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Carole BoyceDavies
The Official Newsletter of the Caribbean Studies Association
CSA ExecutiveCouncil, 20152016
President:Carole BoyceDaviesCornell University
Vice President:Keithley WoolwardCollege of The Bahamas
Immediate Past CSA President:Jan DeCosmoFlorida A&M University
Treasurer:Dwaine PlazaOregon State University
Secretary:Mala JokhanUniversity of the West Indies, St.Augustine
Editor, Newsletter:Meagan SylvesterUniversity of the West Indies, St.Augustine
Student Representative:Lauren PraggYork University
Executive Council
Michael BarnettVilma DiazKaren FlynnTerryAnn JonesHeather Russell
Join/RenewMembership
Please join CSA if you are not amember or if you have not paidyour dues for 2015. You mayalso make a donation to CSA all donations go directly to ourprograms.
» JOIN TODAY» UPDATE MEMBER INFO.
2015 Gordon K. andSybil Lewis AwardWinners
The Caribbean StudiesAssociation (CSA) is pleased toannounce the 2015 Gordon K.and Sybil Lewis Award, whichcarries with it a monetary prize of$1000, thanks to the generousLewis Family donation and itscontinuing support of the CSA.The Award commemorates notone but these two distinguishedCaribbeanists. One of the most
Issue: June 2015
MESSAGE FROM THE PRESIDENT
“CSA MOVING FORWARD WITH 40 YEARS OFHISTORY”
The Caribbean StudiesAssociation (CSA) turned 40 butwithout all the fanfare it deservesfor making it into early middleage. One of its achievementsthough was hosting its firstconference in the CaribbeanDiaspora and thus firmlyindicating that the regionalCaribbean and its much moreinternational Caribbean Diasporaare also visible locations ofCaribbean experience. And wego to Haiti for the first time nextyear, again broadening the reachof CSA. So, as it moves through its 40’s, CSA can nolonger claim to be a young and struggling organization. Under my leadership, we plan to do a number of thingswhich will improve the structure and make our belovedorganization more professional.
We need to adhere to the calendar year deadlinesfor paying dues for example. That way, we will notbe at the last minute trying to find out who is alegitimate member which also affects the delivery ofthe final program.We will work on a much more advanced onlinesystem for proposing papers and panels in keepingwith major organizations of our type. All paperproposals will have to be submitted in this way andnot by email with the program chairs and theirprogram committee being the only one’sresponsible for that process.We will work on enhancing the languages of theCaribbean, so that it is not just French and Spanishbut also Dutch and Kreyol and Papamientotranslations.We will design a more developed andrepresentative leadership transfer in keeping withother organizations our age.We will develop a performance track and visual artssection at our next conference so that along withfilm and literature, the performance and visual artswill have space in the conferenceWe will routinely place “Proceedings” within theconference budget so that the Program Chairs havea tangible publication of papers which representbest the conference theme, and members are ableto also get their work published formally. We will work to make CSA the place one goes to forcurrent information on the Caribbean and/or to findCaribbean experts on different topics.
Our conference theme for next year is “Caribbean GlobalMovements: People, Ideas, Culture, Arts and EconomicSustainability.” Please feel free to organize minidiscussions at your institutions on this topic so that our
Keithley Woolward
important contributions ofGordon Lewis in particular wasthe ways in which his work washis transcaribbean. GordonLewis was a most admirableintellect who understood theCaribbean as a space that wasbeyond just a racial andlinguistic space.
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2015 ConferencePhotos
The 2015 CSA Conference wasa huge success. View the photogallery to get a snap shot ofsome conference highlights.
» CLICK HERE to view photos
theme is shared widely at your institutions. Additionalsuggestions for making CSA into the mature professionalorganization that it will become as it moves into its 4thdecade of existence. I look forward to working with youthis year.
Carole BoyceDaviesPresident, CSA20152016
MESSAGE FROM THE VICE PRESIDENT
Dear CSA Members,
Let me first thank themembership for opportunity toserve the organization as vicepresident. As we move forward tothe 41st annual conference inHaiti, CSA will mark anotherhistoric milestone: the affirmationof Haiti’s centrality in theturbulent history of the Caribbeanregion.
