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The North Suburban Symphony
In association with the Lake Bluff Park District
2010-2011 23rd Concert Season Music Director – Ron Arden
A
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“A Grand Night For Singing”
May 15, 2011 Spring Concert
Overture, Largo al factotum - Barber of Seville Giacomo Rossini
Nikolas David Arden - Baritone
Chacon a son gout - Die Fledermaus
Johann Strauss
Sheila Baker Bondurant – Mezzo Soprano
Torreadore, Habanera - Carmen Georges Bizet
Mr. Arden and Ms. Bondurant
La ci darem la mano – Don Giovanni Wolfgang Amadeus Mozart
Mr. Arden and Ms. Bondurant
Intermission
The King and I Richard Rodgers and Oscar Hammerstein II
Mr. Arden and Ms. Bondurant
Fiddler on the Roof Jerry Bock and Sheldon Harnick
Mr. Arden and Ms. Bondurant
Carousel Richard Rodgers and Oscar Hammerstein II
Mr. Arden and Ms. Bondurant
The Sound of Music Richard Rodgers and Oscar Hammerstein II
Mr. Arden and Ms. Bondurant
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NORTH SUBURBAN SYMPHONY
2010 - 2011 SEASON
Board of Directors
Marc Needlman, President
Nancy J. Thorner, Treasurer
Suzanne Ingold
Paul Martinez
Scott Schappe
Music Director
Ron Arden
Administration
Lake Bluff Park District
For information regarding the orchestra
Call (847) 234-4150, or fax us at (847) 234-7275
Address mail to: North Suburban Symphony
P.O. Box 889, Lake Forest, IL 60045
Our Internet Address is
www.northsubsymphony.org
The North Suburban Symphony is
a not-for-profit corporation. Contributions are tax deductible
Orchestra Personnel Violin
Cynthia Arden, Concertmaster
Helene Davitz
RoseMarie Domeny
Alison Flores
Lena Goetz *
Jin-Huon Jou
Geisela Oberheim
Audrey Patterson
Carol Purington
Marial Williams*
Xiaoyu Yin, Principal Second Violin
Nathan Daniel*
Viola
Heidi Kuhnke, Principal
Clare Carlson*
Emily Vansickel*
Cello
Julia Fiore, Principal
Laura Gilbert
Betsy Jacobson
Hannah Köll
Nate Rhodes
Nancy Thorner
Jodie Walker
String Bass
Paul Martinez
Travis Miller *
Piano
Hannah Perron*
Luke Johnson, Conducting Intern
Oboe
Charles Emmons, Principal
Suzanne Ingold
Flute
Melinda Vajdic, Principal
Sally Bowers
Adrianna Greisman*
Marc Needlman
Clarinet
Scott Schappe, Principal
Emily Hilgenburg*
Bassoon
LoriLee Bielski, Principal
Bernie Ebstein
Trumpet
Amy Nelson*
Joseph Perry
Trombone
Don Walker, Principal
Anders Kulander*
Tuba
Dean Leff *
Horn
Ross Heim, Principal
Becky Leff*
Jamie Leff*
Eric Pingel
Percussion
Bonnie Kuss, Tympani
Mallory Rasky*
Daid Weibers*
*A Guest of the North Suburban Symphony
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Soloists
Nikolas David Arden resides on the north shore of Chicago in Zion, Illinois. By personal
invitation, he has worked with Stephen O'Mara at the New York Vocal Institute, Richard Lombardi
at Scuola Italia for master scene study, and with Vernon Hartman making his professional Italian
opera debut as Ford in Verdi's Falstaff in 2009 at the world famous Professional Advantage.
Upcoming for Mr. Arden is reprising the role of Melchior in Amahl and the Night Visitors with Petite
Opera Productions this coming November.
