone Breakers. 1849 (destroyed in 1945). Realism.

Page 4: The -Isms Continue:            Realism and Impressionism

Portrait of Rosa Bonheur, 1856.

Page 5: The -Isms Continue:            Realism and Impressionism

Rosa Bonheur. The Horse Fair. 1853–1855. Realism.

Page 6: The -Isms Continue:            Realism and Impressionism

Thomas Eakins. The Gross Clinic. 1875. Realism.

Page 7: The -Isms Continue:            Realism and Impressionism

Henry Ossawa Tanner. The Banjo Lesson. 1893. Realism.

Page 8: The -Isms Continue:            Realism and Impressionism

Realism moves towards Impressionism

Page 9: The -Isms Continue:            Realism and Impressionism

Édouard Manet. Luncheon on the Grass (Le Déjeuner Sur l'Herbe). 1863. Realism.

Page 10: The -Isms Continue:            Realism and Impressionism

Édouard Manet. Olympia. 1863. Realism.

Page 11: The -Isms Continue:            Realism and Impressionism

Impressionism• Opposed academic doctrines and Romantic ideals and

instead turned to portrayals of contemporary society. • Focused on two main themes: nature and contemporary

city life. • Considered the art of industrialized, urban Paris. • Were interested in singular moments, impressions of those

small amounts of time. • A nebulous group whose work varied artist to artist and

were grouped together because they exhibited together in the 1870s & 80s.

• Affirmed modern life• Saw the beauty of the world as a gift and the forces of

nature as aids to human progress.

Page 12: The -Isms Continue:            Realism and Impressionism

Claude Monet. Impression: Sunrise. 1872. Impressionism.

Page 13: The -Isms Continue:            Realism and Impressionism

Claude Monet. Impression: Sunrise (Detail). 1872. Impressionism.

Page 14: The -Isms Continue:            Realism and Impressionism

Claude Monet. Arrival of the Normandy Train, Gare St. Lazare. 1877. Impressionism.

Page 15: The -Isms Continue:            Realism and Impressionism

Claude Monet. Variations of St. Lazare Train Station. 1877. Impressionism.

Page 16: The -Isms Continue:            Realism and Impressionism

Pierre-Auguste Renoir. Le Moulin de la Galette. 1876. Impressionism.

Page 17: The -Isms Continue:            Realism and Impressionism

Edgar Degas. The Ballet Rehearsal. 1874. Impressionism.

Page 18: The -Isms Continue:            Realism and Impressionism

Kitagawa Utamaro. Reflected Beauty, Seven Beauties Applying Make-Up: Okita. c. 1790.

Woodblock Print. Ink on Paper.

Edgar Degas. The Ballet Rehearsal (Detail). 1874. Impressionism.

Page 19: The -Isms Continue:            Realism and Impressionism

Mary Cassatt. The Boating Party. 1893–1894. Impressionism.

Page 20: The -Isms Continue:            Realism and Impressionism

Henri de Toulouse-Lautrec. At The Moulin Rouge. 1892-95. Impressionism.