The 20152016 CSA Executive Council will beundertaking a number of initiatives to improve theinstitutional capacity and long term sustainability of theorganization. You will be hearing from us in the comingweeks for your suggestions and recommendations as weseek to enhance our impact as the primary vehicle forresearching, analyzing, and documenting the Caribbeanwithout limitations as to discipline(s), language(s),culture(s), and location(s).
We look forward to the work ahead.
Best regards,Keithley WoolwardCSA VicePresident
MESSAGE FROM THE PROGRAM CHAIRS
MarieJose NzengouTayo
Angelique V. Nixon
The 41st Annual CSA Conference, 511 June 2016, willconvene in PortauPrince, Haiti for the first time: a longoverdue location for the association. We are eagerlylooking toward to an exciting conference as we expect anenthusiastic response from Caribbeanists from the regionand elsewhere. We also expect strong participation fromHaitian intellectuals, artists, teachers, scholars,professionals, and activists, among others, inside thecountry.
This conference, we hope, will help to establish a crossdisciplinary and translingual encounter and reinforce theintellectual integration of the nonEnglishspeakingCaribbean within the Englishspeaking Caribbean andCARICOM. Also, the conference will be an occasion tohave much needed dialogue about the vital contributionsof Haiti to the region particularly in terms of the arts andknowledge production. The theme of the 2016conference – Caribbean Global Movements: People,Ideas, Culture, Arts and Economic Sustainability – offersa focus on the various movements that have given rise tothe region and our place globally, while also repositioningquestions of knowledge and sustainability. And it offers
Meagan Sylvester
us a space to think through the centrality of Haiti in thesemovements and how we can envision and plan futuremovements. We also hope that the conference will giveus the opportunity to showcase the wealth and diversityof independent Haitian scholarship, which hascontributed to unconventional and needed responses toissues facing the country.
As we are drafting the call for submissions, we invite ourmembers to think about and plan for interdisciplinary andmultilingual panels in order to foster an interCaribbeandialogue beyond geographical borders and linguisticbarriers. We plan to have the call for submissions readyfor circulation very soon. Please note that proposals willbe due much earlier than in previous years – 15thOctober 2015 – as part of our work with CSA executivecouncil to make improvements to the program structure,as well as the procedures for submission, membership,and registration. We ask CSA members for yourpatience and support as we work on changes, especiallyas we prepare for the conference in Haiti. We are open toyour ideas and welcome your participation.
For all programrelated inquires or suggestions, pleasecontact us directly [email protected].
MarieJose NzengouTayo & Angelique V. Nixon
MESSAGE FROM THE EDITOR
Coming off a successful AnnualConference in New Orleanswhere the CSA celebrated 40years in existence, I am gratefulfor the efforts of CSA membersand supporters as we continue tobuild, grow and expand ourorganisation. Going forward myfocus will be to continue carryingon the traditions that were laidbefore me and stand on theshoulders of the giants of ourpast.
The CSA Newsletter is a key armto keep members connected and informed about theorganisation so let me be the first to let you know thatthere will be some changes going forward. As weembrace our multifaceted and multilingual membership,we are pleased to announce that our Newsletter will nowhave segments in the following languages: English,Spanish, French and Creole. Content in Dutch is soon tobe added in the coming months.
What you can continue to expect in the Newsletter areour usual features: (i) From the President; (ii) From theProgram CoChairs; (iii) The Graduate Student Cornerand (iv) General Updates on the upcoming Conference inHaiti and CSA announcements.
Of note is the good news that the CSA website has beenupdated and improved. Please continue to visit ourwebsite for Conference news.
As I enter my sophomore year as the CSA NewsletterEditor, I look forward to continued service to our currentmembership and establishing new ties through ouroutreach to the Caribbean Diaspora wherever they mightbe.