Nikolas is a featured soloist with FullScore
Chamber Orchestra (Illinois Council of Orchestra's
Chamber Ensemble 2009) and sang Rossini's
"Largo al factotum" from Il Barbiere di Siviglia with
that ensemble the spring of 2010. Shortly
following that performance Nikolas was contracted
for a Young Artist Program with Opera Santa
Barbara. During the summer he performed the role
of Count Almaviva in Mozart’s Le Nozze di Figaro
with Maryland Opera Society’s Opera In The
Woods and the role of the Marquis de la Force, as
well as the other three baritone roles, in Poulenc’s
Dialogues des Carmélites with RESONANZ in
Albany, NY. In the fall Nikolas sang Tonio in
Leoncavallo’s Pagliacci with the Greater Chicago
Opera Guild and during the holidays he performed
Melchior in Menotti’s Amahl and the Night Visitors
with FullScore Chamber Orchestra.
Mr. Arden’s scenes performances include
Figaro, Ford, Capulet, Don Giovanni, Curio,Masetto, Danilo, Tonio, and the Pirate King. In concert
Mr. Arden has performed the bass/baritone soloist in Messiah, Dubois’ The Seven Last Words of
Christ, Mozart’s Requiem, and CPE Bach Magnificat.
He studies with Karen Brunssen at Northwestern, coaches with Jeffrey Peterson and has
sung in masterclasses for Mark Delavan, Evelyn Lear, William Matteuzzi, Sherrill Milnes, Samuel
Ramey, and John Wustman.
He completed a Bachelor of Arts degree in Vocal Performance with a minor in Theater from
Butler University in Indianapolis, IN and did graduate vocal performance studies at Northwestern
University. He is a paid soloist at Fourth Presbyterian Church in Chicago.
To ensure that all audience members have an enjoyable concert
experience, we ask that all cell phones and pagers be turned off.
Thank you.
Soloists (Continued)
Sheila Baker Bondurant
Opera, spirituals and music that speaks of
the soul’s passion. These are things worth singing
and what makes Sheila Baker Bondurant a perfect
fit for today’s performance. Performances with
local and regional orchestras throughout the
heartland include local appearances with Full Score
Orchestra, most recently as the Mother in Amahl
and the Night Visitors.
As a child Sheila’s grandmother
encouraged her to love singing, teaching her songs
like ‘My Favorite Things,’ ‘Climb Every Mountain’
and ‘You’ll Never Walk Alone.’ Her love for
spirituals was nurtured while completing her
Master’s of Music degree at LSU in Baton Rouge,
LA. Her love for opera was cemented while singing
several seasons with The Dallas Opera Company
and other regional companies.
Sheila currently serves the community as a
private voice instructor, choir director and as the
owner of Sweet Sheila’s Treats, the makers of The World’s BEST Caramel Corn. She and her
husband, David, live in Grayslake and together serve the First Christian Church of Gurnee.
Ron Arden (Music Director) received his musical training at Butler University in Indianapolis, a
Masters from the University of Nebraska in viola performance, and did doctoral work at the
University of Houston in voice and viola. A “renaissance man” in the truest sense, for 25 years he
has performed, taught, and conducted as an artist of the first rank. Orchestral viola experience
includes the Omaha Symphony and Chamber Orchestra, Lincoln Symphony, Houston Bach
Society, Houston Grand Opera, The Florida Philharmonic, and Symphony of the Americas in Ft.
