the machinist trailer analysis

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    Codes and Conventions of a

    Trailer

    The Machinist (2004)

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    Use of TitlesThe first text the audience sees is the Institution titling in which the

    films distribution company is shown. This is a way of the audience

    gathering information about the film and what genre the film shown

    could be. When creating a trailer in my own group, I will research a

    company that is most suitable for my chosen genre of Film Noir.

    Another title shown in this trailer is a critics review. The layout of thisis however unusual for the style of the film, as it has a much brighter

    background of yellow, and almost graffiti like typography. This is not

    synonymous of film trailers as you would expect the text to be the

    same throughout. However the tilted appearance here adds to the

    distorted theme of the film and symbolises the protagonists mind.

    The title typography here changes and remains the same for the rest of

    the trailer. This style seems more apt for the film as it is dark and sinister,

    therefore reflecting the central issues of the plot. The text addressing the

    audience also has soft edges, which appear to fade into the black, this

    symbolises a ghost like presence and heightens the eerie storyline

    further. It is also noteworthy that only one actor has been credited which

    may have been done in order not to disrupt from the dark atmosphere

    that has been developed throughout the trailer.

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    Introduction of characters

    The introduction of Trevor, the

    protagonist, is mysterious, as

    the first mention of him is by a

    character who is unseen- the

    waitress, Maria. The image of

    the machine coupled with the

    sound of her voice dehumanises

    the character of Trevor, thus

    adding an illusion of

    unimportance or disorder.

    Secondly, the stylistic approach

    to this introduction symbolises

    disorientation and confusion for

    the audience.

    The grey scale filter of the

    image also adds to the dark

    atmosphere and the tinges of

    blue depict the machinery and

    symbolise the character ofTrevor. As well as the

    atmosphere of the colours, the

    sound bridge leads to a

    subsequent scene of the

    conversation taking place- thus

    clarifying the characters for the

    audience and taking them out

    of the darkness.

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    The turning point

    The signifiers throughout the

    trailer are structured by a game of

    hangman, as they provide the

    frame for the narrative. This is

    clear to the audience as they arethe only chronological aspects of

    the trailer, and gradually built in

    curiosity and present more and

    more information. It can be

    argued that the simplicity of the

    notes themselves is haunting for

    both the audience and Trevor,

    adhering to the thriller genre.

    Before the turning point of the

    trailer, the audience sees an

    exposition of who the character

    Trevor is, and his struggle with

    insomnia and weight decrease. Thisaspect is presented through many

    short cuts of his daily life, however

    some elements are left out in order

    to create intrigue amongst the

    viewer. On the other hand, these

    disregarded aspects symbolises the

    missing parts of Trevors mind.

    Therefore, the narrative lacuna

    mimics the protagonists' psyche.

    It can be said there are many

    turning points in the trailer,

    however it appears that the

    most significant is when this

    particular post-it note is

    shown, as form then on, the

    soundtrack rapidly increases in

    pace, and volume, as the

    scenes and action shown

    become more erratic and

    chaotic- building to the climax

    of the trailer.

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    Soundtrack and audio

    All the sounds and score in this trailer appear to be elongated and dragged

    down . This could be interpreted as the symbol of Trevors life being

    drained of emotion, or lack of energy, as the score seems slow and

    lethargic. There is also a faint sound of a mechanical clock, or ticking in the

    background, which can also be said to be connecting the theme of

    machinery and defeat, or conflict.

    The third character Stevie is also introduced through a sound bridge, much

    like Maria. Her voice was heard whilst the object of machinery was on the

    screen, a repetition of the introduction of Maria. This lack of clarification for

    that moment, forebodes the theme of a ghostly presence or voices in the

    mind.

    The editing aspect of the soundtrack is used to highlight the idea that one

    clip in it s entirety, complete with audio can serve to propel and strengthen

    the narrative of the film and therefore develop the trailer itself. This will be

    important when choosing what scenes to include in my own trailer, as each

    one must develop and fit with the audio in order to create the desired

    atmosphere.

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    Climax

    The trailer begins to come to a climax as Trevor is seen to be piecing clues together on the post-it notes,. Although there is no central scene

    for these 3 minutes, the post it notes are used a running pattern throughout, and thus develop the climax of the trailer. There is a dramatic

    shift in the action and soundtrack as Trevor runs though the station, and consequently the scenes become more erratic and jump cuts

    appear more frequently. As the action is continuously rising, the soundtrack becomes louder and the pace increases to heighten the tone.

    The last final loud tone of the music is used to end the trailer as Trevors face very suddenly disappears in the darkness. This is a successful

    end to the clip as it connotes the action and thriller form is a sharp and precise way.