Meagan SylvesterThe University of the West Indies,St. Augustine Campus, Trinidad and Tobago
MESSAGE FROM THE LANGUAGE SUBEDITORS
Vilma Diaz
Nouvèl (Martiniquan French Creole)
KONFÉRANS DI ASOSYASYON ÉTID KARAYIBLA(2529 mé 2015)
“Karayibla an laj apatel global kloti épi fwontyè mo pou mo épi imajiné”. Sé tétèm di konférans di Asosyasyon di Étid Karayib la. Lanné ta la, konféransla fètNouvèl Orléan adan an lotèl Hilton (Riverside). Sa impòtan di di ke Asosyasyon fétékarant an ï.
An lo moun vini di Étazini, Canada, léwòp épi Karayibla pou fè présantasyon yoasou pliziè sijé: diaspora, sinéma, kilti, édikasyon, ékonomi, mizik, politik… Sé sijèapèmèt sé panélisla épi sé présantatèa di kominiké ant yo. Sé diskisyonan té richépi entérésan tou. Té ni dé tab won ki fèt le madi épi le jédi. Yo fèt linivèsité Tilan éadan Sant Kiltirèl di Ashé. Sé té an tan pou artist, présantatè é sè moun an ki té la dipalé asou tèm di diasporala é fèstival di Lanouvèl Òléan.
A kòz di istwa kolonyal di Lanouvèl Òléan é di Karayibla, sa pa étonan ki konféransdi Asosyasyon di Étid Karayibla fèt adan an vil ki ni mizéï, sit touristikli, batimanï,épi mizik djazli ki ka atiré an pil vizitè. Mèm si èvènman Mardi Graa ka egzistéadan cèten péyi di Karayibla, ni diférans kanmèm. Sé nèg Lanouvèl Òléan ka abiyékò yo an zendyen di Amérikla. Fòk di ki Mizé Back Streetla ka fè an lo éfò pougadé latradisyon épi fè bèl kòstym ki byen koloré.
Lendia épi mardia, té ni film épi dokimentè ki té byen bèl. Sé pwodiktèa ki byensélèb kon Fabienne Kanor, Geoffrey Dunn, Karen Mafundikwa, Andrea Leland,aHabdaphai Alerte et Doktè. Maurice Martinez té présan. Adan dokimantèli, “SomeFeet, My Foot”, Fabienne Kanor eséyé di egzaminè pwoblèm idantité akaï an fanmnwè ki paran di an pèp imigré é ki pa entégré.
“Yurumein Homeland, sé an pwodiksyon di Andrea Leland, ki ka évoké tribilasyon dipèp Karayib di San Vensan. Sé Anglé tchoué ansèt yo. Sè Garifunaa épi séKarayibla ka di ke ansèt yo egzilé Lamérik. An fèt, sé konsa ki kilti tradisyonèlyorivé viv.
Geoffrey Dunn réalizé “The Glamour Boyz Again: The Mighty Sparrow and LordSuperior on the Hilton Rooftop”. I filmé performans Mighty Sparrow épi ta LordSuperior. Sé dé mountala jwé an wòl enpòtan adan mizik Kalypsoa. Performanstala té pou pwodiksyon Calypso Dreams an 2002. An plis di sa, performansla téfilmé a sou twa lotèl Hilton ki ka dominé vil PortofSpain.
Mè nou pa pou blyé di ke Orlando Patterson ki sé an sosyològ di jamayikla fèdiskouï pandan sérémoni douvètia ki fèt lendia. Apwè sa, tout moun an té nilokazyon di byen manjé épi kouté an bon ti mizik Djaz. Dènyé joua ki té vandrèdia,tout moun koumansé dansé anba mizik di artist Bruce “Sunpie”Barnes. Konféranslan fini.
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40 Conferencia de la Asociación de Estudios del Caribeen New Orleans, el espacio cultural más al norte delCaribe.
Por: Vilma Díaz Cabrera
La Asociación de Estudios del Caribe celebró su 40aniversario mostrando nuevas miradas a nuestra diversidadcultural. Las interconexiones de nuestros pueblos insularesy continentales, la singularidad y generalidad de losespacios y las principales problemáticas del Caribecontemporáneo fueron los ejes articuladores que reunierona más de 600 intelectuales, artistas, cineastas, escritores yamigos para expresar la fuerza y proyección de una asociación con nuevas líneasde trabajo para el futuro. El programa del congreso, organizado en plenarias, paneles, exposiciones delibros, foros audiovisuales, celebración de autores, mesas redondas sobreinvestigaciones y temas de relevancia internacional y/o académica motivó a ungran número de intelectuales de la región para dialogar en torno a las vinculacionesde New Orleans con el Caribe, sus nexos musicales o aspectos de ese patrimoniointangible que permanecen en corrientes migratorias del pasado y del presente.