Lauderdale. Vocal/acting experience includes performance as a free-lance artist in Omaha, with
Houston Grand Opera, and Class Act Broadway touring company of South Florida. Ron has taught
private voice and viola in each of the cities mentioned above as well as being a featured teacher for
Elderhostel Continuing Education programs. Presently he is
on the faculty at Lake Forest College and keeps an active
studio in his home. He and his wife have toured the country
for over 20 years and have three recordings from their
performing duo A Cross Between. They have two children,
Nikolas and Ivan and reside in Zion, Illinois where Ron spent
5 years as Minister of Music, Worship, and Drama at a large
non-denominational church. Besides orchestrating worship
there, he was artistic director of the Zion Passion Play, Dean
of the Zion Conservatory, and Music Director of the Zion
Chamber Orchestra – twice awarded by the Illinois Council of
Orchestras. In 2003 Ron founded and became music
director of FullScore Chamber Orchestra, an ensemble of
professional singers and instrumentalists on Chicago’s north
shore. FullScore Chamber Orchestra was the first orchestra
invited to the newly renovated Genesee Theater in Waukegan
and plays there regularly for national artists. Ron is highly
sought as a musical director and works as a consultant on the arts in worship. Enjoying a wide
diversity of performing/conducting experience, Ron’s reputation for instilling excellence and artistry
into musicians is his deepest passion. From classical to Broadway, barbershop to gospel, Ron
comfortably communicates the beauty of great music.
Luke Johnson (Conducting Intern) is an active conductor/composer/performer in the Chicago-
land area. After obtaining his Bachelors of Science degree in Sound Recording Technology from
DePaul University’s School of Music, Luke has been heavily involved in a variety of music projects.
He is currently the conducting intern with the North Suburban Symphony, the associate conductor
of the Chapel Choir at Downers Grove Methodist Church and operates as a freelance recording
engineer for students at Roosevelt and DePaul Universities. While attending DePaul University, he
directed the DePaul Men’s a Cappella Chorus for three years. Luke began his musical education
as a guitar student of Mark Wydra in Westmont, IL. He continued this education with Dianne Hires
and Jeff Ray while at Downers Grove South High School and furthered his musical knowledge at
DePaul University under Dr. Cliff Colnot, Dr. Clayton Parr and Prof. Tom Miller.
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“Best Wishesfor a
Successful Season”
Program Notes Overture, Largo al factotum - Barber of Seville
Giacomo Rossini (February 29, 1792 – November 13, 1868)
Giacomo Rossini, considered one of the ‘Italian Masters’, composed The Barber of Seville in
1772. This piece is one of his 39 operas, and is a typical ‘Opera Buffa,’ meaning comic opera. In
the years following The Barber of Seville, Rossini ‘retired’ from composing full-length operas and
spent the majority of his time composing arias and art songs, for a hefty fee. The Barber of Seville
was not a major public success when it was premiered in 1774, but has since become a standard
in Opera repertoire and enjoys many annual performances to this day.
The overture actually contains no music from the opera itself. It is a stand-alone piece,
rewritten from a previous work Rossini wrote for Queen Elizabeth of England a few years
previously. The overture is well known and often performed by modern ensembles without the rest
of the opera.
The plot of The Barber of Seville revolves around the wooing of the closely chaperoned Rosina
by the Count Almaviva. In the aria “Largo al Factotum,” we are first introduced to the barber,
Figaro, an irrepressible, quick-witted young man. Later on, Figaro offers his services to the Count
as a sure-fire matchmaker. The result of the humor and intrigue is that the Count and Rosina end
up in wedlock.
Chacon a son gout - Die Fledermaus
Johann Strauss II (October 25, 1825 – June 3, 1899)
This lovely excerpt is from Johann Strauss II’s opera Die Fledermaus. It was premiered with
Strauss on the podium in 1874 in Vienna and has become a staple of opera companies worldwide
since then.
Set in 1890’s Vienna, Die Fledermaus is a story of love and deception centering around issues
of faithfulness and the effects of philandering. Alfred, the main protagonist, is a tenor who is trying
to woo his former girlfriend Rosalinda, now the wife of another man - Gabriel von Eisenstein.
Rosalinda begins to fall for Alfred after hearing his lovely voice early on in Act I. The plot thickens as
Gabriel von Eisenstein tells his mate that he has been sentenced to prison one day early than
scheduled, when he in fact was invited to a party for Prince Orlofsky on his final night of freedom.
After Eisenstein leaves, Alfred arrives to be with Rosalinda. When the prison warden arrives to
collect Eisenstein, they find and take away Alfred instead, much to Rosalinda’s dismay – a case of
mistaken identity. Later at the party Rosalinda, suspecting her husband of infidelity, attends
dressed as a Hungarian countess. As the party continues, Eisenstein begins to woo this
‘countess,’ without knowledge of her true identity. Rosalinda is able to take his watch as proof of
his philandering. The calamities that ensue when identities are revealed in the Third Act highlight
age old issues of social disobedience that still have much connection to the deteriorating values
modern western society.
The memorable aria “Chacon a son gout,” which is performed by Prince Orlofsky at the
beginning of his party, is an invitation for all the guests to open up and enjoy themselves for the
duration of the evening.
Torreadore, Habanera - Carmen
Georges Bizet (October 25, 1838 – June 3, 1875)
The ‘Torreadore’ and ‘Habanera’ arias are both from Georges Bizet’s masterful opera Carmen.
Carmen is a French ‘Opera Comique,’ which includes both spoken dialogue and sung arias – not
too dissimilar from an opera buffa. Carmen’s importance in opera repertoire is significant due to
the fact that it broke down the barriers between Opera Comique and more ‘serious’ opera. In the
years to follow, many composers would follow Bizet's lead and meld the two categories together.
This opera was premiered in Paris in 1875. The local music critics initially panned it for ‘strange
melodies’ and ‘taboo subjects.’ During the end of its initial string of performances, the theatre gave
away a majority of the tickets in order to fill the house. Sadly, Bizet died later that year and never
got to witness the importance it now has in modern opera repertoire.
Carmen is an intriguing tale of immense passion, forbidden love and romantic betrayal. The
famous ‘Habanera’ aria is performed by Carmen as she responds to the cat calls of a group of
soldiers in the town of Seville, Spain. She exclaims that “Love is a rebellious bird that nobody can
tame, and you call him quite in vain if it suits him not to come. Nothing helps, neither threat nor
prayer. One man talks well, the other’s mum; it’s the other one that I prefer. He’s silent but I like his
looks.”
Later on in the second act, we hear the successful bullfighter Escamillo sing to Carmen in a
failed attempt to claim her for his own. This aria, known as the ‘Torreador,’ is a depiction of the
excitement that a bullfighter experiences while in the ring. It falls on deaf ears however, as
Carmen’s heart lies in waiting for another man.
La ci darem la mano – Don Giovanni
Wolfgang Amadeus Mozart (January 27, 1756 – December 5, 1791)
The duet aria ‘la ci darem la mano’ is from Wolfgang Amadeus Mozart’s timeless opera Don
Giovanni. Billed as an ‘opera buffa,’ Don Giovanni was written and received its first public
performance in Prague in 1787 with Mozart himself conducting.
Set in Spain during the 17th century, Don Giovanni is a story of murder, womanizing and true
love. The opera’s main protagonist is the young, arrogant, self-indulgent Don Giovanni. The
protagonist has an insatiable desire for women and would be considered by modern standards to
exhibit misogynistic traits. This duet aria ‘la ci darem la mano’ finds Don Giovanni, a nobleman,
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attempting to woo the lovely Zerlina, a lower class peasant girl from the town. Zerlina almost falls
for his romantic advances, but alas retreats when hearing the warnings from Donna Elvira – a
former mistress of Don Giovanni’s.
The King and I
Richard Rodgers (June 28, 1902 – December 30, 1979)
Oscar Hammerstein II (July 12, 1895 – August 23, 1960)
Another successful collaboration between Richard Rodgers (music) and Oscar Hammerstein II
(lyrics), The King and I was based on the 1940s novel by Margaret Landon called “Anna and the
King of Siam.” This novel was in fact based on a true story about Anna Leonowens who was
appointed governess of the children of King Mongkut of Siam in the mid 19th century. With its
premier on March 29th, 1951, The King and I became an immediate hit with the critics and
resulted in Tony Awards for Best Musical, Best Actress (Gertrude Lawrence) and Best Featured
Actor (Yul Brynner). The initial Broadway production ran for 3 full years and encapsulated a
remarkable 1,246 performances. In 1956 The King and I was made into a feature film and resulted
in an Academy Award for Brynner.