África en New Orleans es la defensa del Congo Square, su permanencia y tradiciónrepresenta para los habitantes de esta linda ciudad del Missisipi su unión culturalcon nuestro origen común de infinitos pueblos caribeños. Por eso, desde allí sepresentaron más de 250 paneles y 6 actividades culturales que abrieron nuevoshorizontes de pensamiento social necesarios para defender el Caribe tal como hace
Hélène Zamor
100 años lo hicieron desde diferentes escenarios una intelectualidad comprometidacon su cultura raigal.
La reconfiguración de los límites territoriales e identitarios trascienden los límitesreales para reconfigurar nuevos bordes icónicos y simbólicos. De ahí que elverdadero reto para el Caribe será rearticular nuestra historia, política, literatura yexpresiones artísticas en función de los tiempos que corren. La frontera, según lasprincipales voces del congreso es división, unión y/o creación, de ahí que NewOrleans en su historia es frontera geográfica, cultural y política del Caribe, eseCaribe norte identificado con la fusión de África, España, Francia y Estados Unidos. Una mirada transdisciplinar a procesos artísticos en el Caribe fueron posibles enactividades organizadas por Tulane University, Aché (Cutural Association),Backstreet Cultural Museum, entre otras. Volvió el Carnaval, el Mardi Grass deNOLA como reunión simbólica de expresión religiosa que visualmente adornan lascasas de una ciudad que une tradición y modernidad.
De esta manera llegó, por primera vez, los congresos de la CSA a la ciudad más alnorte del Caribe, una ciudad que una vez fue la Louissiana de ese arco de medialuna del siglo XVIIXVIII y ahora vuelve a nosotros como expresión sincrética delflorecimiento de un lugar conectado con Cuba y Haití desde el siglo XIX, hermanadocon las islas angloparlantes por procesos migratorios desde inicios del siglo XX,vinculado a México con la vanguardia plástica de Diego Rivera y, desde ahora, conotros que por primera vez al visitarla ya sienten la necesidad de regresar a esteespacio en que celebramos nuestros primeros cuarenta años de trabajo.
Français
BULLETIN D’INFORMATIONSCONFÉRENCE ANNUELLE DE L’ASSOCIATION DESETUDES CARIBÉENNES(2529 mai 2015)
“La Caraïbe à l’ère de l’Arpatheid mondial. Clôtures, limiteset frontièreslittéral et imaginé”. Tel était le thème de laconférence de l’Association des Études Caribéennes quis’est tenue à l’hôtel du Hilton Riverside (NouvelleOrléans).Il est quand même important de préciser que l’Associationfêtait son 40ème anniversaire.
De nombreux participants originaires du Canada, d’Europe, de la Caraïbe et desEtatsUnis ont présenté leurs articles sur divers sujets: diaspora, danse, cinéma,culture, éducation, économie, musique, immigration, politique etc. Ces sujets onteffectivement fait l’objet de discussions intéressantes et enrichissantes entrepanélistes et présentateurs. Le mardi et le jeudi, deux tables rondes se sontdéroulées à l’Université de Tulane et au Centre Culturel D’Ashé. C’était l’occasionpour les chercheurs, les artistes et les participants d’échanger leurs opinions sur ladiaspora et les Festivals des Arts (NouvelleOrléans).
Etant donné l’histoire coloniale de La NouvelleOrléans et la Caraïbe, il n’est passurprenant que la conférence de l’Association des Études Carbéennes se soit tenuedans une ville où ses musées, ses sites touristiques, ses bâtiments, sa musiqueJazz et son histoire tiennent les visiteurs en haleine. Bien que l’événement du MardiGras se célèbre dans certaines îles de la Caraïbe, il existe des différences du pointde vue des costumes par exemple. A la NouvelleOrléans, les Noirs se déguisent enIndiens d’Amérique. Cependant, n’oublions pas que le Musée du Back Street fait deson mieux pour préserver la tradition du Mardi Gras en confectionnant des costumescolorés et bien travaillés.