This ‘boy-meets-girl’ love story is set during the British Imperialism in Southeast Asia. Not only
did Hammerstein weave an intriguing and adorable love tale, but he also was able to highlight the
cultural divide between the Asian orient and their British rulers – an issue that still has significance
to this day. Touching on the age-old issues of polygamy, societal/cultural differences and forbidden
love, The King and I was a stray away from ‘comical musicals’ by Rodgers and Hammerstein II in
favor of a more serious production.
Fiddler on the Roof
Jerry Bock (November 23, 1928 – November 3, 2010)
Sheldon Harnick (born April 30, 1924)
Fiddler on the Roof was a 1965 Broadway musical written by Jerry Bock (music) and Sheldon
Harnick (Lyrics) and is based on the stories of Sholom Aleichem. The initial success of this musical
translated into a record-breaking 3,000 straight performances after its premier and nine Tony
Awards. It is set in the small Jewish village of Anatevka, Russia at the turn of the 20th century. The
central theme revolves around Tevye, a dairyman, and his wife Golde with their five daughters as
they try to find the silver lining in life whilst living under the harsh Tsarist dictatorship of the time.
One of the main focuses of this production is the importance of God’s law and his role in
providing the much-needed balance in the lives of the villagers. Tevye’s three daughters are a main
source of concern, as they each make choices that go against the traditions he is trying to keep
alive. It is an intimate portrayal of how modern society’s values have begun to erode the classical
traditions (religious and otherwise) that were once quite prevalent.
Carousel
Richard Rodgers (June 28, 1902 – December 30, 1979)
Oscar Hammerstein II (July 12, 1895 – August 23, 1960)
Carousel was the second collaboration between Rodgers and Hammerstein. Its 1945
Broadway premier was very well received and ran for an astounding 890 performances.
Hammerstein based his lyrics and dialogue off of Ferenc Molnar’s turn of the century play ‘Liliom,’
but changed its initial backdrop from Budapest to Maine, in an effort to connect with the American
audience. Years later, Rodgers would be quoted saying that Carousel is one of his favorite
compositions. Time Magazine backed him up by naming it the ‘best musical of the century.’
This two act composition centers on the prevalence of true love and how much more important
it can be than everything else in life. In this case, love results in the loss of jobs, crime, philandering,
pregnancy (and resulting parental negligence) and even death itself. Yet above all this, the themes
of absolute affection toward loved ones and the importance of being an autonomous individual
hold fast and true.
The Sound of Music
Richard Rodgers (June 28, 1902 – December 30, 1979)
Oscar Hammerstein II (July 12, 1895 – August 23, 1960)
One of the iconic musicals of the 1950s, The Sound of Music was another major public
success from Rodgers and Hammerstein. Based off of “The Story of the Trapp Family Singers”
memoir of Maria von Trapp, it was the final collaboration between these two musical and lyrical
giants of Broadway. The Broadway premier was on Nov. 16 1959 and has been re-run at nearly
all major theatre houses since then. Even though it was initially conceived as a stage musical, The
Sound of Music also became a very successful film in 1965 and won numerous Academy Awards.
In two-acts, it follows the von Trapp family and their lovely nun-turned-governess Maria as they
try to escape the horrors of socialist Eastern Europe just prior to World War II. The patriarch of the
von Trapp family is a captain in the Austrian army who rules his many children with an iron fist.
When the lovely Maria arrives to care for them, she brings with her a refreshing approach to child
rearing. Inevitably Maria and Captain von Trapp get entwined in a romantic dance that complicates
their professional relationship, and has direct affects on the von Trapp children that play out over
the course of the two acts. The Sound of Music touches on issues of parental absence, forbidden
love, and the positive effects that music can have on people.
Program notes by Luke Johnson
Please join us for the:
James Glacking Young Musicians Competition
This Fall, 2011
In the Gordon Center Auditorium
Lake Forest, Illinois
This exciting musical event
features talented high school musicians.
Tickets may be purchased at the door.
♬
Sunset Foods Of Highland Park, Lake Forest,
Libertyville and Northbrook; and
Margorie Glacking
Of Libertyville
Are the proud sponsors
of this competition
Please join us for the:
James Glacking Young Musicians Competition
This Fall, 2011
In the Gordon Center Auditorium
Lake Forest, Illinois
This exciting musical event
features talented high school musicians.
Tickets may be purchased at the door.
♬
Sunset Foods Of Highland Park, Lake Forest,
Libertyville and Northbrook; and
Margorie Glacking
Of Libertyville
Are the proud sponsors
of this competition
CAFEDOUGLAS J. KARNAZES
Proprietor
“My tastes are simple; I am easily satisfied with the best.” - Winston Churchill
113 E. Scranton Ave. Ph: (847) 295-0444Lake Bluff, IL 60044 Fax: (847) 295-0497
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October 2, 2011
Gorton Community Center Auditor ium - 4pm
Peter and the Wolf
By Serge Prokofiev
This is a family event especially fun for children of all ages
November 20, 2011
Gorton Community Center Auditor ium - 4pm
Mostly Mozart
Featuring the magnificent
Symphony No. 41 “Jupiter”
March 18, 2012
Lake Forest High School Auditor ium - 4pm
Tremulous Tchaikovsky
Partnership with Lake Forest High School Orchestras in the spectacular
Symphony No. 4
May 13, 2012
Gorton Community Center Auditor ium - 4pm
Beloved Beethoven
Welcoming Spring with
Symphony No. 6 “The Pastoral”
The North Suburban Symphony Warmly Invites You To Celebrate Our 24th Season:
Proudly supports The North Suburban Symphony
And wishes them a successful 23rd season
Emporium Luggage
662 N. Western • Lake Forest, IL 60045
Telephone (847) 295 8655
Hours:
Mon-Sat: 9:30 - 5:30
Sun: Closed
CONTRIBUTORS 2010-2011
The North Suburban Symphony sincerely appreciates
the contributions of those who support our concerts
and the other activities of our 23rd Season.
Anonymous
Richard and Andrea Amend
David and Julia Ariano
Sara Baldwin
Fred and Theo Bee
LoriLee Bielski
Stacy and Robert Birndorf
Bernie Ebstein
Carla and Jay Edelston
Charles Emmons, Jr.
Melissa J. Frey
Dean and MInda Gerber
William and Joyce Gordon
Gary and Karen Hamity
Nan L. Harris
Capt. William R. Harris, USN (RET)
Ann S. Hoenig
Amanda Iqbal
Joe Jasas
Tung H. Jeong
Katharine M. Jones
Richard and Joan Kay
Burt Kleinman
Knowlysi, Chris Worsley
Margaret E. Kuhnke
Bonnie Kuss
Claudia A. C. Landolfi
Gary and Hillary Lee
Sarah K. Leinweber
Maureen Liebenson
Richard and Ruth Mandahl
Karen A. Martin
Francis Morrone
Patricia S. Morrow
Mila Namts
Julia Nicolas
Lynn Northrup
Jeanne and John Ottens
Packaging Corp of America
William F. Pridmore
Paul and Carol Purington
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Lindsay E. Roberts
Mitchell L. Rogatz
Warner A. Rosenthal
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Kathryn Strate Smith
Eleanore C Stauhs-Howard
James Stephenson
Sunset Food Mart
Nancy J. Thorner
Nancy Tobin Living Trust
Charity Vitale
Jean W. Walbridge
Joseph and Diane Walsh
Debbie Williams
Carol V. Willis
Michelle A. Wilson
Cynthia J. Wolfson
Zimny Landscaping
Donations in Kind:
LoriLee Bielski, poster design
Ed Ingold, audio and visual recording