Le lundi et le mardi était reservés à la diffusion de films et de documentaires qui ontété réalisés par des metteurs en scène bien connus. Citons ainsi Fabienne Kanor,Geoffrey Dunn Karen Mafundikwa, Andrea Leland, Habdaphai Alerte et Dr. MauriceMartinez. A travers son documentaire intitulé “Some Feet, My Foot”, FabienneKanor met l’accent sur la perte d’identité d’une femme noire qui est descendanted’un peuple immigré et non intégré. “Yurumein Homeland, une production d’AndreaLeland, raconte le passé douloureux des Caraïbes de SaintVincent etl’extermination de leurs ancêtres par les Anglais. Les descendants des Garifunas etdes Caraïbes évoquent l’exile de leur ancêtres vers l’Amérique où la culturetraditionnelle Garifuna a survécu. Geoffrey Dunn, le producteur de “The GlamourBoyz Again: The Mighty Sparrow and Lord Superior on the Hilton Rooftop”, a filmé laperformance de Mighty Sparrow et Lord Superior, deux légendes du Calypso. Cetteperformance se destinait à la production Calypso Dreams en 2002. De plus, elle aété filmée de la toiture de l’hôtel Hilton qui domine la ville de PortofSpain.
Pour conclure ce résumé, la conférence de l’Association des Etudes Caribéennes aorganisé une cérémonie d’ouverture durant laquelle le sociologue jamaïcain Orlando
Lauren Pragg
Patterson a prononcé son discours. Après l’ouverture de la cérémonie du lundi 25mai, les participants ont pu se régaler et se laisser bercer au doux son du Jazz de laNouvelleOrléans. Le vendredi 29 mai, les participants se sont défoulés sur lamusique du talentueux artiste Bruce “Sunpie”Barnes.
GRADUATE STUDENT CORNER
Once again another engaging and successful CSAconference just wrapped up, leaving conference attendeesand participants with exciting ideas, feedback andcollaborations. Set this year in the vibrant city of NewOrleans, Louisiana, the backdrop for the conference held alot of history, culture and hope. Many attendees enjoyed thesights and sounds of the city from Bourbon Street toPreservation Hall to Frenchmen's Street. Several membersalso took in the remarkable and stunning memorial toformerly enslaved peoples in Wallace, LA at the WhitneyPlantation.
Complementing these regional sites the Conferenceproceedings themselves were full and held many enrichingconversations for all participants, including grad students.The longestablished traditions of grad student activities returned to CSA NOLA: thegrad student breakfast, and workshops on Finishing Your PhD and Getting a Job inCaribbean Studies, and Tenure and Beyond. The undergraduate poster sessionbrought together 10 exciting projects, and new faces to the CSA. Many studentsparticipated through panel presentations, ideally producing an experience thatcreated learning through mentorship, process and feedback.
The cultural activities arranged by the CSA were also a great hit with the members.The visit to the Backstreet Cultural Museum and the Second Line parade thatfollowed was a highlight. Also to be commended was the great excitement aroundthis year’s CSA Night, which sold out before Friday and featured the music of Bruce“Sunpie” Barnes & the Louisiana Sunspots, with Derron Ellies.
As the new graduate student representative on the Executive Council I hope torepresent the needs of all students at the Executive level, as well as during the nextconference in Haiti. Some of the central goals I have for my term include: increasingand improving mentorship for students; variation among graduate studentworkshops; an increase in undergraduate involvement; and greater support forstudent travel and participation. I welcome feedback of all kinds from students, andwould be grateful for ideas of visions and priorities that mean something to thestudent members of the CSA. Please feel free to contact me ([email protected]) andI look forward to seeing you all again in a year!
Copyright © 2015 Caribbean Studies Association. All rights reserved.Contact email: [email protected]
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